#*checks legs to see if theyre smaller*

[peacesign11111111111111111]

i wish i wasnt so consumed with how i look. but here i am

[shaampoo]

saw that someone who reblogged Smiling Critters followed me, so i thought that maybe i should give a sneak peak on my Smiling critters fic that I'm working on rn, just cause

So its basically kinda a crackfic(?), where theyre reincarnated (inspired by this fic) and its all the critters reincarnated, but they don't know everyone else reincarnated, they just think that they were the only ones who reincarnated (or at least some of them reincarnated), and they're trying to find out who reincarnated or not without giving away they reincarnated (since the others might worry for them if they weren't reincarnated), and its just weird shenanigans, whatever comes to mind guess lol

--------------------------------

Crawling, crawling, crawling inside him, it was hell, all he could remember after that was chasing the ex-employee, then his body couldn’t handle it anymore

And everything went black.

----------------

Slowly, Dogday opened his eyes, he was lying down on a couch, and he felt a weight on his stomach, but he didn’t look down, he just stared at the ceiling, wondering what just happened, he felt a bit sick, who wouldn’t if you had literal toys go inside you? If Dogday focused enough, he could still feel them inside him.

He took a deep breath, first, he needed to calm down, if the sound of snores meant anything, it meant that there were others with him, and he didn’t want to just freak them out, whoever he was with, he hadn’t checked yet.

He died, he was sure of that, there was no way he survived, so, where was he? He looked at his hands, it was his hands at the least, though, smaller and rounder, he looked down, trying to get a look at his body, maybe it was smaller as well, ri-?

Dogday froze, his breath hitching, a purple cat was on him, and there was no mistake on who it was.

He took another deep breath, he looked around, and again, froze, his friends were all lying down, asleep as well, how were they here...?

Unless, he did die, and he was...reincarnated? That was...an interesting theory, but if that was the case, did everyone else reincarnate as well? Or was it just some of them? He never really knew if his friends died as well, for all he knew, he was the only one who died among them.

He gently lifted Catnap (whether or not this was his Catnap, he wasn't really sure) and got Catnap off him, setting him down next to him on the couch, he removed the blanket covering him and covered Catnap, then tried to hop off the couch

Emphasis on tried

Once his feet hit the ground (oh, right, he had feet now, that was neat) he fell over, thankfully, a pillow cushioned his fall.

Right, it's been a few years since he had legs, Dogday got up to his feet, using the couch as a way to help himself up, he looked around

The place seemed…familiar, it clicked, it was his house, or…well, the house he has on TV, it seemed like this was after the episode where Catnap used the gas on them so they could fall asleep, seeing as everyone was asleep on the floor, so…this was some second life or something? There was no way the scientist would give them a second chance like this after all, if there were any scientist left, and he doubted the Prototype would do any of this.

He carefully walked his way to the kitchen, well, might as well act normal, if the others weren’t reincarnated, there was no reason to make them worry by telling them

-------------

Thats it for now lol, but ill be working on it :3, critism, thoughts, and suggestions (and suggestions for scenarios cause these are like, little one shots with a timeline) are welcome, actually, I'm begging for it rn cause I really want to know what you guys think,

[sharksfood]

some stuff ive noticed after watching The Way of Water multiple times

- Mansk (grill-mater with sunglasses) doesnt die! Jake is about to shoot him in the final fight on the sinking RDA ship but he’s out of bullets ans hit hits Mansk instead, possibly knocking him out, but not killing him! He’s the only Recon i noticed not die (besides Quaritch of course) but i could be wrong.

- Tsireya dosent have large leg and arm strakes like her brother or parents (and this is shown in the book as well) which i theorize as female Metkayina develop their strakes until later, or she just has smaller ones for some reason.

- Neteyam, until his siblings, doesnt have eyebrows or four fingers. he takes mostly after his mom and so doesnt have much of his dad’s avatar dna! I see lots of people giving him eyebrows and it bothers me (Tuk has light eyebrows and MIGHT have three fingers but i’ll need to check)

- Kiri always wears her mom’s necklace, it was made for Dr. Augustine by the young Na’vi she taught at the English school.

- Na’vi DO NOT have slit pupils like cats!!! I dont know why people draw them with slit pupils? The only time i noticed their eyes becoming slits was once or twice by Quaritch and it was not small slivers, more almond shaped. If a Na’vi is angry or upset their pupils just get smaller! Maybe they slit a bit like ( ) not () ya know?

- Lo’ak looses his knife while in the water trying to fight the giant fish (i could not find what its called) so any scene after that he has a new knife! i suspect he carved it from a shell or fish bone. i can tell its a different knife bcs its a different color and longer

- this is a weird thing to notice BUT the loincloth that Na'vi wear have parts that actually go between their legs, theyre not totally bare under there. ive seen some NSFW art that suggested they just cover themselves from the direct front and back, but this isnt so! some loincloth have decorative parts on the front, but they always have some cloth that is actually supporting their nether-reigons

[antletic]

todays exploration. had a bit of a bad time pinning and kept losing legs but overall they still look nice

1. two different moths. the bigger one unfortunately lost some scales while in the process of collecting hence the slight lack of shinmer. still very nice

2. some freak i cant id. check out the palps on it tho

3. a damselfly. theyre like dragonflies but just a bit smaller on average and dont rest with their rings outstretched, but tented above them (like pic)

4. LARGE ANT

5. a cute little beetle. the colour placement is inverted compared to that small beetle vs the bigger one which is interesting

6. some flies. you can see the labellum hanging off the rightmost one

[gelastocoridae]

*SIGHHHH* I should have known better than to give my finches a nest to play with, unsupervised.

So

I put my finch Parsley in my smaller cage because he was still recovering from his cat attack, needed to regain stamina n strength before going back to aviary.

And because he needed company I put his ornery brother Foxglove in there with him to return the favor from when he had sprained his leg and needed a recovery space.

And I added their auntie (adoptive) Lupine because she was getting her tail feathers plucked bloody and naked so her bullies (I still cannot figure out WHO because Parsley and a random three of his sisters also have plucked butts) had just started plucking her chest as well.

And because an odd bird out would just continue to be bullied, I added one tail-less sister, Snapdragon, because she's the smartest and least likely to get stressed by me constantly checking on Parsley and Lupine's injuries.

And I gave them a nest and hay to have a constructive activity without too much crowding, so they wouldn't get bored and their tails could grow back.

And this was fine. The kids know they're too closely related to breed and Lupine always rejected their dad and wasn't interested in the boys whatsoever. Their tails have grown back, Parsley is fully recovered, and they were so happily snuggling up in their nest at bedtime. I was planning to return them to aviary this week, maybe swap out some tail-less kids to pinpoint the bully.

IT WAS FINE.

EXCEPT SOMEONE DECIDED THEY MIGHT LAY EGGS ANYWAYS AND NOT TELL ME ABOUT IT

HOW DO I FIND OUT??

I come home after a weekend away and a full day of work, and SNAPDRAGON, my brilliant child, randomly SHRIEKS AND CHASES THE OTHERS AWAY FROM THE NEST LIKE A BAT OUTTA HELL. I grab her to see what's wrong - is she hurt or does she need time out?? NO!!

THERE ARE FIVE EGGS IN THE NEST SHE IS GUARDING. FIVE. THEY ONLY LAY ONE PER DAY. THEY HAVE ALL BEEN HIDING EGGS FROM ME FOR AT LEAST FIVE DAYS.

Ok, ok, I say. This is fine. Maybe Snap (and/or Lupine) decided the nest was too good to waste and she really wanted to Brood™ so she laid some eggs on her own. There's no way they're fertilized. They can sit on them until they're bored so they don't lay more. It'll be fine.

EXCEPT IT WONT.

SINCE THERE ARE SO MANY I DECIDE TO CANDLE THE EGGS TO BE SURE THEYRE EMPTY, AND WHAT DO I FIND OUT???

THEY ARE NOT EMPTY!! One has died early but THREE ARE STILL DEVELOPING! AND THAT'S NOT ALL FOLKS!!

NOT ONLY ARE THEY FERTILE, THEY ARE PACKED FULL!! THE FIRST COULD LITERALLY HATCH AT ANY TIME NOW!!!

I LOOK AT MY BIRDS, CAREFULLY CHOSEN. SOMEONE GOT NASTY AND ALL OF THEM HID THE EVIDENCE FOR AT LEAST 13 DAYS. IT ISN'T SNAP BECAUSE HER BROTHERS DISGUST HER. IT ISN'T PARSLEY BECAUSE HE ONLY SINGS TO GET MY ATTENTION.

SO

THE BOY WHO NEVER SHUTS UP, THE ONE WITH THE VOICE CRACK, FOXGLOVE, SHOOK HIS ASS AT LUPINE AND SHE SAID YES??? TO THE ONE BOY WHO LOOKS LIKE HIS DAD FROM WHOM SHE RUNS??? FOR FIVE EGGS?????

AND SNAP IS GETTING POSSESSIVE OVER THEM??????? WHAT DOES SHE KNOW THAT I DONT?!

Lord help me, 4 birds was fine to begin with and then they had 7 babies, and then 11 birds was enough... I can't just toss these eggs, now. What am I gonna do with 14 birds ;;

[tarosin]

the great adventures of y/n and ranboo

this is an extra part to the great adventures series

summary: part two to the angst imagine (the not so great adventures of y/n tommy tubbo jack and ranboo) it’s a happier ‘ending’ please read what is written in bold

this is an “alternative ending” around 15 years into the future this doesn’t mean this is actually how the series is going to end im writing it now and including it as part of series as their friendship is already established i can confirm y/n and the group are going to have a happy ending when the series eventually comes to an end this also does not mean the series is anywhere near the end i plan on continuing the series as vlogs come out, i feel the need to confirm this now love between y/n and ranboo in this imagine is completely platonic

it had been about a month since you last streamed whereas ranboo continued to stream a few days after the fallout as he wanted to make sure you were going to be okay. even though ranboo knew this huge fallout would eventually happen, it still hurt him, especially since he knew there was no way to prevent it, the four of you in the same house mixed with the stress of being some of the most-watched content creators made living rather difficult. it was like walking on eggshells as you didn’t want to interrupt someone's stream, then there was the additional stress of obsessive fans finding out where the four of you lived, you still remember that day very vividly. you were sat in between tubbo and ranboo watching the office whilst Tommy was in an interview when you received a message from your mod.

Chris: hey y/n I received this message earlier I don’t want to scare you, but maybe get the locks changed. someone sent a message claiming this is your address *image of message from ‘fan’*

it didn’t take long for tubbo and ranboo to receive a message from their mods saying the same thing

“holy shit...”

“chances are Tommy has the message too. we shall go check around the house when Tommy is done with the interview.”

luckily no one ever showed up to the house, but the fact some people were so obsessed to the point they found your address was enough to put everyone in the house on edge. and now it was just you and ranboo in the house. you didn’t feel safe as even though ranboo promised to not let anything happen, you didn’t wanna risk it.

“we should move. there’s no point in having such a big house for two people, what are we going to use the extra space for heh? hide and seek with people who have our address. no thank you. I say we move leave this mess behind and start completely over, hell I’d feel safer in the us and that’s saying something”

ranboo agreed the house didn’t have the happiest memories attached to it anymore, it hurt walking past the hallway as it would bring back the memory of him crying into the crook of y/ns neck whilst tubbo left the house.

“let’s do it, I’ll do an early stream then we can look for houses. go take a shower. I’ll stay close to the door so you’re safe, then you can stay in my room whilst I stream, you can join me if you would like.”

“you’re being very protective all of a sudden...let me guess you got the message from our mods announcing the obsessive fans are at it again?”

“go take a shower.”

“no.”

ranboo ended up picking you up, carried you to the bathroom and turned the shower on before putting you on your feet.

“quick shower I’ll see you later.”

and with that he left the room shutting the door behind him, 30 minutes later you got changed and followed ranboo to his room ready to join him whilst he streams

“hey boo, can I join you? I kinda wanna get into streaming again.”

“I'm so glad you asked, I was going to do a face cam stream, if that’s okay?”

“of course.”

you grabbed his mask and glasses whilst he locked the door so you were both safe. “here you go.”

“thank you.”

the pair of you started the stream and it was honestly going well, you were having so much fun you forgot about all the negative things currently going on, you began to understand why ranboo continued streaming as for those 2-4 hours of streaming it felt as though everything was back to normal. 3 hours later the two of you ended stream and Twitter went crazy. tweets ranged from fans talking about how ranboo was streaming with you, how Tommy was in chat, and how tubbo was modding as people who mentioned anything about their address being leaked were banned by tubbo. the one thing that caught ranboos eye was fan art and a picture of you both from the stream captioned ‘they’re platonic soulmates your honour’ ranboo went as far to like, retweet and comment on it.

ranaltboo: glad you liked the stream it was great having y/n back, think I might make them play tattletail next stream

definitelynoty/n: isn’t that the Furby game that terrified you in 2021? bring it on boo!

Twitter went crazy over this interaction, you had finally come back to social media after months of being inactive, and it looked like you were here to stay. a month later you and ranboo moved out of the house and sold it to your aunt and her wife and their three adopted children, you explained the situation and even changed the locks for them all before they moved in.

“Please do tell us if anyone shows up who shouldn’t be. we changed the locks as you were aware- oh hello little one.”

you noticed one of their children decided to cling onto your leg

“I like your hair it’s colourful!”

“Indeed it is.”

“WOAH A GIANT!”

the little girl let go of your leg and ran to ranboo asking to be picked up, unsure of what to do he looked towards you. however, you were too busy laughing about the fact he was compared to a giant.

“I'm so sorry uh if you want to pick her up you can, you don’t have to.”

“pick me up, tall man... I want to be taller!”

ranboo ended up standing next to you with an arm around your waist whilst the child sat on his shoulders happily playing with his hair.

“ranboo do not drop that child.”

“I didn't- I didn't plan on it y/n.”

eventually, it was time to leave and the child reluctantly let go of ranboo.

“bye-bye!! hope to see you soon!”

soon enough you were at a smaller house, far away from the old house, leaving behind the negative feelings. it could only get better, a week later the pair of you had settled into the new house, it finally felt like home. you and ranboo were now streaming full time again, safe to say the two of you were thriving and closer than ever.

“so I’m thinking if I hit the sub-goal today I’ll let chat pick what colour I dye my hair.”

“make it higher, and I’ll let you cut my hair.”

“Are you being serious? oh my god!”

a few minutes later you took to Twitter to announce you were going live.

y/n: kidnapping children in the sims with ranboo psst check the subgoal.

within 20 minutes you had hit the sub-goal, chat ended up picking another random neon colour for your hair.

“right hair dye and the cutting stream will be this weekend, now let’s go back to kidnapping.”

tubbo, tommy, and jack felt awful for what happened and went back to the house where you used to live, hoping to see you there so they could apologise, tubbo knocked on the door only to be met by a young child.

“my sister watches you on twitch!”

“oh that’s lovely.. are y/n and ranboo here?”

an older woman came to the door.

“oh no, I’m sorry dear they both moved out, but they left this box and said to give it to you if you returned.”

“do you know where they moved to?”

“I'm sorry dear, I'm not allowed to tell you that information for safety reasons.”

“I understand, thanks anyway.”

they ended up going back to jacks where the three of them had been staying.

“We should open the box.”

tubbo opened the box and emptied the items onto the floor, inside was the rocks y/n handed tubbo from every trip, photos of the group, a necklace y/n had gifted to Tommy a day before the argument, and a hat y/n had taken from jack during a trip to a zoo.

“what the fuck!”

“holy shit!”

“they really kept all these in hopes we would come back?”

“and now we’re too late.”

it was now the weekend you and ranboo were ready to stream, you stood leaning on ranboo who was significantly smaller than you as you lowered the chair he sat on.

“starting stream...now.”

after the starting soon intro played, you explained what was happening to any new viewers or people who didn’t watch the stream.

“so I’m about to become Edward Scissorhands...I love that film can we watch it later?”

“yeah mhm sure!”

you didn’t know this but your ex best friends were watching and ever so often would show up in the chat.

“so boo, what are we doing with your hair today?”

“just a trim please darling?”

“This is y/ns hairdressers you get what I’m capable of!”

you ended up doing a pretty good job of cutting ranboos hair, even he was impressed.

“I didn’t doubt you for a minute!”

“mhm sure thing please don’t mess up my hair tall one!”

soon enough you had the dye on. 45 minutes later you left to wash it off, leaving ranboo to entertain stream,

“chat I think I missed some of their hair it’s okay, I own scissors, I’ll just cut it.. speaking of they did a great job, didn't they? I honestly expected them to mess up.”

a few minutes later you joined ranboo again and spent the next few hours talking with chat. tubbo, tommy, and jack stayed the entire time. they loved the fact you and ranboo were able to stay close after what happened, Tommy noticed you were still wearing the necklace he got you many years ago and spammed them chat with him tubbo and jack

Tommy: THEYRE WEARING THE NECKLACE!!

jack: so what? they clearly don’t wanna talk to us.

tubbo: shut up listen to them.

“chat why are we spamming platonic soulmates?”

“they’ve been saying it all over Twitter, look on trending y/n.”

you started to blush slightly at all the amazing artwork soon enough the stream came to an end, after saying goodbye the pair of you sat together going through fan art. unfortunately the one that caught your eye was this one twitter post where the artist had created a drawing of a piece of paper with you, ranboo, tommy, tubbo, and jack, however the paper was ripped separating you and ranboo from the others, captioned ‘it was never meant to be’ this clearly upset ranboo as he took off his mask and glasses placing them on the desk before going straight to his bed.

“boo…are you okay?”

“Are you tired of me? are you going to leave next?”

“what? no of course not! I could never get tired of you, why do you ask?”

“everyone else has left..i thought they cared about us, i knew it would happen eventually and i couldn’t stop it, i’m sorry, y/n, please don’t hate me.”

you sat on the edge of the bed looking down at the floor,

“come here.”

you watched him roll over to face you.

“you know there’s no one else who I'd rather spend the rest of my life with, right…if i hated you i wouldn’t have moved house with you. it’s not your job to fix everything and make everything better, you’re a streamer for christ sake not a therapist.”

“i guess so.. can we watch that thing you were on about for ages.”

“edward scissorhands? “

“mhm!”

you could tell he wanted to be distracted, so you agreed and put the film on, towards the end you began to get upset due to how overwhelming everything was.

“Why are you crying?”

“poor Edward.”

“come here.”

ranboo pulled you into a hug you laid there crying into his chest, he knew that wasn’t the reason you were crying, but he wasn’t about to make you tell him, luckily it didn’t take long for you to stop crying as ranboo quickly distracted you.

“ranboo..”

“yeah y/n?”

“I feel bad i didnt realise how much pressure was on you whilst everyone was arguing.”

“Hey, it’s okay, is that what’s upsetting you?”

“mhm.”

“don’t blame yourself, i’d do it all over again to keep you safe and happy..then again i didn’t do a good job on keeping you happy.”

“you did..you were always there for me even when i gave up on social media, you shared your room with me after i started receiving creepy messages from that obsessed fan, hell you even went on adventures with me even though it was clear you hadn’t been sleeping, just so we could spend time together and forget about what was happening. you mean a lot to me boo.”

“i love you.”

“i love you too bud, I’m tired.”

“go to sleep, it’s been a long day.”

“okay.”

“you just staying there?”

“yes.”

“oh, oh okay, goodnight.”

about a year later the two of you were still thriving, ranboo got you a promise ring a few months earlier.

“heh what’s this for?”

“as your best friend i promise to stay by your side and keep you safe and make sure that you’re happy, in other words you're stuck with me till the end of time.”

“boo…i really don’t know what to say.. thank you so much!”

“you don’t have to say anything!”

you ended up going out to buy him a promise ring when he started the stream and decided to take your cousins with you now that they were a little older. ranboo was doing a facecam stream when the door slammed open revealing you covering your three younger cousins ranboo not realising you were hiding them from the camera, instinctively stood up covering the camera

“ranboooooo!”

“yes you three and y/n ,what do you need?”

“we would like to watch a film!”

“Okay, i’ll go put one on, y/n will you entertain chat?”

“sure thing boo boy!”

once they left you sat fixing your hair forgetting you were wearing the ring chat noticed this and went crazy, so did Tommys group with tubbo and jack.

tubbo: that’s a ring, right??

jack: yeah looks like it.

Tommy: holy shit I always thought if anyone was gonna get married it would be tubbo and y/n, they were inseparable.

tubbo: hilarious.

jack: it could just be a ring, no one mentioned marriage tommy!

Tommy: we should congratulate them.

jack: at least let them explain fucking hell.

soon enough ranboo came back into the room,

“sorry one of them found it hilarious to steal my glasses...”

“they’re little shits i swear to god but i love them.”

you both noticed chat going crazy and both looked at each other before laughing.

“i'm sorry, i can’t take you serious in the mask and glasses!”

“i can’t take you serious with neon hair, but here we are!”

“rude!”

you and ranboo quickly put an end to the rumours,

“no we’re not engaged or married, it is a promise ring. no they’re not our children, they’re y/ns cousins they just spend a lot of time here..chat stop calling me and y/n parents and comparing us to phil that’s not..that’s not how it works okay!”

“parent arc!”

“y/n, don’t encourage them!”

“it’s a little bit funny!”

soon enough the bit came to an end and eventually ranboo ended the stream.

“hey boo look what i got you”

you handed him a little black box, inside was a ring similar to yours

“i promise to always stick around and be here for you”

“oh my god”

ranboo tackled you into a hug thanking you several times for his rings. you and ranboo were living your best life meanwhile jack, tommy, and tubbo were stuck dealing with the guilt of what happened, but they’re weren’t giving up that easy. they wanted you both back, that’s when you received a notification, tommyinnit has sent you a message request: hey y/n can we talk..please?

taglist

@dumb-chaotic-bi-energy @uselesssapphickitten @l0ver0fj0y @etheriaaly @xx-smiley-xx @hawarun @kylobensgirl @cawcaw-pretty-thing @reverse-iak @renleicrashed @augustine-is-joy @c1loudee

[vampiredecay]

What Did You Call Me?

A/N: hello!! this is my first x reader and im very excited. this wasn't requested or anything, i just had this scene stuck in my head and i needed to write it down. i hope yall enjoy!!

rating: teen

wordcount: 1,317

warnings/notes: swearing, playfighting, mentions of scratching + biting, no ones actually hurt tho, use of the word "fruit", yall will see lmao, marko x male!reader, male pronouns used, vamp!reader, implied poly!lost boys, or at least implied parko but marko is also sweet with the reader, but theyre all in love with each other <3 i think thats it!

summary: marko was wrestless, as usual, and wont leave you alone. playfighting and fluff ensues!

Everyone was chilling in the hotel, it was pouring outside like nobody's business. One would think that they wouldn’t care, but the rain made it incredibly difficult to get around, even to big bad vampires. Plus, food would be scarce anyway, no one wanted to get drenched out tonight.

---

Marko would just not leave you alone.

Star and Paul were sitting together in one corner of the cave, Paul rummaging through his tapes and Star sewing and patching up some old clothes. She was trying to teach him a thing or two, but he was only half paying attention, too caught up in trying to find one specific tape. The search was not going well.

David, Michael and Dwayne were playing card games, sprawled out on the floor and swearing. You didn't know how intense their games could possibly be, but they were all concentrating like their lives depended on it. You think that maybe Dwayne was winning, but you didn't know, not paying close enough attention.

You were trying to read a book peacefully on one of the many couches that littered the hotel, but a certain small blond vampire was hellbent on getting your attention. Marko could never stay still for long, always had to be moving or doing something. Usually Paul would handle that, roughhousing or flying or other activities with him until he was too worn out, but this time he was putting all of his energy into bugging you.

Marko was currently chucking things at your head, soft things like paper or pillows, and laughing when you looked over to scowl at him. You tried your best not to give into his antics, but you've been stuck on the same paragraph for ten minutes, and you were starting to lose your patience.

"Marko, quit it."

The little bastard was just giggling, you could hear him moving around from behind you, but at this point you were too tired to care. After a few seconds, Marko grew quiet, which should have raised your alarm bells, but instead you were led under a false sense of security.

But then, last minute, your hearing caught footsteps, but before you could turn around or react- Marko was pouncing on you and laughing maniacally. You shout in surprise, your book going flying as Marko pinned you against the couch.

"Fuck! Marko!" You squirmed and tried to get out from under him, but he was an older vampire than you, and he was a good deal stronger.

Star looked up from her sewing to see the commotion happening, and she raised an eyebrow. "Marko, stop tormenting Y/N, leave him alone."

You continue to struggle, wiggling your arms and legs in an attempt to throw him off. "Yeah!" You shout, frustrated, "Let go of me, you fuckin fruit bat!"

Suddenly, it was deadly silent. Paul stopped looking through his tapes, Michael, David and Dwayne looked up from their game on the floor, and Star was staring, eyes wide. Marko looked like he was trying to process what you just said. You barely realized what you said yourself.

The silence was interrupted by Paul's loud laughter. He howled and clutched his sides, he could not believe what you just said! This sparked a chain of the others laughing as well, even Star couldn't keep from chuckling.

Marko sat up and let go of your arms, still straddling and you, his eyebrows furrowing, "What the hell did you call me?"

"He called you a fruit bat!" Paul shouted, still laughing hysterically. You tried to keep a straight face, but you eventually burst into laughter, forgetting what you were even annoyed about.

The small vampire on top of you immediately grabbed a hold of you and rolled the both of you off the couch and onto the floor. You let out a scream, wrestling Marko until you somehow came out on top, pinning his arms against his head. You smirked at him. "Am I wrong?"

"Fuck you!" He shouted, but it was behind laughter, and a bright smile that made you dizzy for a few seconds. Marko saw this window of opportunity to break out of your hold of his wrists and lunge for you, sending you flying back on the ground. While you and Marko were grunting and cursing and rolling around on the floor, the others were laughing and yelling encouragement at the two of you.

"Kick his ass Y/N!" Michael said, while Paul hollered, "Marko baby, you got this!"

Wrestling with Marko always felt like wrestling with a baby mountain lion. He was all teeth and claws, biting and scratching, not afraid to play dirty. It hurt in the moment, but the both of you healed quickly, allowing you to land a good kick to his shoulder. It threw him off, and you smirked, quickly running behind him and locking your arms around his neck. The blond swore and gripped at your arms, but you held tight, refusing to give up.

This lasted for all of fifteen seconds however, because Marko got crafty. He planted his feet, took a deep breath, and then threw himself back, making you land on the ground hard. You wheezed as pain shot through your spine and Marko got up, not wasting any time. He quickly rolled you over and had you on your stomach, arms bound behind you as he straddled your back. You fought and struggled, but it was impossible to get the upper hand in your current position. Eventually, you had to throw in the towel, your spine was seriously starting to regret this.

"Alright, alright!" You said, out of breath and exhausted, "I yield! Get the hell off of me."

More laughter and clapping could be heard as Marko chuckled and let you go. He did a little bow as you rolled over and sat up, catching your breath and playfully glaring at your pack mates, the traitors. Once Marko was done being smug, he turned towards you and held out his hand for you to grab. You grasped his hand, and the blond hoisted you up, almost knocking you right into his chest. Marko gives you a shit eating grin. "You put up a fight, I'm impressed."

You roll your eyes and playfully shove his shoulder, fighting a yawn forming in your throat. "Shut up." You reply, too tired to come up with a clever response. Markos' expression softens, and he gently checks you over, even though it isn’t really necessary. “I didn’t really hurt you, did I?” You shook your head, but your chest filled with warmth. “I’m all good, killer.” He smiles at you real wide, then grabs your hand and leads you to the couch.

When you're both in front of the couch, Marko flops down, wiggling around to get comfortable, then motions you to join him. You fight back a smile before gently moving, placing yourself on top of the smaller vampire, your head resting on his chest, just below his chin. Marko wraps his arms around you, and you let out a large breath. You place a small kiss on his collarbone, which makes him hum happily, and you chuckle softly. Sure, the fighting was rough, but you could always count on Marko to make it worth it in the end.

As the two start to drift off, the rest of the pack go back to what they were doing, but not without sharing glances and smiles with each other. Michael, David and Dwayne go back to their card games, Dwayne having won in the end, and Paul turns to Star to listen to their mini sewing lesson.

All is calm now, in the hotel-cave, the rain having let up a tad, now a steady beat tapping outside their home. None of them could complain, really, about this turn of events. Sometimes, it's better to just have a quiet night in doors.

[dellinah]

Ik yall are tired of me never shutting up about thylacines. So have one more post about thylacines

Ok let's get this over with

They released the pics for the lastest alleged thylacine sighting

*siiigh* i'm tired of this, man

I'm sorry but this just doesn't cut it for me. I joked in the past about how every sighting is done in a 2005 camera and it shows anything BUT a good position of the animal and... yeah. Hardly a joke now

Now I'm not saying this isnt one and I am FAR from a wildlife expert and I don't mean to claim I am or that I am better than the people who devoted literal decades of their lives to this. I am not disrespecting their work which I am sure is a very difficult job and fruitless as well. Im literally a furry who spends too much time on the internet i should by definition lose the right to say things what do I know

But I do think it's pretty shitty to claim you have proof and anounce you found one and then release... that. It is just not conclusive at all. You can't look at it and say THYLACINE. It could be something else. The other expert said it's a pademelon. If you say you're sure you found one i expect at least a pic of its face, or body in good view

Tasmanian tigers had very long, thin muzzles that were already present in the babies who were pretty much just adults in smaller sizes. I find it hard to believe you wouldnt see at least the tip of it from that pose as the head is a bit sideways. It makes the muzzle seem too small?

The ears are also not exactly the same shape (tho maybe it's bc they're folded) and the fur seems a bit too puffy (that could be bc it's really young, but thylacines were not puffy at all)

They also released this one

The pic with the babies shows the babies had very distinct stripes all the way down the butt like adults, and while you can't say this one doesn't have them, you'd think they'd be more visible. Theyre supposed to go till the very base of the tail and that base seems a bit bare

Unfortunately the ankles are not clear in that one which makes it hard to tell. Thylacines had extremely low ankles, and it's the first thing to look for when a sighting shows a thylacine's body, bc half the time you can tell if it's a dog/fox/dingo or a thylacine by how low or high the ankle is

It's literally like 1/5 of the leg, while dogs' ankles are almost half their legs

The butt seemed a bit too round to me. I wasn't sure how they would look from behind so I checked the footage from 1936 to see if i could get a shot. And I was like... I'm kinda right? It's less round than their pic

Thylacines were very thin and stiff animals, the tail barely moves. That animal is thin, but it seems a bit too round still. Maybe it's bc it's a baby, but again... hard to tell

Also their other pic looks like this

Whyy

Some experts said it might be a thylacine, one even said it's a 50% chance and a safe bet. So it's definitely the best one we've had! And maybe there are some thylacines there still.

But it's not conclusive

I wish they'd set up cameras in different poses in the same place to get more clear shots, ans FACE shots. I hope they do it now! And either figure out options this animal could be or prove once and for all that thylacines managed to survive

Till then... I'll say they're gone and the animal in the pic is an animal from behind we can't identify. I never claimed to be an expert bc im not, but... I don't see a thylacine

And its still shitty to claim you found one when even experts cant agree. So... dont do that. Im sure he was excited bc he is sure but that cant be confirmed

So yeah. If you ask me, till PROVEN wrong, Thylacines really are gone

As we are they once were, as they are so shall we be

[sanstropfremir]

episode 9 baby!!! dear lord that was a lot!!

frankly, i'm still in shock that i full on manifested an opera stage, AND it was a rock opera stage at that! plus i got a jazz stage AND a taemin stage??? if they’re pulling out all my favourites now then what on earth are they gonna do in the finale??? this was a very overwhelming crop of stages, i thought i was going to be prepared, but oh no i was not prepared. i'm just going to get right into it because this one is gonna be long and i have many words. i'll discuss in airing order first, and then put my personal rankings for this round at the end.

btob

costume

changsub, you absolute king. spectacular. stunning. incredible. zoot suit riot playing in my brain on repeat. will i finally get the zoot suit revival of my fucking dreams instead of this current drab ill-fitting suit trend? for those who are wondering why in the fuck changsub is dressed like that and what on earth i’m talking about, the specific cut of suit that he’s wearing is called a zoot suit, which were popular in mexican, black and italian american communities in the 30s and 40s, until they were outlawed by the united states war production board as a fabric rationing method as part of the war effort in 1942. there was a huge amount of mob violence surrrounding the wearing of them (there were actual zoot suit riots) as they were direct counter culture fashion to the predominant drab trends of white americans at the time. i'm actually very impressed they got a proper (modernized) cut of zoot suit instead of just putting him in an oversized one; there are actually specific structural differences. the pegged trouser legs, large should pads, and knee length single breasted jacket are key features, and they were often in much more flashy fabrics than a pinstripe, but they get points for effort. i wish they had put all of them in zoot suits but he’s playing the ‘lead’ actor so i will begrudgingly forgive them.

eunkwang those are the stupidest sleeve garters ive ever seen i love them never take them off. they’re like someone decided to repurpose a suspender in the worst way. excellent. i do love that they’ve got three of them in oxford saddle shoes, another great touch.

love the three piece and the fedora* on peniel. it's also in a relatively close period cut; waistcoasts (vests) were generally cut much higher in the neck pre-war, we only start seeing the neckline slide down in the 60s (i think? i don’t remember when exactly). also love to see a proper sleeve and jacket length, it's good practice to have at least a finger’s width of sleeve cuff visible ahead of the jacket sleeve when hanging at rest. also looks like there’s french cuffs on everyone, which is also great.

minhyuk in his slutty lowneck shirt....thank you. in addition to the zoot suit revival i would also like a revival of those ultra low necklines on mens’ shirts from like 2010-2011. i don’t think those are the same boots from the backdoor stage but those are some beautifully cut boots. i also loved the little details of his crewmember look, especially the chunky watch and the string bracelets; those are super realistic, i know so many crew with them and i had several for many years. and who doesn’t love a visible button fly?

none of any of the other costumes are period in any way shape or form but i’m forgiving it because there’s several layers of meta in this stage, and they explicitly based it on la la land, even though we don’t respect la la land in this house. do i wish they had gone more strictly period with at least the jazz club ‘actors’ a little more? absolutely, but i'm not mad about it.

set

again we’ve got a good delineation of the two different ‘stages,’ there’s the club itself in the smaller stage and the soundstage set in the larger space. you can pretty clearly see all the ‘pieces’ of the set on the soundstage, especially the obvious set painting techniques on false prosc frame and the window facade from that first little scene. also the you can see the castors (wheels) on all the setpieces too, which is another nice little versimilitudinous** (triple word score!) touch, as old hollywood movies were made still using theatre stagecraft techniques.

i love how the visual shorthand for ‘this is a set wink wonk’ is just...leaving a ladder on stage. i see it all the time and it's so funny. it doesn’t always make sense because as soon as there’s actors on set the ladders are the first thing cleared because actors cannot be trusted, but yes there are always ladders, so. also psa ladder safety is no joke, please be careful on ladders.

nice streamline of the mnet deco into the club. i’m consistently surprised at how well the designers have been able to mask it or use it to their advantage, because in the normal kingdom stage lighting it is SO obvious and stylistic that it always sticks out.

i'm going to ignore the fact that they implied changsub and miyeon were drinking wine out of martini glasses.

lighting

no complaints, it does its job. everything is visible and super clear. love that the ‘scene’ changes are made through the lighting, it's a really simple and effective device to change atmosphere. purple/blue/amber are the most flattering colours on human skin and that’s why you see it so commonly in stage lighting. also blue/lavendar is the best way to show nighttime/moonlight.

really nice and subtle projection work, especially with the billboard bit and the blue moon sign in the club. despite being obviously meta/’world breaking’ it’s actually very seamless and fits well into the flow of the stage.

sound

i love love love the big band feel in the intro, combined with the piano lead. very duke ellington, as all things should be.

no complaints. i love big band. i love eunkwang’s voice. i have nothing else to say.

staging

i LOVE this movie within a movie within a performance meta nonsense! it's such a fun concept and it is exactly what i wanted ikon’s first round stage to be! i also love to see btob consistently coming up with concepts that are inventive and fun and allow them to showcase their technical performance skills without the aerobics the younger groups are putting themselves through. it provides a really lovely variety and it just goes to show that you can make impressive, dramatic stages without having to be serious or ‘dark.’

i do wish they had leaned into the band director/lead singer with eunkwang a bit more; this could have been a really excellent place for a tap number a la the nicholas brothers or an homage to cab calloway. i know i know this was meant to be la la land themed but la la land is a cheap and whitewashed version of jazz and look me right in the eyes and tell me this isn’t the greatest tap routine of all time. i know i’ve typed this out somewhere before but la la land is just a conglomeration of old hollywood tropes and so stylistically cheap that this would have such a better visual core if they had actually looked back at the real old hollywood musicals like stormy weather. even singing in the rain and an american in paris have such phenomenal visuals and are really beautiful examples of the scope you can pull off with a limited technical capacity and sticking to these old techniques.

now that i'm thinking about it, oh my GOD i would DIE for a lindy hop routine in kpop PLEASE. i know it would never happen because kpop doesn’t like partner dancing and not a single kpop boy has the chops but oh you think fourth gen has too many acrobatics?

this got off track but i think you see my point.

---

ateez

costume

these are really sharply cut suits. and the detail work on the beading??? so beautiful. i'm disappointed that they gave me a rock opera stage without the true ridiculousness of rock opera costuming, because they could have pushed this a lot farther if they really wanted. a tragic lack of gay little outfits, seonghwa’s lace choker is just not enough! two favourite suits: hongjoong’s and yunho’s.

that being said i do actually really like these. this stage is actually very modern opera with a kpop twist and i'm a little surprised by that? i continue to be impressed by the ateez team who are clearly doing their research.

i'm absolutely not going back through their stages to check all the choreography but i wonder if you can track all the ‘wound’ placements to places they’ve been ‘hit.’ i wouldn’t put it past them to have put that thought in but also i’m not expecting that much either.

who is this white grim reaper bdsm executioner chain arm man. where did he come from. i have no idea and i love it.

why is honjoong blindfolded. it was such a fast beat, if youre gonna blindfold someone give it a little longer and some more obvious narrative weight!

seonghwa does that quickchange, runs across that massive stage to the smaller set, and gets into places in like 45 seconds. it's not the hardest quickchange in the world but still, under a minute is fast for any quickchange, especially when there’s travel time involved. i think the fastest, most complex quickchange i ever did was in university which was a 50s cocktail dress into a flannel and culottes with a shoe, hair, and jewelry change in 35 seconds. and that took three dressers. quickchanges are always impressive. the added bonus of this review being later is that i can specifically reference that you can see him book it the fuck off stage in the full cam!

cute moment with the backup dancers dressed in costumes from the previous stages. i'm assuming this is a time travel reference? i'll get more into my thoughts on this in the staging section. regardless, love to see that iconic seonghwa moment again.

set

this is such a restricted space! they really pared down their dancing space with those staircases and ....arms? honestly i have NO clue what these are supposed to be. the only thing i can maybe think of is flying buttresses??? but why?? i mean, i'm 90% sure theyre just there for drama and i agree but i do still have questions.

there’s a lot of moving parts in this set? the buttresses, and the upstage centre staircase. i don’t think the staircase is totally automated because i spotted some dancers securing it in place, but it’s still a moving part. i do really like that we get that expanding upwards energy, because it's really tough to get functional level movement in this kind of a performance, mostly because of its length and because it moves so quickly. so seeing the downward vertical movement and then the upward movement was actually a really nice visual contrast that made use of how tall those fucking ceilings are, and the fact that they had less horizontal space. in sort of similar way to sf9’s jealousy stage, using long, narrow vertical lines really makes it feel like a castle space. the interiors of castles, especially the really old ones, are a lot smaller than you think they would be.

i’ve actually seen that type of small house/tent/thing several times in various types of performances before, but i think this is the first time i’ve seen it used as a time travel device (other than in the say my name mv). aesthetically it's a bit incongruent but i dont really mind because i'm used to watching rock operas that look a lot weirder than this.

lighting

there is so much happening. i have NO clue what the projections are doing. i dont hate it though, so that’s a plus? there’s a clear-ish colour arc even if it does get a bit funky in the middle, which is why the projections dont feel as insanely distracting as some of the other stages we’ve seen.

the climax is a perfect example of how to light a busy stage with primarily red but still maintain clarity on the performers. a little bit of red goes a long way; the spark stage from last week would have looked so much better if they had done what the ateez designers did here.

sound

i know it's only ode to joy, but answer already gets my motor running and then i get so gassed by the guitars and then by the time those vocals come in i'm inconsolable. i don’t know why i wasn’t expecting a rock opera stage but i'm so glad i got that surprise because i genuinely love rock operas so much. it's two of the most dramatic genres in music, what more could you possibly want?

staging

the choreo for answer is so goofy that I'm kinda glad this was mostly terrible mnet boom shots. i love it, but you can't deny that it's goofy. i spotted a couple of moves from their other choreos as well?

choreographing dance fights is just as difficult as choreographing real fights and i think they did a fairly good job here. i think it was a solid mix of dance and conflict that erred on the side of dramatic rather than accurate and i prefer that over trying to be ‘realistic.’ i’ve only ever seen one truly realistic fight scene on stage and that was for a deeply naturalist play (boring and a waste of the medium), but the best fight scene i’ve ever seen was in the prague national ballet’s adaptation of kafka’s the trial where three ballet dancers beat the absolute snot out of the main character with the most beautiful leg extensions. that whole show was probably one of the best pieces of dance i’ve ever seen, holy fuck it was so good.

despite how insane the music and the visuals were going, i actually really liked how sedate this was, on the part of ateez’s performance. there was a really sophisticated and resigned energy from them that is very different from what we’ve previously seen and i think that was a pretty admirable risk to take. reaching the top and then throwing away the crown? especially in a competition where every other stage has involved stealing crowns or royalty and there’s a group competing that got here through that very concept? that shows a real maturity, peace of mind, and foresight that i did not at all expect from a bunch of 22 year olds.

here we come to a very interesting comparison. both ateez and tbz are very heavily leaning on previously established group lore. we all know my thoughts on why it isn’t working for tbz, but here’s why i think it is working for ateez: it's because it doesn’t matter to the audience’s understanding of the stage. i had absolutely no fucking clue what was going on the first time i watched this, but that didn’t stop me from enjoying the music and all the weird shit they were doing. i totally believed that they understood what was going on. there’s a loose enough established conflict right at the beginning that draws us in, and really it doesn’t matter who they're fighting because they win in the end. the key here is that they’re so earnest. they believe 100% in every move they make on that stage. there’s no winks to camera, there’s not a drop of irony. they really deeply care about the ridiculousness of it all and that’s what makes it work. i sure as fuck dont know what’s going on, but i can see that they do, and i trust that. this is what i meant when i talked about convincing the audience you belong on stage in my stage presence post. i’ve never once believed that juyeon was anything other than an idol. he’s talented and very beautiful and he may occasionally stand on that stage like he owns it but it's always as juyeon. as an idol. but when hongjoong flaps around in that gigantic fur coat i 100% believe he’s a pirate captain. I believe he’s a punk rebel leader. i believe him a resigned king. there’s always a level of irony you have to fight as a performer because we all start from a place of disbelief. acting is not just lying to the audience, it's lying to yourself too. and if you succeed in convincing yourself? well, you’re already halfway to convincing us.

i checked it out because i wanted to see if they did the blindfold how i expected them to and was genuinely surprised by hongjoong’s fancam. the boy is EMOTING even when he knew the camera wasn’t on him; that’s a real dedication to craft.

ok i'm finished talking about this stage, this is over two pages in my document, there’s so many things i have not covered here but that’s fine, i'm quite sure any further thoughts will end up out there at some point.

---

sf9

costume

let’s get it out of the way......crop top. crop top? crop top. crop top.

ok, besides the crop top, i think i might actually like the backup dancer outfits more...? i find mannequin adjacent looks really fascinating and i thought there was a lot more they could have done here in connecting the two thematically. i actually think a change of costume on the boys would have been very interesting, especially because there was a lot of inference and direct reference to changes of colour.

ALL the backup dancers are wearing the same wig and i LOVE that.

special mention zuho’s.....jacket? the right idea but it absolutely should have been one of those extreme french cut bodysuits, you COWARDS. don’t come at me with this ‘male version of venus’ if you don’t have your whole torso out! come on!

set

not sure if this is meant to be a department store, a factory, or a white cube gallery. honestly you could make the case that they’re all the same place anyways. more on this later.

i loved the movator and wish they had used it more! that sequence was so good and they could have done some more interesting repetition sequences to further highlight the ‘sameness’/the breaking of that sameness.

i feel like the set could have been used more as a whole? i would have loved to see some mannequin interactions with those boxes, because all they did was dump colour everywhere.

....why did they feel the need to include the rain bit? i know it's likely because it's in the mv and at the 2018 dream concert taemin does perform move in the rain, but with the standing still and the box walls with the words it just looks like a department store ad. which i...dont think is what they were intending?

lighting

nothing really to say here. it has a similar feel to the mayfly rap stage, which is fine because the lighting for that was good. i could tell what was going on all the time and that’s the most important part. notable standouts are the lips sequence, that's fun use of pop iconography and very effective, and the scanning lasers at the beginning.

the repeating sequence in the edm dance break is actually done pretty simply, it's just what happens when you point a camera that’s livestreaming to a monitor directly at that monitor. it's a very cool effect and it was neat to see it used intentionally, especially with the handheld leds.

actually i also really liked the lightbox tables, those were cool.

sound

the remix was fine for the most part, it was about what i expected it to sound like. i did however greatly dislike that unnecessary edm break in the middle. what was the point of that? it didn’t add anything to the overall sound or arc of the stage because it was SO out of place. there was no connective tissue around it.

oh i was also not a fan of the effect on zuho’s mic. no one else had a discernible vocal effect so it felt a little out of place. also for some reason his cadence and tone right at the end made me think of some of the voices that bo burnam uses for his vocal masque sketches/songs, especially repeat stuff, weirdly? took me right the fuck out of it. i listened to it again after i slept and i’m still getting it, so maybe i’m just going insane so best ignore this part.

staging

loved the mannequin tree, not a clue why it was there.

do actually think this is a successful cover because it does what i was hoping it would, which is take move completely out of the taemin context and put it into an entirely new one. however, i’m really struggling to figure out what exactly that new context is? and what theyre trying to say with it?

obviously they went for a ‘show your own colours/individuality’ vibe, like i said in the set section, where exactly is this supposed to be? from the start i get factory/mechanized environment, which is fine and grand because mannequins and making repetitive motions and products and all that, makes sense. but then there’s stacked shelving type units happening and curtains and that combined with the mannequins give me pretty big department store vibes, which is also fine, because that’s still a comment on commercialization and the mass production of product. but then we get to the movator and the repetitive movements of the dancers say pretty clearly factory, but the lighting and projections are very pop art referential, plus combining that with the white set, just makes me think of an art gallery. so now is this a comment on the commercialization and commidification of contemporary art? are they making a statement about being ‘real’ artists among the others who have lost the critical understanding of why pop art was even a thing in the first place? and then the rain bit at the end literally looks like a department store ad, so are they then making another statement that they still are that packaged product? maybe the episode has more clarity in it but i’m genuinely a bit baffled by what the underlying statement is here.

i suspect it is not as deep as i'm making it, but i did say that i was likely to be hyper critical of this stage AND i am a grad student, so here we are.

---

tbz

costume

ok of all the ‘fourth gen’ style costumes we’ve seen, i actually like these ones more than most. i'm not entirely clear on the theme but i'm assuming it's meant to be post apocalyptic, and i'll take that.

backup dancers in black!!! we’re beyond this!!!

this will be a running theme with this stage, but i’m disappointed these don’t have more depth.

set

compared to every other stage, the set here seems especially plain. there’s so little set dec that it's disappointing. i do like the movement of the pieces themselves combined with the blocking; that first slide underneath the arches was slick and i would have liked to have seen more of that.

yea ok the big snake was cool and also a fairly complex build, but the transitions around it were a bit awkward for my tastes. especially the turn around, why did they even show that at all? you have control over what the audience sees, you can totally not show scenic transitions. skz were super smart about hiding theirs in last week’s episode.

also if you have a bigass puppet like that, i wanna see some more movement from it! it doesn’t have to be complex, we literally just saw a kraken balloon arm wave around aimlessly, but at least there was movement! that snake had a long ass body, why didn’t they at least take a pseudo dragon dance movement with it, that would have been such fun to watch with the iridescent scales. there was a lot of opportunity here!

lighting

i don’t hate it but also.... not a lot to say about it on the whole.

there were two really smart ideas here, the first being the front projection section, which i was SO glad to see! i explained in a previous review, but the projections in kingdom are not actually projections per se, because they’re actually massive led screens. there are two common types of projections in performance, rear projection and front projection. rear projection is when the projector is behind the screen, and front projection is ‘normal’ projection. rear projection can produce a crisper image because you have full control of the light values, because the projector is in a separate room from the performance space. but the downsides are that the projector has to be in a separate room from the performance space. so if you’re short on real estate, it's not ideal. front projection is much more common, because the tech is a lot cheaper and easier to access, especially now, and it requires less real estate because you can ceiling mount about the audience (you can move a projector wherever, this is just the most common spot in commercial theatres). but! in order to get an actually crisp image, you have to be really careful with your light bounce. it’s exactly the same principle as how you kinda can't see a projected screen when you have all the lights turned on, but when you turn them off it's a lot clearer. front projection works best in pitch dark, so when you use it in a theatre you gotta be smart about it. i use front projection a lot in my personal art practice as a singular light source, and that’s what tbz did here in that traveling/snake intro sequence. it’s a really fun technique that they used as a good gimmick because it’s not something we’ve seen before, and you get some great shadow effects because the projector is throwing light directionally at the performers (they have it set up close to the floor, it’s probably on a wheeled cart of some kind). however i did not like the snake intro. a bit too cheesy and out of place, especially because the asset quality didn’t match the rest of landscapes that we have been seeing.

the second smart idea, which is partially also a set and blocking thing but whatever, was that final image of the eclipse within the circle architecture with all the members standing in front of it. it was a great shot and a great ending pose, but it felt like a concept photo. like someone had that image as the idea that they then built the stage around, instead of a narrative first and then imagery after.

sound

this remix had SO much promise! those first two minutes were SO GOOD. i love that dirty discordant strings bit, it's gross and right up my alley. but it really fell off in the back half and i'm sad about that.

staging

i'm sorry tbz but.....what did you actually do differently than exo here? with the exception of the continual game of thrones references? nothing here felt transcendentally different from the original monster. and especially coming RIGHT after sf9’s move, which did go beyond its original context. this feels more like an awards show stage cover than a stage at the level of the others we’ve seen just this episode.

again like with the skz stage, there’s no conflict here. no tension. yes they do a great job covering the dance but it just isn’t enough! this is obviously personal preference and i'm sure lots of people liked the fact that it was uncomplicated, but even just a hint of narrative tension could have pushed this into more engaging territory. and if they didn’t want to do that, i would have loved to see them make up for that with extra visual spectacle. this is the no limits round! ikon is putting a full jungle on stage and these are grey cubes!

i think this is a perfect example of what i talked about at the end of my tbz section in my episode four review; this is a good performance, there are good elements at play and good ideas at their genesis, but the core of the issue is that nothing about this is transformative. all of the ideas here are just exaggerations of the original song. fuck, the snake was even IN the mv! and they didn’t even include the best part which is the lip chains! ive said before and i'll say it again; being a good artist has two steps, the first is understanding the material and its context, and the second is elevating the material from that context and synthesizing something new. tbz are really good at the first step, but terrible at the second.

---

ranking

btob - the cleanest and the most fun of the round. everything i wanted.

sf9 - fun and a good cover, despite being conceptually baffling.

ateez - very extra dramatic nonsense with an unexpected dose of sincerity. and it’s rock opera, of course i love it.

skz - fun, with some good thematic devices but generally lacking in arc. also australian accents, that’s an automatic ding.

tbz - honestly the first two minutes of the remix and the costume are holding this above 6th. it just wasn’t fully formed.

ikon - aesthetically this is a great set design and although i do love the opening and closing moments, everything else scrapes me the wrong way. super personal preference here, i’m not expecting anyone else to agree with me.

i feel like my rankings were probably pretty easy to guess if you’ve been around reading the reviews for long enough. i do have very specific tastes after all. i know sf9 ranked first in the episode but i have no idea what the other slots are. i’ll find out when i watch the episode in a couple of days, but i think yea a first for sf9 is fair. i do think its mostly because it’s a taemin song and you have to do something horrendous in order to fuck up a taemin song, but there is a lot of thought and work that went into that stage.

ok i'm done now, sorry this was later than usual, but i was busier and there were four stages that i had to review. also technical difficulties because tumblr is a garbage platform and nothing works properly. comments/questions/opinions always welcome, i know i didn't expand on a couple of points that i could have so hopefully y'all have some thoughts too!

* the type of hat that ~society~ has told you is a fedora is actually a trilby. what peniel is wearing is a real fedora, i felt the need to correct this unjust hat malignment.

** meaning ‘the appearance of being true or real.’ you do sometimes hear it used by normal people, but it’s more commonly used as a descriptor in film and theatre. it’s also one of the five rules of neoclassical theatre, which are: versimilitude, purity of form, five act structure, decorum, and purpose. the most prominent playwrights from that era are moliere and racine if youre interested in what those look like in an actual text.

[iwaisa]

request. trynna think of a request for u rn 🧏‍♀️ how ab tsukki w a best friend who’s so grade conscious bc ppl have high expectations of them n one day she breaks down bc she b afraid of failure n he’s like .......ok ill comfort them bc theyre my best friend but im also secretly in love w them trope😝 definitrly not because this reminds me of a certain someone who is not myself and i definitrly dont need to hear this😭 - @tsukisemi​

a/n. sue you are a GENIUS I LOVE YOU AND YOUR BIG BRAIN. i absolutely adore best friends to lovers/childhood friends to lovers tropes they make me so happy ugh once again THANK YOU

► now playing...

- pairing. tsukishima x female reader (pronouns not specifically stated, but there is ma’am lol)

- warnings. make out session! lol oops. suggestive content

- word count. 1.8k+

it was a friday evening, and you found yourself studying at kei tsukishima’s house. again. no matter how many times you tried to convince him to do other things while hanging out in the warmth of his bedroom, he always insisted that academics came before baking and movies.

the two of you have been friends since your last year of junior high, after yamaguchi was too busy looking up at his tall companion to realize another figure was about to collide with him. the two of you made contact with the ground, before jumping up to apologize quickly.

tsukishima found himself instantly infatuated with you - you were gorgeous. your breathtaking eyes, the way your school uniform seemed to fit just perfectly, the way he imagined your smaller hands and fingers slotting in between his - he was absolutely intrigued. yamaguchi would say love at first sight, the taller male would call him ridiculous.

the three of you instantly clicked, with you and yamaguchi being the more talkative ones of the trio. tsukishima acted as a parental figure, scolding you two constantly for doing things you weren’t supposed to.

upon overhearing a conversation with sensei that you would be heading to karasuno for high school - the same place tsukishima and yamaguchi were planning on going - he let out a breath he never knew he was holding in. he continued listening to sensei urging you to plan on going somewhere more academic based - like shiratorizwa or fukurōdani. you put it simply that you would rather go somewhere more balanced. sensei was hesitant before he approved of your plans.

you had always been good at doing homework and classwork, but you weren’t so good at taking tests. they intimidated you, making you worry that you would end up receiving something lower than a B+. tsukishima and yamaguchi knew of course, since the two of you held frequent study sessions at each others’ houses. this tradition carried on even when the three of you made it into karasuno, just not as frequently due to the boys’ volleyball practices.

today, however, yamaguchi was helping yachi teach kageyama and hinata english since tsukishima blatantly refused. the two of you headed back to his house, and instantly began flipping through your textbooks. he was quietly scribbling words and numbers on his papers, seemingly flying through assignments. you were sat on his bed, stuck on one section in particular.

“why the hell is ap chemistry so hard?” you sighed, scratching your scalp. tsukishima turned his head to see you rubbing your eyes, which adorned deep blue bags underneath. he sighed, putting his pencil down as he walked to sit on the edge of the bed alongside you. he looked over your shoulder, reading the complex chemical equations. “you know this one, l/n. you got it.” 

you shook your head quickly, “no, i don’t tsukki. i have no idea what i’m doing and sensei literally didn’t even teach us this. see, this is why i’m glad i didn’t end up going to an academy because this would be ten times harder. i hate that people are always assuming i can handle this with ease. i can’t.” you finished, blinking back tears.

tsukishima sighed, rubbing his eyes underneath his glasses before readjusting them to focus on the question. he began rubbing his finger over the numbers, slowly explaining each process. you were surprised he was being kind, but you didn’t want to take this soft moment for granted. you simply nodded your head, hurriedly scribbling down what he was saying in your notebook.

“tell you what,” he turned, looking into your eyes. “if you can do these next four questions by yourself, i’ll give you something i’ve been meaning to for a while.” you tilted your head, “tsukki, my birthday was months ago.” he chuckled, getting up to sit in his chair, which was now facing you. “i’m aware.” the two of you stared at each other for a while, before you turned your attention back to your textbook.

using tsukishima’s explanations and whatever strategies you learned from sensei, you flew through two of the questions with ease, getting stuck on the third one. tsukishima explained once more, telling you to use a different equation for the next two. you nodded, finally understanding.

the next two questions were hard to figure out, but you finally got through them. you placed your pencil in between the crease of the pages, looking up to tsukisima expectedly. when he didn’t move, you were confused. did he just trick you into doing homework?

tsukishima gulped, attempting to calm his erratic heart and shaky legs. was he ready for this? no, he wasn’t. but even as yamaguchi said; he’s been putting this off for long enough. he knew he liked you, but had no idea just what to do about it. he knew he would be jeopardizing your friendship in some way, but tsukishima couldn’t deny that he wanted some sort of affectionate skinship to happen between the two of you.

he released his lower lip from his teeth before shaking his head. he stood up, walking towards you with slight hesitation. he plopped himself next to you, your shoulders brushing against each other. tsukishima lifted his glasses off his nose before leaning forward, pressing a quick peck to your lips.

your mouth fell open, and your eyes widened more than you believed they ever could. your face exploded with heat, and you began spewing out incoherent words. he stood up, returning to his seat. “tsukki?” you asked in disbelief. “yes?” he responded, seemingly unphased. “w-what was that?” he watched you run your middle and forefinger over your lips, “my gift.” your jaw dropped open once more, earning a rare chuckle from your blond friend. or maybe, not a friend anymore.

“if you finish the next four questions, i’ll give you another one. if you want,” his last words were muffled by the back of his hand. you smiled at the sight; tsukishima, the most stoic boy you’ve ever met, was embarrassed. nonetheless, you were going to earn another kiss from your friend, not to mention the boy you’ve been in love with for the past two years.

you were quick to pick up your pencil, reading the questions as quickly as possible. “and don’t rush either, idiot,” tsukishima jested. you stuck your tongue out at him, feeling your heart flutter as he let out a soft chuckle.

you made sure to complete each question thoroughly, wondering if you would get extra points for doing more work. tsukishima stood over your figure, eyes scanning over each question. he pointed at one, “the equation was right, but check your calculations again.” you sighed, turning back to the book. 

tsukishima bent over, pressing a light kiss atop your head, making you jolt in surprise. he staggered back holding his chin, and you stood up waving your hands frantically. he held his hand up to stop your word-vomit, letting a light chuckle escape his lips.

you pressed your lips in a line, sitting back down. you began calculating the equation once more, finally coming up with the right answer. “there you go. see? you only have four questions left now.” you lifted your chin expectedly, watching him squat in front of you. you pursed your lips as he began to lean in, pressing teasing kisses to both of your cheeks. you groaned in annoyance, before sandwiching his face in between your palms. “stop teasing,” you muttered sternly. “yes ma’am,” he joked, finally closing the distance between you two.

this kiss was a tad bit more passionate, the two of you moving your lips together excitedly. it would’ve been a make out session, if tsukishima had not pulled away with a grin. “last four questions.” he smirked at you before standing up, returning to his chair once more.

these questions were possibly the worst. there were multiple equations in each separate question, and it left you wondering why someone would ever want to major in chemistry. tsukishima watched your face contort into borderline anger, your lower lip between your teeth. he swiftly stood up, placing himself next to you on the bed. he reached his arm around you, rubbing circles into your lower back as you continued writing the wrong equations.

“here,” he spoke up finally, removing the pencil from your grasp. he began writing in a clear fashion which numbers were to be plugged in where, and it finally clicked for you. he glanced at your profile, watching your mouth fall open. he smiled to himself as he watched you solve the equations with ease, his hand never leaving your back.

you finally finished, looking up at the blond with long-awaited anticipation. “you’re eager,” he whispered, his eyes becoming soft. his gaze flickered between yours and your plush lips - the one’s he’s been waiting to feel on his for so long. and the feeling wasn’t disappointing. they felt amazing, and he was on cloud nine. a little voice that sounded like yamaguchi resonated in tsukishima’s head saying, “finally.”

the two of you began moving forward at a slow pace, until you gripped onto his shirt pulling him into you to finally close the gap. this kiss was definitely not like the last ones. this one was ferocious; two pining friends finally earning exactly what they’ve been patiently waiting for. 

tsukishima’s right hand made its way to your hip, prompting you to lay down. he hovered over you, not once pulling away. your tongue brushed against the seam of his lips, and he eagerly allowed your tongue to meet his. your hands began roaming, feeling tsukishima’s pecs. they slowly moved down to his abs, which were rock-solid, much to your surprise.

you gasped as he pulled away to press open-mouthed kisses on your jawline, moving down to your neck. your hands gripped his hair as he sucked on a particular spot that elicited a whine from your throat.

he pulled away, looking down at you with golden irises filled with lust. his gaze fell on the newly formed red spot on your neck, and he sat up pushing his glasses back to rest on the bridge of his nose. “sorry about that,” he whispered, his voice filled with nerves. “don’t be. i liked it,” you smiled, watching his gaze soften for the umpteenth time that day.

“do you like me?” he asked hesitantly. you paused, your eyebrows furrowing in mock confusion. “you know, for one of the smartest in the class, you’re pretty dumb.” he opened his mouth to protest, before you sat up to give him a quick kiss. “yes, i like you.”

his arms wrapped around your waist, pushing you back down onto his bed. “can we cuddle,” he said it as more of a statement than a question. you chuckled, wrapping your arms around his back. “can you be my boyfriend,” you pretend to mock, causing his head to snap up. he nodded hastily before burrowing his face into your chest once more. 

“i love you,” he said, his words muffled by your shirt. “i love you too, kei.” you smiled as you ran your hands through his golden locks, hearing a content sigh escape his lips.

[honeypirate]

my sun and stars

Izuku Midoirya x Reader 

In my head theyre in their last year of school and end up fighting a bad villian, deku saves reader and ends up getting hurt, leading to a kind of confession.  

flufffyyyyy best friends to more

Heavily unedited so I apologize for the mistakes I know are there somewhere.

The girls of class 1A, Aoyama, and you, sat cross legged on the floor of Deku’s room. A book on the floor between you all that explains the chemical makeup of what you needed “thank you so much for this Yao-Momo. It really is a help since it’s so late and I don’t know where to even get these.” she smiles “no problem, this is an amazing idea” the little plastic pieces start to fall from her skin, onto the floor around her. You squeal in excitement and start to pick up the pieces, grabbing the sticky tack that she made first, and begin hanging the plastic pieces all over the room. You didn’t finish until early in the morning, around 3am. You were happy even though you knew you had to get up early to go to the hospital

Your neck ached but you didn’t care, you kept your hand in his and your forehead against your hand as you rested in the hospital. Your best friend, Izuku Midoriya, has been in a coma for the past few days, you made a huge fuss and now they let you stay with him however long you wanted if you just went home at night to shower and sleep. School has been out for the past few days because of rebuilding from the attack, Midoriya only got hurt because he was protecting you and you felt guilty because of it. You wanted to be with him as long as possible until he woke up, and the teachers knew that, Aizawa was there as long as you were but he gave you space, sitting outside of the door. He walked you back to school at the end of the night, and was there in the morning when you left the dorm, the travel to and fro was always silent but you were grateful for the company. 

“y/n, what are you doing here?” your head snaps up from the bed “you’re awake!” you say and smile, but your smile falls away when you see the disgusted look on his face and the way he whips his hand away from yours “oh..” you whisper, your heart beginning to race. “What are YOU doing here?” he asks again, his eyes turning dark, “I uhh, i wanted to be here when you woke up, i was worried..” you withdraw into the chair you were sitting in, feeling smaller than a pinhead, “don't tell me you’re IN LOVE with me?! Don't make me laugh” and he does, long and loud, hard enough to bring tears to his eyes. You feel tears burn your eyes and quickly scoot your chair back, popping to your feet and trying to run out the door, but the door won't open when you push it. You try to force it open and it doesn’t budge, your hand freezes when his laughter stops and he speaks again “i never should have hurt myself for you. You’re not worth it. It should be you in this hospital bed” you gasp and tears start to flow down your cheeks, the door immediately flies open and all of your friends are outside the door, laughing and shoving their way inside while chanting “it should have been you” you take a step back and trip, falling on your butt and choking on a sob. You scoot farther back until youre up against the wall, your friends walking slowing towards you and Midoriya standing from his hospital bed, walking over to you with a smirk before crouching down in front of you“D..deku. Why?”  you sob as you look into his dark green eyes you loved, he chuckles “because I could never love a person like you” 

You woke up with a gasp in a cold sweat, panting and your heart racing, the dream you were just in still fresh in your mind. You throw your covers off and go to open the window in your room, the cool night air cooling off your body as you took deep breaths to calm yourself down. “That was so rude of you, brain” you whisper to nobody and then get back in bed, reaching over and checking your phone, 4:04am. Your alarm would go off in three hours but you doubt that you would get any more sleep tonight. 

The walk to the hospital was the same as all the others, only thing heard was your footsteps on the pavement, when you get to his hospital room you stop, hand on the door, and frown. “Is something wrong?” Mr. Aizawa asks and you shake your head. “Just a bad dream.” you whisper and then turn your face towards him “thank you for always walking with me. I really appreciate it” he nods and you finally enter the room. 

You tell his unconscious form about your dream, “and yeah” you yawn “i didn't sleep after that.” you pull your chair across the room to be by the bed, sitting down and pulling a blanket out from your bag and a book you had to read for your class, pulling your knees up and settling in. “i really hope you wake up soon, Deku. I miss you.” 

A chorus of beeping is what woke him up, his eyes slowly fluttering open, the groan in his throat dying before it can come out when he catches sight of your unconscious form sleeping curled up in the chair next to his bed, your peaceful sleeping face giving him butterflies. “She’s here every day, all day, leaving only to go home and sleep before coming back in the morning” his eyes moved over to the doorway where the voice was “mr Aizawa!” he says in a whisper. Aizawa comes in quietly, looking at you and your book that fell to the ground, “you should have seen the fuss that they made on the first day when we tried to send them home. They really care about you” he covers his mouth as he yawns and then shoves his hands in his pocket. Izuku’s eyes go back over to you as he sits up quietly, stifling the groan of his soar muscles, he doesn’t know what to say, the fact that you care so much about him makes his heart sore, he's been in love with you for so long but felt convinced you saw him as only a friend. This makes him hope you see him as more.

A hand on your shoulder makes you up, you open your eyes and see the dark green eyes from your dream. You gasp, your eyes widening and your heart beat spiking as you sit up straight in the chair, trying to back away from him but the back of the chair stopping you. “Hey hey it’s just me it’s okay” his eyes, you realized, weren’t dark at all. But filled with sweetness and a kindness that you were so familiar with. The beautiful green eyes you loved, nothing like the ones from your dream. You relax and then laugh awkwardly “sorry. Bad dreams recently” you shove the blanket off your lap as excitement finally makes its way throughout your body. You throw your arms around the boy's neck and hug him gently but quickly. “Are you okay? Why are you out of bed?!” one of his arms, the one without the IV, wraps around your back “i’m okay. I wanted to wake you, I’m sorry i couldn’t wait any longer” you pull back and smile as you look into his eyes, your hands staying on his neck “how long have you been up? You should have woken me at the exact moment. Izuku I missed you so much you have no idea how worried i’ve been” you from and he chuckles, reaching up to push your frown into a smile “you looked so peaceful and lovely i couldn't bring myself to. Mr. Aizawa has told me a little about how worried you’ve been.” you help him stand and help him back to his bed, your face flushed knowing that Aizawa talked about you. 

 “Has the doctor come in?” he nods “she told me everything and answered all my questions, and the nurses too. They all love you, you know. Raved about how sweet you were and how moved they are that you’ve been so dedicated to me. Half of them think we’re dating” you laugh uncomfortably, turning away to pull the chair closer before you sat down again “is that so?” you say.

“What was your bad dream about? Will you tell me?” his voice was soft and you sighed, your eyes moving up from the stain on the chair to meet his green eyes again, “it wasn’t nice and it is really dumb, are you sure you want to hear it?” he nods and you nod as well, looking down at your hands in your lap, turning them to look at your palms as you relay the dream to him, leaving out the part where he told you he could never love you, though, didn't want to confess just yet. “Please look at me” his voice was quiet, you looked slowly up into his eyes, he’s smiling softly and his eyes are gentle “it isn’t dumb. and I want to protect you. I hate seeing you get hurt. I would never ever think like that. Okay?” you nod and smile, a load felt like it was taken from your shoulders, you didn’t even feel like it bothered you this much. “Thank you, Izuku” you clear your throat and begin to fold your blanket in your lap “do you know when you can go home?” he sighs “not till tomorrow morning, have to keep me overnight for observations” you smile and take his hand on the bed “i am so glad you’re awake and okay” his heart is racing as hard ad yours was and his cheeks begin to flush so he looks away from you and changes the topic. 

You spent the rest of the day with him, catching up on what he missed and playing some card games. You were so relieved he was okay and coming home. The rest of the class showed up as well his Mom (who stayed the rest of the day with you both) and the class brought so many watermelons you didn't know what to do with half of them. You ended up giving them to some of the hospital staff. 

The next morning you met Izuku at the hospital to go home with him, smiling and bouncing on your toes, excited to show him what you did in his room. When you get there you ask him to close his eyes as you enter, he laughs but still follows your orders when your hand goes up to cover his eyes. 

“I hope you like it Izuku” you whisper before you drop your hand, you left the light on all night and brought in your blackout curtains to make sure the whole room was pitch black. When he opened his eyes he was greeted with the most beautiful display of glow in the dark stars and planets, exact constellations spread out around his ceiling and walls, all of the ones you guys found together one night after a big fight with a villain when you both couldn’t sleep and you snuck out to the roof.

 His hand finds yours in the dark and he laces your fingers together “y/n I…” you swallow hard, your stomach filled with knots of excitement and butterflies “do you like it?” you whisper and he chuckles “I love it. It’s so amazing” you feel relieved “i’m so glad” he pulls you into his arms into a hug that feels like it reached your very core. 

Something about the darkness made you feel bolder, maybe because you couldn’t see his face, you grab fistfuls of his shirt across his back, burying your face into his neck whispering “you are my sun and stars, Izuku” his heart stopped and he froze, did you really say that or is this a dream? It takes him a good second to restart his heart and pull you tighter against his chest. “And you are mine” he says and pulls back, reaching up to cup your cheek in the dark, his thumb tracing your bottom lip before he leans down, pressing his lips gently to yours.

[terminally-karkalicious]

allow me to rant about the only thing that has been in my brain for the past two months and that is doll customizing babeyyyyy

i know there’s a 90% chance that you wont give a Shit about any of this but here we go anyways

SO first you gotta choose a doll. preferably one with a high range of motion to avoid creating new joints or having annoying limitations like not having elbow joints for some fucking reason. what the fuck mattel. give monster high dolls back their ball jointed shoulders and elbow joints. smh

the most common dolls ive seen used as bases are monster high and ever after high. most customs ive seen are highly stylized so the stylized face molds work well for those types of dolls but dolls like barbies are good for when you want a more realistic face-ups.

once you’ve got your base picked out you gotta wipe that bitch’s face off with like. acetone or nail polish remover or something strong like that. you can also use acetone to shrink doll heads which is cool as hell imo. n e way once the face is wiped you gotta chop off the hair and remove the hair plugs from the inside. ive seen this done several ways but the easiest and most common way ive seen is to dunk the head into boiling water for ~30 seconds until it gets squishy and malleable. once you’ve got the head back, you can use pliers (i think tweezers would work in a pinch) to pull out the hair plugs which are kinda icky because theyre covered in glue and other gross shit. ew

now you must decapitate the doll. dunk em back in the boiling water to soften them back up then just tug the head off. the neck pegs look funky and are usually a different color than the body so thats cool ig

once the head’s off, you can start the face-up which is basically just giving the doll a new face using stuff like watercolor pencils, acrylic paint, gouache, and a whole lot of other stuff. hell ive seen people use person makeup on these dolls.

next,,,,, hair. there’s about twenty million ways to do hair from gluing yarn wefts to sewing to rerooting with purchased nylon doll hair or yarn wefts but i’m gonna talk about the most common one ive seen which is rerooting and gluing.

before you can reroot, you need doll hair. which, as i mentioned, can be bought at stores like the doll planet or made at home with yarn in literally any color. have fun with it! make rainbow hair or something idk

to make homemade wefts, you take some acrylic yarn, cut it twice as long as you want the hair to be (keep in mind you can cut and style the hair once it’s been rerooted), fold them in half, and tie it to something sturdy like a wire coat hanger for the next step.

once you’ve got your yarn tied to your hanger, use a pet brush and brush the yarn until it’s wispy and looks like hair. then take a straightening iron and iron the weft flat. then remove from the hanger and boom. hair wefts. ta-da

to reroot the wefts onto the head, use a rerooting tool (which can be as simple as a needle with the eye cut at angle) (just google it please i’m shit at descriptions)) to poke small sections of the hair into the head. you can use the pre-existing rooting holes for your own reroot as they’re usually pretty reliable. to reroot, take a small length of you doll hair (about 10-15 strands), loop it in half, and put the middle of the loop into the reroot tool. poke the end of the tool with the hair on it into the pre-existing hole and remove the tool. the hair *should* stay in and fill up that plug!! also remember to plug thickly at the hairline and part of the hair where it's most noticeable. it doesnt matter as much in the center of the head as that’s not usually visible on the doll. once you’ve rerooted, squeeze in strong glue through the neck hole and squish around the head to make sure it covers all the plugs and secures them in place. then pour hot water onto the head to make the hair lay flat for styling later.

also, you can reroot yarn directly into the head to make thicker, more textured hairstyles. and since the yarn is thicker, you dont need to glue the inside of the head for the hair to stay in place!!

if youre not doing body modifications (which are also cool as hell) then it’s time for clothes but clothes are boring and i like body mods more so i’m gonna rant about them instead

the material ive seen most doll artists use is apoxie sculpt, which is like play doh on steroids. it comes in two parts which you gotta mix together for some reason. why dont they sell it pre-mixed. what was the reason. also once it’s dry it’s super super strong and you can sand it, drill into it, paint it, and all kinds of stuff. very nice and i want some for myself.

you can use hand saws and drills and shit to whack off doll limbs to make stuff like digitigrade legs or new joints. also dont be afraid to use other mismatching doll parts when customizing like heads and bodies and forearms and hands and shit. it literally does not matter if youre gonna recolor the doll anyways so have fun with it. make frankenstein’s doll if youre feeling spicy

accessories my beloved. stuff like tiny beads and clay baubles and shit will literally transform the entire doll plus they’re adorable and multi-purpose

i suppose i must talk about clothes now. ah well. you can find great clothing patterns if youre new to customizing on other customizer’s etsy shops and probably google although those will probably be lower quality than paid pattern pieces. and keep in mind that if it exists as clothing irl, you can likely make it doll-sized. there are literally no limits to your clothing options as long as you can execute your idea.

the once all your components have been made, you can assemble the doll again!! and finally see what all the parts look like together!! very cool 10/10 stars.

ight that wraps up my doll rant. i could really go into more detail on certain parts but thats a whole other rant for a whole other day smh. sorry for fucking flooding your inbox ender ahaha……………. you asked for this

little did you know that dolls have been one of my favorite things since like ever. if i can read a 25 chapter long fanfic i can read this B)

mattel definitely fucked up by completely ruining MH doll designs and just stopping EAH, alot of their profits most likely came from people who collect and customize dolls and by changing MH doll designs/Stopping EAH dolls they 1. most likely lost a small (or big if we're not jus talking people who customize dolls) part of their profit and 2. made it harder for doll customizers to make dolls/get commissions out rather quickly because they probably have to waste more time making joints or learning how to make joints.

EAH/MH dolls (specifically MH dolls) had AMAZING MODELS because there was so much variety with height, face shapes, etc (my favorite molds had to be the short/tall dolls and the cat molds because of the tails) and doll customizers really went all out with enhancing a molds unique features. The only "downside" abt MH dolls is that they (or atleast most)(from what i remember)) had slimmer faces but wider eyes while EAH dolls have wider faces with slimmer smaller which left a canvas for the face and not the eyes (and vice versa for MH dolls)

I've never seen any videos where a barbie is customized (maybe because i absolutely despised barbies at the time) so I'll definitely have to check those out but they seem to be good for realistic makeovers. I've seen like like semi realistic makeovers for EAH/MH dolls that were pretty good too tho (pretty sure mostly EAH dolls since yk MH dolls were used for creature makeovers while most EAH dolls weren't)

yeah i was always amazed by the head shrinking with acetone. honestly i still am?? idunno i have no idea how that chemical bullshit works. Ive seen a few of uh makeovers that just pain over the face (in multiple layers ofcourse) but that's usually when they're painting the entire body a different colour (again usually when they're turning a doll into a funky little baby man). I've also seen a few that just chop the hair off and take out the hair plugs yk without uuh like softening the head or just go straight for the hair plugs after taking off the head (i used to do that it was funny to me??). i always really liked when they used watercolour pencils or just colour pencils in general to draw/sketch on the face cause like wow ur drawing on ur doll without ruining it?? kinda epic maybe even poggers and pogchamp?? oh god my brain is failing wjshsmsj.

Watching them putting the hair back on the doll was, other than the face stuff, was the BEST part for me. Favorite type of hair was iuuuuuh was either thick yarn or brushed out yarn. Literally worship the people that would reroot the hair, theyre the most patience people on this earth!! it's literally insane but i guess that's what happens when you've been doing that for years? you guess kinda get used to it. when they put glue into the head does it just become stiff?? like it's just a clump of dried glue or does it like..hollow out again??

dude you literally cannot convince me most of the supplies used for doll makeovers. APOXIE CLAY LOOKS SO FECKING GOOD. its edible and i will die on that hill. The body mods are literally so amazing!!!!! it's so impressive how theyre able to imagine certain features THEN LIKE ACTUALLY MAKE IT LOOK ACCURATE TO WHAT THEY WANTED TO LOOK LIKE AFTER LIKE ON TRY (or many yk trial and error is very necessary for..everything). Absolutely loved when doll customizers would saw off a dolls legs and use different ones or just completely get rid of the torso to use a different one. it's like uuh that one big guy that's mismatched and sewn together. very cool. The accessories are so fun!! just small little details you seen really need but can add because it's your feckin doll!! I used to be absolutely obsessed over the doll clothes i would find on etsy, so much so that i started sewing shitty shirts and dresses for my uh "customized" dolls (they were absolute HORRORS idk WHY my mom let me feck up my dolls like that).

Thank you for this!! i haven't been able to talk about any of my interests for a while and this just really made me happy!!

Question fer u my fellow MH/EAH enthusiast: what was your favorite MH/EAH movie/episode and doll series. Mine was The fusion dolls (MH obvi) and that MH movie "Haunted" cause we got to know more about Spectra :D

[emptynarration]

Headcanons about my version of Dark

PLEASE BE AWARE THAT NEARLY ALL OF THESE HCS ARE FROM TWO YEARS AGO thank

// “Headcanon” about my Dark:

// He is in the body of Damien, not the DA

// They basically swap roles in chapter three, were they were arguing about going to the groundskeeper or not. Damien relents going outside, but only if the DA stays with Celine.

// Dark is primarily the dark entity that was the house/manor had been. It’s the glue holding everything together and alive

// But it needs the parts of Damien and Celine to survive and have enough power to hold everything together and functioning. Thus not only the bad parts of them are in the body, but more of them.

// Things such as memories are lost to Dark. He has no distinctive memories of Damien’s or Celine’s life. He has the “memories” of what he had done when it was just the dark entity in the house/manor.

// But feelings stayed. The dark entity only had been able to feel rage and anger, hate and jealousy and Schadenfreude. But now it gained the feelings of Damien and Celine, all that it hadn’t before. Happiness, joy, love, sorrow, sadness, lust, etc. And those feelings pushed the worse ones, the ones it only could feel before, in the background, in favor of exploring the nice ones // Thus making my Dark so nice

// Dark does have a shell too

// It’s, like, the mixture of three powers mixed into one trying to maintain a normal human looking form // It usually cracks when Dark is feeling strong forceful emotions. Like anger or sadness, usually only. Because both of those can be expressed differently // And Dark’s soul-parts usually disagree on how to express their anger/sadness, so the shell cracks

// When his shell breaks, it is very painful for Dark actually. He can feel the pain of his broken bones from falling down a balcony, the pain of having gotten shot in the stomach. He can feel his very own being tearing at itself and apart -which would kill him // When his shell breaks, usually the dark entity bleeds out through the cracks and swallows everything. Which leaves the body behind in pain with two soul parts trying to settle down again

// If you were to find him in that state, he’d have no idea who he is. Neither Dark, nor Damien, nor Celine will spark any kind of memory. The dark entity has mostly left the body, so left are the leftovers of the two human’s souls. // Mayor or Seer might spark a response though. // All Dark really needs in that state is to calm down his feelings. The two soul parts need to calm down and agree on how to feel and express themselves, without fighting basically

// If you know him well enough, you could probably manage to talk with just one soul part. It’d be near impossible probably for one of the soul parts to be in control when the entity is back to hold them together, but it is possible

// if you find him with a broken shell, talking with just one soul part and trying to get what that art is feeling through and the other soul to stay silent, then you can better talk with it, until the entity comes back. Getting the soul part to stay in control is hard though

// There are days, and times, when a soul part can be in control without having the shell broken before hand. It usually happens after sleeping, and mostly never lasts long

/ have some more smaller headcanons:

/ Dark is constantly cold. Like, he’s cold to the touch. He’s basically a dead body, so he has no body heat himself. Or, not a lot of it. / He can get warm though, with warm showers/baths or being near something warm (like a fireplace, a heater, etc.)

/ Dark can bleed, but his blood is thicker than normal blood, and much much darker. (Ofc it’s also monochrome but shh) / Wounds heal very very badly on their own, so anything more or less bad needs to get stitched up to help it heal better. / Though he can use his powers to heal, but he doesn’t like it much

/ Dark can’t see colours. He sees everything in monochrome, as if the saturation was turned down, ya know? / He would be able to see the red and blue of his shell though

(next comes what i just typed up today)

after years of having this exist and half forgetting half remembering Let’s add some more headcanons to this bad boy!

/ continuing off the “can’t see colours”: it’s because of his aura. / dark can control his aura to some extend. he can let it spread out, or pull it back close to him. the most he can do is pull it so close to him that he himself is the only thing affected. this causes him to not being able to see colour. / his aura, when spread out, turns everyhting it touches monochrome. being inside of it is cold, and the ringing and creaking sounds are rather prominent. / if a person just enters the aura, or the aura spreads over them, it feels like being dropped into ice-water, though slowly gets a little better. its constantly chilly though

/ his body is covered in very faint “scars”, which look like broken glass shards. they start from around the gunshot wound in his stomach, and are spread out. They stop at his collarbones, close to his wrists and close to his ankles. They’re able to be hidden pretty well with long sleeves/long pants/etc. / these scars originated from his shell cracking, and especially breaking. when his shell cracks, they tend to hurt then, but not as badly as when the shell breaks

/ when his shell breaks, his aura spreads like a flood, and further than dark usually lets it. it turns everything into freezing temperatures, going so far as to actually freeze things, making it very hard to get to him to attempt help / when his shell is broken, his (grey) skin seems darker than normal, while his scars spread a little, and appear to glow slightly / his appearance is hard to grasp with a broken shell. he still seems like who he was before, while also appearing more like a mix of damien and celine -a sort of androgynous mixture, in a way

okay little headcanons time:

/ dark really likes to knit for relaxation! it’s quite calming, and a good break from everything else

/ he handles all the legal paperwork they have to do. mostly its for wilfords/bims/jims/etc studio space, as well as theyre “employees” and such. a lot of it is masking murders, disappearances, and such that the egos caused though. / dark also takes care largely of their home. it is a rather.. “magical” space, you could say. a lot of it comes from the entity’s influence, so dark has to keep check on that

/ he’s a pretty bad cook, actually. while he enjoys the act, he prefers to help someone instead of doing it all by himself. he’s not so good at cooking by himself.

while we’re on that topic:

/ Dark has no need for food, actually. His body is already dead, and survives largely off of the entity holding it all together. / Which also means that he doesn’t actually need to breathe. it’s a comfort thing to do so, especially because his brain likes to believe he actually needs to breathe. / sleep is technically also not necessary for survival, but, it makes living a lot easier. it gives his broken body a rest, as well as his mind.

okay what else...

/ dark is afraid of heights. very badly. / he’s also afraid of guns, and gets startled quite badly by loud, sudden, bang like noises

/ his bed is as soft as clouds look like, and he uses weighted blankets. he needs his mattress to form to his body to not shift it around, and the weight on top of him is a very big comfort. lay down on top of him pls

/ he’s used to fidgeting with his collar, and running his hands over the material of his suit is comforting to him

now, last but not least, p a i n

/ dark is always, at the very least, aching. his limbs feel heavy, and a lot of movements tend to hurt. / he has good and bad days. On good days, his pain is very tolerable, and doesn’t bother him much.

here’s some things that can be during bad pain days:

/ dark can lose finer motor skills, struggling with writing and holding utensils. / he can have problems with moving his arms. ranging from every movement of his arms hurting, to being unable to move them at all. / on very bad days, dark may be unable to move completely, paralysis setting in. it limits him to only head movements, which likely also hurt. he spends these days just laying in bed attempting to sleep it away / he only rarely struggles with his legs, thankfully. he has days where walking is hard, and he uses his cane to help him move.

i think that’s it úwù

[xuune]

oh wow i haven’t been on tumblr in so long bc mobile is shit but how tf did i forget abt ur art ??? fukcin blows me away wow. any tips on anatomy for a rly bad artist? ik practice, but i get so frustrated when it doesn’t look like what i see in my head :(

yeah lol mobile on tumblr sucks major ass now. i cant even publish drafts on there. and im in the same boat wiht you on anatomy lmao. it might look like i know what im doing, but sometimes not really. maybe im just good at deceiving ppl on the way i draw when its kinda inaccurate 

anyway, i also struggle with never really composing the shit i want, and even i tell myself to go practice anatomy but im never really granted a lot of time in my life, so i gotta make use of whatever i can find whenever i draw.

this post is actually long, so if you just want anatomy resources, you can check these out:

stuff that i made tutorials/tips on: torso/hands/pose

these are all very condensed tutorials/tips, so a lot of this is just collection of stuff that i’ve learned/noticed from others. this might be helpful, but idk man 

here’s a list of other resources for anatomy/any other refs 

this one was mentioned in the list, but its easily looked over: posemaniacs, it has different modes you can try out (timed/casual study), and its good for practicing foundations in anatomy. i paid more attention to this one when i saw a twitter post of it  

bodies in motion is a site you can also use. it has a catalog of images to see people acting something out, and you get to see all the frames of it occurring. even though you’re just looking at images, its still a reference to learn how arms, legs, or torsos move B^) its a good way to pay attention to the smaller details like the various muscles in bodies 

and honestly, check out what other ppl say too. there’s a lot of artists out there who might’ve already wrote some shit that i mentioned or have new info that i never thought about. just type in “anatomy/art tips” into any kind of search bar and you’re sure to find something useful at some point. but main takeaway i really want you to have is to seriously study from life. dont do it based on memory or anything. there’s no other general advice that i can really give besides 1) practice 2) study from life 3) dont stress out and take your time. if you want me to give a specific tip/tutorial on a body part, i can try, but the amount of depth i can give is really based on my own knowledge of it 

now for the 2nd part of this post: 

COMPOSING SHIT OR MAKING STUFF LOOK LIKE WHAT YOU EXPECTED IT TO LOOK LIKE: 

“i get so frustrated when it doesn’t look like what i see in my head :(“

i suck at it, whoever is reading this prob sucks at it (and they secretly know it too) we all gotta start somewhere. you’re kinda asking for composing stuff while also anatomy tips, but its kinda broad, so lemme mention something about composition:

use perspective grids or at least practice using them first. the best way to understand how things are supposed to look is also based around the way you’re trying to see it in, like a certain angle of some sort. here, lemme give an example where i drafted a sketch a lot: 

ok cool, got a pose i want, got the general idea, niiiiiiiiiceee. but i didnt think it was good enough, but i still managed to plan out a pose anyway with that grid on the bottom. it helped me gain a focus on how these characters were supposed to lay down on the ground, but it still wasnt good enough yet. character on top was facing their right instead of the person in front of them, which wasnt what i wanted. 

then i sketched it again. this time the “camera” of the scene was more based around the front of the characters rather than the side, and now the character is looking at the person below them. but wait, it wasnt good enough yet. i didnt like how relaxed their position looked. 

i changed the position of the character to make it seem more convincing that they were pressing hard into the ground and possibly sneering at the person below them. they held dominance over the person simply based on the way theyre positioned in the scene. the way people move suggests a lot about what is happening in the scene and what might be apparent about their character. i was able to make a pose i wanted with the help of a perspective grid, and it really does help at times. use perspective grids to help you out with making anatomy. also, dont forget that what you learn from simply observing how bodies work can help you out with giving clues to how the bodies should look at a certain angle

but am i a master at using perspective grids? no, lol. i always have to make several perspective grids while i draw as a way to convince myself that i really am drawing my shit right. 

some of the resources i listed lean into something related to perspective, so there’s that. there’s definitely tutorials out there to understand how to use perspective grids, so i suggest you search those up too. there’s a program called carapace thats specific for creating perspective grids, but im not sure where the original download site is, but if you want to know what it looks like or where to download it, google is your friend. if you use digital media and your drawing software offers a perspective grid function, then i highly suggest you learn how to use it. 

i wouldnt say that there’s a specific thing you need to learn first (i.e. learning perspective before anatomy), but if you want to just simply learn how to draw anatomy, then go ahead and find whatever you can. if you wanna create some cool ass poses with some interesting perspective shots, then take what you learn from anatomy and apply it to how you practice your perspective shots or vice versa. there’s a lot of variety in what you can do and how you can do it simultaneously with something else to learn something out of it B^) 

[dreamindolls]

Oh oh since I’m trash for Inosuke I was thinking of an x reader of the reader being a wolf girl, or fox girl? And the girl mistakes him for a real boar and attacks him when he comes into a forest for a mission. Low key wanting romance stuff outta this to somehow cause I think it would be cute XD

I wasnt sure if you just wanted something similar to inosuke which they have a fox head instead but i made them a demon instead!

Definitely gonna be after he meets nezuko 

Probably found you when he was supposed to be training with tanjiro in the butterfly estate but he was in the mountains instead

You being a fox demon set off his alarms for a demon being nearby so he went out to seek you not even thinking about how he had no sword

He sensed two demons but one was harder to sense than you

When he saw you he charged in trying to grip his swords but he realized he didnt have his swords so he just planned to go in and get a few hits in

The other demon came out of nowhere and tried to attack him but you took the hit for him and lifted him to take him away from the demon

But being inosuke he fought you picking him up and made himself fall out of your arms

You jumped away and landed not even checking to see if he was ok rather checking where the other demon was

The other demon lunged at inosuke and he was all prepared to take the attack and hit it himself when you jumped in and kicked it into the ground almost making a dent into the poor thing. It lt out a cry and yelled at you for being a demon and attacking a fellow demon

Inosuke wasnt sure how to react to you protecting him other than getting mad for taking his enemy and fighting for him

You didnt speak but you tried picking him up again but instead of trying to hold him you just kept picking him up to toss him away from the demon

He Really didnt like continually being tossed and kept trying to avoid you until you eventually were able to drive him back to the butterfly estate

You ran off when you heard the other demon slayers start to come out questioning what was going on

The demon did follow you two too but you ran away and it kept going after inosuke

It got killed by the other demon slayers and inosuke got mad again that he couldnt kill it

Tanjiro asked him what he was doing and also what the other smell on him was

“Did you run into another demon?”

Then he told tanjiro about you and how you didnt even try to attack him only get away from the other demon like a coward!!!

But tanjiro told him that maybe you were like nezuko and only wanted to protect him

Inosuke and tanjiro made a plan to go out at night and try to find you again with nezuko (with swords of course just in case)

They both found you just staring at the moon on top of one of the mountains

You didnt mind them being there but you were slightly on alert since the had their swords on them

Tanjiro approached you with nezuko who went ahead to “talk” with you 

Nezuko and you talked although it was mostly you nodding your head as she let out her little grunts as her way of speak

You wrapped your arms around your fox like legs and just stared at them

Inosuke somehow took that as a challenge to fight and started trying to fight you but you immediately jumped away and he kept chasing you trying to fist fight you 

After a while you started laughing at him for trying to hard and missing everytime cause you always managed to get away

He only got more and more mad with how much you laughed and eventually started sulking on the floor by tanjiro cause he couldnt catch you

You went back down to them and sat next to nzuko and inosuke

Inosuke used this as a chance to catch you tho

And then proceeded to say that now that hes caught you he has his own subordinate and about how hes gonna carry you around with him like Gonpachiro tanjiro 

He seemed to really like the idea and you didnt really see any reason to object so you just quietly nodded your head

Tanjiro laughed a bit but said he’d need to do what he did with nezuko and talk about it with oyakata-sama and show you to the pillars

You didnt really understand what they were saying so you just started playing with nezuko

Surprisingly you had a similar ability to nezuko nd shrunk yourself! But you became a literal fox instead of a smaller version of yourself!

Inosuke yelled that youll pass whatever theyre gonna give you especially if nezuko was able to do it you should be able to do it too

[angrylizardjacket]

and then there was light [4] {Roger Taylor}

A/N: 5060 words. part 4? part 4. it’s a bit of a darker one and before you ask, there will be a part 5, you know i wouldn’t end it on a cliffhanger and do you dirty like that.

[part 1] [part 2] [part 3]

The moment Roger steps foot into the meeting about the design of the shows for the upcoming American legs of the ‘Night at the Opera’ world tour, he’s pretty sure he’s already mentally checked out. Freddie’s doing all the talking, to literally no-one’s surprise; the man has big ambitions for his own costumes, and knows the other guys will pipe up about their own needs when they get to meet with just the costume designer. John Reid brings up the technical requirements, Roger’s got the ‘galileo’s from Bohemian Rhapsody playing on repeat in his head as he stares into the middle distance, and it’s Deaky who sits forward.

“We’ve got a pretty solid idea for the lights; Freddie and I have been consulting with a designer in America; she’s freelance, used to work for EMI, she’s reliable.” He assures, and Roger’s thinking ‘hey that sounds familiar’ but Reid seems satisfied and they’re already moving on to the staging and sound equipment needed. 

Roger doesn’t connect the dots at first; it’s been almost four years since that fateful American tour, and they’ve had other tours come and go since, and as far as the others are concerned, they’re pretty sure he hasn’t spared you a thought since arriving home at the end of that tour. But he does, even if he doesn’t mean to.

The tour after you’d quit working for EMI, someone drops a parcan side of stage, and his heart is in his throat when he realises he was waiting to hear you yell ‘okay that one wasn’t my fault’ or something similar. All he hears is a faint apology, and a call from someone to get a broom. The scheduling’s different this time around, he can’t even have a cigarette in an empty theatre without some stagehand buzzing back and forth, or a band member trotting across the stage as they practice. It would be so much easier to lay on the stage if the rest of them were confined to one place while they played, like he was behind the drums. It’d be boring as shit, he would be the first to acknowledge that, but it would mean he would get stepped on less during lunch, and that’s a sacrifice he’s willing to make with the toe of Freddie’s shoe poking at his waist.

Nothing serious had come his way in that time, or rather, he’d never found anyone who could hold his attention for more than a week or two. People became dreadfully boring when all they wanted to do was faun over him and fuck him; not that it wasn’t fun at first, it was always fun at first, but there was a lack of variety, a sinking sensation that these people were more attracted to the idea of him that left a sour aftertaste.

But now he’s here, new company, new album, second leg of the new tour, new chance to sample all different women across this great nation. He’s already a little tipsy from his multiple jack and coke’s on the plane when they land, and he’s passed out on the tour bus before it even gets to the first tour stop. Once in Conneticut, he’s dragged from the bus, and informed that as soon as the tech crew had finished their meeting, they could start loading in their instruments. 

“How long have they been here?” Brian asks the stage hand, and the guy shrugs. 

“A couple of hours; the Floor Tech wanted the drum risers set up before she gave the brief.” He tells them as he lead the band in to the theatre, where most of the crew were milling about on stage. 

“She always did have a flare for the dramatic.” John says with a grin where his eyes were trained on the stage, and Freddie hums in agreement, which only serves to confuse Roger further until he sees an all too familiar figure climbing the drum risers with a clipboard in hand.

“Alright guys, can I have your attention, please?” Even after all these years, the sound of your voice hits Roger square in the chest. “I wanna make this as quick and painless as possible, so after today we can bump in and bump out without any hassles.” You addressed the crowd with an easy confidence from your place at the top of the drum risers, tapping your nails against the back of the clipboard in your hands, wearing the overalls he’d seen you in so many times before.

“You can call me Spotlight; I’m the Head Floor Tech for the tour, as well as lighting designer; those of you on my lighting team, you’ve got a copy of the lighting plan, and I’ll be talking to you about how we’re gonna run it after this. Next time, I’ll get some help from the stage hands to set up the drum risers, I had a few people help me today to get them set up early, but that’s just because I like being tall.” With a sharp grin you pause as a titter of laughter spreads around the group, “stage management team, you’re in charge of making sure side of stage is set up with anything the band needs, and that it’s clear of unnecessary clutter and people, and running cabling for the sound guys; they’ll tell you what they need.”

After a beat, you look around the gathered crowd, and nod firmly, a gesture which a few of them return.

“If you have any questions, remember; find your Light.” You point directly at yourself. “We break for lunch at one, but until then we’ve got a lot to get through; let’s get rockin’.” Grinning brightly, you hop down from the risers into the crowd of crew members, ushering a bunch, each holding a sheet of paper, off to the side, as the others scattered like cockroaches under light.

“What the fuck is she doing here?” Roger finally finds his voice where he’s still standing, a little dumbstruck, alone in the aisle of the theatre where the others had left him behind.

“Didn’t you hear her speech? Spotlight’s our lighting designer.” Freddie calls over his shoulder, eyes wide and innocent, as if he hadn’t set this all up without thinking to mention it to Roger.

“Our what now?” He splutters, jogging a little to catch up to the other band members as they made their way towards the stage. He’s not quite sure what he’s doing, or what will happen when he gets their; the last thing you’d said to him was that you were stupid to think he was above his reputation, while you were in tears, and then it had been three years of nothing. He’s not going to run, at least he’s pretty sure he’s not; he’s self aware enough to know he was in the wrong last time you spoke, that he was an asshole, but he’s not going to be a coward. Not again.

“That was quite the speech.” John waits patiently until the crew who made up the lighting team had dispersed before addressing the familiar face at the centre. You turn, eyes bright and smile brighter, casually making your way towards him and the rest of the band.

“Yeah, I really feel in my element, you know?” It’s with an easy familiarity that you pull John into a hug, giving him a firm squeeze. “Good to finally see you again.” And then you’re hugging Freddie, and then Brian, and you stop short in front of Roger. It’s a stalemate, neither one wanting to be the first to look away, but both unsure of what to do. In the end, you don’t even offer him a handshake, just nod, and you turn back to the others.

“How’s Pippin been?” Freddie asks, and you’re about to answer, but Roger cuts in.

“Hang on, can someone fill me in here? Lovely to see you, by the way, just a little confused as to how you got here.” He says, and you’re lost for words, just blinking rapidly, trying to process the whole situation.

“Did you not tell him I was working with you guys?” Your words come out incredulous as you turn your gaze upon John and Freddie, who seem just as bewildered as you.

“I thought he’d cotton on when I mentioned an American designer who used to work for EMI.” John mused, turning his gaze on Roger, who frowned, thinking back to the initial meeting he’d just mentioned.

“I did,” Brian piped up, before casting a smile at John and Freddie that was just a little bit confused, “though I wasn’t a part of this little setup.” He tried to reassure the drummer.

“In my defense,” Roger started, before his gaze dropped, “I wasn’t paying attention, design isn’t exactly my forte.” He admitted, and you had to shake your head at that, exasperated and already a exhausted.

“Pippin’s good.” You go back to John’s initial question. Pippin isn’t so much a person as it is a touring version of a Broadway musical that had opened a year ago, to great success.

It turns out a written letter of recommendation from both the lead singer, and bass player of Queen goes rather far in the industry. After taking some time for yourself, you call up EMI to beg them not to fire you, however it turns out you needn’t have; both John and Freddie had given glowing reports of your work ethic and skill, and the man on the other end of the line is just eager to know when you were next available. 

The moment you’re on site next, they tell you you’ve been promoted to Floor Tech; they hand you a roll of gaff tape and a drill and a whole new set of responsibilities, heaped onto your usual load. You don’t even remember who had been performing, the tour had only lasted a month, all you know is that they were calling you Spotlight from the moment you’d arrived; apparently it was what Freddie had called you, and John had to clarify.

John is the first to contact you again, through EMI of course, and he becomes something of a comfort when you consider taking your career beyond the company that kept you firmly in the one position on tour. Freddie calls you less often, and never about business; it’s John who gives you the courage to leave EMI, and he’s the one who helps set up as a freelance theatre and event crew member. 

People had been head hunting you from tour to tour, beyond even EMI, some smaller acts even giving you the full Lighting Designer role. They expect you to sit back, let a stage hand or an assistant to take care of it, but every time you watch someone else focus a spot, your fingers itch to be doing it yourself. Dedicated to a fault, Roger had once called you, you think about it every time you climb an unsteady ladder, and think perhaps that he’s right.

The moment Pippin announces it’s tour, and puts out calls for crew, you’re first in line for the job, putting your hat in the ring for lighting, but happy enough to take any crew role. Not that you don’t love working with bands, but there’s a certain finesse that comes with theatre lighting that you can’t get anywhere else in the world. After two years, and the support of both John and Freddie, you find yourself as the assistant Lighting Designer, as well as Head Floor Tech, and once you step foot onto the tour bus, everything else becomes history.

Speaking of history, later in the day, after the rest of the crew have broken for lunch, you’re wedged under the drum risers, running some cables, when you hear someone climb up them, taking a seat at the drums.

“If you play one beat-” You’re cut off by Roger’s yell of surprise, as he’s so startled he almost falls off his chair.

“Holy shit, who is that?” He’s breathing heavily, voice panicked, and for a moment you take pleasure imagining clutching his hand to his chest like a delicate, little grandmother.

“Take a wild stab in the dark,” you mutter, unwedging yourself from beneath the structure, raising an eyebrow as you look at him. Almost immediately he’s frowning, and you’re thrown back to the moment almost three years ago where you’d been here before, looking up at him from behind the drum risers after you’d changed out the light mid-show. Clearing your throat loudly, you break the moment, getting to your feet and making your way to the side of the stage.

“What are you doing here?” He calls, watching idly as you go about counting out fly lines until you get to the one you’d been looking for. You’d gotten here early to go through the fly-line procedure with the Duty Tech for the venue, and now you lowered the LX bar it was attached to with ease after making sure there was no-one in the way. Your focus made something in his chest tighten, and he feels like he’s being taken back in time; you’re beautiful when you work, passionate and skilled, meticulous, that hadn’t changed. Roger has to look away.

“My job,” and you just sound tired when you say it, already securing the meticulously placed lights onto the bar you’d just lowered, going along and fixing them to the metal in a neat line. An uncomfortable silence spreads between you, punctuated only by the scrape of metal against metal, and the rattle of the safety chains.

“What are you doing here?” You don’t even try to hide the snippiness from your voice, not even turning to look at his as the accusatory words hang in the air.

“I’m having a smoke in what I thought was going to be relative peace, it’s something I do, okay?” Voice defensive, you hear the rustle of cardboard and hear the click of a cigarette, your annoyance growing with each passing moment.

“No, it’s what I do. It’s what I did three years ago, you just started showing up. You stole my relative peace.” You snapped, turning to him, a blazing fury in your eyes at his words, before your lip curled in disgust, “And you don’t even do anything with it.” You scoffed, and he went quiet, sulking behind his drum kit. Sensing he wasn’t got to talk back you turn back to your work.

The moment you turn away, he sees the way you heave a sigh, angry tension draining from your shoulders, a little hunched as you concentrated. Your hands shake a little as you fiddle with the safety chains. There’s still that confidence there, the ease with which you moved about the stage, but unlike around other people, when it was just Roger - though he suspected you were pretending he wasn’t there - you just looked... weary.

After that first town, he keeps his distance for a few stops, though the other band members look to keep you company on occasion. But then... he’s there again. Quiet this time, he just watches where you hold yourself like royalty at the top of a rickety ladder, so sure of yourself. He’d forgotten the sight of you in your element, and it hits him like a truck.

“Take a picture, it’ll last longer.” You snap when you chance a glance down and see his awestruck expression looking up at you. The shock comes when he actually looks abashed, averting his gaze, picking up his drumsticks and tapping out a rhythm that you’re pretty sure you recognise.

You’re both too stubborn to give the other one the peace of the theatre at lunch, however, while you’re content with stewing in silence as you worked, Roger, to no-one’s surprise, is not.

“How’ve you been?” He brings himself to ask. You stop where you’re replacing a gel on one of the drum riser lights, taking a long moment to consider your words carefully.

“Busy.” Tired. The subtext comes through loud and clear, despite your short answer, and once you’d finished with the light, you stand, before taking a moment to stretch your back out from behind hunched over.

“Working a lot?” I can tell. He answers after a long pause, almost sympathetic, and you know he’s not really responding to the words you’d said out loud.

“Yeah, non stop.” No subtext, just responding at face value, before your eyes up to the mostly finished rig. Afternoons were for last minute fixes and focusing, there wasn’t much left you could do, unless you were willing to ask for Roger’s help.

“When did your last thing end?” He asks, and you click your tongue as you turn on your heel, burned out gel in your hand, heading for a bin.

“Two days before this one.” You admitted. When you’re met with silence, you turn, and Roger’s frowning at you, almost disbelieving.

“You’re not still sleeping on the tour bus, are you?” He asks, and you roll your eyes before you tell him your accommodation is paid for this time around. You’re the first to leave, for the first time since everything had started, you leave halfway through to actually eat lunch, leaving Roger to himself.

When he’s drunk after the show, leaning against some local pub, with a girl leaning against him, heavy enough that the two of them would have tipped over if it wasn’t for the counter, he can’t get you out of his mind.

“I didn’t ruin her career.” His eyes go wide as the words, with something akin to revelation, escape him, and the girl makes a noise of confusion, her fingers ghosting over his chest, but he can’t even bring himself to enjoy it.

“I didn’t ruin her career!” He announces, excited and pleased in his inebriated state, sitting himself so forcefully on the arm of Freddie’s chair that he spills part of his drink. Freddie makes a noise of confusion, looking up at the blonde, and Roger gesticulates enough to spill more of his drink, ignoring Freddie’s yelp. “Spotlight! She said I’d ruined her career!” 

“When?” Freddie asks, just as John pops out from seemingly nowhere.

“Well you certainly didn’t help it. That was me.” Roger doesn’t care that John’s drunk, the way bassist says it, so serene and matter-of-fact, makes it sting just a little bit worse. His mood instantly flips.

“Can you piss off? Go be her best friend somewhere else.” Roger snapped, and he knew he’d regret being so sharp with John the following morning, but it seemed John himself knew that Roger was in a mood, and obligingly fucked off, seemingly not taking it to heart. “When we broke up, she accused me of ruining her career.” And he realises too late, when Freddie’s eyes go wide with realisation, that he’s said too much.

“Is this where you tell me exactly what went down between you two?” He asked, tapping Roger’s leg with excitement. The blonde, however, stood abruptly, glower on his face.

“No. Fuck off.” 

Roger spends almost fifteen minutes banging on the door of the tour bus before he remembers that you’re not in there, and falls into bed alone, fully clothed.

“The fuck did you say to Freddie last night?” The moment he steps foot onto the stage at lunch, you’re waiting for him, already livid. He’s tempted to turn and walk right back out the door. “Apparently he doesn’t know the real reason that I went home last ti- !” 

“Of course he doesn’t!” Roger snapped back, on the defensive without a moment’s hesitation. “It makes me look like a fucking wanker and he’d kick my ass; he adores you!” And that was enough to shock you into silence, grip loosening on the gaff tape in your hands. “They all do.” He said, and your expression turns unreadable.

“I know.” You finally said, a new, strange quality to your voice, it’s something akin to shock, but not quite, and Roger doesn’t know what to say next. “What about you?” You finally ask, voice a little defensive. It hurts to see you look at him with such a judgemental eye, though he’s well aware he deserves it.

“Doesn’t matter, does it? I could apologise a thousand times and you’d still be pissy.” He huffs, and you cross your arms, cocking your hip.

“At least once would be nice.” You level a cold glare at him and his gaze snaps back at yours, surprised. “You never once apologised, you know that?” And your voice is low, hurt and honest. “Are you even sorry for what happened?”

“It was three years ago-” He sighs, but you cut him off, shifting your weight to your other foot, swallowing thickly.

“So that’s a no. Glad to see where you stand.” And you turn to cross the stage to where you’ve already got the ladder set up, but he makes his way to you in three long strides, making to grab at your upper arm. The moment he does, however, you whirl around, slapping him, hard. “I told you to never fucking touch me; did you think I forgot?” And he sees why you were so eager to leave; there’s tears in your eyes, so close to breaking and streaming down your cheeks, your lip trembling. Something about your voice is so raw, it hurts worse than the slap.

“I am sorry.” And he sounds so fucking sincere, but you just glare at him, unashamed where the tears have begun to track down your cheeks. 

“You had your chance to say sorry; you had your chance to beg for forgiveness, but you told me I could leave; so I did, and so did your fucking opportunity.” But you can’t bring yourself to step back, frozen in place where he’s less than a foot away. Every fibre of your being is betraying you, wanting to be around him, close to him, after what he did.

“I’m sorry what happened between us;” his voice is so level, carefully controlled, you know he’s think hard about what he’s about to admit, “I fucked up, I know that; I’m sorry. It was three years ago but I’m still sorry. I’ve been sorry for a long time now.”

“Since it happened?” You asked, and he didn’t drop your gaze, answering without flinching or hesitation.

“Since I started worrying I’d lose you; I know what I’m like, I knew what I’d end up doing.” He admitted, and the words clearly didn’t have his intended impact as you stumble back, free hand clutching your chest.

“And yet you still-” And quietly, so quietly you’re not even sure he hears it, the words come out as more of a defeated whimper than anything else; “How could you not tell I was in love with you?” 

He’s in shock, and you barge past him, leaving as you can no longer contain your aching heart, and you head to the hotel you were staying at down the road, taking the rest of the lunch break to cry.

When you return, the rest of the crew has filtered in, Roger looks guilty, and Freddie and John look about ready to commit violent homicide, which was unsurprising for Freddie, but there was something comforting about Deaky wearing the expression too. In less than a week, the whole crew knows, and wherever you go, you feel yourself followed by pitying stares, which won’t go away, no matter how hard you throw yourself into your work.

“You’re working yourself into the ground.” Roger tells you a week later, watching the way your arms tremble as you focus a light, and it takes you a moment to blink blearily at him. “Don’t forget the security chain.” He adds, and you scowl, before looking at the light itself, and hurriedly affix the security chain to the rig. You insist that you’re fine, making your way down the ladder to scoop up another parcan, but you almost immediately drop it. 

“I just need some food.” You try to insist, your hands shaking as you leave the light where it is.

You don’t come out after shows, and it’s not gone unnoticed. The rest of the crew think you’re just dedicated, personable for the most part but prone to bouts of standoffishness.

“Oh you should have seen her on our first tour,” Freddie muses to an enraptured crowd at an afterparty, a few crew members listening with a bright-eyed attention, “that woman risked life and limb for our show.” And he sounds so proud when he says it, but something twists uncomfortably in Roger’s gut.

Cracks don’t show around other people, Roger’s noticed; you’re smile’s bright enough and your voice is loud enough that they don’t see the way your hands shake. Or how tired your eyes are. But then there are moments, you stand as if in the eye of the storm, gaff tape and drill in hand, watching as people follow your instructions without question, and you look up to see Roger tweaking his drums, and the two of you share a look. It’s a little indecipherable, he’s concerned and you’re just... tired. He wants to offer to help, but as soon as the moment arrives, it’s passed, and you’re off to the next task.

The air between the two of you has lost it’s angry tension; after saying your peace, after hearing his apology, there’s no fight left. Just a lingering disappointment, a quiet like the moment after a world-weary sigh. You don’t have to pretend around Roger, you both know he’d see through it if you’d tried.

“You should come get a drink after; you look like you need it.” Roger laughs, but there’s no humour in it. Without missing a beat, you decline, you don’t even bother coming up with an excuse. 

“I’m worried about you.” The tour is almost three weeks in, and you’re asleep against the proscenium arch when he walks in. You wake with a start at the sound of his voice, reaching out for the light you’d been fiddling with before you’d passed out. When you look to him with confusion, he repeats himself slowly. “I’m worried about you; are you sleeping okay?” 

“As if that’s any of your business.” You snapped back, and Roger kept quiet. It only takes him a day to figure out that sleep isn’t really a luxury you allowed yourself; you were the last out every night after bump out, sometimes staying until two in the morning, and from what the crew said, you were always the first up, running through check lists, accident reports, and going over anything that needed maintenance. 

When Freddie asks you to come out with them after a gig, you find it difficult to say no, he helped get you this job after all, but you’re there for barely half an hour before Roger sees you slip out the side door, drink untouched.

John asks if you’re okay one afternoon when you drop a stack of gel frames without warning, jumping almost a foot in the air and looking like you’re about to break into tears from shock, but seems content when you explain you’re just tired. Tired doesn’t even begin to cover how overworked you are.

The night you finally decide to relax a little, bump out having been miraculously fast, you’ve got the next day off. The others cheer you on as you down drink after drink, the alcohol hitting you hard and quickly, and the world gets blurry as you find yourself on the dance floor. It’s easy to drink too much, because for the first time in a long time, you’re relaxed, not worrying about the pretty, dickhead blonde who worries about you when he really shouldn’t. 

You’re drunk enough to admit to yourself that part of you likes the attention he’s giving you, it feels like vindication for the heartache you went through all those years ago. Part of it’s not even vindictive, part of you just likes the way he looks at you, the way his smile made your heart beat just a little faster; you call that part a fucking traitor and have another drink.

You don’t remember leaving the bar, but you come back to your body when you’re leaning against a streetlight for support, halfway through telling someone to fuck off.

“Ya’ not my caretaker, Roger,” you sneer, “you don’t need to look after me or whatever this is. Go help groupies home or to hotel or whatever.” You spit, and push off from the light, turning on your heel, almost topple over, and right yourself.

“Light, that’s the wrong way.” He calls, exasperated, and you turn again, this time actually crashing to the ground and grazing your hand on the way, before you get to your feet. He’s come over to try and help you, but you swat him away.

“You don’t get to call me that.” You stalk ahead of him in the direction he had come from, back toward the hotel, and he follows only a few steps behind.

“Fine, Y/N; you’re legless, let me help.” And after a moment of intense eye contact, in which you try to weigh up your options, you begrudgingly loop your arm through his.

“You’re still on my shit-list.” You inform him, and he hums in acknowledgement. “Why are you doing this?” You follow it up with.

“I’m not the asshole who fucked you over three years ago, and I’m not gonna let you get yourself killed for this show.” He said through gritted teeth, and you just smiled, a little dreamily.

“But what a way to go.” And he came to an abrupt stop. It took you a moment to realise, and looking back, you tugged on his arm to keep him moving. He just frowned at you, a little concerned. “Fuck, I didn’t mean it.”

“If I have to fire you to get you to take a break-” He threatened, and you scoffed, expression turning bitter.

“I’ll drop a light on you.”

“You’ll drop a light on me by accident before then anyways!” He crowed, and your expression fell, contemplative. “Just let me help; what do I have to do to make you actually rest? What do I have to do to prove myself?”