#*drops a very important piece of lore. says nothing. leaves.* | Explore Tumblr Posts and Blogs

lulu-zodiac · 3 years

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Hidden in Plain Sight

Pairing: Dean Winchester/Jeremy Bradshaw

Tags: Early seasons Dean, pre-podcast Professor Bradshaw, denial, unresolved sexual tension, bickering, smut, gratuitous owl references, case fic

Summary: It's the fall of 2006, and a string of grisly deaths linked to local lore brings Sam and Dean to the village of Bridgewater. There, Dean finds himself working closely with the frustrating and unexpectedly compelling Professor Bradshaw.

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Dean feels about as comfortable in old colleges as he does in churches. There’s the same sense of exclusivity, that same reverence of things Dean has spent his life stuck on wrong side of. This campus even feels a little like a church, with its old architecture and sprawling ruby ivy and slit windows like narrowed eyes. His footfalls echo heavily along the cold stone corridor, making him feel uncomfortably aware of his own existence.

The door he’s looking for is old and made of oak, nestled in an alcove near the staircase, with a small plaque on it that reads Professor J Bradshaw.

Dean pauses for a moment, then knocks abruptly, suddenly noticing his knuckles are still smudged with earth. From within, a muffled voice instructs him to enter, and he does so, wiping his hand surreptitiously against the side of his leather jacket.

The first thing that hits him is the sheer volume of books in the room; they clutter every available surface, piled high in front of the big bay window like a strange line of defense. There are stacks of loose papers everywhere too, haphazard but clearly organized, some held in place by empty coffee mugs or odd-looking artefacts. The air is bright and warm, like this room catches the sun when it’s slow and mellow in the afternoons.

The second thing that hits him is the man sitting at the desk.

He doesn’t look up at Dean’s entrance, continuing to scribble away in a leather-bound notebook with intent dexterity, seemingly utterly lost in his own thoughts. He’s not what Dean expected; surprisingly young, maybe approaching forty, with a sharp jaw and tousled hair that just brushes his broad shoulders. When Dean clears his throat awkwardly, the man finally looks up with striking blue eyes that immediately pin Dean in place.

“Yes?” his voice is inquiring and several octaves deeper than Dean would have imagined, low and gravelly. He sets down his pen, looking at Dean with piercing focus.

“Uh – hey. Professor Bradshaw?” Dean feels distinctly self-conscious.

“Who wants to know?” the man closes his notebook with a snap and stands with surprisingly fluid ease, eyes still intent on Dean as though he’s cataloguing him.

He’s wearing a faded navy-blue sweater with the sleeves rolled up, slightly crumpled shirt tails poking out at the hem, just visible.

Drawing on years of sizing people up, Dean guesses that the guy probably has no one to go home to at night. If he goes home much at all, that is; the office has a distinctly lived-in look. It’s strangely reminiscent of the makeshift home feel of the impala’s interior.

“Um – Dean. Dean Collins,” Dean answers hastily, suddenly realizing he’s spent a little too long looking. “I’m uh – a student in one of your classes,” he lies the best way he knows how: with a charming smile. “I was wondering if you’ve got a moment? I was hoping to ask you a couple of questions about your work.”

“Come in, please,” Professor Bradshaw sits back down behind his desk, and gestures for Dean to close the door. “Take a seat.”

“Thanks,” Dean shuts the door and awkwardly removes three hardback books and a small, slightly drooping fern from the only available seat in front of Professor Bradshaw’s desk.

“Sorry – let me –” Professor Bradshaw leans over the desk to relieve Dean of the books and the plant. Close up, Dean can see faint lines softening the corners of his vivid eyes, and when he breathes in, he catches a hint of peppermint and the musk of warm skin, strangely compelling. Their hands brush for a moment as Professor Bradshaw takes the items, and Dean flinches, jerking away and planting himself firmly on the chair.

“So – Dean, yes?” Professor Bradshaw settles back into his seat. He’s still looking intently at Dean, gaze startlingly blue.

Wordlessly, Dean nods. He doesn’t know why he can feel the heat creeping up his cheeks.

“You’re not in any of my classes, Dean,” Professor Bradshaw says, with a slight edge to his voice. He reaches for a half-drunk mug of tea on his desk, expression skeptical.

Dean feels his stomach drop. “Uh, yeah – I’m new, just transferred a couple weeks back,” he bluffs quickly, but it sounds weak even to his own ears. He feels strangely flustered, visible.

“No, I don’t think so,” Professor Bradshaw says, flatly. “I believe I would have noticed,” he adds, wryly, with a kind of impatient warmth in his expression that makes Dean’s cheeks flare with heat all over again. Professor Bradshaw merely swallows a mouthful of tea and sets the mug back down, still looking at Dean. “So. Who are you?”

“Alright,” Dean puts his hands up in mock-surrender, smiling wide even though he feels stupidly on edge, knocked off course. “You got me. I’m – uh – a journalist. My boss has me writing a piece on local legends, and I was hoping to pick your brains. Heard you’re the expert on all that stuff around here, and thought I might be in with a better chance of talking to you as a student instead of some annoying reporter.”

“I see,” Professor Bradshaw leans back in his chair, contemplative. A shaft of sunlight filters through the bay window behind him, illuminating a hint of tawny in his dark, untidy hair. Dust motes hang everywhere like suspended snow. “Well, luckily for you, Dean, I find that my students can be just as annoying as reporters. And I still talk to them on a daily basis.”

Dean grins a little awkwardly, “Yeah?”

“Of course, I do get paid to do that,” Professor Bradshaw adds, dryly. “But perhaps I do them a disservice. Some of them are really quite inspiring.” He pauses, raising his mug to his lips. It has an owl on it, Dean notices absently. An overly fluffy one, with a slightly threatening glare. “I daresay I can spare five minutes. What is it that I can do for you, Dean?”

“Uh, so you study the supernatural, right?” Dean asks, clumsily. His hands are sweating where they’re shoved in the pockets of his jacket. “Ghosts and demons and all that shit?”

“I study the lore and mythology of supernatural beings, and why it’s important to humans to create such stories,” Professor Bradshaw clarifies, shortly.

“Right, got it,” Dean agrees, hastily. “But you’d know a bit about the Bridgewater coven?”

“I am familiar with the legends, yes,” Professor Bradshaw replies, reaching for his mug again. There’s an ink stain on the side of his index finger, smudged deep blue. Dean fleetingly wonders if it would rub off easily if he touched it, if it would leave a ghostly imprint on his own skin.

“Yeah – uh – so there’s been quite a lot of interest in the coven recently,” Dean blusters, annoyed with himself for how stupidly flustered he feels, “You know, since those bodies were found last week? At the burial site in Bridgewater Forest that’s associated with the legend? Yeah. Well, anyway, I was – hoping you might be able to tell me a little more about the legend of the coven.”

“I don’t see what the recent tragedies could possibly have to do with the legend,” Professor Bradshaw narrows his eyes skeptically.

“Right – yeah – nothing, I’m sure,” Dean lies hastily, “But the location of the crimes has definitely raised awareness about the existence of the legend, and that’s what we really want to provide for our readers.”

“Well, certainly, I can tell you the history,” Professor Bradshaw replies, briskly, “In fact, I teach an undergrad course on witchcraft in history and my lecture this Wednesday actually covers the legend of the coven. If you want a more detailed, nuanced version, you’re more than welcome to come along then – it’s at 11am in the Milton building. But I’m happy to give you the short version now, if that would be helpful?”

“Thanks – yeah, that’d be great,” Dean says, gratefully. “On a bit of a tight schedule today.”

“Well, the local legend about the Bridgewater coven has existed for almost two hundred years,” Professor Bradshaw starts, and immediately Dean can picture him talking in front of a lecture theatre full of kids. He’s a natural, something inherently captivating about the way he speaks. “In the 1800s, this village was an important site of religious pilgrimage. However, according to the legend, the village was also home to a small coven lead by a witch named Iris. Iris’s coven was said to have lived in secrecy in the forest on the outskirts of Bridgewater for years, and not to have troubled the village people. However, by 1816, the legend claims the coven had become very hostile, specifically towards the church. There were fears the coven had begun indoctrinating – or bewitching – members of the congregation.”

Professor Bradshaw pauses, swallowing another mouthful of tea. The muscles in his throat work, drawing Dean’s attention to the way his pale blue shirt isn’t buttoned up properly. He’s filled with the sudden, inexplicable urge to button it up correctly.

“More and more people started disappearing in connection with the coven,” Professor Bradshaw continues, setting his mug back down on the desk, and Dean jerks his gaze guiltily away from the line of his throat, clenching his hands into fists inside the pockets of his leather jacket. “The rapidly diminishing congregation lived in terror. The remaining members of the church all turned against each other. Then, at the height of local hysteria, Iris is said to have murdered Blanche, the minister’s daughter, in what is portrayed in the lore as some kind of statement of the coven’s power over the church.”

“Bet that didn’t go down too well,” Dean remarks, sardonically.

“Quite,” Professor Bradshaw catches Dean’s eye, an amused smile tugging at the corners of his mouth. “Anyway, according to the legend, the tragedy of Blanche’s death united the warring members of the congregation. They captured Iris and entombed her alive, using her own magic against her to keep her trapped. Iris’s death broke the spell on the members of the congregation who’d been indoctrinated against their will, and peace was restored to the village. The few remaining members of the original coven fled and were never seen again.”

“Wow,” Dean raises his eyebrows, “Very love-thy-neighbor.”

Professor Bradshaw snorts, “Yes. Religious leaders in the 1800s were renowned for sitting down and resolving their problems through compassionate discussion,” he remarks, dryly.

“Okay, but what about the other versions of the legend?” Dean asks, trying to remember the things Sam had told him to ask about, but drawing a total blank. His brain feels weirdly scrambled. It’s hard to remember what happened before walking into Professor Bradshaw’s office. “The other stories about the coven I’ve come across so far all seem pretty different.”

Professor Bradshaw frowns slightly. “It’s true, there are many conflicting accounts. Which is often the case with legends, being human constructions of the past,” he regards Dean slightly disapprovingly over the rim of his owl mug, a kind of skeptical stubbornness in the set of his mouth. “It’s not about knowing which ‘to believe’ – it’s about looking at why historically people have favored one version over the other and what that tells us about them.”

“Right, yeah, but aren’t legends often based on fact?” Dean pushes.

Professor Bradshaw pauses, contemplatively, “Yes. That’s certainly true in some cases.”

“Do you think it’s the case in this one?”

“Possibly,” Professor Bradshaw replies, haltingly. His expression is serious and he hesitates for a moment before elaborating; “In fact, I’m currently writing a paper about the historical figures who feature in the legend of the Bridgewater coven.”

“Yeah? Which ones?” Dean presses. He’s used to having to fake interest to get information out of people like Professor Bradshaw, but for once, he finds he’s genuinely interested. There’s something compelling about Professor Bradshaw’s evidently obsessive quest for obscure answers, something that resonates with all too much familiarity.

“Iris, predominantly,” Professor Bradshaw replies. “I’m very interested in the historical reasons women were condemned as witches. Often, it’s as simple as jilted male lovers using accusations of witchcraft as a means of revenge, or the women using herbal remedies that threatened contemporary male ideas of medicine and the body. Sometimes it’s to do with female homosexuality and society’s unacceptance of same sex relationships or women as sexual beings. Of course, it wasn’t uncommon for gay men to be condemned for witchcraft either. But statistically, more homosexual women died as a result of such accusations.”

“Uh – right –” Dean swallows, looking away. His hands are sweating again, and he wipes them surreptitiously on the insides of his pockets. Clearing his throat, he changes the subject, suddenly remembering the other thing Sam had told him to ask Professor Bradshaw about, “What about the runes?”

“Ah yes, the runes on Iris’s supposed tomb,” Professor Bradshaw’s gaze is suddenly inscrutable in a way that makes Dean’s heart thud uncomfortably in his chest. It sweeps over Dean, lingering and unnervingly blue for a moment, before he continues, “Very interesting. I’ve been studying them a great deal as part of my research. The true nature of them has always remained a mystery, and any attempts to discern their meaning haven’t fitted with the legend at all. I believe they may be key to understanding the history behind the creation of the legend. But,” he smiles, wryly, “It’s not an easy task. They’re unlike any runes I’ve come across anywhere else before.”

“Can I see?” Dean asks, partly out of interest, and partly for some way of distracting himself from the way his heart is still thumping uncomfortably fast.

“You’d have to visit the forest burial site to see them in person, but I do have a couple of sketches of the lines I’m working on at the moment,” Professor Bradshaw gets to his feet and crosses to the cabinet by the window, pulling the top drawer open.

The fall chestnut trees outside smolder amber behind his silhouette, midday sunshine pale gold and still where it filters through the window. Time seems strangely irrelevant. Dean watches as Professor Bradshaw flicks through a green binder, fingers quick and dexterous, skilled and uncalloused in a way Dean’s have never had the chance to be.

Dean swallows and looks away, ignoring the thud of his heart as he stares around at the rest of the room. He clocks a bunch of compendiums of mythology on the bookcase nearest him, and two other eccentric and slightly neglected looking plants. There’s a thick plaid rug on the couch in the corner, not quite concealing a plate of half-eaten toast. On the windowsill, there’s a little tin mug with a toothbrush in it that makes Dean wonder again just how often Professor Bradshaw goes home at all. He finds himself wondering whether Professor Bradshaw has always had nothing but an empty house to return to, or whether that’s a more recent development. He’s definitely old enough to be going through a divorce. The thought sits uncomfortably in Dean’s chest for reasons he doesn’t particularly want to identify.

“Here we are.” Professor Bradshaw’s gravelly voice, suddenly much closer, makes Dean jump. He glances around to find Professor Bradshaw standing beside him, holding out a sheet of paper. The smell of warm skin and peppermint catches Dean off guard, stronger this time, and still strangely compelling.

“Uh – thanks,” Dean says awkwardly, taking the proffered page. He feels Professor Bradshaw’s fingers brush against his fleetingly, warm and ink-stained.

Dean swallows, forcing himself to focus on the page in front of him even though his cheeks are hot with something he doesn’t want to think about. The sketches are good, a few strange vaguely Norse reminiscent symbols drawn hastily with accompanying, scrawled notes in the margins. There’s something about the runes that niggles at Dean’s brain, familiar and unfamiliar all at once, like something he’s known his whole life but can’t put his finger on.

“These are interesting,” Dean he frowns, tracing his finger along the two last symbols.

When he glances up, he finds Professor Bradshaw looking at him intently, blue eyes inscrutable. “Yes,” he says, leaning back against the desk and folding his arms across his chest. “Those are the ones which struck me too,” he’s speaking a little quieter, low voice distracting Dean from why the runes are so familiar. He hopes he can remember them, that Sam will be able to place what he can’t about them.

“So, uh, this tomb. The one with the runes on it – that’s definitely where that guy’s body was found last week? It wasn’t just nearby or something?” Dean forces himself to ask, ignoring the way his heart is suddenly thumping again. “And the girl found the week before – she was directly linked to the burial site too?”

Professor Bradshaw clears his throat, unfolding his arms. “I believe so, yes.”

“And that doesn’t seem – I don’t know – a little strange, to you?”

“Human beings committing violent acts against each other is generally something I find a little strange,” Professor Bradshaw replies, in clipped tones. “But beyond that – no. Now –” he breaks off, glancing at his watch. “I’m afraid I have a seminar to deliver in ten minutes,” he confesses, and there’s something unfinished about the way he says it, something almost reluctant. Like he half wants to stay here talking with Dean.

“No problem,” Dean stands, and takes a last glance at the sketches before handing them back, trying to commit them to memory. “Thanks, Professor.”

Their eyes meet as Professor Bradshaw accepts the page, and the room suddenly feels very airless, a pause suspended between them. Neither of them moves away.

This close, Dean can see miniscule flecks of grey like tiny stars lost in blue of Professor Bradshaw’s eyes, the way that his full lips are slightly chapped, like maybe he worries them between his teeth when he’s thinking. They’re soft pink and warm-looking, and Dean wonders fleetingly if they taste like peppermint tea.

“It was nice meeting you, Dean,” Professor Bradshaw says, gently, and his eyes are so blue.

“Uh – yeah – you too. Thanks. I’d – uh – I’d better get going,” Dean stammers, shoving his hands deep in his pockets and cursing the way his cheeks are suddenly flaming with heat. His thoughts churn unsteadily; he ignores them the way he’s learnt to.

Still feeling strangely wound-up, he nods awkwardly at Professor Bradshaw and turns reluctantly towards the door.

“Wait a moment, Dean –” Professor Bradshaw’s voice halts Dean in his tracks as he reaches the door, and Dean turns expectantly, heat thumping a little painfully.

“Yeah?”

“Here – you’re welcome to borrow a couple of books on local history,” Professor Bradshaw is pulling a couple of books down from the overflowing cabinet by the window. “They should have a bit more about the legend of the coven that you might find interesting. Divergences of the legend and so forth. I’ll need them back by Thursday morning as I’m teaching a class on them in the afternoon, but you’re welcome to borrow them until then if they’d be helpful.”

“You sure?” Dean takes the proffered books awkwardly, and swallows the strange disappointment sinks in him like a stone as Professor Bradshaw steps back again. “Thanks.”

“As I said, I’m also giving a lecture on Wednesday where I’ll be examining the history behind the legend of the coven. I meant what I said - you’d be more than welcome to attend,” Professor Bradshaw says, sincerely. His eyes are intent, and there’s a hint of something almost like hopefulness hidden in the depths of his gravelly voice. Working on long ingrained instinct, Dean chooses to ignore it.

“Thanks, I’ll – I’ll see what my schedule’s like,” Dean replies, haltingly.

“Of course,” Professor Bradshaw agrees. He turns back to his desk.

“Can I ask –” Dean pauses, watching Professor Bradshaw stuff another notebook and a stack of handouts into his briefcase. “You said you’re writing a paper about the runes at the forest burial site– do you go to there much?”

Professor Bradshaw glances up, distractedly. “Yes, I spend time there every week.”

“So you haven’t noticed anything – I don’t know – anything unusual when you’ve been there recently?” Dean ventures.

“Unusual how?” Professor Bradshaw closes his briefcase with a snap and looks up at Dean properly, eyes narrowed with sudden skepticism. It’s stronger than the hints Dean has caught at other points during their conversation, sharp and blue, a world away from the observant warmth of a few moments ago.

“I dunno – odd noises, sudden drops in temperature, shadows –”

“Just what are you asking me?” Professor Bradshaw demands, voice clipped and defensive.

“Have you seen anything like that?” Dean presses, stubbornly. Irritation prickles his skin.

“No, I haven’t,” Professor Bradshaw says, bluntly. “And you know why? Because yes, I study the supernatural – but it’s not real, Dean. I don’t know what kind of sensational article you’re writing about local lore, but I can assure you, lore is all it is.” He winds a striped scarf haphazardly around his neck, and grabs his briefcase off the desk. “Now if you’ll excuse me, I have a class to teach.”

Sam is eating some gross looking granola yoghurt pot with a plastic spoon when Dean eventually clambers back into the car, feeling distinctly frustrated.

“You took your time,” he remarks idly, raising an eyebrow as Dean adjusts the mirror with an unnecessary amount of force and turns on the ignition.

“Goddamn waste of time was what it was,” Dean mutters mutinously, pulling out of the space and then immediately being forced to hit the brakes when a cluster of students cross the parking lot in front of him. He grinds his teeth and resists the urge to honk the horn. “Thought I was getting somewhere but he completely shut down the minute I asked him if he’d noticed anything weird at the burial site.”

“Suspicious?” Sam frowns, through a mouthful of granola.

“No, don’t think so. Just really damn touchy,” Dean drums his fingers impatiently against the wheel as he waits for the students to move, “And a bit of an asshole. I dunno, suppose working in his field he’s probably used to people thinking he’s just some lunatic who believes in the supernatural.”

“And does he?”

Dean snorts. “No way. He’s got a real bee in his bonnet about it. You’d think someone who’s spent the last twenty years with their head buried in books about ghosts and covens and demonic possession might be a little more open to the idea,” he shrugs, and gives in to the temptation to lean on the horn, reveling in the brief satisfaction of making the students jump and scurry out of the way, “But no. The guy’s absolutely blind to it all, and could rival you on stubbornness.”

Sam purses his mouth in annoyance, but doesn’t rise to the bait. “Get anything useful at all?”

“He did lend me a couple books,” Dean admits, nodding in the direction of the backseat. “Have to take them back on Thursday morning, though. He needs them for some class.”

“He leant you his books?” Sam raises his eyebrows.

“Yeah,” Dean shrugs, skin prickling in annoyance, “What of it?”

“Dunno, that’s just,” Sam swallows a mouthful of yoghurt, “Pretty trusting. Academics usually treat their books as if they’re their first borns.”

“Don’t mess them up when you read them, then,” Dean says, dismissively, as they pull out onto the main street. “You find out anything useful about the victims?”

“Not really,” Sam leans back in his seat with a sigh, “Both from middle class, religious families. Seem to have been pretty well liked by people. Hard to establish any link more than that. The wife of the guy that was killed last week seemed a bit cagey, though,” he shrugs, “Might be worth a second visit to see if she’s holding out on us about something.”

“Right,” Dean drums his fingers impatiently against the wheel as they wait for a light to change. It’s starting to drizzle, tiny flecks of grey hitting the windshield. “Are we still definitely thinking ghost?”

“Seems like it,” Sam affirms, “The way the victims died definitely points to a vengeful spirit. But the place they were killed – connected to the burial site associated with the coven? I don’t know, I was thinking maybe it’s no ordinary ghost. Maybe it’s the vengeful spirit of a witch, and that’s why it’s so powerful?”

“Hm,” Dean mulls it over, flicking the windscreen wipers on as they continue to wait. They squeak slightly, repetitive and familiar. “You could be onto something there.”

“Yeah?”

“Professor Bradshaw was telling me about the local legend of the coven. Apparently, its leader was entombed alive by a bunch of angry churchgoers,” Dean steps on the accelerator as the light finally changes, and the rain-slicked village slides past in a blur. “That’s got to be some pretty good vengeful spirit material right there. And you said the victims were both religious, right? Can’t be a coincidence.”

“Why now, though?” Sam frowns. “It’s been what – two hundred years? There must have been plenty of churchgoers who walked by the burial site before now.”

“Dunno,” Dean shrugs, staring out at the rainy smudge of fall colors. The chestnuts trees lining the street are the same smoldering hue of amber as the one outside Professor Bradshaw’s window.

They drive in silence for a few moments, wipers squeaking.

“Okay,” Sam says, at length, “So I’m thinking – we go check into a motel, get through as much of these books from your professor as we can while we wait for the rain to stop, and then check out the burial site later this afternoon before it gets dark?” Sam asks, chucking his plastic spoon in the empty yoghurt container.

“He’s not ‘my professor’,” Dean says defensively, and suddenly has to step a little too hard on the breaks to avoid running a red light.

“Alright,” Sam says, slowly. “Okay.”

“Anyway, yeah,” Dean blusters, hastily, ignoring the weight of Sam’s gaze on the side of his face, “Works for me. But first,” he flicks on the indicator and pulls into a space near a little line of local shops. “Food. Not that yoghurty shit you’ve been eating. Real food.”

The forest is steeped in quiet in the way all ancient places are, fall singing the leaves on the gnarled branches that claw their way towards the fading gold of the late afternoon sun. Dean breathes in the wet, cloying smell of moss and follows Sam’s careful path through the trees. There’s a chill in the air, but the handle of Dean’s blade is hot in the palm of his hand.

“How much further to this place?” he hisses at Sam’s back, swatting a frond of bracken out of his face and casting his gaze edgily through the twisting branches and burnt amber.

“Nearly there, according to –” Sam stops so abruptly that Dean nearly collides with him, throwing out a cautionary arm.

“What?” Dean whispers urgently, instantly drawing his blade. His heart is racing now, whole body tense, coiled, ready to attack. His gaze flickers rapidly through the mess of branches and he stands on his tiptoes, trying to see past Sam’s stupidly large frame. “Sammy,” he hisses, impatiently, when Sam doesn’t immediately answer, “What is it?”

“There’s something there,” Sam breathes, almost inaudible. His posture is still, alert. Dean can see Sam’s hold on the gun in his back pocket tighten.

“What kind of something?” Dean whispers, craning his neck to try and see. The light seems somehow dimmer already, the fading sun sliding further towards the ground. When he breathes in, the smell of wet leaves is stronger, now that they’re in the heart of the forest. His heart is thrumming so fast but everything else feels suspended in time, unnaturally still.

“I think it’s a person,” Sam murmurs, and somewhere close, Dean hears the brittle rustle of dead leaves, loud and unnerving in the wooded quiet. He watches the quickened rise and fall of Sam’s shoulders as his breathing suddenly sharpens. “They’re holding something. They – shit, Dean, they’re coming this way.”

Dean reacts immediately and on nearly twenty years of protective instinct; he shoves Sam out of the way and stumbles out into the clearing, blade brandished in front of him.

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#did i really just create a new ship tag on ao3 just because i couldn't get the idea of early seasons dean and pre-podcast jeremy meeting?#yes #yes i did #feedback truly makes my day <3 #crossposting from ao3 #bridgewater #bridgewater podcast #supernatural #dean winchester #jeremy bradshaw #dean x jeremy #spn fanfic #dean fanfic #my stuff #my posts: fanfic

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findingjoynweirdstuff · 4 years

Text

Dream SMP Recap (February 7/2021) - End of Week

I hope you all are caught up on your Tom Gravy hotdog-eating Olympics lore.

Also, the server’s first attempt at a prison break...? I guess??

---

VOD LINKS:

HBomb94

Foolish Gamers

Tubbo

Ranboo

Nihachu

GeorgeNotFound

Captain Puffy

---

- HBomb explores the SMP mainland and looks at the L’manburg Crater, wondering if he should build a house there. He runs a poll and it’s 50/50.

- H runs back through the Nether. Sam asked him if he wanted to visit Dream at some point and H said yes.

- He discusses the possibilities of future catmaid bits. Would Sam let him be a prison maid?

- Foolish asks H for 16452 sandstone. Unfortunately, HBomb doesn’t have it.

- H gets filled in on all the SMP lore and figures out the ultimate truth:

Sapnap wrote the books in the Inbetween.

Sapnap can time travel.

Sapnap is the answer.

- H speaks with Foolish, and H mentions the gold bar labelled “HBomb’s maid service” that he got from Fundy...

- Foolish says he does need some sandstone...

- Dream logs on the server. He dies in lava and leaves.

- H tells Foolish the story of how he killed Technoblade 27 times, and asks if he knows about the obstacle course.

- H and Foolish meet near the Community House and Foolish is...surprised...by HBomb’s skin.

- Foolish brings HBomb to the Temple of Undying.

- Then they go to Snowchester.

- Later, Foolish continues work on the Temple.

- Tubbo speaks with Scott Smajor.

- Ranboo goes mining while Tubbo makes a sandwich.

- Niki shows off her secret city. It’s been coming along well!

- Tubbo is just trying to get Ranboo DMCA’d at this point.

- Niki starts working on building the secret city some more.

- Niki’s character still deals with night terrors and isn’t sure what to feel about Wilbur. She sleeps in her own chamber and writes in a diary about what she’s going through.

- George has woken up!

- He comes onto the SMP after speedrunning and wonders what to do. He needs new supplies, because he has absolutely nothing now.

- He asks if Sapnap has his stuff, but Sapnap says no. He gave it all to Karl. George calls Karl. Karl can’t give his stuff back at the moment.

- Dream and Quackity fill him in on how Tom Brady got a home run and won a gold medal in the Olympics World Cup.

It begins.

--- THE FOOTBALL LORE ---

Gronk, Greg, and Tony Romo all pulled their weight as well. One got bronze in the Grand Prix. They also talk about how Tom Gravy’s been doing. There’s also Tony Gravy, who is Tom Gravy’s brother, but they mean to talk about Tony Romo and how many laps he finished.

The football stans took over the trending tab with their profile pics.

- Bad joins the call and they start filling him in on the Olympics. Bad mentions the Superb Owl.

- Tony Romo is the 11th time gold medalist of the Grand Prix who is going to retire soon to become an announcer for the Bikini Bottom competition.

- Tom Gravy never dies. Well, he said that he might in a couple years, but by then he’ll have won several more medals. His goal is to eat 10,000 hot dogs by 2022. He burns off calories by running around the Grand Prix track. Tony Romo gives him all the advice.

- They have different maps for Tony Romo and Tom Gravy, one of which is in Russia. Change of scenery.

- Tony O’Brown got one of the goals and that was it, but the real dagger was by Patrick, who threw an interception.

Tony Romo ran a red light in Alaska, having won the Grand Prix with 21 laps, and got a mugshot for it, but got a medal for Sexiest Mugshot so it wasn’t too bad. His goal is 22.

- They also have a pizza restaurant called Tom and Tony.

- Wait, Patrick got the mugshot gold medal for running the intersection. Tony Romo went to Russia.

- Gronk faked his retirement, then lied and showed up at the Olympics, won anyway and got a gold medal. He was pretending to train but he never actually trained. He took different videos with different shirts to pretend that he was training on different days.

- Gronk wanted it to be surprising when he won. Him and Tom Gravy were very good friends. They met before the first Olympics while training together.

- George asks if there’s a Wiki to learn all this lore from. Dream says there is, but it’s on the Dark Web.

- Though Patrick had the sexiest mugshot, there were plenty of others that weren’t so sexy.

- Tom Gravy is now trending.

- George has just been mining throughout all of this.

- Karl joins the conversation. Tony Romo retired because of the money but also because he had a kid, according to Quackity.

- Taylor Swift named something after the number of hotdogs Tom Gravy had to eat daily last year, which was 22. They call him “The American Patriot” for all the hotdogs he eats, but this year he was more of a Pirate.

- During the Olympics recess, Tom Gravy was sponsored by Hard Mikes.

- Greg is in his flop area at the moment. He was a Patrick fan, actually, but then the whole incident happened with the intersection.

- Out of the last 20 Olympics, Tom Gravy’s won 7 and been to 10. This is the Hotdog-Eating Olympics, though, not the world Olympics. The Hotdog-Eating Olympics happens at the rate that the Grand Prix happens divided by 2.

- There was a cheating scandal where he was accused of inflating his stomach. “Inflate-Gate.”

- Tom Gravy ate 200 hotdogs in 12 seconds, which is called a “Scarf Ace” in the contest.

--- THE FOOTBALL LORE IS OVER ---

- Foolish gives George Netherite.

- Ponk attempts to kill George. George escapes to the Holy Land.

- Bad points out that because the enforcer of the Holy Land’s neutrality rules is in the prison, they’re free to kill Ponk. Dream says no, they’ll get punished if they do. He also asks why there’s a turtle in the Holy Land, and asks to delete it.

Callahan, Bad and Foolish all come join them in Church Prime.

- Ponk steals Oogway and a fistfight breaks out. Captain Puffy arrives.

- George tricks Puffy into killing him in Church Prime. Dream says that George’s stream was conveniently blacked out for some reason. They start talking about pictures.

- Callahan kills George in the Holy Land. Dream says it was blacked out again.

- Ponk kills George in the Holy Land. Dream saw that one and Ponk falls out of the world.

- Dream finally reveals the truth behind the old Bedwars clip after several months of mystery.

(It was porn)

- One thing leads to another, Dream drops some glass water bottles and sings “Mad World” in the background after being rejected by George for Valentine’s Day.

- They start leaking Rat pics.

- George is preoccupied and doesn’t notice as Ponk boxes him in with obsidian. Puffy arrives to help him out.

- Foolish shows George his summer house and gives him supplies.

- Quackity tries to insist that he’s not a competitive hotdog eater, but everyone already knows the truth.

- Karl comes online and gives George the Netherite.

- The chaos continues as they pass it back and forth. Callahan joins in.

- George goes to the prison and tries to break in. GEORGE LORE STREAM?? NOT CLICKBAIT??

- He finds a very secret and important area.

- (It’s a lightswitch)

- George starts breaking a blackstone block in the wall to rescue Dream.

- Dream tells George to keep trying to break him out, saying it’s been long enough. Karl says that, in his very canonical opinion, it has not, in fact, been long enough yet.

- Dream warns George that he actually has to hurry, in case Awesam logs on.

- George sits there mining for a good few minutes. One block between Dream and freedom! Callahan comes to watch.

- He finally breaks the block!

...

- Aaaand behind it is obsidian.

- George immediately ends stream.

---

Later, Awesam places the single block back...

...And threatens to take all of George’s canon lives if he ever messes with the prison again.

---

Upcoming Events:

- Many, many visits with Dream

- Many meetings with Technoblade, with Puffy’s specifically happening very soon

- Prison guard introduction stream this week

---

END OF WEEK RECAP:

2/1: Ponk’s dream, Ranboo speaks with Awesam

2/2: Ponk reads Jack’s Journal, Tommy takes a piece of the Crimson, Awesam and Fran

2/3: Puffy attempts to destroy the Crimson, Tales From the SMP: “The Masquerade”

2/4: Nothing much happens

2/5: Jack Manifold becomes the main character

2/6: Puffy searches for parrots

2/7: The 5-Hour Tom Gravy Stream

#dream smp #dream smp recaps #long posts

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ewritesfanfics · 3 years

Text

A/N: Ok so, I don’t post anything, ever. I’m very much a lurker. But ROTT just ... I couldn’t just sit and do nothing. So I made this blog, and here’s my attempt at a fanfic, with some changes to cannon. The ones important to this piece are that Archie did not stay with Charlemagne, and Krel and Douxie built the new amulet together so they’re a lot closer. This takes place just after the fight between Skrael and Nari, and also contains an idea of mine around a lore change and for a possible either rewrite of ROTT or a continuation, and whichever form it takes would be a much longer fic, which is why this short piece doesn’t have a title. So if people find it interesting and want to see more, please let me know. I’ve never really written fanfic before so I apologize if any of it sounds weird or stilted. If people like this and I do write the larger piece, I’ll probably be posting it on Ao3.

---

Douxie can only watch in horror as the Ice Titan stabs into the torso of Nari’s, ice creeping over and between rock and roots and vines, seeping into the crevices and joints, growing and pulling, straining to rip her titan apart. Her shout of pain and rage echoes across the valley, and she retaliates, one massive leg driving into the Ice Titan’s torso, her vines growing into it, taking purchase where they can, drilling into the glacial limbs and twisting into its heart, determined to take him down with her. The titans rage and the earth shakes as they push and pull, trying to tear each other apart while trying to keep themselves together long enough to kill the other. With a last surge of strength, each is ripped apart with groaning rumbles from the titans and screams from Skrael and Nari. Both titans crumble.

As they fall, Douxie immediately takes off towards the devastation, moving so quickly, Archie is thrown from his shoulder. Though his friends call out for him, his blood is pounding too loudly in his ears for him to hear. Or perhaps, he simply doesn’t care. As he runs, his friends can see the wisps of blue emanating off him, rotating around him, and finally encasing him, his magic aiding him in his desperation to get to his friend, his sister in all but blood.

Breaking into a clearing beneath sky-piercing shards of rock and vaulting broken glaciers, he spots a small green body spotted with melting ice and blackened patches akin to frostbite, limp and still amongst the ruins, the grass beneath her wilting. Every plant in this clearing seems paler, droopier, as if in mourning.

No, not Nari! Not her too!

Douxie immediately runs to her side, his magic dissipating as he skids to his knees, caring not for the blood that now stains the legs of his dirty and ripped jeans. He reaches out, trembling, almost afraid to touch her, to find out that he failed Merlin, failed his friends, failed her.

But he swallows that fear down into a thick knot in his throat, that’s as far as it will go, and carefully he grips her shoulder and turns her to face him. For a second he cannot breathe, her eyes closed and body unresponsive, half of her face blackened and dotted with small spots of frost. He draws her close, cradling her in his lap, unable to comprehend that she might be gone. Gently, he pushes a strand of hair from her serene face with a shaking hand, and it’s then that her eyes crack open, the golden of her good eye dull, the other now completely black.

“Nari?” he breathes, hoping blooming in his chest while despair cramps painfully, not wanting to allow the hope to grow in case he is wrong.

But the small smile that weakly graces her face blows that despair away, and the relief he feels lifts the weight in his chest, overflowing as tears begin to stream down his face. He draws her in for a tight embrace, sobbing hysterically into her shoulder.

“Nari!”

“Douxie,” is all she says, her voice barely louder than a whisper.

He draws back again to look her in the eyes. Her very much alive eyes.

“You’re going to be ok, I’m going to get you back to Camelot, and I’m going to fix you, and you’re going to be ok!”

At that, a sadness creeps into her lidded gaze.

“No, Douxie. My story ends here.” As quickly as his heart soared, it drops, sinking like a rock down into his stomach.

“No! No, you’ll be ok, I can fix this!”

Nari reaches a weak hand up, gently placing it on Douxie’s wet cheek, her thumb wiping away a tear.

“It will all be ok. You will leave here, fight Bellroc. You and trollhunter and friends will save the world.”

“And you’ll be coming with us,” he says, unable to hold back new sobs, deep, soul-wrenching sobs. “Please, Nari.”

“No. I will not. Thank you for protecting me. I have had fun. I am happy I was with you. Now-” her hand slides from cupping his cheek to splaying her fingers on the center of his chest- “You must listen. Bellroc and Skrael and me, we are the holders of the Primordial Arcana. Our magics made this world. They cannot be without masters, not now that the seals are gone. With no masters, they will run wild.”

“W-what?”

“Hisirdoux Casperan, I give to you the Life Arcanum.”

A green light pulses beneath her hand, and Douxie gasps, feeling it pulse beneath his skin. He can feel the energy thrumming through his entire being, from the prickling at the surface of his skin down to the humming at the center of his heart, and intertwining with the magic in his body. It is an ancient, primal feeling, a sense of the sheer age and immensity of this world and for a second it threatens to overwhelm him. There’s a sharp pain and a feeling as if he is being pulled out of his body and in every direction while simultaneously being crushed under the enormity, and then his magic and his soul are pulled into alignment with the heartbeat of life itself. The world lights up around him, every soul alight and burning bright, from the trees around the clearing, to the bugs and the grass they hide in, to his friends coming into the clearing, to the steadily dimming light of Nari. Just as quickly as it started, it stops. Douxie can feel something within him has been forever changed.

“You must find Skrael now. His arcanum will not linger long, you must get it before it escapes. It will help find who is right. Go, my wonderful Douxie, save the world. No more running.”

With that, her eyes fall closed and her body stills, and before Douxie can properly process, her body wafts away in wisps of green, gold, and purple magic, returning to the earth she loved so much. Douxie’s hold drops, collapsing, his arms suddenly empty as yet another of his loved ones is carried away on the wind.

And with that, he throws his head back and screams.

He screams and once again the world vibrates around him, only this time resonating with his soul-wrenching, all-consuming grief, his magic lashing out wildly around him, lighting up the clearing in vibrant blue, the plants twisting and writhing, cracks shooting up the remains of the titans, causing them to ominously creak and groan. Douxie knows he cannot give in to the black hole inside him, that he has to find Skrael’s arcanum and they have to get to Bellroc, he has to do it for Nari, he can’t fail her again, but in this moment he is certain that he will be destroyed, that he will surely drown and be lost.

Despite the magical maelstrom surrounding him, a fluffy head has managed to push through the storm and has found its way into his side and a pair of arms follow shortly, wrapping securely around him.

Blinking bleary eyes open, he can make out through the tears Archie, who he immediately scoops up, and he can see that the pair of arms around him are blue and glowing. Krel.

He folds into himself as his screaming turns to hitched wailing, and so too does his magic, fading, leaving the clearing dim and still once more. He collapses into Krel’s secure embrace, still holding tightly to Archie. Krel wraps his other pair of arms around him, tucking his own head next to Douxie’s, and Douxie curls further into him. He doesn’t say anything, knowing there is nothing he could say to take away Douxie’s pain, so he just silently holds him, running his fingers through Douxie’s hair in an attempt to help ground him. Meanwhile, Archie does his best to maintain a steady purr, keeping himself pressed into Douxie’s chest as he knows Douxie needs when he is distressed, having taken up this position many times over the past 900 years. His wizard now needs it more than ever.

More arms soon appear around them. Jim. Claire. Toby. Blinky. Aaarrrgghh. Together they do their best to hold the broken pieces of their friend together.

After a couple moments, Douxie manages to gather enough strength to choke out, “Need to find Skrael. Get his magic.” He starts to move, wanting to fulfil what Nari asked from him, but Archie presses his weight further into Douxie, and Krel’s arms hold firm.

“No, I need to –”

“Hush, Douxie. Let us handle it,” Archie says. There’s some murmuring between everyone before Claire pulls away, citing that Douxie taught her a containment spell that she can use to hold Skrael’s magic. She quickly departs, taking Aja and Varvatos with her as backup, just in case (at Jim’s insistence).

And so, with that out of the way, Douxie fully gives in and grieves, wading through the ocean within him, anchored by Archie and Krel and the others, keeping him from being swept away.

#tales of arcadia #rise of the titans #hisirdoux casperan #krel tarron #krexie #at least it will be krexie if i do the full piece #fanfic #my fanfic #tales of arcadia rise of the titans #toa #rott #douxie #nari #archie

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lazyliars · 3 years

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/rp

DreamXD actually slots very nicely into a working theory I've had for about two or so months now, mainly centering around one question:

What happened to Dream?

Namely, why did Dream change, when exactly did it happen, and was it solely an internal change, or was there an external force at play, specifically a preternatural one?

I think with DreamXD, we might finally have an answer.

Or at least some clues to follow. DreamXD presents a shift in every single paradigm the Dream SMP has had. Like, I think most of it is just being so utterly blind-sided by George Lore Real, but part of it is the massive ramifications of an Actual God* being present in the storyline.

((*On the other resident god of the server, Foolish:

DreamXD is different than Foolish, in that his characterization is so dramatically inhuman - Foolish talks and acts like a (somewhat eccentric) person, and his powers are, as far as we know, limited in comparison to the creative-mode godhood that DreamXD occupies. And whether that is because Foolish is not a "full" god (having been referred to as a demigod) or simply because he's spent so much time around humans, we don't know, but we do know that either way, DreamXD is NOT that.

DreamXD's voice is marked by glitches and dramatic shifts in tone, he seems to lack control over the different aspects of his personality, like the more "Dream" part vs. the darker one that threatens to eat peoples souls. The "normal" part even displays confusion when George references things that the "darker" part said, implying that it may not be fully aware of itself.

TLDR: Foolish acts more human than DreamXD, who has a very eldritch personality.))

To get right to the point:

The Dream we knew before November 16th, and the Dream we know now are not the same. Something changed, and it changed for the worse.

Consider: Dream was always antagonistic to the L'manbergians - he was always imperious to them, and he was responsible for starting a number of fights between his faction and theirs, just as many if not more than they were.

But, he was also not... evil. He'd pick fights with Tommy, the disc wars were still a thing, but the gravity of the spats they had weren't dire. They were fun. They were... actually a game. He wasn't like the way he is now. While in hindsight we can look at these events and detect a serious undertone knowing what's to come, at the time they were far from it.

There is an argument to be made that he had the same tendencies as now, just not expressed as loudly, and while I believe it's a valid argument, I disagree that it's proof of Dream always being the way he is now.

Sapnap, Badboyhalo, Sam. They all remember Dream as their friend - they remember someone who was, maybe a little aggressive and a lot competitive, but not cruel. Not needlessly murderous. Not someone who steals sentimental items and lines the walls of a disgusting museum to use against them.

Dream cut them out. Sapnap was totally blindsided. Bad doesn't seem to fully believe it. Sam blamed himself for not realizing and tried to take the weight of that crime on his own shoulders by becoming the Warden.

There's also the competing theory that what happened to Dream was purely psychological - either the circumstances slowly isolating him from his friends driving him to the do things he's done, or a desire for control that started early and continued to fester until it overshadowed everything else, or any combination of both.

And those theories are still valid, they could still be the case, but I haven't been able to shake the idea that there is something deeper at play. I can't overstate how the exile arc and everything after it have been so inhumane, so cruel, and... not exactly out of character in the sense that I could never see Dream doing them, but in the sense that I could never see him doing them for no reason.

And there really doesn't seem to be one. Dream says himself, it's like a game. He sees people as toys, puppets. And there just doesn't seem to be an inciting incident that could explain how he made the leap from semi-authoritarian leader who, despite being a warmonger, does love his friends, to heartless murderer who wants to reduce everyone he knows to dolls.

There's... ways, he could get there, but nothing that we've seen makes sense. There is a missing piece, something that must have happened from his POV that we didn't get to see because he doesn't stream.

And DreamXD could be it. This godly entity that claims that it is "a part of [Dream]" but that it isn't him entirely. That seems to share the lack of understanding of humanity that Dream has been displaying like when he asks if resurrecting Tommy was “cool.” But that still loves George. He still, despite apparently not having the same history as Dream, desperately wants to be George's friend.

If I had to pinpoint the moment Dream changed, it would be the day that he revealed that he switched sides, and was going to be fighting against Pogtopia. He was paid for this betrayal in the Revive Book.

I mark this as the turning point in my theory because it is the first time Dream mentions his affinity for chaos in the context of hurting others. However, we also know that this likely wasn't the day he actually made the decision to betray - as he revealed that there was a traitor among the Pogtopians, a fact that he likely would have learned before this.

Now, I mark George's lore stream as the introduction of DreamXD proper, and I want that on the record because it isn't technically his first appearance on the server.

Most people will remember him from Techno's stream, where he logged on to break the End Portal in a panic. I doubt the character was properly written into the lore at that time, but it fits neatly with the rest of what we know about him - a guardian of the server, and the keeper of it's rules. No contradictions.

What less people might know, is that DreamXD has made an even earlier appearance, and it's this one where things begin to get... interesting.

Around roughly October of 2020, Tubbo and Fundy did some improv'd streams centering around Demon Hunting, or rather, "Dreamon" Hunting, and it's during the first of these two streams that DreamXD makes an appearance.

The bare bones of it was - Tubbo is an experienced "Dreamon Hunter" and teaches Fundy his ways. They find Dream, and realize that he has a Dreamon inside of him, which is basically an evil version of him. They attempt to exorcise the Dreamon from Dream via various shenanigans, and eventually, they do a ceremony to free Dream. However, they apparently botch it, and unleash the Dreamon within. After more shenanigans, one attempt to fix it utilizing Fundy and Dream's wedding appears to work, but then DreamXD logs on, flys around at Tubbo and Fundy threateningly, and they end stream on the idea that there are probably more Dreamons to hunt.

Now. There's a lot to unpack here. I'm not gonna go into the nitty gritty details in this post, but I do recommend watching the Dreamon streams, as they have A LOT of details that, if this is getting incorporated into the main story line, could be important - especially the focus on duality, having TWO versions of Dream, which end up being potentially separated from each other.

(Also, they're just really funny streams. Tubbo and Fundy are at PEAK chaos and Dream plays along with their inane bit perfectly, it's just good content.)

At the time of the Dreamon streams airing, they were explicitly non-canon. IIRC Tubbo and Fundy referred to them as taking place In an “alternate universe,” which makes sense considering they would have been on opposite sides at the time (Manburg and Pogtopia.)

However.

And this is where I show you my wall of red string and newspaper clippings.

My singular piece of evidence for this comes from one line DreamXD drops. He simply says: “At least you're not hunting me.”

The Dreamon streams take place around early October. Dream reveals his betrayal of Pogtopia around November 6th-7th. The timeline of the Dreamon streams would line up perfectly with the idea that there was a catalyzing event that put Dream on the proverbial path to hell.

I do not believe that they intended the Dreamon arc to be anything other than a side story at the time, but considering that DreamXD himself was barely canon until now, I don't think it's out of the question that they took a look back at a fan-favorite minor arc, saw an opportunity to co-opt it into the current story line, and potentially fill in some holes regarding Dream's characterization all in one move.

On the question of whether this would be a GOOD storytelling move?

The Dreamon theories were prevalent during the exile arc, and I've got to say, I was never a huge fan. The detachment of Dream's actions from his intentions, and by extension his morality, never sat right with me. It feels cheap to make him a victim and say “a Dreamon did it!” in regards to all of the horrible things that he's done. It strips his agency and makes everything that happened less impactful in my opinion, and I stand by that reading.

BUT. With DreamXD introduced, I feel like it's necessary to look at this from all angles. And with the way DreamXD was characterized in George's stream, I don't think it necessarily ruins Dream's character to say that an external force was involved with his descent into evil.

Namely, the idea that whatever happened to Dream was not really a “possession” so much as a gradual loss of humanity, could be an interesting way to look at this. It implies that Dream was always capable of his actions, but grants us understanding as to why he would actually perform them, and why he might have become isolated enough from his friends that they would let this happen.

The Dream we know now could be an expression of his “worst self” brought to the surface by a Dreamon/DreamXD/other. It also begs the question of what would happen if that force were to leave him, and how it might cause yet another shift in character, especially if it were to be portrayed as less of a switch being flipped, and more of a withdrawal, with a gradual process of realizing how far gone he was.

To close this out, I've been stewing on the idea that Dream hasn't entirely been himself since the climax of the Exile Arc.

I think this theory holds water, but it's also not waterproof... there are plenty of holes, and a lot of that comes from the fact that Dream doesn't stream. We're left in the dark when deciphering his character, and what might appear to be the key, could just as easily be revealed as a red herring, or even nothing at all.

Regardless of the validity of the Dreamon theory, I think that DreamXD is one of the most interesting developments we've had on the SMP in a long time, if simply because his arrival coincides with fucking George Lore Real. God. I still don't know how to deal with that.

I always appreciate people adding to the discussion by the way! Feel free to reblog with additions if you like or leave them in the replies.

And if a single one of you comes to my blog on THIS. THE DAY OF MY DAUGHTER'S WEDDING. And calls ME a c!Dream Apologist to MY FACE..... I will be v sad.

#Dream SMP #DreamXD #Dreamwastaken #c!Dream #georgenotfound #dream smp analysis #dream smp theory #lazytext

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erazonpo3 · 3 years

Text

Lost Legends

Okay so I read Lost Legends: The Rise of Flynn Rider and general thoughts? It was cute and fun, and I have gripes here and there but I can still recommend it. I don't want to compare it to WOWM because it's like apples and oranges but Lost Legends wins points for me by actually acknowledging the TTS storyline and characters, even though it's kinda brief and not quite as... entertaining.

And before I go into the in-depth spoiler review I'll jot down a few thoughts here: there's a lot to be said about tie-in media and 'canon', but where I think it becomes contentious is where two pieces contradict each other, and whether those contradictions necessitate a canonical hierarchy or cancel something out completely. And the reason I'm bringing this up is because while LL borrows TTS lore it also contradicts it? which is. ironic.

but i'll get into that. Spoilers ahead

Basic Summary of The Plot

Our story starts at the Dark Kingdom, with a short prologue. It's all stuff we already know from the series: King Edmund tries to grab the moonstone, his wife dies, Eugene gets sent away for his own safety. What's funny is that Ms Queen still doesn't get a name, but her Lady in Waiting/Handmaiden gets a name (Maeve), and it's Maeve who really drops the ball on dropping Eugene off at an orphanage instead of raising him as Prince Horace. Go girl give us nothing

And from here the LL timeline begins, as Eugene and Arnie are now twelve year olds (I think?) in an orphanage in Corona. Which is the first contradiction to 'canon' but shelve that thought for now. Eugene and Arnie are good little boys but they're getting too old to keep hanging around and the orphanage needs money for the evil Tax Man, so they decide they'll go off into the world and send some money back when they're rich off their famous adventuring. What happens instead is that The Baron's circus rolls into town (yes that Baron) and Eugene and Arnie decide to try their luck signing up for that gig.

To prove themselves to the Baron, Flynn and Lance have to perform a hazing ritual a heist. The heist is literally just to buy a key from the Weasel but it plays out as this huge dramatic thing with a guard chase which is eternally funny to me because two kids walk into a bar, buy a key and then leave, and it's treated like fucking ocean's eleven. The Stabbingtons try to betray them (those guys are here too) but Flynn and Lance outsmart them, beginning a rivalry for the ages. Also, the pub thugs are all part of the Baron's circus crew. Don't think about it too much.

Anyway, as this has all been going down, Eugene is really interested in getting to talk to this guy with a tattoo of (what we as the audience know is) the brotherhood symbol, which Eugene recognises from the note left with him as a baby. He wants to talk to this dude in the hopes he'll get a clue about who his parents are, but this dude keeps eluding him. He also hasn't had a chance to tell Lance about this yet, so when Lance finds out about it he assumes Eugene only tried to rope him into the circus so he could find his parents and ditch him. Cue an ongoing silent treatment.

Eugene eventually does talk to this guy and he learns that the Brotherhood symbol is from the Dark Kingdom but the Dark Kingdom is gone so he shouldn't bother looking for it. Bummer. And now the Baron is planning a huge heist of the reward money for the Lost Princess' return, and Eugene is getting cold feet. He's been okay with a little bit of thievery so far but this feels like too much for him, and he's not okay with pulling it off but Lance still won't talk to him.

As the plan unfolds, Lance and Eugene reconcile and then they work together to betray the Baron and return the stolen treasure that they stole back to the King and Queen. They get caught by the Baron, escape, then get caught by the guards, but it's okay because they're presented to the King and Queen and when Eugene explains that they felt really sorry about it and promise not to do it again they're let go. And so the story ends on a high note.

My Thots™

Okay so here are the thoughts

Canon Compliance?

The obvious takeaway here is that this story offers you a beautiful pie in the form of the characters you know and love and the established lore, then shoves the pie in your face with things like "Eugene already knows the Dark Kingdom and the Moonstone exist but he never brings this up" and "Eugene betrays the Baron in a very significant way but somehow they'll make up and he and Stalyan will get engaged". Which means that if the integrity of the series is important to you, you'll probably just mentally cross out Eugene knowing about the Brohood/DK/Moonstone.

And imo that's fine! My own approach to this story is a kind of general 'if it works it works, if it doesn't I'll leave it' thing to work my own headcanons around. Because there's a lot of fun things to pluck from, like a new ex-Brotherhood member and other characters that could pop up from Eugene's past and other worldbuilding details.

The Story

The story was pretty short and obviously very tailored towards a younger audience, but it still felt kind of... slow? Mostly because nothing particularly exciting is happening until the big heist and even that feels pretty underwhelming. And of course I don't expect a story like this to be particularly complex and can appreciate its simplicity, but I felt like if it had been longer there could have been more twists to keep things interesting.

For example, the Baron is set up as a character not unlike Gothel, who lavishes praise upon the boys and goes on about how they're 'family' but is obviously just manipulating them and would throw them to the wolves in a heartbeat. Eugene underestimates just how criminal the Baron is, but at no point in the story does the doubt we have in the Baron's sincerity ever amount to anything- Eugene only turns against him because he has a morality crisis, which I'll get to in a minute.

Misc. Thoughts

Okay so one thing I thought was really cute was that each chapter has a little 'quote' from a Flynnigan Rider book, and I wrote them all down so if you've read this far and want me to post those separately lemme know. Anyway I just thought it was a very cute touch.

An honourable mention goes to every time Stalyan shows up, she doesn't really do anything in the story yet still is somehow the only character holding the brain cell. Rapunzel gets an indirect cameo by Lance and Eugene stumbling upon her tower and going "Whoa that's Crazy. Anyway. " which is amazing, and Cassandra even gets a little mention by the Captain! And to answer the question nobody asked, there's a chameleon running around Corona because she's an escapee from the circus, and Pascal's mom's name is Amélie!

Characters - okay really just Eugene

Eugene/Flynn is the title character of the book and we get the story exclusively from his POV, so there isn't a lot to say about Lance. On the one hand while I can acknowledge that this is a story about Flynn, not Lance, there's a few choices that feel like a missed opportunity at best given that this book really was an opportunity to explore Lance's character in a way the series never really does.

And it feels extra egregious when the plot demands conflict between Eugene and Lance, because while the emotion between them is engaging when it's happening, at other times it just feels like a convenient way to shove Lance offscreen again. (As a side note, as contrived as the conflict is these are also two twelve year old boys so. Can't blame em too much).

Also, Eugene coming up with the name "Lance Strongbow" on Lance's behalf while he's unconscious is one of those backstory things I'm not going to be acknowledging, thank you.

The Robin Hood Dilemma

Something I touched on after reading What Once Was Mine is that Eugene's characterisation prior to the movie isn't something writers seem to really like... dealing with. And it kind of makes sense that the author received a lot of characterisation notes from Chris Sonnenburg, because little Flynn does feel very similar to the Eugene we know; only the Eugene we know is an adult man who has since grown out of his Flynn Rider persona. But the Flynn Rider persona he needed to grow out of isn't something that ought to be cast aside entirely!! Stop being cowards!!

Taking a step back, the whole premise of the book is kind of a paradox- because Eugene needs to become Flynn Rider before he can learn to embrace his authentic self, but Flynn Rider isn't hero material, he isn't a good guy, he's not the right protagonist for a story for kids. So what we get isn't Flynn Rider, it's really just Eugene trying on a new name. That works for the beginning of the story, because he is just Eugene trying on a new name, but he doesn't grow into it.

At the beginning of the story, Eugene is an orphan in a poor but still functional orphanage run by a kind old lady, and he is surrounded by nice little boys. Eugene is motivated to leave and get a job by a desire to send funds back to the orphanage, and when he joins the Baron's circus he's taken aback to learn he's among thieves. Here's where I thought: okay, this might get interesting. We might be getting a G-rated 'angel falls from heaven' story about Eugene being morally corrupted by the Baron, of learning that the world outside is tough and he needs to look out for himself first and foremost-

but no. The Baron shares his plan to steal the reward money for the Lost Princess, because all the people he's surrounded himself with are already criminals who don't give a shit, but Eugene thinks that this is going too far! What about that poor lost princess who people need an incentive to search for? (he's like, projecting about his own parent issues which is fair, but still). And so the story ends with Eugene turning on the Baron to return the money to the "right" people (aka the king and queen of a kingdom?? okay) but he takes a single golden egg for himself so he can send it to the orphanage.

Which is all sweet and nice but. He still has to become Flynn Rider, asshole extraordinaire. He still has to lose his morals to the point where he'd take an inexperienced young woman to a pub that he, in this book, recognises is a dangerous place in the hopes that he can ditch her. He still has to go and become a wanted thief and rejoin the Baron and then ditch Stalyan on their wedding night.

The reason I'm going on about this so much is that the appeal of Eugene to me is that he is this good guy who wants to be a better person for the people he loves, but that means recognising that he has behaviour he needs to change, and his development is meaningful for that. Watering him down to a righteous Robin Hood hero does him a disservice.

The Real Villain Was Capitalism All Along

I will not elaborate nor should I

#hi i do book reviews now #sorry if you came here for anything else this is who i (cringe) am

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rowan-underthehouse · 3 years

Text

Shot Glasses and Shadows

Pairing: Castiel/ Dean Winchester

Rating: General Audiences

Word Count: 2,011

Warnings: slight self-harm, mention of blood

Additional Tags: hurt/comfort, emotional hurt/comfort, Abandon All Hope Coda, Mentioned Jo Harvelle, grief/ mourning

Summary: Dean struggles with the aftermath of Abandon All Hope. Castiel is there to help.

Read it on Ao3 here

It’s the moments between hunts where Dean starts to lose his balance. When there’s no monster to fight, and the adrenaline pounding through his limbs fades away.

There are things he can do to stop it. He can make dinner runs while he tries to list the name of every song he’s ever put on a mixtape, or blast the radio until the speakers crackle, or sprint until his lungs burn. As long as he keeps moving he can fight it off. But as flames lick the glossy edges of the closest thing to a send-off they can give Jo and Ellen, all Dean can do is root his feet to the ground and watch.

He doesn't walk away from the fire until the photograph is reduced to ash. The crumbling of Jo’s gentle features is almost beautiful here. He wonders if Jo could feel the flames in her last moments. If she still believed her death meant something. If it felt beautiful.

“I’m going to clean up.”

“Dean you don’t-” Sam follows his gaze to the cluster of shot glasses still spread across the table, not finding the right words until his brother is already gone. Sam knows better than to follow.

It shouldn’t take him more than fifteen minutes to finish the kitchen, but Dean’s limbs are heavy with guilt and the half bottle of whiskey he’s already downed. He’d expected it to feel different to be back here. Everything warm and homey and right should have burned up with Ellen and Jo, but Bobby’s kitchen somehow missed the memo. This is still the same place they’d laughed and drank and squeezed out smiles around the dread no amount of alcohol could quite wash away just the night before. It’s Dean who’s out of place. He shouldn’t be here, surrounded by a past already so long gone it aches. It’s going to collapse in on him at any second.

The first shot glass that shatters against the hardwood floor is an honest-to-god accident. Dean lets the second roll out of the crook of his elbow, watching with the closest thing to satisfaction he can muster as broken glass dusts his boots. The third, he smashes into the worn countertop. He feels the blood pooling under his palm before he registers the glass wedged there. It brings a sick, bubbling laugh to the back of his throat.

He’s watching the blood run along the edge of a fourth glass, rolling it over in his palm when a hand appears on his shoulder.

“Dean,” The unmistakable crunching of dress shoes on glass pulls Dean back to reality. “You’re injured.”

Dean tosses the shot glass in his hands into the sink, almost disappointed when it doesn’t shatter. He shrugs Castiel’s hand off his shoulder, doing his damn best to ignore how cold he feels at the tiny loss of contact. Cas has that effect on people. That warm sort of feeling that starts deep in your chest and spreads to your fingertips until it feels like everything might be alright. Sam feels it too, Dean’s sure, but it doesn’t seem to be burning him up from the inside the way it does Dean. The relief he feels when Cas grabs his shoulder again is humiliating. He wipes it clean off his face before Cas can turn him around.

“You’re bleeding, Dean,” there’s more force to it this time. Dean stares expectantly, waiting for the feeling of grace stitching the fibres of his hand together, but nothing comes. Cas’s eyes fall to the floor. “I’m...going to get the first-aid kit.”

“So, what? Not going to mojo me back together? Cas, is there something you want to tell me?” He squares his shoulders, taking a step toward Cas. Of course something’s wrong. Not even an angel of the lord could get that close to Lucifer and come out unscathed.

“Because if something happened, something that we should know about, you better spit it out before it gets someone killed,” Dean closes the distance between him and Cas, staring down with what he hopes reads as more malice than concern and waits. Cas should be snapping back at him or threatening to throw him back to hell or something but he’s just standing there, gaze cast at the floor.

“It’s not important. It won’t affect my ability to help in your fight against the devil,” Dean turns away with a scoff just loud enough for Cas to hear. Somewhere deep beneath two hours worth of whiskey he knows he’s trying to start a fight, but he doesn’t care.

Even turned away, Dean can feel Cas’ gaze burning into his back. “Are you just going to stand there, or are you going to do something useful?” He nods in the direction of the library where every piece of lore they could find is still strewn out on the desk. The words taste bitter on Dean’s tongue, but if it gets Cas to do something, anything, other than stand there and stare straight into Dean’s soul (Maybe literally. Dean hopes not) it will be worth it.

Dean doesn’t turn around until the footsteps have faded from the kitchen. He drops the remaining shot glasses into the sink and kicks Jo’s chair in as an afterthought on his way out the door.

Sam and Bobby are nowhere to be seen, no doubt already tucked away in their respective rooms trying to figure out how to get through the night. Dean doesn't bother asking how they got Bobby up to his old room now that the sofa has been temporarily dragged back to its place in the library. He suspects Cas had something to do with it.

The fire is little more than embers when Cas comes back around the corner, battered first-aid kit in hand. Dean’s stomach churns. He should apologize.

“Throw another log on.”

Again, Castiel fixes him with that stupid, sympathetic, stare and does as he’s asked.

“You’re grieving.”

Dean almost laughs. “Really, Cas? I hadn’t noticed.”

“You shouldn’t try to stop it. It won’t help,” Cas settles on the sofa and unpacks the kit, examining the contents carefully while he lays them out on the end table.

That old rage bubbles up in Dean's chest again. “So what am I supposed to do, huh? Just sit here and moan about it in the middle of the friggin’ apocalypse? We have work to do, Cas. Stow the Vincent Grey crap.”

“Give me your hand.”

He thinks about arguing. About trying again to stir up some kind of fight just to feel something other than hollow for a few seconds. Angry is easier. Safer. But then, this is Cas. He knows every atom of Dean’s body and can recite his earliest memories like the goddamn pledge of allegiance. There’s no point hiding. He lets some of the tension holding up his body seep back into the floor.

Cas is more gentle than Dean can handle. All calloused hands and careful touches that are anything but clinical. Letting him in is frighteningly easy. It’ll be letting him go when he finally realizes the Winchesters and all their problems aren't worth the effort that will be like pulling stitches.

“They trusted me,” It’s barely a whisper, but Dean’s throat closes around the words. “They trusted me, and I led them to their deaths.”

“You did the best you could. They knew the risks,” There’s a strain in Cas’ voice Dean has never heard before.

Dean’s eyes are burning. He can’t bring himself to meet Cas’ gaze until a thumb swipes across his cheek, brushing away the tears there. For once he finds himself thanking god in all his infinite absence that Cas doesn’t realize the intimacy of the gesture “You did the right thing, Dean. You tried.”

There’s a weight to his words that Dean can’t quite pin down, the teary smile plastered on his face making Dean want to either wrap his arms around Cas or make a break for it. He shoots for somewhere near a more reasonable middle.

“Are you uh…” Dean is struck very suddenly by just how bad he is at this, But he has to try. It’s Cas. “Are you holding out okay?”

“Human grief is different. It’s...heavier”

If tearing down heaven brick by brick could pull that weight off Cas, Dean would do it in a second. It terrifies him how far he’s willing to go.

“Yeah.”

The mess of bandages Cas eventually manages to secure around Dean’s hand isn’t pretty, but it’s a relief. He tosses the bloody glass in a trash bin and dries his now clean hands on an embroidered dish towel that may have been colourful twenty years ago. “I’ll leave you to rest.”

He’s halfway to the door by the time Dean swallows his pride enough to say something. “Cas, wait. Have you - eaten anything? It’s been a long day.”

“I don’t eat.”

Dean spends the longest ten seconds of silence in his life wondering if he could bore a hole through the floor with his eyes to crawl into. This may be the dumbest excuse he’s ever come up with, which is not an easy title to win.

“Are you asking me to stay?”

Maybe it’s the whiskey clouding his mind or the idea of spending the rest of the night drinking his way through whatever’s left of his liver alone that finally snaps a cord in Dean. He sinks back into the couch, exhaustion taking over.

“Please.”

With a creak of old springs and cushions creasing just enough for Dean to slide, Cas is back on the couch, a good few inches closer than the last time. Of course, it doesn't mean anything. Cas is an angel. He can’t understand the way the closeness makes Dean’s heart leap out of his chest. But the way he presses his shoulder against Dean’s is distinctly and undeniably human. He doesn’t want to be alone either.

The next few hours drift by in near silence, broken only by offers of whiskey and the occasional non-committal remark. When Dean’s eyes slip closed, his head lolling against Cas’ shoulder, Cas doesn’t try to wake him.

Once Dean does finally open his eyes, it’s with a pounding headache, and his face pressed against the rough fabric of Cas’ shirt. Through the fog of sleep Dean slowly becomes aware of his limbs tangled with Cas’ where they’ve sprawled across the sofa. He’s a split second away from launching himself onto the floor when he registers Cas’ hand resting loosely against Dean’s back. The slow tide of his breathing. He can’t be asleep but Dean’s never seen him this relaxed. His hair is a disaster where it’s rubbed against the arm of the sofa and his coat is more on the floor than his body. He must be meditating or praying or whatever the hell angels do to recharge their heavenly batteries. It would be rude to interrupt him, Dean reasons, and he’ll be awake again within a few hours. There’s still plenty of time before sunrise. A few hours can’t hurt. In the moment before he’s pulled back to a dreamless sleep, Dean swears he catches the shadow of wings cast against the wall, curled around his body.

…

It’s not unusual for Sam to be awake before his brother. He rolls out of bed some time after sunrise, stumbling toward the kitchen before he’s even finished rubbing the sleep out of his eyes. He very nearly walks past the tangle of limbs on the couch before Bobby rolls into the room, gesturing for him to stay quiet.

“They haven’t moved since Cas brought me back down here. Let them rest. They need it.”

And they do.

When Dean finally stumbles into the kitchen, Cas having disappeared mere seconds before he woke up, Sam doesn’t say a word about it, just smiles into his coffee mug. It’s good to see someone keeping Dean steady for once, and if Dean isn't ready to admit it yet, that’s a problem for another day.

#supernatural #deancas #destiel #my writing #supernatural fic #destiel fic #deancas fic #spn #spn fic

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mybg3notebook · 3 years

Text

The Party Scene

Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in June 2021.

In these “scene posts” I will explore the scene of the title looking for the information in the dialogues. What I will be looking for is how much Gale “lies”, how much lore is provided, and any extra detail that may be of our interest to highlight. At the end of these posts there are summary points for those who don't want to read the whole post.

Additional disclaimers about meta-knowledge and interpretations in this (post) while disclaimers about Context in this (one).

The party scene, I personally think, needs plenty of polishing. The fact that many characters can have a "jealous" behaviour towards Tav no matter their approval looks suspicious to me. Gale's case is even weirder because if Tav did not romanced him at all, Gale will still share those judgemental comments that seem to come from jealousy, as well as strange dialogue options about “being a bad loser” when the context is not romantic at all. This would make some sense—to a certain extent—if Tav romanced him, but if Tav locked him as a friend, it has no purpose. Especially if Tav explores the option of suggesting him to spend the night together, which ends with Gale rejecting the situation because "they are just good companions" after such display of incoherent jealousy coming from a char who values privacy (and therefore would not meddle into Tav's personal affairs). It seems to contradict his character and therefore, it makes me suspect that the whole party scene is just very raw and unpolished in general.

As I said, the party interaction is very confusing since it doesn't follow the relationship context created by Tav, and in Gale's case looks inconsistent with his char as well, inviting a strong misinterpretations of his character (this is probably a consequence of the decision of making Gale part of EA in the last moment). So this scene analysis may be a bit messy since the scenes are messy too (hence this post's length. I'm sorry).

Whether Gale was locked into friendship or romance, Gale drops his famous line:

As they say in Waterdeep: In wine there is truth. That's usually followed by: In water there is good sense. Good sense will have to wait till the morrow.

A great warning line from a narrative point of view: he is basically saying that what will be shared that day under the effect of wine is true, but it certainly won't be "good sense".

In a friendship path, he would not want to waste Tav's time any longer, and will bid them a good night while promising a bed-story the next day. In that case, the wine line could be interpreted as the final decision of a confession that will happen the next day: Gale has finally reached a degree of trust in Tav that gives him enough courage to finally speak about the details of the "orb" (and I emphasise details because in broader aspect, he already shared what's most important: the "orb" in his chest is a dangerous thing. If Tav assisted with his death protocol, this is undeniable by now, unless Tav allowed him to keep his privacy).

In a romantic path, this wine line could be interpreted as the decision of inviting Tav to share a night, and explaining the details in the morning, the “good sense”. After the wine phrase, we have other piece of prose in which Gale describes a book that it's a bit more than a sexual book:

Gale: Allow me to make the following proposition: there is a book that circulates in Amn, detailing the first thousand nights of a newly-wed king and queen. They turned everything they did into an art. The art of conversation. The art of taste, time honoured and newly acquired. The art of the body. The exploration and acceptance of the self and the other. The art of the night itself. I say we take a page from their book.

Considering that Gale is not only a verbose char, but also a poet and a scholar, the enumeration of the concepts in the description of the book speaks a lot in my opinion. Gale is not inviting Tav to a night of sex (let's remember he never uses that word in EA) but to a deeper degree of "intimacy", as he calls it. There is a lot more involved in what he asks for: confessions in the art of conversation, pleasures in the art of the body, and, hopefully, acceptance. For Gale, acceptance is a big deal: it’s not by chance that he left it last in the enumeration, summarising the whole concepts with the "art of the night". Gale is truly eager to access these concepts, and in doing so, I personally believe he shows a fair level of naivety on this matter. It seems (especially later with his unpolished arguments in the morning) he felt he needed this level of intimacy—of acceptance first—so he could speak the details openly. He wants to have this night before any confession because he thinks that it would allow him to acquire something that would prevent the abandonment that he viscerally fears: acceptance.

Any of the options taken by Tav keeps showing his eagerness. He wants this to happen in whatever terms Tav desires: as a brand new experience (“blank slates on blank sheets”) or with the promise of commitment (writing the prequel of a newly-wed couple). Or if Tav romanced Gale and then chose to spend the night with another companion, Gale will still insist in sleeping together, showing he was open for Tav to have casual sex as long as the "commitment" part would be established with him. This is reinforced by the fact that, if Tav never shared the Weave with Gale, there is no way to sleep with him: Gale is not a character for one-stand nights. He craves for deep connection, for commitment, in whatever fashion he can get it. Mystra taught him not to ask about exclusivity after all.

Gale is so desperate to have this deep connection that if Tav doubts about spending the night with him, he will drop a line which can trigger an alarm in the player:

Tav: I'm not sure you're the one I want. Gale: That's because you've yet to find out what you're missing. Doubt is a spoilsport. Cast it aside.

Gale, the scholar, the one who kept encouraging Tav to doubt and to think critically about everything, suggests to dismiss doubts. Once more we see he needs this to happen. Some players interpret this as manipulation as well. I personally think this also says something else in Gale: since the dev's notes show no second intentions in the only two scenes where dev's notes existed, and instead, they display how much fear Gale has for a second abandonment, Gale is showing here his inexperience with relationships as well as a constant fear for abandonment.

Gale is looking for commitment, for something that can last longer than Mystra's affair did: he wants something solid, but his inexperience in this field made him "acquire" knowledge of how things should work via romanticized means such as books and poetry. In his mind, the acceptance he needs can only be acquired due to the "art of the night", very well detailed in this book he describes.

It's true that, all this part, if we completely ignore the narrative weight that the book has for a book-based character such as Gale, can be interpreted as Gale manipulating Tav to have sex alone; desperate to obtain it, doing everything in order to get it. We can also see the description of the book as a “bait”, as some people do. It's a valid interpretation, especially for a Tav who respected Gale's privacy during the Loss Scene and the protocol, so that Tav has no information with which to connect the dots. But I personally find it an over-magnification to see him as a "mastermind of manipulation". The few dev's notes we have about Gale seem to confirm that nothing shadier than his “orb” despair and his fear for abandonment are going on. These fears are constantly echoing in his mind, and they are, as I said in other posts, the main reasons why he becomes emotional and prone to make mistakes.

Is this action manipulative? It can be seen as “withholding information” by any Tav who didn't push him to explain, otherwise, all the information in a general way has been offered already and there is no withholding at all. Is Gale a manipulative character? In EA we don't see a pattern of that behaviour to qualify him as such. He has been quite honest, explaining in all scenes what he can say and what he cannot, drawing his boundaries clean and clear. We saw him struggling with the explanation of what he lost. The few Dev's notes reinforce mainly his fear for abandonment, lacking any manipulative behaviour behind his actions. His pattern, in my opinion, is that he tends to make mistakes in his emotional state, which is mostly triggered by the “orb” and the concept of “abandonment”. Not so much with Mystra per ser. He seems to be nostalgic but more aware of what loving a God causes (his regret is explicit during the conversation of Karsus). He is quite done with "her love as a lover", but that doesn't mean he doesn't want to be forgiven nor he doesn't love her as the essence of Magic itself. More details in the post of "Mystra and her Chosen ones".

After the party, Tav can have a romantic conversation before the sex “intimacy” or can reject the chance. What seems incoherent in this part is when Tav is not in the mood for sex, and Gale simply cuts off the situation. He is a character who craves connection and intimacy, and pretty much like Wyll, he needs a bond before stepping into romance. To waste a night of celebration that could be used to share any other level of intimacy (let's say, talking? The man clearly LOVES to talk) seems strange. If this reaction is truly meant to be in the game, it would seem that he certainly was more desperate for sex than what all the previous scenes hinted, but in that case it would have done little sense to leave the tale of the wizard for the next night. Gale already knew Tav did not want to have sex, so no point in delaying the explanation of the details. I personally suspect these incoherences are a consequence of Gale being added into EA at the last moment, making him more “shadier” than he is meant to be.

To justify my opinion that this seems to be an unpolished scene: if Gale is not romanced, and conditions are given, Lae'Zel will spend the night with him, talking. Why would Gale prefer to share a night of talks with a companion with whom he had not the Weave connection before, but he won't do it with a Tav who shared it? I see some incongruence here, probably as the result of being added into the EA in a rush. His scenes are less polished and much more messier than the other companions' (certainly not more than Wyll, though) and his bugs and triggering priority show it.

This part is also seen as "coercive" by some players:

Tav: I’m sorry, but I actually don’t think I can do this. I’m just not in the mood. Gale: Not even a simple kiss would change your mind? Tav: No, it wouldn’t.

Tav: Maybe a kiss was enough Gale: Are you sure? One kiss is like one chord in an entire symphony. It begs for more.

Gale: (disapproval) What a pity. One should never be afraid to live life to the fullest. Before we part.. I know there are many things about me that remain shrouded in mystery. You’ve been very patient with me, and I appreciate that. You’ve brought me back from the grey shores of death. You know of my condition, and you know about my unfortunate efforts to win Mystra’s favour, but those are but the broad strokes. The time has come to paint you the true picture. So come find me another night, yes? No kisses, just words. (Leaves)

Asking seems to be coercive for some people just because there is a disapproval. I personally separate very clearly what Tav sees and receives as information from the NPCs and what I, the player, do. Tav should react to what they see, but the player is having a “meta-knowledge” of the situation with the info of the narrator and the approval system. The player knows Gale is disappointed in not having intimacy now, and he expresses it. Then he behaves completely natural, and continues talking (of course) about what he will explain about in the following morning (I don't understand what impedes him to say it in that moment: is it the wine? He fears his charisma checks are at a disadvantage due to the wine? Is it just a reflection of the rush in which he was added to the game? We will see in the full release. To me it looks inconsistent.)

Anyways. The scene continues in the early morning or simply the next night depending on what option Tav picked. Here, Gale presents the details of the revelation: “It is a story full of answers long overdue. It is a story of a man who fell in love with a goddess.”

Tav: You're really about to tell me about another lover? What's wrong with you? Gale :I couldn’t do it before. I couldn’t ruin the chance for us to happen. You were there. How could I say no to you? Dev's notes: Gale revealed he was in love with Mystra. He tells this the morning after. Understandably, the player can react negatively to his timing. He tries to explain himself.

This line clearly shows that there was an intention in hiding the relationship he had with Mystra, which it's an “answer long overdue” (is it?). Now, some players consider this the proof of Gale's manipulations; the greatest betrayal, because people are entitled to know all the details of their partner's past before sleeping with them. Other players consider that it's in poor taste to disclose this exactly the morning after sharing the night with Gale. And I agree. However, I see a scene with a lot of over-magnifications and making things more problematic than they truly are. In my opinion, “the chance for us to happen” is deeply linked to the book of Amn for all the reasons explained before. It's not by chance that this book has such a weight in the scene. Gale also shows with this line that he has no experience nor idea how relationships develop.

I also think that Gale fails so much in delivering decent lines in this scene because, 1) this is a very unpolished text in EA, or 2) this is very on purpose, emphasising that Gale is ready to speak about the two topics that turn him into an emotional disaster and his word choices could be attributed to as someone failing many charisma checks. Maybe that's the intention.

If Tav considers this the greatest of the betrayals they can tell him to leave and Gale will not resist the rejection, leaving the party immediately and facing one of his biggest fears: Abandonment. And once more, the abandonment as a consequence of his own mistake. The irony of this path.

If Tav allows him to explain, Gale will accept any "judgement after telling his story". This is something very related to Gale's approvals: to have a complete grasp of a situation, you need to have all the evidence, hear all the details of the event, before drawing a conclusion. And curiously, no matter what aggressive option Tav picks, Gale gives no disapproval unless he is forced to leave the party. So, after some dramatic reaction, Gale will try to proceed with the telling.

Tav: It’s clear as day you are talking about yourself, you know Gale: I know, but a bit of narrative distance will make it all so much easier in the telling. Indulge me.

From here, Gale gives Tav another courtesy gesture: to pick the version in which this will be explained. He clarifies that the long version, more pompous and verbose and in third person, is the one he would prefer due to the distance. Since the first meeting on the road, or the stew scene, passing through the Loss Scene, we see this pattern again: Gale, the character who always has a lot of things to speak about, has also topics that are difficult to explain and needs to use narrative tricks to do it. Not by chance he is a reserved person: those topics he can't talk about are always personal.

Long version

Gale: Once upon a time, not quite that long ago, there lived a wizard in a tower. The wizard was what one might call a prodigy, who from an early age could not only control the Weave, but compose it, like a musician or a poet. Such was his skill that it earned him the attention of the mother of magic herself. The Lady Of Mysteries, Mystra.

Tav: What did Mystra’s attention feel like? Gale: Love. Dev's Notes: nostalgic, regretful, bitter, sad, lost romance–all with a bit of hesitation on the front of the line. Tav :He sounds like a very talented individual Gale: He was. Even though it was in Mystra’s affections that his true power lay. Tav: Teacher’s pet, was he? Gale: He fancied himself much more than that. He fancied himself favoured above all others.

These three options give interesting additional information: Gale was convinced that Mystra's attention was love, because he was young and naive. He is now very aware that his talent meant little, because the true power he had was in Mystra's affections, meaning in being a loved Chosen one. He fancied himself unique, as a Chosen would do.

Gale: Perhaps it was not quite love, Dev's Notes: A little embarrassed Gale: but you see, the wizard was but a very young man. It was most certainly love to him. Mystra showed him the secrets behind the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. ‘Chosen One’ she whispered, as she slipped them off completely.

This is another fragment with interesting, yet disturbing lines: Gale now, as a narrator, questions if that past feeling was Love. He has matured his sentiments for Mystra, they are less "teenager-like". He is convinced that in the past it was love to him, implying that now he has doubts (concept reinforced once more by the end of the scene). The disturbing line is the definition of "very young man", which I will talk about in the post of "Gale Hypotheses- Part 1", section: "Grooming".

Tav: The veils draped across the Weave? Gale: Indeed. What most wizards perceive is but the ripple of the Weave’s surface. Untold wonders lie beyond. I enjoyed them for a while, as we enjoyed each other.

Once more, in these details, the narrative reinforces how intense is the connection of Mystra with a Chosen one. Again, this is lore information. Chosen ones have a deep connection with Mystra/the Weave/Magic, which is unique. More on this matter can be read in the post about "Mystra and her Chosen ones".

Gale: One day all too soon, the whispers stopped. The goddess spurned the mortal. The veils were drawn once more, and the wizard was left behind heartbroken.

Tav: Poor wizard Gale: Poor wizard. Silly wizard too, for he wouldn’t take no for an answer Tav: What happened next? // I hate to say it, but he really could have seen this coming Gale: He was blinded by love. Good stories are rife with lovers’ follies after all. Tav: Perhaps she, like you, had other lovers she didn’t tell him about. Gale : She might well have had, but that didn’t stop the wizard from trying to reclaim her affections.

Gale: Like so many of the heartbroken, he did something infinitely foolish. One has to think big if one seeks to win back a goddess. So the wizard thought big. [Here he explains all about Karsus who] sought to usurp the goddess of magic so that he could become a god himself. He almost managed but not quite, and his entire empire – Netheril – came crashing down around him as he turned to stone. The magic unleashed that day was phenomenal, rolling like the prime chaos that outdated creation. A fragment of it was caught and sealed away in a book. No ordinary book, mind you; a tome of gateways that contained within it a bubble of Astral Plane. It was a fragment of primal Weave locked out of time – locked away from Mystra herself. ‘What if’, the silly wizard thought. ‘What if after all this time, I could return this lost part of herself to the Goddess?”

Another part of the scene that keeps giving us a lot of information: Gale is very aware now how silly he was in his youth (at this point, one can almost remember his words during Arabella's quest: she is not innocent but that doesn't mean she is guilty) and his past young self was unable to take a no as an answer (which apparently Gale learnt very well when before this revelation or after, Tav can reject him and he simply leaves the party without putting much resistance, despite knowing that Tav only has a fragment of the big picture). The other answer reinforces his blindness by this strange concept that Gale thought it was love, and pretty much uses the word Folly for describing or making an analogy with his past, which again, it's not a casual word: Folly is a formal way to say stupidity and it's also a word that Gale uses to compare his mistake with Karsus' folly. As an extra, the last answer seems to explain very much what he does when Tav romanced him and then slept with another companion. Details of this in the post "Gale Hypotheses- Part 2", section: "Proposition to Cheat".

Short version:

This version is shorter and more into the point without an excess of dramatic details that may end up annoying Tav more than making the process of comprehension better. The short version makes much more clear where Gale is standing: the facts are presented without his typical pattern of embellishing the story.

Gale: […] I am what one might call a wizard prodigy, who from an early age could not only control the Weave, but compose it like a virtuoso. Such was my skill that it earned me the attention of Mystra herself. I soon fell in love with her, and she returned my affections. […] Before long Mystra tired of me. What was I, after all, but a mortal plaything in sacred hands? You have to realise I was heartbroken. I was a young man, she was my first love. I thought it would last forever.

This part reinforces once more that he is very aware that a relationship with a goddess was very unbalanced, that Mystra was his first love, he was a young man, and he thought it would last forever.

For completion's sake, the goblin version has a different introduction:

Gale: Let's just get this over with. No doubt you've guessed by now there was something rather special about my relationship with the goddess Mystra. The thing is, we were lovers once. I am what one might call a wizard prodigy [...follows the same speech of the short version]

Three versions converge in the kneeling. The scene in this point has a different narrative value; a proud character as he is, who has a deep regret for his mistake with the “orb” (he says it explicitly in the "Loss Scene" post) kneels before Tav to humbly show the traumatic experience by placing their hand on his heart, where the “orb” resides:

Gale: Here. Place your hand over my heart. Let me show you Narrator: You feel the tadpole quiver as you realise Gale is letting you in. Into the dark. You see through Gale’s eyes, staring down the corridors of a dread memory. A book, bound, then suddenly opened. Inside there are no pages, only a swirling mass of blackest Weave that pounces. It’s teeth, it’s claws, it’s unstoppable as it digs through you and becomes part of you. And gods, is it ever hungry…

This scene speaks of opennesses in all senses, honest and without any interest of pretence: Gale is showing his greatest regret, the lowest of the lowest he reached, the despair that it inspires. For once, he is not talking, he is showing it (because the experience is the one that makes him speechless and its memory seems to cause him great pain too due to the facial gesticulation). And what Tav sees shows again that Gale has nothing extra to hide: this has been the same exact information that Tav could extract from him in earlier opportunities with successful tadpole intrusions. So, if Tav never reveals that they saw this in Gale during the stew scene, Tav will realise that Gale kept his promise: he was reserved for a while, trusting slowly in Tav, to finally open up and show that he was going to explain the “why” much more later, because it's truly difficult for Gale to speak about.

1-Yank your hand away Gale: Terrifying isn’t it? And that is only the beginning 3-Tav: Gods – why show me this? Gale: I’m sorry, but I had to. After all, that is only the beginning 4-Tav: I slept with a monster. Gale: I didn’t sleep with a monster despite the tadpole in your head. We are none of us monsters. We are merely hatcheries for monstrous things. So we fight them.

This is one of the most ominous information Gale gives us, in my opinion: The experience of how the “Black Weave” rushed into his body is grotesque and painful, and it's meant to cause despair. But that was only the beginning: Gale is everyday dealing with that feeling, but on a bigger scale as its hunger increases with each passing day. The descriptions of his emotions during the artefact scenes adds more despair and anxiety to it. Gale is living in the worst mental state that a person can, but he manages it thanks to his wizard training and the Weave he consumes (he is still alive thanks to Magic, of all things). This shows the mental power of a wizard in DnD. And if you read the post about "Well-known Characters" section: "Elminster", Gale could have been inspired in him since I can see this level of endured torture similar to the one that Elminster was exposed to when he was kidnapped and dragged to the Hells.

Gale: This Netherese taint.. this orb, for lack of a better word, is balled up inside my chest. And it needs to be fed. As long as it absorbs Weave it remains stable – to an extent. The moment it becomes unstable, however..[...] It will erupt. I don’t know the exact magnitude of the eruption, but given my studies of Netherese magic, I’d say even a fragment as small as the one I carry…. It’d level a city the size of Waterdeep. Dev's Notes: He admits he’s a walking disaster waiting to happen. This is said very seriously. The truth is finally out and he has no idea how the player will react to such monstrous news.”

Tav: I should godsdamned kill you Gale: Perhaps that is what I deserve, but you deserve no such thing. To kill me is to unleash the orb. I understand your anger, I do […]

Here is where we know that Gale calls it “orb”, but it's not an orb. For more details, read the post about the "Orb". Tav already knew since the Stew scene that Gale could cause a catastrophe without artefacts. In this scene we just get some extra details about it.

Gale: It is my truth, finally revealed. It is this folly that led Mystra to abandon me completely. I can only hope you won’t abandon me as well. After all we’ve been through.. (After the night we spent together). Surely we can brave even this side by side. Dev's notes: Solemn. Full of yearning his news will not lead to him being abandoned by the player.

And there, Gale's “truth” is “revealed” (not truly, it is only more detailed in the information): We know that the Weave he consumes from the artefacts keeps this condition stable (something we already knew since the Stew Scene) and it will erupt if it doesn't consume artefacts (which is something we knew since the Stew Scene too). So the revelation scene is not so much of a revelation. The whole scene has a writing with a lot of weight in “shocking” revelations and “dramatic” reactions when the context provided shows that there is little to be shocked about, in my opinion. If anything, this whole scene needs serious polishing.

Then it follows the “coercive” part according to some players, which again... it's only Gale hoping this situation doesn't end in a second abandonment. The concept that the “intimacy” of the shared night gives more reasons to stay by his side seems pretty naïve, but maybe that was the intention (thus my suspicion that Gale has no experience at all in relationships, only what he learnt from romantic books). What it's clear is that after the detailed explanation, Gale is desperate to avoid a second abandonment, yet he knows it's unavoidable. This can be seen when Tav doesn't forgive his betrayal (?) of not saying anything about Mystra or the "orb" (he did in the Stew and following scenes, but this context is not acknowledged here), and Gale simply accepts it, showing that Mystra's experience made him learn to accept a no, leaving the party forever (in EA).

Tav: No. This is too large a betrayal. Gale: I see. I am sorry. I am sorry that it had to come to this. All that’s left to say is farewell. Dev's Notes: A slight hesitation, hurt but understanding. He makes a polite little bow, then we see him walk away.

Really, I don't understand what happened with this scene because it's either ignoring any annoyance that the situation can cause on a Tav who didn't push Gale to talk, or it offers an over-reaction when all the information has been shared already, at least in a very generalised way during the Stew Scene. A Tav who doesn't push Gale to speak will have no more details than the ones provided during the Stew Scene at this point in the game, but one who pushed Gale will basically have the whole story covered. The Rpg-options we get here are so white-and-black, and not even coherent with the context, no wonder so many players turned Gale into a “mastermind in manipulation”. This scene is very unpolished in my opinion.

Tav: Gale, are you still in love with Mystra? Gale: I’ll be honest with you; I don’t know. She is my muse still, the embodiment of magic, but the embodiment of love? Only if we ever meet again will I know

Here we have once more confirmation that Gale questions what kind of love he has for Mystra. Considering all the context he gave us previously, it seems that his love for his Goddess as a devotee will never cease, but romantic love is a big question for him. He has given Tav all the hints to make them suspect that Gale probably never knew romantic love outside his experience with Mystra or what he could read in books.

Tav: What would permanently rid you of the orb? Gale: The orb was kept safe and inert in a pocket of Astral Plane, suspended in time. If I can somehow manage to expel it from my body while in the Astral Plane, it will be rendered inert again. Alternatively, I could learn to control it’s chaotic magic, that is; to succeed where I failed before. But without Mystra’s favour, I don’t see how that may come to pass. Of course there could be different answers as well. Faerûn brims with more magic than any one wizard could fathom, let alone comprehend. Who knows what outlandish solutions may yet present themselves?

The last bits of information are more interesting: Gale thought of two possible solutions to solve his “orb”problem. One is to expel the object out of his body in the Astral Plane where time doesn't exist so its hunger or ticking mechanism stops, so the magic will remain inert. The other option is to control Netherese magic. He informed Tav that he already tried this option, so it's clear that Gale's intention when obtaining this book was to master this strange piece of Weave and give the secrets of that control to Mystra. But he failed.

Summary of the post:

There is an important emphasis in acceptance: only through acceptance Gale can open up to share the details of his mistake. He wants to have this night before any confession because he wants to acquire this acceptance that, in his mind, would prevent the abandonment he viscerally fears.

In all the scenes there are many hints suggesting Gale is very inexperienced in relationships: the acceptance he needs can only be acquired due to the "art of the night'', which is one of the main points in this book. His notions related to relationships seem to have been acquired via romanticised means: books and poetry. He may believe that intimacy guarantees acceptance.

Gale “reveals” his truth: he was a Chosen of Mystra, he was Mystra's lover, and the “orb” problem was a mistake he made to earn Mystra's attention. All this information is now detailed here when it had been shared already. There is little “revelation” in it.

Gale's actions can be interpreted as manipulative for a Tav who respects his privacy and has little information about the “orb”. But hardly the pattern extends to his behaviour. His need for acceptance makes him make bad decisions.

A Tav who pushed Gale to speak in previous scenes finds little new information in this one: they will have a more detailed picture of the situation and they will know that Gale and Mystra were lovers.

Gale is very aware that Mystra's love was not exactly love, but it felt like that when he was young. He also knows that the true power of a Chosen is related to being loved by her. He is also aware that a relationship with a goddess is a very unbalanced one. He states that Mystra was his first love, the affair happened when he was a (very) young man, and he thought it would last forever.

Potent narrative image: Gale, a proud character with great confidence, kneels before Tav to humbly show the traumatic experience by placing his hand on his heart, where the “orb”resides.

In general, the whole tone of the scene jumps constantly in my opinion. Tav's options are not toned to the general atmosphere of the scene: or they ignore completely the value of what Gale says, or over-react magnifying information as if it were the first time Gale says it, when a lot of it was shared during the Stew Scene and following scenes. It feels like a very unpolished scene, probably as the result of Gale being a companion added to the EA in a rush.

The Dev's notes explain the whole situation as:

Dev's notes: synopsis: The principal portion of this dialog consists of two main parts: a romantic night intro that leads to a fade to black and implied intimacy, and a section in which Gale tells you his true story in either of two ways (chosen by the player). These are the ‘story’ variant in third person, and the slimmed down ‘story-light’ version in first person. It is the story of how he fell in love with the goddess Mystra, was spurned by her after a brief affair, and how he got himself into big trouble when trying to win her back. The dialog was originally meant to contain only the above, but for recording and cinematic purposes, the story sections of it are also used in a variety of other ways, that is to say, the dialog also contains an intro section in which the scene begins with no romantic intent. In specific cases though, Gale will still try his luck, which you’ll see in the repeat of some lines of an earlier dialog.

This shows that, so far, the intention was always to make Gale explain the “true story” in this scene, which was the one we were told. I think that expecting more secrets would water down this intention here. In any case, the future secrets, if there are some left, may be secret even for Gale himself.

This post was written in June 2021. → For more Gale: Analysis Series Index

#bg3 meta #gale #gale of waterdeep #bg3 gale

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the-silentium · 4 years

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Murphy day Pt.3

Masterlist - Part 1 - Part 2 - Part 4

Pairing: Bad Batch x Reader

Words: 2302 words. I know it’s short! But it needed to end there.

Warnings: None.

A/N: This chapter is not the end like I thought because something went terribly wrong somewhere and I ended up far away from my initial plan. So here it is, the best chapter ever to finish 2020.

Fors is an Original planet. I do not give permission to people to use it for their own fics, the planet, the animals, the Nightmares, the lore or anything related to Fors. Thank you.

You found solace in the fact that the rain wasn't as heavy as what you were used to. Instead of the torrential rain that barely allowed you to see a meter before you, the only handicap you had was the discomfort of your clothes sticking to your skin and to Wrecker's armor. With a smile, you thanked yourself for choosing a dark outfit despite the clear sky that greeted you early in the morning, your initial light blue shirt would have forced you to throw yourself in mud to save what you had left of dignity.

Speaking of dignity, you couldn’t stop chuckling along with Wrecker at the shining star guiding the group. Tech would sometimes turn around to glare at the both of you, but really, there was nothing he could do to save himself at this point.

The dry phosphorescent poo mixed with puke he fell in earlier finally kicked in now that the sun was hidden behind the dark clouds, illuminating his armor like a mighty beacon leading your steps towards salvation. Most of the sticky mixture had washed off his armor by now, getting rid of what he couldn’t remove by himself, leaving the light parts of his armor stained in the phosphorescent color.

“Don’t take it like that Techie! At least the smell is gone!” You laughed along with Wrecker.

At the sound, Shiny fussed, jumping happily on his tiny legs until he bumped into Crosshair who crouched slightly to calm him with a pat on the head. Shiny walked near his favorite sniper, his green horns illuminating proudly his steps like a young star that somehow found its way down onto this nightmare of a planet. Watching the duo from your venture point behind them, you thought about how opposed those two were but strangely enough, seemed to be the most comfortable around each other.

Well, maybe you would be returning home alone after all.

If you made it home that is.

“Are we close?” Hunter stopped walking to fall back at Wrecker’s side.

Squinting your eyes to protect them from the rain, you adjusted your grip around Wrecker as you moved your head forward to get a better view of your position.

“Almost there!” You reported cheerfully, your head falling back in its place on the hard pauldron, your forehead comfortably pressed at the base of the black helmet that protected Wrecker from the rain.

“Enjoying yourself?” The gruff voice reached your ears again, although this time there was something new in his tone. You shrugged it off, passing the fault on the occasional water drop that fell in your ear.

“Can’t say I don’t.” You replied sheepishly, a smile stretching your lips despite your best efforts.

It was nice to be treated like that for the very first time in your life. Not like a damsel in distress, you still wanted to smack him for that, but to be treated like you were important. Like someone cared. It was warming and comforting so you’d take it while it lasted. Plus, it allowed you to recharge your batteries for a bit as well as giving time for the muscles in your legs to relax and stop contracting painfully.

“She likes me Sarge!"

His arms tighten slightly around you as he bumped his brother playfully, your feet hitting armor in the movement.

"It's nothing to be so happy about." You mumbled under your breath, low enough that the rain swallowed your words.

"I don't see why." Hunter walked a bit faster so he had a visual on you, head tilted slightly to the side.

"What?" You asked at the same time Wrecker did, who turned to you, a smile on his lips that you couldn't see under his painted helmet.

A yelped from Tech at the front alerted you that he tripped. Again.

"I don't see why he shouldn't be happy that you like him." He clarified.

Your cheeks suddenly became very hot as your brain finally remembered that his hearing was far above average. To make it worse, Wrecker's visor was now solely fixed on your face and you were sure that he was analyzing the pink covering your cheeks.

Looking around for an escape, your eyes found the perfect getaway in the shape of an endless field of glowing purple flowers in the distance.

"Look! We're here!" You blurted out with too much enthusiasm, unlatching your hands from behind Wrecker's neck and pushing yourself out of his arms so suddenly that he didn't have the time to adjust his grip.

You hurried on your feet despite your aching knees who met the hard ground without warning, your desperation to escape the subject propelling you forward, passing Tech the glorious shining star and into the meadow towards the river where a grey ship was stationed on the opposite bank.

" 'cause 'm far from a catch Sarge." You repeated the words you've heard so many times before, feet entering the cold water to get to the other side as soon as possible. There was no way he could've heard that one. Not over the rain, the current of the river, and a good couple of meters separating you.

"What was that?" You yelped in surprise, Tech's eyes widening in turn following your outburst. He must have run after you.

"Nothing." You breathed, a hand over your heart in an attempt to calm it down.

"We should cross the river in tandem. We'll have less chance to get dragged by the current." He dropped the subject and offered you his hand after getting in the waist high water with you.

"Good idea." You took his warm gloveless hand in yours, lacing your fingers with his for a better grip.

You walked at the same pace, each of you using the other to balance yourself. Your feet slipped once under the strong force of the current, sending your heart into a frantic rhythm until your boots passed the small inch of slippery rocks and found a good grip into a bed of mud. Tech had stopped walking, his grip tightening around your fingers as much as you did around his in your panic.

You nodded to tell him that you were ready to start again and he followed your lead. With small steps you made it to the other side safely, Tech got out of the water first and turned around to offer you a hand. Grateful, you let him pull you out of the mad stream.

"Thanks, Tech." You huffed on your knees, breathing deeply to force your heart to work faster, providing more blood flow through your body to fight against the cold of the water.

You heard three splashes behind you, the remaining boys must have decided to follow Tech's idea and cross the current with each other. With a quick glance, you confirmed that they were indeed following the example, Shiny secured under Wrecker's arm.

"You're welcome." He presented his hand again to help you up.

Just as your hand lifted to his, a movement just behind him caught your attention, a hiss reached your ears, stopping your heart.

Time slowed for a second, Tech's residual glow illuminating two elliptical pupils staring him down with a predatory glint and rows after rows of thin razor sharp teeth and terrifyingly long fangs creeping their way over his head.

You saw Tech's head turning to see what caused the sound, his other hand flying to his holster, but you were faster. Your heart started beating again, pumping blood like never before, your hand shot out to close around Tech's outstretched one and with a sharp pull, you made him dive into you, away from the deadly clasping maws.

"Get up! Get up!" You stressed as the remaining Batchers yelled to know what was wrong.

Ignoring them for the most urgent matter, you pushed him off hurriedly all the while keeping a firm grip on his hand, turned around, and pulled him after you in the opposed direction.

You turned your head to see if the beast was following and sure enough, the draconic head of the Basilisk was gaining ground, its powerful body waving rapidly on the wet grass. Its dark scales made him hard to discern under the clouded sky, although his eyes and his three-forked tail made a stark contrast.

"Don't stop running Tech!" You yelled, praying that he wouldn't trip like he did all the way here.

"Don't worry!"

The ground shook under your feet, both your heads snapping back at the impact. The basilisk disappeared underground, digging a hole with its strong and heavy body, using the thick spikes covering the whole length of its body to dig and move around away from its preys' eyes.

"It went underground!" Tech panicked. "This thing can go underground!"

"We have to get off the ground! Now!" You yelled over the rain.

The ship was now forgotten, too far behind to even hope of getting there in time. You had two options, climbing the Waytree which you were sure Tech couldn't possibly climb in his armor or get up the rock promontory.

The ground rumbled beneath your feet, telltale of the Basilisk getting closer.

"Up there!" You pointed to the top of the inclined rock overlooking the meadow.

At this point, Tech took the lead, running faster than you, pulling you with him in his wake to get to safety. The unusual speed along with the wet grass slipping underneath your boots almost made you trip more than once.

"Tech, are you two okay?" Hunter's voice barely resonated out of the clones flashing wrist armor piece. His voice managed to calm you to some point for some unknown reason. Maybe it was because he saved you from hungry teeth before. "Tech!"

"Fine for now." He answered in a slightly higher tone than usual. "Not for long."

"Hang on." The line cut and you found out that it panicked you more.

The shaking intensified to a point where you thought for the second time that day that you were done. Your heartbeat resonated in your head, the sound of the rain filled your ears, the splatter of the water hitting your skin made you numb and the vibration beneath your feet put you on edge.

With a scream on the verge of your lips, you finally made it to the promontory, Tech pulling behind him until you reached the very end of the rock.

A crash erupted behind you, the Basilisk erupting from under ground where the soft ground let place to something way too hard for it to continue digging.

You saw the brille protecting its eyes retract as its maw opened in a warning hiss, slowly creeping its way towards you. A quick glance behind showed a nothingness that scared you to the bone. Either you jumped into the abyss and broke a lot of bone at your landing four stairs below or you could get chewed and digested by a gigantic snake.

Tech grabbed his blaster, aiming at the approaching beast, the hand still gripping you tightening in fear.

Before he could fire, the Basilisk screeched in pain as a blaster bolt hit him right in the eye. The sudden sound made the both of you jump, Tech's shoulder bumping you enough for you to lose your balance.

"Tech!" You yelped, pulling onto him to regain footing.

The Basilisk continued its ascension of the rock, crawling its way towards its prizes. Blaster bolts rained onto its side, infuriating the creature. Turning around in a hiss, the Basilisk changed its target, choosing to hunt the remaining clones instead. As it roamed away, the forked tail hit the promontory aggressively, the resulting shockwave projecting you right on your stomach to the ground, your top half dangling over the edge, hand still trapped between the engineer's who had lost its footing and fell off your perch.

Luckily, your left foot caught into a fissure, keeping you anchored.

"Don't let go!" He pleaded, panic lacing his voice.

"Never." You gritted your teeth, locking your bones in position.

With a colossal effort, you forced your boot down deeper into the crack while trying to pull Tech back up with your body half over the edge.

Rain traveled down your face, dripping onto Tech's glasses that you now noticed had a flashing red light on their sides. Wet strands blocked your peripheral view, allowing you to concentrate solely on your task of saving your newly acquired friend and forget the other three fighting a gigantic carnivorous snake without any knowledge on its species.

A sudden bright light illuminated Tech's eyes, the raw fear in them screaming at you to not drop him gave you a boost of strength. Ignoring the burning of your muscles, you forced your arms to pull harder, to push your limit and pull him up.

Your grip on him was slipping, his wet deadweight too much for your small fingers. Surely, if you both survived this, your fingers would be sore and bruised.

Slowly, inch by inch, you managed to pull him back on the rock, your arms shaking under the effort and groans falling from your lips. Tech managed to grip onto a crevice of his own, helping you in your critical task. He almost had his elbows secured on the rock, prompting you to put all your remaining strength behind this one last pull.

The second his elbows touched the rock, your foot slipped and you immediately let go of his hand to not drag him down with you.

It was disappointing to finally know that no, your life doesn't flash before your eyes moments before you die. You'd have loved to see your dad one last time before… well.

Screams pierced your ears right before darkness engulfed you in a sickening crack.

#bad batch x reader #tech x reader #crosshair x reader #wrecker x reader #hunter x reader #damn that ended badly #Wasn't even supposed to go this way #it litterally wrote itself #murphy day

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azurevi · 4 years

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3 halloween tales (cater, jade & vil)

This is really random, but the ssr cards for the halloween show have given me many au ideas, so here are my self-indulgent stories inspired by them. The Cater one is especially long because I got a lot of ideas about it. For the Vil one.. it's pretty disappointing how it turned out, but I hope it's not too bad. PLEASE READ THE WARNINGS!

WARNINGS : death (all), mild mention of gore (cater), war + mild possessiveness + violence (jade) [let me know if there're more!]

the heart and its eternal weight

Cater is a cemetery caretaker. It isn't that he really loves it, but his father was one. He feels like it is only right to take after his steps.

He isn't into superstitions. Some people find distaste in his job, but it's something crucial for Cater. People, even after they're dead, should still be honored, and so deserve a hospitable place to rest.

Everyday is a routine for him. Sometimes, though, the families of the passed talk to him about their stories and their emptiness once their loved ones are gone. Cater finds the beauty and softness in humans by hearing these stories, and it makes him even more dedicated to his job.

It's natural to him, dying. His father was killed in an unintended accident, and sometimes it seems like his death could have been avoidable just as much as it was inevitable. He just wishes that he had had more time with him.

One of the lessons his father taught him about graveyard caretaking is to beware of ghosts. Those who recently died are more visible and intimate with the world of the living, and so they might appear before humans. Some are inhostile, of course, but there are malevolent ones.

Lore has it that some ghosts prey on hearts. It is said that the heart is the most important part of a human, as it is accountable for life, death and emotions. People believe that ghosts can be revived with a fresh, still-beating heart, and as a result the human giving up their heart will die in place of the ghost. Basically, the heart can also create ripples in the fabric of space-time.

Because of his job, he isn't all that popular among others, and he only has a few life-long close friends, his mother and sisters by him. So even if he has a crush on the most admirable person he's ever seen, he still won't make it known in fear of rejection. He figures that he still has time to figure it out.

And he's wrong. News about your tragic death spread around quickly like wildfire, and he's devastated. It feels wrong to even feel so, because he has never been acquainted with you in the first place.

Your body is buried in his cemetery, and a lot of people come to your funeral that day. Some of your family members are so heartbroken and pitiable, and so Cater offered to be their listener.

All he can hear is about the great work you've done, the care you put into everyone you met, the warmth that radiated off you while you were still alive. It breaks Cater how he's never had the privilege to know you, to experience all your graces with his own perspective.

One night, the moon is lit and hung up high in the sky, so close that it seems to be prying on Earth and the people roaming on it. Cater is patrolling with his lawnmower when he hears quiet and uncertain sobs.

He is creeped out, yes, but he's also curious. He's never seen a ghost before, and it could be a human for all he knows.

He's proved wrong once again, as he discovers your opaque body behind a giant tree. You are hugging their legs close to your chest, and a rotting hole's visible where your heart should be.

There's no way you can be hostile, and you certainly won't kill him for his heart, so Cater decides to approach you gently, tentatively, like you're smoke that will disperse the moment he intrudes.

To his surprise, you can hear him clearly, and even invite him to sit down with him. It's so bizarre -- a ghost asking for a conversation! But Cater doesn't mind as he pops down beside you. He notices how although you were no longer solid, it still feels like tense when his hand passes through you. Certainly it's because you've been dead not for long.

And so the two of you indulge in heartful conversations, and Cater finds himself regretting even more about how he never gathered the courage to go up to you. Mid-conversation you tell him about all the things that you wish you could've done and all the ideas you wished to spread.

Cater probably shouldn't have, but he is so absorbed in your ambitions and kindness that he offers to carry out all these great things for you. After numerous confirmations, you agree too to let him carry out your thoughts.

And so Cater works in his neighbourhood, sharing campaigns and donating, taking care of lost pets and cats and partaking in environment improvement. He's never felt so fulfilled before, and it's the first time he feels like he's genuinely making a difference in the world.

In times he's not representing you, he brings you up on the little hill behind the cemetery where the moon and stars are so close and vibrant, where they all dance in the dark ballroom and pulse in excitement of being seen. He wishes he could show you more hidden gems, but your spectral spirit cannot be too far away from your body.

But it's enough.

A month passes and Cater notices subtle change in your behaviour as well as appearance, like how you're responding with less enthusiasm and how the hole in your chest is growing bigger. When he finally asks about it, he's told that ghosts generally only stay in the world of the living for 49 days, and their heart will rot away in this period. After that, they will have to go to the underworld, never be back again.

Cater is certainly shocked that the lore is more than a children's makeup story. He is well aware of the significance of the heart in relation to the soul and life.

He asks if you'd like to have his heart instead, so bluntly and casually. You seem to return to their original intimate self when you refuse.

"I'm already gone. It's you, the living, who should be making changes,"

So he pretends that you're not getting more and more unresponsive and less and less generous. He turns a blind eye against your wavering figure and how you can't be seen at all in the sun. He plays dumb when in reality, you're slipping away before his very own eyes, heart rotting away like nothing more than a fruit.

It hurts finally knowing and understanding someone and having to lose them.

On the 48th day, you are already but a still, soulless shadow, leaning beside your gravestone and fresh, white flowers. Cater can still see you. Sometimes he thinks that you chose to be seen.

And he can't bear to see you go. To see your dreams go into flames, to watch such a pretty soul just - vanish.

So he gives you his heart. Alive and beating and sentimental. It doesn't even hurt a bit.

You wake up immediately, your eyes glowing and body solidifying.

"What have you done?"

"What I can do to make a change,"

Time is starting to rewrite itself. Cater is going to die in your place. The space around you was warping and folding into itself, softly and rightly like a lullaby.

Just before you slip into darkness, you gather up a whole bunch of rose petals and desperately stuff them into the hole in Cater's chest, as if they can give him life in lieu of a heart, and you are sobbing and clinging onto his still warm arm, never wanting to let go.

It's all Cater wants, to save a wasted soul and to make a difference.

And so he cradles your face, and leans in the moment everything goes black. When he wakes up again, he's weightless in the cemetery, where a bunch of well arranged roses lie on his buried body.

a melancholy specimen

To Jade, beauty needs to be preserved to be constant. It's just like flowers. They die away without proper care.

Just when he thinks he's seen all the beauties of the world and is getting bored of it, he meets you. A blooming flower sparkling in the bland, old boring world around it. He's immediately captivated - how a person can still manage to flourish in such a rotten world where everything is depressing and all man is for themselves!

You're the most elegant piece of art he's seen, and that's something considering that he owns a museum. Innocence lies in your eyes and bravery sings itself between your lips.

You find him just equally amusing -- gentlemanly, insightful and just a touch of flirtation. The two of you fall in love like Alice down the rabbit hole - amused and unstoppable, fascinated by the wonders evolving about.

But the world doesn't give a damn about love, nor do they understand your dreams of a bright future where everything is close to hearts. They call you both madness and nonsense.

"Their souls are tainted with war and sorrow. They are beyond the point of rescue. Victory and glory are all that can feed their ego,"

Jade is disappointed. War has gouged people's eyes out and filled them with wails and ash.

The two of you are the only stars in the night sky, still fighting for salvation, yearning for a better future where trees grow and flowers yearn for the sun. You promote and do your best to lift the veil of darkness off the world.

But the sun doesn't understand either. War keeps going on and on, and people never have the time for aesthetic relaxations. It refuses to shed light on its pitiable humans.

"We should evacuate, Jade. They say a bomb is dropping tomorrow,"

Jade doesn't care and can't care. The most paramount thing is to open his eyes to the beauty of this world. He doesn't want to become one of those barbarous men, tasting dirt and blood on their tongue while they glorify violence and brutalness.

He stays behind while his neighbourhood dies away. You are the only ones yet to leave.

"Please don't leave me, Y/N. You're the only light in my life,"

You can't bear to leave him, and so you stay. The bomb is dropped, and it's too close. Too hot. Too cruel, too inhumane. It ravages everything in its way, burning all the darkened things to the ash and bringing the only beauty left in this world with it.

Jade wails. Broken cries are engulfed by nearby explosions and the cackling of flames. Your soulless body lies amidst the destruction, just another wilted flower in the slit of a rock, deprived of water and sunlight.

He finally understands. Nothing can save the world anymore. It's gone way too far, and it will never recover from malevolence. All he can feel is pity for his world as his heart ache with spite.

Bandages around his hands, he wraps your corpse up completely, preserved underneath the layers. You will be his reminder that there was once a flower in this drought, an anchor keeping him from becoming one of those barbarians.

lifeless silhouette in the dark night

You can never recognize directions. You find yourself stumbling upon a seemingly inhabited mansion in the middle of the woods. Cold and bruised, you knock on its door.

Welcoming you is a tall man with blonde and lilac hair called Vil. His skin is unnaturally white, and his eyes seem to glow like orbs that eat your souls. But you are too tired to make notice of all these details, and he's kind enough to let you stay for the night.

He treats you with ravishing cuisine and a grand bedroom that was as grotesque as the rest of the house. Afterwards, he leaves you to rest, but not before warning you not to get out of the room post midnight.

You oblige- for the first half hour. Then you start to hear wails and footsteps that amplify and disappear. It's impossible to sleep.

The next morning, you confront Vil about it. He refuses to face the questions as he ushers you to get going, and so off you go.

You spend another day lost in the woods, then somehow come face to face with the mansion again. Vil is beyond shocked to see you, but then he breaks into a deep smile.

"It's almost as if you belong here,"

Weirdly enough, you could agree, There seemed to be an invisible force pulling you towards Vil. After dinner, he orders you not to leave the room again before making his leave.

Broken wails. Recurring footsteps. You can't bear it any longer, and you also wonder if Vil is aware of this. He properly is, and thus tells you to stay safe inside the room.

But dumb curiosity gets the best of you, and you open the door and step into the endless corridors.

The wails come from the host's room, where Vil is supposed to be. You're closing in when its door is suddenly flung open, and out runs a panting Vil.

"Vil? What are-"

His eyes are bloodshot and there's red stain in the corner of his mouth. Sweat dots his forehead. He looks disheveled and the complete opposite of how he was during dinner.

"You shouldn't be here. Get back - get back in!"

His voice booms in your skull, and you're running back to your room before you notice.

It's another sleepless night.

To your luck, Vil doesn't wait for you to bring the incident up.

"Don't be creeped ou by it, please."

He seems very uneasy about it, but he's obstinate to give you an explanation.

Turns out that he is a vampire. One that has lived for 500 years and is waiting for his eventual death. He's seen everything in this world and lived through the best and worst of humanity. He understands people's fear about vampires, and so he resides in the remote part of the wood. He only ever drinks the blood of small animals that he hunt, and never has he once killed a man.

He knew nothing about what'd happen to him when he became a vampire. If he'd known about the repercussions, he'd never have become one in exchange of eternal beauty. Now he has to turn someone else into a vampire to end his immortality. It is only a cycle.

Every night the moon rises and spills into his room, and he has to fight his urge to go out and taste the sweet blood of humans.

There are times when he slips and loses control, but he always manages to get back to his senses. But it seems that your presence here in the mansion is awaking his desire to suck you dry.

You're bewildered to say the least, and frankly horrified. But at the same time you feel pity for him, for he is just a man who can't ever do anything as atrocious as hurting people.

And so you offer to end his suffering. Of course Vil disagrees. He just talked about how he never wanted to take a life, and now you're offering yourself to him? He'd never allow it.

But you're even more persistent. You keep staying in his mansion, and his sanity slips a little more every night. And you know that he's contemplating too, for he never tries to kick you out of his mansion.

"You deserve a rest, Vil. For your love and selflessness. For all the unspoken kindness you bestow on others. It is only fair that you get to rest,"

Vil has lived a life. He's but a mere walking corpse now, and a rest -- a sleep -- sounds just like what he needs.

And so he rests. Vil falls into a deep, serene sleep while you endure each and every dark night.

#twst x reader #twst headcanons #twisted wonderland #cater diamond #jade leech #vil schoenheit #sie writes #twisted wonderland imagines

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deans-haunted-baby · 4 years

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Curious. What do you mean by Dust till Dawn going against it's Characters? I know I have my own feelings, or confusion, with how they left Kate's story.

From Dusk Till Dawn effectively character assassinated every single character in the very last episode including Kate Fuller. No one is acting like themselves in that series finale it's like some deranged fanfic writer came aboard and hijacked the show while no one was looking. If you thought 15x18 & 15x19 of Supernatural were bad and believe me they really are; those episodes are minorly salvageable against the slaughterhouse that Dusk 3x10 was. It utterly contradicts and ignores everything the show put forward in all 3 seasons. I will never watch that episode again.

I'll first explain what that piece of shit did to the show's lead protagonists, the Gecko brothers. Regardless of how you or anyone else feels about Supernatural's series finale; that show was a saint to Sam and Dean's storyline beginning to end compared to how From Dusk Till Dawn definitively butchered Richie and Seth. I'm sad saying this because Zane Holtz and DJ Controna are outstanding as these characters. I freaking love their chemistry man, it's a great rival to J2! They're the badass dark clones of the Winchesters. Their arc starts out fascinatingly complex because they went from cold-blooded criminals/bad guys and meanwhile during their escape over the Mexican border with this hostage family the audience is told pretty quick by Professor Aiden Tanner that the Geckos are destined to become these foresworn warriors The Mayan Hero Twins in an ancient prophecy (based on real Mesoamerican lore) who battle the Underworld. So right away the show is telling us ahead where Seth and Richie are suppose to end up in their journey and when you introduce a storyline this big I expect a satisfying payoff.

At the end of season 1, Richie Gecko is *SPOILER ALERT* transformed into a culebra (snake-vampire) while Seth Gecko remains human symbolizing their night and day Hero Twin counterparts from the legend. And they're separated in the first half of season 2 where both try to navigate this new supernatural world they've stumbled on individually. What they find, no different than the Winchesters, is that neither can function properly without the other making their destiny all the more valid. That season is practically constructed like their swan song to the criminal lifestyle since the brothers are meant to become more than crooks; and since Richie's a vampire they can't ever go back to basics. Their adopted father aka uncle Eddie actually says the line "this is my swan song" in 2x07 to Seth and Richie in reference to their final heist together which is not a coincidence. That's the writers telling us that the Gecko Brothers' role in the show is going to shift from anti-heroes to heroes very soon. Eddie and Kate Fuller's fates in S2 act as the primary catalysts for this transition taking shape in the finale.

Going into season 3 it's business as usual for the boys until the prophecy of the twins officially rips a hole in the damn universe via demon queen Amaru. Who's now possessing Kate. Throughout that season Seth and Richie embark on a journey of heroism; find themselves battling monsters, actually saving civilians and dealing with their own personal demons (guilt and remorse over past sins). That year is presented as their redemption arc and final phase into their new role. No one ever tells them about their destiny (despite most of the other characters knowing) but we as the audience are already aware as we watch the brothers in action. The best episode is without a doubt 3x06 the crown jewel of From Dusk Till Dawn because it's about overcoming the darkness inside. And who best represents that than Richie; the show's most important central character whom began the series as a deadly clairvoyant criminal into the tortured vampire hero struggling with his own humanity. Now I won't spoil the whole episode for anyone who hasn't seen it or the show in general but it's an incredible moment of character development for both the Gecko brothers. Not only does it cement their powerful bond it's the episode that defines who these two are once and for all. The ones who lead the battle between good and evil; keep the balance of light and darkness. One day I plan to do an entire analysis of that episode because it's so fucking brilliant and shot so incredibly eerie at the same time 😁

You want to know what 3x10 does to these characters? It shits all over their entire storyline and pisses away THREE FUCKING SEASONS of character development. Just flushes it all down the toilet rendering everything they've ever done up to that point completely pointless! Their destiny which is the WHOLE POINT OF THE SHOW is suddenly dropped last minute and the Geckos hit reset on their former criminal escapades; dragging Kate along with them. I hate that finale with the fire of a thousand suns for what it does to Richie and Seth 😡

Moving on to Carlos Madrigal. He is the best villain character in the history of show villains hands down. I can actually say that without blinking. Wilmer Valderama is phenomenal, he steals the show as Carlos. He's is so freaking awesome, evil and badass! I just want to keep seeing this man tear things apart while being the sexy asshole he is 😈For all intents and purposes I don't want to spoil his whole storyline on the show for those following me in case they're interested. But what I will say is 3x10 destroys this character; so don't watch it if you want to keep the memory of who he was alive. I'm actually depressed over what was done to him as much as I feel sorry for Wilmer having to perform that shitty script. It's laughable in a very bad way. Gotta hand it to the writers and showrunners of FDTD they certainly knew how to humiliate their best characters in this series. Carlos basically goes from charismatic yet lethal Hannibal Lecter to a very captain obvious Gandolf caricature. Yah you heard that right, it's really fucking sad.

Next we have Freddie Gonzalez; the audience's avatar into the series. This character is connected to everyone on the show for a reason because of the crucial part he plays in this universe. The "Peacekeeper" destined to police the line between the supernatural world from the human world. In the beginning he's a Texas deputy on a quest to avenge the murder of his father figure/partner Earl McGraw via the Gecko Brothers. But once he steps in that territory of monsters there's no going back. And FDTD repeatedly tells him and the audience this in the first 2 seasons. But then 3x10 pulls the ultimate fuckery by giving him the most cliched, nonsensical hallmark ending effectively cancelling out his entire purpose in the series. He instantly forgets that he ever cared about Kate, watching her bleed out on the ground, then leaves the Geckos high and dry rushing his family (who isn't injured) to the hospital. And he stays there while the battle continues 😣

Kate and Scott Fuller OMG words cannot describe my anger over what was done to them so I'll make it fast. I'll begin with Kate the bright light and heart of the series. Her arc in the first two seasons is excellent. It's emotionally driven because she begins as an ordinary girl in broken yet seemingly-happy family to a young woman finding her way around the supernatural world maintaining her faith and moral compos while trying to help her brother after he's *SPOILER ALERT* been turned into a vampire; paralleling the Geckos's situation. Scott being only a 16 year old kid, like Richie, struggles immensely after his transformation; searching for meaning as a cursed individual and coping with his duality. He was already different to begin with so being a vampire adds some interesting layers to his character.

Btw Kate plays a vital role in Richie and Seth's lives, though in my opinion is more strongly connected to Richie. The show even goes as far as developing the early glimpses of a romantic arc between Kate and Richie (seeing as they kiss twice) with angst at the end of season 2 that is never resolved. You want to know why it wasn't? Not only does season 3 mute Kate's voice and agency but 3x10 ruins her character and demolishes her whole arc with Richie (who spent all of season 3 trying to save her) at the last second due to fan pressure of those who shipped her with Seth. They don't exchange one word nor barely look at one another it's like seasons 1&2 never happened. This is the biggest fuck you to fans of these characters I've ever witnessed in a series and they did my boys Adam and Michael so dirty in Supernatural. Poor Scott whom the show enjoyed kicking around all season barely gets a thing to do in that series finale either than listening to his sister and Seth gab about prom lol. Yah you heard me I'm not making this shit up I swear. Then he gets abandoned by Kate while she goes off to be a bank robber with the character assassinated versions of Seth and Richie. How extraordinary 😖

Santanico Pandemonium is really the only character in the series who manages to get out unscathed. HOWEVER her arc is handled very poorly beginning to end. They set up an arc between her and Seth that also goes absolutely nowhere. Give her zero closure with Richie whom she sired, dated and used in S2. And randomly throw her in a scene with Kate that makes no fucking sense after these two had nothing to do with one another all series. On top of that Santanico is barely in season 3 so by the time the show wraps her arc feels incomplete.

Other characters go missing that no one notices, the new bad guy whom they've set up at the end is just left hanging. And Richie Gecko, you know the show’s other lead, is horribly sidelined after 3x06 to make way for the Seth Gecko solo show. When I say FDTD series finale is bad I mean it's really fucking terrible and blasphemous.

#from dusk till dawn: the series #from dusk till dawn #richie gecko #seth gecko #kate fuller #carlos madrigal #fdtd #scott fuller #kichie #richiekate #seth x richie #freddie gonzalez #Santanico Pandemonium #anti fdtd 3x10 #the Gecko brothers

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rachelbethhines · 4 years

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Tangled Salt Marathon - Lost and Found

Another plot episode and another mountain of missed opportunities, failed set ups, and foreshadowing that goes nowhere. But outside of that it’s pretty entertaining. Are we seeing a pattern yet?

Summary: Rapunzel and Eugene go on a journey to retrieve the fourth and final piece of the scroll that will lead them to the Dark Kingdom. They receive help from Vigor the Visionary, who reveals himself to be Lord Demanitus himself, the author of the scroll depicting the purpose of the Sundrop and Moonstone. He leads them to the maze that he hid the last piece of the scroll in. Guiding them through the maze, they obtain the last piece, which united the four into one singular map. As they are about to leave, they are attacked by a stone monster.

Maybe That’s Why You Should Have Brought the Only Person Who Can Read It Along?!

Once again, having the characters acknowledge their stupidity in meta dialogue doesn’t alleviate the fact that the audience is going to think them stupid.

Regardless of your personal feelings towards Varian or what he has done in the past that does not change the fact that he is literally the only character in the show thus far who can translate the scroll. The mains knew that before leaving and they knew from the get go that they were going to need the scroll piece which is why they took it from him.

Not bringing him along, not getting a translation key from him before leaving, nor even showing us a scene of Raps trying to ask him to translate the scroll for them before leaving and then having him refuse to do so, is a plot hole.

Timeline Hint...Sort Of...

Rapunzel said last episode that it had been almost year since they left Corona, and it’s now close enough to her birthday again that Eugene could be tricked by it but not enough to actually be her birthday.

So...when are we again?

I’m going to guess 10 months after Secret of the Sun Drop? Maybe... It could also be 9 or 11 who knows... but I am still seeing fall like trees which is our only indication of a changing season in this show because the creators don’t understand climate apparently.

Maybe cause we’re now further north of Corona we see fall/winter leaves even into early spring?

Where Was This Rapunzel In Season 3?

Rapunzel actually giving a crap about what Eugene wants is as rare as seeing a fawn in the woods. It happens, but most of the time you forget it's even there.

While come season three, Rapunzel will just shoot the poor deer dead.

Madame Canardist is a Wasted Character

I’ve already discussed at length the biggest problems with Madame Carnardist in my Vigor the Visionary and Curses reviews. So I won’t rehash those talking points here again. However what I spoke about were larger problems with the media industry and bigotry as a whole and not the specific impact the character has on the story. Which is next to none.

The crew went through all of this trouble to make a deleted character from the film relevant to the series’s plot, and even there they failed. Madame Canardist is nothing more than a translator for Vigor when Demantius isn’t around. The story doesn’t utilize her properly despite her connections to one of the more plot important characters.

What is her relationship to Demantius and Zhan Tiri? How did Vigor come into her care? Why is she the only person who understands him when Demantius isn’t in control? If Vigor is centuries old by this point than how old is she? What is her stake in all this and why does she bother with Rapunzel at all if she has nothing to gain from it? Why doesn’t she go along on this important quest through the maze seeing as how she is Vigor’s caretaker?

She’s not completely useless, but like with Lady Caine, Xavier, and Hector before her, she has far more potential than the series is willing to explore with her.

So Much For Caring About What Eugene Wants

Welp that lasted all of five seconds.

Man, Rapunzel is a shit girlfriend.

The Pay Off Works, But It Then Serves No Purpose Afterwards

I don’t mind the idea of Demantius being the monkey. I mean it is one of the very few plot points in the show with proper foreshadowing and follow through. And yes, Demantius does accomplish one thing here, by helping Raps obtain the last scroll piece.

The problem is, nothing changes with this revelation.

No one’s perceptions or interactions with Demantius/Vigor are altered after this reveal. No one changes their plans, goals, or motivations afterwards. Things carry on more or less afterwards the same as if they had never met. The only thing of importance here is the scroll pecice and that’s only relevant in Cassandra's Revenge and is then forgotten about completely for the rest of the series.

What’s the point of having a plot twist if the status quo still remains?

If the information being revealed doesn’t alter the story then why keep it secret to begin with?

How Could You Research Them If You Never Found Them?

So did Demantius write the incantations or not?

He is the one who put them on the scroll, so it’s natural to conclude that he did create them, but he couldn’t have done that unless he had studied both the moonstone and sundrop to see the effects the two macguffins had to the spells.

Now according to this exposition dump, the sundrop and moonstone had been around for ages before Demantius and had become legends by his time. It is possible that someone else studied the two macguffins before him and came up with those incantations, but who?

The ancient people of the Dark Kingdom might have studied the moonstone since they were tasked with guarding it, but no one knew where the sundrop was until Gothel found it.

The audience needs to know this sort of information in order to understand the motivations driving the conflicts of the characters.

Imagine a Lord of the Rings trilogy that never bothered to say where the one ring of power came from or how it came into Gollum’s possession. You’d be left wondering why everyone was fighting over what amounts to an invisibility spell that once belonged to a small deformed hobbit who used to catch fish.

This Explanation Goes Nowhere

Why did the disciples betray Demantius? What did they gain from siding with Zhan Tiri? Why was Gothel with them? Did she betray everyone once she found the sundrop? What was Demantius and Zhan Tiri fighting over to begin with?

Don’t expect any of those questions to be answered. The series inexplicably makes a big deal over Gothel being connected to Zhan Tiri, but then never actually explains what that connection is, what they’re relationship dynamic was, nor how it connects back to Rapunzel’s and Cassandra’s current conflict.

That’s the real failing of the show’s lore and backstories. They don’t connect back to the current conflict. It’s just there.

In a well constructed show, Demantius would have been a parallel to Rapunzel who was also ‘betrayed’ by people she trusted. It would have been revealed that it was Demantius’ own actions that drove away his followers and caused them to side with Zhan Tiri. Thereby serving as a warning to Rapunzel herself and forcing her to realize in the end that in order to save everyone she’s have to apologize to those she hurt. We also would have gotten three betrayals instead of two since that’s more thematically impactful.

But this isn’t a well constructed show and the characters in it don’t ever evolve.

This Contradicts What We Find Out In Season 3

We find out in the last season that Zhan Tiri was originally from this world and that the only reason she was ‘bent on destruction’ was because of Demantius ticked her off somehow. She also had no magical powers of her own until after Demantius had banished her to that other realm where she was imprisoned.

Also Demantius didn’t use any powers. He just chucked her into a portal he had built without any warning or trail, with zero idea if it would kill her or not, all because she just stood there yelling at him. Like there wasn’t even any physical fighting, so it wasn’t a case of in defense either.

Demantius should have been revealed to be the real antagonist all along but that would require the showrunners to be actually clever for once and not misogynistic towards their female characters.

This Makes Zero Sense

First off, when was Zhan Tiri ever looking for Demantius? She’s been too busy trying to escape from her prison and it’s been centuries. She has no reason to suspect that he’s still alive nor does she care. Zhan Tiri’s plans are not dependant upon whether or not Demantius still exists.

Secondly, how is the host body still alive after centuries? Why go with monkey when I’m sure there are actual human beings out there who would agree to living forever. Does the transfer actually destroy the mind? Cause if not you could have had an actual coherent host that could have helped out when Demantius was dormant.

And don't give me any guff about ‘ethics’ because this is the man who played judge, jury, and executioner to his supposed friend/possible lover and probably killed one of his disciples as Sugarbee’s spirit was trapped in his device.

Not the Best of Plans My Dude

So Demantius is basically committing suicide here for no real reason.

Unless he was just already dying anyways when he made the transfer, then Demantius is drastically shortening his conscious life span. The monkey will live on, but he won’t.

So why? He had no way of knowing that the sundrop would become a person in the future, it’s completely coincidental that he met Rapunzel just at the right place and time to help her, and as stated above, Zhan Tiri was no longer a threat to him or the world since he imprisoned her and defeated his disciples.

Like what was his thought process here? “I just really, really want to be a monkey?”

Eugene Isn't Wrong

Look, I am a deeply religious person and I have faith in many things, but even I know that critical thought is necessary for basic survival and that scepticism is just plain common sense. Believing in something doesn’t mean shutting your brain off and never thinking for yourself.

Demantius has yet to give any reason for why Eugene and Rapunzel should trust him. Him saying ‘have faith’ repeatedly does nothing to instill confidence and in fact does the opposite. If you want to people to believe in you, especially in a dangerous situation that you dragged them into, then you need to earn that trust.

There’s a world of difference in assuming the best in people and being a fool, and Rapunzel is not the better person just because she blindly goes along with anything because she stubbornly wants to do whatever she wants and assumes she’s always right.

Eugene is Still Right

Is ‘Faith’ the new ‘Destiny’ now? Are we just assigning different meanings to random words in order to push the story’s narrative along?

This entire maze only involves solving puzzles, answering riddles, and a bit of running and climbing here and there. ‘Faith’ has absolutely nothing to do with it.

This theme doesn’t even work when you take into account the reveal that it’s Eugene who needs to have faith in Rapunzel. Because Rapunzel isn’t the only one doing these things and getting them through here.

In fact Demantius being here, and being the one who built the maze in the first place, kind of negates Rapunzel’s importance in this area. Secondly, Eugene is doing half the work anyways so it should be a message about having faith in each other. But they already have that so...yeah what’s the point of Demantius constantly bringing it up?

Why Are You Caring About Money While Stuck In a Death Trap?

You’re rich now, Eugene. You’re the future prince consort and live in a palace. As soon as you get back to Corona or a place that recognizes Corona as a kingdom you’ll have plenty of money to spare. But you can’t do that if you’re dead inside a maze.

Moreover, Rapunzel still has money on her. She just threw two coins in to the well; one for her and one for Demantius. You two live together! You’ve been traveling inside a caravan together for over a year now and neither of you work. Ergo, you should logically be sharing your finances at this point in time. Especially since that is what you’ll be doing anyways once you’re married for real, as you’ll both be heads of state.

That’s Now How Faith Works

Faith is evidence for things unseen, or to put it more accurately the evidence for things that are unprovable. God, death, the future, creation, souls, the meaning of life, ect, are all concepts that can’t be proven nor disproven. No one upon this earth will ever know for certain what happens after death, how the universe was made, or if there is any intelligent life out there beyond ourselves.

People don’t like the unknowable.

Believe systems of all kinds, whether they be religious or not, exist to bring us comfort when face with the dread of such existential questions. Even if that belief system is agnosticism itself.

Gravity, weight, and basic physics however are all provable concepts that have been around since Ancient Greece, if not longer. Man has always known that if you drop something it falls, even if they didn’t have the math to back it. It’s just a fact of life.

‘Faith’ isn’t going to stop Eugene from falling. It’s not going to make the bridge more sturdy. It’s not going to magically make him as light as a feather. It won’t turn the acid below him into water. “Faith’ can’t literally give you wings and make you fly; that’s just a metaphor.

What Demantius is promoting here isn’t faith. What he’s asking Eugene to do is to blindly follow his orders without question.

This is especially jarring when you consider that Demantius is supposed to be a famous scientist. He should know very well the importance of critical thought and that having faith doesn’t mean shutting your brain off.

The Scroll is Such a Let Down

We’ve spent a season and a half finding the pieces for this thing and it won't actually be relevant until the halfway through season three. Mostly because the one person who can translate it isn’t here.

On top of that, it’s no longer important outside of one episode. It’s an example of the payoff not living up to its hype.

So This Is a Lie

The scroll only contains four incantations on it, and one is on the back in invisible ink and not the fourth pecice itself. None of those incantations involve combining the moontsone and sundrop together. In fact, after using two of those incantations only once they’re never seen being used again for the rest of the series. Furthermore, once the moonstone and sundrop are combined they only allow the user to perform the healing and hurt incantations, which Rapunzel can do anyways without the moonstone.

Demantius wrote the dang scroll himself! He should very much know what is on it and what it does. This is yet another case of the writers not planning things ahead.

Being Good at Riddles Doesn’t Make You ‘Pure of Heart’

Being ‘pure of heart’ means that you are kind. One does not need ‘faith’ to be kind. Being kind is doing the right thing and helping others even if it doesn’t benefit you at all.

Not only does running through a maze not have anything to do with faith, it also has nothing to do with kindness.

The only thing it proves is that Rapunzel enjoys running through a maze, and will do so in addition to dragging others along with her regardless if those people want to do it or not.

That’s not being kind.

If anything Rapunzel has only proven thus far in the series that she is a very selfish person who shouldn’t be trusted with such grave responsibility.

But as already pointed out, Demantius doesn’t care about actual faith, kindness, or purity. He just wants blind obedience. He’s mistaken Rapunzel’s exuberant and stubborn nature for nativity; not realizing that her complancany is only because they both desire the same goal.

Had he asked Rapunzel to do something that she didn’t already want to do, she wouldn’t have been so ‘pure’ to his mind.

That Is a Very Valid Question

Eugene has a point. There’s no reason to go on this quest. In fact knowing about season three in hindsight, turning around now and not going to the Dark Kingdom would be the better option for everyone.

Cass couldn’t steal the moonstone. Zhan Tiri would never be freed. Corona will never be destroyed and the brotherhood never mind trapped. As for the black rocks they will just sit there impotently not doing anything.

Even freeing Quirin, not that Rapunzel cares, only requires the hurt incantation, which she already has.

The only problem is that Cassandra has ZT trapped in her mind but without the moonstone that has no consequences outside of Cass hearing a annoying voice in her head that she is perfectly capable of ignoring. And even that wouldn’t have happen if they had turned around after the Great Tree.

SHOW DON'T TELL

Nothing in the show back up what Demantius is saying here. We haven’t seen the rocks being active since season one. Even when Rapunzel was lollygagging around or going off the path.

When they do become active again in the next episode it’s to help her, and after that in season three it’s all Cassandra’s doing.

Also in season three Rapunzel is able to rebuild Old Corona around the rocks with little problem even though she didn’t reunite with the moonstone.

In a Competent Show This Would Be Foreshadowing. This Is Not a Competent Show.

I genuinely thought this was hinting at Moon Eugene, when I first saw this. Now couple that with the talk of ‘three betrayals’ earlier and I thought Eugene would be the final ‘betrayal’ and that a true love's kiss, after Rapunzel had apologized to him, is what would reunite the two powers and save the day.

I’m not going to fault the show for not living up to my expectations and predictions, but I will fault the series for failing to utilize Eugene properly and not working him into the main conflict. He’s the duel protagonist of the franchise. He should have just as much weight in the narrative the same as Rapunzel has.

Oh How I Hate Where This Arc Goes

What the show does wind up doing to Eugene however, is incredibly stupid and frustrating.

Remember how I said that ‘faith’ in this show is just blind obedience?

Yeaaaahhh....

That’s what Eugene takes from all of this. Not that he should support and believe in his partner, something that he already was doing by the way, but that he needs to be a doormat to her and her whims.

Like with Rapunzel yelling at Hook Hand in Brother’s Hook, this is the point where Eugene’s character starts to break. You just wouldn’t know it until after watching season three.

This Is Such a Lazy Cop-Out

Like the audience has these questions too. Neither us nor Rapunzel will ever have these questions answered. You just backed out of committing to any real answers because you didn’t have your story planned out like you should have.

Why Does Everyone Act Like There’s a Prophecy When There Isn’t Any Actual Prophecy?

Once again, Demantius had no way of knowing that the sundrop would become a person. No one did. There’s no prophecy and there’s zero explanation for his psychic abilities, which are inconsistent at best. In fact I don't think he does have such powers, otherwise he’d be more helpful inside the maze. I think those are reserved for Vigor only and we don’t know where he got them or if he even is a ‘real’ psychic.

Tangled the Series wants to act like it’s running on a predestination plot. That events must occur and will occur regardless of what actions you take to prevent it. Now ignoring how that causes problems with the characters’ agency for a moment; you can not have any predestination if there’s no actual destiny.

Chosen one plots often have prophecies for a reason. Predestination is there to evoke either tragedy that can’t be prevented or present consequences for if/when the main hero doesn’t follow along. Either way it’s there to establish conflict.

Everyone in TTS acts like there is a conflict when said conflict hasn’t actually been established!

This is writing 101. You need conflict. You need to establish shit. You can’t just pretend that a conflict exists where it doesn’t. ‘Fake till you make it’ doesn’t work in long term storytelling and television animation. It has to be pre-planned.

Also The Timeline Doesn’t Match

Demantius said that it was a millenia when the sundrop and moonstone fell.He also just said he’s been waiting for a millenia to ‘meet the sundrop’. Yet Demantius acted like the sundrop and the moonstone were already legends by the time he started to search for them. That means they had to be around longer than he has. It also brings us back to the first question of who wrote the incantations if he and Zhan Tiri never found them?

Believing In Someone Does Not Mean Shoving All the Work Onto Their Shoulders

You’re supposed to be in this together. Couples should work as a team. Both of your lives depend upon getting out of here so you should both be coming up with ideas and working together.

Not only does this miss the entire point of what ‘believing in your spouse’ actually means, it’s also incredibly unfair to both of these characters. It’s unfair to Rapunzel for put so much pressure and unrealistic expectations onto her and to have her be the person to carry both of them through when Eugene is perfectly capable of physically doing things. It’s also unfair to shove Eugene to the side and make him a useless character all of a sudden.

Rapunzel Does Nothing To Earn Such Blind Devotion

Rapunzel’s magical hair has nothing to do with Rapunzel as a person. It’s an entity separate from her being. Literally. The hair can move of its own accord as shown here and it’s possible to physically separate Rapunzel from her powers as seen in the finale.

Believing in Rapunzel should be about believing in who she is as a human being, about her individual character. It should not be because she has magic glowing hair.

Not only is this a betrayal of Rapunzel and Eugene’s relationship and why they came to love one another in the first place, but it’s also a betrayal of Rapunzel’s growth as a character. It’s not only Eugene who blindly kisses her ass after this point, it’s everyone, even though she gives them little reason too.

This the Last We’ll See of Vigor and Madame Canardist

Three episodes spent establishing these characters and now they’re just gone for no reason. They’re never seen of nor mentioned again beyond a single meta joke. Despite the main conflict revolving around Demantius and them both having the closest connection to that character.

This Is Bad Foreshadowing, But At Least It’s Actual Foreshadowing

Up till now any ‘foreshadowing’ we got for Cass’s villain arc has been confined to poorly thought out background images; the painting of the moon, the broken mirror in Gothel’s tower, and I won’t even dignify Chris’s bullshit about her handmaiden dress being blue.

Not to mention all of that was only in season one. Outside of her conversation with Eugene about their parents, way back in Cassandra vs. Eugene, we haven’t had any real foreshadowing until we hit the Great Tree.

Since the Great Tree we’ve only had a couple of bitch fights with Raps, which I personally don't consider real foreshadowing since no ill will was attached to those, and her glaring angrily at Rapunzel after escaping the shell house.

In light of that, this scene is at least genuine foreshadowing, it’s just poorly done foreshadowing.

While the other attempts at foreshadowing were too subtle, this one is too obvious. It gives the game away too early because there’s no other viable options within Rapunzel’s group. Adira comes closest and she’s not actually here and not really considered a friend by Rapunzel herself.

So what winds up happening is that Cass’s arc feels rushed despite being planned since the beginning.

Conclusion

I spent three days fighting tumblr to get this review posted! Appreciate it!

As for the episode itself, it’s fun to watch in isolation, but it’s such a let down knowing what’s to come from it all.

#tangled #tangled the series #rapunzel's tangled adventure #anti-tangled #demanitus

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wh-wh-whu · 3 years

Text

Joy and Henry

New OCs, new series (?)! These characters come from the same original story as “Ni and Jay and Jane”, but in a different place and time. Since I am changing background stuff to post here, I am not sure they will still be set in the same ‘verse, but a crossover is never impossible.

Also this is the scene that inspired my first prompt-style post!

Don’t worry much about the Company and Associates, these are mostly placeholders as I figure the Lore, just know that this is government stuff and these people are very important. One detail that matters here is that all masters are men and 95% of the slaves are women. Sexism plays a big part in this story even in pieces that don’t focus much of it.

CW: slavery, background sexism, lady whumpee turned caretaker, mention of lady whumpee (other than caretaker), mention of (physical) hate mail, implied minor whumpee (everyone is an adult here but it’s implied stuff happened to them when they were minors), mentioned whipping, mention of whumpee being forced to hurt others, scars

Henry was not supposed to have an opinion on any of the Associates. He belonged to the Company, and so all the associates were his Masters.

Still, he couldn't lie to himself that Ms. Wilson was very different from all the others, and that for it he favored her a lot.

Joy Wilson was the only woman among the Associates, and the first one to step in in over 100 years. She was also a former slave, something that made her presence undesired in the Company, but in the end, none of the Associates could stop her. She filled all the legal conditions, there were no flaws in her papers, nothing that left room for argument that she wasn't legally free, that she didn't belong to the man who signed her freedom at the time, and he had even adopted her as his daughter before making her his heir.

Not that any of this mattered to Henry. He only knew it all from the gossip before Ms. Wilson moved in. That, and from the talk the President gave him just before he welcomed his new Master. The man had confirmed that Ms. Wilson was indeed a former slave, but tried to crush all of Henry's hopes that she would be any soft on him. Not that he had any, Henry knew she was more likely to sympathize with the other slaves, the women that he had to keep an eye on and punish, if necessary, than with him.

It turned out that Ms. Wilson was much kinder than anyone could have imagined. She didn't relish Henry's fear, nor did she seem to want to cause him any pain. She spoke to him kindly, in a soft tone, never insulting. Henry actually enjoyed being in her presence, and luckily he always had letters to deliver to her. She always received many more than the other Associates.

They weren't always kind. Henry wasn't allowed to read them, of course, but he knew. So many people wanted Ms. Wilson out. Even some of the Associates still did. Some envelopes came with drops of blood staining the paper, maybe a veiled treat? A way of showing her others were suffering more because she was there?

There was always a lot of crumpled in her trash too.

Henry knew Ms. Wilson was stressed. She was under a lot of pressure. One day, when he went to deliver her letters, he heard shouting from her door. It made him pause.

It was only her voice. She was probably on the phone. He didn't understand every word she said, but she talked of law. It was certainly Company business. Henry waited, not wanting to interrupt.

"I'm just tired, Fer." She said after a long pause, her tone much softer. "They don't let me do anything here." Another pause. "I know. Yes, yes, you told me. I knew it wouldn't be easy. I am used to men being shitty to me."

Henry's fist closed, crumpling the letters a bit. He should not be hearing to a private conversation, this was how slaves got themselves killed in the Company. They were not supposed to know the Associates' secrets. He didn't know if he was hearing any secret, but he knew Ms. Wilson was showing a vulnerability that was meant for someone else's ears.

"I just wish I could speak to them the way they speak to other women. No, I know, yeah it would only make it all worse. It would be fun, though. It's not like they can touch me. Don't worry, I know my priorities. I won't be careless." A longer pause. "Thank you, Fer. I wish you were here. Don't worry, nothing would make me give up on this."

Whoever "Fer" was, they seemed to be important for Ms. Wilson. She spoke their name in a sweet tone.

Henry tried to get the words he heard out of his mind, but he couldn't. Ms. Wilson disliked men, that wasn't really a surprise. It was like the President had said, she had probably been tormented by men her entire life. Henry was a man, well, just barely, but he was the only male slave in the Company.

Still, Ms. Wilson was always kind to him.

He waited until Ms. Wilson ended the call, then a little bit more before knocking on her door.

"Henry, come in." She greeted him, opening the door to let him into her apartment.

Henry obediently entered, feeling a bit intimidated as he always did whenever he was inside one of the luxurious apartments. Before Ms. Wilson, being called in always meant there was pain to follow.

"Your letter, Miss." He held out the envelopes, reminded himself it probably didn't matter that he crumpled them a bit, they would probably be thrown out like so many others anyway.

Indeed, Ms. Wilson didn't seem to mind as she took them and left them on a table. "Thank you. Is that all?"

Henry hesitated. Ms. Wilson seemed to notice it, and waited patiently for him to speak. He tried to choose his words carefully.

"Ms. Wilson, please forgive my intruding, but you seem to be going under a lot of stress lately, right?"

She frowned, making Henry want to slap his lips and run away. He could do no such thing.

"Yes." Ms. Wilson said. "But it's nothing for you to worry about."

"I apologize, I know it's none of my business." Henry agreed. He swallowed, trying to be even more careful with his next words. "I noticed that you, Miss, are the only one among the Associates that doesn't make use of any stress reliever."

The only one who doesn't have a slave, and doesn't use any of the ones belonging to the Company as a stress reliever. Henry didn't want it to come out as a criticism, but Ms. Wilson's frown deepened.

"I know... I know you would never hurt someone... like you." He lowered his eyes. He hoped he was not offending her, that was the last thing he wanted. "Everyone... everyone down there is very thankful. Everyone admires you, Miss. But it, it saddens me that you're the only one who has nothing to make you feel better." Taking a deep breath, Henry slowly reached for the whip attached to his belt. It was his work tool, for him to punish the others when he had to... and for the Associates to use to punish him.

---

Joy flinched as Henry took the whip, but he didn't seem to notice it, as he couldn't even look up at her. Of course, he had no intention of hurting her with it, he simply offered it to her.

He didn't need to say a word. Joy already knew what he was offering, and she would rather he didn't say it, but he did.

"If you wish, you can use me, Miss."

His voice was even and devoid of emotion, something that Joy had never been capable of back in her days. They could never really teach her that she deserved to be hurt, that she should enjoy being hurt.

But then she remembered how Henry was when she first met him, just a couple of months ago. Trembling, flinching, voice small as he apologized for not telling her he was a slave right away, as if it was his fault she had missed the Company's logo branded on his arm. Joy had seen him afraid back then, and other times, near other Associates.

This Henry in front of her wasn't afraid, and it hit her like a truck the realization that it could only be her fault. That she had shown him a kindness none of those men had ever done, and he wasn't afraid because this was not supposed to be a punishment, it was supposed to be a payment.

She hesitated as she reached for the whip, wishing to take it out of his hand. She wanted to throw that vile object away, into the fireplace so it became ashes and would never hurt anyone again. But Henry was soon unbuttoning his shirt, and she helplessly watched as he kneeled down in front of her, back exposed.

Joy inhaled deep and covered her mouth with her free hand. Henry's back was covered in scars. It was not surprising, not really, and it wasn't like she had never seen scars before. But seeing those old and new scars on his body - he was younger than Joy, barely an adult! - as he sat just a little hunched forward, perfectly still, fully accepting that this was the price to pay for a few kind words, that broke her heart, a heart she had had to stitch together too many times.

She remembered then, why she had agreed to be Mr. Wilson's heir in the first place. Why she had decided to leave the comfortable life he had given her and come here, in the center of the world, knowing well that men would look down on her and ridicule her and try to eat her alive every move she made. Why she studied hard and left her friends - her family - behind to be surrounded by people who hated her simply for being who she was.

Joy touched Henry's shoulder, and he flinched, certainly expecting pain.

"I can't do this to you, Henry. I thank your offer, but..." She trailed off.

He nodded, grabbing his shirt. "I just... want to help you somehow, Miss." He said, eyes teary.

"You already did. You already do." Joy said, sincerely. "I'm glad for having at least one person here who cares about me."

#my series: joy and henry #slavery whump #slave whump #whumpee and caretaker #whump #my writing

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