#-but it's not my actual interpretation of canon

[aurae-rori]

DR RATIO ANALYSIS: PART 2, ELECTRIC BOOGALOO

SPOILERS FOR 2.1 CONTENT.

Now, you might be saying - "Aurae, you already did one, why do you need a second?" And my answer is, "LORD, I FORGOT TO TALK ABOUT HOW HIS DEFINITION OF 'IDIOT' IS DIFFERENT. AND ALSO HE DOES NOT HATE AVENTURINE NOR DOES HE THINK AVENTURINE IS STUPID." Once again, here is my disclaimer - although I have been researching psychology for a solid six years, I am NOT a professional. (I will be, one day. Just you wait, just youuuu wait-) So understand that everything I say has been analyzed with personal judgement, with my own conclusions, come to with logic and my personal interpretation. This is just what I have concluded, and you are always free to disagree.

This is my legacy. To be an analyzer. So let's go.

Okay, now that my disclaimer is over, let's take off Ratio's plaster head and chuck it into the sea, and see - what does he mean by 'idiot'?

This will be much shorter than my last, so don't worry - I will not be flashbanging you with another 4k words. This is more like a follow up, than anything else, because there's a few things I wish to touch on.

Dr. Ratio doesn't hate idiots in the sense that he hates people that have 'low IQ' or are 'stupid' in terms of being 'slow to understand'. I definitely touched on this in my last analysis, but he hates people who take their education for granted and don't go places with the gifts that they've been given. He hates "idiots" - "narrow minded" people who have the capabilities to do more and perceive more than they choose to do. People who deliberately look away or take what they know and what they could do for granted. He wants to open people's eyes and allow them to see life from multiple different angles and he believes that everyone should have a chance to learn - with the whole "knowledge for everyone" thing he's got rolling.

He wears a plaster head around people he doesn't seem to know too well in order to think more, or so that he doesn't have to see the faces of the people he dislikes. Pretty good roast. However, he does NOT wear that plaster head around Aventurine. Let's listen to the doctor's judgement - Aventurine is far from stupid. Although he likes to chalk up a lot of the things he does to his own luck, he is an INCREDIBLY capable individual who's managed to get this far because of his own form of genius. He's a man who relies on chance and good fortune, yes, but his charm, his way of scheming, and the way that he's good with people? That's skill. A talent he doesn't take for granted. Dr. Ratio respects him for this - because despite the fact that he has no proper education, he has his eyes wide open to the world and doesn't take shit for granted. He learns what he can in order to survive and he does it fucking well - Aventurine is a very smart man. He's observant, quick on his feet, and great at going with the flow and thinking in the moment.

Aventio aside, I actually believe that Dr. Ratio would be a really good teacher to those who struggle. He's patient where it's needed to be, even if he's got a quick temper, and I believe in his pursuit for knowledge he would do his best to go out of his way to find strategies that would work for their individuals. We're all unique, and he's aware of this - and because he wants to allow people to think for themselves, whatever helps the individual works. Depression? He's got a psych degree, I'm sure bro could give you some strategies. Autism? He has a touch of the 'tism himself. ADHD, and not feeling organized? Bro will help you. It's canon that he's a great fucking teacher - those who finish his classes go on to become successful people who are intelligent and critical thinkers. Round of applause for Ratio, the man that kins my father. He's shit at emotions, but great at knowledge.

Also, on that note, I believe that he would most likely hate parents that push thier "gifted" students to the limit without any compassion for the person that they really are. He's most definitely got some of that academic trauma so I believe that bro holds a secret disdain for parents who just use their children to gain more recgonition. Well, not so secret. He'd cuss them out. (Ratio please cuss out the horrible parents.)

Dr. Ratio, the Teacher ever. (Hey, maybe he'd get along with Kunikida...)

Also, I am definitely planning on making a fic where he teaches Aventurine Latin. As long as you're eager to learn and willing to look past the chalk being thrown, he's got a place for you.

Thanks for coming to my tedtalk. I did not read this through, so this is not edited. Take my unedited rambles.

[ambrosiagourmet]

Rin Masterpost

Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)

I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.

If anyone spots something I missed, please let me know and I will add it in!

Alright. Time for ultimate #rinposting

History and Timeline:

We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.

Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.

Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."

Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.

I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.

That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.

Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.

Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.

Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:

So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.

As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.

(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)

Okay, back to Rin's parents.

Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.

And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:

Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.

It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.

The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.

We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:

Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.

She also stays in the Golden Country after the end of the story, apparently working as an alchemist.

Additional Details (& Speculation):

What does she remember of her family and home?

I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.

For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.

Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.

Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:

As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.

Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.

I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.

Rin's Magic

In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.

Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.

In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:

This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).

Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:

But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...

Yeah, it is very much a 'get out of the way or get zapped' spell.

Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.

Outfit and Character Design

Dear sweet Rin of the Red And Black... how I love her design.

First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.

I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.

It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.

Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36

This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.

What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:

She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.

So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.

I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.

I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.

I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:

Anyway, because I can, here is the art of Rin smiling.

Rin and Kabru

I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.

I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.

This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?

Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.

Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.

As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.

A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."

Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.

And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?

I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.

Miscellaneous Tidbits:

On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.

Rin plays with her hair when she's stressed

Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.

Her design contrasts with Marcille

This is a small thing, but I just love how much they are visual opposites.

Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.

Rin knows Flamela (and they meet again in canon)

Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.

Two days??? I'm so very curious what things were like between these three.

Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.

If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.

Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.

[alllgator-blood]

ohhhhg ky god i LOVE how u write shamura's non-binaryness ,,,, sorry if that sounds weird but it's EXACTLY what i think abt my own identity too. i am not a boy or a girl i am just tha darkness between stars and the last beats of a dying heart

(i also love kallamar having 'too much gender' bc ,,, same also KEBEKRYDJSYEJ)

I finished this yesterday but Home Stuff was happening and I couldn't post it, ANYWAY- WOW THE WHOLE TRANSGENDER GANG HAS ARRIVED! And...specifically the pre-injury versions because I just am tired of drawing bandages! I'm actually really happy you liked how I wrote shamura's gender explanation thing because like...I've always gotten euphoria from things that aren't other people, but felt like it was a weird thing to do? I made a joke comic about it forever ago where my gender envy was stuff like john carpenter's the thing, the collector from darkest dungeon, and the mystery flesh pit monster. So having a freaky eldritch spider cult leader be canonically nonbinary and having their gender be respected by the other characters was like a dream come true for me, ESPECIALLy since there's enough wiggle room to make my own interpretation of what they are. If anyone can see themself in the way I write these guys then tbh that's all I could ever hope for, so I'm really grateful you let me know your thoughts!!

My hc's for the family is definitely shamura being voidpunk, kallamar being genderfluid, and leshy is just a Dude. A Funny Little Guy. Idek why I strongly feel like he's transmasc but it's probably the fact I grew up with a transmasc younger brother who's also a little shit lmao--

[callipraxia]

Further Interview Analysis: the "Ford Plan," and Bill's Blind Spot

I didn’t sleep again the night after the “musical Weirdmageddon” post, and wrote a lot of loopy stuff the next day, and posted none of it. But then I slept, so yay, time for an attempt at some actual analysis! Original interview is, as before, here, with credit and thanks to @fordtato and @hkthatgffan.

"I think that Bill was trying to find Ford, but I think- I always think of Bill as like, this guy who has, like - you know, he’s stirring the pot of soup that is the Ford plan, and he’s got like 900 pots of soup across the universe of different things he’s working on, and at any given moment, he’s so cocksure that it’s all gonna work his way eventually."

Bill’s a trillion years old, so it’s like, Ford disappearing for thirty years is like- [snaps fingers] is like somebody saying they’re ghosting you and then texting you the next weekend, you know what I mean? He’s like- he’s like [handwave] “Ford’s gonna- Ford’s gonna be back. Ohh, [air quotes] we had such a big fight, Ford’s sooo mad at me,” oh, you know, “our will-they-won’t-they-take-over-the-universe relationship, like, he’s gonna- he’s gonna march off in a huff, and he’ll be back, ‘cause we’re- is Ford gonna find anyone else in the multiverse that strokes his ego as well as me?” Is there anybody else in the universe that’s gonna make Ford feel as important as Bill? No, of course not, Ford needs validation, and so Bill knows Ford’s gonna be back eventually. 

...so, Bill still had a "Ford plan," did he? Like, some active plan that involved using Ford in some way to escape the Nightmare Dimension? Interesting.

I always interpreted his cliche-villain-gloating routine when Ford confronts him about being a liar as the point where Bill was ready to discard Ford altogether. If he had wanted to - if he could have been bothered - after all, he probably would have had a very high chance of somehow manipulating Ford out of the realization that he'd been played: Ford had been literally worshiping Bill a few days earlier. He was basically a cultist, and he was not only someone who'd spent way too long talking to Bill, he was also someone who could only confront Bill on Bill's turf, so to speak. But Bill didn't even try to turn it all around, because (ran my reasoning) he'd gotten what he really needed: the Portal existed, and you can't close Pandora's box. The technology was there. It would not, from Bill's trillions-of-years perspective, have taken very long to find some way to manipulate someone else into rebuilding the Portal once it existed even given Ford's attempts to hide the plans. Bill was scribbling on the Journal in invisible ink after Ford's last entry, before he buried it but after he wrote all about his plans in some detail, even drawing a map to J2. The Journal separation plan would have been laughably easy for Bill to work around. So at that point, I assumed that the only reason Bill didn't arrange for Ford to - if I may be blunt - kill himself the first time he blacked out was because Bill was basically getting off on the psychological torture and wanted to see how long he could keep it going/enjoy himself until Ford literally died of exhaustion. Ford certainly seems to think he'd have been killed if he had lost the game of 'hide and seek' in the asteroid field. I thought the idea that "Bill used Ford until he used him up, and now he was done with him" was basically canon, and that Bill paid no more attention to him from that point onward than you would pay to a broken Solo cup in the trash until Ford did something unexpected - ie, survived the Multiverse, came back with a death ray, apparently took out a few Henchmaniacs, almost shot Bill himself, and then survived the experience.

But here we have what I suppose amounts of authorial commentary which seems to directly contradict the idea that Bill didn't even regard Ford was worth finding and/or killing. Bill was looking for Ford, all those years - not all that intently, apparently, or really very long from Bill's point of view, of course, but still - and Bill still had a plan for Ford. Bill also, if I'm reading that right, seems to have really just expected Ford to come back, of his own free will, to join him eventually, not to kill him.

Of course, it's possible I'm reading that wrong, and Bill just knew that killing him would also give Ford a massive ego boost and that Ford would have to eventually reenter his orbit in order to attempt to do so. It's also true that Bill just not being able to accept rejection in no way, by itself, implies he wasn't planning to go "hahahaha, no" and kill Ford fifteen seconds after he finished begging Bill for forgiveness. But the 'Ford plan' bit seems to undermine that. Let's assume the hesitations and half-sentences are Hirsch improvising, not Bill actually cutting off a thought he might not like the end of. So was Bill genuinely never planning to kill Ford after he bumbled into the Nightmare Realm back in '82? And if not - what in the world was he planning to do to him once one of the Henchmaniacs caught him, then? And why do I have the feeling that whatever it was would have made murder seem both a) kind and b) not at all disturbing by comparison?

Also gives us, in a way, some insight into Bill. Kinda. We've always known that there's this...level, this very deep, seldom-relevant but very important level, on which Bill doesn't quite understand how people work. We see it primarily in the mistakes that Bill makes with Stan and Mabel. Maybe there was nothing he could have said or done in the situation with Stan to save himself, Stan had reached the point of literally suicidal determination and there's really not much you can do to budge someone at that point and especially not once their consciousness has already caught fire, but with Mabel - in Sock Opera, all Bill needed to do to win was keep his mouth shut for three more seconds. He was clever enough to see how Dipper and Mabel's relationship could be exploited to get Dipper to do what he wanted, but he did the exact opposite of what he should have done to get Mabel to do what he wanted, because for one thing he underestimates Mabel and for another...it comes back to that elusive Thing that Bill can't or won't understand about the deeper levels of humans. Or maybe it's Things, plural, and a distinct one for each person, but there's something there at the bottom of the personality that Bill apparently can't jive with.

With Ford, for instance, he clearly underestimates the power of genuine self-hatred and remorse. Bill may feel bad in some way about what he did to his homeworld, but look at the actual words of the Axolotl's prophecy: he feels that way not because he has realized at some point that what he did was fundamentally wrong, but because he wants to go home and can't. Essentially, his regret is for his own inconvenience. And in a lot of ways, I can see how that could have translated into him feeling he did, in fact, know all he needed to know to push Ford's buttons, because while it's never spelled out for us, it seems, based on his habit of carrying around family photographs on his person apparently since college despite not getting on well at all with his family, that there was maybe some tiny part of Ford that also wanted to "go home," and not just to flip off the town. Ford was also someone who deeply feared the consequences of his actions, if you read between the lines in the Journal - his worries about a 'Close Encounter' with the government, his scrawling that he must not lose his nerve on some early Portal notes, his talking more and more about Fiddleford losing his nerve in a way that starts seeming kind of projection-y - and Bill could certainly understand that fear perfectly well: we see Bill panic outright in the finale when he realizes he's out of options he's going to remotely like. In the unlikely event Stan would or even could save him, Stan obviously wouldn’t have done so so on Bill's own terms: Bill would have been stuck making an honest deal for once, or else left with the options of "die" and "take a one-in-a-million shot and do his invocation of the 'Ancient Power,' possibly putting himself squarely into the hands of an enemy whose full aims he probably does not know." But then, that's Bill's flaw - the things that drove him to become what he did were revenge and the fear of Death, of the ultimate loss of control. His arrogance makes him think he can take most any situation, no matter how disadvantageous it might seem, and twist it around sooner or later, but Death - well, that's it, ain't it? Or, as Horace might say in a really old translation:

When life is o'er, and Minos has rehearsed The grand last doom, Not birth, nor eloquence, nor worth, shall burst Torquatus' tomb.

(Horace, Ode 4.7. The Odes and Carmen Saeculare of Horace. John Conington. trans. London. George Bell and Sons. 1882.)

Bit different from most translations I've read, but close enough and in the public domain I believe, so we'll go with that. It's possible that Bill's...unique...state of existence may actually make dying an even more terrifying prospect for him than it for the rest of us. He became what he was to escape limitations, including mortality - but after all that killing and burning and transformation, he found out that he might not ever die, but that he could still be destroyed. And even when he found his own 'territory', it started decaying around him, which proved that dimensions, too, can die even if nobody is apparently actively trying to destroy them. What happens to him then? That's what he's afraid of, and he cannot quite grasp that others might be able to overcome that fear in service of either another principle or another fear. That's where he keeps running into trouble in the series timeline, too. It never occurred to him that Gideon might have enough humanity to want Mabel to actually care about him, instead of just about possessing her - much less that Gideon could want that enough to risk death for it. It was inconceivable to him that Dipper and Mabel could voluntarily turn their backs on even a blatantly false paradise to willingly walk into a living hell, just because it was the right thing to do. And as for Ford and Stan....

Well, on one level, he's right about Ford. When he met Ford, they did have certain things in common: frustration, ambition, deep and secret regrets, loneliness, and fear of facing the consequences. Ford's desire for respectability and honor from those who had rejected him his whole life may have extended this even further for him than it went for Bill in some ways: he couldn't even admit to himself that what he was doing was totally self-interested, whereas Bill, like Stan, has long since come to terms with his own selfishness. And like Bill, Ford probably didn't even have the ability to see that no matter what he did, it would never be enough, and would never really satisfy him. But death? Ford doesn't fear death. Never really has, as far as I can tell, but he certainly doesn't now. The way he lives his life, the man might as well be courting death - sending it roses every week and buying all its drinks at the bar, so to speak. He and Bill both fear the consequences of their actions, but 'consequences' are a category, and it's just as possible to be afraid to live as it is to be afraid to die. And Stan...Stan is harder to be sure of. Certainly Stan's priority is always for self-preservation. He's probably depressed to some degree, and he will risk life and limb without hesitation when he perceives a threat to that which he loves, but that's something that usually happens in a crisis. He doesn't hesitate because he doesn't think about what he's doing, which is what makes the Final Deal such an incredible gesture for me - he not only had plenty of time to think about what was going to happen, but he had to actively take steps himself to enable it to happen. To me, at least, that seems the hardest thing...but then, the whole situation in the Fearamid is one that brings to mind some of my worst fears, to the point that I find the scene difficult to watch and I almost scrapped an entire 22,000-word story once just because it required me to write about a small part of it. I'm sure Bill risked death, in some fashion, to become what he is, and I'm sure he was afraid of failure every time - but he was less afraid of a bad outcome that might come from leaping at the chance for some semblance of life, any semblance of life, no matter what that might look like or how long the odds might be, than he was of doing what he knew would lead to...wherever even destructible gods go, when they go. This is why the Stans were the thing he couldn't account for, really. He couldn't conceive of having a priority higher than self-preservation, of overcoming his worst fear - and that was what destroyed him. Maybe, anyway.

It's sort of funny, actually - I started writing a completely different post yesterday about how to develop a new character based on some of Hirsch's remarks, and in the course of it, I made the remark that I found it hard to fathom how you could write any of Gravity Falls, at all, without knowing ahead of time that it is the story of (if I can make so bold as to quote my own story's dialogue) "the Faustus of New Jersey and His Knucklehead Brother and the Hazard Sign From Hell," and without at least a fairly good understanding of who those three people are and how they got there. If one looks at the story that way, I suppose you could say the events after their starting situation are also the story of these three being thrown up against the places where their real deepest fears lie, and seeing who has something he really, really will not compromise on...or at least, it did at the start of this paragraph. But did any of them, really? Bill blatantly fails that test, of course - Bill runs, just like he's been, in a way, running for his entire miserable existence. Ford comes close to what might have been a couple of breaking experiences for him - either surrendering to Bill or, had the memory wipe worked the way he thought it would, with living with whatever the fallout of essentially killing his brother would have been - but the universe was kind and stacked the deck just enough to let him cheat his way out of that one, at least for the most part. But what about Stan? He didn't want to die, but we already knew that he'd risk it for the kids, because we've seen him do that before. The way he went about it this time arguably took more courage than the others, when he just went in swinging at an immediate and obvious threat, but it was still an escalation on an established thing. Stan's real worst fear isn’t death - it’s of being alone again, of losing his family. That's the principle that overrides self-preservation for him. What would have happened if he'd been in Ford's shoes - required to take up the role not of the sacrifice, but of the one who performed it, giving up one member of the family to save the others? Could he have done that?

...though that is wandering from the topic I was originally talking about, isn't it. Which was that yeah, Bill is, in his way, as fallible as anyone else despite his immense resources - which is gonna be a fun topic to get into when I get around to the post in this series about writing higher intelligences, but that's also not the point, which was that Ford was never going to go back to Bill the way Bill thought he was, because Bill's inability to understand other people's ability to do things that he can't is a serious blind spot for him. It's the thoughts he can't have that doom him (probably...hopefully, anyway...), fortunately for the rest of us.

[nekropsii]

Do you think Gamzee could've been salvaged in any way? He seems so entrenched in anti-black stereotypes that trying to untangle it all would leave him an entirely different character.

I don’t know. Again, in my view he has an extremely nebulous, barely-there character. It lacks a lot of necessary meat and bones. Just about all of his character is Plot Instigation and Racial Caricature. If you remove the Racism, then… Well, at that point you could really just replace him with a tornado and not much would change…

Stripping the Racism out of the Makaras is extremely difficult, because the Makaras barely have any character outside of it. I had to do it with Kurloz and it took me a pretty long time to figure out an angle that properly shaved most of it out. It was quite literally headache inducing- like, it gave me real physical headaches in real life.

I guess someone could do it with Gamzee, if they had a deft enough hand and gave enough of a damn, but yeah, you’ll wind up with a fundamentally way different character because the Makaras are so nothing to begin with. My take is that as long as you keep their general plot points and classpect in tact, you’re basically set. Those are the only things you really shouldn’t change. I think it’s fine to have an interpretation of Gamzee that is a fundamentally different character than what’s canon… If you’re making the changes smartly. Most people just woobify him while stacking a bunch of new labels on him and proceed to never actually address the racism. It’s really corny and myopic.

[mothmanssweetsucculentass]

Ok here’s my two cents that no one asked for on the current (sort of?) debate going on in the Creepypasta fandom on here rn.

For starters, I grew up with Creepypasta. I also grew up mentally ill. I am also autistic. So I know my way around good and bad mental health rep at this point. And to be honest? A lot of the original stories DID suck balls at representation or just horror writing in general.

However, nowadays I see other people on here, often mentally ill or any other social outcast, taking these characters and reshaping them as their own to fit their own feelings and experiences, and I don’t think anyone has the authority to criticize things like that. Cringe culture is supposed to be dead anyways, nevermind the fact it’s inherently ableist at its core.

We also need to take into account kids still exist in the fandom. Pre teens who got tired of shit like scooby doo and wanted something more “mature” or “edgy” to get into without fully going off the deep end into full blown horror movies. At least that’s how it was for me. Not everyone, especially someone who’s younger, is gonna be comfortable with the grit and gore a lot of Creepypasta “purists” are pushing for these days, and that’s okay! When a fandom gets popular it’s always inevitable and unavoidable to have the popular characters get two dimensionalized.

There’s also the whole mascot horror thing that I don’t wanna get into, but I’m 90% sure that also plays a part in the old favorites like Jeff and slenderman being brought up again. They were and still are recognizable characters. Recognizable characters aren’t a bad thing. Making horror more approachable for younger audiences isn’t a bad thing. People having their own interpretations based out of their own experiences isn’t a bad thing.

Some of us grew up and wanted the more edgy and reality based content, and that’s also not a bad thing! But neither side should be dictating or policing how the other enjoys content in this fandom. If you personally don’t like the way something is written, characterized, depicted, or drawn, no one’s forcing you to look at it. No one’s claiming it as canon. No one’s asking for you to accept it as the end all be all.

At the end of the day this fandom was built on OCs and personal depictions of stuff. I can’t name a single character or story in this community that was created by some outside party like a movie or TV studio FIRST (because I know some got so popular they breached the fandom and got their own shows/movies/comics/etc). Everything here was created by someone who wanted an outlet for their creativity, or their pain, or their coping, or whatever else.

Realism and dark headcanons aren’t bad, and neither are any of the headcanons out there who just wanna make a goofy found family of social rejects as a form of escapism.

A 13 year old drawing a fictional layout of a fictional mansion where these fictional characters live isn’t going to suddenly invalidate the horror, I promise, it’s not that deep and it never was.

A 22 year old making a dark comic on the realistic origins of Jeff who is a fictional character in a fictional world isn’t going to suddenly invalidate the more softhearted side of the fandom.

Sure, there can still be a split if people are so adamant about that, but as someone who personally enjoys both the brutal horror side and the “haha Jeff is 15 and gay” sides equally, y’all need to at least learn to be civil to anyone who has a different headcanon than you. And if that seems like too much still, the block button exists for a reason.

TL:DR this fandom is based entirely off OCs and headcanons and people can do whatever the fuck they want because none of it is real and horror comes in many shapes and sizes and intensities and no one should be bashing anyone on their headcanons or views or rewrites or whatever else.

EDIT:

Actually wait I think I have more to say-

Horror, like any genre, has NO AGE LIMIT. And by that I mean, if someone younger wants to delve into scary stuff, they should be allowed to do so without criticism. I personally grew up on “child friendly” horror media like Scooby-Doo, and the older I got the more horror I wanted to experience.

There’s no right or wrong way to “understand” horror, and I frankly think it’s ignorant and stupid to say if you don’t fully “understand” something, then you shouldn’t be involved in it at all. Horror isn’t always about gore and unspeakable violence and the eldritch entity that wants everyone’s skin inside out. That’s why horror has sub genres for fucks sake. Gut wrenching brutality against innocent people isn’t everyone’s cup of tea and that’s okay!

However, bashing anyone’s tamer headcanons, or calling anything anyone interprets differently than you “stupid”, that’s not okay. God, I feel like an exhausted parent giving this lecture to fellow adults, but this really needs to be said and stressed.

I am an adult. I like when stuff in the fandom takes a dark turn. But for nostalgia’s sake, I also love the fanon so much, because that’s what I was exposed to.

And for fucks sake if it comes down to picking sides, I would rather stick with the part of this fandom that gives zero shits how you see a character as long as you’re having fun.

You can have your serial killer 30 year old Jeff and your canon-accurate-to-that-one-image eyeless Jack, but don’t shit on other people if they don’t want the same thing. Your interpretation isn’t canon, and neither is anyone else’s for that matter.

Realistic, dark, gritty Creepypasta isn’t a new concept, and neither is “adult” Creepypasta. And by the way, Creepypasta was never stated to be for adults. That’s like saying kids and only kids can eat trix cereal. It sounds that stupid on paper.

Let people interpret things the way they wanna interpret. No one is infringing on YOUR character ideas. Creepypasta has no age limit, nor a set way the horror has to be presented. Those who do continue to claim that just sound like pretentious assholes.

Very small side note, I personally think it’s inappropriate and rude to keep using Toby as a “bad example” of mental health rep when the creator has stated multiple times the character is old, not researched, and not even in the fandom anymore. Leave the poor guy alone.

[voiddaisy]

Rank the Batfam members based on how well you think you'd get along irl

This is so fun! Okay, so my idea of canon versus fanon is kind of messed up, but I'm going to do my best to go solely off of what I know is canon. I also went a little overboard and did some character study shit because when I tell you I love the bat family, I love the bat family.

(1) Duke Thomas. From what I know about canon, we are really alike. He has a strong moral compass, wants to help people, and can be super goofy and silly. He doesn't really take things super seriously, cares a lot about his family, and is not afraid to lie to Bruce, which I am a supporter of. I think overall we would get along the best just because we are so alike. He also just seems so chill and fun to be around, and I've made a post about this before, but he is so nonjudgmental when it comes to his friends and family, so nonchalant, and literally just the cutie patootie ever, so for sure him.

(2) Stephanie Brown. I love Steph and no one can take that away from me. She reminds me a lot of one of my sisters; She is very witty and humorous, and she is determined, stubborn, and compassionate. She tries to have a positive outlook on everything, despite everything she has been through. I think we would get along well because she is kind of my opposite in a lot of ways. She is outgoing, confrontational, and rebellious, but still vulnerable, caring, and selfless. We would kind of just be a slay duo in my opinion.

(3) Dick Grayson. If I didn't relate so much to Duke, I would definitely say I am the most like Dick. He is a perfectionist, very sarcastic, caring, and literally rocks "eldest daughter syndrome," which... same. He is also such an emotional person, and most of his emotions come out in anger because he doesn't know how to regulate them, which I can relate to. He has that personality that is so easy to banter with but also gets vulnerable, which we see a lot in the comics when it comes to his brothers. I just think our personalities would blend really easily together.

(4) Barbara Gordon. Barbara is literally that bitch. She is super intelligent, determined, hard-working, and responsible while also being empathetic, funny, independent, and wise. She takes so many of the bat kids under her wing as a mentor and tries to build them up to be better people (literally fixing what Bruce messes up). She is super funny and cool, is clearly intelligent without having to flex on it, and cares so deeply for people. If I had an older sister, I'd want her to be just like Babs, because this woman is literally gold. She isn't higher on this list just because I just connect with the other characters more, but she is still just such a good character and I love her so much.

(5) Cassandra Cain. I think I would get along well with Cass because she is a very complex person. She is silent, stoic, determined, responsible, deeply empathetic, and has self-esteem issues. I share a lot of these traits with her, but I'm more... outgoing than she is? So it would be like a bad bitch and her baddie friend situation where I am a yapper and advocate for us both when I normally wouldn't be. She'd encourage my more outgoing side to come out because of how stoic and quiet she can be. She is also like the better version of Bruce Wayne (sorry Bruce), where she still has that intense sense of justice and a strong moral compass, but because she cares so deeply about her friends and family, she puts them first, whereas Bruce kind of... struggles with that lmfao. That is just my interpretation of her, though!

(6) Jason Todd. I actually didn't plan on putting him this high on the list, but after I started typing it out, I was like... oh. I would get along with him better than I thought. Okay, so what annoys me about him is mainly his sense of justice, rebellious nature, complex moral code, and anger. However, these are all issues that stem from his insane trauma and aren't like natural-born traits of his. When he was Robin, he was very playful, witty, kind, and sweet, as a lot of people mention. Despite how he changed after the Lazurus Pit, we still see these personality traits slip through sometimes. He cares a lot about the street kids and does his best to mentor them. In the Gotham Knights cames (which apparently aren't canon but I don't care), he can be very vulnerable and kind to his brothers instead of... beating Tim half to death. Jason is a very emotional character with loyal and protective instincts, and he desires redemption so deeply that he doesn't care how it is acquired. His complexity is what makes me drawn to him, I think. To recognize him as a person who is deeply traumatized and needs positive reinforcement in his life is easy; To give that positive reinforcement is harder. But I think I could offer that to him (and I have the "I can fix him" mentality. Would I be able to fix him? No. Could I be a good friend to him? Maybe). My major qualms with him would be his skewed sense of justice and his moral code; Everything else is like typical emo behavior haha.

(7) Tim Drake. I did not expect Tim to be so low on this list, but I guess it's more of a little brother-type situation. Tim is very intelligent, analytical, determined, empathetic, and compassionate. He shares a lot of traits with Dick, where he is a natural kind of leader and has a deep resourcefulness to him. He can be very self-critical and lacks a need to take care of himself, but he is a team player and can be very responsible. He is also just kind of like... the funniest bat brother to me. It's his sarcasm and the way he picks on people, I think. While he is a good character, I just think I would get frustrated with his stubbornness very quickly. He also just has that little brother attitude that gets on my nerves. But I do think that I would be like a big sister figure to him if that makes sense? Like "you love to hate them" type of shit.

(8) Damian Wayne. Okay, to preface; Damian is just a deeply traumatized kid, so my reservations are literally just about that. I have what you would call a chronic need to fix people, and Damian would just be so easy for me to try to fix, even if I knew I couldn't. He has a skewed sense of justice, like Jason does, but is easier to convince not to kill people. He is stoic, cold, can be emotionless at times, and does not want people to take care of him. I saw some panel yesterday about Dick trying to comfort him after Bruce dies, and Damian is so choked up and doesn't want to speak about it, despite Dick being his older brother. Damian has literally been trained since birth to focus on his mission, his feelings be damned, and I would have such a hard time with that. I would just get so emotional over him and want to take care of him, and he would hate that. I just think that he wouldn't like me very much. I love Damian as a character and I love how complex he is, but he would not love me lmfao.

(9) Bruce Wayne. I knew Bruce was going to be last because there is a special place in my heart reserved for my beef with parents who fuck up their kids. Even though Bruce tries to be a good father to his kids, he is just so shit at it sometimes, and it makes me so mad. In my real life, any time my parents fuck with one of my sisters, I get so irrationally angry and want to fist-fight them. If I was around Bruce and his traumatized children, I would want to throw hands with him every time I saw him. I know that deep down, Bruce is a really good man who just wants to help people, but the way he treats his children literally just boils my blood. I would get along with him if he either didn't have children or had some deep-rooted therapy to fix his emotional constipation. I mean... we would get along fine I'm sure, I would just always have that rage, you know?

This was way longer than I intended it to be, but I have been doing so much character study lately about these people and wanted to share my opinion on each of them in a broader way. If I messed up their character in relation to DC canon... oh well. Also, I know Jason Todd is a little bitch, but he is my little bitch, so it's fine.

Thank you for the ask <3 this was so fun!!

[vellichorom]

hi there! if you're new to this blog or never have any idea what I'm talking about when it comes to what I tag TSP, WELCOME!

this guy --v

is The Narrator of The Stanley Parable, affectionately nicknamed " Thierry " or " Gore " to individualize him from others' interpretations. he follows canon if it went a little awry & an actual human got involved in a live game of Fuck You Chess, co-written with my sibling @/tomiechu

people miraculously like him so i talk about him a lot <3 if your first impression of him is " greasy " or " unkempt, " please don't talk to me... about it

this has been an informational tumblr post to those who did Not come for this

[memecucker]

The female Custodes thing is funny because it’s almost like GW arranged it on purpose to make the inevitable backlash look overblown because the female Custodes was introduced in such a low-key manner and not as some girlboss kicking ass or whatever but you know there’d be backlash because Custodes are quasi-Space Marines who are canonically all male bc they’re eunuchs and so it’d “feel wrong” to lots of people but there isn’t any actual lore reason for why there wouldn’t be female Custodes. But Custodes aren’t ever really described as being like “adopted clones sorta” of a Primarch/Emperor just that they are genetically reengineered at infancy and it’s a big deal to survive the initial procedures so they really aren’t “retconning” anything

Anyway my fan interpretation/theory is that Custodes are like artificial demi-Perpetuals bc unlike Astartes, Custodes are functionally immortal and do not age unlike Astartes but like Perpetuals while still lacking the full Wolverine style regeneration that true Perpetuals have. Also I hate “Perpetuals” as a thing in 40k lore the whole thing feels like it’s supposed to be some obscure dubiously canon thing from Rogue Trader days that just feels weird tonally but they’re part of the Horus Heresy series and I wish the Emperor was just this mysterious and unique figure but whatever different topic but yeah if Perpetuals are gonna be a thing anyway then I feel like that’s what the Custodes are kinda templated after and they have girls

[freezingmcxn]

The way you describe Toby is so slap-able. He’s reminds me of that one kid in school who would just do anything to annoy you no matter how hard you try to ignore them, like closing your laptop while you’re working or turning it off, throwing small things at you that might not necessarily hurt but are disruptive enough to get a reaction, insulting you in such a specific and out of pocket way, and repeating the action that finally made you crack over and over because they thrive on watching you hold back on the desire to strangle them. Is it for attention? Does he just like pushing limits? Does he actually want you to hurt him or is he just that annoying? Is this another case of ‘boys being boys’? Is being annoying a crime worthy of the electric chair? We’ll probably never know, but the fact remains that he will 100% make it your problem if you are even remotely in his vicinity. I can’t help but be genuinely curious what fuels this menacingly mischievous behaviour, and why he’s decided this is the best way to achieve whatever he’s trying to get out of being that way. Maybe it’s just entertaining and he just genuinely doesn’t give af, but as a people pleaser I can’t wrap my head around it.

(I’m just a girl in the world! Why can’t I just be a girl in peace?!?!?!)

How I treated my version of Toby Rogers (his emotions and actions towards others)

Notice I said my version, this isn’t really canonically accurate so don’t say “he wouldn’t do that” it’s how I wrote/interpret him

I wasn’t gonna answer this because I’m not writing for creepypasta anymore but…here I am, you intrigued me and made me wanna talk about him and the subject of that behaviour in general.

On the topic of creepypasta, people have wanted to ask me about things to do with my headcanons, and my own opinions, how I made them etc, you can ask me that I will answer on here, and on here only.

I used to be like you and I’d always wonder why people did such stupid shit in school, acted out etc.

I found it frustrating and irritating like how you described. But I’ll tell you one thing, I 100% don’t get irritated by that anymore.

There’s always reasoning for peoples actions, no matter how much you down play it to them just being annoying assholes, you always lead it back to something.

It can be as small as wanting to impress someone, or even just to seem cool.

People seek validation in numerous ways and for numerous reasons.

Although “attention seekers” can be annoying and confusing you should always take into account that something might be going on at home, in their head, in school etc that you don’t see or know about.

Toby was abused. Toby had mental issues.

Try deal with that for a day, a week, a month, a year, your whole life.

He always attracted attention whether he wanted to or not, the only reasoning behind my headcanon of Toby wanting to push limits is because of projection I suppose.

People pushed his limits, you can only push someone so far, before they completely break. You can only make someone so hurt until they act upon violent thoughts and hurtful words.

When there’s so much build up of material it’s eventually going to cause an avalanche, apply that to a build up of repressed emotions such as anger and sadness.

Those feelings are very explosive and can be physically and emotionally violent.

How my version of Toby acts (his menacing mischievous behaviour) is merely a mirror of his deeper feelings, whether he means to be a dick or not, he gets the gratification of being able to inflict that pain and hurt onto someone else, someone different, someone that’s not him, it’s temporary release.

You could say it’s sadistic, or you can sympathise, I leave that up for interpretation because it’s interesting to see peoples views change once they see a “bad” character was a previous victim to something heinous.

To make it easier to understand think of a leech.

Leeches suck blood from other organisms as they feed off it.

He’s like a leech, he sucks the happiness and joy out of other people’s lives and in return he gets the happiness he thinks he lost by seeing them suffer.

Now, I say “happiness he thinks he lost” because it’s artificial in my eyes, someone else’s pain being a source of your happiness is not true natural joy, it’s only a temporary happiness and you have to be more and more violent and resourceful as the source (person) distances themselves and eventually leaves.

Another thing to add is he cant deal with his own emotions so he deals with other peoples, he can control how other people feel,

Toby wants the power and control his father made him lose.

So yeah, that’s my thought process behind why Toby pushes people/ is a dickhead. I hope I explained it in an easy enough way, I like looking into things on a deep level.

[welcometogrouchland]

Oh my god. The way that you draw toh characters is exactly how they should look and people should be taking notes when they see your art. My soul is going to leave my body and I will only imagine them as the way you have drawn them. Your art is amazing and I'm going to go internally (metaphorically) explode now (/gen) (positive connotations)

I had to wait a good while to answer this BC I've been busy out of town but now I have a moment's rest I can say:

[ID: four reaction images- one is an MSPaint doodle of a figure with big eyes looking up at you smiling, the second is a photograph of a dressed up monkey with its hand on its cheek, the third is a little girl crying with motion blur and heart emojis edited over, and the last an MSPaint doodle of a figure hunched over crying as heart emojis are edited over their tears. End ID]

[cemeterything]

you know those posts about taking psychic damage from a character who's so much like you it's like getting slapped in the face with a mirror (derogatory)? current blorbo of the month is so relatable he's literally making me do therapy

[wormsdyke]

i'm really truly going insane. trapped in a haunted house with the personification of your insecurities. repressing and ignoring those insecurities made them so much more destructive that your loved ones can't help but notice. the most perilous life threatening situation is you, alone, looking in the mirror and seeing only the personified insecurity that wants you dead. the situation has become so disastrous that you have no choice but to open up and be vulnerable about it, but by this point the insecurity has grown so dangerously overpowering that it's too late.

[rueririn]

Honestly, with how amazing the sets of the OP live action look, I’m starting to think One Piece is one of the few shows where being adapted into live action is actually very meta and appropriate. 

Because when it was a manga or anime, everyone always just said it was ‘too cartoony’ and childish and stuff and brushed it off as bad art or concept, but then Gear Five and Nika came at us to slap it in our faces that it was all the exact intention in the first place. It was always meant to be that cartoony, on purpose. 

I feel the LA really just drives in that Luffy was always supposed to be this bizzare, weirdly cartoony character in a world where none of it is normal, you know? And it does that better than the anime does (because anime art helps with a suspension of disbelief and all.) 

During the whole East Blue saga, all his enemies screamed and freaked out at the sight of him because why is his face stretching like that? That’s so creepy, get him away from me! And it’s just so incredibly ironic that the initial public audience reception to LA Luffy stretching is disgust. Like, ‘ew that’s so weird-looking!’ or that the CGI was bad. 

It’s so ironic, because that’s exactly it! That’s exactly what they’re trying to do! That’s exactly what the Gomu Gomu no mi is supposed to make you feel! 

[sysig]

How far did you get? (Patreon)

[toasterfired]

Made an mlb au when i haven't even watched the full show and only certain episodes and some of the specials . very non-sensical with many loosely connected thoughts rn

Text for marinette:

Crochets/Sews/Thrifts

Rather quiet/shy until interest is mentioned

So clumsy/unlucky that she over prepares/plans everything

when plans fail, stressed out and becomes more controlling as a result

insecure over relationships with people

Text for felix:

likes reading sappy romance novels (wants to be suave biker boy so bad but it's just his type not his inspo)

Chat noir is free reign weird girl era

thing that bites

super curious as chat noir

too curious.