#1962/63

[futbol-xxi]

Copa de Ferias - 5ta. Edición - 1962/63

https://josenicolascarluccio.blogspot.com/2024/08/copa-de-ferias-5ta-edicion-196263.html VALENCIA C. FTemporada 1962-63 – Zamora, Piquer, Quincoces, Chicao, Paquito, Sastre, Ginesta; De la Virgen (masajista), Manó; Sánchez Lage, Waldo, Ribelles y Héctor Núñez

[chicinsilk]

Yves Saint-Laurent Haute Couture Collection Fall/Winter 1962-63. Claudia Cardinale, in a dress model worn in the film The Pink Panther by Blake Edwards. (top) Photo Pierluigi Praturlon. (below) Uncredited photo.

Yves Saint-Laurent Collection Haute Couture Automne/Hiver 1962-63. Claudia Cardinale, dans un modèle de robe porté dans le film La Panthère Rose (The Pink Panther) de Blake Edwards. (top) Photo Pierluigi Praturlon. (dessous) Photo non crédité.

[red-rika]

Lonely Boat.

[rabbitcoolcars]

1962-63 Studebaker Avanti coupé, custom conversion

A coupé that was for sale on a limited basis between 1962 and 1963. Despite its short life, it was enough to break up to 29 world speed records on the Bonneville Salt Flats.

This was a custom built conversion.

[barbituratecongestion]

Cutting off my drift into sleepness to google when the highlighter was invented

[nba24highlights]

Book & KD combined for the most points by a duo in their first 5 games as Teammates since 1962-63!

[lexapro-princess]

Ultimate Girlblogger Movie List

1. Ballerina

2. To Catch a Thief

3. The Swan

4. Barbie In The Pink Shoes

5. Rhapsody

6. The Seven Year Itch

7. Thirteen

8. Mean Girls

9. Clueless

10. Girl, Interrupted

11. Marie Antoinette

12. Love In The Afternoon

13. Breakfast At Tiffany's

14. Roman Holiday

15. Barbie and hers sisters in a Pony Tale

16. Barbie of Swan Lake

17. Barbie In The Nutcracker

18. Barbie and the Diamond Castle

19. Barbie and the magic of Pegasus

20. Barbie as the Princess and the Pauper

21. Barbie: a Fashion Fairytale

22. Barbie In The 12 Dancing Princesses

23. Pride and Prejudice

24. Barbie as Rapunzel

25. Pearl

26. 13 going on 30

27. Funny Face

28. Gentlemen Prefer Blondes

29. Charade

30. Black Swan

31. Niagara

32. The Virgin Suicides

33. Priscilla

34. Sabrina

35. Emma

36. How To Steal a Million

37. Enchanted

38. Some Like It Hot

39. Lolita (1962)

40. Lolita (1997)

41. The Crush

42. American Psycho

43. The Princess Diaries 2: Royal Engagement

44. Monte Carlo

45. Legally Blonde

46. Confessions of a Shopaholic

47. The Devil Wears Prada

48. Valley Of The Dolls

49. Jackie

50. Jennifer's Body

51. Barbie: Princess Charm School

52. The Tourist

53. Abzurdah

54. Riding In Cars With Boys

55. I, Tonya

56. Buffalo 66

57. Girl

58. Heathers

59. Scarface (1983)

60. Gone Girl

61. Corpse Bride

62. Sense & Sensibility

63. Persuasion

64. Little Miss Perfect

65. Changeling

66. Gia

67. Uptown Girls

68. Suicide Squad

69. Last Night In Soho

70. Mirror Mirror

71. Birds Of Prey

72. The Beguiled

73. Palo Alto

74. Speak

75. Leon: The Professional

76. Prozac Nation

77. Red Eye

Let me know if I missed one, leave your suggestions by commenting or reblogging

[germanpostwarmodern]

Gavina Showroom (1962-63) in Bologna, Italy, by Carlo Scarpa. Photo by Cemal Emden.

[citizenscreen]

Elizabeth Montgomery publicity photo for "Mr. Lucifer", season 2 episode of “Alcoa Premiere” (ABC 1961-63). Debut broadcast November 1962.

Also pictured with Fred Astaire in the episode.

[planetsstarsandmoons]

Synastry observations based on personal experience, part 4:

(18+!!!)

Mars/venus first house overlay: gets a bad reputation, because people feel like this overlay is ‘superficial’ due to the fact that the first house signifies what people show of their personality to the outside, aka their ‘looks’ and also their physical appearance. They forget that what you externalise in the house of the externalised ego is you, your ego. That’s you! Your ego is a very deep and important thing about you. For some people it’s a more important than for others of course. The way you dress, laugh, look and walk and look, that *is* a deep aspect about your personality. Like those things *are* personal. For some people like mars or venus dominant people it’s the ideal placement, because this is a fiery placement keeps people from being ~bored~ with who the other is, which often happens in a bad marriage. It’s why this aspect is called thee great aspect for marriage. It’s great!

Venus opposite saturn: does not pose as big of an issue if the people have either venus in 10th house or saturn in 7th house natally. There is more acceptance, understanding and ‘seeing things the other way’ that way. It can also manifest in the honeymoon stage just being enlonged and the problems showing up later.. with the ‘honeymoon stage’ in this aspect I mean that this bond feels pretty karmic and paternalistic and awesome in the beginning, in a way that feels super attractive, safe and interesting to the venus person who’s in awe of saturn, and super intense, fulfilling and a little anxiety inducing for the saturn person involved, who enjoys venus’s quirks and air for themselves so much that they become against it and will call them things like ‘childish’ as time goes on. This doesn’t happen if there’s good trust and communication in the relationship. Most often the ‘emotional pain’ that is seen as inevitable with some synastry aspects according to some people, are only inevitable for people who really don’t know how to deal with other people in relationships. You’ll be alright when you have some supporting aspects to this.

Mars-lilith: mars and lilith have a lot in common: they are independent, sexual, feisty and go after their own fleeting pleasures. Only mars isn’t a social pariah, stays on earth and lilith is so she’s up in the air like a bird. Lilith, as the outcast, is someone who wants to impress mars to prove something to herself. Mars is someone wants to dominate lilith, to prove something to himself and also to her. You can see they have a lot of natural (sexual) chemistry but they’re sh*t for the long term lol. Mars is still part of the ‘ordinary world’ and lilith is still traumatized by that world. In harsher aspects, the empathy towards each other will be non existent. The same can even go for sympathy between the two. Also, the ‘colour’ of this union will of course depend on the signs they are in.

Moon conjunct jupiter: Why does my pisces moon have immediate soulmate-like crushes on men born in 1962/63? Oh, that’s why. I’ve had it the other way around too and I’ve seen a lovely couple with this, but I feel like this definetely gets exalted in pisces. Jupiter ~loves~ the moon person. Moon person’s entire emotional/private self fuels and twinflames jupiter person’s entire inspirational and idealistic self. The moon person feels safe while still feeling inspired and adventarous with the jupiter person. Jupiter basically adores the moon, and even that gets expanded due to the expansive and almost indulgent nature of this aspect. The moon person wants to be with jupiter. They feel their emotional self inspired and exalted when they are with them and it can be for some (for me) a very rare feeling of being so comfortable and happily understood and inspired by the other. I’ve always found this one of the best relationship aspects you can have, for me at least it’s the best because with my scorpio sun pisces moon and sag rising, that optimistic jupiternan energy on my most vulnurable side is exactly what I’m looking for.

Mars conjunct chiron: the only sexual aspect that will make a man want to marry his female partner.

Sun/venus/mercury fifth house overlay: ever had that feeling of ‘ooh this person is going to be here, now this occasion is worth it/interesting/~a party~’ and you almost saw it as like a crush? Did it feel a little juvenile? That’s this one.

Mars fifth house or in that mix^: oh and you do have a crush on this person, highly likely. Are you going ‘oh my god, oh my god, it’s him/her’ when he arrives in like an almost funny and very juvinile way? That’s this one. Okay so now I’m taking a girl reading this as the norm, but for a guy that crush would happen with venus added in the fifth house. This/these overlay(s) cause butterflies and first love vibes for the house person, giggling like a teenager and thinking the planet person is soo cool and fun and attractive. The planet person releases their inhibitions around the house person and becomes leo-esque, like the party version or radio-edition of themselves.

Saturn conjunct an angle: weirdly enough, this aspect is not much talked about on the internet but I assume that is because people don’t have a lot to add to this one. I do. I believe this aspect can be extremely significant in reading a synastry chart romantically. So, to begin with I feel like this aspect, like a lot in synastry, plays out differently irl based on the genders of the people involved. What I’ve found is that saturn conjunct an angle in heterosexual relationships, where the guy is saturn and the angle person is a girl, the guy is easily bound to fall in love with the angle girl. This is because saturn imposes their mix of care, ownership, restriction responsibility, security, dedication, reality, commitment and karma on your angle which basically stands for a fundamental part slash pillar of your existence. Aka, this aspect is a patriarchal wet dream. The hero-instinct is immensly triggered here. This guy’s (who I also had a pretty large age gap with for our early twenties) saturn was tightly conjunct my IC, the most vulnerable angle, standing for my fourth house of the home and, using other astrologer’s phrasing, where ‘my soul is seated’. We were not together yet, but would unsolicited go “yeah, that’s important that you do that” and after some inquiring about anything “be careful that you don’t” blabla like it mattered to him. The vibe was very much like he could say “look, as your husband” and me reacting like “excuse me??” Same guy also had his saturn tightly conjunct my even younger friend’s ASC and it’s like he picked her to be like his little sister! even though they didn’t know each other that well. He would be very protective of her (although i think he could have done more, but that’s another story) and hype her up whenever she walked into a room, it was very cute. Conjuncting DSC I’d imagine it would play out like saturn worrying about the people DSC hangs out with and feeling a sense of dictatorship(?) over her social angle and who she’s seeking love from. Brooding protectiveness over the fact that DSC has been going out again with many guys who may not be up to good. Like I said, this aspect is the patriarchal wet dream. Conjuncting MC it would be exactly like jiwoo and sungmin from Age of Yourh. Making sure he’s right behind her in her goals at all times to protect her, almost like a cynical bodyguard, but somehow equal-ish partners that compliment each other. Back to saturn conjunct IC, the IC is the ingebakken way of managing things and the way you close your eyes for rest. Saturn conjuncting this part of you is like them barging into your house and giving you pills while you’re, like, there in your underwear. This angle aspect does create a deep kind of bond I’d guess. It’s still lunar! With the AC I think it’s the physical air and appearance that someone gives off that makes saturn think that they’re smol and need guidance. This is what I imagine a first impression would be like! Not getting into the relationship itself but like, you could guess. I’d say the ASC and MC conjunction will flourish as platonic and be doomed when it gets romantic and the DSC and IC conjunction will flourish as romantic and be doomed as platonic. In the right kind of relationship these conjunctions can be like ‘ahww’ and wholesome but in the wrong kind of relationship, these conjunctions could cause a major, and I can’t describe this any other way, ‘f*ck of!!!’ 😂

Moon trine mercury: I call this the best friend aspect because I’ve shared this aspect with every friend I could talk with for hours and enjoy it. Even if you don’t share the same kind of humor you can still laugh and communicate and basically enjoy each other’s brain ! I like this aspect in romantic relationships, too, because this aspect kills the potential awkward silence and it adds that green flag communication with e/o when official. This isn’t like the conjunction were the two bodies are so bang on alike that it becomes like a battle between the one person’s mind and the one person’s emotions. There is a harmonious distance that actually brings the people closer together and creates that intimacy. With the trine you constantly greatly appreciate what the other person adds to the table. This is communication that flows non-verbally as well, like through touches and looks.

Moon opposite mars: chrissttt, not to be vulgar but you both know you just want to.. do the deed together 💀 almost as if after 10 mins of talking you’ve already decided that in your head

Mars sextile moon/venus I feel like the energy that flows through the trine causes sexual arousal and through the sextile it causes a very wholesome emotional arousal. Great aspect no matter which gender.

Chiron conjunct sun: get ready to get your feelings hurt if you’re the chiron person! Well, the way this feels is actually: the sun person will just be hitting you where you’re vulnurable but most likely you’ll like it and feel almost soothed, even. I’ve had this both ways. It’s a great and genuine aspect to have.

[futbol-xxi]

Recopa de Europa - 3ra. Edición - 1962/63

https://josenicolascarluccio.blogspot.com/2023/07/recopa-de-europa-3ra-edicion-196263.html La formación del Tottenham Hotspur el día de la Final de la Recopa en 1963

[chicinsilk]

Jacques Heim Haute Couture Collection Fall/Winter 1962-63. Model in a lovely purple mineral wool suit with a high collar.

Jacques Heim Collection Haute Couture Automne/Hiver 1962-63. Mannequin dans un ravissant costume violet en laine minérale à col montant.

Photo Philippe Pottier

[nobrashfestivity]

John Cage, Photographs of Mushrooms, 1962-63

Scanned (imperfectly) from my copy of John Cage: A Mycological Foray: Variations on Mushrooms Variations on Mushrooms

[vcy81]

‫مواليد هذه السنين لطفا اقرأ المنشور لأنه واقعي.‬

‫1960 - 1961 - 1962 - 1963 - 1964‬

‫1965 - 1966 - 1967 - 1968 - 1969‬

‫1970 - 1971 - 1972 - 1973 - 1974‬

‫1975 - 1976 - 1977 - 1978 - 1979‬

‫1980 - 1981 - 1982 - 1983 - 1984 - 1985 - 1986 - - 1987 -1988‬1989

‫- اكبركم سناً عمره 63 وأصغركم سناً عمره 35

‫هل تدرون من نحن ؟‬

‫نحن جيل نشأنا و تربينا على ان هناك ساعه قيلوله للاب بعد الغداء... فلا يجرؤ أحد منا على الكلام بصوت عال بالبيت ..‬

‫وكان موعد التلفاز السادسة مساء ثم افلام الكارتون توم وجيري ....ثم المسلسل و الاخبار ومن بعدهم النوم الساعه العاشره كأقصى موعد للسهر ...‬

‫نحن جيل لم ينهار نفسيا من عصا المعلم .و لم يتأزم عاطفيا من ظروفه العائلية و لم يتربى مع المربيات عند السفر .‬

‫و لم تتعلق قلوبنا بغير أمهاتنا ...‬

‫نحن جيل لم ندخل مدارسنا بهواتفنا النقالة .‬

‫و لم نشكو من كثافة المناهج الدراسية ولا من حجم الحقائب المدرسية .و لا من كثرةالواجبات المنزلية .‬

‫نحن جيل لم يذاكر لنا والدينا دروسنا ولم يكتبوا لنا واجباتنا المدرسية و كنا ننجح بلا دروس خاصة في جميع المواد أو دورات التقوية وكانت الدروس فقط ل 3 مواد عربي إنجليزي رياضيات‬

‫و بلا وعود وحوافز من الأهل للتفوق و النجاح‬

‫نحن جيل الذين اجتهدنا في حل الكلمات المتقاطعة و في معرفة صاحب الصورة .. و في الخروج من طريق المتاهة الصحيح ..‬

‫نحن جيل كنا نحرك كفوفنا للطائرة بفرح ... و نٌحيي الكابتن بهيبة‬

‫نحن جيل كنا نلاحق بعضنا في الطرقات القديمة بأمـان‬

‫و لم نخشى مفاجآت الطريق...‬

‫و لم يعترض طريقنا لص و لامجرم و لاخائن وطن ...‬

‫نحن جيل كانت تفاصيل يومهم عفوية جدا‬

‫نحن جيل وقفنا في طابور الصباح بنظام ..‬

‫و أنشدنا السلام الوطني بكل طاقتنا‬

‫نحن جيل كنا ننام باكرا على سطوح المنازل...‬

‫و نتحدث كثيرا ...‬

‫و نتسامر كثيرا ...‬

‫و نضحك كثيرا...‬

‫و ننظر إلى السماء بفرح ...‬

‫نتحدث مع بعض ولا نتحدث عن بعض نحن جيل الذين كان للوالدين في داخلنا هيبة وللمعلم هيبة و للعشرة هيبة وكنا نحترم سابع جار .. و نتقاسم مع الصديق المصروف و الأسرار و اللقمة‬

‫أهداء لمن عاش تلك اللحظات الجميلة‬

‫والرحمة والمغفرة للجيل الذي ربانا...؟‬

‫من جيل عاش وترعرع على الرقى والاخلاق والادب.‬

‫رحم الله أياما كانت نقيه‬❤❤❤

‫

[retropopcult]

The Beach Boys, 1962

From left to right: Mike Love, Brian Wilson, Carl Wilson, Dennis Wilson, and early member David Marks. Marks was a neighbor of the Wilsons who sang and played guitar with the group from 1962-63. He appeared on the early releases, after the departure of Al Jardine. But Marks left after conflicts with Murry Wilson, the band’s first manager and Brian, Carl, and Dennis' father; the group ended up dismissing Murry as their manager in early 1964 due to his overbearing and disruptive presence at the group's recording sessions.

[sissylittlefeather]

Your Love's Been A Long Time Coming: Chapter 5

A/N: I'm sorry this took me so long. I've been dealing with a lot of writers block and I'm honestly not even sure this is any good. I have so much for Elvis and Viv that I want to get to. I hope people continue to read it. Or I'll just write it for me. But if you do read it, please please please leave a comment. I live for comments.

Need to catch up? Here is my masterlist.

Warnings: 18+ minors DNI, cussing, oral sex (m receiving), swallowing, teensy bit of angst

Word count: ~2.4k

Oh, Elvis, she thinks. Why won't you come and rescue me from myself?

******

In December of 1962, Elvis brings Priscilla over from Germany in an attempt to stop thinking about Vivian. He hosts a New Year's Eve party and invites everyone, including her. He's hoping that seeing Viv and Priscilla in the same room will help him realize that Viv is not what he's looking for. He's been thinking about it a lot and honestly, she's too independent anyway. She probably wouldn't make a good wife. Priscilla, on the other hand, is young enough to still be molded and she seems ready to do whatever he asks. Isn't that what a wife should be? He repeats it like a mantra: not Vivian. Not Vivian. Not Vivian.

At the party, Priscilla and Viv reconnect briefly. He forgot they had known each other in Germany. Elvis nods and smiles awkwardly and then she turns to move around the party, leaving him with Cilla by his side. For the most part, he's successful in staying focused on Cilla. He catches glimpses of Viv briefly as she walks through the crowd, always with a drink in her hand.

Finally, he finds himself next to her at the table with the food in the dining room with no one else around.

"You're really serious about this thing with Priscilla?" Viv asks with her eyebrows raised.

"Yeah. Why?"

"She's a teenager."

"She makes sense to me, Viv." Vivian shrugs and concedes.

"I can't argue with that. She's not very complicated, so I believe that she makes sense to you." Elvis turns to look at her suddenly. Is she jealous?

"That's not fair, Viv."

"Is it not? I'm sorry. I just think you need someone more like..." She stops short of what she was going to say. He has an idea of how that sentence would've ended, though. "It doesn't matter. You like simplicity."

Something between rage and frustration bubbles up inside him.

"Which one of my friends are you fucking tonight, Viv?" He immediately regrets saying it as her mouth pops open and her eyes get glassy. "I'm sorry-"

"No, that's fair. Maybe Red." She turns and walks away from him quickly.

"Viv!" He calls after her but she doesn't turn around. "Goddamnit."

"You okay?" Elvis hears Cilla and works to recover his facade, turning to face her.

"Oh yeah, it's nothing, baby." She smiles and he is filled with the desire to take the stairs two at a time and go to bed. Alone.

******

Vivian sits in the bathroom trying to compose herself after her conversation with Elvis. She's a joke to him. And this girl, this Priscilla, she's what he wants. She'll never be that. She wasn't that sweet and demure even when she was 17.

Someone knocks on the bathroom door and she wipes her tears, assessing her makeup in the mirror, and opens it. It's Red. But despite what she said earlier, she pushes past him and goes straight to the front door. She has no desire to see Elvis and Priscilla kiss at midnight.

******

Elvis and Vivian avoid each other as much as possible before the spring of '63 when they both pick up the film Fun in Acapulco. Viv still hasn't managed to land another speaking part, but her work as an extra keeps her paid enough to eat. And when it doesn't, Elvis makes sure she's taken care of.

Filming the same movie means being on set together and after their last encounter, it's pretty awkward. Still, when Elvis finds himself in a particular predicament, she's the only one he can find to help.

His least favorite part of this movie is the pair of tiny blue shorts they have him wearing in several scenes. They're a lot like the ones from Blue Hawaii, but for some reason these just won't come off, especially when they're wet.

That's how Elvis finds himself in this situation. He has to go the bathroom. Badly. But they're in the middle of filming. Once the director finally calls cut, he's absolutely ready to burst. He makes his way to his trailer, frantically trying to figure out how to get his shorts off. Thats when he sees Vivian.

"Viv!" She stops dead in her tracks, recognizing his voice. She turns to him.

"What, Elvis?"

"I need your help." His desperation is palpable.

"With what?"

"Just come with me, please." He grabs her hand and practically drags her to his trailer. Once inside, he shuts the door and turns to her. "I have to pee so bad I might die."

"Okay? What does that have to-"

"I can't get these fucking shorts off, Viv."

"Oh, shit."

"I'm going to piss myself."

"Well, they're already wet." He looks at her with panic on his face.

"Are you gonna help me or not?!" She tries to focus and make sure she doesn't laugh.

"Yes, come here." She tries to tug on the shorts, but they don't budge.

"What if I kinda lift them off of me before you pull."

"Yeah, let's try that." Vivian gets on her knees in front of him to pull when he says to. He looks down at her on her knees in front of him and looks at the ceiling. He whispers to himself.

"Don't get hard. Don't get hard. Don't get hard."

"What's that?" Viv asks.

"Oh! Nothing." He takes a deep breath and tries to focus on what's happening.

"Okay, I'm gonna count to three. You lift them and I'll pull down. 1... 2... 3!" She gives his shorts a firm tug and they come down to his thighs. What neither of them realized about their plan is that pulling the shorts down means his dick is going to be right in her face.

"Oh, God, I'm sorry." She tries to look away, but he whimpers, trying really hard not to pee on her. Finally, she gets the shorts down his legs and off and he runs into the bathroom. She sits in the living area with his shorts in her hand, laughing quietly.

He opens the door a little and hollers to her.

"Toss me the shorts. I think I can get them back on." But he can't. After about 12 minutes of struggling, he comes out with them stuck on his thighs, his hands covering himself. "Can you...?"

"Yes, I will. Come here." He waddles over to her with his hand still covering himself. He goes back to praying his body won't respond to the image of Vivian on her knees in front of him. He's doing okay, until she gets the shorts up higher and she puts her hand on him gently to try to stuff him into the shorts. He whimpers at her touch and becomes noticeably hard.

"God, I'm sorry..."

"It's okay; it happens, Elvis." She keeps trying to pull the shorts up despite his massive rock-hard erection.

Just then, there's a sharp knock on the door.

"Elvis, we need you back on set. Now." It's the director.

"Uh, just a second?"

"We don't have any more seconds. Wrap up what you're doing and come out. Now." They can tell by the director's tone that he assumes Elvis must be in there having sex with someone. Elvis is annoyed. That would be a much better excuse than what's actually happening.

He looks at Vivian frantically, his dick still standing at full attention with her on her knees trying to tuck it into the shorts. She whispers.

"It's not gonna fit like this. Can you... fix it?"

"Make it go away, you mean? I don't really have time to use my hand. And I can't think it away. That never works for me." It does work sometimes, but he knows it won't with the image of Viv on her knees.

"That settles it, then."

"Settles wh- OH MY GOD VIVIAN." Elvis falls backwards and braces himself as Vivian wraps her mouth around his cock and starts moving. "What the fuck are you doing?!"

He moans softly as she pulls off of him to explain.

"You need this gone. This'll work and it'll be faster than your hand. You want me to stop?" She looks up at him with his dick in her hand.

"No..."

"This is purely functional." She pulls him deep into her throat and sucks on him. His eyes roll back with the sensation of her warm little mouth on him. He's dreamed of this for so long, but the reality is better than he ever could've imagined. Her mouth moves skillfully up and down, complemented by her hand moving his foreskin back and forth. She licks a circle around the head and then deep throats him again. He grunts as his orgasm begins to build and he knows he won't last much longer.

The director pounds on the door again and hollers something, but Elvis is incapable of listening. Viv is working him with her mouth and hand, pulling out all her tricks to get him off as quickly as possible.

"Oh, god, Viv... that's so good..." He moans as she gets him closer and closer to the edge. He's gripping the counter behind him so tightly that his knuckles are white. She pulls back off of him and looks up at him with her big blue eyes, licking the precum off the tip of him.

"Let go, baby. You have to cum. Now." Something about her telling him what to do pushes him the last little bit and he tumbles into a mind-blowing orgasm, shooting his release down her throat. She swallows it easily, sucking until he relaxes, and then stops.

"Holy fuck, Viv..."

"Ah ha!" She cheers as she's finally able to get his shorts up and tuck his package into the front. Standing up, he looks into her eyes and wants to kiss her so badly. Still, despite what just happened, he's not sure he can.

"We're gonna talk about this later."

"Okay."

Just as the director is about to knock again, Elvis opens the door and walks out.

"What? I had to go to the bathroom."

******

Viv waits about ten minutes and then makes her way back to where she's supposed to be filming, in shock over what just happened. And now he wants to talk about it? What is there to say?

******

Elvis doesn't see Vivian again until the summer after the shorts incident. He can't decide if she's purposefully avoiding him or just busy, but she stays away. Part of him wonders if she's avoiding the conversation they were supposed to have after the blowjob. It never happened.

In July, Elvis is in Memphis just before he leaves for California to meet his costars and start filming his next movie. He comes across Vivian on Beale street.

"Viv!" When she sees him, she looks for an escape and doesn't see one, so she waits for him to catch up to where she is. "Where the hell have you been?"

"I've just been really busy."

"Look, I really need to talk to you. I'm leaving for California at 3. Will you come with me to Graceland? Please?" She looks around again for an exit and then looks back at him.

"Yeah."

"Good!" He grabs her hand and practically drags her to his car. They make small talk about what they've both been doing for the whole drive. Once they get to Graceland, Elvis settles them into the tv room.

"Are we ever going to talk about the head you gave me?" Viv shifts in her seat, obviously uncomfortable.

"What is there to say, Elvis? I sucked your dick to get it back in your shorts. That's it."

"That's it?!" He thinks back to the incredible orgasm he had at her doing. He wouldn't mind it happening again.

"Yeah? That's it." All of a sudden, something else bubbles up inside him and he stands up.

"VIVIAN WHAT THE FUCK IS WRONG WITH YOU?!"

"Wrong with me?!"

"Do I really mean so little to you that you can suck my cock and have absolutely no feelings about it?!"

"It was just to-"

"Get my shorts on. I know. Why am I just a sex object to you? Something to play with when you've been drinking?"

"What?" He's not talking about the blowjob anymore.

"Why do I mean nothing to you?"

"Elvis... I-"

"Why can't you see how much I-"

"Will you let me finish?!" He sits back down on the couch seething. "You don't mean nothing to me. You mean too much to me."

"Too much? What does that mean?" Vivian rolls her eyes and he's somewhere between wanting to slap her and wanting to kiss her.

"Elvis. Do you remember what I told you when you got in the fight with Joe?"

"Which part?"

"The part about how if I let myself, I could fall in love with you?" His heart pounds wildly in his chest.

"Yeah?"

"I've wanted you since the moment I met you. And not just for sex. Sex is like... I don't even know what it means for me but it's not love and you... I..." His stomach turns over and he's overcome with a need to take her in his arms and show her what love can be. Is she finally admitting what he's felt for all these years?

"Viv." He whispers it and cups her cheek in his hand. She leans into his touch. Just then, there's a knock on the door. Elvis curses loudly and then gets up to answer it. It's the Colonel.

"My boy, we need to head to the airport. You need to be in California soon." Elvis nods and then turns to Vivian, who has followed him up to the foyer. He tucks a stray piece of hair behind her ear.

"We will finish this when I get back, okay?"

She nods.

But he doesn't come back. Not this version of him anyway. The costar he goes to California to meet is a woman named Ann Margaret. And when he meets her, Vivian and all her complications become a distant memory.

But Priscilla? Priscilla won't go down so easily. She moved to the United States to marry him and she won't be deterred by the small matter of him being in love with another woman.

Elvis is trapped between three women and Vivian? She's the quietest of the three with what she assumes is the smallest claim on his heart.

She fades into the background easily, watching the feud that happens between Ann Margaret and Priscilla, her love for him never diminishing, but they never finish the conversation that they started.

******

Until next time!

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