#30 december 2020

[bunnyb34r]

So fucking sore and tired lately 😔 mom was like "maybe you should go back to the dr" (didn't specify which but I think she meant the pain management guy) and it's like they always tell me that that's my normal now. Then I tell them it's WORSE than normal, and they tell me oh it's just a flare up. Or "well then THIS is your normal now" or the favorite "you need exercise. What's your diet like?"

I mean I'm sure if I had the energy to actually cook and had an appetite, I'd feel at least a LITTLE better. But need energy to cook and eat better and need to eat better to get energy so it ends up being a null like nope. Then with exercise it's like yeah I'd probably feel a LITTLE better, but I'd need to stop being completely drained from my 20hr a week retail job first. Like I come home and I CRASH lately. And I'm VERY active at my job, hauling around heavy boxes (people up at front end do not believe me when I say how heavy these boxes are. Like 50lbs is the usual, it's a thrill when they're feather light 😭 but that's usually only the baby dresses). I'm running back and forth to get signs, constantly moving stuff from the floor to the table then back sometimes, recovering and zoning as quick as I can bc I'm the only one that stocks that area. All on my feet for 3.5 straight hours (then a 15min break and 15 min of trash compacting). Not to mention when I have to work in grocery/the baby aisle and I'm hauling diaper boxes, baby wipes, heavy ass detergent, and 25 lbs+ boxes of food. Like I'm GETTING exercise, I'm only sedentary at home bc I HAVE to be. I'd love to be able to go to the pool and swim, go for a walk, or lift weights after work, but I CAN'T.

It sucks man. I'm also so over holistic treatments, I've tried so many to no avail over the years. Like just give me meds man 😩🤲 please... what's one or two more a day with all the rest I'm on...

[mermaidinthecity]

fefedobson: @ spideysmith is definitely one of the most talented photographers I’ve ever worked with. We did this shoot right before the pandemic… @ _dena_marie drove all the way from Alabama super last minute to dye my hair blue and stuck the day out with me💙 .. @ livetruevintage pulled the most rad, amazing pieces! I love y’all!🤍… And @ thedivemotel - you’re the perfect kinda dive.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things ��too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[hobisexually]

x

[reasonsforhope]

"The Seychelles has become a major tourist destination for beachgoing and scuba diving, but it’s not only humans that are beginning to flock to this island.

In what marine biologists have described as a “phenomenal finding,” a survey of whales around the territorial waters of this archipelagic nation revealed the presence of blue whales—over a dozen.

It’s the first time they’ve been seen in these warm seas since 1966, and it’s a wonderful milestone in a long and increasingly successful recovery for the world’s largest animal.

The Seychelles are located in the Indian Ocean off the east coast of Africa, and they were historically a stopover point for Soviet whalers en route to Antarctica. The years 1963 to 1966 were particularly difficult for whales here, and many were taken before the International Convention on the Regulation of Whaling put an end to the practice of hunting baleen whales in 1973.

Since 1966, no dedicated investigation of whales in the Seychelles had been made until 2020, when a partnership of four universities conducted an acoustic survey over the period of two years.

They made five different sightings of groups of up to 10 animals.

“This was a phenomenal finding,” Jeremy Kiszka, a co-author of the paper from Florida International University, wrote in The Conversation. “We were prepared to not see any blue whales due to the high level of hunting that occurred fairly recently and absolutely no information was available since the last blue whale was killed in the region in 1964.” ...

The team behind the survey sent images taken of the whales’ dorsal sides to a database to see if any of them had been recorded before, and amid the reel, not a single one was a match with any other photographed whale.

This, the team suggests, means they have probably never been seen before, which for a species that big might seem strange, but along with there being only 5,000 to 15,000 on Earth, they migrate vast distances while diving deep, making recording their movements incredibly challenging.

The survey identified 23 whale species in total using hydroponic mics over 2 years with peak activity coming between December and April. This is a fascinating finding that suggests something about the seas around the Seychelles makes for excellent whale habitat."

-via Good News Network, April 30, 2024

[nasa]

A Geminid meteor streaks across the sky as the Soyuz TMA-19M spacecraft is rolled out by train to the launch pad at the Baikonur Cosmodrome on Sunday, Dec. 13, 2015, in Kazakhstan. Credit: NASA/Joel Kowsky

Make a Wish! How to See the Geminid Meteor Shower

Every December, we have a chance to see one of our favorite meteor showers – the Geminids. To help you prepare, we’ve answered some of your most commonly asked questions. Happy viewing, stargazers!

These radar images of near-Earth object 3200 Phaethon were generated by astronomers at the National Science Foundation's Arecibo Observatory on Dec. 17, 2017. Observations of Phaethon were conducted at Arecibo from Dec. 15 through 19, 2017. At time of closest approach on Dec. 16 at 3 p.m. PST (6 p.m. EST, 2300 UTC), the asteroid was about 6.4 million miles (10.3 million kilometers) away, or about 27 times the distance from Earth to the Moon. Credit: Arecibo Observatory/NASA/NSF

What are the Geminids?

The Geminids are caused by debris from a celestial object known as 3200 Phaethon striking Earth’s atmosphere. Phaethon’s origin is the subject of some debate. Some astronomers consider it to be an extinct comet, based on observations showing some small amount of material leaving its surface. Others argue that it has to be an asteroid because of its orbit and its similarity to the main-belt asteroid Pallas.

All meteors appear to come from the same place in the sky, which is called the radiant. The Geminids appear to radiate from a point in the constellation Gemini, hence the name “Geminids.” The graphic shows the radiants of 388 meteors with speeds of 35 km/s observed by the NASA Fireball Network in December 2020. All the radiants are in Gemini, which means they belong to the Geminid shower. Credit: NASA

Why are they called the Geminids?

All meteors associated with a shower have similar orbits, and they all appear to come from the same place in the sky, which is called the radiant. The Geminids appear to radiate from a point in the constellation Gemini, hence the name “Geminids.”

A Geminid streaks across the sky in this photo from December 2019. Credit: NASA

When is the best time to view them?

The Geminid meteor shower is active for much of December, but the peak will occur during the night of Dec. 13 into the morning of Dec. 14, 2023. Meteor rates in rural areas can be upwards of one per minute this year with minimal moonlight to interfere.

What do I need to see them?

As with all meteor showers, all you need is a clear sky, darkness, a bit of patience, and perhaps warm outerwear and blankets for this one. You don’t need to look in any particular direction, as meteors can generally be seen all over the sky. If you want to take photographs, check out these helpful tips.

An infographic based on 2019’s meteor camera data for the Geminids. Credit: NASA

Do you have any advice to help me see the Geminids better?

Find the darkest place you can and give your eyes about 30 minutes to adapt to the dark. Avoid looking at your cell phone, as it will disrupt your night vision. Lie flat on your back and look straight up, taking in as much sky as possible.

A Geminid streaks across the sky in this photo from December 2011. Credit: NASA

What will the meteors look like?

According to Bill Cooke, lead for the Meteoroid Environment Office at NASA’s Marshall Space Flight Center in Huntsville, Alabama, “Most meteors appear to be colorless or white, however the Geminids appear with a greenish hue. They’re pretty meteors!” Depending on the meteor’s chemical composition, the meteor will emit different colors when burned in the Earth’s atmosphere. Oxygen, magnesium, and nickel usually produce green.

Make sure to follow us on Tumblr for your regular dose of space!

[dontmean2bepoliticalbut]

On 7/31/2019 Trump has a private meeting with Putin. On 8/3/2019, just 3 days after his private meeting with Putin Trump issues a request for a list of top US spies. By 2021 the CIA reports an unusually high number of their agents are being captured and/or being murdered. During the search executed at Mar A Lago the FBI find nore documents with lists of U.S. informants on them.

A Timeline

• FBI wiretapped Russian gambling ring headquartered at Trump Tower for two years - March 21, 2017

• Trump revealed highly classified information to Russian foreign minister and ambassador - May 15, 2017

• Trump, Putin Meet For 2 Hours In Helsinki - July 16, 2018

• Rand Paul Goes To Russia And Delivers Letter For Trump, Marking Our Era Of Irony - August 9, 2018

• Following the Money: Trump and Russia-Linked Transactions From the Campaign to the Presidential Inauguration - December 17, 2018

• The US extracted a top spy from Russia after Trump revealed classified information to the Russians in an Oval Office meeting - September 10, 2019

• Trump’s Loose Lips Force US to Extract Spy From Kremlin - September 10, 2019

• Was Mar-a-Lago Trespasser a Tourist or a Spy? A Judge Said Her Story Didn’t Hold Up. - November 25, 2019

• Trump downplays massive cyber hack on government after Pompeo links attack to Russia - December 19, 2020

• Russia has been cultivating Trump as an asset for 40 years, former KGB spy says - January 29, 2021

• There was Trump-Russia collusion — and Trump pardoned the colluder - April 17, 2021

• Longtime GOP operatives charged with funneling Russian national’s money to Trump, RNC - September 20, 2021

• Captured, Killed or Compromised: C.I.A. Admits to Losing Dozens of Informants - October 5, 2021

• Files Seized From Trump Are Part of Espionage Act Inquiry - August 12, 2022

• Ex-Clinton aide implies 'President of France' file found at Trump's home during Mar-a-Lago raid could be valuable to Putin as 'kompromat' - August 13, 2022

• Inventing Anna: The tale of a fake heiress, Mar-a-Lago, and an FBI investigation - August 22, 2022

• Russians used a US firm to funnel funds to GOP in 2018. Dems say the FEC let them get away with it - October 30, 2022

• Trump makes shocking comments about trusting Putin over US 'intelligence lowlifes' - January 31, 2023

• Russia's Prigozhin admits links to what US says was election meddling troll farm - February 14, 2023

• GOP operative sentenced to 18 months for funneling Russian money to Trump- February 17, 2023

• Trump allegedly discussed US nuclear subs with foreign national after leaving White House: Sources - October 5, 2023

• 'So appalled': What witnesses told special counsel about Trump's handling of classified info while still president - April 24, 2024

🤔🤔🤔

[multifandomgirl08]

Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 63,217 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [November 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [July 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [October 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 15, 2024]

Nico starts karting. It opens a small can of worms.

4.5 The Engagement - [August 15 - 16, 2024]

He moved his hand over yours, moving the engagement ring that he placed on your finger, side to side.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

5.5 Time to Move? - [August 25, September 15, 2024]

When Max had brought up moving, it was because the lease on his apartment was going to be up at the end of the year. Maybe it was time to find a new place for all of you.

6. Race Day - [October 20, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request (The Morning After)

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 7, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 21 & 31, 2026]

10. Redline - [May 25, 2027]

"I'm sorry, mijn leeuwin. I know you were excited to announce it to everyone."

10.5. Mommy and Me - [May 31 - June 6, 2027] Request

Late one evening after dinner Y/N brought up the idea to Max for her to take Nico out for the day.

11. X3 - [July 8-9, 2027]

“Hallo, kleine welp,” Max said.

11.5. She's Not Acid Nor Alkaline - [December 2027]

Max and Reader have a night away from the kids in Santorini for the 2027 FIA Prize Giving Gala.

SMAU #5. Welcoming Another Verstappen - [2027]

12. Hey, Little Sister - [March 27 - November 20, 2028]

SMAU #6. - [2028]

13. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

14. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

15. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

𝐸 𝒳 𝒯 𝑅 𝒜 𝒮

Pinterest Board

Playlist

Paring Evolution

Timeline

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[sabrinasource]

SABRINA CARPENTER via Twitter (December 30, 2020)

[warningsine]

The Russian opposition leader Alexei Navalny has died in jail, the country’s prison service has said, in what is likely to be seen as a political assassination attributable to Vladimir Putin.

Navalny, 47, one of Putin’s most visible and persistent critics, was being held in a jail about 40 miles north of the Arctic Circle where he had been sentenced to 19 years under a “special regime”. In a video from the prison in January, he had appeared gaunt with his head shaved.

The Kremlin said it had no information on the cause of death.

In early December he had disappeared from a prison in the Vladimir region, where he was serving a 30-year sentence on extremism and fraud charges that he had called political retribution for leading the anti-Kremlin opposition of the 2010s. He did not expect to be released during Putin’s lifetime.

A former nationalist politician, Navalny helped foment the 2011-12 protests in Russia by campaigning against election fraud and government corruption, investigating Putin’s inner circle and sharing the findings in slick videos that garnered hundreds of millions of views.

The high-water mark in his political career came in 2013, when he won 27% of the vote in a Moscow mayoral contest that few believed was free or fair. He remained a thorn in the side of the Kremlin for years, identifying a palace built on the Black Sea for Putin’s personal use, mansions and yachts used by the ex-president Dmitry Medvedev, and a sex worker who linked a top foreign policy official with a well-known oligarch.

In 2020, Navalny fell into a coma after a suspected poisoning using novichok by Russia’s FSB security service and was evacuated to Germany for treatment. He recovered and returned to Russia in January 2021, where he was arrested on a parole violation charge and sentenced to his first of several jail terms that would total more than 30 years behind bars.

Putin has recently launched a presidential campaign for his fifth term in office. He is already the longest-serving Russian leader since Joseph Stalin and could surpass him if he runs again for office in 2030, a possibility since he had the constitutional rules on term limits rewritten in 2020.

[lookingforhappy]

Noticed that Elliott has the arrival dates of Luther (3rd event), April 10th 1962, and Allison (2nd event), June 29th 1961, pinned to his wall, and figured I might as well try and calculate how old everyone is..

(Elliott's date for Diego is wrong, placing him at Sep 17th, when he arrived on Sep 1st.)

These are not perfect dates but they should be fairly close? and I'm not very good at maths so please correct me!

Hargreeves' ages in age order:

Five

Disappears at 13 yr, 1 mo, and 9 days old.

His new birthday in the apocalypse is now: 22nd February

+ 45 years in the apocalypse + an unknown amount of time in the commission makes him at least 58 yr, 1 mo, and 9 days old at the start of s1.

+ 8 days in s1 makes him at least 58 yr, 1 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes him at least 58 yr, 1 mo, and 25 days old at the start of s3.

+ 7 days in s3 makes him at least 58 yr, 2 mo, and 2 days old at the end of s3.

From s1 - s3 he has aged 23 days.

Using this estimate (his minimum age) Five's new birthday in the reset universe might be: 5th February

Klaus

Travels to Vietnam at 29 yr, 5 mo, and 26 days old.

(Klaus leaves Vietnam on February 21st, supposedly arriving in Vietnam on April 21st) His new birthday in Vietnam is now: 25th October

+ 10 months in Vietnam makes him 30 yr, 3 mo, and 26 days old when he returns to March 28th 2019.

+ 3 days to finish s1 makes him 30 yr, 3 mo, 29 days old at the end of s1.

(Klaus arrives in Dallas on February 11th) His new birthday in Dallas is now: 12th October

+3 yr, 9 mo, and 4 days in the 60s makes him 34 yrs, 1 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 34 yrs, 1 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 34 yrs, 1 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th February

Allison

Allison is 29 yr, 6 mo old at the end of s1.

(She arrives in Dallas on June 29th) Her new birthday in Dallas is now: 29th December

+ 2 yr, 4 mo, 17 days in the 60s makes her 31 yr, 10 mo, and 17 days old at the start of s2.

+ 8 days in s2 makes her 31 yr, 10 mo, 25 days old at the start of s3.

+ 7 days in s3 makes her 31 yr, 11 mo, 2 days old at the end of s3.

Her new birthday in the reset universe is now: 6th May

Luther

Luther is 29 yr, 6 mo old at the end of s1.

(He arrives in Dallas on April 10th) His new birthday in Dallas is now: 10th October

+ 1 yr, 7 mo, 5 days in the 60s makes him 31 yr, 1 mo, 5 days old at the start of s2.

+ 8 days in s2 makes him 31 yr, 1 mo, 13 days old at the start of s3.

+ 7 days in s3 makes him 31 yr, 1 mo, 20 days old at the end of s3.

His new birthday in the reset universe is now: 18th February

Diego

Diego is 29 yr, 6 mo old at the end of s1.

+ 2 mo, 14 days in the 60s (2 mo, 5 days in the asylum) makes him 29 yr, 8 mo, 14 days old at the beginning of s2.

+ 8 days in s2 makes him 29 yr, 8 mo, 22 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 8 mo, 29 days old at the end of s3.

His new birthday in the reset universe is now: 9th July

Viktor

Viktor is 29 yr, 6 mo old at the end of s1.

+ 1 mo, 3 days in the 60s makes him 29 yr, 7 mo, 3 days old at the start of s2.

+ 8 days in s2 makes him 29 yr, 7 mo, 11 days old at the start of s3.

+ 7 days in s3 makes him 29 yr, 7 mo, 18 days old at the end of s3.

His new birthday in the reset universe is now: 20th August

Lila

her age is completely unknown. we can guess she's around the same age as the umbrellas but otherwise she's a mystery.

Ritu Arya, her actress, was 32 in 2020 when s2 was released so that's as close to canon as we know right now, (except, the majority of the cast are older than their on screen counterparts, except for David who was actually born in 1989 and Aidan in s1 as he was 13 when he was cast).

The only other information we have on her age is that she was orphaned and kidnapped at 4. and that she spent 3 months in Berlin between s2 and s3.

Sparrows

All of the Sparrows are 29 yrs, 6 mo, 1 day old at the start of s3:

Marcus dies at 29 yrs, 6 mo, 1 day old.

Jayme and Alphonso die at 29 yrs, 6 mo, 3 days old.

Fei and Chris die at 29 yrs, 6 mo, 6 days old.

Sloane goes missing at 29 yrs, 6 mo, 7 days old.

Sparrow Ben enters the reset universe at 29 yrs, 6 mo, 7 days old.

Ben and Sloane's birthday's remain as October 1st

i think? please do correct me if im wrong!

tua s4 speculation under the cut

if s4 is 6 years on then the ages we have are:

Five is 64 in a 19yro body

Klaus is 40

Allison is 38

Luther is 37

Diego is 36

Viktor is 36

Ben is 36

Lila and Diego's kid is probably turning 6 yro.

Claire could be anywhere between 17 and 13 since she seems to be a teenager?

[covid-safer-hotties]

“You may now become who you thought was disposable”: COVID-19 Politics and Ableism - Published July 4, 2024

Unpaywalled link available in the link to our archive! A taste below!

“You may now become who you thought was disposable”: COVID-19 Politics and Ableism Andrea Kitta Journal of American Folklore, Volume 137, Number 545, Summer 2024, pp. 321-330 (Article) Published by American Folklore Society For additional information about this article muse.jhu.edu/article/931461[37.228.238.33] Project MUSE (2024-07-09 12:59 GMT) American Folklore Society

This essay critically examines the intersection of COVID-19, Long COVID, ableism, and health care disparities in the United States, emphasizing the transformative impact of COVID-19 as a mass disabling event with a disproportionate impact on marginalized communities. I also bring an autoethnographic lens to my experi- ence of COVID-19 and Long COVID, underscoring the importance of recognizing the diverse and often untellable experiences of individuals with disabilities and challenging the prevailing ableist perspectives embedded in society. I raise ethical considerations of storytelling in the context of Long COVID and urge researchers to embrace empathy and a more inclusive approach that challenges traditional notions of objectivity and distancing within academic research. I call for a collaborative approach between disability studies and folklore studies, encouraging scholars to interrogate and explore the traditions shaped by experiences of disability.

On December 13, 2020, disability advocate Imani Barbarin created a TikTok where she stated in the caption: “COVID is a mass disabling event. Things will never be the same. Never. You may now become who you thought was disposable” (Barbarin 2020). Barbarin was not overstating what is happening in the United States. In addition to the overwhelming number of US-based COVID-19 deaths (1.07 million as of November 1, 2022, according to the New York Times COVID-19 Tracker [New York Times 2023]), there is also an alarming number of cases of post-acute sequelae SARS-CoV-2 infection (PASC) or, as it’s more commonly known, Long COVID. Long COVID happens in anywhere from 5 percent to 50 percent of COVID-19 infections (although most medical experts agree the rate of Long COVID is somewhere around 20–30 percent of all infections). Long COVID affects women at a 22 percent higher rate than men (Sylvester et al. 2022:1391), and one study of Long COVID listed over 200 symptoms (Davis et al. 2021). The most common symptoms are fatigue, shortness of breath, cough, chest pain, brain fog, sleep disturbances, depression, joint pain, and dysautonomia (a dysfunction of the autonomic nervous system that typically presents as the inability to control temperature, breathing issues, and other things the body normally controls automatically).

Current estimates of those affected by Long COVID in the United States are between twenty and forty million. COVID-19 has also been shown to reactivate other viruses (Gold et al. 2021; Chen et al. 2022; Su et al. 2022), and one current theory is that Long COVID is the result of the COVID-19 virus continually being reactivated in the body (Klein et al. 2022). The latest research out of Yale University shows that COVID-19 cases entail cellular changes to the B and T cells, lower levels of cortisol, and that the virus can reactivate other viruses (Su et al. 2022:891–2). A recent study with more than 154,068 participants showed that “in the post-acute phase of COVID-19, there was increased risk of an array of incident neurologic sequelae including ischemic and hemorrhagic stroke, cognition and memory disorders, peripheral nervous system disorders, episodic disorders (for example, migraine and seizures), extrapyramidal and movement disorders, men tal health disorders, musculoskeletal disorders, sensory disorders, Guillain–Barré syndrome, and encephalitis or encephalopathy” (Xu, Xie, and Al-Aly 2022:2406).

Both COVID-19 and Long COVID exposed inequities in the US health care system, with Black, Indigenous, and people of color (BIPOC) populations dying from COVID-19 at much higher rates than White people at the beginning of the pandemic. Compared to White people, Alaskan Indian or Alaskan Natives died at 2.1 times the rate, Black people at 1.7 times the rate, Hispanic or Latinx people at 1.8 the rate, and Asian Americans at 0.8 times the rate (CDC 2023). According to the Washington Post’s analysis of CDC’s statistics, the rate of White people dying from COVID-19 became equal to the rate of other groups beginning in October 2021, then (except for the Omicron wave) increased, primarily due to White people being unvaccinated. Strangely enough, the equalizing trend wasn’t because death rates dropped for BIPOC people, but rather was due to the rise of the White death rate. Tasleem Padamsee, Assistant Professor at The Ohio State University who researched vaccine use and who is a member of the Ohio Department of Health’s work group on health equity, stated: “Usually, when we say a health disparity is disappearing, what we mean is that . . . the worse-off group is getting better. . . . We don’t usually mean that the group that had a systematic advantage got worse” (quoted in Johnson and Keating 2022).

Additionally, at the time of this writing in Spring 2023, the pandemic has been declared as “over” despite the fact that around 400 people are still dying per day in the United States and that those dying tend to be people with disabilities and the elderly (New York Times 2023). It’s difficult to imagine a situation where 400 deaths a day are deemed acceptable, yet here we are. Many people are desperate to “get back to normal” and seem to care more about going maskless or dining indoors than they do about those who are dying of COVID-19. Those who are unvaccinated and unmasked also seem to not understand (or not care) that the longer they continue on that path, the longer the pandemic will take to dissipate. Simply put, the majority of people do not seem to care about people with disabilities, including those who are immunocompromised, and their increased health risks due to the pandemic.

People with disabilities are an unrecognized health disparity population, and they died at much higher rates during COVID-19 (Krahn, Walker, and Correa-de-Araujo 2015). The National Council on Disability found that 181,000 people with disabilities in long-term care facilities died from COVID-19 in the first year of the pandemic, making up one-third of COVID-19 deaths at that time (National Council of Disabilities 2021). The report is worth quoting at length.

In addition to disproportionate fatalities, key findings of the report include:

People with disabilities faced a high risk of being triaged out of COVID-19 treatment when hospital beds, supplies, and personnel were scarce; were denied the use of their personal ventilator devices after admission to a hospital; and at times, were denied the assistance of critical support persons during hospital stays. Informal and formal Crisis Standards of Care (CSC), pronouncements that guided the provision of scarce health care resources in surge situations, targeted people with certain disabilities for denial of care (National Council of Disabilities 2021).

Students with disabilities were denied necessary educational services and supports during the pandemic and have experienced disruption and regression in their behavioral and educational goals (National Council of Disabilities 2021).

The growing shortage of direct care workers in existence prior to the pandemic became worse during the pandemic. Many such workers, who are women of color earning less than a living wage and lacking health benefits, left their positions for fear of contracting and spreading the virus, leaving people with disabilities and their caregivers without aid and some at risk of losing their independence or being institutionalized (National Council of Disabilities 2021).

Deaf, Hard of Hearing, Deaf-Blind, and Blind persons faced a profound communication gulf as masks became commonplace, making lip-reading impossible and sign language harder (National Council of Disabilities 2021).

[girlactionfigure]

The @UN created an exhibit dedicated to all terror victims worldwide, without including a single Israeli victim of terrorist violence.

To highlight the blatant absurdity of the UN, here’s an incomplete list of terror attacks against Israelis, by decade:🧵 

2020s

1. April 7, 2022 Tel Aviv Shooting - Casualties: 3 people killed, 6 injured - Group Responsible: Palestinian Islamic Jihad

2. November 23, 2022 Jerusalem Bus Bombing - Casualties:2 people killed, 18 injured - Group Responsible: Hamas 

3. October 7, 2023 Massacre - Casualties: Over 1,200 people killed, thousands injured, and many taken hostage - Group Responsible: Hamas, along with several other Palestinian terror groups. 

2010s

5. March 11, 2011 Itamar Attack - Casualties: 5 members of the Fogel family killed (parents and 3 children) - Group Responsible: Two Palestinian attackers, later linked to the Popular Front for the Liberation of Palestine (PFLP)

6. March 23, 2011 Jerusalem Bus 74 Bombing: - Casualties: 1 person was killed, 30 injured. - Group Responsible: Hamas.

7. November 18, 2014 Har Nof Synagogue Massacre - Casualties: 6 Israeli and 1 Druze killed - Group Responsible: Two Palestinian attackers, praised by Hamas

8. June 8, 2016 Tel Aviv Sarona Market Shooting: - Casualties: 4 people were killed. - Group Responsible: ISIS. 

2000s (Second Intifada)

9. June 1, 2001 Dolphinarium Discotheque Bombing - Casualties: 21 people killed, over 100 injured - Group Responsible: Hamas

10. August 9, 2001 Sbarro Restaurant Bombing - Casualties: 15 people killed, over 130 injured - Group Responsible: Hamas

11. January 17, 2002 Bat Mitzvah Massacre: - Casualties: 6 people killed, 33 injured.  - Group Responsible: al-Aqsa Martyrs' Brigades.

12. March 2, 2002 Yeshivat Beit Yisrael Massacre: - Casualties: 11 people, including 7 children, killed. - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

13. March 9, 2002 Café Moment Bombing: - Casualties: 11 people killed. - Group Responsible: Izz ad-Din al-Qassam Brigades (Hamas).

14. March 27, 2002 Park Hotel Massacre - Casualties: 30 people killed, 140 injured - Group Responsible: Hamas

15. November 15, 2002 Hebron Shooting Attack - Casualties: 12 Israeli soldiers and security personnel killed - Group Responsible: Islamic Jihad

16. November 21, 2002 Kiryat Menachem Massacre: - Casualties: 11 people killed. - Group Responsible: Hamas.

17. January 5, 2003 Tel-Aviv Central Bus Station Massacre: - Casualties: 23 people killed, over 100 injured.  - Group Responsible: Fatah al-Aqsa Martyrs' Brigades.

18. March 5, 2003 Haifa Bus 37 Suicide Bombing: - Casualties: 17 people killed, with most victims being students from Haifa University. - Group Responsible: Hamas.

19. May 18, 2003 French Hill Suicide Bombings: - Casualties: 5 people killed - Group Responsible: Hamas - Event: A suicide bomber disguised as a religious Jew detonated on a bus. A second bomber prematurely detonated, only killing himself.

20. August 19, 2003 Shmuel HaNavi Bus Bombing: - Casualties: 24 people killed including 7 children, 130 people injured.  - Group Responsible: Hamas.

21. September 9, 2003 Tzrifin Bus Stop Attack and Café Hillel Bombing: - Casualties: 14 people killed - Responsible Group: Riyad-us Saliheen Brigade of Martyrs - Event: Two Palestinian suicide bombings occurred within hours of each other; one at a crowded bus stop near Tel Aviv, the other at a popular Jerusalem nightspot.

22. October 4, 2003 Maxim Restaurant Bombing: - Casualties: 21 people killed, over 60 injured.  - Group Responsible: Islamic Jihad.

23. December 25, 2003 Geha Interchange Bus Stop Bombing: - Casualties: 3 people killed - Responsible Group: Popular Front for the Liberation of Palestine (PFLP)

24. March 14, 2004 Ashdod Port Attack: - Casualties: 10 people killed, over 23 injured. - Responsible Group: Hamas and Farah.

25. August 31, 2004 Beersheba Bus Bombing: - Casualties: 16 people killed, over 100 injured - Responsible Group: Hamas.

26. February 24, 2005 Stage Club Bombing: - Casualties: 5 people killed, over 50 injured. - Responsible Group: Hamas. 

1980s - 1990s

27. 1987-1993 First Intifada - Casualties: Hundreds of Israelis, both civilians and soldiers, killed over 1,400 injured - Group Responsible: Various Palestinian groups including Hamas and Islamic Jihad

28. October 19, 1994 Dizengoff Street Bus Bombing - Casualties: 22 people killed, 50 injured - Group Responsible: Hamas

29. January 22, 1995 Beit Lid Suicide Bombings - Casualties: 21 Israeli soldiers and 1 civilian killed, over 60 injured - Group Responsible: Islamic Jihad

30. July 30, 1997 Mahane Yehuda Market Bombings - Casualties: 16 people killed, 178 injured - Group Responsible: Hamas 

1970s

31. May 22, 1970 Avivim School Bus Massacre: - Casualties: 12 people, with 9 victims being children. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

32. May 30, 1972 Lod Airport Massacre - Casualties: 26 people killed, 80 injured - Group Responsible: Japanese Red Army, in collaboration with the Popular Front for the Liberation of Palestine (PFLP)

33. September 5-6 1972 Munich Olympics Massacre - Casualties: 11 Israeli athletes and coaches killed - Group Responsible: Black September (Palestinian terrorist group)

34. April 11, 1974 Kiryat Shmona Massacre: - Casualties: 18 people killed with 8 victims being children, over 16 wounded. - Responsible Group: Popular Front for the Liberation of Palestine – General Command.

35. May 15, 1974 Ma'alot Massacre - Casualties: 31 people, including 22 schoolchildren, killed. - Group Responsible: Democratic Front for the Liberation of Palestine (DFLP)

36. July 4, 1975 Zion Square Massacre: - Casualties: 15 people killed, 77 wounded. - Responsible Group: Palestinian Liberation Organization (PLO).

37. March 11, 1978 Coastal Road Massacre - Casualties: 38 Israeli civilians killed, 71 injured - Group Responsible: Fatah (a faction of the Palestine Liberation Organization) 

1950s and 1960s

38. Fedayeen Raids (1950s): - Description: A series of cross-border attacks by Arab militants (Fedayeen) from neighboring countries, targeting Israeli civilians and military personnel. These raids included shootings, bombings, and infiltrations, leading to significant Israeli casualties.

38. March 17, 1954 Ma'ale Akrabim Massacre: - Casualties: 11 Israeli civilians killed - Description: A bus traveling from Eilat to Tel Aviv was ambushed by Palestinian militants who shot and killed most of the passengers.

39. November 23, 1964 Latrun Convoy Attack: - Casualties: 11 Israeli civilians killed - Description: A civilian convoy was ambushed by Palestinian militants near Latrun, resulting in multiple deaths.

End 🧵 

The Persian Jewess

@persianjewess

[acesandwords]

A while back I created two guides on how to use Tumblr, which can be found here [1][2].

This will be a beginner guide to the references and holidays of this hellsite.

References Dashcon(2013) - The Infamous Tumblr convention [1][2][3] Children's Hospital [1] Horse Plinko [1] Crab Rave - used for celebration [1][2] Do you love the color of the sky? [1] Bug Race - Polls got released [1] Vanilla Extract- userbase failed to make a cake [1] Mishapocalyspe (April 1st 2013) [1][2] Goncharov- A fake Mafia movie created by the users [1] Dracula daily [1] Queen Elizabeth [1] Origin of giftable crabs - April fools 2022, we had a crab button [1] I like your shoelaces- a way to find out who's on tumblr [1]

Holidays Cousin Oskar (Daylight Savings) [1] Ides of March (March 15) the stabbing of Caeser🗡️ [1][2][3] Tomorrow is Halloween, no it's March 28th [1] Neil Bangin' Out The Tunes (April 13) [1] It's Gonna Be May (April 30)- NSYNC Day [1][2] Hallowe'en IT'S JUNE (June) [1] 21st Night Of September (September 21) [1] It's October 3rd (October 3rd) [1][2] Halloween (October 31) - That's it, it's just the holiday all month Destiel-Putin-Election Day (November 5th)* It's December 10th! (December 10th)[1] Tomorrow is Halloween, IT'S CHRISTMAS EVE [1] Nobody smiles in February(February) [1]

*Nov. 5th was a wild day in 2020, we were waiting on the US election results, Destiel became canon, and there was a rumor that Putin was going to resign. The state of anxiety and joy was indescribable.

Please add more! There are so many and I know I didn't get them all.

[iww-gnv]

I’m straddling my road bike, carrying two boxes of Chinese dumplings in a paper tote. The DoorDash app tells me I need to sprint my payload across Manhattan – cutting across the Holland Tunnel’s on-ramp – in the next eight minutes. I’m trying out food delivery under New York City’s new minimum wage law on a frigid December afternoon. Before – I was a part-time delivery worker between 2018 and 2020 – an order like this would have paid just a few dollars, making it a frantic rush to finish and move on to the next one. Now the new rules guarantee delivery workers nearly $30 an hour of “trip time”. So I stop at red lights, yield to pedestrians, and though I end up arriving a couple minutes late, I feel surprisingly relaxed. My customer seems pleased, too. But the delivery bosses are already trying to reassert their dominance. Since the law took effect, delivery apps have made it harder for customers to tip. Previously, apps like DoorDash would ask customers to tip their couriers when placing orders, allowing workers to see the total amount before agreeing to take the job. Now, Uber and DoorDash have stopped prompting customers before checkout, and those that still choose to tip can only do so after the delivery has been made, through a button that can be difficult to find.

[thelibraryghost]

A Young Person's Guide to 18th-Century Western Fashion

unabridged version at blogspot

General info Cox, Abby. "I Wore 18th-Century Clothing *Every Day for 5 YEARS & This Is What I Learned (Corsets Aren't Bad!)." YouTube. May 10, 2020. Cullen, Oriole. “Eighteenth-Century European Dress.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2004. Glasscock, Jessica. "Eighteenth-Century Silhouette and Support." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2004. Accessories Banner, Bernadette. "Women's Pockets Weren't Always a Complete Disgrace | A Brief History: England, 15th c - 21st c." YouTube. April 10, 2021. Colonial Williamsburg. "#TradesTuesday: Men's Accessories." YouTube. June 13, 2021. Murden, Sarah. "The Georgian era fashion for straw hats." All Things Georgian. December 6, 2018. Cosmetics & hygiene Cox, Abby. "I Followed an 18th-Century Moisturizer & Sunscreen Recipe & it kinda worked??." YouTube. February 21, 2021. Cox, Abby. "We tried making *5* different 250 year old rouge (blush) recipes || [real] regencycore makeup." YouTube. August 29, 2021. JYF Museums. "Hygiene in the 18th Century | From the Farm to the Army." YouTube. August 21, 2021. Décor Heckscher, Morrison H. “American Rococo.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2003. Munger, Jeffrey. “French Porcelain in the Eighteenth Century.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2003. Formal wear SnappyDragon. "This dressing gown changed fashion forever : the feminist history of going out in loungewear." YouTube. April 15, 2022. Stowell, Lauren. "The Many Types of 18th Century Gowns." American Duchess. March 15, 2013. Zebrowska, Karolina. "Cottagecore Style Is Much Older Than You Think." YouTube. June 30, 2021. Hair care Cox, Abby. "I made 250-year-old Hair Products Using Original Recipes (and animal fat...)." YouTube. November 7, 2021. Cox, Abby. "I tried a 300-year-old hair care routine for a year & this is what I learned (it's awesome!)." YouTube. January 23, 2022. Cox, Abby. "What's the Deal with 18th Century Wigs? (and why Bridgerton really messed this up)." YouTube. June 1, 2023. Laundry Cox, Abby. "Making 300 Year Old SLIME for Laundry Day." YouTube. June 15, 2023. Townsends. "Historical Laundry Part 2: No Washing Machine, No Dryer, Hit It With A Stick?" YouTube. June 3, 2019. Outer- & working-wear JYF Museum. "Getting Dressed | Clothing for an 18th Century Middling Woman." YouTube. March 18, 2021. Major, Joanne. "The practicalities of wearing riding habits, and riding ‘en cavalier’." All Things Georgian. March 12, 2019. Rudolph, Nicole. "What did Pirates ACTUALLY Wear? Fashion at Sea in the 18th c & Our Flag Means Death Costumes." YouTube. May 8, 2022. Shoes Chin, Cynthia E. "Martha Washington's Shoes." George Washington's Mount Vernon. No date. Murden, Sarah. "18th-century shoes." All Things Georgian. December 15, 2015. Rudolph, Nicole. "Real 18th century Shoes? Historical Shoemaker Examines an Antique." YouTube. December 13, 2020. Textiles Cox, Abby. "18th Century Printed Cotton Do's & Don't's." American Duchess. December 23, 2019. Stowell, Lauren. "Fabrics for the 18th Century and Beyond." American Duchess. June 14, 2021. Townsends. "Oil Cloth - Waterproof Coverings for Your Campsite." YouTube. July 30, 2018. Undergarments Major, Joanne. "Quilted Petticoats: worn by all women and useful in more ways than one." All Things Georgian. November 20, 2018. Rudolph, Nicole. "Making 18th century Stays for the Ideal Body Shape : Historical Undergarments." YouTube. August 12, 2023. SnappyDragon. "RUMP ROAST : Ranking historical fashion's wildest fake butt pads." YouTube. October 27, 2023. Townsends. "Sewing Histories' Most Popular Garment - The Fabric Of History - Townsends." YouTube. September 3, 2022.