WHY DO WE FAST?
There are different kind of fasts. There are private fasts that you do privately: Matthew 6:16-18, “And whenever you are fasting, do not look gloomy and sour and dreary like the hypocrites, for they put on a dismal countenance, that their fasting may be apparent to and seen by men. Truly I say to you, they have their reward in full already. But when you fast, perfume your head…
I finally tried on my sweater! It fits perfectly around the chest so that's good. I'm still a little worried about the sleeves though. Like I adjusted the (arm?) circumference according to gauge so the girth is not the issue but since this is my first time knitting a garment I don't know how the armhole will behave. I don't even own any store-bought knit I can compare with it, or this would have been much easier. Currently the top portion of the...sleeve cap(?) sticks out a little (as the stitches are live) so hopefully that length will add to the armhole circumference (not exactly the armhole but you know what I mean.) Adding more stitches while picking up would be overkill at this point, right? Right??
5. No murder (OR TERRITORIAL GENOCIDE WHAT THE FUCK ANGEL)
6. No smuggling in of drugs. Not by sticking them up your ass. Or by hiding them in a pizza box. Or by slingshotting them to the roof. Or getting someone else to. Not at all.
7. No sexual rendezvous with outsiders in the hotel. No SHOWING sexual rendezvous with strangers to people of the hotel either.
8. Make sure the pig/future pets stay in the patron’s room. (This includes eggs!!)
9. No singing Limit singing to once twice per day
10. Stop flirting with the bartender Angel
11. Don’t call Husk “Husker” unless he allows it.
12. No harassing the staff at all. This includes asking who tops.
13. Don’t suggest anything sexual/romantic to Alastor unless you want your head cut off.
14. NO CUTTING OFF PEOPLE’S HEADS
15. NO EATING PEOPLE
16. NO MAKING CHARLIE CRY.
17. Don’t ask me to put my spear “inside you” Angel, what the fuck?
18. Don’t turn the interior of the hotel into a swamp?! Keep it contained in your room if you must!
19. No stabbing staff or residents. No matter how much they look like bugs! (OR IF THEYRE NAME IS ANGEL)
20. Don’t try and stab bugs if they’re within 10 feet of another demon.
21. Don’t call anyone a “bitch” OR TALK ABOUT HOW MY NAME SOUNDS LIKE “VAGINA”
22. Limit Niffty’s access to sharp objects.
23. NO DEALS ALASTOR
24. No drinking. Limit drinking at bar.
25. No mentioning the Stock Market Crash of 1929. For everyone’s benefit.
26. Don’t blow a hole in the wall.
27. Try to keep roast battles OUTSIDE the hotel. (Or stop picking fights?? Please Alastor I swear to God…)
28. No spying on the hotel for outside sources or putting technology that can be used against us.
29. No evil laughing in the middle of the night, what the fuck Alastor?
30. No building weapons/war machines.
31. No eggs! (Fine the eggs can stay.)
32. Someone please keep an eye on Niffty. (And the eggs.)
33. Stop touching people ANGEL.
34. Don’t make other people storm off HUSK.
35. Respect boundaries.
36a. If Angel looks like he’s about to pass out/cry don’t comment. Let him do his thing.
36b. Don’t try to talk to Angel if he’s on the phone with Valentino. Honestly don’t even mention his phone calls with Valentino.
37. Please don’t call Lucifer “Daddy”
38. Don’t turn into a 20 foot tall demon-eating creature unless absolutely necessary.
39. Don’t cause angry loan sharks to show up at the front door.
40. NO EXPLOSIONS!
41. Rule #2, “No fights” can be broken if the person you’re fighting is Valentino. Or Adam.
42. Don’t lie to your girlfriend or hide the fact you were secretly an angel.
43. DONT TALK ABOUT PEOPLE’S TITS (or lack of)
44. KNOCK BEFORE ENTERING A BEDROOM ESPECIALLY IF SOMEONE’S HAVING MAKEUP SEX
45. Don’t give people makeovers while they’re sleeping, ANGEL!
46. Don’t pretend to eat someone’s pet, ALASTOR
47. Don’t die.
48. I never want to hear the words “cum-plete” again.
49. STOP HAVING FIGHTS ACROSS THE BUILDING LUCIFER AND ALASTOR!!
50. If Charlie is passed out on the couch LET HER SLEEP
51. No making bombs in the hotel Cherri!
52. Stop breaking rules and then saying it’s “FOR SIR PENTIOUS!”
53. Angel don’t try to shoot someone if they break spaghetti.
54. Don’t break spaghetti. Or “ruin” Italian food. Whatever the fuck that means. This apparently includes pineapple on pizza.
55. Don’t mention Valentino unless Angel brings him up first.
56. Don’t comment on Angel and Husk’s flirting.
57. Only call Angel “Anthony” if things are serious (or if you’re Husk)
58. Don’t use any of the nicknames Husk and Angel use for each other. This includes but is not limited to: “Whiskers”, “Legs”, “Kitty”, “Webs”, “Tony”, “Love”, and “Baby.”
59. It’s better not to question whatever facts Husk gives about his past.
60. Family dinners at 6 pm unless you can’t make it due to prior obligation. Game nights after on Sundays.
61. No hunting people for sport and NO KNIFE MONOPOLY.
62. Don’t attach knives to a roomba so you can have a “boyfriend” Niffty.
63. Keep Niffty away from Roombas.
64. Alastor, treat people with decency. Really, it’s not that hard.
65. No making giant ducks that breathe fire to chase people around the hotel just because they call you short.
66. Therapy. Everyone.
67. DONT HAVE SEX ON THE BAR WHAT THE FUCK GUYS?!
68. If Valentino enters the property you have permission to stab him.
69. “Hell is forever” is bullshit. You guys aren’t. You can do this.
I watched James Somerton's final video, and all I got was this 6 page document
As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.
The TLDR (is this too long to be a TLDR?)
The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.
He makes a “haha this show is so weird right guys” joke 10 different times
He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good
He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”
He sees the sexual abuse as “not to be taken literally”
Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5
The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.
He says Dios gets his powers by “deflowering women”
He calls Akio, known child predator, a chaotic bisexual
Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom
His final point is that Utena was the real prince all along
There are no citations
Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.
Part 1: Intro
This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:
0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.
1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido
4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)
As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime
Part 2: Part 1
(At least I know I’m not funny, unlike James Somerton)
Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01
Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40
6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.
7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.
9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)
9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons
10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.
He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.
11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.
13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.
14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)
Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.
14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women
16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.
Part 3: Part 2
17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.
The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?
You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.
Part 4: Part 3
Here’s where the reading falls apart folks
At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.
This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical
This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.
I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.
24:36: Shiori slander, for those who care
After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.
28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)
This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase
And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.
Part 5: Part 4
Thank god this part is short. Much like Dios’ on-screen presence.
32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.
Just to be a pedant, this is pretty explicitly disproven in the show
Confusingly, both earlier and later he will address these two as the same character.
33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?
Part 6: Part 5
This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.
38:30 The part where he states that Dios gets his powers from deflowering women.
38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.
38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???
39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.
Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.
At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand
Part 7: Part 6
42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami
46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince
48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim
Part 8: Part 7
54:01: His concluding point is that Utena was the real prince all along.
In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.
As voted on by 503 novelists, nonfiction writers, poets, critics and other book lovers — with a little help from the staff of
The New York Times Book Review.
NYT Article.
*************
Q: How many of the 100 have you read?
Q: Which ones did you love/hate?
Q: What's missing?
Here's the full list.
100. Tree of Smoke, Denis Johnson
99. How to Be Both, Ali Smith
98. Bel Canto, Ann Patchett
97. Men We Reaped, Jesmyn Ward
96. Wayward Lives, Beautiful Experiments, Saidiya Hartman
95. Bring Up the Bodies, Hilary Mantel
94. On Beauty, Zadie Smith
93. Station Eleven, Emily St. John Mandel
92. The Days of Abandonment, Elena Ferrante
91. The Human Stain, Philip Roth
90. The Sympathizer, Viet Thanh Nguyen
89. The Return, Hisham Matar
88. The Collected Stories of Lydia Davis
87. Detransition, Baby, Torrey Peters
86. Frederick Douglass, David W. Blight
85. Pastoralia, George Saunders
84. The Emperor of All Maladies, Siddhartha Mukherjee
83. When We Cease to Understand the World, Benjamin Labutat
82. Hurricane Season, Fernanda Melchor
81. Pulphead, John Jeremiah Sullivan
80. The Story of the Lost Child, Elena Ferrante
79. A Manual for Cleaning Women, Lucia Berlin
78. Septology, Jon Fosse
77. An American Marriage, Tayari Jones
76. Tomorrow, and Tomorrow, and Tomorrow, Gabrielle Zevin
75. Exit West, Mohsin Hamid
74. Olive Kitteridge, Elizabeth Strout
73. The Passage of Power, Robert Caro
72. Secondhand Time, Svetlana Alexievich
71. The Copenhagen Trilogy, Tove Ditlevsen
70. All Aunt Hagar's Children, Edward P. Jones
69. The New Jim Crow, Michelle Alexander
68. The Friend, Sigrid Nunez
67. Far From the Tree, Andrew Solomon
66. We the Animals, Justin Torres
65. The Plot Against America, Philip Roth
64. The Great Believers, Rebecca Makkai
63. Veronica, Mary Gaitskill
62. 10:04, Ben Lerner
61. Demon Copperhead, Barbara Kingsolver
60. Heavy, Kiese Laymon
59. Middlesex, Jeffrey Eugenides
58. Stay True, Hua Hsu
57. Nickel and Dimed, Barbara Ehrenreich
56. The Flamethrowers, Rachel Kushner
55. The Looming Tower, Lawrence Wright
54. Tenth of December, George Saunders
53. Runaway, Alice Munro
52. Train Dreams, Denis Johnson
51. Life After Life, Kate Atkinson
50. Trust, Hernan Diaz
49. The Vegetarian, Han Kang
48. Persepolis, Marjane Satrapi
47. A Mercy, Toni Morrison
46. The Goldfinch, Donna Tartt
45. The Argonauts, Maggie Nelson
44. The Fifth Season, N.K. Jemisin
43. Postwar, Tony Judt
42. A Brief History of Seven Killings, Marlon James
41. Small Things Like These, Claire Keegan
40. H Is for Hawk, Helen Macdonald
39. A Visit from the Goon Squad, Jennifer Egan
38. The Savage Detectives, Roberto Balano
37. The Years, Annie Ernaux
36. Between the World and Me, Ta-Nehisi Coates
35. Fun Home, Alison Bechdel
34. Citizen, Claudia Rankine
33. Salvage the Bones, Jesmyn Ward
32. The Lines of Beauty, Alan Hollinghurst
31. White Teeth, Zadie Smith
30. Sing, Unburied, Sing, Jesmyn Ward
29. The Last Samurai, Helen DeWitt
28. Cloud Atlas, David Mitchell
27. Americanah, Chimamanda Ngozi Adichie
26. Atonement, Ian McEwan
25. Random Family, Adrian Nicole LeBlanc
24. The Overstory, Richard Powers
23. Hateship, Friendship, Courtship, Loveship, Marriage, Alice Munro
22. Behind the Beautiful Forevers, Katherine Boo
21. Evicted, Matthew Desmond
20. Erasure, Percival Everett
19. Say Nothing, Patrick Radden Keefe
18. Lincoln in the Bardo, George Saunders
17. The Sellout, Paul Beatty
16. The Amazing Adventures of Kavalier & Clay, Michael Chabon
15. Pachinko, Min Jin Lee
14. Outline, Rachel Cusk
13. The Road, Cormac McCarthy
12. The Year of Magical Thinking, Joan Didion
11. The Brief Wondrous Life of Oscar Wao, Junot Diaz
10. Gilead, Marilynne Robinson
9. Never Let Me Go, Kazuo Ishiguro
8. Austerlitz, W.G. Sebald
7. The Underground Railroad, Colson Whitehead
6. 2666, Roberto Bolano
5. The Corrections, Jonathan Franzen
4. The Known World, Edward P. Jones
3. Wolf Hall, Hilary Mantel
2. The Warmth of Other Suns, Isabel Wilkerson
1. My Brilliant Friend, Elena Ferrante
MY LETTERBOXD
Grade A
11. The Killer
12. Beau Is Afraid
13. Dream Scenario
14. Guardians of the Galaxy Vol. 3
15. Godzilla Minus One
16. American Fiction
17. They Cloned Tyrone
18. Evil Dead Rise
19. Eileen
20. The Artifice Girl
21. Teenage Mutant Ninja Turtles: Mutant Mayhem
22. Talk to Me
23. Reality
24. Leave the World Behind
25. A Thousand and One
26. Mission: Impossible – Dead Reckoning Part One
27. Are You There God? It’s Me, Margaret.
28. Theater Camp
29. Carmen
30. Merry Little Batman
31. Priscilla
32. Society of the Snow
33. Infinity Pool
34. Enys Men
35. Sanctuary
36. Rye Lane
37. Skinamarink
38. Monster
39. Anatomy of a Fall
40. Landscape with Invisible Hand
41. Reptile
42. Sisu
43. Pinball: The Man Who Saved the Game
44. No One Will Save You
45. Tetris
46. May December
47. The Zone of Interest
48. V/H/S/85
49. Dumb Money
50. El Conde
51. Arnold
52. Maestro
53. Napoleon
54. 20 Days in Mariupol
55. Influencer
56. The Creator
57. Origin
58. Thanksgiving
59. Next Goal Wins
60. The Boy and the Heron
61. Bottoms
62. Wonka
[Press Keep Reading For The Full Graded List]
Grade B
63. God Is a Bullet
64. No Hard Feelings
65. Joy Ride
66. Fair Play
67. Cocaine Bear
68. NYAD
69. Asteroid City
70. Nowhere
71. The Angry Black Girl and Her Monster
72. Divinity
73. The Equalizer 3
74. The Last Voyage of the Demeter
75. Venus
76. Butcher’s Crossing
77. Somewhere in Queens
78. The Persian Version
79. Boston Strangler
80. Polite Society
81. Miguel Wants to Fight
82. The Color Purple
83. The Royal Hotel
84. Saw X
85. All of Us Strangers
86. Fallen Leaves
87. Ferrari
88. Elemental
89. Peter Pan & Wendy
90. Renfield
91. Cat Person
92. Scream VI
93. The Hunger Games: The Ballad of Songbirds & Snakes
94. BS High
95. Blue Beetle
96. Huesera: The Bone Woman
97. When Evil Lurks
98. Dark Harvest
99. A Good Person
100. Final Cut
101. Knock at the Cabin
102. Quiz Lady
103. Leo
104. Air
105. The Super Mario Bros. Movie
106. Batman: The Doom That Came to Gotham
107. John Wick: Chapter 4
108. Beaten to Death
109. The Wrath of Becky
110. Passages
111. Transformers: Rise of the Beasts
112. Gran Turismo
113. 65
114. Sick
115. Sister Death
116. The Blackening
117. Please Don’t Destroy: The Treasure of Foggy Mountain
118. Flamin’ Hot
119. Nimona
120. Cobweb
121. Totally Killer
122. What’s Love Got to Do with It?
123. Sharper
124. Unseen
125. Dunki
126. Bird Box Barcelona
127. The Marvels
128. Shazam! Fury of the Gods
Grade C
129. Wildflower
130. Freelance
131. M3GAN
132. Strays
133. Sympathy for the Devil
134. Creed III
135. Chevalier
136. The Marsh King’s Daughter
137. A Haunting in Venice
138. The Little Mermaid
139. Silent Night
140. Master Gardener
141. The Flash
142. Fast X
143. The Pope’s Exorcist
144. Saltburn
145. Kandahar
146. Stand
147. Plane
148. Indiana Jones and the Dial of Destiny
149. Fingernails
150. Quicksand
151. Fool’s Paradise
152. Migration
153. Rustin
154. The Covenant
155. Good Burger 2
156. The Pod Generation
157. Alice, Darling
158. Insidious: The Red Door
159. Missing
160. Shotgun Wedding
161. You Hurt My Feelings
162. The Boogeyman
163. Showing Up
164. Aquaman and the Lost Kingdom
165. Champions
166. Consecration
167. The Nun II
168. Biosphere
169. House Party
170. The Exorcist: Believer
171. Big George Foreman
172. Dungeons & Dragons: Honor Among Thieves
173. Children of the Corn
174. The Beanie Bubble
175. Ant-Man and the Wasp: Quantumania
Grade F
176. Anyone But You
177. Marlowe
178. Paint
179. Extraction 2
180. It Lives Inside
181. Deliver Us
182. Trolls Band Together
183. Finestkind
184. Corner Office
185. Wish
186. Prisoner’s Daughter
187. Pain Hustlers
188. Foe
189. The Mother
190. Old Dads
191. Ghosted
192. Ruby Gillman, Teenage Kraken
193. Haunted Mansion
194. Mafia Mamma
195. Five Nights at Freddy’s
196. The Machine
197. Justice League: Warworld
198. We Have a Ghost
199. What Comes Around
200. Legion of Super-Heroes
201. The Boys in the Boat
202. Attachment
203. Operation Fortune: Ruse de Guerre
204. About My Father
205. You People
206. Meg 2: The Trench
207. Pathaan
208. Rebel Moon - Part One: A Child of Fire
209. Assassin
210. Dalíland
211. Vacation Friends 2
Bottom 10
212. Sound of Freedom
213. Winnie the Pooh: Blood and Honey
214. When You Finish Saving The World
215. Heart of Stone
216. Family Switch
217. Expend4bles
218. Sweetwater
219. Hypnotic
220. 80 for Brady
221. Spinning Gold
you might be void of feelings i fear i haven’t felt for anyone
synopsis// by no means did you hate soulmates, you just hated that he was your soulmate. not like megumi was ecstatic that he was your soulmate either. but that’s fine, both of you found someone else to keep you company.
status// finished!
updates// everyday unless said otherwise
warning// dating app!au, soulmate!au, college!au, no curses!au, enemies(?) to lovers, profanity, megumi and y/n are edgy pieces of shit <3, kys jokes, crack humor? i’m going back to my cringe 2020 smau roots with reaction images id say i’m sorry but i’m not, if any characters or dynamics r ooc take that up with the universe not me !!
☆ this smau wasn’t inspired by a song but the title was!! ‘twas inspired by spell strike by provoker, so besides the title and lyrics on here the song holds little to no relevance :) ☆
you might be the only one
might be the only one for me
feeling 1. young and stupid
feeling 2. child of divorce
feeling 3. no schedule just vibes
feeling 4. six feet under
feeling 5. this is my fight song
feeling 6. success rate
feeling 7. lone wolf
feeling 8. dumpster fire
feeling 9. retail therapy
feeling 10. be normal
feeling 11. the enemy has been defeated
feeling 12. enemies to lovers irl
feeling 13. exorcism
feeling 14. shut ur up
feeling 15. winner
feeling 16. hip hip hooray
feeling 17. swiped right!
feeling 18. silly little mystery
feeling 19. for no reason
feeling 20. i guess so
feeling 21. sigh of relief
feeling 22. relationship territory
feeling 23. don’t hmu
feeling 24. major in loser
feeling 25. fight club
feeling 26. jigsaw
feeling 27. ghosting
feeling 28. cold shoulder
feeling 29. before marriage
feeling 30. meant to be
feeling 31. a hunch
feeling 32. survival of the fittest
feeling 33. he knows
feeling 34. so close yet so far
feeling 35. (disrespectfully)
feeling 36. regressing
feeling 37. take pity
feeling 38. telepathy
feeling 39. betrayed
feeling 40. two birds with one stone
feeling 41. dead end
feeling 42. mass hysteria
feeling 43. an apology
feeling 44. baby’s first reciprocated love
feeling 45. psychological warfare
feeling 46. jealous
feeling 47. a facade
feeling 48. learning to coexist
feeling 49. with you
feeling 50. useless E information
feeling 51. good idea
feeling 52. break the peace
feeling 53. enjoy the peace
feeling 54. revenge
feeling 55. tolerable
feeling 56. catastrophic
feeling 57. fumbled
feeling 58. easier than you think
feeling 59. no downtime
feeling 60. caught red handed
feeling 61. for good
feeling 62. replace megumi with megumi
feeling 63. delicate
feeling 64. best bet
feeling 65. valid question
feeling 66. devils incarnate
feeling 67. patience is a virtue
feeling 68. grow and change as a person
feeling 69. megumi truthers
feeling 70. knock on wood
feeling 71. come find me
feeling 72. cryptic
feeling 73. more than aware
feeling 74. see the future
feeling 75. trying to be nice
feeling 76. why do you hate me
feeling 77. knight in shining armor
feeling 78. perfect paradox
feeling 79. idgaf war
feeling 80. stay like this forever
feeling 81. baby bird
feeling 82. found your way back
feeling 83. heart racing
feeling 84. loverboy activities
feeling 85. megumi this megumi that
feeling 86. protect you
feeling 87. flirt back
feeling 88. wingmen
feeling 89. in love with megumi allegations
feeling 90. more broken
feeling 91. gets shirtless again
feeling 92. 1 new message!
ACCIDENTALLY IN LOVE | Sukuna X You | CHAPTER INDEX I /PROLOGUE (Part 1-68)
-meet cute? a cheesy musical number? forget it! love makes itself known to you through a minor car accident, a broken arm, and a treacherously charming temporary chauffeur
GENRE: full-length smau + prose | bad boy x good girl | college au | a lot of firsts | aged-up characters | strangers to lovers | smut | fluff | angst | ooc depictions - soft sukuna ftw
TW/CW: strong/mature language | adult content so mdni on some parts | mentions of alcohol and/or smoking | mentions of injury, promiscuity and bullying | pet names because they're cute with 2D men | toxic behavior | will add more if something arises
AKI’S NOTES: Reblogs and likes are very much appreciated, and I actively respond to comments as well as Asks. Also, if you’re interested, I will include you in the tag list. Just message me through whatever avenue you’re most comfortable with. Happy reading!
61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | CHAPTER INDEX II
ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot (as i've done with my other smau). having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color. it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.
TAG LIST: CLOSED
PLEASE READ: If you wanna be included in the tag list, please make sure that your “Exclude __(tumblr username)__ from Tumblr search and recommendations” setting is OFF so I can actually tag you guys and you'll get notifs when I update. Thank you very much.
Here's a reference for the instructions from domainofmarie. Thank you very much, my friend. This is very helpful.
A/N: I have another version of this story somewhere on the internet with different characters, and I thought, why not make it a Sukuna smau. So excited for this! This'll probably come out this weekend lol or the next if push comes to shove.
Am I insane? Yes. Was it worth it? Maybe.
In most* of both season 1 and season 2 of GO, there's a very specific Bible on a bookstand next to Aziraphale's desk. It's a vintage illustrated plate book by Harold Copping, known as the Harold Copping Bible, published by the religious tract society in London in 1910. It features some of the most well known Old Testament stories, summarized and annotated by the Bishop of Durham at the time, and illustrated by Copping, who was freshly returned from a sojourn in the middle east. Ironically, It was meant as a lay-person's version of a comic book, short, exciting by use of exotic illustrations, and easy to read.
But my (expensive) gain is now your gain! As I've collected here every visible page in both seasons for your reading and viewing pleasure.
Season 1: All episodes
Adam & Eve
Genesis iii (1:3) / HCB page 10
Season 2: Episode 1
Joseph known to his brethren
Genesis xlv (1:45) / HCB Page 28
Season 2: Episode 2
Joseph known to his brethren
Genesis xlv (1:45) / HCB Page 28
S2E2 13:38 (see S2E1 above)
Season 2: Episode 2
The Brazen Serpent
Numbers xxi (4:21) / HCB page 36
S2E2 16:12, 43:40
Season 2: Episode 2*
Bible on the desk, Magazine on the stand
Annuel L'art Pour Tous, Cover (1861-1880 most likely)
S2E2 22:10
The French L'art pour tous industrial design periodical will have to be a story for another post. For now, just enjoy this 1880 edition copperplate of cherubs discovering a microscope...
Season 2: Episode 2
Imaginary page from HCB, Job
KJV Job (18:1) / HCB N/A
S2E2 22:29, S2E2 40:05
Obviously, the plate illustrations and text look different here than in the real bible, because they were created for the show. But there are a few more particularities here. For one, this layout with the thin grid around the text, as well as the paragraph symbol next to the first title, indicate that this would have been a printer's proof copy, not a finished book. It shows you the layout grid and can be annotated for changes. Second, there seems to be a war going on between fonts. Where the "chapter" of Job begins, we get a font and a style similar to the original bible, which gets rudely interrupted by a dropped capital (from the real book) and a Gothic-style font/verse numbers like in the original King James version of the printed Bible.
Season 2: Episode 3
The Brazen Serpent
NUMBERS xxi (4:21) / HCB page 36
S2E3 1:18 (see episode 2)
Season 2: Episode 5
By the Rivers of Babylon
Pslam cxxxvii (19:137) / HCB page 52
S2E5 21:20
Season 2: Episode 6
Bible missing, L'art pour Tous on the stand
Annuel L'art Pour Tous, Cover (1861-1880 most likely)
S2E6 10:21, 17:21, 18:15, 34:28 (see episode 2)
Season 2: Episode 6
Closed HCB, L'art pour Tous on the stand behind
HCB page 0
𝙇𝙊𝙑𝙀 𝙈𝙀𝘿𝙇𝙀𝙔 ▶ a collection of tracks about friendship, trust and love
PLAYLIST CONTAINS: college!au, roommates, curseless, friends to lovers, polyamorous relationship, nsfw topics — please read warnings to each piece, reader discretion is advised
09:11 ▶ ONE BEDROOM? — short memory about how you found yourself sharing a bed with two of your best friends. // wc. 916
22:38 ▶ MOM ISSUES — late night talks, cuddles and lots of theatrics. that's what living with your boys mean, but your mom seems to see it a little differently. // wc. 800
06:51 ▶ COCOONED — one of those lazy mornings when you wake up trapped in a tangle of hands and legs. // wc. 655
14:08 ▶ BOUNDARIES — day when Suguru entered the shower with you. // wc. 1385
17:03 ▶ BRUTALLY HONEST — when Satoru asked you for a rather unusual favor. // wc. 934, suggestive
07:03 ▶ EARLY MORNINGS AND STOLEN CUPS — nothing better than the first cup of coffee in the morning. // wc. 572
21:58 ▶ BOYFRIENDS — two is better than one. // wc. 845
19:16 ▶ NEEDY AND SHAMELESS — Satoru was needy and couldn't deal with it himself. // wc. 2585, nsfw
16:48 ▶ CATORU — stealing Suguru's clothes just feels natural, but thing is — his hoodies are black... and Satoru's hair is white. // wc. 1079