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chasingcomets222 · 2 months

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I got bored and decided to decipher Rodrick Heffley's music taste to close this years-long debate once and for all.

This post will be on the lengthier side, but a TLDR is attached at the end of the post if you want the basic cliff-notes.

Disclaimer: this is a dissection of the film adaptation of Rodrick rather than his source material counterpart. Comparisons to the books are welcome but irrelevant to this analysis.

Soundtrack

During the roller-rink scene in the opening of Rodrick Rules, Rodrick and Bill take over the DJ table to sabotage Greg's moves on Holly. The song they play is "Cut Throat" by the all-female heavy metal band, Kittie. Aside from Löded Diper's music, this is the only song in the series explicitly used to establish Rodrick's music taste.

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However, there's many songs off of the Rodrick Rules soundtrack alone that can be reasonably assumed to fit his music profile as well — for example, those used during the party sequence.

I wouldn't doubt if one or two tracks were intended solely as crowd pleasers, but let's not rule out the entire playlist.

In order of appearance, Rodrick's party mix includes: "Heart Heart Heartbreak" by Boys Like Girls, "Electric (feat. Miss Amani)" by The DNC, "Wait Up (Boots of Danger)" by Tokyo Police Club, "Shake" by Bikini Machine, "Move Like This" by Hammerwax, and "Jump In The Line" by Karl Zéro & The Wailers.

There's additionally three other, albeit more subtle, uses of background music to nod toward Rodrick's preferences.

The first instance is during the scene in Rodrick Rules in which Greg confides in Rodrick about his embarrassment from his failed "100 Years Ago" assignment. It's so quiet that it's easy to miss without a keen ear, but "Light Love" by Free Energy plays in the background, mixed to fit in with the ambience of Rodrick's bedroom.

The second is directly before the Löded Diper band rehearsal scene (somebody farted btw), in which Frank pulls into the Heffleys' driveway. "Rock and Roll Slob" by The Boneless Ones can be heard from the garage, once again mixed as part of the ambience.

The third again utilizes The Boneless Ones' discography, and is inserted during the opening sequence of Dog Days at the municipal pool. Rodrick explains it's "time to sell some CDs" for Löded Diper, and turns on his boombox (more on this later), blaring "Miss Fresno."

With the last two points in mind, one can assume the film universe is some twisted version where Löded Diper originally wrote and performed The Boneless Ones' discography (or something closely resembling it).

Band Tees

Rodrick mostly wears seemingly thrifted or upcycled shirts and graphic tees with witty/edgy prints, but there are outliers at times. For example, there's not one, not two, but potentially so much as five moments in Dog Days that he's seen wearing merch from Dead Kennedys, The Who, and Ramones.

While most of his band tees simply include the band's logo or iconography, the latter design takes it a step further by being specific to a particular song title: "Rock 'n' Roll High School" by Ramones.

There's another moment which this may be the case, but it's purely speculative on my end. The Ramones also have a song named "I Don't Care," which is a phrase featured on one of Rodrick's shirts. It's not an explicit reference, but likely a reference nonetheless.

Room Posters

Guns N' Roses, Brutal Truth (Evolution Through Revolution), Stars (The Five Ghosts), Buried Inside (Spoils of Failure), and Decibel are the most notable.

I assume Decibel is in relation to the 70's/80's Italian punk rock band, although I can't find any association between them and this particular artwork. If not connected to them, there's a possibility it may be to the metal magazine of the same name, but I have my doubts.

In this image giving an alternate perspective to Rodrick's room, just off-screen is a Metallica poster, based on the stylization of the ending A. Beside it is a Hanson Brothers poster, which was later replaced in Rodrick Rules with a duplicate of the Stars poster for some reason.

Among his collage of Löded Diper flyers, there's Danny Echo posters as well as Denounce and Billy Talent stickers receiving the Hidden Mickey treatment (also a cameo from the iconic cheeseburger phone on the table).

Of course, there are many other pieces of memorabilia scattered across Rodrick's room, but several of them are blurry from the camera's depth of field or are seen at angles which make them difficult to read or for reverse image sites to identify. So for now, this is the best possible analysis of Rodrick's room in regards to music.

Miscellaneous

An easy-to-miss detail lies in the infamous Löded Diper van. Within the final few moments of Rodrick Rules as Rodrick drops Greg off at school (01:31:52), there's a semi-clear shot of the van's dashboard. On it are a set of stickers, including one referencing Huevos Rancheros, an instrumental rock-and-roll group from Canada.

In Dog Days, Rodrick brings a personal boombox with him to the municipal pool. Along the top is a large sticker for Street Machine, a Czech hardcore/metal band.

Cut Content

In the second studio draft of Diary of a Wimpy Kid, on page 23, scene 43, more of Rodrick's favorite artists are revealed.

The nature of this may be written off as not canon, as it was added into the script while it was still a work in progress and the posters themselves didn't make it into the final product.

What sells it to me as remaining "silent" canon though is that TOOL and Slipknot are often lumped together with Kittie (previously mentioned) as they share an overlapping fanbase. This was more prevalent during the early 2000's within the mall goth subculture, but it's remained fairly consistent for other variants of metalheads over the years too.

TLDR

To recap, the various genres across all of the bands Rodrick is canonically into include indie rock, pop rock, punk rock, hardcore punk, hard rock, industrial, thrash metal, heavy metal, nu metal, death metal, sludge metal, and grindcore.

His musical preferences are punk, rock, and metal-centric but quite broad and inclusive of countries of origin and lesser-known underground artists (some don't break even 100 monthly listeners on Spotify). This leaves the door open for endless possibilities in terms of headcanons.

He's not emo despite popular fan belief, but I still think there's a chance some of his musical leanings could cross over with bands considered emo adjacent for their presence in the community. August Burns Red and The Devil Wears Prada come to mind with his music taste accounted for, but that's just my headcanon.

EDIT: 9/9/24

I've since made two Spotify playlists from my findings: one being what I imagine would be Rodrick's regular rotation, and the other being an extension of his party mix. I feel I've channeled him well, since a lot of his music taste is basically mine circa 2008/2009.

If you've read this far, thank you so much for your patience, and I appreciate any and all interactions left on this post. Happy listening!! <333

#maybe discovering The Doors next would benefit his spelling #the sections are colored in order of the covers of the first 6 books in the series btw #except yellow for dog days #i guess tumblr doesn't fw yellow #this took so long to research #it's hard trying to find coherence in 5 entire pixels #diary of a wimpy kid #doawk #rodrick rules #dog days #doawk rodrick #rodrick heffley #rodrick #devon bostick #canon #fanon #fandom #mine #Spotify

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vyl3tpwny · 1 year

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Music Genres

When I was kid, you would have probably heard me say something like “I don’t believe in genre labels”. To a degree, there is still something about that sentiment that I agree with; I don’t think you can really put music and styles of music in neat little boxes. But otherwise, I was pretty much wrong about everything else.

Let’s go over that.

pictured: Mala, one of the godfathers of roots Dubstep

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To be blunt, “genre” isn’t just about approximating what a song sounds like. If you say “I love pop music”, that honestly doesn’t mean much. The more specific you get, the more you will approach something someone can imagine like “I like experimental progressive noise pop music”. Ok, I can start to imagine things that likely approach what you're talking about, but even then it will usually not help someone fully understand what something truly is. In categorizing and approximating music styles, genres only go so far. So what makes them important then?

Well, not to say that approximating a style when describing an artist to someone is a bad thing or that doing so isn’t meant to be valued, but it’s hardly the only reason these labels exist. Importantly, “genre” helps establish culture, history, and a musical identity. So when you're trying to tell someone you're listening to a "progressive rock” project, you’re not just imagining odd time-signatures and complex riffs, you’re also meant to understand and consider that whatever is being described as to you has some sort of relevance or importance with regards to the history behind progressive rock; the culture of college bands in the UK, the sound that the punk movement revolted against, the progression of musical storytelling in rock music since the late 60’s and early 70’s, stuff like that. There’s a distinct culture and history you can pinpoint and understand when you describe something as being progressive rock and you can’t just go around calling any complex electric guitar oriented music "progressive rock" unless it has those specific ties as well as understanding and iteration of the roots.

pictured: Genesis, because progressive rock mention

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Genre labels help to clarify what kind of culture and histories a music project is being associated itself with and where a lot of its inspiration comes from. This is much more compelling reason for underlining the importance of genre labels and why they should be used correctly.

So, there is something I need to get off my chest then. There are a lot of misuses of genre labels all over the place, especially online. And I’m not talking about saying something is “Alternative Rock” when it’s clearly some kind of “Folk Rock” record instead. What I’m talking about is something like “Dubstep”.

Even as recent as a few years ago, I started personally reclaiming the term “Dubstep” as a genre label to describe any bass-adjacent music. At the time I did this, I thought it was cool, because the term Dubstep had been dubbed (pun intended) to be cringeworthy lexicon to some people. And while I feel that’s a noble reason to reclaim something like that, because some weirdos think it's cringe, in this case I actually think it’s wrong.

The term “Brostep” has been used to describe any non-roots bass-oriented music that originates from the proper roots Dubstep. It’s a term I didn’t like FOREVER, especially because the phrase was derived as a generalization of the kind of people who tend to listen to it. However, I actually think that Brostep is a title that people should be more comfortable and confident with labeling things as.

The original Dubstep came as a result of Jamaican immigrants bringing Dub music to the UK, which then fused with the remnants of 2-Step Garage which was prominent in the 90’s just years prior. Timbah.On.Toast made a great video called All My Homies Hate Skrillex and it is a really good breakdown of what separates roots Dubstep from the Americanized Brostep, which came after it. I think everyone knows by now that I have a deep, deep love for EDM based Broste and I am the biggest Skrillex fangirl alive. So being both a Brostep and Skrillex superfan, please understand that I think the video is one of the most important things you can watch as an EDM enjoyer.

Conflating the term Dubstep with things that aren’t actually Dubstep is honestly a slap in the face to all of the pioneers of Dub and Dubstep, which famously were both pretty much ENTIRELY invented by black people. I think it’s fair to say that incorrectly labeling music in this way has racist implications. It dishonours and twists the legacy of the music. You can find og Dubstep to listen to on the RYM Ultimate Box Set > Dubstep page. Check some of that out, then listen to some 2010, 2011 Skrillex and see how different things really went.

It confused me at first when I was a teenager, I didn't understand why so many people hated Skrillex back in the day. I came to realize so much of the hate wasn’t even really with regards music itself, but the total lack of understanding or care for the roots of the genre, which all of his work was founded upon and he then subsequently bastardized without caring at all. It was pure disrespect, it was practically cultural erasure and so many people will now only know of Dubstep as “that Skrillex transformer screech music”. Yeah. It actually fucking sucks.

But there is a LONG history of black music being erased from history and being undermined, whether entirely intentional or due to systemic unawareness.

I saw a post the other day talking about how it sucks that so much music is just lumped into being “video game music” when so much of this stuff has deep roots and cultural significance. The first example pointed how a lot of acid jazz music is just described as “Persona music” by the layperson now. Meanwhile, Acid Jazz as a genre is a huge development on things like roots jazz, disco, funk, and hip hop music. You know. All genres that were invented by black people. Fascinating, right?

Jungle music was also mentioned. And this one is very particular for me. Jungle music, when not being generalized as "PS1 Music", is often just called drum & bass or breakcore (also please Google the difference between breakbeat and breakcore, thanks) which are all fundamentally misunderstanding what Jungle music even is. Much of Jungle music, AS MANY THINGS DO, finds VERY prominent roots in Reggae, Dub, and sound system culture in Jamaica as well as countless other prominently black communities in the UK.

But it doesn’t stop there.

If you’re unfamiliar, there is a genre called “IDM”, otherwise known as Intelligent Dance Music. When I was a kid, and I first heard that word, I immediately was like “that is the most pretentious, stupid thing I’ve ever heard”. Eventually as I grew up, I just stopped thinking about that and started referring to more music as IDM. This style of music is generally characterized with “complexity” and being “not much danceable”. While I don’t think there’s anything wrong with the music that is called IDM, I do think there’s everything wrong with the term IDM, intelligent dance music.

When asked how he feels about being labeled as an IDM artist, Aphex Twin responded:

"I just think it's really funny to have terms like that. It's [basically] saying 'this is intelligent and everything else is STUPID.' It's really nasty to everyone else's music."

pictured: Aphex Twin, the funnyman himself

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I think most people would agree with this sentiment. It’s so strange to call one kind of music “intelligent”, out of the hundreds of thousands of genres out there. But let’s bring this back to Jungle music. The reality is that IDM started to become a term around the same time that Jungle music became prominent, in the 90's. Both styles of music are complex, introspective, skittery, and chaotic (but refined and often disciplined) genres. Except, of these two, Jungle music was the one pioneered primarily by black artists. IDM was a sort in competition with Jungle. To therefore call IDM “intelligent” in comparison to Jungle music ... well. I don’t feel like I really have to explain why that’s fucked up.

A lot of people have proposed different names for IDM. A quick look on reddit yields things like “Experimental Electronic” and “Brain Dance” (which was coined by Aphex Twin's label). Me personally, the term “Electro-Prog” comes to mind. Sounds cool.

Similar conversations are presently being had about the term “Riddim”. This brings us back to the dubstep side of this discussion again. Riddim, as an EDM genre, is an offshoot of Brostep music that focuses a lot on repetition over the downbeat, maintaining an insanely distorted sound design, a lot more than the average Brostep song. However, the term “riddim” originates — yet again — from the Jamaican Patois for “rhythm”. And Riddim as a musical style in Jamaica is actually more associated with things like dancehall and reggae, rather than the commercialized "Riddim" that is several hundred times removed from its own roots.

Last year, musician INFEKT proposed that what most EDM listeners call “riddim” should be referred to instead as “Trench” in an article on their website. This proposed name is derived from Getter’s use of the term on his 2014 record “Trenchlords Vol. 1”. I don’t personally know how much I resonate with the term, but whatever the consensus is, I don’t think we should be conflating a westernized, commercialized, and EDM-centric genre like this to Jamaican roots music. Over and over again, it seems that black music is constantly overwritten by developments like this, so I think more care needs to be taken in not allowing that to happen.

As a side note, a lot of people online seem very keen on appropriating Jamaican Patois quite often? There are so many examples of this. When the term “Bomboclaat” started making the rounds on Twitter a few years ago, so many white people were quick to either talk wildly about the term and trend or otherwise start saying it as well. There was a fucking article that sought to answer “The Bomboclaat >> Meme << Meaning Explained”, like they’re not dissecting an element of Jamaican slang lol. Then there was a period of time where people were constantly saying things like “On Jah?” as a stand-in for “On God?” even though this, again, is Jamaican Patois. And even now, you have tons and tons of non-black people going everywhere being like “what is blud waffling about?”, the phrase “blud” ONCE AGAIN also being Jamaican in origin.

I shouldn’t even have to explain what makes these kinds of appropriations weird and messed up. But black people lose jobs and are denied basic things in life over their hair styles, their expressions and slang, and so many other things that a white person can just appropriate and face zero consequences whatsoever for.

That aside, aside. Understanding and labeling genres correctly is such a big part of music history and highlighting and preserving cultures worldwide. When efforts are made to undermine the meaning of a genre label or otherwise use it incorrectly, so much damage is done to the communities and people groups that innovate and pioneer this art to begin with.

For these reasons, I will gladly use the term Brostep. I will happily call things Electro-Prog. And when you talk about genres like Jungle and Dubstep, say it with your whole chest. Be proud of the human race, show respect and love for the people who have forged the greatest parts of music with their bare hands. We will always stand on the shoulders of giants as musicians, so instead of pretending you yourself are the giant, build monuments and maintain the history of these people. You as an artist are nothing without them.

pictured: Augustus Pablo, one of the most important innovators of Dub. Without him, and without many of his contemporaries, I would reckon that half or more of all modern music would simply not exist.

CONTENT WARNING FOR THIS FINAL SECTION, THERE ARE LIKE LOTS OF STRANGE SLURS AND RACIST VIBES.

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One last thing I wanna mention, this is slightly tangential but I think it's relevant to this conversation. It's always weird how lots of websites categorize things like this:

From Big Fish Audio... "G**sy*? "World/Ethnic Loops & Samples"? What the fuck are you talking about. Seems like racism to me.

On Loopmasters they have a "World" section. Any Americanized genre gets its own category, but the entire continents of Africa and Asia as well as the country of India and region of the Middle East (which are part of Asia, hope this helps btw) and lastly South America are stuffed into the nebulous "World Label". Seems like racism to me. Are you telling me you weirdos can't figure out a better way to represent these things?

But then Psy Trance gets its whole entire own category? Aren't there only like five people who listen to Psy Trance? /hj . But like come on.

Shoutout to WA Productions for categorizing a universe of suspiciously mostly black music as """Urban"""". And this company is a dime a dozen, hundreds of corpos do this shit.

East fucking West, what is this dude. There is a racism happening, I just know it. Please give me a count of how many poc are on payroll at your company, I am so curious.

And while we're at it, East West, what is this. Tell me. Fucking tell me.

Thanks for reading.

#vyop

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tokillamockingbird427 · 3 months

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You know what would be cute‽ baby David and baby Logan "working" on their motorized toy car(s) next to Elias when he's working on his hobby car

🐺

They're all just hanging out in the garage, rock music playing (at a reasonable and not ear-shattering level for once, because Elias doesn't want to give the boys tinnitus.), while they both work on their cars.

David is poking/tapping various parts with random tools while Logan sits there looking very serious and pointing at random spots for his brother to "fix", while also occasionally getting up at Davids request to bother Elias for another tool. Elias plays along by giving their car a very serious look over before going "Looks like a problem for a 10mm, buddy." and handing over said tool. Other 70% of the time he's elbow deep in his hobby car, some older model muscle car, covered in grease/oil, having the time of his life.

Elias will also occasionally involve the boys in what he's tinkering with, showing them whatever problem there is or whatever he's trying to install, and telling them what he's doing about it. When they're littler, he doesn't let them do a lot, just quizzes them on anything familiar and leads them through what he's doing, but as they get older (Like into their teens) he lets them do more hands-on stuff. (Reason being he doesn't want them to hurt themselves somehow.)

#call of duty #call of duty ghosts #elias walker #hesh walker #logan walker #beloved anon #🐺 anon

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la-guns · 2 months

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An about me post that’s probably too long ♡ feat. my room ^^

I finally fully embraced my true love this year with the 80’s, and its rock/metal music scene. I’ve always loved the decade and its music, but have jumped between interests that didn’t hold me for long for most of my life. But now I’m here, and it feels right. And I can thank my dad.

He’s a metalhead. He had the classic long, shaggy hairstyle in the 80’s. I always remember him blaring his favorite Metallica and Alice in Chains albums from the garage, where he worked on cars and occasional motorcycles. He still does that.

Every morning before elementary school, he’d have the huge box tv playing music videos. My favorites were AC/DC. And while I watched, I had Pop-Tarts, but little me never had the heart to tell my dad I didn’t like them toasted when he brought them to me 😅

Growing up, he introduced me to the best classic movies from the 80’s. Back to the Future, Spaceballs, the Goonies, the Lost Boys (my dad loved vampire stuff, and I do, too), National Lampoon, Princess Bride, so much more. I grew up pure classic. And I like staying that way. It’s a huge comfort.

Now, not much has changed. I prefer 70’s, 80’s, and VERY early 90’s music (like Hollywood Vampires. I can’t do the grunge stuff, sorry! 80’s metalhead heart ♡). I rarely listen to modern music, and when I do it’s mostly for the novel I’m writing to get in the zone. I love Vlad Dracula (the historical Vlad), and have been writing a historical novel about him, and using the real facts in my research from Romanian sources (on here, I love the user @/vladdocs for info about Vlad).

L.A. Guns…the love I have for them came out of nowhere, and that kind of love is usually the best in my experience. I love their style. It’s metal/heavy rock but…in an L.A. Guns uniqueness. Bluesy, invigorating, rockin’. I wish they got to reach stadium level like Mötley Crüe.

I love the “classic” lineup of L.A. Guns. Mick, Phil, Tracii, Kelly, Steve. Love each them to bits, and miss Steve. Kelly is my comfort person, I’d say. I share common interests with him, and from what I’ve watched and read about him, I love how goofy and true to himself he is. Like he embraces his inner child, and I love that. He’s a cutie pie for sure, but his personality is what gets me most. He’s not afraid to be bold with what he likes (like pirates! I LOVE pirates. My dad raised me on Pirates of the Caribbean, and I love the overall history of pirates). Sometimes I wish I could just talk to Kelly about graphic design. That’d be so cool. I’ve been dabbling in it since middle school, and am now going to college for it.

So, my room is my safe space and I like to really have it just scream me. It’s full of original stuff, down to the cassettes, magazines, ‘89 Mötley concert bandana, and magazine pinups. The only original thing I DON’T own is the shirt. It’s a reprint. I love it all so much, and I’m still getting more. My favorite piece is the original Cocked & Loaded vinyl signed by the classic lineup ♡

The bands I love most are L.A. Guns, Mötley Crüe, Cinderella, Dokken, Danger Danger, Def Leppard, KISS, AC/DC, Billy Idol (got to see him in May!), Bulletboys, Poison, Van Halen, and so many more it’s a lot 😭 ♡

This definitely isn’t everything about me, but it’s a taste of the main part. I’d love to get to know others who love the 80’s scene. My inbox and dm’s are always open for polite chat. ♡

#about myself #l.a. guns #la guns #mötley crüe #kelly nickels #phil lewis #tracii guns #steve riley #mick cripps #1980s #80s #80s music

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cpunkwitch · 2 months

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Hey let's talk about the punk genre, what punk stands for, what the punk genre really is and what it actually means to be punk

Because so many people are completely misunderstanding the punk subcultures of to-yester-day that people are just simply considering them aesthetics and alternative life styles when it's so much more complicated then that and leads to people spreading misinformation like "cpunk is for ALL disabilities and not exclusive what so ever"

Note: I realize during my talk I mention punk subgenre when really I'm talking about punk subcultures, please keep this in mind while you read! Thank you!

For starters; the term punk, first used in the late 1500's at the earliest to refer to prostitutes, was popularized in the mid 1900's when in 1971 a rock journalist (Greg Shaw) used the term to describe The Guess Who's music.

What became as a synonym for "hoodlum" or "ruffian" got adopted in the 70's by rock bands like Sex Pistols as a form of rebelling against how "commercial" rock'n'roll music had become in the 60's and to continue the counterculture movements from that previous decade.

Overtime the word and therein punk culture gained the association of rebellion and community built on common ground against a certain thing or towards a common objective (such as being against record labels restricting musicians, wanting accessibility for certain people and fairness for people regardless of class and wealth status etc).

People who would attend the "punk rock" concerts would show up in the work out clothing they had and whatever they could afford at the time, second hand clothing, ripped jeans, worn out leather jackets, and thus earned themselves getting called "punks" or "punk rockers" for their "inappropriate/poor dress" and the controversial bands they would listen to

This carried over to that sort of dress becoming an alternative style commonly worn by those who liked rock and metal bands and this monopolized upon by capitalism (the exact thing punk rockers were against to begin with, as most rock bands at the time were literal garage bands)

And this evolved to the reason elderly would yell at teenagers calling them punks and what the punk genre has become today.

As for what it means to be punk, it can vary from person to person and subgenre to subgenre, more specifically it varies from person within subgenre to person within another subgenre.

Punk rockers might define being punk as in going against the dress codes and such that restrict you from self expression, allowing people to attend concerts without have to pay ridiculous amounts of money, being anti-capitalist etc

Whereas cpunk or as we call ourselves "cripple" punks (as is what the c in cpunk stands for) it is clearly defined by the coiner of our community who is no longer with us, taking back the slur cripple for ourselves, fighting for accessibility and having a sense of community at all for physically disabled folk. Some have even said the most punk thing we can do is survive the day living authentically in a world that's literally built against us deformed and physically disabled folk.

To be punk can mean plenty of different things but most commonly it's to fight for equality, to be ourselves, to be seen. It's to go against the rules and authority that want you to conform to their ideals, and plenty of other similar beliefs.

Punk folk have always been labeled as such because of how we are treated for how we look, act, what we listen to and believe, and in general for how we stand out.

Punk fashion started as a DIY, punk music was always about anti-authority and anti-capitalist views, punk as a genre has always been about individuality in community and things many corporations hated.

It's always been more complex than just wearing a leather jacket with an edgy patch and spiked or coloured hair while listening to a band with heavy guitar. It will always be more than an aesthetic or life style.

Why bring this up?

Because these past few years a lot of punk's history have gotten ignored, stepped under the rug and misunderstood.

There's been people forcing themselves into spaces like able bodied people trying to claim to be cpunk when the community isn't for them.

There's been people gatekeeping punk in completely misinformed ways, when to be punk is that you don't fit in a box at all (hence the non conformity)

And there's just been non stop misinformation all together.

Punk is pro-sex workers. Punk is anti conformity. Punk is pro equity. And punk is not for those who harass others and insult them for any reason, regardless of how much you disagree with them.

Regardless of how you define punk, the most important thing is that you listen to voices of others. Don't disregard them like people have done to us all this time.

Thank you so much for letting me ramble off I hope this post has been helpful!

I also apologize for the lack of ids.

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dutiful-wildcraft · 8 months

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Task Force 141 Music Headcannons

Price

-He has some significant influences from 70s/80s heavy metal, mostly influenced from his mum who was a rebellious metalhead (and a feral KISS fan) herself, but toned down her partying when John was born. That didn't stop her from showing him the good stuff.

-John’s earliest memories are of him and his mother going on roadtrips, radio blaring. His mom giving him little music “tests,” urging John to guess the artists of the song before they ended. Being so proud of him when he got them right. His mom had a huge stereo system, an outrageously pricey thing compared to the rest of their meager home. It could play both CD’s and tapes and it was his mom’s pride and joy.

-They had “cleaning” days where they would deep clean the house. Taking turns between swapping songs as they danced and dusted. A trend that extended well into his teenage years until he joined up.

-John would later pick up more thrash and progressive metal influences from his older CO’s and later by his own team. John is a radio kind of man, and other than the stuff he got from his mum he doesn't bother much with collecting, but he usually can find a radio station or two that plays what he likes. He still blares music when he cleans or works out.

-John also dips into a bit of blues, folk and country. He’s fond of the acoustic elements, it’s easy listening and some of them tell a good story.

-Absolutely owned a “Frampton Comes Alive” CD.

-Price was a bit petty about it at first, but the rest of the 141’s music tastes aren’t terrible…he still shoves the foam earplugs in on the truck ride home once Soap gets ahold of the aux cord. Though it gives him one hell of a laugh to see Soap cut a rug.

-Gaz downloaded a huge playlist for the man and crammed it on his phone. Price was tickled pink over the selections, and now this is the only mix he fusses with, throwing it on shuffle and letting it play while he smokes and does his paperwork.

-Man actually loves to dance, he doesn't just bop around like Soap does but he will take you by the hand and groove a bit with you. He loves to feel a warm body moving with his, letting the music move them together. This is actually how he woo’s ladies at the bar. A bit of liquid courage, and smooth song. He has someone giggling in his arms in no time.

Soap

-His library is mostly made up of funk/groove metal, metalcore, pop, disco and electronic. He can party to really anything really, he just loves anything that is fast. Something that has a bounce to it. There is never a wrong setting for this. Has nearly slipped and busted his head open having a one man mosh in the shower.

-Used to have several piercings, his tongue and eyebrow namely, as well as a couple more pieces in his ears and nipples. They unfortunately had to go when he joined up. But he will still throw the earrings in when it's time to party. Some thicker captive bead earrings from where he had them stretched just the slightest.

-He's actually pretty solid with a guitar. Doesn’t talk about it because it makes him feel like a douche. But he and his friends did have shitty garage band as teenagers. (Anyway..here's Wonderwall).

-Tries to keep it heavier when hangin with the boys but don't buy his tough guy bullshit, the next song is Madonna. His shuffle will give you whiplash.

-He and Gaz vibe the most, both crowding into the front seats to put on a concert the whole ride. Having a jam session while they cook together or having heated arguments on whether something is a cover or not (Gaz is always right).

Gaz

-The most eclectic out of all of them. Pretty similar to Soap, he tends to gravitate toward alt rock/indie, r&b, pop, and psychedelic. While he enjoys the upbeat electronic stuff that Soap enjoys, he prefers the groove. Something a bit slower and well…sexier.

-He is actually pretty knowledgeable (special interest you could say) about music. The man is like an encyclopedia for music. Can name songs by the first 2 seconds alone. He is a menace on trivia nights for this reason.

-Has started collecting records in his free time. He has favorites sure, but sometimes he'll just snag a few with interesting covers and give them a spin. He has found some gems this way…and also some straight *trash*. These songs have turned into memes between he and Soap.

-Makes playlists as a love language.

-Always trusted as the trip DJ, takes his job very seriously and considers all his teams tastes to carefully weave a mix everyone can vibe too.

-Sung in the church choir as a kid, absolutely hated every minute of it. He was always the star of the christmas cantatas until he quit going as a teen.

-He and his sisters would have knock down drag out fights over the sole CD player they had as kids. Genuinely can't stand boy bands due to his big sisters obsession with them at the time. (The shit was on repeat for months.)

Ghost

-absolutely uses the balaclava to hide a earbud when he's just doing paperwork in his office.

-It's his ritual after an op. Simon pops his earbuds in, leans his head back and rests. You don't talk to Simon during this time. He'll take them out when he's ready to talk.

-He also keeps one in while on leave, focusing on his music in the grocery or doing mundane errands. But just one earbud, he keeps the other out to listen for anything sus.

-Simon's music is pretty precious to him, and something he's actually pretty protective of. He never listened to his music out loud, even kept it turned down low with his headphones to prevent any accidental overhearing.

-He picked up a lot from his brother that he used as a springboard after that. Lyrics that gave him goosebumps, words for feelings he could never articulate. To him, there was music for anything. Anger, sadness, elation.

-Simon Riley who's favorite past time was rooting through old used CD's with his big brother at old video rental shops.

-Tommy who would usher him into the bathroom, putting big clunky headphones over his ears to block the sounds of their father's abuse. Clicking play and mouthing a “Stay here” as he clicked the door shut behind him.

-Simon Riley who scrawled his favorite lyrics onto the soles of old dingey converse. Colored them into the skin of his forearms in a mock up of the tattoos he would later get.

-And he would, Gaz finds them later, inky poetry weaved into the images along his arms, and on his collar. He subtly looks up the words later. Smiling as lyrics of old grungey 90s songs fill his screen.

-Tool enjoyer, literally just plays the albums start to finish, he is actually really fond of the instrumentals

BONUS!! Alex

-very similar to Price though he leans away from some of the heavier stuff. He loves the easy yacht rock type vibes with some classic rock. As well as some 90s and outlaw country.

-He is an absolute crooner when he’s drunk. He actually has a gorgeous singing voice, low and rich, reminiscent of Tracy Lawrence.

-He does know the dance to Copperhead Road, tried to teach Farah who does not have rhythm to save her life.

Actual Playlists

Price Soap Gaz Ghost Alex

I'll be adding to all these mixes as time passes, I would love to hear what you have in mind too <3

#was man in the box to on the nose for Ghost? maybe....#i am a Ghost is an edgelord truther untill the day i DIE #also super biased bc this is most of the stuff i grew up with/listen too now :^)#simon ghost riley #john price #kyle gaz garrick #johnny soap mactavish #captain john price #call of duty #cod headcannons #alex keller #farah karim #call of duty headcanons #modern warfare #modern warfare ii #mwii

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cherrylng · 2 months

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Great Guitarists 100 - Matthew Bellamy and Jack White [CROSSBEAT (November 2009)]

Matthew Bellamy Who is commonly known as "The Prince". It's an apt description. He is fluent not only on the guitar but also on the piano, and his beautiful melodies are worthy of such a name. Of course, the guitars he holds in his hands are all "prince" guitars. The custom-built guitars, assembled by a former Led Zeppelin guitar tech, are a perfect reflection of Matthew's taste. It even has a shiny aluminium coating and laser beams emanating from all over the body. When asked who his favourite composer was, he replied: "I guess the Romantics. I like Liszt, Rachmaninov and Tchaikovsky." Asked about his musical background, he replies, "Robert Johnson and Ray Charles". What is your background as a guitarist? "I was attracted to Spanish guitar and studied it for about six months." Of course, Matthew doesn't hide his influences from grunge and heavy rock, but he also blends them with non-rock elements, which is his style. However, even though it is mixed, it is not an American-style hodgepodge. It's smart. Gorgeous all the way. In his songwriting, he always pays attention to beauty, based on melodies of classical origin. His choice of notes, overflowing with such a narcissistic sense of beauty, is the main reason why he is nicknamed the "Prince". -Junya Shimofusa

Representative albums "Origin of Symmetry" (2001, photo) Muse "Absolution" (2003) "Black Holes and Revelations" (2006)

Jack White When the White Stripes first appeared on the scene, the simplicity of the band's formation - just a drummer and guitarist - was quite shocking, even in the garage rock revival, when guitar sounds directly connected to amplifiers were at their height. It was Jack's superb guitar playing that made this possible. “Falling Love With a Girl” distorts elements of his biggest influence, the blues, with ferocious fuzz, "Seven Nation Army", is a one-idea riff turned into a killer tune. And 2007's "Icky Thump", which strengthened the influence of 70s hard rock from Led Zeppelin, Black Sabbath and others, and also incorporated flamenco into their own style. However, the way he plays a series of creative riffs in a restricted space makes him truly the Jimmy Page of today. Jimmy himself has praised him as 'the best guitarist of recent times', and his popularity as an artist is extremely high. His sound, which is based on a thoroughly subtractive aesthetic, is a clear counterpoint to the post-rock/electronica that dominated the underground at the end of the 1990s and to the cheap guitar sounds of the mainstream. The impact of his music, along with that of The Strokes, defined the atmosphere of the 00s. -Hitoshi Sugiyama

Representative albums "White Blood Cells" (2001, photo) The White Stripes "Elephant" (2003) "Icky Thump" (2007)

Translator's Note: Well, this is the highlight. We've finally reached it. But we're not at the end yet.

#Matt Bellamy #Muse #Muse band #The Resistance era #smol meerkat #Jack White #The White Stripes #my scan #translation #CROSSBEAT #CROSSBEAT November 2009

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possible-streetwear · 2 years

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rabbitechoes · 25 days

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wow!!! august was a pretty stacked month for new releases and it seems like september will be pretty busy too. there were quite a few great records this month - one being my current album of the year. also trying out a new format so these posts will be easier to navigate. i've started linking to the full reviews on my rym page instead of just pasting them over here. i figure it's much easier to get through that way!! to check out my thoughts on some of the songs that dropped this month click here!!! also feel free to follow me on rate your music and twitter <3

Imaginal Disk - Magdalena Bay

🥇 BEST ALBUM OF THE MONTH

◇ released: Aug. 23, 2024 ◇ genres: neo-psychedelia, synthpop, chillwave, dance-pop

to call it a triumph would be an understatement, the sophomore album from Magdalena Bay is a delicately detailed experience that doubles as an immensely enjoyable pop record. to put it simply, i'm feeling diskinserted 💿

my review of Imaginal Disk

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Sky Hundred - Parannoul

◇ released: Aug. 3, 2024 ◇ genres: shoegaze, noise pop, emo, indietronica

on his strongest album yet, Parannoul further refines his sound without sacrificing the scrappiness that made his music so endearing in the first place. my review of Sky Hundred

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NO NAME - Jack White

◇ released: July 19, 2024 / Aug. 2, 2024 ◇ genres: garage rock revival, hard rock, garage punk

Jack White has crafted a staggering garage rock record that perfectly soundtracks a world on fire. my review of NO NAME

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Wild God - Nick Cave & The Bad Seeds

◇ released: Aug. 30, 2024 ◇ genres: singer-songwriter, art rock, gospel, baroque pop

unlike the more meditative approach of 2019's Ghosteen, Nick Cave & The Bad Seeds return with a renewed sense of urgency and a striking crop of songs that are sure to make u feel something. my review of Wild God

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cheshire days - ashley ninelives

◇ released: Aug. 10, 2024 ◇ genres: glitch pop, neo-psychedelia, synthpop

the long-awaited new album from ashley ninelives is filled to the brim with exciting ideas and vibrant production that's easy to get lost in.

my review of cheshire days

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I LAY DOWN MY LIFE FOR YOU - JPEGMAFIA

◇ released: Aug. 1, 2024 ◇ genres: experimental hip hop, hardcore hip hop, rap rock

JPEGMAFIA is here to stay … whether u like it or not. my review of I LAY DOWN MY LIFE FOR YOU

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Romance - Fontaines D.C.

◇ released: Aug. 23, 2024 ◇ genres: indie rock, alternative rock, post-britpop

Fontaines D.C. shed their gothic veneer in favor of warmer sounds on their new record, while unfortunately stumbling into style over substance territory amidst a few incredible tunes.

my review of Romance

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Flight b741 - King Gizzard & The Lizard Wizard

◇ released: Aug. 9, 2024 ◇ genres: boogie rock, roots rock, blues rock

the refreshing collaborative spirit of this new King Gizzard & The Lizard Wizard record is its biggest strength, but not enough to make this an essential project in their vast discography. my review of Flight b741

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Paradise State of Mind - Foster the People

◇ released: Aug. 16, 2024 ◇ genres: synthpop, nu-disco, chillwave

the fourth album from Foster the People, my favorite band when i was in 6th grade, is an existential ode to synth funk and disco of the 70s/80s that sounds great, but doesn't leave much of a lasting impression.

my review of Paradise State of Mind

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Quantum Baby - Tinashe

◇ released: Aug. 16, 2024 ◇ genres: alternative r&b, trap soul, pop rap

the second installment in Tinashe's BB/ANG3L trilogy is a substantial step down from the first primarily due to its reliance on more mainstream pop/r&b sounds.

my review of Quantum Baby

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Cellophane Memories - Chrystabell & David Lynch

◇ released: Aug. 2, 2024 ◇ genres: ambient pop, ethereal wave, ambient, drone

David Lynch always has a strong vision for what he wants to convey in his art, but unfortunately, this new collaboration with Chrystabell isn't one of his most worthwhile endeavors. my review of Cellophane Memories

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Short n' Sweet - Sabrina Carpenter

◇ released: Aug. 23, 2024 ◇ genre: pop

Sabrina Carpenter's new album should be a bold statement priming her to be the next big thing, but instead it just falls into the same exhausted clichés we've all come to expect with big mainstream pop releases.

my review of Short n' Sweet

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Aghori mhori mei - Smashing Pumpkins

◇ released: Aug. 2, 2024 ◇ genre: alternative rock

Smashing Pumpkins' surprise new album isn't as horrible as their garish rock opera ATUM, but it's just as self-indulgent and outright boring as what we’ve come to expect from the band.

my review of Aghori mhori mei

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F-1 Trillion (Long Bed) - Post Malone

◇ released: Aug. 16, 2024 ◇ genres: contemporary country, country pop

Post Malone sticks out like a sore thumb in every genre he inhabits and that continues to be the case with his first full-length country album - his worst record thus far by a considerable margin.

my review of F-1 Trillion (Long Bed)

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Vultures 2 - Ye & Ty Dolla $ign

◇ released: Aug. 3, 2024 ◇ genres: pop rap, trap, alternative r&b

Ye and Ty Dolla Sign return with a disastrous album full of anthems for divorced dads who were most certainly in the wrong.

my review of Vultures 2

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Popular Monster - Falling in Reverse

◇ released: Aug. 16, 2024 ◇ genres: alternative metal, trap, rap metal

no.

my review of Popular Monster

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this section will be used on occasion to briefly discuss projects i didn't write full reviews for, but i still think are worth checking out. beginning with ...

Sophcore - Moses Sumney

A decent EP, but I would be lying if I said I was a little letdown. Still very pleasant on the ears, just lacking in substance. Sumney still has a very striking voice. Here's hoping the next project is a bit more substantial.

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Some Songs I Wish I Wrote Vol. 1 - This Is The Glasshouse

I didn't have high expectations for a covers EP, but this one really floored me. I really loved his album from last year, As Small As Ants, and it seems as though he's only getting better. He has a really good ear for layered instrumentation, it's certainly this EP's strongest aspect. The arrangements for his cover of Xiu Xiu's "Sad Pony Guerilla Girl" and Steve Reich's "Clapping Music" were big highlights in particular. Definitely give this a listen!

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The Vault - Maruja

A few months after their Connla's Well EP, Maruja surprise dropped a compilation full of improv jam sessions. It's a bit of an undertaking, but for those who are fans of the band this is definitely a treat. There are so many cool instrumental passages here and it brilliantly showcases how many brilliant ideas are swarming around when the band is in the studio. Their chemistry is off the charts. Here's hoping we get some weird jam stuff on their full-lenght debut, whenever that comes out.

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