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#A couple of characters I've been working with
cuppajoel · 2 days
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Hey!
If you're reading this, you're probably wondering where this random Joel Miller blog came from- and I don't blame you.
My name is Rae, I'm 26, and I consume a lot of media. Over the past 9 months, I have been lurking in the shadows (on AO3), kindle in hand, reading and adoring the series' that many of you have created.
Over the past month or so, I have found myself dipping into Tumblr more and more and what I've found is some of the most intricate, thought-out, warm, and passionate pieces I've ever read. As someone who consumes a lot of words for a living, I have been truly astounded.
It's through you guys that I have read not only about my one true love, Joel Miller (in all incarnations), but also branched out to other characters in the P.P. fandom.
Notable mentions go to: Mando, Javier Peña, Agent Whiskey, General Acacius (jfc), Frankie bby, Dieter Bravo to name but a few...
Anyway, the point of this post is to say, thank you for the amazing work that the creators in this sphere are doing. I was in a reading slump for a good couple of years you have helped me find my love of reading again. <3
The sole purpose of my blog is to keep a record of what I'm reading (y'all I've been trying to keep tabs just by liking masterlists and it's getting outta hand lmao) and, if you're interested, give some recommendations of fics that I've been reading and loving.
I also wanted to give a quick shoutout to some of the accounts of the fics that I have been pining after for the past while. I do not claim to be the first one to come across these series'. I am well aware that it's not just me jumping on the bandwagon, but truly jumping on the Boeing 747 with the thousands of others that love your work.
Regardless, some special mentions go to:
@punkshort -Every joel miller fic you've written? I've read twice through. I'm so excited for the next chapter of Swept Away. @hellishjoel (brat tamer joel is beautiful) @fuckyeahdindjarin -You started my love affair with Dieter and Jack. I actually cannot explain the way that Joel in Seams made me blush @almostfoxglove - I think about See you at Three daily. I'm really excited to read your other series! @juletheghoul -Joel the menace is on my mind always. @covetyou - your ideas are so imaginative and such a breath of fresh air @tightjeansjavi - I started reading The Rite of Movement yesterday and its all i can think about @whocaresstillthelouvre Joel Miller fics with Taylor Swift titles? i can die happy tbh @chloeangelic (All fics on A03) @5oh5 From EDEN??? Thats all. (jk i love your other stuff too but from Eden is something else) @hier--soir every joel fic you've written is *Chefs kiss*
There are many, many more recommendations I could give and I am working my way through my over-saturated 'likes' so I can create a well organised 'recommendations' post.
I could honestly spend hours, picking your brains and gushing over the work that you guys have created but for now, I am going to reel myself in, say hi and thank you.
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loz-furbies · 1 day
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Zelda ages based on when their games came out. Welcome to the team EoW Zelda!
Characters and design thoughts under cut:
For starters, I did a similar Zelda piece a few years ago and ran into the problem that I can't really draw anything else than anime teen girls, which is kind of a problem in a drawing where half the characters are above 20 and their age differences are the whole point. And in addition almost everyone is supposed to be royalty with very similar clothes too. But in my defense, in general it can be pretty hard to tell the ages of 25 to 40 year old anime women anyway.
I needed a reference for the body proportions in order to even get started, so I quickly thought "who is an anime woman who doesn't look like a teenager", and used Yor's character sheet for assistance. The younger characters' proportions are a little inconsistent, since I couldn't choose if I would look at realistic growth chart or go with the anime look (where teens and children are often shorter than they would be in real life) so the result is this weird hybrid.
Four Swords (December 2, 2022) & Four Swords Adventures (March 18, 2004) - Chronologically they are different Zeldas even though they use the same promo art/character design, so I used the promo art design for the original FS Zelda and drew the FSA Zelda based on her sprite. There's not much to these designs, they have very little going on in terms of story or personality to use as inspiration and their character design doesn't offer much anything original when compared to the other more well known Zeldas either. Their only distinct element is the big red hair bow, but I thought it would look too childish when they're supposed to be in their twenties here.
Minish Cap (November 4, 2004) - There's not a lot MC Zelda that I could use for inspiration. But then I remembered that a while ago I wrote about how the pointy hat Queen Ambi wears should be used more often, so I thought I should put my money where my mouth is and draw it here, since Zelda does wear a red cap for a couple seconds in MC. In general the MC Zelda and both FS Zeldas are at a little awkward age for this picture, since they're too old for youthful child designs but not really old enough for more mature queenly designs either.
Skyward Sword (November 18, 2011) - Her design is based on her concept design, which I assume is meant to be her casual look and not the ceremonial costume she wears in the game.
Ocarina of Time (November 21, 1998) - I decided that age-wise she makes the cut of when I start using updos. Why do the Zeldas have such similar canon hairstyles anyway, it was surprisingly boring to work with them. Still not sure about the curls though, my fancy dress design artbook that I used for inspiration had so many cute curly hairstyles but I couldn't really use any here because I worried the characters would become unrecognisable. But since OoT Zelda had some curls in her "sideburns" she fell victim here.
Hyrule Warriors (August 14, 2014) - HW Zelda has a distinct enough design from the other Zeldas that it gives a lot of elements to work with, though her age here limits it a little since she's too young for bikini armour. Also because HW is a spin off, I also considered including the Cadence of Hyrule Zelda, but that led to the realisation that it would have opened the doors to CDI Zelda as well. Which I guess would have been fine, but this is already a pretty wide drawing full of adults, so while a Cadence of Hyrule Zelda would have been easy to fit on the front row, I couldn't justify adding even more adults just for the CDI games. So only HW is included because I've played it and actually like it.
Zelda 1 (February 21, 1986) - The original Zelda is at an age where it's a little awkward how there's little difference between her (38 years old) and OoT Zelda (25). But I couldn't think of any anime that would help me as reference here, and I don't think she's old enough to have that "this character is getting old" wrinkle under her eye (you know the one).
Echoes of Wisdom (September 26, 2024) - I think she looks a bit too old here to be a zero-days-old newborn but work with me here.
Breath of the Wild (March 3, 2017) - She's actually at the age where her mum died, poor girl. She's very refreshing to work with since her look is so different from the other Zeldas.
A Link to the Past (November 21, 1991) & A Link between Worlds (November 22, 2013) - Originally I also had the Oracles Zelda in this since she does have a unique design, but then again I consider the Oracles Link to be the same as in aLttP which ought to apply to Zelda as well, plus the design isn't unique in any interesting way and is just a combination of the OoT & aLttP designs, so in the end I just gave the Oracles Zelda sprite's hair buns to aLbW Zelda. Overall having to use the essentially same design for both aLttP and aLbW Zelda wasn't much fun, especially when neither really offers anything notable in terms of story or personality, but at least they're pretty far apart when it comes to age.
Twilight Princess (November 19, 2006) - I haven't played her game so I don't know a lot about her (other than reading the manga which didn't give me anything to work with either) and she's also close to her canon age (?) here so she ended up looking pretty similar to her canon design.
Spirit Tracks (December 7, 2009) - This was a tough one because technically ST Zelda does have a lot of elements to her story and character that could work for a redesign, but not really for the purposes of this picture. Anything train related is more of Link's thing, and anything ghost related doesn't really fit either since she's not supposed to be a ghost at this age. And as for the Phantom, I got the impression that while she learned to appreciate it, she didn't exactly like using it, and that personality-wise she would prefer not to go on another similar adventure. So In the end I just replaced the regular armour parts many Zeldas have in their designs with the Phantom armour and used the ghost palette for the rest of her look, and I kind of like the result. Her personality looks a little out of character though but I couldn't resist the opportunity to draw this with Grandma Tetra.
Wind Waker (December 13, 2002) - I haven't played WW so I'm not sure how accurate this is, but drawing her with the pirate design definitely added some much needed variety to this picture. I really like her twirly hairstyle in canon, but I also really wanted to draw her with short hair, so it had to go. Maybe ST Zelda can style her hair in a twirl when she gets older to compensate?
The Adventure of Link (January 14, 1987) - Really don't know what happened here, not particularly happy with the end result. I prefer to draw the Zelda 2 Zelda with her sprite design because just reusing the OG Zelda design is boring, but I really should have kept it closer to that since now she's practically unrecognisable.
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A couple of changes
Hey all!
We've passed a couple of big milestones recently (Our 1000th rec! 5000 likes on tumblr! 69th themed week!), which seems like a good time to make a couple of changes!
The first, and biggest one: We're opening up recs to the general public! They'll work similar to the way that the gen recs and the not-quite-rarepair recs work - read the rules, prove that you've read the rules by submitting the password that's embedded in them, and then submit the rec. It's not foolproof, but it keeps bots away and hopefully convinces people.
We're doing this because, to be honest, two of the three people who are involved in this reclist aren't all that active on the discord this reclist is associated with, and I (Opera) think the reclist can be better if it has more voices involved, which means expanding the reccing pool.
Because of #1: 
2. We're changing the rules slightly. 
So, this reclist is anonymous. Unless you mention who you are in the comments of the rec itself, then we have no way of knowing who recced it.  Which in some ways is great! But it also means that when there's a potential issue, we can't send a quick DM to maybe clear things up.
One of the reasons why I was so hesitant about opening this up to everyone was that people tend to give people they share a community with more grace and good faith than randos, and because when there was an issue, I could put a message in the discord and - well, it didn't feel great, but at least it felt less like a call out post than putting it on tumblr where everyone can see it.
So, this is going to take some trust, but this is what we're going to do:
a. We will not allow any rec that is deemed, without a questionable doubt by the mods to be racist, transphobic, or mean spirited towards the work itself or the other works in the fandom. If the part that is racist, transphobic, or mean spirited can be excised without deleting the entire rec, we will do so. Otherwise, we'll remove it.
To be clear, we will still allow works that feature racism (for example, characters dealing with fantasy racism) or transphobia - it's that the rec itself should not be.
b. We will also remove any rec by author request. I've been hesitant to do this in the past, and we're not really equipped to ban any author from being recced, but will be willing to do so on a case by case basis.
c. When making a change, the default will be to make a change quietly. If you notice something's up, you can DM @operafloozy or @theusualjasper and we will let you know privately. I'm all for transparency, but announcing that someone was being weird on a rec on tumblr (where it can't be easily contained) is probably going to lead to bad feelings all around.
d. We're going to ask that everyone take things with as much good faith and grace as possible. I really, really don't want to remove anything, and this is asking folks who don't know the mods to trust us. I also don't want this reclist to become a vehicle of bullying or transphobia, but also I don't want people to get paranoid about their rec not being good enough or secretly transphobic somehow.
3. Also, we're putting the first ten themes back into the randomizer to be picked. It's been nearly two years, and we're down to only twelve unpicked themes. After ten weeks, we'll add the next ten themes back in, and so on.
Those themes are:
Cozy
Getting Nerdy About Magic
Professor Widogast
Culture Differences
Canon Divergent AU
Featuring Essek's Parents
Featuring Verin
Scourger/Evil AU
Featuring Astrid/Eadwulf
Wild Magic
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mayocheeseo7 · 13 hours
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Do you think Geno will like it? I have to give it to G, he does have a talent.
I know I keep posting every other hour but I will probably take a break for a couple of days but I have a LOT more in store. I have a lot of other fun gags and jokes I've been dying to use. All support is seen and extremely appreciated. The comments and seeing people enjoy my work is extremely endearing and motivating, even if I don't respond back. Tysm❤️❤️
If you have any feedback don't hesitate to tell me, I want to portray these characters accurately. Any ideas? Don't hesitate to share. See you<33
Orignal creator of au: Crayon Queen ( @loverofpiggies )
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ohnogizm0 · 2 days
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Once your commission is completed it belongs to you! However, I do not allow use of my artwork of any kind for NFT or AI generation use.
I always post finished commissions for my own promotional means, but if you do not wish to be tagged/remain anonymous that is absolutely okay!
If you have any questions please don't hesitate to ask me! Drop an ask or dm me anywhere!
Thanks so much for checking this out and for your interest! 🩷
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yuseirra · 3 days
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onk spoilers (161)
Sorry, I really can't keep quiet about this because this series has been my brainrot for the past couple months and this is pretty..;; hehe.. depending on how it plays out, it will determine how I'll feel about this entire work completely. So bear with me for the next few weeks!
There are a few panels that really stand out in terms of expressions that really bug me, this guy could be acting. Putting the rest in the read-more, I'm vagueposting but still, I feel it's better manners to do so.. I'm sorry for being unable to keep to myself. I hope you understand though, I've been drawing something for this series almost every single day!
There are a few really genuine-looking ones and those.. could be interpreted as him being concerned over Aqua, it's not really my wishful thinking because he's actually persuading his son to think of things he must live for, regardless of what thoughts and intent he has behind it. He DOES want Aqua to live, and when Aqua says he'd give up on that, he has the exact same face he had when he fell in despair in the movie arc (when Ai said she'd leave him/when Airi gaslit him). I think that expression IS real. And he's really shocked when Aqua.. yeah, does what he does. So I don't think he likes the idea of Aqua dying.
I've been looking at this character a lot, and came to a conclusion that his smiles are masks. I've mentioned this a few times in my earlier analyses regarding him and in one post, I wrote:
That smile he floats is consistent through the entire time he's shown in the story and the only times it breaks is when it has to do with Ai and when she sees him through. And it starts to break the moment he sees her talking about him. Every expression he makes when he sees Ai in the video are his true feelings. His smiles, on the other hand, are his coping mechanism and are all masks.
so I actually feel this is the case this time too, the author wouldn't have made this guy a genius actor who's TAUGHT Ai to act for nothing... The whole chapter starts out with his expression being expressionless, then forming a smile, just before he starts saying everything onwards. And by doing this, he IS actually talking to his son to forget about killing him and go on living his own life while sounding pretty evil...
but that means we can't believe the god or whatever she says either, so that's why I don't know. She was wrong about Ryosuke and "a middle school boy" having gone to the hospital once if Kamiki never went and it was really Nino, but would she be TOTALLY off in this case? I have no idea. That's what makes it confusing for me and have a lot less hope on how things will unveil, but the expression cues do say something... if it weren't for her, I'd say he's acting.. but the things she mentions about him are just too...that of a third-rate villain and it's so nonredeemable. If that is right, the whole idea of Ai having wanted to help him is sort of thrown out the window. They DIDN'T need to make her say that... it was so WISE of her to leave a guy like him, and all her visions of him were wrong, you know?
So I'm just.. wondering how much we need to trust the crow.
I thought I could trust her, but how much does she actually know?;
Or maybe it IS true that Kamiki's done some hideous things the way she's depicted it, and yet he doesn't want his SON to be the same way.
If there's one thing I can pick up from this chapter that's going to be released... it'd be that Kamiki doesn't want Aqua to die. He thinks there's many reasons for Aqua to go on living. If you pay careful attention to his speech, that's what he's actually talking about... he actually looked a little relieved when Aqua agrees he has a lot to live for and that breaks when Aqua still refuses.
Yeah.. I think.. I'll stick around a bit more actually. The part that REALLY bothers me is what Tsukuyomi says, if that's really true.. ehh.....it's a huge let-down for me I don't like that. It's not a very good way to use this character. It's really dumb and I don't think it works but if the author says so; okay?? but I won't feel the need to collect the physical volumes any further if that's true. That's just me though.
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applecrispy · 3 days
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Kinktober Prompts
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Hello everybody!! I'm back, and I want to try my hand at Kinktober this year <33 I've generally changed fandoms from the old Tokyo Rev. since I out grew it, but I might still take suggestions for it??? Not that much, but anyways! Here's my list!
orgy
begging 
scars 
cum  
mind control 
formal wear 
licking 
threesome
oviposition 
degradation 
somnophilia 
honeymoon 
sharing 
sex work 
knife play 
roleplay 
hair pulling 
D/s 
crying 
pegging 
being forced to kneel 
double penetration
orgasm denial 
glory hole
fuck or die 
sex pollen
deepthroat 
collaring 
ass worship 
fisting 
pregnancy or a/b/o
This list will serve as my master list for this years Kinktober, and each prompt is each day in order of October! Characters I'll choose by whim or by requests, and most of the prompts will be short drabbles, one shots less likely, but I hope to have fun and challenge myself!
The prompts will be a mix of male reader and some fem reader, but I'll try to keep a couple gender neutral if the worms in my mind don't consume all my writing.
Feel free to recommend any characters from my current fandoms which can be found off my masterlist atm, but I promise you guys, you WILL se some Finnick Odair love at least once in this because I've been frothing at the mouth for this man since I read him yap in Catching Fire.
Toodles!
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zonaenthusiast · 15 hours
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Another thing I thought of following the interview that has come out with Joe Manganiello (Crocodile).
One advantage OPLA has is that because the manga is so advanced, they have a ton of material to work with that wasn't known at the time the arcs were first published. We have already seen it in the first season with the revelation that Garp is Luffy's grandfather or that Kuina is a Shimotsuki.
In the interview, Joe mentions that he has built his version of Crocodile around one key element: his defeat to Whitebeard. A detail that we as readers did not know at the time.
I have mentioned a couple of times that I like Crocodile… but only after Arabasta; thanks to the events in Impel Down, Marineford and now Cross Guild because it has been when more things about the character have been revealed to us (and one of the most famous theories in the community has to do with him thanks to that).
During the Arabasta saga as such, in which he is the main villain, Crocodile has always felt a bit… empty to me, especially when I compare him to villains that have come before and after. And it's one thing that had always bothered me considering the magnitude of his strength and his position because the brief allusions that something had happened to him were not enough for me, not in the saga in which he is one of the main characters. For example, Moria has a similar story to Crocodile that's told in full in his arc.
One can argue that Oda was saving that information for the Marineford arc, considering what happens there, but the undisputed fact that Crocodile was defeated by Whitebeard we know from a sbs. Before that we only knew that Crocodile hated him, but not why.
I didn't need his past in detail during the Arabasta saga, but I would have liked it to be more noticeable in general in his behavior. Like Arlong, for example. It's obvious why Arlong is fucked up and why he does everything he does during the Arlong Park arc but then we are given all the details during the Gyojin Island arc that complete the image we had of him. It's new information but at the same time it's not because it just puts names and some context to what we already knew.
So the fact that Joe Manganiello has said he's going to use that piece of information about Crocodile to his advantage during this saga, whether Whitebeard is explicitly mentioned or not, to me could add tremendously to the character. The screenwriters, directors and Joe's particular interpretation can give me what I've always felt the original arc lacked.
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Pete & Nat, the role models
I've been wanting to meta a lil bit about Pete for sooooo long, I have soooo many good things to say about this guy.
And soooo many complaints for Storer, as well, because instead of introducing new and annoying characters like Computer and giving more airtime to Fak's brother, I don't even remember his name... Pete's character should have been better exploited last season. Especially considering that he became a new dad of THE NEW BEGINNING.
That baby reset the timer of the whole story, which we saw on screen a couple of eps later.
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This is how Pete was introduced to us:
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That magazine was right next to Pete's computer the first time we saw him in S1's Hands (01x02) when Carmy apologized over the phone, for having sent him to UC.
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Pete is enough. No low self-esteem issues, no drama, no trauma. He's centered, stable, and most importantly: He's Nat's rock.
He's a casual guy (tennis shoes on the cover symbology), a "report maker" (name of the magazine) even though he's a lawyer. "Report makers" are reliable and organized, even borderline boring sometimes, they are certainly not daredevils, they are anal and collected. That's their profile, Pete's fits it perfectly.
Not all lawyers are "reliable". He is, because he's the report-maker type. IMO Symbolically speaking that magazine stealing the focal point of the frame for a second is probably telling us that about the character.
So, he is "enough." Yet Sugar married him and started a family with him with this flawed mindset that is nothing but her trauma response:
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More about her here:
So, my point is that you don't have to be squeaky clean and your mental health does not have to be pristine for a loving relationship you enter into to work out, not necessarily. This does not mean that Carmy doesn't have to do his part of the work to get better for Syd, which he does and is doing:
OR that Syd doesn't have to clean her side of the street too, which she does:
It means that no, you don't necessarily have to be A-OK to allow yourself to love someone and be loved by that person as long as you choose each other and help each other to do the work, that work will be individual and it will be joint and you will always need help and there is no "right time" to start but ironically enough there is such a thing as too late.
Pete & Nat prove that they are doing it together, it's certainly not easy for them, especially for Natalie, but they are succeeding at it.
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IT CAN BE DONE. it's not a utopia or even a bad idea. It can work out, sometimes it doesn't sure, but it can.
Bonus track: Pete may play cupid for Sydcarmy, I am positive Sugar will so it's not crazy he will too by proxy and here's why I have this hunch ↓
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THE BEEF STEW
Fingers crossed like pretzels rn.🤞
Remember to follow my tag #Gingerpovs 💋
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raiiny-bay · 1 year
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they're like, bound by fate or something
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luxites · 8 months
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Hi! I have always liked your artstyle so thanks for doodle requests! Please draw Orihime from Bleach Tybw ?
doodle request rules
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hi thank you so much!! My Bleach knowledge is very minimal, but I have a couple of friends super into it. hope that I picked the right outfit... I thought this one was really cute!
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muninnhuginn · 4 months
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Writers tag game
Prompt: share some writing
Thanks for the tag, @miyamiwu!
So, I'll be honest, I don't actually have any WIPs I'm intending to do anything with, but I have some oldish abandoned stuff I managed to relocate. It's back from 2021 so in my Untamed era and this bit was specifically set during Fatal Journey*:
Nie Huaisang woke blearily, cold seeping into his clothes from the floor. It was dark and it took several seconds to remember where he was. He could hear the muffled sounds of clanging and voices. As he lifted his head off the ground, they slowly resolved themselves into the clash of swords and yelling. [...] He didn't know what to do. What would his brother do? Xichen-ge? San-ge? He had his flute with him– he could try Cleansing. This was what it was for, right? Before he could doubt himself further, he started playing, pouring all the qi he could muster into the tune. He'd practised for hours the night before, long after San-ge had left, but despite that, he hadn't truly thought then that he'd need to play so soon. Was that so naïve of him? As he watched, Da-ge began to slow in his movements and Nie Huaisang felt himself start to relax. He kept his lips to the flute, trying not to let his relief fool him into making mistakes. Still, he knew he only had to play a little longer and then they could all escape. Him, his brother, his cousin. They could flee far away from the darkness that haunted these halls. And then Nie Zonghui's head hit the floor. He stopped playing.
And then I had this other bit:
He'd messed up. He must have played a wrong note. Maybe he'd misremembered the entire thing? And now Nie Zonghui was dead and his brother - what looked like his brother - was stood, Baxia dripping blood to the floor. [...] The sword was pointed at him. He tried to hold himself steady as he looked down the blade. Tried to blink away the tears that kept escaping without his permission. He could tell he was failing, unable to stop the trembling, but he forced himself to meet the eyes at the other end of the sword. He couldn't die here. He refused to die here. After all, he was the only family his brother had left.
*(it was meant to be part of a short time travel fic where post-canon characters went back not long before NMJ died. It would've had flashbacks to Fatal Journey interspersed with the "present" up until the point at which future NHS tipped off past NHS about the poisoned music. I actually got as far as figuring out where I wanted all the characters to be at the end of it, but I ran out of motivation pretty quickly so there's only this WIP stuff and the intro part written in the end.)
Ahh not sure who to tag when it comes to writing stuff. I know @roseofcards90 and @floofiestboy write some stuff? And anyone else who sees this who writes, feel free to consider yourself tagged ^^
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chimerafeathers · 3 months
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there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front
how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes
all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).
it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?
why can't laios take things seriously for once?
#mypost#i'm majorly out of practice for doing any real critical cohesive writing lol#trying to put this into coherent words has been such a mess so here's a vague gesture at my thought process about it#it's both my favorite and the most frustrating thing to see#because i've seen SO MANY people say they dropped the show after a couple eps thinking they know what it's about and where it's going#a cute but ultimately unsustainable gimmick#people for whom the characters and the food/biology infodumping weren't enough of a hook#but i wouldn't change anything about the structure to put a more obvious plot hook in the beginning#because it would give the game away TOO much#i LOVE how the audience has to acclimate to the characters' attitudes about death#only for our assumption that it's all normal and fine in this world to be thrown back in our faces#how we're left to notice the winged lion appearing in statues and carvings and coins and armor in the background#long long before it's ever brought up as a real entity by the plot#the history of the kingdom laid out in plain view but nevermind that. magic painting food!#i've seen the language around falin and her resurrection cause so much confusion#but of COURSE the characters involved wouldn't directly say 'we need to get her corpse to revive it'#bc pragmatically they already understand that as their goal. it doesn't need to be stated out loud; it's just how this process works.#but also they don't SEE her as an object. a dead body.#they need to 'save her before she's digested.' 'the spell couldn't reach her in the dragon's stomach.' 'hang in there falin'#death isn't real to them. not really. and so it doesn't quite feel real to the audience either#not until they find her skull and that realization slams home#like......i keep comparing it to gravity falls#which is episodic and goofy in the beginning but also has a much more obvious plot hook to keep people interested#(a main character entering a secret bunker indicating that he's lying about his ignorance of the town's mysteries)#the main characters in gravity falls are AWARE that there is a mystery to be solved and are trying to find more information#but i don't think that approach would work as well for dm!#laios's goals were never that lofty. not until they HAD to be because the situation demanded it of him#it's the characters trying to solve one personal problem and finding themselves entrenched in something vast and dramatic#that they weren't even fully AWARE of when they set out. and we the audience are on that journey with them!#it's SUCH a good structure i wouldn't trade it for anything. but also. tragic to see people give up and dismiss it so fast.
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iridescentoracle · 4 months
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okay so. potentially controversial opinion i guess but apollo justice (the game, though actually also the character) was kind of a mess. i wanted to like it, there was a ton of potential, but the execution just did not work for me at all. but it’s been haunting me for weeks and (unlike dual destinies, which also didn’t really work for me but i cannot for the life of me figure out why) i know exactly what i didn’t like about apollo justice and how i would fix it if capcom decided remake AA4–AA6 and inexplicably put me in charge. fair warning this is at least 80% complaining by volume about what they didn’t do/what they did do that i hated though.
like, okay, here’s the thing. it’s a new story. phoenix has had his arc, we’re moving on to a new main character, he isn’t the protagonist anymore. it makes sense to move him into a mentor/boss role while our new protagonist takes over as the plucky young newbie who doesn’t really know what he’s doing. the problem is that everything about how the game does that kind of sucks.
like. AJ phoenix gets totally shafted for the sake of not letting him be a good mentor, so that apollo has to figure things out on his own, but apollo isn’t really treated right by the narrative either, because the plot is so much about phoenix that apollo is like. weirdly peripheral to the whole thing even though he’s nominally the protagonist. like it’s super obvious that the whole reason phoenix isn’t an attorney anymore and is all ✨ mysterious✨ and ✨secretive✨ is literally just so that apollo doesn’t actually like. have a good mentor who can teach him things? like the entire plot/backstory is just a post-hoc excuse bc the starting point of the game was clearly someone going “well we’re not allowed to not have phoenix in the game, but we can’t let him be someone apollo can actually rely on, so we have to find some excuse to make him weird and mysterious and uncommunicative and also not a lawyer just for good measure bc otherwise he wouldn’t leave a kid hanging like that” and everything else was built up to justify that.
but as if it’s not bad enough that it all requires shattering phoenix’s perfectly good reasonably-happy-ending from the previous game, by extension everyone else gets screwed over too?? like, maya was very explicitly traumatized by the kurain channeling legacy to the point of briefly not wanting to identify herself as a spirit medium. pearl was sheltered from some of the worst of it but was aware of enough to blame herself for bad things happening to the point of trying to run away. the credits definitely made it seem like they both bounced right back after all but frankly i was not convinced they weren’t going to both collapse as soon as the figurative camera looked away again and the most plausible short-term outcome to me was that they would wind up both moving in with phoenix for a while in the near future like maya all but said she wanted to do!! she called herself “the assistant manager at Wright & Co. Law Offices” and said she “[didn’t] want any more to do with [the Fey clan],” that is IN the TEXT i am not reading too much into things here those are her words! i’m fine with her potentially changing her mind again and resuming her training again and moving back to kurain after all when she’s had some time to recover from everything but like. when she’s had some time. she deserved more than two months and i hate so much that she didn’t get it.
on the flip side, again, i get the choice to deliberately not-include edgeworth in this one but i swear to god it should have taken him and phoenix like. maybe four months to finish getting their act together and that’s being generous and counting the month it takes him to wrap things up in europe and move back to japanifornia. i’m pretty sure edgeworth figured out how he felt when he got the phone call from larry about the bridge if he hadn’t already by then and i think phoenix simultaneously realized and refused to realize how he felt during the year he thought edgeworth is dead, bc neither of them can just be normal about feeling things ever, so give them a second for phoenix to stop repressing shit and also mention that he’s absolutely not going to get back together with iris when she gets out of jail and they Will sort themselves out and they Will kiss and i give it like a year tops before they get married. they have a courthouse wedding obviously and get the judge to officiate. 50/50 chance they wind up proposing in the middle of a trial and get married during the next recess.
and in canon there’s not time for all that to have happened bc the next game requires phoenix to have promptly turned into an arrogant asshole and then gotten royally fucked over by the universe and become a totally different person (again, at that, because he’s already a completely different person in the flashback to his last case, why does he act like the paynes that whole time i hate it), but like. this is what i’m saying. phoenix getting screwed over by the universe/writing also screws all his friends over too.
so i just. this game does such a disservice to phoenix’s entire character, and all of his friends, and also the entire first three games and anyone who loved them. it’s not all bad and the person phoenix has been turned into—“has been turned into,” not “has turned into,” because the hand of the writers is so visible, i can’t engage with this game on a fully watsonian level for the life of me because phoenix’s hoodie might as well say DOYLE CHOSE TO DO THIS TO ME. this is a fictional character being written by real people and the real people wrote him in a manner entirely incompatible with his original characterization and i cannot get past it—is fascinating but it isn’t phoenix. i love the plot but i hate the execution. i like the ingredients but the recipe sucks.
but it could have been so good. and at this point i’ve mostly worked out how.
you have the exact same scenario with the gramarye trial, is the thing, up through the point where phoenix wins the poker game and shadi enigmar/zak gramarye asks him to be his lawyer, and phoenix accepts—and then phoenix, like, gets a phone call from maya or pearl bc it turns out one of them just got hurt, or they’ve both come down with some kind of stomach bug or food poisoning or something, some temporary emergency that’s just severe enough that they need more help/care for a day or two than phoenix could give while also handling a case, but that won’t actually last all that long.
so he turns down the case apologetically bc oh my god i’m so sorry actually, family emergency, i gotta go right now, best of luck, and shadi/zak moves on to defense attorney number three: a different, brand new character, another rising star defense attorney around the same point in their career as phoenix, and that’s who winds up using the forged diary page and getting disbarred and turning into the bitter jaded inscrutable asshole mentor who years later will manipulate apollo into exposing his own boss as a murderer, and then technically hire apollo but not actually, like, teach him anything or help out in any meaningful way, etc.
but meanwhile, three facts about this series of events:
8yo trucy is still the unwitting catalyst for the lawyer defending her father using forged evidence that destroys his career, and her father still vanishes and leaves her behind
within a couple days, pearl and maya are basically fine
phoenix wright’s best friend was once a kid barely older than trucy is now who suddenly found himself with no family, and as a result was taken in by someone who had a deep and abiding grudge against both him and his father because of what they did, through no real fault of their own, to him/his career.
and since phoenix did meet shadi/zak and turned his case down, he has every reason to be curious about how the trial went, and to pick up either from the general news coverage (which, considering what a big deal phoenix’s disbarment in canon was, i assume there is A Lot Of,) or to realize bc his personal curiosity/almost-connection means he actively looks into things, that there is a kid who has been left behind and who currently has no one to take care of her. and you cannot tell me that phoenix would look at this kid whose best-case scenario is currently getting swept into the foster care system bc god forbid she actually winds up getting taken in by the only adult even vaguely associated with her at this point, bc phoenix has seen that story before, and not decide on the spot to adopt her himself
and so just like that, we have
phoenix accidentally escaping the whole gramarye trial entirely unscathed
but still adopting trucy
pearl and maya still living with phoenix a couple months post-T&T instead of immediately getting packed off back to kurain
no changes that actually significantly impact apollo for most of the game bc all that’s really different for him is the name of his inscrutable jerk mentor and the fact that he’s gotta wind up meeting/being-befriended-by trucy a little differently
so by the time the actual present-day plot of the game kicks off, phoenix and company are still out there doing their thing with phoenix getting to be his best self and living his best life. he still gets his adorable adopted daughter who he loves dearly. we still don’t actually see maya or edgeworth or pearl in this version of the game but there’s allusions to them all being very present in his-and-trucy’s lives—trucy brings us over to their apartment at some point and we see a stack of steel samurai dvds in the corner and a laundry basket with unidentifiable clothes in suspiciously familiar shades of purple/pink/magenta, details like that. we only see phoenix himself for like, maybe five minutes total over the course of the first three and a half cases and it’s a little tantalizing but he gets to be the one who bursts into the courthouse with the decisive evidence that lets our protagonist win the last case.
and meanwhile, apollo’s current boss is shady and inscrutable and used to be a lawyer and can even be involved in some ✨ secret mission ✨ that he won’t talk about that turns out to be the jurist system, so we can hypothetically keep whatever the intended message of that whole thing was (which, argh, what do you DO with the jurist system. what is the intended message. i get that it’s satire of a then-contemporary development in japan’s legal system but i can’t figure out for the life of me what the satire is actually meant to say), and then at the end of the game Apollo’s Shitty Mentor is proven to have been innocent and will be allowed to take the bar again if he wants to but he’s not entirely sure bc at this point it’s been so long that he might just prefer to move on entirely now that his actual disbarment/disgrace isn’t hanging over his head bc he honestly did used to be a pretty stand-up guy but the last seven years have been rough and he doesn’t really like the person he’s turned into and maybe it would be healthier to treat this as a fresh start and try something entirely new so he’s going to take some time away from the whole legal system first to clear his head before he figures out whether or not he actually wants to dive back in.
and apollo’s like “well that’s totally understandable and sounds great for you but goddammit do i really have to go back to the endless nightmare that is job applications, i hate this actually” and phoenix (who is also in the defense lobby where this whole conversation is taking place) is like “why don’t you come work for me?”
you could even have it end on a joke where apollo is shocked about the offer bc he applied to work for phoenix six months ago and phoenix is like ???? i never saw that?? and it turns out apollo applied via email but phoenix still sucks at computers and only checks his work email like once a year.
seriously though i do not understand what we’re supposed to think about the jurist system. is it supposed to be that fucked up? i’m not actually sure how we’re supposed to feel abt that tbh but it sounds like maybe it’s not supposed to seem like an actually better alternative? like it felt to me like it was being framed as a triumph for our belovèd hero, isn’t this great that he was able to arrange things so everything would turn out all right after all etc, but it was so obviously fucked up and unethical—like, oh, yeah, having one guy in charge of assigning the defense attorney, the judge, and the jury sounds totally fine and like it’s actually going to be more reliably ethical than the system that’s already in place, for sure, not to mention the possibility that edgeworth was pulling strings to help phoenix make it happen and be involved, because nepotism and people in law enforcement/the justice system pulling strings to put people they like in positions of authority that they probably shouldn’t have specifically so that they can do things like “rig a jury,” on purpose, is fine bc i like these guys who are doing/benefiting from the nepotism so therefore it’s not wildly unethical and an obviously terrible idea, oh my god—that it feels like it has to be on purpose?
and like in practice it just… the jurist system as it’s actually implemented is worse actually. it’s genuinely worse and less ethical than the established system where the judge was about to let kristoph gavin off scot-free for the crimes he wasn’t already convicted of.
that said it’s like. very funny on a conceptual level. yet another thing that makes sense if the games are set in japan bc sure of course fictional kinda goofy japan has a more ridiculous version of the thing that’s being implemented in real-life japan right now, but when localized the implications are buck-fucking-wild
because. okay. japanifornia exclusively has bench trials or whatever they’re called for some reason. i have questions about why that’s legal given the existence of the sixth amendment but sure fine the japanifornian legal system is deeply fucked up in many new and interesting ways and that is clearly just one of them. but you’re telling me that the entire concept of trial by jury is strange and new to a lawyer? like. did the entire country just. ditch the sixth amendment before apollo was born? why is this a brand new concept instead of, you know, how things work in every other state. i have so many questions that do not need answers. thank god these games are old enough to have gotten localized it’s so much funnier this way.
ANYWAY. SO. yeah. make apollo’s inscrutable asshole so-called mentor someone other than phoenix wright, have way less of phoenix in the game actually bc he’s off living his best life and having a thriving career with very little reason to think about how kristoph gavin exists, and meanwhile write apollo with All That Backstory in mind from the start though 95% of the actual info should still be saved for game 6, we’re just trying to write apollo so he’s not completely flat and frankly pretty forgettable at times and also including foreshadowing so the khura’in thing isn’t a very obvious retcon when we get there, and turn klavier into an actual person, and that’s like. 95% of my frustrations with the game fixed right there (the other 5% is “i still can’t tell what we’re actually supposed to think/feel about the jurist system” but like. i can’t tell what we’re supposed to think/feel so i don’t know how to fix it).
well okay also the like, pacing and focus would need to be fixed so apollo’s incrutable jerk mentor isn’t the protagonist for half the last case to the point i forgot apollo existed, etc, but like. that’s the next level down of problems you know?
AND bonus points: splitting “phoenix” and “apollo’s inscrutable jerk mentor” into two separate characters automatically fixes yet another of the worst He Would Not Fucking Do Thats of the game, i.e. phoenix just. not telling trucy and apollo that they’re siblings and their mom is alive. bc apollo’s shitty mentor is the one who actually interacts with lamiroir offscreen, this phoenix never does, so apollo’s mentor is the one who has the opportunity to figure out who she is and that trucy and apollo are half-siblings, and they’re not his kids, apollo doesn’t even work for him anymore by the end of the game so what does he care whether she tells them, and meanwhile phoenix isn’t inexplicably hiding that information because he also doesn’t know. still relies on her continuing to hide her face professionally in the meantime (instead of being deeply stupid about the fact that she is super famous, twice, and if she goes around being Very Famous And Popular Singer Lamiroir someone will notice that she is very much also Very Famous And Popular Believed-Dead Magician Thalassa Gramarye and between the existence of the news and the existence of the internet her kids will inevitably find out, jesus CHRIST parts of this game are so badly written), but that’s a given
i have a whole bunch of other thoughts—mostly about klavier gavin bc he should be such a good character but he just doesn’t work, but also i think the structure of the last case would have to be pretty significantly modified to fix the pacing/structural/focus issues where our nominal protagonist is basically irrelevant for the bulk of the case, even while the plot would remain basically the same, but i haven’t figured out how the structure would be different bc that requires figuring out how to handle the whole jurist system thing—but that’s like. the coherent parts/the bulk of it, you know?
i think (really this is just a detail, not a major plot point, but it would have a pretty major impact thematically so it feels bigger than it is? so) the other main thing i would change—and this part isn’t actually real criticism bc it’s not, like, bad that they didn’t do this, and if they were going to make any changes there are a lot of things that should be higher on the list, but listen. zak and valant should’ve been brothers.
because like, first of all, the extra complexity of the relationship if they’re not just two random guys who met bc they were functionally coworkers/fellow students, and instead you have these two brothers with the same mentor and who are both in love with the same woman, and they both know that one of them is better at magic and their mentor’s favorite, and he’s also the one who the woman they’re both in love with loves back and has a kid with, etc? a favorite/least favorite child dynamic occurring spontaneously, presumably in adulthood, in their professional lives? like. it makes everything about their relationship with each other, and with magnifi, and zak’s relationship with thalassa, and valant’s relationship with trucy, way more complex and interesting without actually having to change anything else.
but then secondly, on top of all that, suddenly this is a game about siblings. zak & valant, apollo & trucy, and kristoph & klavier. suddenly you have these three different sibling relationships that are all very different but two of them actually get to be siblings but are super fucked up, and the last pair meet entirely by chance without any idea who the other person is or should be to them but wind up with the healthiest happiest relationship of the three? like, the tragedy of it, that apollo and trucy were separated by fate and literally no one knew they both existed except their own mother, who thought apollo was dead before trucy was ever born, and if not for whatever series of coincidences resulted in apollo happening to work for the man who ruined trucy’s father’s life and getting roped into that whole mess they might never have met at all, and as it was they lost however many years they could’ve had each other, etc etc, and yet despite it all they’re the ones who actually manage to be happy and, like, unconditionally positive presences in each other’s lives, while valant spends however long resenting zak for being magnifi-and-thalassa’s favorite and more talented and all that which presumably put a strain on their relationship bc being resented that deeply by someone that close to you for things that you don’t even actually control can’t feel good, and kristoph and klavier… [gestures vaguely] idk whatever they would feel about each other if the writers remembered klavier was supposed to be a person. and aside from the klavier bits all of that is in the game already, implicitly or explicitly, just waiting for someone to rewrite like three lines of dialogue so zak and valant aren’t Just Some Guys to each other.
anyway a lot of the other thoughts i have are like. details. it probably never gets established explicitly but phoenix probably never gets to know kristoph gavin that well, and conversely kristoph doesn’t care about phoenix bc he might not even know he would’ve been passed over for phoenix before the other guy. ema is friendlier bc even though she is still upset about being a detective and does still think klavier’s annoying, she doesn’t actively resent him for getting phoenix disbarred. also she’s already good friends with trucy. the biggest plot-difference that isn’t just a natural result of phoenix not getting disbarred is that i think phoenix has to be the one who gets hit by the car in 4-2 instead of that happening to apollo’s jerk mentor bc no other human being on the planet could get thrown thirty feet by a car and hit a telephone pole with his head and still only wind up with a sprained ankle out of the deal.
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bleaksqueak · 7 months
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Woah dang, waking up to 99+ notifs on tumblr almost always means that an old Homestuck piece is going around again... imagine my delighted surprise to see it was all notifs about Soli! That was a great thing to wake up to. Felt an actual flutter in my chest. Thank you so much, everyone! And apologies for how Elias' hair keeps subtly changing. You always kind of figure out exactly how a character looks and how to draw them as you go along with sequential art. It, funny enough, largely comes from figuring out their acting (so lots and lots of different angles and features that need to shift/change slightly to carry the weight of looking like they should feel, for lack of a better way to describe it ) At any rate, glad to see people are excited for chapter 3! next update will be next week, and will be a two page spread.
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Begging yall to keep Pigsy's characterization in your freenoodles content
Yes, he's a sweetheart and madly in love with Tang, but that doesn't change the fact that he's still a grumpy middle aged man and Will React As Such. More grumpy middle aged man Pigsy characterization please, it's very important
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