#ALSO there isn't a whole lot of actual romance IN IT

[istibaethoriel]

I wrote some Durgetash fic... :D 

[sarcophagid]

Do you have any relationship hcs for Ithaqua?

i don't rlly do relationship stuff but i'll try and take a crack at it 🤔

i think ithaqua has a bit of an internal conflict between love (life) and apathy (death). to be human is to love, but after the attack, this was deadened, both for him and his mother. his memory issues are an extension of this theme, he loses the memories from when he was loved. in the manor, ithaqua doesn't play the primarily love-motivated role that he did in the forest, it's an aimless force.

anyways. it's probably easier to be friends than lovers although neither feat is really easy (i think it's mostly bc what kind of expectations are in a romantic relationship that make it different for him). by the time he gets to the manor he's anywhere from jaded to depressed to paranoid. also i like him as a character but as a person? i gotta take the rose tinted glasses off - he's not very likeable, at least not as nightwatch. and the catch 22 is if you don't like each other then you aren't getting anything but nightwatch anyways.

capital letters Night Watch is a persona and a means to an end. he doesn't believe everything he says or does under that label, as long as it keeps people out of his business. but lets assume the stars aligned etc. and he actually is close with people, platonic or otherwise. in that case he's comfortable enough to unmask (haha. not literally though. you need 30 points to unlock that 😔).

^ when he's relaxed he's significantly less serious. i think he tries to have a sarcastic sense of humour (keyword 'tries'). he's also the type of person tell an obvious untruth and wait for someone to go 'wait really?' so he can say that he made it up. it's incredibly annoying but robbie thinks hes hilarious (time honoured older brother tradition of recreational lying).

^ he doesn't really know how to comfort people and it eats him up so bad because guess what this feeling of helplessness in the face of a loved ones pain reminds him of? he tries to make up for that with the magnitude of his aimless effort and often fruitless attempts to enact retribution on the problem itself.

ithaqua's not the type of person to fall in love at first sight. he doesn't hang out with people with the express intent to form a romantic relationship either. if he likes someone, they'll usually have to be close friends first. that being said, i think he has trouble discerning between 'do i like like them or is our friendship just reaching a new level'.

improbability aside, theoretically if ithaqua really did have a crush on someone, i think he would want to be nice and romantic etc because this is some of the first non-hateful human contact he's had in years and he's scared something will happen Again and he'll go back to being Alone.

and while he's not completely clueless on how romance works, i feel like what he knows is pretty limited to social stereotype (chocolate and roses?? where do you even find that in oletus manor.) and fairytale kinda stuff he gleans from books he read as a kid. so he's a little lost. this is where i think he's kind of awkward and weird because he's not sure how he's supposed to act. he knows how to act to be the night watch, and he mostly forgot how he used to act when he was 'human'; but neither of those are how he 'really' is in the present. lets work on ourselves first maybe...

[solar-net]

Unknowing Harem Au

Synopsis: Serena recently got accepted into the newest College run in Unova, hosted by the professors and champions of each region. One that houses mutliple oppurtunies, both known and the more obsure. A little nervous but determined, Serena goes about moving to the dorms, and setting up to try and figure out what to major in.

There, she meets rather peculiar people.

Her roommate; Misty, the youngest of 3 other sisters, and known for her excelent swimming and her ability to connect with every water type pokemon. She's a little hot-headed and can be brash at times, but she means well.

The Soriety girls; May and Dawn, hosting parties for the girl's dorm and planning outings for the new roomies. Both specialising in battles and preformences, often having multiple sutiors trying to bat their way.

A strange girl that doesn't seem to go to class; Iris, usually sticks to the outdoors, never seen in class yet has all A's. Many regard her as a wild child that still hasn't grown up, other students tend to go to here when it comes to battling techniquies, as her knowlege is limitless.

The Large Alolan Polycule; always seen around each other and just living life. Serena has classes with Mallow, Lillie, Gladion, and Kiawe often helping Lillie and Gladion with assignments, talking to Mallow about different foods, and learning about Alolan culture through Kiawe.

Finally, her two childhood friends; Ash and Gary, both studying in battles but Gary leaning into a more research oriented role. They're nice and Serena spend most of her time with them, finding the ability to ease up around familiar faces.

She doesn't know what she wants to do yet, but Serena knows that she can't follow in her mother's footsteps. Expanding her horizon's and wanting to find something she can do on her own, but still improve from.

Unknowningly to her, Serena's managed to accumulate a bunch of admirers that have put bets on who's going to win. Of course, she doesn't have time for romance, Serena needs to find herself first!

[cmonangel]

okay so i finally read a ballad of songbirds and snakes which led to me rereading the hunger games trilogy over the past week (SO GOOD i could make a whole other post) but then i thought it would be a good idea to watch the movies but then literally started sobbing from the beginning and started again every time single time they showed rue before the games even started or anything

[debleb]

americans try not to immediately turn anything irish into magical mystical uwu pagan faeries challenge (100% IMPOSSIBLE)

[h-i-raeth]

Time And Hearts Will Wear Us Thin (hanahaki deconstrucion fic) for wip wednesday? i love hanahaki deconstruction

WIP Wednesday Ch 1-3 on AO3 here

“And it didn’t get worse after I told you that you had to be out of your mind to make a move on me,” Robin continues, offering her hand to him palm side up. “Because I didn’t withdraw the affection I do have for you by rejecting you. Even though you didn’t land a single date with anyone else despite quite literally throwing yourself at a wide variety of eligible young women.”

Steve takes the offer, and Robin starts rubbing circles into the hand he places in hers with her thumb. “That would seem to be the case.”

“So. Maybe the answer isn’t to go throwing yourself into a rebound relationship."

[i-wakeupstrange]

read someone on the internet saying they didn't want to watch utena because of the mamousa breakup in sailor moon r

and i had to physically restrain myself from ranting

[icharchivist]

Icha, I require pictures of your Dragon Age lovers 🤨

that's mean!!! that's mean!!!! that means i have to expose my terrible taste in men that's so m--

as i mentioned my favorite romance in term of the romantic, emotional attachement to it, is Fenris in da2:

My DAO favorite romance is Leliana (who also comes back in DAI as a supporting character), who's my favorite long term romance

..... and in DAI i almost always romance Solas, sORRY.

in my defense i have no defense. This is bad in and out of context. and he's my favorite romance in term of the weight it has on the plot.

others honorable mentions of romances i really like are Zevran in DAO, and (sorry again) Cullen in DAI. And else i've been interested in romancing Isabela in da2 and Josephine in DAI but unfortunately got derailed by the others ones and never got to it.

So. yeah. that's the run up.

the more you know o7

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[pa-pa-plasma]

just finished watching Blue Beetle & the dude who's lines were 90% "my name isn't Sanchez" is listed as "Sanchez" in the credits

[brionysea]

when it comes to the umbrella academy, a lot of people seem to think that the first half is great and the second half is terrible. personally, I think only the first *season* is great, or even good. here's why:

the mission statement at the end of season 1 is fixing viktor, but viktor isn't the only broken one, so you can infer that they're all going to have to fix *each other* - as a family, the one thing their abuser never let them be. and the world's burning down around them because of the most dramatic sibling confrontation to ever grace the earth, but they're holding hands and escaping together and surviving the impossible with the intent to move forward, even if that means momentarily moving backwards. it's a masterful allegory for finally growing up, accepting responsibility for your personal trauma and tragedy and how they shaped you, and the moment you take that power back by choosing to heal your inner child, only after being slapped in the face with the fact that if you don't, it *will* destroy everything you've ever built, ever cared about, and ever could.

and then the rest of the show forgets all of it. as it were, it goes in the *exact opposite direction.*

on the surface, the second season isn't *as* bad as the subsequent ones are. but season 3 and 4's faults can be traced back to season 2 by how it pivoted away from the serious subject matter that the story (not the plot - the *story*) was heavily baked in, leaning hard into the goofier elements instead, without ever understanding the contrast that those conflicting elements served to highlight. it made them both more powerful; the jokes were funnier because you were just devastated, and the trauma was more devastating because you were just in tears laughing. the emotional roller coaster is key to understanding these people, and you *have* to take the serious stuff seriously for it to work. at least half of the show doesn't, and as a result, the emotional moments feel hollow.

controversial opinion: as a character, luther is better in season 1 than he is anywhere else. he's more unlikable, but that's because he's implicitly there to show what *not* to do - even if he'd succeeded narratively by locking viktor up and saving the world, he still failed thematically by emulating their father and continuing the cycle of abuse - so luther's a character that's being very effectively used to add to the core theme of the story. he feels like a real, frustrating person, whose brain chemistry got messed up by years of abuse and isolation, all for the crime of thinking his father loved him and wanted the best for him. not like a made up guy on your screen doing silly stuff solely for your entertainment.

season 2 was also the start of the characters getting love interests instead of storylines, which season 1 never would have *dreamed* of; klaus and dave's tragic romance only served to further klaus's character arc, viktor's creepy boyfriend was actually manipulating him the whole time, five's fractured-psyche-mannequin was a narrative tool to let us see into the head of such an emotionally reticent character, and so on. the romance served the character, but fairly quickly into the show's progression, it felt like the character started serving the romance. five was immune to this curse for a long time due to aidan gallagher's age, which is why he's (for the most part) the best, most consistent character across the show, because they had to use their *imagination* for him and actually *write an arc* instead of falling back on tired romance tropes that any selection of characters could slot into to fill the dead space.

after season 1, the umbrella academy is entertaining, but it doesn't have anything to *say.* which is extremely disappointing when the show initially made such a strong case for what it wanted to be.

[anneapocalypse]

I cannot help feeling like the tendency to see Inquisition!Leliana in stark contrast to Origins!Leliana has led to some people forgetting what... Leliana is actually like in Origins.

In fairness, as in all Dragon Age games some very revealing character moments happen in party banter which makes it easy to miss. But the gentle-hearted mystic who desires only to draw others unto the love of the Maker has never been all that Leliana is, and it's always been in direct conflict with the side of her that is not only adept at intrigue and yes, violence, but enjoys those things. This is the central conflict of her whole character, and it's not a trivial conflict, because there is not one simple answer to who Leliana truly is. She is both of these things. She is deeply religious and finds comfort in her faith, and thinks it should bring comfort to others as well. She's also prone to gossip and pettiness and all the qualities that helped her thrive as a bard.

There's this one particularly revealing piece of banter with Alistair if the Warden is in a romance with Morrigan:

Alistair: So have you heard? Morrigan and him are... you know. Leliana: Have you nothing better to do than to spread idle gossip? And besides, he can probably hear us both. You're not being very discreet. Alistair: No, look, he's not even paying attention. Leliana: Hmmm. maybe. You don't... think that he's serious about it, do you? The woman is a vile fiend. Alistair: Well, look here, now who's an idle gossip? Me-ow! Leliana: You're the one who started this, I might remind you. And I'm... well, I'm ending it!

I once had the especially entertaining experience of getting this banter, and minutes later hearing Leliana turn to Morrigan to give her the "It's so nice that you're together, isn't love wonderful?" line. But whether or not you have the pleasure of hearing them back to back, I think this dialogue make it pretty clear that while Leliana would like not to think of herself as a gossip, it takes very little prompting from Alistair to get her to slip back into that mean girl persona. And Alistair (who is more perceptive than he often gets credit for), calls her on it immediately, clearly embarrassing Leliana--who realizes that her mask has slipped.

I don't think it follows from this that Leliana necessarily hates Morrigan unilaterally. There's something much more complex going on between them, in my opinion, because they are such distinct opposites in upbringing and personality. Both Leliana's faith and her life of courtly intrigue are nonsense to Morrigan, who neither believes in the Maker nor has much patience for intricate social graces (at least, not yet). Meanwhile, I think Morrigan's outward self-possession and the sense of power she exudes is a source of both fascination and frustration for Leliana, who thinks she understands power, both social and divine--but finds in Morrigan a kind she cannot fully comprehend. (I also think you can definitely feel some sexual tension into their banter, especially the much-beloved banter about the velvet dress.) Ultimately, both of them are very concerned with power, but approach that concept very differently. And Leliana responds to this clash of ideals in a particular way because her own self-image is so conflicted.

As all great Dragon Age foils do, Leliana and Morrigan needle one another, push each other's buttons, challenge one another's sense of self, and in doing so reveal one another in their complexity and sometimes in their ugliness. It is perhaps easy to write this off as the tired trope of women being unable to get along with one another, or conversely to claim that they get along just fine and fandom has fabricated the tensions between them; I think to do either of those things diminishes a genuinely complex and sticky relationship that serves to reveal a lot about both characters.

[letteredlettered]

Went to a panel about slash fanfic at a con. Moderator said, "Welcome to the panel about erotica." The words "slash" and "erotica" were used interchangeably throughout. Panel was great.

There was a Q&A at the end so I raised my hand and said these terms seemed conflated. Moderator explained she'd run this panel for 10 years and it started out being about slash but drifted into erotica and she never changed the name. (She also said she was glad I brought it up and would keep it in mind for the future of the panel.) The guy on the panel who writes original m/f erotica said that slash and what he writes are basically the same thing. I said I had no complaints about the name of the panel or the panelists, I was just curious about what slash meant to them, and whether slash by necessity had to include sex scenes to be considered slash.

Two panelists answered that slash was romance between men but usually had sex. Eventually one of them did make clear that slash didn't have to have sex but that it was what they wanted to read. Another panelist said that to them slash really just meant dude romance but people wouldn't read their fic unless there was sex so they felt they had to put sex scenes in.

Person came up to me after the panel. Said they felt I didn't get my question answered. Then they explained that since the 70s, 'slash' has been used to mean m slash m romance, meaning explicit and sexual. Then they said it sounded like what I wanted to ask about was shipping. They explained to me that shipping is just wanting the characters to be together but slash meant sex. They explained that since the invention of AO3, people had begun to use the ampersand to mean the fic had two characters who were friends and that the slash was used to denote ships, but even though that punctuation just meant romance, the word "slash" in the last twenty years had become synonymous with explicit fic. I explained I had been in fandom longer than twenty years and this was not necessarily my experience. They said, "Bye!"

Though they seemed confused as to whether what they personally defined as slash had been mainstream since the 70s or since the last twenty years (the person was 24), they were well-meaning. The panel was great. I'd recommend it to anyone, though I'm not stating the name of the con here because I don't want anyone involved to feel this is really a critique of the panel itself. The moderator in particular was superb.

I think that this conversation just brought up a whole lot of feelings for me. I think it bothers me that people still think that all fanfic is smutty, that all slash requires porn, and that all fic must have porn in order to be read. I am familiar with this conflation and feel perfectly fine going to a panel that I think is about slash fic and finding out it's about erotic lit, some of which is fanfic. After all, I like both, and I recognize that fandom mushes these things together and teasing them out into separate strands isn't something everyone--or possibly even most fans--have any interest in. I recognize that I am pedantic to a degree that most people find uninteresting.

I have a little bit more of a problem with the idea that slash is "basically the same" as het, but this was said by only one of the panelists. If your panel is actually about straight up erotica and not slash, then the problem is just the name of the panel.

What I found the most frustrating, however, is that whenever I have this conversation, I feel like the default assumption most of my interlocutors begin AND end with is this: smut is why we're here. And I just don't understand that. Away Childish Things has 44,800 kudos, and it has no smut in it. My next most kudosed fic has almost 15,000 kudos and tons of smut. My next most kudosed fic has almost 14,000 kudos and it doesn't even have a kiss.

I'm not talking about kudos to show off how many I have, or because I think kudos make a point about quality of a fic. They have nothing to do with quality. But they do have to do with popularity, and the truth is, sex doesn't sell. It's something else. It's not good writing. It's not a great plot. It's not in-character characterization. IT'S SOMETHING ELSE. What is it?

I've had people say to me, "Well, you're lettered; it works differently for you." DOES IT??? Maybe they meant that because enough people know me as fic author, people will read my fic anyway, but let me tell you, it's always been this way for me, long before my fic was really popular. The ones with smut did not get more praise and attention. The ones that PEOPLE LIKED got more praise and attention. Do people like fic that has smut in it more than fic without smut? Some of the time! Does there have to be smut for people to like it? NO.

Have I had people tell me they didn't want to read something I wrote because it didn't have smut? YES. But the point I'm trying to make is, there are people who want to read fic that doesn't have smut in it. THEY are your audience for the fic you want to write that doesn't have smut in it. Fic does not have to have smut to be fic; it doesn't have to have smut to be read.

I think part of the reason I get so upset about it is that slash as we know it today didn't just emerge because some people weren't getting to read smut and they wanted to. It emerged because women and queer people and other marginalized communities were not getting to see what they wanted to in mainstream media. They weren't getting sex scenes, but they also weren't getting queer content, they weren't getting stories about sensitive men that defied patriarchal stereotypes of male toxicity; they weren't getting stories about disabled folks and people of color and folks who are into kink and folks who have different lifestyles. To reduce fanfic to porn is to remove the rich history of why it exists and who it exists for.

I asked earlier what makes a fic popular, and to me, it's exactly this. It's when you read a thing and you feel, "this is really satisfying to my id in a way that I am not getting from mainstream media." And sometimes what is satisfying to your id is very horny anal sex. Other times what is satisfying to your id is Bucky Barnes getting a blanket and facing his trauma. Sometimes it's Harry Potter being trans. Sometimes it's Naruto and Sasuke getting to just hold hands as the sun sets. I have no idea who those two people are but boy howdy do I know they just fucking need to hold hands.

But the other reason I get so upset about it is I'm so fucking tired of reading a great fic that devolves into mediocre mechanical porn that is there due to the collective brainwashing that states that this is the ONLY reason ALL of us are here.

Discuss.

[magerightsmagefights]

I know people tend to forget Wyll a lot in this fandom (I wonder why. What Could Possibly Be Different. Can you spot the difference?/s) but I'm genuinely surprised at the lack of Durge x Wyll content. Especially if you're going Redeemed, there's that inherent flavor of "My lover cannot know the truth, I am horrible and they would hate me, they would be correct to hate me." And with Wyll it's just... so juicy, he's so pure and shining, and Durge is so filled with filth and misery that there's barely a person left underneath.

Idk, as a femme romance reader I've spent so many years reading the "love redeems" arc where a FMC plays beauty to an MMC beast, in every genre, medium, budget, etc. I'm not here to yuck anyone's yum, but beauty and the beast as a story structure has never done it for me.

until it's reversed, apparently, because Wyll as the beauty to Durge's beast needs to be injected directly into my veins like yesterday. All the other companions are good and sweet, don't get me wrong, but their reactions are coded like 'i accept you,' where Wyll to me comes off much more as 'we will heal you.' He doesn't have any funny little quips about you trying to bite him, no innuendos, no "I Will Put You Down" a la Laezel, he's just... so good, and he believes in your inherent goodness, he so easily sees "you" and "your urges" as wholly seperate entities he would step between if he could.

Speaking of which!! The coronation scene, when everyone finds out you're Bhaalspawn? I never see anyone talking about Wyll's reaction compared to other companions getting angry (even Dark Shadowheart will yell at you) because Wyll seems to be the ONLY PERSON who immediately separates you(the person he knows) from you(the person you used to be). Astarion isn't angry, he even appreciates your scheme freeing him from Cazador, but he also kinda falls into the whole "I will talk to you as if you are the exact same person who did these things, this is Your True Nature and I feel positive about it."

Wyll's reaction feels like the only one saying "You WERE that," instead of "You ARE that." It also feels like the only one that kinda-sorta acknowledges Durge's actual amnesia, because he doesn't treat this revelation like a betrayal the way the other "good" companions do. They be saying "The real evil was hiding within our ranks all along" like wym hiding? Durge didn't know either, how tf they supposed to tell you?

Wyll doesn't even blink. Once he knows what you are, his No.1 priority is reassuring YOU about it. The fact you're Bhaalspawn isn't a betrayal; it's a Horrible Burden and he's sorry you have to bear it, but there have been others like you who were good, who overcame, and your blood isn't who you are. His first instinct is to offer hope, to reassure you that there's a way out, he believes so hard that your urges are a defeatable enemy and he's ready to fight them with you.

(I also fall into the Durge And Gortash Fucked camp, and I cannot overstate the tastiness of Durge waltzing into the coronation of their ex, the Worst Man Alive, while bringing along their new boyfriend, the Best Man Alive)

Idk, I've just never engaged in a romance where I played the part of the Beast. As much as people rag on pure, princely archetypes, I don't actually see them that often. I genuinely don't remember the last time I read/saw a male lead behave like Wyll, but I've seen plenty of Astarions, Fenrises, Rhysands, etc. Romance loves a fixable MMC, but so rarely an MMC who wants to do the fixing.

Anyway. Justice for Wyll or whatever. I can only cross my fingers that future DLC will include more romance content, because we all deserve to have a Beauty for our Beast sometimes.

[meggtheegg]

FNAF Movie Theory...

I'm pretty sure there's still one major plot twist in the universe of the movie that's been set up for a sequel but hasn't actually happened yet. Heavy spoilers under the cut:

After watching the movie in theaters and then revisiting a few scenes on Peacock, I'm still kind of convinced that Mike Schmidt is Michael Afton.

Here's my reasoning. A lot of the characters spend time acting like they know something the audience/other characters don't, and those things are...mostly resolved. But some of them just...kind of aren't.

The main thing that sticks out to me is William's whole storyline. Starting with the scene where he offers Mike the job, his behavior is almost explained by the movie's logic. He sees Mike's name, seems...kind of deeply upset, looks at him very closely, stands to get coffee, and has a moment of visible internal conflict. Then he instantly offers him the Freddy's job. The way the movie frames this, it seems to be saying that he recognized the name of one of his victims, realized this was the kid's brother, and decided to kill him right then and there. Which is passable as an explanation, but it has a lot of holes, if you look deeper.

Why would William so instantly recognize a fairly common last name as the brother of some kid he killed that wasn't even anywhere near Freddy's? Why did he kidnap/kill Garrett in the first place, in some random forest in Nebraska? Why did he see the name on the file, then immediately stop and examine Mike's face so closely, when Mike's memories/dreams pretty clearly show that they never saw each others' faces when Garrett was taken? Why did he send Vanessa to "keep Mike in the dark" if he purposely gave him the job to get him killed? Why not have the animatronics kill him right away? He didn't know that Mike was searching for the man who took his brother, and while he could have maybe guessed he was still actively haunted by what happened based on Mike beating up a guy that he thought was kidnapping someone, it still feels like a weird choice to go and hire him, then just have him do the job with no issue for a few days.

As for Vanessa, we see that she's been cleaning up William's messes for years. Why is Mike the one she changes her mind and stands up to her father for? There's no implied romance between the two and no particularly meaningful connection beyond them both having family issues. I guess she cares about Abby because she's a kid, but kids getting hurt clearly never stopped her from helping her father before.

And, on a more meta level, this is Scott and his storytelling style we're talking about. The man puts plot twists inside of plot twists and everything always ties back into the Aftons, somehow.

So, here's my theory: I think that Mike is William's kid, but Mike's mom left Afton when he was young and remarried the man that Mike thinks is his father.

It seems convoluted and maybe cliche, but if it's true, then suddenly there's an answer to all of those questions. "Michael Schmidt" isn't exactly an eye-catching name, unless you had a kid named Michael and your ex-wife married a guy with the last name Schmidt. Garrett's kidnapping, then, becomes an act of intentional, petty revenge rather than an extremely random coincidence. Giving Mike the job and sending in Vanessa suddenly becomes about piecing together how much he knows and figuring out if he's worth trying to reconnect with or is just a threat that needs to be killed. (It feels worth noting that William is as far as I can remember the only person to call him Michael in the whole film. He also very pointedly never says "Schmidt" until he's decided to kill Mike and suddenly announces his full name out loud. If he went by Michael as a little kid, that is what William would default to calling him, but if he took the new husband's last name, that would be like like salt in the wound that he wouldn't want to voice. By finally saying it out loud, it feels like he's making the decision to fully separate himself from Mike.)

As for Vanessa, if Mike is her brother, it makes sense that he would be the person she'd turn against William to save. It would be weird for her not to tell him, but she could also be trying to protect him, in some way. There's never any mention of her mother, and it seems like it's just been her and William for a long time. Also, ending the movie with her in a coma feels like a strange narrative choice, but it makes sense if she knows information that's purposely being kept hidden for the sequel.

Of course, it could just be that the movie has kind of messy writing and I'm trying to fix it because I want there to be a deeper reason for it. Maybe there is no Michael Afton in the movies, or maybe he's off chilling and doing his own thing somewhere and we'll see him in the sequel. Only time will tell.

[il-miele-che-scrive]

lando norris x reader

based on this request (because I take requests and I have to make it everyone's business): Hi not sure if you take requests but in case you do could you write reader x lando where y/n is a celebrity or an influencer and she drops subtle hints at who is her new bf maybe some fun facts about him like "oh he hates fish and I'm making a lot of fish for christmas" and eventually the fans are like "guys it's totally lando"

words count: 2.5k + fans' tweets at the end

author's note: my first request and it was so fun to write 🥹 also added a hospital scene from the time of Vegas GP so we could experience a bit of protective Y/n and painkillers-high Lando (I forgot about a fish scene)

edit: I've just realized I've messed up the dates so let's pretend the award thingie was in '23 instead of '22

A secret boyfriend

It was a normal Tuesday of 2023 when Y/n Y/l/n and Lando Norris met. Well, not so normal since it was the day Y/n won the first award in her musical career, and Lando had his first debut as an award presenter.

"And the winner is..." He opened the envelope and flipped it, as he held it upside down. "Y/n Y/l/n."

Y/n couldn't believe it at first. She looked at her best friend with tears in her eyes. They hugged before Y/n stood up and got on her way to the scene, still questioning if she actually heard her name or was it her mind playing tricks on her.

"Thank you," Y/n sent Lando a smile as he handed her the award, "are you sure it's for me?" She joked, trying to mask the anxiety she felt from the fact that now she had to give a speech while everyone watched.

"Absolutely, it's all yours. Well deserved." Lando said feeling a bit starstruck from being so close to one of his favorite singers.

Just this one simple interaction was enough for both Y/n's and Lando's fanbases to raise suspicions. However, what was unavailable to the fans' eyes were Y/n and Lando's interaction at the after party. Later the same evening, he approached her.

"Hey, congratulations again." He said with a grin on his face. "Your music is amazing, I couldn't imagine you not winning this award."

"Stop with the compliments, I'm gonna blush." Y/n laughed. "Nice to meet you. Lando Norris, isn't it?"

"Yeah, do you watch Formula One?"

"I'm going to be honest from the beginning and admit I did not, but I did my research and I just might start being a fan."

"If you're ever down for hearing firsthand gossip straight from the track, I'm at your service."

"I'd love to hear all the gossip over a coffe sometime."

"Let me give you my number then and I'll arrange something."

And so a few days later they had a coffee date. The date marked the beginning of a carefully hidden romance. They wanted to keep it a secret from the public eye, not wanting people prying on them, trying to estimate how long they'll last.

Keeping the relationship secret somehow came easy to them. They were seen on the coffee date indeed, however they made sure to have the next dates in private. The fans on both sides were literally clueless to the whole ongoing romance. Y/n had her tour, Lando had his races and it wasn't even a little bit suspicious how a lot concerts aligned with race weekends.

Unfortunately, one day Y/n went live on Instagram with her best friend. Unfortunately, because Y/f/n didn't know how to keep her mouth shut. Unfortunately, because Y/f/n gave away the big secret.

"You know, guys, we're gonna use lives as a way to spend time together," she joked, "I've been feeling a bit abandoned since Y/n has been spending so much time with her boyfriend. Even on tour and with his busy schedule, can you believe this?"

Y/n's eyes widened. "Y/f/n!" She scolded her friend.

"What? It's a joke, no worries, I can see you're finally happy and I'm happy for you!"

"Y/f/n! You weren't supposed to say that!"

But the damage was already done. There was nothing Y/n could say to save the situation. So instead she decided to start dropping subtle hints for the fans to guess. Maybe it was the right time to make the relationship public after five months. They couldn't hide it forever.

Y/n started the hint game when she was on Jimmy Fallon's show.

"Y/n Y/l/n, everybody!" Jimmy announced when the girl walked in and sat down on the armchair. "I haven't seen you in a year and so much happened during this time!"

"I know, I know," Y/n said with a smile. "I'm so glad I could make a quick pit stop here on my way to Montreal."

"I'm happy to have you here. You won an award, you got a boyfriend. How- how did that happen?"

Y/n chuckled at Jimmy's question, realizing it was the perfect opportunity to play the hint game. "Oh, life takes unexpected turns and sometimes you find yourself on a fast track to happiness."

Jimmy raised an eyebrow, sensing there was more to the story. "Anything you'd like to share about this mystery man?"

"You know, Jimmy, I've finally found someone who knows how to navigate the twists and turns in life."

The audience laughed and the speculations among fans skyrocketed as they tried to connect the dots from Y/n's playful hints.

The other time, Y/n was on a popular radio show. The host couldn't help but ask about the latest reveal of a big secret.

"You were left hurting really badly after your previous relationship," he spoke, "it's really good to see you finally happy."

"It was a big thing for me. Still is." The girl admitted. "My previous relationship made it hard to open up to a man like that again."

"What made you do it eventually then?"

"I decided life is too short for keeping things in the slow lane," Y/n chuckled, "and when you meet someone that can belt out a Taylor Swift song with the same passion as you, it's hard not to fall for them."

"So your mystery man is a Swiftie too? Any chance we might know him?"

"Oh, I bet many people who are listening right now would know him."

"Now you got us all intrigued, your fans wouldn't forgive me if I didn't ask for more."

Y/n grinned, "Well, he's practically flawless, except for one little detail. He's a scorpio. And let me tell you, when we're playing our silly little racing video games, his competitive scorpio side really comes out. It's all fun and games until his racing pride is at stake."

The host laughed. "I'm sure fans are already trying to guess who this mystery gamer is. And you, are you competitive?"

"Yes, totally. He's more experienced than I am, but it doesn't mean I won't try my hardest to beat him."

"Is there any trait you don't share?"

The girl nodded, "Yes, one thing I'm secretly jealous of. He's quite known for being able to fall asleep in the most uncomfortable conditions. I wish I could do that. I'm all about pillows and comfy blankets, but he can just doze off anywhere, anytime."

A few days later, in the warmth of Lando's bedroom, surrounded by the hum of city life outside the windows, Y/n brought up the topic with a playful glint in her eyes.

"You know, Lando, fans have been buzzing lately. It's quite entertaining."

"Well, you have started this yourself," Lando laughed, laying his head in his girlfriend's lap.

"Not me, it was Y/f/n. I just went with it and turned it into something fun for myself." Y/n defended herself. Her fingers started gently playing with Lando's hair.

"You do seem to be having a great time, leading your fans on and all that," he joked. "Are there chances they'll solve your mystery anytime soon?"

"I've seen a few tweets accusing you of being my secret boyfriend, but most people don't really believe that."

"What?" He sit up dramatically. He continued in a fake-offended voice. "Do they think I'm not good enough?"

Y/n giggled.

Lando's mock offense turned into a playful pout. "I can't believe they're doubting my boyfriend potential. I mean, come on, look at me!" He gestured theatrically at himself.

Y/n burst into laughter, "Maybe we should give them a little more to work with, stir the pot a bit."

Lando leaned in, placing a quick kiss on Y/n's cheek. "You're a master of turning chaos into entertainment, you know that?"

"It's quite a compliment, coming from a Formula One driver."

Lando flashed a grin. "Well, we both have our talents, don't we? Maybe we should drop some subtle hints during a race?"

And so they waited months for the Grand Prix in Vegas, because that was where they could start rumours about getting married. Sure, they could get married spontaneously anywhere, but there was no better place than Las Vegas.

Thankfully they managed to keep the relationship secret all these months, breadcrumbing Y/n's fans. After the Vegas GP, Y/n and Lando where supposed to go for an afterparty, get 'drunk' and then 'married'.

Unfortunately, they plans changed the direction a bit with Lando's crash. Y/n's heart sank as she watched the unfolding drama on the big screens. The thrill of the race was replaced with concern for Lando's well-being. Plans for the afterparty and the playful hints about a fake marriage suddenly didn't matter anymore.

Emergency crews rushed onto the track, the anxious seconds felt like an eternity as they worked to help Lando get out of his racing car. Y/n's heart pounded in her chest, the world around her blurring. The fact that he managed to walk away from the car was a small comfort.

Y/n's phone buzzed moment after Lando disappeared from her sight.

from: Lando

I'm okay, they're taking me to st vincent's hospital. Will update you soon. Love you xx

to: Lando

Be there in a second, see you soon

A shaky exhale escaped Y/n, she felt slightly relief and ran towards the exit. She was sure Lando wasn't okay, not after that crash, but at least he was conscious and walking on his own (although it could be the adrenaline). A moment later, when Y/n got into her own car, her phone buzzed again.

from: Lando

Yknow you could post a pic from the hospital, that would stir the pot

Y/n smiled at the massage. If he could think of that, he might had been better than she thought.

The neon lights of Las Vegas blurred as she drove through the city streets, trying to get to the hospital as quick as possible. Despite the speed, the journey seemed to stretch in time.

Arriving at St. Vincent's hospital, Y/n rushed through the entrance, her heart pounding. The reception area looked like a maze in her anxious state, but she managed to find a nurse.

"I'm here for Lando Norris," the girl said.

The nurse looked her up and down. "Are you his family?"

"I'm his girlfriend."

"Then, unfortunately, I cannot let you see him."

"His family is in Europe, I'm the closest to family you can get here in Vegas."

"The closest, but not family. I'll ask you nicely to wait here for further information."

Y/n nodded with an angry expression on her face. She sat down in the waiting room, pulling out her phone and dialing the number of her manager.

"Hey, Mia," the singer said. "I need you to do something." Urgency and frustration were visible in her voice.

"What's going on, Y/n? Are you okay?" Mia's concerned voice came through the line.

"It's Lando. He's been in a crash during the race in Vegas, and they've taken him to St. Vincent's Hospital. I'm here, but they won't let me in because I'm not 'family.' That's so stupid."

"I'm sorry, Y/n, but I still don't see what you want me to do."

"I want you to make a donation for the hospital from my account. Send them like $100,000. I think it'll be enough to let me in."

"Okay, I'll take care of it."

"Thanks, Mia. I appreciate it more than you know."

Y/n took a deep breath, trying to calm herself down. Anxiety lingered in the air. But there was no way they wouldn't let her in after that.

Y/n didn't know how much time had passed. She felt as if all she did was staring at a wall in front of her, ocassionally moving her eyes to the floor or the ceiling. She was fidgeting with her fingers as the same nurse approached her.

"Miss Y/l/n, you're allowed to see Mr Norris in the room 305."

Without a word, Y/n rushed to the room. She found Lando lying in the hospital bed, his gaze turning towards the door as she walked in.

"Lando." Y/n breathed his name, rushing to his side and taking his hand in hers. "I was so worried. And they didn't want to let me in at first."

He managed a dazed smile, his eyes slightly glazed. "Hey, you're real, right? This isn't happening in my head?"

Y/n chuckled. "Yes, I'm real. It's me."

He squinted at her. "You sure? You look like a beautiful hallucination."

"Well, if I'm a hallucination, at least a beautiful one."

"I feel like I'm floating on marshmallow clouds, but you're the most beautiful marshmallow I've ever seen."

Y/n couldn't help but laugh. "I think you might be on some strong painkillers, love."

"Ah, that explains the marshmallows. They're having a party in my head," Lando said with a dreamy expression.

Y/n burst into laughter, the tension of the earlier moments disappearing in the room.

"Did you know," Lando continued, "that racing is like trying to catch a rainbow? And if you're lucky, you might find a pot of gold at the end."

"Is there an Irish leprechaun as well?"

"I wouldn't be surprised. Maybe that's who's been guiding me all this time."

"You gotta ask him to make the rainbow less slippery next time then."

He nodded solemnly. "I'll have a serious talk with him. No more slippery rainbows, only smooth, marshmallow clouds."

As they joked around, Y/n couldn't ignore the quiet concern for Lando's well-being. She gently brushed his hair away from his forehead. "You scared me, you know? Seeing you crash like that."

"I'm sorry, love. I didn't mean to scare you. I promise I'll be more careful next time. But you have to promise me something too.""

"What is it?"

"You'll visit me in the marshmallow cloud world sometimes. It gets lonely up there."

Y/n laughed, leaning in to press a gentle kiss on his cheek. "I'll visit anytime you want."

"You know, even in the middle of all this craziness, having you here feels like finding that pot of gold at the end of the rainbow."

As the night carried on, the hospital room became a cocoon shielding them from everything that layed outside its walls. Y/n found herself falling asleep on an armchai next to Lando's bed.

In the quiet ambiance of the night, Lando's mind wandered through the whimsical landscapes of his medication-induced thoughts. He couldn't help but marvel at the coincidence that brought Y/n into his life.

It all started with handing her an award. It seemed like it happened a whole lifetime ago and now, there they were, in the middle of marshmallow clouds.

Y/n, nestled in the armchair, breathed softly in her sleep, completely unaware of Lando's reflections. Soon enough, Lando allowed himself to succumb to the gentle pull of sleep as well.