#AND IT WAS SUCH A SAD ENDING

[nkogneatho]

Toji has never once shown his vulnerability towards the scar he has on his lips. He never even talks about them. But you know he is somewhere insecure about it when he stops and stares in the mirror while shaving, green eyes scanning the scar. Or when he purposely rests the right side of his face in his hand so the palm hides it. He thought he was being subtle with it, but you noticed. You noticed how deep down he was scared to even talk about it, let alone wear it with pride. That scar was a nightmare and he hated how it was visible to him, to everyone in the most obvious place.

"Toji?" you cooed from behind, walking into the hall while he was watching TV.

"Yes, baby?"

"I bought a new gloss, and i want to test if it's transfer proof."

"Don't know what that is but c'mere, lovie. Sit on my lap while you do it." You smiled and plopped yourself on his laps. Before he could finally look at you, you pressed your tinted glossy lips at the end of his lips where the scar settled.

he tried opening his lips to catch yours but you didn't really kiss his lips. he was so confused why you were pecking one spot.

*one peck. two peck. three peck. smooches tightly*

"D'ya know? I love this." You ran your thumb over the skin. "It makes me realize how strong you are, Toji. Sooo strong. Please don't hide it. It makes you look more handsome." He couldn't form words. The sudden love bomb opened a can of bad memories. Yet, oddly, he was comforted by your words. For a man so big, he was still weak over you and your love. Because you determined his vulnerability. Which is why your relationship was perfect. He is not the kind of man to be vocal about his issues but you read him like an open book. You understand him before he even has to spell it out.

Toji rested his forehead against yours, inhaling and exhaling with his eyes closed. God. He feels so in love, it kills him. What would he do without you? Everyone picked his flesh till it was just his heart exposed in the dirt, still struggling to beat. But you found it. Not to pick anymore flesh(there was none left). But to rip open your ribs and keep that heart locked in you forever. Safe and sound.

[hrokkall]

"Sad Cat Poem" by Spencer Madsen

[uncanny-tranny]

Learning to internalize the message above, but art is in all of our bones. If you feel afraid to create art because it won't be "good enough," it's worth it to explore why you feel that fear. Creating art is one of the basic impulses of people, and if you want to create art, then you absolutely must.

[cryptocism]

sometimes the joke going over your head can really work out

[cruelsister-moved2]

for real! (from kadji amin)

[Image description: Screenshot of text:

What I've realized is that I believe that the matter of gender is practical and relational. It's not about who you are inside, it's more about how you would feel most comfortable in the world. It's not 'Who are you?' but 'How do you want to live?'

Had that been the discourse when I was coming up, I would have breathed a sigh of relief. I don't have to figure out who I am on the inside, I just have to figure out how I want to live.

end of ID]

[ibtisams]

100 days ago my father and sister were still alive

[theminecraftbee]

also btw, for the new hermitcraft fans who haven’t been around for the turn of one season to another before: get excited! I cannot overstate how much the creative energy is entirely reinvigorated and how FUN watching the “brand new server” episodes are when they first come out like START OF SEASON TIME IS SOME OF THE BEST HERMITCRAFT TIME. get hyped for that!!!!

[spineless-lobster]

Hey so if you guys here any pained animalistic sobs and/or wails don’t mind that it’s only me thinking about the house of hades family portraits

[arminsumi]

「 🔴 RECORDING 」

found footage of satoru's student years... recorded on the camcorder that he carried around everywhere.

warnings : heavy angst, fluff, implied death, not proofread

[ the first footage is one minute long. there's two blue eyes widening comedically on the screen. the resolution is low and the audio is tinny. ]

"Ooo it works... well hellooooooo there... i'm... GOJO!! SATORU!! and this is... suguuuuruu getooooo... oh look at that walk, you're such a model."

[ the camera is on suguru, who's walking with bad posture. he doesn't like the camera. ]

[ he has his old hairstyle; this was recorded before his hair was long enough to be in the bun style. he hides his face from the camera. ]

"... aw, he's a model that doesn't like cameras. anyways... this is the beautiful... STUNNING... hot... talented... playing-hard-to-get... (haha kidding)... y/n~"

[ the camera pans to you. you can hear the flirty tone in satoru's voice. ]

"... we are currently walking through the gates of hell..."

[ the camera pans to the school. the resolution clears for a second to show a blue sky with slowly drifting clouds. ]

"okay. we have arrived in hell; look there's satan himself—"

[ the camera pans to yaga. ]

[ the footage ends with yaga confiscating satoru's camera and scolding him. ]

[ a video starts off shaky. the camera is dropped on the train floor and suguru sighs. ]

"satoru...... did you just break it after having it for one day?"

[ satoru picks it up and gives a toothy smile to the screen. ]

"nah. she's all good. not even a scratch. ooh... suguru we look so hot. and look how hot y/n is... she's so scandalous — sittin' next to me on the train. this proximity's got me sweatin', baby... kidding kidding... don't gimme that look!"

[ suguru gives the middle finger to the camera and satoru's iconic laugh sounds beautiful even through the crap audio quality. ]

[ there's a 3 minute video that's half-corrupted of a party happening in your apartment... of just you, satoru, suguru and shoko. lykke li's "i follow rivers" is playing loudly, satoru is screaming the lyrics in broken english and suguru is recording you and him dancing like maniacs. shoko is offering her cigarette to the camera and blowing smoke into the lens. ]

[ there's a 25 second clip of satoru aggressively kissing you until you laugh. ]

[ there is a photo of satoru crouching to pet a cat. he's holding an umbrella. ]

[ there is corrupted footage of laughter and a flicker of the video shows a tiny pot on a stove with ramen cooking in it. ]

[ there's a photo of you, satoru, suguru and shoko. you and satoru are looking at each other like lovebirds. suguru is giving the finger to the camera. shoko is laughing with her eyes closed. ]

[ a long video of satoru waking up in a hotel bed. he looks like he just woke up. he blinks at the camera, bleary-eyed and cute with puffy lips and messy hair. ]

"goodmornin'."

[ his morning rasp is strong. ]

"i'm awake... but miss sleepy head and mister sleepy head are not, as you can see..."

[ he zooms in on your face. you're laid at his right, and suguru is laid at his left. ]

"here's the sleeping angel... and here's the sleeping dragon... anyways... WAKEY WAKEYYYYYYYYY!!! IT'S A BRIGHT NEW DAY!!!"

[ suguru's wakeful groan sounds groggy and disturbed by satoru's loud, piercing wake-up call. you scrunch your face as you wake up, seemingly out of a dream. ]

"satoru... what the hell is the matter with you..."

[ it's an ultra close-up shot of your nose as you mumble this. ]

"i was lonely being awake by myself, gosh. you're so mean!"

[ he experiences a voice crack. suguru gives a sleepy, murderous look at his best friend. ]

"satoru... i swear i'm gonna throw that camera into traffic one day."

[ suguru's mumbling into his pillow too softly to be taken seriously. ]

"wanna say that to the camera?"

[ suguru looks grouchy. ]

"i'll kill you."

"WOW... buddy, this is evidence if you ever do kill me... the police will find this footage... 'n put your FLAT ass in jail. aw... y/n fell back asleep look look... aw she's so fucking precious."

[ suguru and satoru admire you for a bit. there rest of the footage is corrupted. ]

[ footage of a breakfast in the same hotel. sunny side eggs are zoomed-in on. and there's only eggs. ]

"we're too broke to buy bacon, isn't that cool?"

[ satoru gets a nice view up his nose as he tilts the camera to himself. then he turns the camera to you, who's sleepily eating this miserable breakfast. ]

"... so we just have eggs to eat... heyyyy hot babe..."

[ satoru flirts with you and you roll your eyes in response, smiling and chewing on your egg, fork in one hand. ]

"wanna hear a joke?"

"mhm."

"if you ever broke up with me, what would you call me?"

"an idiot?"

"your eggs."

[ you groan and stop eating because his pun was so awful, but you've got a big smile on your face and satoru is laughing heartily. ]

[ the video ends with you and satoru leaning in for a big kiss and a sleepy suguru walking into the room, itching his tummy under his shirt. ]

[ there's a clip of you, satoru, suguru and shoko yelling happy new year and watching fireworks explode into blazing, brilliant colors. suguru winks at the camera as you hold it and you giggle flirtatiously back. there's clearly tension between you two that neither satoru nor shoko acknowledge in the moment, because the fireworks distract them. ]

[ there's footage of you, satoru and suguru kissing. it ends with satoru kissing the camera as a joke. ]

[ most of the footage is corrupted after this. in the next video, satoru seems a bit older. ]

[ there's footage of a solo satoru, who's been enlightened and and burdened with being the strongest. he's on a mission alone, keeping the camcorder on as he exorcises a curse. he trots over to the camera. he seems less enthusiastic compared to the other videos. ]

"aaand that's what the strongest looks like while he's at work."

[ satoru looks smug and goofy, but something is off. his features look worn and tired. ]

[ there is already that slightly disingenuous liveliness showing in his demeanor just in this small video; the version of satoru that his students would know as just normal gojo sensei. ]

[ his smile falters as he rambles about y/n and suguru. ]

"i'm gonna give y/n a big kiss when i get home. miss you, angel. haha... why am i talking to a camera all by myself... that's so sad. i'm gonna film myself gettin' that kiss at home, just to prove i'm not some lonely idiot. i have a hot fiancé..."

[ one of the last photos taken on this camera is dated; august 2009. it's of you and satoru sharing a big kiss... neither of you knew it at the time, but it was your last kiss. ]

[ the next piece of footage is from 2018. it's a 28 year old gojo, his features show his maturity and the weathering of all the years he's endured living without you and suguru.]

"i found this camera while cleaning up. if i look 'n sound funny it's 'cuz i've been crying haha......"

"...... i miss you two..... haha... i can't shove the camera in your faces like i used to, now can i?"

[ he awkwardly smiles at the camera but then his face trembles and contorts into an ugly-cry as if he just remembered every single memory of his youth. ]

[ the footage ends with a broken, barely audible "fuck..." falling from the teacher's lips as he starts to cry and drops the camera to the floor. the rest is corrupted footage... just heaving sobs of the man who has no more memories to record with suguru and y/n. ]

© arminsumi

I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.

This is fictional work.

[onawhimsicot]

i know not many people would want to read a 10,000 word article about the minecraft end poem and how the author, Julian Gough, was never fairly compensated for his work and has made it public domain.

But it's a very well-written and heartfelt read, and he makes it very clear that none of this is a cash-grab and despite the fact that he is essentially a starving artist in this capitalist society, he only mentions his financial struggles despite Minecraft's huge huge success at the bottom of this article and not in the tweets so as to not dilute his message.

Anyway, I just think it'd be cool if those who are able to could support him in some way whether it be subscribing to his substack or donating to his paypal (that's linked in the article, you can ctrl + F to find it easier), that's all.

[ultra-art-blog]

❗️FIONNA AND CAKE SPOILERS❗️

i was so happy that they still kept in contact after they got separated!!!

(also that Simon finally gets therapy)

[plumadot]

e v e r y t h i n g b u r n s

[alaydbug]

lou and siobhan enjoyed being baron WAY too much they were giggling and kicking their fucking feetsies the whole time.

[pyralart]

In which Luz gets isekai-ed another way

First part >> Next Part

Remember folks, look both ways before crossing the road or this might happen to YOU! This was an advert from the Road Safety Agency (it's not).

Oops, I just dropped the angst! I can reveal that it's inspired by this original post, although I'll put my own spin on it so don't think you know what's gonna happen!

[thebibliosphere]

One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.

Trust me, it was my job in the publishing house to make them fit that mold. I hated it.

Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.

It's lacking for me as a romance.

Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.

There's so much emphasis on the polycule and never the individual dyads within the larger relationship.

For example, in a triad, there are actually four relationships to handle.

The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.

With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.

And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.

But it doesn't always land for me as someone who wants to see my style of love represented in the genre.

In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.

And that's a good thing!

Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.

Polyamory isn't striving for equality between partners but rather equity.

What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?

It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.

The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.

The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."

Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.

Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.

The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?

Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?

Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.

I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...

Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.

[dingledraw]

“That's not what I asked” comic (2/2) based on the lovely art and fic by @chernozemm

Part 1