#AND THEN I GO STRAIGHT TO MY POINT THAT HER CHARACTERIZATION DEPICTS A MEMORABLE EXPERIENCE

[adm-starblitzsteel-4305]

It's May 3 so...

Happy Birthday Rebecca Hall!!!

[ladyloveandjustice]

Spring 2021 anime overview: Quick Takes

Now for my Spring 2021 anime thoughts! I’ve decided from now on if a season’s like, 20- to-24 episodes I’m just going to wait ��til it’s done to review it unless I feels super passionately, so though I watched To Your Eternity (it’s good!) and MHA (eh), I’ll comment on them next time. Also, for the record, I watched the first eight eps of Joran: Princess and Snow of Blood but I dropped it because it had clearly crossed the line from entertainingly dumb to boring dumb. 

I will probably give Supercub and some other stuff a shot later, this was a stacked season! May give updates on all that later, but this is what I have for now.

ODDTAXI

Quick Summary: A mild mannered middle-aged walrus taxi driver is drawn into a case involving a missing girl, yakuza, Youtube clout-chasers, manzai comedians and idols with big secrets.

It’s rare to walk away from media and be like “that is a singular experience I will definitely never see repeated again” but ODDTAXI is definitely one of those. A tense noir thriller murder mystery starring cartoon animals that spends an entire episode detailing the one (cat)man’s very fall into darkness triggered by addiction to gacha games and an online auction for a novelty eraser? Also there’s a porcupine Yakuza who speaks entirely in rap? Also there’s tons of meandering conversations about stuff like manzai comedy and the struggle to go viral on Twitter?

Admittedly, I had a hard time getting into the first episode, the dry meandering humor not being enough to hold my attention while I was sitting still, but once I watched this while I was working out at the end of the season, I found it an easy binge. A ton of characters with dark secrets or dangerous ambitions, each with their own part to play in a tableau of intersecting events- and it all actually comes together really well.(As for the female characters, it’s a pretty dude driven story, but they do get nuanced characterization and even some good heroic moments from one of them.)

 It’s a great example of a carefully planned narrative paying off, with all the twists appropriately seeded and foreshadowed to reward viewers who paid attention. Even when it ended on a perfect “OH SHIT” moment and denied me closure, I couldn’t help but respect it. If you that all sounds interesting to you, definitely check out the first couple episodes and see if you like it- you’re likely to have a memorable, satisfying experience!

Shadows House

Quick Summary: Emilyko is a ‘living doll’ who’s told she was created to act as the ‘face’ of her shadow master, Kate. The shadows and their ‘dolls’ all reside on the mansion and are required to pass a ‘debut’ to prove they’re a good pairing. If they don’t pass, they might be disposed of. And so the mystery of the Shadow mansion grows...

This slice of gothic intrigue was my favorite of the season, tied with ODDTAXI. With an interesting premise, slightly tense undertones and a strong focus on character building and relationships, it kept me hooked the whole way through. And for any squeamish fans put off by the hype about it, don’t worry, while there are some suspenseful elements, I wouldn’t qualify it as horror. I thought the relationship between Kate and Emilyko might end up being a completely sinister one, but it’s thankfully a lot more complex than that and it’s really interesting to follow how both their characters and relationship grow. The focus of the show is, unsurprisingly, on the “dolls” slowly discovering their autonomy and personhood as they struggle under the rigid system imposed on them by the mysterious elders of this weird Victorian mansion. Can they develop a more equitable relationship with their shadow “masters” (who are also shown to suffer under this system)? There’s a lot to dig into there, and the show has the characters develop through learning to understand and appreciate each other, which is pretty heartwarming. Our hero, Emilyko, is the typical plucky ball of sunshine (they even nickname her sunshine), but she’s also shown to be clever in her own off-the-wall way and she bounces off the far more subdued and cynical Kate well, not to mention the other ‘dolls’ she ends up befriending. 

What’s more, the show spends plenty of time to developing several other character pairings and combinations, and they all have their own interesting dynamic that makes you want to see more of them. Same-gender bonds are at the forefront of this show, and many of them are ripe for queer readings (I definitely appreciated the healthy helping of ladies carrying ladies), but even outside that it’s nice to see a show where a strong, complex bond between girls is at the forefront. My only real complaints about the show are the anime original ending is noticeably a bit rushed (though it’s not too bad, and leaves room for a season 2) and I wish the animation used the whole “shadow” theme more strikingly (like the opening and endings do)- instead the colors are a bit washed out which makes the shadows blend into the background sometimes. The “debut” arc also drags a bit in places, but it makes up for it by having a lot of good character integration.

I hope to check out the (full color)! manga soon and see more of this quirky, shadowy story. There’s some physical abuse depicted, sad things happening to characters and naturally the whole “oppressive familial system” thing, but otherwise not much I can think of to warn about. I give this one a big rec, especially If you’re a fan of gothic fairytales and stories of self discovery.  

Zombie Land Saga Revenge

Quickest summary: In this sequel season, everyone’s favorite zombie idol group must claw their way back into prominence after a disastrous show- the fate of the Saga prefecture LITERALLY depends on it!

This was a fun follow-up to the first season- if you liked the first zombie-girl romp, you’ll probably enjoy this one. In fact, there were a couple areas it improved on- namely, Kotaro failed, ate crow and embarrassed himself a lot more this season, which made him more likeable (as did the fact the girls gained a lot of independence from him). This season also shed more light on what the ‘goal’ of this zombie raising project is and what kind of shit Kotaro got involved with to make this happen, and it’s appropriately off-the-wall and ridiculous. We finally got some backstory for Yugiri too! I wish it had focused on more of her interiority, but she got to be a badass in it, and it was a treat to see this zombie idol show turn into a period piece for a couple episodes (also her song ruled).

 Tae also got a cute focus episode and there was a particular SMASHING performance early on! Also That revelation last season that had the potential to turn creepy hasn’t yet, and hopefully never will. The finale was heartwarming with big hints of more drama to come- I’m definitely down for more zombie hijinks!

Vivy: Flourite Eye’s Song

Quickest Summary: A songstress AI named DIVA (nicknamed Vivy) is approached by another AI named Matsumoto, who says he’s from the future and they must work together to prevent AI exterminating all of humankind 100 years from now.

This show is absolutely gorgeous visually with some really nice action scenes, but when it comes to the story my feelings basically amount to a shrug. It’s fine! I guess! Vivy starts out as an interesting layered character- and I guess still is by the end- with her stoic but stubborn determination bouncing off her fast-talking bossy partner Matsumoto well. She never listens to him, which is delightful. The way the show took place over the course of 100 years was an interesting conceit as well. However, it bought up a lot of themes and then sort of... dropped them. For instance, Vivy interprets her mission (PRIME DIRECTIVE if you will) as protecting humans at all costs, no matter how destructive said humans are or what their fate is supposed to be, and is perfectly willing to murder her fellow androids to do this, showing she inherently thinks of androids (herself and her own people!) as less worthy. Which is a little alarming! There’s a very dramatic point in the show where they bring this up as a potential conflict for her character but then it’s sort of...dropped. Pretty much.

Actually, despite the premise, the show doesn’t dip into the “AI rights” as much as you think it would with the main theme being more about Vivy’s search to find her own creativity and discover what it means to ‘pour your heart into something’. Vivy herself doesn’t actually care if she has rights or anything. Which is in some ways fine, because ‘AI as an oppressed class’ has been done to death, but IT’S ALSO KIND OF IN THE PREMISE, so that means that the show just shrugs really hard at a lot of the questions it brings up  basically just going “humans and AI should work together probably” and that’s it. There’s a lot that feels underexplored. The antagonists in the show also either have motivations that don’t really make sense or have boring hackneyed motivations. In the finale in particular, it feels like a lot of things happen “just because” and it falls a little flat.

I also have to warn that one of the arcs focus on a robot ‘pairing’ where the dude-coded robots actions toward his partner are straight up awful and rob her of her autonomy, but it’s played like a tragic love story. I suppose you could read it differently too, but it definitely made me go ‘ew’ the story seemed to want me to sympathize with this robo dude,

Overall, I wouldn’t anti-recommend this show, it’s an all right little sci-fic romp (and definitely SUPER pretty). My favorite element was definitely the episodes where Vivy develops an entirely new (an loveable) personality, because it played with the idea of of an AI getting “rebooted” really well and interplay between her two “selves” was done really well. But there are a lot of other parts of the show that just feel...a little underexplored and empty, making me have an ‘eh’ feeling on the show overall. It’s definitely an ambitious project, and while it didn’t quite stick the landing, there’s something to be said for a show that shoots for the stars and falls short over a show that just languishes in mediocrity.

Fruits Basket The Final

Quick summary: The final season of that dramatic drama about that weird family with a zodiac curse and the girl who loves them.

It’s very weird that after not cutting a lot out, they kinda sped through some material for, you know, the finale. I guess they thought they couldn’t stretch this final arc to 26 episodes? Or weren’t cleared for another double cour? However, though there were a couple places that felt awkward, despite being a bit condensed it mostly held together pretty well for a D R A M A T I C and ultimately heartwarming conclusion. I was really disappointed they kept the part where Ritsu cut their hair for the ‘happy ending’, I thought  their intro episode not showing them in men’s clothes meant the anime had decided their presentation didn’t need to be “fixed” but WELL I GUESS NOT. That was the only big upset for me though, otherwise the adaptation went about how I expected, sticking to the source material. Furuba has a lot of bumps, from weird age gap stuff to ...gender, but it also has a lot of important feels and great character arcs. It was a gateway shoujo for many and has its important place in animanga history, so I’m glad it finally got a shiny, full adaptation.

[pasta-abomination]

FemslashEx 2020 Dear Creator letter

Dear Creator,

Thank you for bringing more femslash into the world! And thank you especially for making femslash for me, too. Gonna jump to the prompts under the cut:

General Housekeeping

Canon pronouns and gender identities:

Bending canon pronouns or identities is delightful, but completely optional.

DNWs: Explicit works where the characters are underage, ship or character bashing, kinks involving bodily fluids/excretions, stories focused on marriage (characters being married is fine, and I do like "woke up married" stories or fake or arranged marriage stories, but not stories where The Marriage Is The Point) or kidfic.

Re: g!p: Like I said, I love genderbending, and that does mean I'm theoretically okay with a lot of things--aliens, robots, magic, ABO, etc., in addition to things like gender play during sex, toys, intentionally fucking with gendered cues, clothing, etc. I'm also really a fan of stories that can respectfully include nuances of marginalized identities & experiences.

So if you want to engage with real identities in your fic, please do--I love exploring different potential "versions" of characters, and thinking about how a character's canon or canon-adjacent characterization might fit with the experiences of multiple different identities. I love stories that celebrate bodies and experiences that are considered non-normative.

My only caveat is that, if you're going to give a character a dick only so they can fuck someone with it, or if the fact that the character has a dick is the kink (i.e. if the character having a dick & using it in particular ways is the thing you’re really interested in writing), please have it be the result of something like magic, or shapeshifting, or even technology (aliens and robots!) instead of including it under the banner of trans or intersex identity.

tl;dr: Wanna write about trans or intersex versions of a character, including depictions of people with penises using those for sex? I would love that. Wanna write about Adora boning down with a flesh-and-blood dick because you think She-Ra has BDE? Have it be a magical transformation of some kind.

General Likes

Hurt/Comfort - Tending wounds! Bedside vigils! Nightmares! Reassurance! Touch-starved characters! Shared grief! Oh my!

Casefic/Mission fic - Mostly exactly what it says on the tin

Worldbuilding - Similar to genfic, but I just *clenches fist* Worldbuilding. Religion, magic, geography, history--especially if it adds something to our understanding of the characters and the experience of the bigger story.

Genderbending & Subcultural Identities - I really like exploring how a character might fit/not fit/understand themselves within IRL identity frameworks, or even thinking about how existing identity frameworks in the canon universe might influence how the character sees themself. This might be worldbuilding-heavy (I'd be super fascinated by the nuts and bolts of gender fluidity and transition with the kind of magic that Etheria has) or just a, "I feel like these two characters have a butch/femme dynamic and I'm going to play that up" or literally writing about a character trying out a haircut and a more non-binary way of being in the world and... enjoying it?

That also shows up in my ABO. I really like ABO that focuses on the subcultures that might  exist in that kind of world.

Altered states: Drunk, high, or otherwise intoxicated characters. Magic influencing peoples' emotional and mental state. Sleep deprivation, adrenaline, near-death experiences.

Thoughtful smut - You know that galaxy brain meme that went around where the highest level was "porn with math"? Yeah, that's me.

Poly - I only selected one triad for this (Dani/Sarah/Grace under Terminator) but I do really like poly relationships, and I’m generally okay with F/F/M as well, although I’d really prefer that the focus be on the women in the relationship. My only ask is that Catra (and Adora, for that matter) not be added to She-Ra pairings unless specifically requested or noted--I like them both a lot, I’ve requested them both together and separately, but I’d also like the spirit and the dynamics of the Adora- and Catra-related pairings I’ve requested for that fandom to be honored, and that rarepair requests not get rolled into & subsumed by the juggernaut pairing. (And, “requesting” can be either in the ~official request~ or in the prompts).

Following on that, though, I am a huge fan of complicated emotional dynamics. Liking two people at the same time but in different ways and for different things? Fan. Fucking someone and thinking of someone else? Awesome. Meaningful and unique present-day emotional relationship that doesn’t replace or assuage the pain of a past relationship and the longing for that person? Heaven. Complicated emotional dynamics are my Jam. As long as neither relationship is denigrated and the pairing requested is the focus of the fic.

She-Ra and the Princesses of Power

Prompt Set 1: Adora/Glimmer, Perfuma/Adora, Adora/Mermista, Adora/Huntara, Huntara/Perfuma

My rarepairs!

These are the ships I ship because of canon moments, but are super rare in the fandom Because Reasons. And I like just about every ship in the fandom, but wanted to make sure these in particular got some love because they're fun, and I'm going to tell you why I like them, and some favorite tropes or prompts I have with them.

Adora/Glimmer- in PARTICULAR because of:

In 1x04 when Adora sneaks into Glimmer's room to sleep on the end of her bed. 

Bed-sharing is a GREAT trope with these two, whether accidentally, purposefully, or "oh no there's only one bed".

In "The Shadows of Mystacor" where Glimmer straight-up falls asleep on Adora in little spoon position in the hot springs

The day of Glimmer's coronation where Adora confesses that Angella told her to "take care" of Glimmer (even though she told them to "take care of each other", which is also super fucking shippy for me) and then resolves that she's going to do that

In "Mer-mysteries", their argument sounds like a subtextual break-up, and I love that

The scene in "Beast Island" where Adora almost gives up and then remembers Angella's last words to her and remembers *Glimmer* and even if I'm not feeling very shippy it still just hits me right in the feels

The implication in "System Failure" (the s1 episode where Entrapta is introduced) that Adora smashes rocks for Glimmer's enjoyment. Just. Y'know. Glimmer getting her buff gf to move things around for her. Carry things. Like boulders. Especially when she lifts things over her head--

Perfuma/Adora - Gosh, I'm just super Here For how Perfuma looks at She-Ra. I'm also here for: 

Perfuma and Adora getting high together and having adventures and making out a little and being happy and cozy together

I appreciate that Adora doesn't just immediately lose the femmephobia she was raised with in the Horde on joining the Rebellion (I think that would probably be more of a Process(TM) than they had time for onscreen) and so generally Adora being uncomfortable and kind of a jock but then getting shown up/put in her place. Obviously by the time Adora tells Huntara that Perfuma "is a demon in battle", she's wised up, but that's three whole seasons of material to work with :P

Anything with Perfuma trying to teach Adora how to relax/meditate (depending on your ADHD feels you can make that explicitly ADHD Adora--active meditation is a thing!)

Perfuma being Very Into her buff girlfriend and Adora being kind of a himbo

Adora/Mermista - I LOVE the energy with these two. Mermista especially feels like she's confident in her powers in a way that even Glimmer and Adora aren't--even though Adora and Glimmer are more experienced commanders/combatants. I feel like Mermista would enjoy Adora's cockier side that comes out when she's She-Ra.

Adora/Huntara - Adora's instant crush on Huntara when they meet in the Crimson Waste is one of the most memorable moments of the show for me, and this show has been very memorable, okay

Adorable butch4butch vibe

Competitive jocks competing jockily

Huntara feels very penitent by the end of the episode where they meet, I would love some penitent Huntara

I'm not sure what her fascination with She-Ra was, but in my head, it's not just about the haunted crashed spaceship, it's about something she knows about She-Ra from her time in the Wastes, and she holds some kind of reverence for her. Being a warrior woman and all

Would also like sad/thoughtful/wistful/quiet/aching moments with these two after the war where they're trying to adjust to like... living at peace. Or how they *can't* adjust to living at peace. And their shared or distinct experiences with the Horde.

For some reason, I really like the idea of Perfuma getting *both* Adora and Huntara high somehow and the three of them having a lot of fun but wow Adora and Huntara's stoned personalities. Just imagine the possibilities.

Huntara/Perfuma - OKAY. I *really* loved their dynamic in "Valley of the Lost". Just. *REALLY* loved it. The vast difference in perspectives, the suggestion that Perfuma liked Huntara but thought Huntara was prickly and didn't like her back, Huntara wondering if Perfuma can handle herself and then Perfuma showing literally *everybody* up.

Perfuma calling Huntara her "desert rose" is um. Fantastic.

I don't know if I see these two *dating* exactly, but I really just need the two of them to have Supremely Gay and Supremely Butch/Femme moments

I just have this feeling that Huntara could be Incredibly Smooth and sweep Perfuma off her feet for like. A mission. A ball, like Princess Prom. A dance. A party. A shindig. A ritual. What Have You. 

(And I think being able to sweep Perfuma off her feet would go a long way towards making Huntara feel... more like herself, after uprooting her life and going back to the war and apparently getting chipped by Horde Prime. She is butch, she is rough, she is smart and competent and god knows she's tough, and in the Waste, she was on top, she was *the* top of the food chain. And here... maybe, sometimes, she feels inadequate. Here, she's just cannon fodder again. In the desert, she *knew* things that set her apart. Here, she's just... mildly informed.)

Prompt Set 2: Madame Razz/Mara, Mara/Light Hope, She-Ra Entity/Mara, Entrapta/Darla

I was going to call these my "Worldbuilding Set" of prompts, but then I realized that this could much more honestly be called "Weird--But Sweet--Xeno Prompts”. 

Madame Razz/Mara - I was inspired in part by Noelle's remark that there's a note in the show bible that Madame Razz has dated "like, everyone in Etheria" because she's dislodged from linear time and has been around forever besides that.

Then I rewatched S1 and there was that scene where Razz tells Adora her and Mara used to go stargazing at the Crystal Castle. And there *was* the way she referred to Mara as "my Mara". And then I was sold.

I don't mean anything weird or kinky by it (which, no judgement if you do), just... idk, in my head, it's a very May/December dynamic, or, heh, maybe Mayfly-December dynamic, depending on how Razz does with linear time. And it sounds like on some level, Mara was kind of an apprentice to her? And, Mara is both very strong and competent and also just seems like this really gentle person? She seems very much like Steve Rogers lol.

Like there is a real potential for worldbuilding in here, too. But a lot of this dynamic is just very... peaceful and domestic.

Mara/Light Hope - GOD THESE TWO CAUSE ME PAIN. I love them. I love the tragedy of them. I love Light Hope's wobbly steps towards self-awareness and self-will. I love the hope of that journey. I love Mara's deepening connection with Etheria. I love the wonder of it. I love how she takes up the mantle of She-Ra in earnest.

And I love how inevitably the end comes up on them. How they're caught in events outside their control. I love how bravely they fight, and how brilliantly--and how it's not enough. I love how *powerful* they are, both of them, in their own specific ways, but they were maneuvered into this position by people who ensured they could keep the upper hand.

And I love how their love is still so strong that a thousand years later, it keeps Adora safe and proves to be their superiors' ultimate undoing. Catradora may have saved the universe in S5, but Marahope did it first.

Some prompts:

Any worldbuilding you want to do around the First Ones, the First Ones’ tech, the Heart of Etheria Project, Grayskull Squadron (ahaha that’s a Rogue Squadron/Rogue One reference isn’t it), She-Ra, the magic of Etheria, other runestones that were active in Mara’s time but are defunct by Adora’s, worldbuilding about the various kingdoms and Princesses, Mara learning from Light Hope, Light Hope learning from Mara... all of it

Light Hope falling in love with Mara--I just want to see how, and why, and what it was like for her, and what Mara did that set her apart from Light Hope’s other charges (if you think that there were others before Mara, which is kind of my base assumption but I’m absolutely willing to read another take), and just *gay noises*

Light Hope mentioned that there were “many” She-Ra/s before Mara, and while she did lie about a lot of things, a lot of her lies were lies of omission or shading of the truth, not just outright false--Mara did the damage to Etheria that she did, but LH lied about why, for instance. Or with the Portal Adora was brought through, Light Hope simply failed to mention that she was the one who brought Adora through it, and allowed Adora to continue in her assumption that Hordak was both the person who opened the portal and the one who brought her through. So, I’d be curious about Light Hope’s feelings for her other charges--was she serially and hopelessly into these magical warriors? Or was there something different about Mara?

Light Hope’s journey to self-will is TRAGIC and beautiful and I love it. And it sounds very much like something that happened over the course of different relationships with multiple people. And I want to hear about all of it and why it culminated when and how it did.

Light Hope training Mara

Mara being adorable?? Help???

Light Hope helping Mara get adjusted to her new role after she’s selected to be She-Ra

Light Hope adjusting to Mara after Mara is selected to be She-Ra

Mara experiencing Etheria’s magic

Light Hope being snarky at Mara while Mara sleeps with the Princesses has Normal Organic Relations with people and the two of them are pining for each other but neither of them really knows it consciously (after all, how would you date an AI? Would AIs date? There’s no social precedent for this. Is there?)

I would actually really like to see something with Mara and Light Hope doing what they came to Etheria to do and studying the planet’s magic, too

Magic and technology and xeno elements--Magical transformations, dreams, visions, new powers, coping with new powers, aliens!, virtual reality, telepathic/mental connections, uses of magic and tech for sex, etc.

Entrapta/Darla - I just love how horny on main Entrapta is for technology, and I love the observation that someone on the creative team shared that Entrapta sees tech as a living creature, and sees the “humanity” in it. I am open to anything here. Go wild.

She-Ra Entity/Mara - This is super niche and very worldbuilding-heavy, potentially, but I really love the idea of there being a relationship of sorts between not just Mara and She-Ra, but the She-Ra line and the She-Ra entity, going back to whenever the First Ones bound her to the Sword, and maybe even further back.

Queer spiritual & religious metaphors? In my fanfic? It's more likely than you think.

Prompt Set 3: Double Trouble/Catra, Castaspella/Shadow Weaver, Glimmer/Shadow Weaver, Catra/Glimmer

My trash children prompts! And by "trash children", I mean everything from "my genderpunk trash children" to "these two need a whole buddy comedy except they spend 95% of the film loathing each others' guts" to "holy wow student-teacher power imbalance".

Castaspella/Shadow Weaver - If you were wondering which pairing I thought "needs a whole buddy comedy", this is that pairing. Just like, a buddy comedy, but in a romantic way. They feel like they’d be great fodder for crackfic, because once you get Really Into the weeds of magic usage and these old family-related hatreds it gets either very technical and serious or just very ridiculous and honestly I like both options.

I have this very weird, very specific AU idea where the two of them have to go undercover as a married couple while simultaneously *loathing* each other and of course they bang it out eventually

I'm also a fan of whatever it is you think about them. I just about guarantee it.

Glimmer/Shadow Weaver - In my head, a lot of this is going to be after Glimmer’s coronation. 

Their dynamic definitely has shades of “Glimmer is hurting and overwhelmed and will respond extremely well to a vaguely maternal figure no matter how vague or inappropriate”

There is always the lure of forbidden knowledge and Glimmer being high on the sense of competency and power and general ability to do things, which she probably feels she’s been denied all her life--and that have only been given to her at a huge personal cost. Glimmer might be mad at the world, mad at herself, mad at her mother. 

I looooooooooooooove a good moral corruption story. I love how Glimmer seems like she’d be drawn to Shadow Weaver’s ruthlessness, especially after her interactions with Catra and how Catra tricked them constantly and weaponized their good natures and intentions against them

I've seen people point out that this seems like an appropriate pairing for tentacles and I have to say I agree.

Double Trouble/Catra - I don't know *why* I found it so endearing when Double Trouble would show the slightest basic kindness to Catra and Catra would just... melt? I mean, fine, they were getting paid to care, and DT was probably really interested in the drama too. 

But then, you have the two of them egging each other on at being terrible, too. Being devious and misbehaved. I just need the two of them being my trash children. My gender-nonconforming queer punk trash children. Who make out sometimes, or have this... tension between them. Who might turn on each other sometimes, but god help you if you come after either one.

Catra/Glimmer - Idk, I especially enjoy them after seeing their dynamic in S5. I would love to see more of them doing... whatever, basically. I love how alike they are, and the ways they're different. And I love how Glimmer warms to Catra.

Catra annoying Glimmer. Because she is a cat.

Glimmer *getting* Catra, because they are a *lot* alike in some ways.

... And also any kind of "the aliens made them do it" smut fic you want to write about while they're out in space

Avatar: The Legend of Korra

Korra/Raava, Korra/Kuvira, Asami Sato/Lin Beifong, Korra/Lin Beifong, Kuvira/Opal

Korra/Raava - Kind of like with the She-Ra/Mara pairing under SPOP, I like there being an actual "relationship" between the mystical entity and the human connected to that entity. I'm not really looking for smut here, unless you're really feeling it, but any take on that is welcome.

Korra/Kuvira - This is, like, the opposite of Korra/Raava. Lol. All my rough pairing things apply:

Physical roughness. Can include rough sex, adrenaline/post-fight sex, sparring, or just actual fighting. Two women with dirt and blood streaking their skin snarling and circling each other? Perfect. Women who are scraped and sweaty and 

Mystical elements - Reversal lol, but I do like mystical healing, telepathic or empathic connections

Redemption arc stuff for Kuvira, bc obvs.

Neither of them seem particularly prone to indulging in substances, but if they did, or if there was an AU, I do also love it when two warrior types get intoxicated together somehow

Asami Sato/Lin Beifong - Idk, I feel like Asami has probably gotten in trouble before, right? And I don’t see Lin being very moved by flirting, but I could totally see Asami making a pass at her and it backfiring lol--maybe even before she met the Avatar. 

And then after that, Asami worked alongside Lin when she started working with the Avatar. And then she's worked with Lin in a non-bending professional capacity for a while too, post-s3. Idk. Maybe they have pre-Avatar interactions, or interactions that don’t revolve around the plot of Avatar, and there’s some kind of romantic or sexual Thing between them? 

Korra/Lin Beifong - I have a few dynamics I like with these two:

Grumpy/sunshine pairing

The sunshine one is superpowered

Sparring with a D/S flavor

A lot of the “rough pairing” notes I made for Korra/Kuvira apply here, too, except there’s not so much of a rivalmancy going on 

Under the Muppet Theory of Relationships, I’d probably place Lin on the Order Muppet side and Korra on the Chaos Muppet side. 

Kuvira/Opal - Mostly thinking post-rehabilitation for Kuvira. The two of them find each other again and a lot has changed. 

Avatar: The Last Airbender

Katara/Azula, Toph Beifong/Katara

Katara/Azula - If you like me are into this ship--thank god I’m not the only one. I don’t know why I like the idea of the dynamic between them so much--Azula’s conviction of her right to rule, her redemption arc that never materialized, Katara’s involvement with the Avatar, the opposing natures of their powers, Katara’s mastery vs. Azula’s. It’s just *clenches fist* phenomenal fodder for enemies-to-lovers, the trauma they both carry, the different monsters they have inside them.

Toph Beifong/Katara - These two were super fucking adorable and had the best tomboy/femme vibe and I would like to see more of that dynamic at literally any point throughout their lives. Alternately, I am up for any ideas you have about them.

Terminator (Movies)

Grace Harper/Dani Ramos - THE LOYALTY. THE TRAGEDY. THE KNEELING.

Grace Harper/Sarah Connor - I am game for anything: Grace lives, Grace dies, Grace rises from the dead a vampire (j/k. Unless you’re into that idea). Unlike the other two pairings here, I really like the roughness and snark between them, the fact that they don’t entirely get along even when they’re nominally getting along. They feel like they’re constantly competing, and I would love for that competition to either extend to the bedroom or for them to work their differences out through banging or for meditation on how Grace reminds Sarah of Kyle or--

Dani Ramos/Sarah Connor - I wonder sometimes if Sarah calms down once Grace is gone, mostly because they’re no longer in immediate danger, but also because Grace seems to really chafe for Sarah more than Dani. Sarah seems almost soft in her regard for Dani, and I love that and I love how it comes from this sympathy she feels for Dani’s position. It feels really rare for her, and I love the juxtaposition of her roughness, grief, and caring.

For these two, I’d be really curious about anything that happens post-Dark Fate.

Dani Ramos/Sarah Connor/Grace Harper - I like all three of the above pairings, so why not put all three of them together? I think it’d be fun. Especially if the three of them are on the road together after the events of Dark Fate in an AU where Grace lives. Road trips, cyborgs, time travel, and gay sex.

Grace Harper/OFC, Dani Ramos/OFC - I know a lot of people really like the idea of Grace only ever having been with or interested in Dani, or vice versa, but I kind of feel like having more experience would make them better lovers when they’re with each other. Things I like a lot with this:

Grace blowing off steam with another Augment

Grace having drunk/high sex with another Augment

Dani occasionally sleeping with Augments when she doesn’t have Grace and really needs the comfort

The two of them fucking other people and thinking about each other

The two of them fucking and thinking about the other version of their partner

Worldbuilding for Dani’s post-Judgement Day world through the lens of femslash

[comicteaparty]

August 24th-August 30th, 2019 Creator Babble Archive

The archive for the Creator Babble chat that occurred from August 24th, 2019 to August 30th, 2019.  The chat focused on the following question:

What is your favorite aspect when writing character dialogue?  What is your least favorite aspect?

HiddenElephant

My favorite aspect when writing character dialogue is when characters get into arguing or other verbal conflict; this stuff writes itself! My least favorite aspect is remembering to put in all the minor character verbal tics, such as no sharkfolk using contractions. Oh, and the obligatory link: http://thewideocean.thecomicseries.com/

spacerocketbunny

I love writing personal or emotional dialogue for characters, it's fun to see how they all express themselves differently in these situations and how they handle it! One thing I struggle with is adding bits of different languages in character dialogue if they're bi/multilingual. I'm not bilingual myself and I don't have the best resources or references to turn to when writing dialogue, so I worry if it comes off a bit silly(edited)

keii4ii

@spacerocketbunny I'm bilingual and know a lot of multilingual folks IRL. I don't know if this is universal, but it seems to be the case among the people I know: if someone is fluent in both languages, they won't switch between languages while talking to someone not fluent in both languages. (This ruined the character Mako for me, in her intro scene in the Pacific Rim movie...)

Someone who's only fluent in one language might very well be different. Also could be different if the two languages share a lot of similarities, e.g. two Latinate languages. Most of the bi/multilingual people I know speak Korean/English, so it's hard to mix them up unintentionally.

deo101

I am also bilingual, though it is in ASL so it would be incredibly difficult for me to even "accidentally" switch between languages. Though, I can attest that all my multilingual friends (usually spanish/english) don't really switch either. I can think of one time a friend yelled angrily in spanish at a videogame which was an accident, but that's it.

spacerocketbunny

In any instances that I have written parts with a bit of different languages it's always been intentional on the character's part, so none of them have been "accidental slips" and whatnot, Thank you for your insight though, that's very helpful!

kayotics

As per the question: dialogue is my favorite part to write, in all honesty. Probably why comics are fun for me. I think my favorite part about dialogue is figuring out how to weave exposition into natural character interactions. Sometimes it doesn’t make sense to do that (like someone explaining a problem), but for things that the characters would naturally know (like how the world works or relationships between other characters) I enjoy trying to tie in exposition for the reader while still making it seem natural. Least favorite is probably just keeping things trimmed down, I tend to get carried away. I also find remembering character voice a little difficult to implement, like one character using specific words or ways of speaking. And the comic plug: https://www.ingress-comic.com/

mariah currey

Lol same X') sometimes it feels more like the plot is directed more by conversations I want the characters to have than anything else. That's kind of an exaggeration, but the most fun part for me is thinking about the emotional exchabge between characters. And yeah my least favorite part is editing the dialogue down. I tend to write long so a lot of the time it's like a puzzle of trying to figure out how to still communicate what I'm trying to get across in half the words I originally wrote it to be. Link: http://rainydaydreams.mariahcurrey.com/

AntiBunny

I don't so much write dialogue, as I do let it play out in my head. The characters of AntiBunny http://antibunny.net/ sort of just write their own. Each has their own mannerisms from Piago's unexplained southern accent, that none of her family shows, to Pooky's use of British slang picked up from watching too many Britcoms. So my favorite part is just playing the scenes out in my head, and letting them form organically. Least favorite part is when it comes to the final draft, and cutting it down to what will fit on the page and flow well with the action. A lot has to go in the name of flow, just like a realistic organic conversation can't really be depicted in fiction and tell a cohesive story. So it has to be distilled down to the message that needs to be delivered, and then that needs to be balanced for what will display properly in sequential art.

FeatherNotes

As far as the bilingual tibit goes- my family has a lot of french /english speaking people and phrases often go in and out of each language when speaking to each other. The sentence doesn't straight up go into another language mid thought, rather its peppered in. Often when the point can't be articulated in the speaking language, in my example, french would be used to emphasize a feeling. And it's something I've done and seen a lot- i think it depends on where the speakers are in these situations. There are specific bilingual provinces and states that show people doing the same (im from quebec and the way the pepper in both languages is very much how they speak.) So, when writing characters, having a sense of environment and placement of culture is something to consider to flesh them out with dialogue. My least fave part of writing is trimming as well to fit the pages and not sound too wordy haha

Tuyetnhi

For me, I have fun writing dialogue when there's conflict and tension between two characters, like a situation where another has to decieve through their words or confessing their feelings. It does play a bit of foreshadowing but I also want it to appear as contingent as possible lol. About the bilingual thing, I'm also bilingual but i often struggle trying to say the right words either in english or vietnamese (such as describing a certain word in english to a Vietnamese speaker and I end up saying the english word of the thing I want to describe lmao. It happens a lot). I think that situation is common with a lot of folks who grown up in a bilingual household (such as both of your parents speak 2 languages, and you end up assorbing most of that native language of the country your in instead your parents native tongue). I'm planning to incorpate this through my MC's dialogue for that kind of naturalism (plus other factors too lmao).(edited)

least fav part is also trying not to be wordy as well. lmao. i do like trimming dialogue just to make it feel kinda punchy in a way depending on the character.(edited)

snuffysam

For Super Galaxy Knights http://sgkdr.thecomicseries.com/, I just love writing dialogue in general. Figuring out how different characters should react in different situations, figuring out a way for it to all sound natural... it's all fun. The one thing I dislike is when I have to explain some concept to the readers in a character's voice. Taci explaining energy usage to Mizuki was fun because he's the type to lord over his knowledge of something. And Pejiba explaining magic abilities to Mizuki made sense, though that dialogue still feels a bit lacking to me. But there's this one upcoming scene in book 3 where I HATE the dialogue, just because there's no other way to explain stuff other than "as you know, only one in every million people can survive the radstream" and it's annoying.

LadyLazuli (Phantomarine)

I love finding moments to slip in random quirky character-building dialogue bits in Phantomarine (http://www.phantomarine.com/). The phenomenon of having a character say one thing - funny, heart-wrenching, relatable, or otherwise - and have the audience immediately fall in love with them (or hate them intensely!) is something I like trying, because I’ve experienced a similar phenomenon many times, both with fictional characters and in real life. Sometimes, all it takes is a single sentence for me to go “Ooh, you’re a unique one. I like you. I want to know more about you. What’s your deal?” My gold standard is the introduction of Lilo in “Lilo and Stitch.” She’s instantly memorable and relatable in her weirdness. My instinct is to streamline dialogue to convey information as clearly and quickly as possible, but adding those non-essential characterization moments is so important - it makes the characters so real, and breaks up the pacing nicely, especially in a story that’s generally pretty serious. Those quirky bits make the experience so much more fun.

Steph (@grandpaseawitch)

I absolutely love writing dialogue for http://oldmanandtheseawitch.tumblr.com/. I think it's really where a lot of characterization shines, especially if you know how to use speech bubbles fluently to do so. Every character has a different beat, a different musicality. Ains (and most of the Pub Lads) tend to have dialects a bit like dropping a rock into a puddle. A sudden beat with few ripples--they're laymen, fishermen, you have to get across a lot in only a short time span. "Yep," "nope," and for Ains, he's especially prone to this. Witchy, comparatively, when he finally talks (minor spoiler but not that surprising), has a purring, flowing, flowery sort of language. Ains is very upfront and forward. Witchy's comes across as having an ulterior motive. Dialogue becomes another means of illustrating their individual personalities. My least favorite part is purely technical: formatting and consolidation. Having to pick where you sacrifice legibility for character and character for legibility. Blurbs don't always fit nicely into bubbles, or I have to add a word so as to not break the rules of bubble formatting too much.

[readingsweetblueflowers]

Reviews of Sweet Blue Flowers omnibus volume 1

UPDATE 2018/03/18: Corrected the attribution on the Geekly Grind review. (The site was apparently moved and/or renamed.)

UPDATE 2017/12/09: Added two more reviews, from TheOASG and Otaku USA.

UPDATE 2017/11/03: Added two more reviews, from More Bedside Books and Experiments in Manga.

Now that I’ve finished my own comments on omnibus volume 1 of Sweet Blue Flowers, let’s take a look at what other people thought of it. Here’s a not-quite-comprehensive list of reviews of volume 1 that I found online. (I ignored reviews on YouTube since I’m allergic to watching video reviews.) I’ve listed the reviews in rough order based on the prominence of the reviewer and the insightfulness of their comments.

Erica Friedman at Okazu. Friedman is one of the most well-known promoters and reviewers of yuri manga and anime, and hers is the single most authoritative site in English for yuri-related news. She also did previous reviews of volume 1 and volume 2 of the Japanese edition of Sweet Blue Flowers (Aoi Hana), which together cover the material in omnibus volume 1. In this review she rated omnibus volume 1 as 8 out of 10 overall, with art and characters at 8 and story and “yuri” at 7.

Summary: “... although the opening and the ending are—in my opinion —very weak, the rest of the story is excellent. It’s got surprising depth and breadth. Characters that surround Fumi and Akira are as well-developed as they and as interesting. ... This is the version we all wanted. There’s no excuse not to buy it and support the author and folks at the publishing companies that brought it to us!”

My take: Friedman has been a big fan of Sweet Blue Flowers both in manga and anime form, and I think her judgements are generally sound. In particular I agree with her characterization of Sweet Blue Flowers as a modernized “Story A” and “[class] S for a new generation.” I also share her opinion regarding the weakness of the opening, although our reasons may differ slightly. (Based on other reviews I’ve read of hers, the “ending” she’s referring to is the ending of the entire series; I’ll comment on that when the time comes.)

Rose Bridges at Anime News Network. ANN is the most prominent anime news and review site; they also do a fair number of manga reviews. Bridges gave Sweet Blue Flowers an overall B+ grade, with a B for story and an A for art.

Summary: “Overall, this release is an excellent way to dive into a yuri manga that's a cut above the rest. Sweet Blue Flowers still has plenty of its genre’s trappings, but also enough bite for those seeking something more realistic.”

My take: As with Friedman, I basically agree with Bridges’s review, and think she has some useful things to highlight about the work thus far.

Amelia Cook at Otaku USA. Otaku USA is a print and online magazine covering anime and manga; Cook is also the founder of the Anime Feminist web site. Her review is favorable. She particularly calls out the depiction of the four main characters (Akira, Fumi, Yasuko, and Kyoko) as being realistic and nuanced. She rated Sweet Blue Flowers as “recommended”.

Summary: “Sweet Blue Flowers [paints] a picture of everyday life with complicated young women going through important formative experiences. You’ll end the 400-page volume rooting for them all to have a happy ending.”

My take: I found it interesting that Cook’s is the only review I’ve linked to thus far that calls out and (in my opinion, rightly) criticizes the inclusion of the subplot involving Akira’s brother. My only minor (and somewhat self-serving) quibble with Cook’s review is her claim that “The overwhelming impression is that this is yuri predominantly for queer women.” I agree that Shimura did not (and does not) write for the male gaze and goes beyond standard yuri tropes, and thus Sweet Blue Flowers would likely resonate more with queer women than many other yuri works. However I think the publishing history of the manga points toward it being intended for a mixed audience of both women and men, both queer and straight.

Helen at TheOASG. TheOASG is a group anime/manga blog. This is a generally favorable review, albeit with some concerns expressed about the use of yuri tropes, possible queer-baiting, and the reaction by Yasuko’s family to her and Fumi’s relationship being unrealistic. She rated Sweet Blue Flowers at 3 out of 5.

Summary: “Sweet Blue Flowers ... treats its characters as people, not characters created for the reader’s gaze but real teenaged girls dealing with the always overly-complicated world of high school. But it still remains to be seen just how many times these girls have their hearts broken and mended by the time they graduate.”

My take: I can understand Helen’s confusion about exactly what type of story Sweet Blue Flowers is supposed to be: cute schoolgirl yuri or a realistic depiction of a teenaged lesbian? As I’ve written previously, I think that ambiguity is actually deliberate on Shimura’s part. I’ll also note a minor error in the review: she mentions both schools as having active drama clubs, but this is true only of Fujigaya; the club at Matsuoka is in danger of being disbanded.

@livresdechevet at More Bedside Books. A generally favorable review that focuses in particular on translation issues and changes from previous digital releases of volume 1.

Summary: “All in all Sweet Blue Flowers is an enduring series about maturing and girls in love with other girls finally receiving print treatment in English. ... Whether someone is familiar with the genre and history or not it’s a story with characters that can reach out to teenagers as well as older readers.”

My take: Her point regarding the translation of Fumi’s interior thoughts regarding Chizu is a good reminder of the potential pitfalls of interpreting a work solely through a translation of it.

Ash Brown at Experiments in Manga. A generally favorable review that highlights Shimura’s artwork and its relation to theatrical performance, as well as the realism of character actions and interactions.

Summary: “Sweet Blue Flowers is a wonderful series. The manga is emotionally resonate, with a realistic portrayal of the experiences of young women who love other young women. The characterizations and character development in Sweet Blue Flowers in particular are marvelous. ... Sweet Blue Flowers is a relatively quiet story, but the emotional drama is powerful and the manga conveys a compelling sense of authenticity and honesty.”

My take: Brown makes a good point, that Shimura’s relatively simple artwork “is reminiscent of intentionally minimal set design used in some theatrical performances”. I also agree with Brown’s contention that “the characters’ involvement with the play [Wuthering Heights] is an important part of the series both aesthetically and thematically.” I hope to write more about this general point more in the future.

Eric Cline at AIPT. A generally favorable review. Cline liked the characters and how they were handled, and thought the artwork stood out. One criticism he voiced was regarding a lack of clarity in some scenes in terms of who was talking, and where the scenes fit in the overall timeline. He also questions the exact relevance of one character (apparently Kyoko) to the story.

Summary: “Overall, Sweet Blue Flowers Vol. 1 is a solid start for the series. The characters are likable and well introduced, and the artwork throughout is beautiful. With that said, none of the volume’s more emotional moments are very memorably so. This is a volume that shows promise and generates enough interest to warrant giving the next installment a look, but it doesn’t quite reach greatness as is. I would recommend it, but not enthusiastically so.”

My take: Cline is spot-on about Shimura’s narrative sometimes being difficult to follow; she often makes scene transitions without warning between two panels on the same page. I also agree with Cline about the limited emotional impact of some moments; I think this is a combination of our having spent limited time with the characters thus far, the somewhat artificial and schematic nature of Sweet Blue Flowers as an homage to and critique of the class S and yuri genres, and Shimura’s occasional tendency to emotional distancing in her story-telling. As for Kyoko, I think she is and likely will be a key character in the story.

Ruthsic at YA on My Mind (also at Krutula at GoodReads). An overall favorable review that highlights the art, characters, and good handling of lesbian themes. She rates it 4 stars out of 5.

Summary: “Overall, a manga I am really looking forward to read more of. (There’s also an anime of it, and I am so going to watch it!)”

My take: She makes a good point about the setting of Sweet Blue Flowers being “contemporary, but without the homophobia”, presumably in service to this being a “feel good” story as opposed to a truly realistic one.

Sean Gaffney at A Case Suitable for Treatment. A favorable review from a manga-focused site. He acknowledges that the long delay in bringing out a complete official translation of Sweet Blue Flowers makes it seem less distinctive compared to more recent works like Bloom Into You or Kiss and White Lily for My Dearest Girl.

Summary: “Sweet Blue Flowers is absolutely worth reading and checking out, both if you like yuri and if you like Takako Shimura. It’s also only four omnibuses, so shouldn’t devastate your bookshelf too much.”

Alexandra Nutting (writing as EyeSpyeAlex) at The Geekly Grind. A favorable review on a site focused on anime, manga, and video games.

Summary: “At the end of the day, I really enjoy Sweet Blue Flowers. The characters feel real and have a depth and complexity to their lives. While the visuals could be a little more striking, it fits the down to earth tone of the manga.”

My take: The reviewer praises Sweet Blue Flowers for its “authenticity”, and notes that it is melodramatic but not overly so. I think this is about right.

Leroy Douresseaux at ComicBookBin. A favorable review (score 8 out of 10) on a general comics site.

Summary: “Fans of yuri and shojo romance will want to smell the Sweet Blue Flowers.”

My take: A fairly brief and vanilla review, though it does make an interesting point about the confusion due to the number of characters and their different feelings evoking the state of confusion the characters find themselves in.

And one final “not really a review” item:

Rachel Thorn at Twitter. Thorn asked for opinions on Sweet Blue Flowers, apparently for an article she’s writing on Takako Shimura’s work. (Thorn announced separately that she’s completed the article, but hasn’t announced when or where it will be published, or whether it’s in English or Japanese. However from something Erica Friedman wrote elsewhere I believe it may be intended for the Japanese magazine Eureka.) Warning: Some of the replies have mild spoilers for the end of the manga.