#Action pose studies

[pokemon-ash-aus]

I was doing action poses and yoinked a bunch of server members and friends twos to practice with :3

It was very fun trying to translate certain poses into Mews and Twos X3

Hoo boi its gonna be a lot so bear with me

Jericho - @mewtwoandme

Perzi - @loupy-mongoose

Qari - @phlurrii

Scarfy - @xxtc-96xx

Aqua - @kantaroth

Sketch - @sketchmew

Midnas - @mewtales

Fye - @the-mew-crew

Lovey - @thatt-bored-artist

Eve - @mewtwoevolution

And here's a Version of the twos playing VolleyBrad!

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[mythosaursarecool]

Yes hello I drew a little guy have him

[bohacowa]

[bishicat]

body studies ft. totally real underwear 👀💧

[hinamie]

hi yeah can i get uhhhhhhhh homoerotic vaguely cannibalistic tooth and nail fight pose reference 3/4 angle facing left extra desperation pls

[no0t2]

ufff drawing doesn't feel fun again. this sucks

[galadae]

when I need an action pose reference of something very specific. pain and suffering

[strawberrymilk-boba]

my current hyperfixation is slipping so have some warmup sketches!

[ghcstcd]

When will the desire to draw my own oc's and other interests win over the desire for some sense of success?

[gemiiniiszn]

Not something exciting but was doing pose studies and trying to make my mind get used to identifying shapes and stuff

[phildumphy]

So it turns out that ChatGPT not only uses a ton shit of energy, but also a ton shit of water. This is according to a new study by a group of researchers from the University of California Riverside and the University of Texas Arlington, Futurism reports.

Which sounds INSANE but also makes sense when you think of it. You know what happens to, for example, your computer when it’s doing a LOT of work and processing. You gotta cool those machines.

And what’s worrying about this is that water shortages are already an issue almost everywhere, and over this summer, and the next summers, will become more and more of a problem with the rising temperatures all over the world. So it’s important to have this in mind and share the info. Big part of how we ended up where we are with the climate crisis is that for a long time politicians KNEW about the science, but the large public didn’t have all the facts. We didn’t have access to it. KNOWING about things and sharing that info can be a real game-changer. Because then we know up to what point we, as individuals, can have effective actions in our daily lives and what we need to be asking our legislators for.

And with all the issues AI can pose, I think this is such an important argument to add to the conversation.

Edit: I previously accidentally typed Colorado instead of California. Thank you to the fellow user who noticed and signaled that!

[diyadoesntdowhatshessupposedto]

I feel like Front-facing Dog and Fox Swimming would be welcome here

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[lethesbeastie]

Hi, I saw your post about practicing drawing fat people and I was wondering if you could compile like a list of resources or references?

It can be difficult to find resources for drawing the wide variety of forms fat bodies can occupy, so I've done my best to bring together some resources I've been able to prove have some degree of diversity in the references they offer!

My primary resource recommendation for drawing fat people is Morpho Anatomy For Artists: Fat And Skin Folds! It does a wonderful job breaking down where fat accumulates on the body, how it interacts with the familiar landmarks of human anatomy, and what sort of shapes it tends to form under the influence of gravity. It's a phenomenal reference and my top recommendation for anyone seeking to improve at drawing fat people!

When it comes to finding decent photo references for fat people, the pickings are frustratingly slim. Most sites that specialize in pose references either don't have fat models or have all their images behind paywalls. Of the resources I looked through, the best sources for pose references were Adorkastock and Line of Action.

@adorkastock actively seeks to provide an incredible profile of pose references with diverse body types, and as an added bonus you can access a lot of their images for free on their site/Tumblr or join their patreon for early access to images! Line of action is a site aimed towards practicing figure drawing, providing images and a timed function to challenge artists to sketch within a set time limit. I took the time to go through roughly 300+ images and was pleased to find that during my session around two-to-three out of every ten photos were fat models. The only caveats to this was the fact that most of the images were of the same individual, limiting the applications for studying the variants of fat bodies. Still, it's an amazing tool that has a free mode and allows you to filter the types of references you want based on age and level of nudity.

Beyond sites that specialize in art reference photography, there's also the ever popular Pinterest, which is the site where I typically seek references for my personal studies. Due to the nature of Pinterest's extensive collection, there's a vast variety of references for different fat body types that includes a lot more "everyday" people. The primary issue with Pinterest however is the rampant reposting and lack of proper credits for images, which can make things dicey depending on how you wish to use the references you find. For personal studies this isn't really an issue, but for any sort of professional or paid work is something to be aware of just for the sake of accountability.

* For those who are 18+, porn photography of real people also offers an incredible wealth of visual resources for fat bodies and how they interact with gravity/movement/etc. The variety of positions and angles offer many opportunities to study human anatomy, and it's a pretty well-known fact that drawing NSFW art can be an important learning experience for those struggling with drawing anatomy. In the end, it depends on your personal level of comfort with viewing/drawing explicit images, but it's not something you should completely overlook.

Last but not least, look at the work of artists you admire who draw fat people! While I typically recommend sticking to photo references for learning anatomy, studying artist's portrayals of fat people is also incredibly helpful for learning different tactics for simplifying and/or stylizing fat bodies to better fit ones own style. There are also plenty of artists who've crafted tutorials detailing their approach to drawing fat folks, so I highly recommend you check them out as well! I hope the resources I've linked here can help you in your studies, and feel free to drop another ask if you have any more questions! I'm planning on posting a tutorial on how I do studies for fat people soon, so that will be an additional resource for you once I've got it posted!

[poetryvampire]

painfully needy Rolan going into rut

Had this on the brain lately. I don't think it would take much to make Rolan an absolute mess but imagine how worse it would be when he's going into rut. Boy would snap so fast

Rolan x afab non-tiefling reader

Have some 🔥spicy🔥 musings

*this went longer than I wanted lol. But if you like it tell me if you want more 🧡

● Rolan had been doing this dance with you for months now. Both working at Sorcerous Sundries you saw each other regularly, even tried to work together as much as possible (not that he'd ever admit that). The banter, the playful mockery leading to not so subtle flirtation was easy until now.

● The conversations didn't flow like before. A joke about becoming a doe eyed scarcely dressed maiden -like the ones on the covers of those novels you so enjoy- suddenly lead his mind to wander. Any wisecrack replaced with the image of you gazing at him so lustfully. An image that stays with him for the rest of the day (and night).

● Lia and Cal are very vocal about his uptick in irritability. He tries to ignore them but they're not wrong. Ever little thing sets him off. He's frustrated at himself. For letting the feelings get so far without truely noticing. For being too proud or too embarrassed to act on them.

●He often forgets his words as his eyes lingered on your lips, your neck, your figure. More than once you caught him staring and to his surprise no offense was taken. Just a quizzical look, perhaps a soft smile that flooded his face with warmth.

●Rolan would have almost preferred you'd have met him with anger. Now the hope of you ran rampant through him. That if he was ever to give in he may be met with the embrace he so longed for. The need for you was growing by the day. He even took care to not stand to closely to you now. He coursed himself for it. How had he become so starved for affection that even the scent of you sprung his body to life.

●The wizard had spent many nights forced to take action if he was to ever find sleep. He'd be tangled in his sheets, hair wild, trusting violently into his own fist. He tries to keep his fantasies to more abstract forms of pleasure but as hard as he tries the vague shapes melt into crystal clear images of you. It would always be you around him like a vice that would push him over the edge.

● There were times he'd lose himself so throughly he'd cry out your name as he came. Embarrassed by this lack of control, Rolan told himself it was better to happen here than in front of you.

● Going into work that morning something felt off. Rolan's whole body felt extra sensitive, aching. The horrible thought finally struck him at midday. Was he going into rut? Now!? With such little warning? He calms himself. He's not certain after all.

● Until he's been paired with you to clean out and old study turned storage room. He's hyper aware of your scent. Its filling his lungs,making his knees weak. The room isn't exactly small but it's stuffed with stacks of books making moving around a problem. You're constantly having to squeeze (delightfully, terrifyingly) close to each other.

● Luckily you're busying yourself with the task at hand. Rolan prays you won't notice how red (red-er) his face is or the sizable bulge he's currently cloaking with a stack of books. The straining against his pants is almost painful. He's eyeing the door, anything to escape the heat building in his blood.

●His eyes fall back to you and all notions of making a run for it leave his mind. Along with everything else that isn't right in front of him. You looked a vision, standing on and old box body spread across the book self as you attempt to reach something on the top shelf. Not only was it a perfect view of your form, it reminded him of a pose one might see in an old painting.

●Suddenly the box wobbled threatening to send you falling backwards. Your scream was cut short as you felt Rolan catch you, arms wrap around your middle tightly pressing you to him. His face buried in your hair he couldn't help utter a deep groan. The wave of intoxicating aroma washing away his last bit of restraint.

●With ease he flips you around, pressing you into the shelf, a maon escaping your lips. Your hands came to his chest not to push him away but in a gentle caress.

●'Rolan? Please,' was hardly out on your mouth when they were swallowed by his lips. He kisses you like a drowning man breaking the water's surface. Madly, desperately as if any second you may be taken away for him. Hungrily he deepens the kiss and your lips part for him with ease, both of you relishing in the taste.

●It's only when you part for air he realizes he's been rocking his hips into you. An apology catches in his throat as you grind back against him. He's dizzy with lust, his own heartbeat pounding in his ears.

●His lips find your neck, kissing, sucking and biting. Trying his best not to break the skin. Your moans drive him on. His hands are frantic running all over you. Soon your hands lead his to the laces on your dress. He makes quick work of it.

●Rolan takes you in his arms again and lays you down on a near by table. A little too eager he tears your under things away completely. But to his awe you only laugh and spread yourself out for him to drink you in fully. You're a goddess in his eye and he intends to worship.

●Words spill senselessly from him as he lavishes you with his mouth. 'Fuck, Fuck! You're beautiful you're perfect. I need- God's, l need you I need you.' He hasn't the brain for elegance now. He's kissing you everywhere maoning words of love into your skin.

● As he makes it to your thighs he cannot help but bury is face between them. The sweet taste of your sex has him throbbing with out so much as a touch. He wants to make sure you're nice and ready for him. You're not a tiefling after all and he couldn't bare the thought of hurting you. It doesn't take long before you're dripping wet against his tongue as he slides wildly between attacking your entrance and your clit.

●You stifle a scream as an orgasm suddenly rips through you, your thighs shaking in his grasp. Youre still panting but you pull him away, drawing him closer to you. As you pull him into a soft kiss your hands unlace his pants (finally) freeing his erection. Though to hold him lightly his gasp is sharp. He's painfully hard; his head already glistening with precum.

●As he runs he length against your folds he tries to center himself. He doesn't want to be too rough or finish terribly fast. He wants to go slow but when he catches on your entrance he can't help but thrust into you, the relief of his agony so close. You tremble but encourage him on. His name quickly becoming a soft prayer on your lips.

●He's wrapped inside you now, almost all the way. The pleasure overwhelming him he opts for quicker shallow thrusts. He's taken aback by how vocal he is as more sweet lustful nothings spill from him. Rolan's control is fading fast. He's practically shaking, slamming himself into you losing whatever rhythm he had. The sight of your face contorting with pleasure is pushing him to his end. He can feel the hot pull in his gut. And suddenly something else as.

●A chill runs over him as he feels the swelling at the base of his cock. He grasps it and pulls out not wanting to subject you to something he didn't even take the time to explain. In part he's too late. He didn't fully knot but he still comes hard, spilling thick ropes all over your stomach and thighs. Fuck, you're beautiful like this.

● He blushes deeply and panics, apologizing over and over. He didn't want it to be like this. You run your fingers through his hair and kiss him gently. You don't know that much about teifling biology but Gods you wanted to learn. Rolan tries to believe you, that this wouldn't scare you off.

● He adjusted his pants, somehow still as uncomfortable as before. Perhaps it was the sight of you dressing. How you made no move to do away with his mess before you did. He could take you again easily. But not here.

● You convince him to claim illness and leave work early. To take time to rest. He agrees wanting to lock himself away from the world. And yet he also agrees to meet you that night. Then he'd have a more level head. A chance to explain himself and perhaps to hold you in his arms for longer.

Xoxo thanks for reading friends ❤️