#Alisa Freindlich

[quietparanoiac]

Margarita Terekhova and Alisa Freindlich in Моя жизнь | My Life (1972)

[spiritcc]

can i ask for a pyramid scheme of top 5, aka not only best soviet actresses, but also best movies they played in, or will that get me banned for unsustainable business practices

Oof that IS pyramid scheme of top fives and i will do it diligently, alas i am not as interested in gals as i am in pals so i dont actively seek out their movies and the general good vs bad criteria is different. it's guys who i always put against each other and make them fight eg. acting ability/quality of films etc, but all girlies are winning ye know?? like that russian kindergarten memo said, for the ball girls can be dressed as stars and snowflakes while boys are all clowns.

alisa freindlich my queen, just like everyone on this list there is just That in her and her acting that makes it pop, she's very cool and i love her mannerisms and her lesbian haircut

1. who am i to be original, the office romance. peak #look, a great opportunity to actually act, there's both comedy and drama to pull off there, the movie itself is funny as shit like? accept the classics 2. musketeers, not original again. her fingersnapping is hell yee and she's so smug there most of the time, just like in office romance she gets to sing but on screen this time, and the series itself i think need no introduction it's all iconic shit. you win anywhere you go 3. fuck you. stalker. it is the best tark movie and a great movie by itself and she was there for five minutes but she looked cool and also made up her entire monologue in the finale. she looks and acts like she absolutely could be routinely living in this vague apocalyptic grunge world and like man if she was a fallout npc or somethin my life would have never been the same 4. princess on the pea, just like with smoktun. i actually rewatched their bits today and they're just so poggers, he's her L hasban and she is his girlboss wife, it's one of these dynamics i never thought about but maaan smoktun and freindlich pop together. big fan! 5. shake and piss and cry because that's for me only <3 the stage play i saw in bdt with her and bas, those name i can barely even remember. bas was fantastic like at some point i was like OMG SMOKTUN LEVEL but i guess seeing acting live just hits different, the play was funny and serious when it needed and she was so lively and energetic and moving with such ease while bas was Dying and like yea they're acting, but i wondered because at the time of when i saw it bas was pushing like 82? i then looked it up and turned out that freindlich is older than him. i think she was 85 at the time jumping like she's 40. thats MY memory to cherish.

2. irina kupchenko and well. first of all she's the first person whose filmography couldnt be any less interesting to me, she was stuck in these domestic 360p dramas and i wasnt tempted to look them up even for a second. second of all, thats the death of the range right here, you can say she's pretty anytime but can you say she's played anyone but a girl with the vibes of someone who just went through 4-6 hours of Grade A Torment and as her eyes started drying out it all began again?

1. an ordinary miracle, obviously, her Grade A Torment that is her husband. wizard waifu for life and all but the strong whiff of divorce papers was always in the air between them 2. come take a look at me, her Grade A Torment that is her ma. a role where she's finally not the Turgenev's girl archetype as it's called in russia, really cool to watch her be snarky and funny and real. 3. strange woman on account of It All. never seen the movie and never will, but why must you have saucy scenes with your own irl husband....it was so forbidden, were we even meant to be watching this....im just standing there in your bedroom..... also one their exchange was like "we gave women their rights!" - "you didnt, the soviet regime did" and like asdfghj never forgot it for some reason. it's just so There. 4. uncle vanya because sure, she's small there. gets to have a family dynamic with peak looks smoktun AND be around utterly giant names. i personally dont think her role was interesting but she appears and i go AH SMALL! 5. ah yes. me. who has definitely watched 5 movies with her. movie number five. i totally have it. no i have seen more than five it's just they're not worth anythin actually, idk let поворот be here as the only movie where yankupchenko actually sucked face <3

3. yekaterina vasilyeva omg the Grunge. she's so cool man, also the whole mannerisms thing.

1. my dearly beloved detective, i think because she had an opportunity to kinda express it all there. the comedic side, the dramatic side, the touching acting of love, the femininity, the masculinity, you dont get many movies that allow all of that. also the movie where she finally reconciled with gaft lmao had to happen after the previous 2 of them killing each other 2. the wizards, my favest movie ever but lower on this list because not as much range, but she's still oh so cool. her style in there was poppin and her and val played out their little relationship as if they were in an oscar nominated romcom and not actually sharing about 3 scenes together. 3. come take a look at me surely, her leetle slightly deranged momther, from The Grunge in her early years to this softness later down the line. 4. we keep saying ooo yankupchenko but it was her and val the proto on-screen otp btw. anyway, what i havent seen fully but maybe should one day is a series called the village i think, just literal russian village schenanigans and her and val are having A Day there man. her losing her goat but knowing how to find it bc she makes the goat produce Special Shit, or how her and val were dying telling the story of dick out no pants dead guy in a coffin. wish i were there!!!!! 5. can her irl count before she converted to church lmao i just have a crush on her maybe, but that one frame from the MHAT split documentary where she was sitting on a chair backwards and the lgbt movement was born.

4. lyudmila gurchenko, now here's The Range.... here i can defs say i havent seen many works with her but thats because im calm and confident that when i finally do she will once again dominate me

1. station for two, i think it encapsulates The Range very well if she gets to sing, to be dramatic and humorous, and most importantly to pull off that whole aesthetic of.... being a person and living a life you dont want to have. a village bumpkin having the most mildly undesirable experiences, who wants to serve at a restaurant and have quickies with m*kh and sell smuggled goods? she is so real, so sincere in this that none of that matters because that's life that all of us do live in our own capacities and just like us, her character is more than that. 2. mama, truly The Range... putting her whole goatussy into this movie like she's getting her goat children stolen for real, like how can you play this teehee musical out one second and then switch to heavy dramatic roles. my god The Range....she was doing it all with a broken leg too there, she was always hardcore 3. carnival night because looking at how incredibly plain 50s she was you'd never guess there would've been The Range. lotta singing but what else, right? and then it's so hard to believe it was really her. also the return of the queen how this was made in like 1956 and almost 20 years later she came back for the station, glow up for both ryazanov and her. 4. i guess sure, love and pigeons for i have seen her scenes recently. i know a person who is her character irl my god lmaoo is the movie not lying. sure she's just a little weirdo but she too wanted love!!!!!!!!! dont touch her!!!!!!!!!!!! also how she once again pulls off comedy and that touching drama of NOOOOOO 5. ah yes. movie number five. a movie number five that i have seen and that deserves a mention. for now insert any 100% dramatic role i havent seen yet i trust her.

5. lyubov orlova. now this one is right at the bottom because i have seen exactly one movie with her currently and im waiting diligently to watch the other planned 3 with yall so i dont even know shit man!!! it's the fact that a few days ago i suddenly saw her in a non-alexandrov movie and literally started barking, well when i saw what i thought was her i went full pointing wojak meme, then i confirmed it was her and covered my mouth and started going WOOF WOOF and. if that happened with any of the actors im with, i would've just thrown myself off a cliff. dont mind never telling that to anyone, just wouldnt bear living knowing that i did that. but since it's girls night and we're still in the dating stage with her i think it's a sign of something right lmao?

1. what do you fucking think. what can it possibly be. will the science ever know. will the mystery ever be solved. 2-4. jolly fellows - volga-volga roster i dont know man lmao work in progress. i insist on watching them consecutively because i have a feeling neither of them have aged entirely well and if we watch one and yall dont really like it we'll never watch volga-volga ever and thats what im waiting for. maybe i will appreciate these more than anyone in our group, maybe i can predict as much.

[antrolli]

Alisa freindlich

Alisa Freindlich was born into the family of Bruno Freindlich, a prominent actor and People's Artist of the Soviet Union. Anna Austrian turned out amazing so much that no one doubted that she was worthy and love of the duke, and the bustle around the pendants.Alisa Brunovna Freindlich (Russian: Али́са Бру́новна Фре́йндлих, born 8 December 1934 in Leningrad, Soviet Union) is a Soviet and Russian actress, People's Artist of the Soviet Union. And soon after Kalugina - a new role in the cinema. Alisa Freindlich, whose biography, at last, was decorated with an excellent ribbon, performed her "party" with an unsurpassed brilliance. ", and again "not grown together"! But then Alice and Eldar recouped all previous failures in the film "Office Romance." And it was a triumph. Then followed by an invitation to appear in the "Irony of Fate. For the second time Ryazanov made an attempt to invite the actress to the role in the film "Zigzag of Fortune", but the pregnancy Freundlich prevented. It is this reason that explains Eldar Alexandrovich his choice. The filmography of the actress probably would have included the film "The Hussar Ballad", if it had not been so feminine. Soon after this, another historic meeting took place - the director Eldar Ryazanov and Alisa Freindlich met. It was then that they met their future husband - Igor Vladimirov. And even though she was not prima, she remembers this period with sincere warmth. The first time after graduation, Alisa played intheater named after V.F. Her biography, of course, does not have any gaps, but she nevertheless speaks very sparingly about those years, recognizing only that she survived only thanks to her grandmother. Alisa Freindlich does not like to talk about it. Almost no one knows how difficult it was for her at this time in Leningrad. Can you imagine what it was like for a girl with a German name to live in a blockade town. And then the war began, and until it was over, Alisa lived in Leningrad. He went on tour from Leningrad, where at that time they lived, and returned with another family. It can be said that Alice Freundlich, whose biography is not abounding in ups and downs, had before the other students the advantage that her father was the then famous actor Bruno Freundlich.īut few people know that he threw Alice's mother beforethe very war when the girl was still very young. She lived the same life as ordinary Soviet people. She graduated from school, entered the university, worried before each session. Alisa Brunovna, like many actors of Soviet cinema, whose biographies are closely connected with the life of the country, was also a pioneer and a Komsomol member. Lyudmila Prokofievna performed by Alisa Freindlich turned out so alive that not only Anatoly Efremovich fell in love with her, but also all viewers. Take at least the famous film by Eldar Ryazanov"Love affair at work". She is still loved, admired by her, onperformances with her participation are always sold out, and the films in which Alisa Brunovna plays are viewed with great pleasure, despite the fact that their content is known almost by heart and can watch these tapes with the sound completely turned off. Yes, the Soviet people, together with the Soviet Union, are in the past, but the love for this beautiful actress did not die. She is sweet to everyone and loved by every adult. The biography of this actress is of interest to many, since her name is known to every resident of the former USSR.

[sovietpostcards]

Actress Alisa Freindlich preparing for stage. Photo by Oleg Mertsedin (late 1960s).

[verdiesque]

god alisa freindlich is so beautiful

[kathogelia]

⬇️ Tag drop ⬇️

Actors & Actresses

al st john

alan tudyk

aleksandr demyanenko

aleksandr trofimov

aleksei kuznetsov

alexandra yakovleva

alice lake

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[mawr-gorshin]

Analysis of 'Stalker'

Stalker (Russian: Сталкер) is a 1979 Soviet science fiction film directed by Andrei Tarkovsky and written by Arkady and Boris Strugatsky, based loosely on their 1972 novel, Roadside Picnic. The film stars Alexander Kaidanovsky (in the title role), Anatoly Solonitsyn, and Nikolai Grinko, with Alisa Freindlich and Natasha Abramova. The premise of the novel is that after an alien “Visitation,”…

[byneddiedingo]

Aleksandr Kaidanovsky in Stalker (Andrei Tarkovsky, 1979) Cast: Aleksandr Kaidanovsky, Anatoliy Solonitsyn, Nikolay Grinko, Alisa Freindlich, Natasha Abramova, Fame Jurno, E. Kostin, Raymo Rendi. Screenplay: Arkadiy Strugatskiy, Boris Strugatskiy, based on their novel. Cinematography: Aleksandr Knyazhinskiy, Georgi Rerberg. Production design: Aleksandr Boym, Andrei Tarkovsky. Film editing: Lyudmila Feyginova. Music: Eduard Artemev.

Andrei Tarkovsky's dystopian fantasy has something of the flavor of a Russian folk tale. The archetypes are there: the perilous quest, the trio of seekers, the anagnorisis, the catharsis, the disillusioned return. The title character, splendidly played by Aleksandr Kaidanovsky, is not a "stalker" in the current sexual sense but rather a man who guides others into the Zone, a mysterious area cordoned off from the rest of the world by the military. In the Zone, the Stalker says, is a Room that fulfills each person's secret desires. The men he guides in the film are a cynical Writer (Anatoliy Solonitsyn) and an ambitious Professor (Nikolay Grinko) -- archetypes of art and science, who throughout their journey make the cases for their respective world-views. The film begins in monochrome -- sometimes stark black-and-white, sometimes a bilious orange -- in the Stalker's bedroom, where he shares a bed with his wife (Alisa Freindlich) and his young daughter, whom they call Monkey (Natasha Abramova). Before he leaves to meet the Writer and Professor, the wife chides him for taking on another dangerous mission. To get to the Zone, they have to pass through a heavily guarded section, and when they reach it, the film turns to color. But the Zone is no Oz, despite the obvious allusion. It is distinguished from the bleak industrial outside world by an abundance of vegetation that covers not only ruins of a former industrial society but also the tanks, weaponry, and corpses of the military that tried to invade and conquer it. The Zone is also magical, continually frustrating attempts to move through it and reach the Room, but the Stalker has learned how to anticipate and avoid its tricks. He says that as a Stalker he is forbidden to enter the Room, but the truth is that he knows the fate of an earlier Stalker, called Porcupine, who did enter it. Tarkovsky's usual long takes demand actors of considerable skill, and all of the company possess it. Although Freindlich's role as the wife is a smaller one, since she doesn't accompany them on the journey, she has a compelling scene at the film's end that's a master class in how to deliver a monologue. The shoot was a legendarily troubled one, since the locations were actual badly polluted industrial ruins, and many of the crew grew ill from the toxins in the abandoned chemical plant -- there are those who claim that the deaths from lung cancer of Tarkovsky, his wife, Larisa, who was a second-unit director, and Solonitsyn were a result of exposure to chemicals during the filming of Stalker. In fact, much of the film was shot at least twice, after cinematographer Georgi Rerberg was fired and replaced with Aleksandr Knyazhinsky, doubling the exposure of many of the cast and crew. Backstory aside, Stalker is a fascinating glimpse into Tarkovsky's mind and milieu.

[skeletonfumes]

Stalker (1979) Andrei Tarkovsky

[ultimate88]

Office Romance | Служебный роман (1977) dir. Eldar Ryazanov

[solonocturne]

Office Romance, 1977, dir. Eldar Ryazanov

[quietparanoiac]

Кардинал так защищал вас, а вы так люто его... ненавидите!

Д'Артаньян и три мушкетёра | D'Artagnan and Three Musketeers (1979), e01

[xanahalfblood]

[natyutya]

Алиса Фрейндлих, 1960-е. фотограф: Олег Александрович Мерцедин.

[shurochka-azarova]

[rf-times]

Alisa Freindlich in Office Romance (1977)