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room-surprise · 2 months

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

1K notes · View notes

mellowswriting · 3 months

Text

new perspective

pairing || Din Djarin x f!Reader

word count || 2.8k

summary || teaching the infamous Mandalorian to slow down and enjoy life isn't easy. it takes planning, patience - and silken sheets apparently.

content || SMUT, domesticity, simple pleasures, shower sex, sensual massages (i'm incorrigible), p in v sex, cowgirl position 🤠, slow sweet sex, post-orgasm planning for the future (this is din, after all)

a/n || i know, i know. i can hear it all now. "mel, where the fuck have you been???" celebrating my graduation and then immediately devolving into an existential crisis. but that's okay! not only have i figured out my direction in life, but i've returned with everyone's favorite topic: simping for Din Djarin.

Din Masterlist | Main Masterlist | Library Blog

Din Djarin is not a man who knows how to take his time. He’s a workhorse, constantly on the go from one job to the next. He simply never learned the skill of savoring the little things in life. A good meal, a hot shower, a full night’s rest, leisure time. All of those things are simply a stranger to him. Any pleasure he takes, usually at his own hand, is perfunctory at best, a release of tension for its own sake.

Until you.

It starts simple - a set of silken sheets that you bring onto the Crest. Din returns to find you sprawled out on the small bed you share with a sleepy smile that makes his chest feel funny. Your fingers fan out against the soft material.

“Come feel.” You murmur. He doesn’t hesitate to tug off the thick leather gloves and brush the fabric with the back of his fingers. You watch as his shoulders soften, his head tilting as he takes in the foreign feeling. “Do you like it?”

“Yeah,” He says contemplatively. “It’s soft.”

Your smile widens and you shift over, making room for your lover. “Join me?”

“In a bit,” Din promises. The chill of his beskar soaks into your skin as he presses his forehead to yours. His warm palm cups your cheek and he holds you there for a breath before pulling away. “I have some more work to do.”

It isn’t hard to convince him to strip down when he joins you later that night. He’s exhausted, body aching from a long day’s work. He lets you strip away his armor and flight suit until he’s left in his briefs. You’re used to him falling asleep the moment he collapses into bed - but tonight is different. His eyebrows raise in surprise when he relaxes back into the pillows, his fingers rubbing circles against new sheets. Din is a man of few words but it’s obvious how much he likes the new addition to the bedroom.

“Come here,” He whispers, beckoning you to join him. The tension melts from his body as you curl up against his side. He tilts your chin up and kisses you softly, a wordless offer of his thanks that you eagerly accept. Surrounded by the cool sheets and the woman he loves, he falls asleep within minutes. That morning, Din lingers in bed for those first drowsy moments after waking. He wakes you with a few gentle caresses of his hands over your shoulder and arm and a murmur of your name. He looks more rested than usual.

You make sure to buy matching pillowcases the next time you’re out.

With every passing day, Din learns how to slow down and savor the morning. It doesn’t take much to keep him in bed with you a little longer each morning - a few soft touches and sweet kisses, and Din sinks right back into your arms. He rubs his face into the crook of your neck and drifts in and out of sleep, practically purring with every brush of your fingers through his hair. His voice, so deep and rough first thing in the morning, rumbles low in his chest as he murmurs his love into your skin. It’s simple, this early morning peace the two of you share. So simple, but so important.

You slip into the shower with him one random evening. You can’t help it. He’s been gone for two days straight on a bounty hunt and you’ve missed him. His eyes light up with interest as they trail over your naked body, his hands finding your waist and tugging you against him. A shiver of desire arcs up your spine - but you didn’t come here to get fucked silly in the shower. Well, not yet at least. You loop your arms around his shoulders and press up on your toes to kiss him properly. Din groans against your lips, already moving to press you against the shower wall. A gentle tug on his hair is enough to stop him in his tracks.

“Can I wash your hair?” You ask, looking up at him like the picture of innocence.

Din blinks at you, confused. “You want to… wash my hair?”

“Yeah,” You say softly.

There’s no need to over-explain. The two of you have mastered this silent communication over the months you have spent together. He searches your face for a moment before his expression softens, implicit permission given in the way his eyes shine for you. You gently lather shampoo into his thick curls and let your nails drag along his scalp in the way he loves. His eyelashes flutter under your touch but his eyes don’t close. He’s too intent on watching you. The grip he has on your hips tightens as you work, little groans falling from his lips at the simple pleasure of your hands on his body.

He lets you maneuver him and tilt his head back into the water without a hint of resistance. For a man so used to keeping everyone at arm's length, the trust he holds for you is plain as day. His cock twitches against your belly as your fingers meticulously work the suds from his hair. The barest hint of your skin against his is enough to get him riled up, but this…? The press of your slick, bare body pressed against his? His body language begs for more. He leans into the press of your fingers and cants his hips forward, slowly grinding against you with stuttered breaths.

The moment the water runs clear, Din lifts you by your thighs and presses you against the cold shower wall. You can’t help but admire the bulge of his biceps as he leverages you up and nudges your entrance with the head of his cock, searching your face for permission. The hungry kiss you drag him into is all the permission he needs. A new rush of adrenaline seizes his body as he sinks into you. He fucks you hard and fast, pace faltering at the pure heaven of your body. He wedges his hand between your bodies and rubs insistent circles against your clit. He just knows your body too well - within minutes, those frantic bursts of pleasure built into a powerful orgasm that leaves you trembling and weak in his arms.

Din buries his face in the crook of your neck as he spills inside of you just seconds later. Every moan and panted breath echoes through the small shower. You shiver at the feeling of his lips pressed against your neck. He always knows just where to kiss and touch to leave you like putty in his hands. He goes willingly when you guide him in for a real kiss, lazy and slow as the water streams against you. Careful not to let you slip, he lowers you onto your feet and maneuvers you until the water pounds against your back.

You should have expected him to return the favor. Din doesn’t take no for an answer.

“It’s your turn.” He murmurs, too adamant and stubborn to be swayed. You’ve always loved that about him, even when it gives you grief.

You melt into his chest as he works product into your hair, his fingers massaging at your scalp in a way you didn’t even know you needed. Little sounds of satisfaction fall from your lips with every touch. Sometimes you forget just how big his hands are. He palms the back of your head and draws you close enough that your noses brush, but he doesn’t kiss you. Not yet. He just watches you for a moment as he thoroughly washes your hair. He takes in the way you look up at him with an expression so full of love that he aches.

“I love you,” His voice is so low that it almost gets lost in the thrum of water, but you hear it. He can tell by the way your eyes light up, by the soft smile that curls your lips.

“I love you, too.” You whisper back. Din kisses you softly before tilting your head back and rinsing the suds from your hair.

Slowly but surely, you introduce Din to a life he never realized was possible. He learns how to revel in the attention and care you give him. He learns how to give it in return. His thoughts always return to you when he’s on a bounty, knowing he has to return to his little love waiting for him at his ship. Every now and then, he finds something to bring back to you - a little trinket, some sweets, a new book. You always look at him as if he’s placed the entire universe in the palm of your hands. Fuck, he would do it, too. Anything to see you so happy.

Din returns from a week-long bounty exhausted, sore, and with a little gift in hand. It’s just a new robe, something soft and airy for you to wear on those long nights in hyperspace. You gasp softly when he hands it to you, your fingers exploring the silky fabric as if it’s precious - and to you, it is. Not because it’s some rare or expensive treasure. Just because it comes from him.

Allowing you to remove his armor is as easy as breathing. He eagerly accepts every touch and kiss you give him, more than happy to let you do as you please. You set every piece of armor aside with care and neatly fold his flight suit. It doesn’t take any convincing to get him into the shower with you. The burning heat of the water soothes some of the aches that linger in his muscles. A dull throb still follows his every move but he powers through, not wanting to spoil such a pleasant evening with his lover.

He never really learned that he can’t hide anything from you.

“What’s wrong?” You ask as he eases himself onto the edge of the bed.

“Just sore,” He concedes, slowly rolling his shoulders in a vain effort to ease the tension. Your eyebrows furrow as you look him over with a keen eye. All you wear is that scrutinizing expression and the pretty robe he got you, and he doesn’t think you’ve ever looked more beautiful. He sighs and reaches for your hand. “Come on, let’s just get some sleep.”

“You can’t sleep if you’re this uncomfortable.” You squeeze his shoulder, frowning when you feel how tight his muscles are. “Let me help.”

Din meets your gaze, your eyes so earnest that he doesn’t even think to deny you. He lets you maneuver him as you please until he’s laid out on his belly with you straddling his hips. A low groan rumbles through his chest when your hands bear down on his shoulders. Every pass of your fingers brings a strange combination of pleasure and pain that leaves him melting into the bed.

Even after all these months, he just isn’t used to the feeling of your skin against his. A simple passing touch is enough to have him shivering, but this? It’s overwhelming, all-consuming in the best possible way. It doesn’t take long for that pain to melt away into pure pleasure. Breathless, needy sounds follow every pass of your fingers. He can't help but rock his hips, grinding his cock into the silken sheets.

By the time you've finished working your thumbs into his lower back, you've reduced the Mandalorian beneath you into a desperate, hungry mess. He goes without hesitation when you urge him onto his back. His hands immediately find your hips and he grinds up into the heat of your cunt. The only thing that stops him from flipping you over and fucking you into the sheets is the gentle hand you place on his chest.

“Let me.” You whisper. Your voice carries a soft thrum of need that leaves him aching. “Let me take care of you.”

His fingers tighten at your hips at the mere brush of your fingers against his cock. That grip becomes bruising as you slowly sink onto him. Pleasure curls through his belly at the feeling of your cunt fluttering around him, so hot and slick and perfect - it would be so easy to lose his mind in the rapture of your body. It isn’t easy to keep his eyes open under the onslaught of pleasure, but it’s well worth it. He’s rewarded with the sight of your jaw falling slack and a shiver wracking your body. The stretch, the angle - it’s all new to you. You aren’t used to taking him this way. He isn’t used to letting you.

You sigh a breathy, pleased little sound that makes his heart skip a beat or two. Fuck, you might just be the death of him one of these days. It’s a demise he welcomes if it means meeting his end at your hands. That first roll of your hips has his head tipping back into the pile of fluffy pillows, yet another addition of comfort you’ve brought to this bed. You can’t take your eyes off him - the flex of his biceps, the clench of his jaw, the sheen of sweat that glistens on his tan skin. A delicious vision of the man you’ve come to love so dearly. You lean down and press a kiss to his chest, his collarbone, to that sweet spot where his pulse thrums in his neck.

Your fingers comb through his curls, bringing his pleasure-clouded gaze back to your own. His lips part as you set a slow, steady pace. Every rise and fall of your hips makes his eyelashes flutter but he doesn’t look away. He’s too entranced by this, by the pure newness of it all. Heat pulses and courses through your belly with every grind of your clit against him, grows stronger with every needy sound you pull from him. His chin tips up, an obvious plea, and you kiss him. Soft and slow, full of tongue and teeth.

Din doesn’t think he’s ever experienced anything quite as overwhelming as this. He isn’t a stranger to the feeling of your body or the love you somehow hold for him, but this is all new. Every slow rock of your hips sends honeyed pleasure slinking down his spine. There’s no need to rush. He can take his time and truly feel you, revel in the plushness of your thighs and the wet heat of your cunt. For the first time, he lets himself explore your body unhurried. His hands drift up and palm your breasts, his fingers rolling your nipple with a gentle touch. Your head tips back as you hum a pleased little sound.

Din can’t help but press his hips up, rising every time yours fall. He doesn’t take control, doesn’t try to set a faster pace. He just moves with you as fluid as rushing water. His hands shift to cup your ass, his fingers digging in and spreading you out for him. Desire clouds your gaze as he grinds his hips at that perfect angle that makes you see stars. You’re so close - he can feel it in the telltale rhythmic pulse of your cunt, in the way your thighs tremble. Slick drips in little rivulets down his thighs.

“Perfect, so perfect,” He rambles between rushed breaths. “My sweet girl, all mine.”

“Yours,” You promise. “I’m yours.”

All it takes is one perfect rock of his hips to have you falling apart for him. That tension finally bursts through your belly, your cunt tightening around him with every aching wave of pleasure. You lose all sense, all ability to keep your pace, but Din is quick to take over. His grip on your waist tightens as he pulls you down, spilling himself as deep as your body can take him. You let yourself melt into his chest, a wave of pleasure shuddering through you with every twitch of his spent cock.

Din locks his arms around your back, all too content to keep your body against his. No complaint comes from you. You just tuck your face into his neck with a spent sigh. The two of you float together in that sweet, exhausted haze. He doesn’t know for how long, but he never wants it to end. He never wants any of this to end. He wants this forever, for every possible moment of his life to be soaked in this contentment. Surrounded by soft sheets and the smell of your perfume. Unhurried and easy, with you.

Months ago, such a realization would have thrown him into an existential crisis. But he didn’t have you all those months ago - this sweet, bright-eyed, spitfire of a woman currently taking a cat nap on his chest. He didn’t have the sweet scent of your shampoo infused in his sheets. He didn’t have your soft exhales ghosting along his throat. He just didn’t know that life could be like this. The moment you shift as if you’re making to get off of him, his arms tighten around you.

“Just a little longer,” He murmurs, his voice sleepy and pleasure drunk.

You're more than happy to indulge him.

#din djarin x reader #din djarin x you #din djarin smut #din djarin fanfiction #din djarin x reader smut #din djarin x you smut

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hotvintagepoll · 5 months

Text

Propaganda

Jane Fonda (Barbarella, Sunday in New York, Barefoot in the Park)—Feminist icon, LGBTQ+ rights activist since the 70s, Civil Rights and Native American rights advocate, environmentalist… she really is THE woman ever

Rita Hayworth (Gilda, Cover Girl)—Absolutely, drop-dead gorgeous. She steals every movie she’s in; she was Fred Astaire’s favorite dance partner, as you can see in clips from their movies [link][link]. Born Margarita Carmen Cansino, Rita's story had its tragedies—her father was awful and had her performing in nightclubs way, way too young; the studio totally remade her look because they were afraid of her hispanic image, putting her through painful treatments and diets; she had a string of failed marriages. But beside all that, I think there's something about Rita that still glows through—an inner beauty that has nothing to do with the studio, or the men who pinned their dreams on her. Rita brings an incandescence to roles that's impossible to replicate, and was truly a great actress in that she could switch from herself—shy Margarita—into a bold and glamorous femme fatale so convincingly everyone fell in love with her as Gilda. She's my favorite movie star, and I think she was a beautiful human through and through—Rita, gorgeous and real and shining bright.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Jane Fonda:

" I assume she's already been submitted but I gotta make sure. I think there's an element to movies like Barbarella or her segment of Spirit of the Dead of those having been directed by her husband, who famously made movies about her being hot, and the incredible costume design also helped, but good lord. Look at her"

"She was so pretty, dear lord! She was and still us stunning. She’s great at comedy and drama."

"Shes so hot im so gay for me i will let her hit me with hers car"

"Gorgeous and also still getting arrested at climate protests, which is sexy behavior"

"Watching her in Barefoot in the Park seriously made me, a straight woman, question things"

"PLEASE I LOVE HER SO MUCH"

"Her vibes in these movies are so interesting because she, the daughter of an Old Hollywood star, went on to make both poignant dramatic movies and the some of the silliest things you've ever seen but even in the silly space adventures and sexploitations there's always this undeniable gravitas to her. It's like she's able not to take herself very seriously but at the same time never stops having this grace and elegance and makes it all work together. And she's always been very politically active which is also sexy. Her famous mugshot is from 1970 so right at the cutoff mark but come on"

Rita Hayworth:

Do you need any other propaganda? Here’s the video.

youtube

She was not called "the love goddess" for nothing: beautiful, glamorous, despite playing sexy and provocative roles her inherent shyness somehow also would shine through sometimes, creating this contradictory and incredibly attractive image

Often played "the bad girl" who tempted the male hero away from "the good girl"; but did have roles that broke her out of that mold. She was also the inspiration for Jessica Rabbit. THE pinup girlie.

HELP

youtube

She was soo beautiful when she was young and she MAINTAINED that beauty into her later years and I think that old lady glamour is hot. bombastic sex appeal

every line she delivers in gilda is so flirty and passionate or absolutely desolate and it's so good

I just have a lot of feelings about her

#rita hayworth #jane fonda #hotvintagepoll #fuck that old woman #ladies 5 #Youtube

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too-much-tma-stuff · 7 months

Text

Finally Getting Help (prt 6)

Masterpost

The Wayne family gathered in the family room once Alfred was done setting up the projector, somehow there was also a plate of cookies and a couple pots of tea on the coffee table. How he’d found the time they didn’t know, he always seemed to be doing just a little more than should be possible but they didn’t question it.

Jazz seemed nervous as she plugged in her USB and accessed the power point on Ghosts and Liminality. The tidal page had a picture of Danny in his Phantom form standing with a group of others, a boy with gray skin and blond hair, a girl with green hair and skin, and a goth with purple eyes and a dark skinned boy who looked around Danny’s age, and Jazz with the title “Ghosts and Liminals!”

The next slide had simple text: “What are they and How are they made?”

With each slide she read the text on the screen allowed and then added any context or anecdotes she thought of, or had prepared.

(Next slide)

Ghosts:

Made of ectoplasmic energy and obsession

Made either:

when someone dies with strong enough desires

An idea gains enough traction to take on a life of its own

Immutable concepts and gods

Must be allowed to indulge in obsessions or they will cease to exist

All have basic abilities such as flight, intangibility, invisibility, and minor shape shifting

On top of basic abilities most will have additional powers based on their obsessions

Immortal unless killed

Love to fight

Liminals

Made when a human is exposed to high levels of ectoplasm for prolonged periods of time

Have some ghostly traits

Ghostly traits vary person to person

Less susceptible to human illness and injury

“The ghosts on the picture are Kitty and Johnny, we’ve had problems with them but would consider them friends now. They’re the ghosts of two humans who died, but there are others, Vortext for instance is the ghost of Storms. Those ghosts who come from ideas are called ‘neverborns’. There seem to be almost an infinite number of ghosts, however not all of them are interested in having anything to do with us so we tend to get the same faces showing up a lot in Amity.

“I don’t know how many liminals there are. I thought they might be new with my parents' research but as I look into it more I think there are more natural sources of ectoplasm then my parents thought.” Jazz explained before going to transition to the next slide.

“I have a question-” Bruce started before Jazz hushed him.

“Wait till the end please! I might answer it without you having to ask,” She scolded, and he felt very much like a schoolboy again as his children snickered.

(Next slide including a image of the glowing green viles in the Fenton’s lab and a glowing green crystal)

Ghost biology

Ghosts do not have any recognizable organs or bones

The only solid part of their being is their Core which is the source of their ectoplasm

Any injury to a ghosts form not done directly to their core is considered minor and will heal

A healthy ghost is fully capable of mending any damage including removed limbs in a matter of hours or days depending on extent of the injury

All injuries not including the Core are considered minor

Ghosts are considered young for at least the first hundred years of their existence and are often not considered adults until nearly 500

A caveat to this is ghosts are heavily driven by emotion and will often be the age they feel they are allowing ghosts to mature much more quickly, or more slowly

When this is the case ghosts are treated as the age they present and behave

Ghosts reproduce by shaping ectoplasm and Wanting a child badly enough

“Believe me it was incredibly scary the first time I saw Danny in his ghost form have something go right through his stomach. It took him a long time to convince me it wasn’t a big deal and it barely hurt. He does have to make sure he repairs the damage Before turning human again though or the damage can transfer over and I don’t need to tell you a hole in the gut is a lot more serious for humans!

“If I’m honest I only know ghosts that have stayed younger then they really are, for instance Youngblood who’s a few hundred years old and could be well on his way to adulthood if he wanted but has remained a child. I assume it can go the other way though, if a ghost is very mature for their age.”

Ectoplasm

Ectoplasm is the energy that makes up all ghosts and the Ghost Zone itself. All ghosts can feed on the ectoplasm around them as well as produce their own by indulging in obsessions. The ghosts Cores produce the ectoplasm like a brain produces neurochemicals when exposed to the right stimulation.

Ectoplasm is a powerful source of energy but unstable. When it is stabilized into an ecto-crystal it is more stable and can be used as a power source safely by ghosts and liminals.

“Most ectoplasm is green like you see in the pictures. But it isn’t the only colour, some other ghosts produce different colours and it is highly tied to what emotion drives them. When it’s pure it usually smells like petracore but it can get pretty foul.”

(next slide)

What are Obsessions

Every ghost has one or more obsessions

They can be very literal things such as boxes, or ideas and emotions such as Love

In rarer cases they may have dual obsessions

Unlike for humans obsessions are very healthy for ghosts

Ghosts need to indulge their obsessions

Sometimes the way ghosts indulge their obsessions might seem evil, however it is almost always just amoral

Obsessions shape every part of a ghost from their powers to thier physical appearance, to befriend a ghost you Must understand and aid their obsession

In very extreme circumstances a ghosts obsession may shift, sometimes this is healthy, more often it is a result of extreme trauma

“With my interest in psychology this was sort of hard for me to accept. From the outside the way ghosts obsess seems really unhealthy but it’s what gives them life. When not allowed to indulge in their obsessions ghosts will dysregulate and go to extreme lengths to try and get their obsession, if that doesn’t work they either go dormant if their core is still healthy enough or they will melt.

“Ghosts change their obsessions very rarely, I’ve heard of it happening as they heal. For instance once a ghost has gotten revenge for themselves, if that was their obsession, their obsession might shift to avenging other people, or even protecting them so they don’t need to be avenged.”

(Next Slide)

Ghost Culture

The Ghosts have a monarchy

The title of the Ghost King is not hereditary but passed through trial by combat

Under the monarch is a council of being known as Observants, and powerful and old ghosts called Ancients

Ghosts respect strength and value power and cunning in combat a lot

Ghosts bond with each other through combat and play fight with family and friends often

“I have down that the ghosts are a monarchy, and technically that is true but the current Ghost King was a tyrant who was locked away thousands of years ago. I’m sure as soon as someone shows up who’s powerful enough to beat him his court will be happy to pick up where they left off with a better King, or queen, though I don’t think the title has to change based on gender.

“I really can’t stress enough how violent ghosts are! Because nothing short of having their cores shattered can kill them, play fighting for them can look Very Much like a murder attempt to a human. A lot of the issues we’ve had with ghosts have come from them just not understanding quite how fragile humans, and for most of them they feel really bad once they know they actually Hurt someone by shooting them. It’s really best for everyone when they’re kept separate and Ghosts can happily tear each other apart in peace.”

Liminals

The result of long term low level exposure to ectoplasm, sudden high doses are almost always deadly

Liminals Can have almost every trait a ghost can, usually having a combination of a few

Commonalities between liminals include

Minor cosmetic changes such as: glowing eyes, pointed ears, and/or sharp teeth

Increased stamina, strength, and aggression

Increased obsessive behaviour

Liminals sometimes develop powers shaped by the strength and type of obsession

“Most of the people Danny and I know are liminals. I don’t want to talk about them in case they don’t want to be outed so I’ll talk about myself and my parents. We all had prolonged exposure after all. My ears are pointed,” She said brushing her hair back so they could see them, “And Danny is a little more then liminal but even in human form he has fangs.

“My parents didn’t realize it but they could to the point they could subsist on their obsession without needing to eat or sleep as often as a regular human would. About a year ago I started developing the ability to tap into and feel other peoples emotions, I can feed on them a little too but I try not to because the Worst ghost we met did that and I don’t want to be anything like her.”

(Next Slide)

In conclusion

Ghosts are not evil even though sometimes their actions are hard to understand

Never get between ghosts when they’re fighting each other but it’s usually safe to yell at them to remind them not to break anything

Never get between a ghost and their obsession

Don’t drink ectoplasm unless you know you’re already liminal

“I have a feeling the section about liminals will be familiar to a bunch of you. I know Damian is liminal though I don’t know how he was exposed to ectoplasm and some of you,” Her eyes skirted across Tim and Bruce. “Are toeing the line. You’ll probably notice Damian and Danny getting really close, and they might get in some really vicious looking fights. I promise Danny is playing at least.”

The family was left silent for a moment, Bruce knew he was thinking about Jason. Who had died, been exposed to.. What certainly seemed to be something like Lazarus water and come back, obsessive, aggressive, and emotional. He wished he’d had this powerpoint a long time ago. It helped understand Damian too but mostly he was thinking about Jason. He needed to reach out again, maybe meeting Danny would be good for Jason?

“So uhhh, ya, that’s the end of the powerpoint?” Jazz said, shifting from foot to foot in the awkward silence. “Any questions?”

#danny phantom #fanfiction #dc x dp #jasmine fenton #bruce wayne #damian wayne #alfred pennyworth #liminal #tim drake #jason todd #trans!danny #the batfamily #danny is pregnant au #finally getting help au #vlad is a creep #dc stands for disregard cannon

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ghostlyferrettarot · 1 month

Text

★Pick a Picture: 🎬💎Your next glow up💎🎬

•Pile 1 •Pile 2 •Pile 3

❗️This is a collective reading, take what resonates and leave the rest❗️

✨️Paid Services ✨️ (Natal charts and tarot readings) Open!

♣️If you like my work you can support me through Ko-fi. Thank you!♣️

💎Masterlist💎

💜Pile 1: 9 of Swords, 3 of Cups and The Chariot.

Hi pile 1! Your glow up is both external and internal, especially if you've been a little down lately. Good things are coming and you'll have the opportunity to stand out more to others.

During this process, you'll meet new people who will open up new opportunities for you and allow you to explore new horizons. In addition, you'll have the chance to change your environment through a new job opportunity, a move, etc. These changes will help you rediscover yourself and shine through your own essence.

Take advantage of this stage to connect with yourself, discover new passions and continue moving towards the best version of yourself. Trust that good things are coming and that this process will take you to a place of greater happiness. Trust the process even if its uncomfortable! you deserve good thoughts pile 1!

💜Song:

🧡Pile 2: 7 of Wands, Queen of Cups and The Empress.

Hi pile 2! Your glow up is going to be a complete transformation! I think you are someone who enjoys experimenting with different looks, and you have a great aesthetic sense for fashion. I am sure that you will finally discover your unique style, the one that makes you look and feel better than ever. People will definitely notice the change and I assure you that you will receive many compliments and attention.

It will be a stage in which you will stand out and attract the attention of many, you may even have several suitors interested in you. You are in the process of finding yourself and that will make you shine brighter than ever.

If you have been searching for your ideal style for a while, you will be happy to know that you have finally found it. "You are shining!" is what I heard as I was channeling, so amazing pile 2!

🧡Song:

🩷Pile 3: The World, 10 of Cups and 10 of Swords.

Hi pile 3! Your glow up is going to be a very important one for you. I feel that you will find your way in a totally unexpected way. You may have been questioning your interests and identity, but i feel like all of that will come to an end. You will find what you are passionate about and what will make you feel fulfilled.

This process will not only lead you to a better financial situation, but it will also be reflected in your personality. Many will be inspired by your story and the way you have managed to find your true passion. Your inner glow will be reflected in everything around you, and that will attract positive people into your life.

You will see how your social circle expands and how you surround yourself with individuals who push you to continue growing. Your glow up will not only be visible in your physical appearance, but also in the way you carry yourself in the world. I even got a bit emotional channeling ypur energy pile 3, you should be really proud of yourself! sending you lots of love!

🩷Song:

🎬💎Thanks for reading and tell me if it resonated💎🎬

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togglesbloggle · 4 months

Note

For the Reverse Unpopular Opinion meme, Lamarckism!

(This is an excellent ask.)

Lamarck got done a bit dirty by the textbooks, as one so often is. He's billed as the guy who articulated an evolutionary theory of inherited characteristics, inevitably set up as an opponent made of straw for Darwin to knock down. The example I recall my own teachers using in grade school was the idea that a giraffe would strain to reach the highest branches of a tree, and as a result, its offspring would be born with slightly longer necks. Ha-ha-ha, isn't-that-silly, isn't natural selection so much more sensible?

But the thing is, this wasn't his idea, not even close. People have been running with ideas like that since antiquity at least. What Lamarck did was to systematize that claim, in the context of a wider and much more interesting theory.

Lamarck was born in to an era where natural philosophy was slowly giving way to Baconian science in the modern sense- that strange, eighteenth century, the one caught in an uneasy tension between Newton the alchemist and Darwin the naturalist. This is the century of Ben Franklin and his key and his kite, and the awed discovery that this "electricity" business was somehow involved in living organisms- the discovery that paved the way for Shelley's Frankenstein. This was the era when alchemy was fighting its last desperate battles with chemistry, when the division between 'organic' and 'inorganic' chemistry was fundamental- the first synthesis of organic molecules in the laboratory wouldn't occur until 1828, the year before Lamarck's death. We do not have atoms, not yet. Mendel and genetics are still more than a century away; we won't even have cells for another half-century or more.

Lamarck stepped in to that strange moment. I don't think he was a bold revolutionary, really, or had much interest in being one. He was profoundly interested in the structure and relationships between species, and when we're not using him as a punching bag in grade schools, some people manage to remember that he was a banging good taxonomist, and made real progress in the classification of invertebrates. He started life believing in the total immutability of species, but later was convinced that evolution really was occurring- not because somebody taught him in the classroom, or because it was the accepted wisdom of the time, but through deep, continued exposure to nature itself. He was convinced by the evidence of his senses.

(Mostly snails.)

His problem was complexity. When he'd been working as a botanist, he had this neat little idea to order organisms by complexity, starting with the grubbiest, saddest little seaweed or fern, up through lovely flowering plants. This was not an evolutionary theory, just an organizing structure; essentially, just a sort of museum display. But when he was asked to do the same thing with invertebrates, he realized rather quickly that this task had problems. A linear sorting from simple to complex seemed embarrassingly artificial, because it elided too many different kinds of complexity, and ignored obvious similarities and shared characteristics.

When he went back to the drawing board, he found better organizing schema; you'd recognize them today. There were hierarchies, nested identities. Simple forms with only basic, shared anatomical patterns, each functioning as a sort of superset implying more complex groups within it, defined additively by the addition of new organs or structures in the body. He'd made a taxonomic tree.

Even more shockingly, he realized something deep and true in what he was looking at: this wasn't just an abstract mapping of invertebrates to a conceptual diagram of their structures. This was a map in time. Complexities in invertebrates- in all organisms!- must have been accumulating in simpler forms, such that the most complicated organisms were also the youngest.

This is the essential revolution of Lamarckian evolution, not the inherited characteristics thing. His theory, in its full accounting, is actually quite elaborate. Summarized slightly less badly than it is in your grade school classroom (though still pretty badly, I'm by no means an expert on this stuff), it looks something like this:

As we all know, animals and plants are sometimes generated ex nihilo in different places, like maggots spontaneously appearing in middens. However, the spontaneous generation of life is much weaker than we have supposed; it can only result in the most basic, simple organisms (e.g. polyps). All the dizzying complexity we see in the world around us must have happened iteratively, in a sequence over time that operated on inheritance between one organism and its descendants.

As we all know, living things are dynamic in relation to inorganic matter, and this vital power includes an occasional tendency to gain in complexity. However, this tendency is not a spiritual or supernatural effect; it's a function of natural, material processes working over time. Probably this has something to do with fluids such as 'heat' and 'electricity' which are known to concentrate in living tissues. When features appear spontaneously in an organism, that should be understood as an intrinsic propensity of the organism itself, rather than being caused by the environment or by a divine entity. There is a specific, definite, and historically contingent pattern in which new features can appear in existing organisms.

As we all know, using different tissue groups more causes them to be expressed more in your descendants, and disuse weakens them in the same way. However, this is not a major feature in the development of new organic complexity, since it could only move 'laterally' on the complexity ladder and will never create new organs or tissue groups. At most, you might see lineages move from ape-like to human-like or vice versa, or between different types of birds or something; it's an adaptive tendency that helps organisms thrive in different environments. In species will less sophisticated neural systems, this will be even less flexible, because they can't supplement it with willpower the way that complex vertebrates can.

Lamarck isn't messing around here; this is a real, genuinely interesting model of the world. And what I think I'm prepared to argue here is that Lamarck's biggest errors aren't his. He has his own blind spots and mistakes, certainly. The focus on complexity is... fraught, at a minimum. But again and again, what really bites him in the ass is just his failure to break with his inherited assumptions enough. The parts of this that are actually Lamarckian, that is, are the ideas of Lamarck, are very clearly groping towards a recognizable kind of proto-evolutionary theory in a way that we recognize.

What makes Lamarck a punching bag in grade-school classes today is the same thing that made it interesting; it's that it was the best and most scientific explanation of biological complexity available at the time. It was the theory to beat, the one that had edged out all the other competitors and emerged as the most useful framework of the era. And precisely none of that complexity makes it in to our textbooks; they use "Lamarckianism" to refer to arguments made by freaking Aristotle, and which Lamarck himself accepted but de-emphasized as subordinate processes. What's even worse, Darwin didn't reject this mechanism either. Darwin was totally on board with the idea as a possible adaptive tendency; he just didn't particularly need it for his theory.

Lamarck had nothing. Not genetics, not chromosomes, not cells, not atomic theory. Geology was a hot new thing! Heat was a liquid! What Lamarck had was snails. And on the basis of snails, Lamarck deduced a profound theory of complexity emerging over time, of the biosphere as a(n al)chemical process rather than a divine pageant, of gradual adaptation punctuated by rapid innovation. That's incredible.

There's a lot of falsehood in the Lamarckian theory of evolution, and it never managed to entirely throw off the sloppy magical thinking of what came before. But his achievement was to approach biology and taxonomy with a profound scientific curiosity, and to improve and clarify our thinking about those subjects so dramatically that a theory of biology could finally, triumphantly, be proven wrong. Lamarck is falsifiable. That is a victory of the highest order.

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mynamesaplant · 8 months

Text

Forgiveness is Electric

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Just a little short story about @critterbitter's hc of Emmet, Ingo, and Elesa. This is between the Volume Control and Volume Control (Reprise). Just a tiny change, Emmet caught Tynamo bc I sort of forgot when he did... My bad. Please go take a look at Critter's work, it is beautiful in every sense of the word.

I lied about posting to AO3 last time with Yearning for Wood Floors, but I will update that soon along with this one.

Enjoy!~

--------------------------------------------------------------------------

“I do not think she will like those.”

“Who doesn’t love sweets?”

Ingo argued, plucking a box of Snom-Caps and turning it over and over in his hands. He contemplated the choices of candy in the aisle, the teenage clerk puffing their long, purple-streaked hair from their eyes behind the counter as the two children agonized over their decision. The clerk, Dakota, saw Ingo and Emmet in here all the time, the former had something of a sweet tooth and the latter… Well, whatever the opposite of a sweet tooth was, that was Emmet. The kid just loved sour things.

It wasn’t unusual to see them, but it didn’t usually take this long for them to make their selection. They had been there for nearly fifteen minutes, painstakingly reading each and every label and discussing them in hushed undertones. That was unusual by itself. Ingo was not known for his volume control.

Although unusual, they weren’t worried about them doing anything shady like stealing or being careless and knock things off the shelf. Might as well let them go about their business. To pass the time, they watched the fretful newly acquired Tynamo circle around them faster and faster until Emmet snatched the Pokémon deftly from the air and soothingly stroked its back.

“I am Emmet. We do not know what she likes.”

“We must do something! I just feel so dreadful.”

Emmet could see Ingo working himself up over this, just as he had a few hours ago, and Emmet placed a reassuring hand on his brother’s arm. His smile and eyes softened as his twin turned to him, Ingo’s eyes glittering with emotion and whatever proclamation dying on the back of his tongue.

He hadn’t meant it. He really hadn’t. He always got too loud when he was excited.

It had just backfired on him horribly.

Ingo cringed even now as he remembered the tears in her eyes, her hands slapped over her ears, and eyes huge with confusion and pain. She had run off before he could even apologize, and that knowledge was eating him alive all day.

Candy wouldn’t fix this. In his heart of hearts, he knew that, and maybe he had come here to grab himself some of his favorite snacks to ease the pain of losing a potential friend.

It was hard for them to understand others. Emmet and Ingo were so in-sync with each other that everyone seemed to be moving so much slower by comparison. It was like playing charades with someone who was underwater, the twins made perfect sense to one another, but it was unclear to everyone else.

This was not new to them, but it didn’t make it any less frustrating.

With their moms being busy with work and their uncle who didn’t have much interest with them most times, Emmet and Ingo came to rely on each other almost exclusively. Drayden would give them a little bit of pocket change, but never much. They had to be ultraconservative with what he gave them and had taken it upon themselves to run around Anville Town to take little odd jobs.

Leaves to rake? Oran berries to pick? Snow to shovel?

Emmet and Ingo did it all and saved what they could. They barely scraped together the money to purchase the Pokéballs needed to catch Tynamo and for additional balls to try and catch Ingo a starter.

Even though they knew everyone, they weren’t really close to anyone in town.

That could have been different if Ingo hadn’t ruined everything!

“Perhaps sweets are not the solution…”

Ingo finally admitted, setting the box down and rising to his feet. Readjusting his cap on his head and dusting off his knees to unconsciously tidy his appearance, Ingo’s frown deepened in thought. Even if he and Emmet apologized to her, Miss Elesa would not understand them. Drat! If only he had remembered her hearing aids, he had completely forgotten them tucked behind her black hair.

Emmet watched his face scrunch up, clearly having a long inner dialogue with himself where he alternatively berated himself and told himself that there was no crying over spilled milk. Gray eyes scanning the shelf, he took a bag of sour gummy-Bewear for himself, and chocolate covered pretzels for his brother, before hauling them to the counter where Dakota waited.

Tynamo drifted just below his elbow, still quite nervous around new people and often retreating to its ball when too anxious. Emmet’s soft encouragement was the only thing keeping the EleFish out while Dakota rang up both bags.

“Tynamo? Good for you, kiddo. I hear they’re not easy to catch.”

They rested their elbows on the counter, chin resting atop with a kind smile to the quieter twin. Dakota could see him beaming with pride, but he merely nodded, shuffling on the spot while he fished in the pocket of his overalls for some money. His Tynamo, like its trainer, seemed a little bashful at their words, and retreated into its ball.

“200… I think you brother is comatose over there.”

Dakota said not unkindly. Emmet jerked his head to where his brother stood motionless in front of the candy.

“Ingo!”

It was Ingo’s turn to jerk out of his, as Dakota had put it, “comatose state”. He trotted over to his side, staring at the bags of candies with confusion before it all seemed to click into place.

“You did not have to spend your pocket money on me.”

Emmet’s smile softened at the bashful note in his sibling’s voice. He wanted to. Ingo was feeling down, his twin often overthinking problems and burning himself out in the process. Emmet liked to take a step back to listen and reflect on people and conversations. A little break would do Ingo some good, so he insisted on the treats.

“I am Emmet. I wanted to. Yup!”

While Dakota bagged their treats in a small brown paper bag, they couldn’t help but lean over the counter to examine them. Although many people didn’t understand the secret code that the twins exchanged between glances, mouth twitches, and hand movements, Dakota could tell something was awry. Withholding the bag, they leaned over the counter with a faintly curious expression and a light tone.

“You guys alright?”

Unsurprisingly, the two exchanged looks, and a wordless conversation was held between them while Dakota waited. It was Ingo who swiveled his head back to face them, his face knit into a calculating grimace that seemed a little less friendly than usual, but only marginally.

“Yes,” he said slowly, eyes not breaking with the clerk, but they could see him shifting uncomfortably. “Emmet and I are attempting to right a wrong. However, we are encountering several roadblocks.”

There is a pause. Dakota still held the bag just out of reach as they gnawed on their lower lip. This wasn’t really their business, and they weren’t the type to stick their nose in where it didn’t belong… They thought of Drayden, who spent a lot of time in Opelucid and not watching his nephews – he barely spent any time with them.

They’re just kids.

“Do you need some help? It’s my job to help customers in the store y’know.”

Another pause. Another exchange of glances.

“I-” Ingo tries to being, already hard pressed to say anything and even less so when his sibling elbowed him in the ribs and shot him a look. He wouldn’t be allowed to take all the blame. “We upset one of our classmates with our carelessness. We think she was attempting to befriend us, but- uh… there were a few errors on our part.”

“And you’re trying to get candy for her to forgive you?”

“We thought about it, but it grew too complicated. We do not know what candy she likes, but more importantly, we do not think it’s a suitable apology.”

The clerk nodded, tapping the counter in thought as they tried to piece together some genuine advice for the boys.

“I think it’s a nice peace offering, but I think an apology would be better.”

“We broke her hearing aids… Yep…”

Emmet croaked suddenly, shrinking back in shame at the same time that Ingo grabbed the brim of his hat to tug it lower over his eyes.

“Ah,” Dakota hummed, tapping the counter even faster. They meant the new family that moved in from Sinnoh. They remembered their dads talking about the new signs that had to go all over town for the girl’s safety. Dakota couldn’t remember her name. “How did you break them?” They asked, already knowing the answer.

“Volume control.”

Ingo cringed, remembering his uncle’s warning about his naturally loud voice. Inside voice, Drayden had been emphasizing, and Ingo was trying to take those words to heart, but it was difficult. Since Ingo’s face didn’t emote well, he relied on his voice and his movement to articulate his emotions to others. They nod sympathetically.

“You didn’t see them?”

“No…”

The boy was squirming now, his shame and embarrassment with the situation reaching an all-time high. He felt Emmet moving to his side, reassuringly pressing against his arm, and resting his head on his twin’s shoulder. A flood of comfort helped Ingo release a breath he hadn’t realized he had been holding.

Behind the counter, the clerk was rummaging through something – although tall for their age, Emmet and Ingo couldn’t see what they were doing. They heaved a box onto the counter, tipping it so the contents spilled out for them to see, and the boys were confused.

“Headphones?”

Emmet leaned forward on his tiptoes to look at the colorful array of boxes that ranged from normal headphones to ones that had Pikachu and Eevee ears topping them.

“Yeah, uh, maybe if she wears these, you’ll remember right away that she has headphones in.”

It was a half-baked idea. In truth, Dakota felt a bit sheepish about it now that the idea was out of their head, but when they looked up, the boys were beaming – well, Emmet beamed. Ingo reminded of them of their friend’s Purrloin in a way they couldn’t quite put their finger on.

“Bravo! What a marvelous suggestion!”

Ingo practically cheered, stepping beside Emmet to look through the headphones. It was probably going to cost them a bit from the tags on the boxes, but it would be worth it. The headphones would immediately remind Ingo that she had hearing aids in so he would be more inclined to get Miss Elesa’s attention in a different fashion, but it also might do the same for others who were unaware of her deafness.

“Sure – er, thank you…” Dakota was looking at the prices now and mentally smacked their forehead. They probably couldn’t afford the headphones. “I’ll-” They hesitate. It almost pained them to say what they were going to next. “I’ll pay for them so you can take them to her now.” The twins’ eyes went wide, both about to protest when Dakota interrupted, “In exchange, you can do a few chores for me at my place. I need to do some yardwork, but it always gives me hay fever. Sound like a deal?”

The answer was easy for them. Dakota told them to pick ones that they thought Miss Elesa would like.

“I think these ones are quite dashing.”

Ingo said, picking up the box with the Pikachu ears. Emmet pursed his lips and shook his head.

“Nope. Too big. Not a gamer girl.”

They continued to rummage through the boxes. They agreed that she must like Electric types. She had a Blitzle as her partner after all.

“I cannot recall, she is from Hoenn, correct?”

Emmet shrugged, unsure himself because they had both been looking through a magazine with an expose on the newest train lines running out of Nimbasa when she had been introduced. That just meant to them that, when the time came, going on their Pokémon journey by rail would be all the easier.

“Not sure.” He looked at the box Ingo had in his hand and his smile broadened, nodding in agreement to his brother’s unasked query. The perfect balance of subtle but stylish. “I am Emmet. Those are perfect.”

Plusle and Minun headphones.

#pokemon #submas #fan fiction #fanfic #fanfiction #fan fic #sorry critter #i started writing about Tynamo before i remembered he probably didn't have it by that point #im just gonna say newly acquired and cross my fingers #tynamo is shy #nobody knows about it #🤞🤞🤞🤞🤞

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lazyneonrabbitt · 25 days

Text

Old dog

Daryl Dixon x reader | SMUT🔞

Daryl is never been watched with such interest before, and it grabs his attention. But he feels like he got his order of actions wrong..

The Kingdom was a strange place.

First there was the King, with his pet tiger.

The King spoke in a strange manner, and his ever so friendly right hand too.

The Queen was a kind woman, she had shown you around and given you a roof over your head after you wandered into her lands.

The Kingdom had guards on horseback, and all its residents referred to their leader as the King.

Like a true old age Kingdom.

It was near summer when you arrived and took some time to get settled, now having your routine all worked out and were a happy new addition to the bakery.

While it meant crazy early mornings, it brought many people a good start of their day. You made your delivery rounds as the first people got up to tend to the gardens before the sun got too hot, passing then with a kind smile and a good morning wish on your way to the school building where you'd make your last delivery of the day.

You continued your daily tasks back at the bakery when a returning resident came by.

Each day he'd come by to pick up the same order, so by now it was standard to have it ready by a certain time.

Like clockwork he showed up, the gorgeous older man with his grey streaked hair that framed his bearded face oh so perfect.

You always wondered about the scar that sat around one of his sea blue eyes, but you never found the courage to ask.

You only knew his first name because the baker mentioned it once.

Daryl.

With rough, scarred hands he accepted the packaged food but remained in his spot.

"M'sorry, ya don't happen ta have sun leftovers, do ya? 'M headin' out fer a couple days 'n could use some extras." A little stunned by the sudden change in routine had you stammer a response neither of you could make out before you disappeared further into the back.

To your luck a fresh batch was just taken out of the oven, so you quickly grabbed a few buns and put them in a tea towel before moving back to the front.

"Here you go, fresh out of the oven." You smiled nervously as you held out the makeshift pouch, almost freezing as the calloused pads of his fingers brushed your skin while taking the bread from you.

With a charming as ever thanks he made his way out the door.

After the third time preparing the order for Daryl, who wasn't in town to come pick it up you were told to go take a day or two off, relax and go try and catch him come back home later during the day.

On your delivery routes and walks around the community you had caught wind of some kind of guard dog. You'd pick it up from time to time but today had been much more frequent.

You wondered what they meant. Maybe you'd ask Carol about it later.

The Kingdom was a nice place.

Each day there would be someone in the community's centre, playing some kind of instruments. Alone or in a group, it varied, but it was always nice to enjoy when you could.

You were enjoying it for so long you barely noticed the sun starting to set and Carol finding you. "Couldn't catch you at the bakery today, was told you were given the day off."

She came to sit beside you, enjoying the music and sharing a small snack she brought with you.

After a short while she got up, turning to you and offering a hand. "Come, we're gonna see something. If I have to believe the baker's words you're gonna love it."

Carol's words confused you, the thought of the baker casually talking about you with her wasn't really a happy one. Yet you followed her every step as she made her way to the front gates of the Kingdom.

"We're heading out? Without weapons or gear?" There was nothing around for you to see, confusion rising even more and edging on annoyance. Why wouldn't she just way where you were going?

You stood and watched as as she bounced on her heels with her arms behind her back. She was being all giddy about something and your mind could not come up with what on earth it could be.

Option after option ran through your mind until the guards spoke and the gates started to open.

Carol passed you a smile and raised her brows as she nudged her head towards the gate before turning back to watch.

You took a step closer to see what she was on about, and within the reach of your first step a figure came into view between the large gate doors.

"Holy shit." You stood frozen, much like those few days ago when Daryl suddenly asked for additions to his bakery order.

Despite the distance between the two of you and the low volume of your words, it looked like he heard you and gave you a smile and a small wave.

The scene before you became crazier by the second, on his shoulders a large deer that he carried without any visible strain but that wasn't all. Tied to his waist with a thick belt he lugged a tarp stacked with different hunted animals.

But something else felt off, beside the show of inhuman strength he seemed to possess.

Out from underneath his hair poked an ear, like it did sometimes before as well, although they seemed.. pointed?

His smile as well. You had seen the stubby pointed canines he had, but there were loads of people who had those slightly longer than average. Why did they look bigger now, accompanied with a similar set on his bottom teeth that surely weren't there before.

Also, was he fuzzier than normal? It was all hard to see in the dim light. It could just have been dirt stuck on his skin from being out in the woods so long. Surely he didn't bother cleaning up out there.

All the while Daryl dragged his game inside and stopped to report to Carol, glancing your way every so often as he could feel the energy radiating off you. He was enjoying the way you stared at him with confusion that slowly morphed into something he almost wanted to categorize as adoration.

It wasn't often Daryl got that look from anyone, so to say he was suddenly more intrigued by the baker woman was an understatement.

"Hey," Daryl's voice pulled you from your thoughts, staring at him without a single word running through your mind. "Wanna help unload all'a this at the butcher?"

A silent nod was all you managed as you followed him, hearing Carol say something but not entirely registering her words.

It was the next day when you saw him outside of his usual routine yet again, before the time of his usual pickup. The early summer sun was up when you made your rounds, and so was Daryl.

Across the street from the butcher’s place was a small area that used to be a children’s playground where you caught him doing pull-ups, flannel hanging open over his torso that you secretly expected to be way more toned, but instead you saw lightly furred soft flesh.

He hadn’t noticed you as you moved past to the butcher’s doorstep where you’d leave her order, quietly mumbling to yourself as you stared at Daryl again. “Lords, I want that man to fold me like a lawn chair..” You were so lost in the view of him pulling up his full weight with just one arm, his legs crossed under him, that you didn’t hear the butcher arrive until she pat you on the shoulder. “I may not be into men, but even I can see the appeal of that old dog bending me over the nearest surface.”

The sudden contact made you squeak and jump away, only to be laughed at as you stumbled over your words before running along on your delivery route.

It was only a couple of seconds after you were out of earshot that Daryl appeared on the butcher's steps, shoulders shaking as he softly laughed at the interaction he heard all too well just a moment ago. "Yer horrible, ya know tha'?" He bumped her shoulder aa he walked past her, into the shop to start working on all the kills he brought back the day before.

The butcher let out a breath through her nose. "And you love me for it, mutt." Behind her she closed the door and flipped off the hunter, sticking out her tongue behind his back. "'Course I love ya, ya crazy knife wieldin' hag."

The rest of the day after running off at the butcher went fairly normal, Daryl picked up his order and you cleaned the place alone with the baker having to leave early for a meeting.

It was only when you closed up shop for the day that it got weird. Daryl stood outside, seemingly waiting with his arms crossed under short sleeves so tight you wondered how they hadn't cut off circulation yet.

Without missing a beat he pushed himself off the wall and stepped beside you. "C'mon. Wanna show ya som'n." His gruff voice could tell you to eat dirt and you'd do it so naturally you followed suit, walking around the community until you reached the homes placed at the far end, right at the forest wall.

You took in the beat up old truck with the hood popped and one wheel missing, and next to it inside the garage with the missing door a bike that looked like it was made over years of collecting parts. Was this his home?

You followed him inside the garage, the door in the back opening and leading into a small kitchen littered with tools and materials. The tea towel you gave him the bread in laid neatly folded on the corner of the messy table, not a single grease or oil covered item near it.

In the moment of distraction Daryl's hand landed on your hip as he scooted past you in the narrow space between the counter and the table, his crotch brushing your ass in the process.

He felt you become rigid at his touch and apologized. "Sorry, doll. Place ain't made fer two."

His hand remained in its place, squeezing as he apoligized making you want to just give in to your haunting daydreams and let him take you right then and there.

"So, what did you wanna show me again?" You were fidgeting, trying to calm your nerves with Daryl so close.

"S' upstairs. Sum ol' items ya can dig through. See if ya wan' sum." With a hand placed on your hip he led you upstairs, steering you around the corner and through one of the doors, ending with your knees pressed against a bed.

Before you had a chance to ask anything one of Daryl's hands came around your front, resting on your lower belly as the other one snuck around your chest. "How 'bout ya be a good girl fer me an' lemme fold ya like a lawn chair." His beard drug across your skin as he came to bite your earlobe. "Tha's what ya want, righ'? Got all hot 'n bothered when the butcher mentioned me bendin 'er over the counter.." with one hand sneaking under your waistband and the other softly squeezing your breast he had you whimpering.

"S'fine, righ'?" His hands stilled at your silence. "Words, doll. Ain' gon do anythin' unless ya give me an okay." His hands moved to cafefully turn you around to look you in the eye, but you quickly buried your face in his chest, hands against him as well and all your body wanted was to squeeze.

Squeeze your fingers into his plump, soft chest. Squeeze your thighs together for some desparately needed friction.

You softly nodded, murmuring something Daryl couldn't make out.

"Need ta hear ya." Daryl softly caressed your shoulder, moving to tilt your head up so you'd look at him.

Your eyes scanned his face, soft and gentle. Eyes glistening a bright blue between the thick, red scarred line that cut right through an eyebrow. Your eyes wandered to his lips, partially hidden by the grey scruff that occupied the lower half of his face as you breathed. "I want this."

With your eyes on his lips you saw his concerned look change into a wicked grin that showed his pointed canines.

In a split second after that you were thrown onto the bed and caged between Daryl's limbs, his face buried in your neck as he nipped and sucked at your skin.

"Go on." He whispered. "Take 'em off. I know ya wan' it." Daryl was on his way to the hem of your shirt already as you slowly worked your hands towards the buttons of of his flannel, undoing them with trembling fingers, focus drifting away with every drag of his teeth across your flesh.

With some assistance your top halves were soon bare. Daryl's hands on your soft chest, tongue all over them as he sucked bruises to the underside.

Your fingers found his hair, pulling at the strands in pleasure as the others traced every scar on Daryl's body. From the small puncture wounds to the large gashes on his back, you caressed each one of them.

Letting out short, panted breaths your body burned wherever Daryl's fingers trailed, the rough pads leaving a path of tingling flesh from your chest down to your side, his tongue following down your body between where his hands had gone.

With the descent of his body his scarred frame moved out of reach, placing both hands in his hair and tugging as his teeth dug into your skin, earning a growl that sounded from deep in his chest.

With newfound interest you pulled again, your nails scratching his scalp in the process as your hips rolled up against his torso.

The low, scratchy moan that left him rumbled against your hip and had him quickly slide his hands down your hips. With no effort you felt your hips rise as two strong hands grabbed your ass and fabric slide off your body. Both your loose trousers and panties were shoved down the rounds of your hips as they lifted off the bed, the fabric pulled off your legs before your knees ended on both sides of your chest and Daryl's teeth were back just below your bellybutton where the meat of your folded torso met in perfect, bite-sized rolls.

You watched him litter your stomach in marks, clamping his jaw onto your thighs to color your skin in where only he could admire them.

"Daryl, please.."

Your voice had him lock eyes with you from where he sat between your legs and watched your pleading gaze with a soft nod before leaning back down and licking a broad stripe over the back of your thigh, moving to delve his tongue right into your centre.

Your moans of his name added fuel to the already raging fire, parting your lips with his tongue and drinking up all of your sweetness. With each stroke against your clit your walls clenched around nothing, muscles tensing but your body laying unmoved under Daryl's strong grip.

You squirm, hands finding his on your thighs as you whine and mewl, signaling you being close to finishing.

"Such pretty sounds, all fer me.." Daryl speaks against your clit before wrapping his lips around it once more and teasing you, making you hold back your own thigh so his fingers could join his mouth, stuffing two down your entrance with ease as he kept licking and sucking in tandem with the curls of his digits.

Your sounds increase in volume with Daryl's ministrations, crying out at your peak, clenching your walls tightly around his fingers as you finished.

"'Ere, lemme stretch those legs fer ya." With gentle hands he laid your legs flat against the bed on either side of him, allowing the blood flow to return while you came down from your high.

You watched him with hazy eyes, on his knees between your legs tugging at the button and zipper of his black jeans. Beneath the oh so inviting trail of dark hair he lowered the layers still on him to reveal his thick, hard cock.

Your view was close to perfection, a gorgeous old man between your spread legs. The lines of his body like rings on a tree, showing signs of age and survival. From the scar at his collarbone, at the edge of the soft dusting of chest hair down to his thick strong legs he was removing his clothes from he was like a piece of art for you to admire as you desired.

And gods, you desired him.

"Ya look like ya wanna eat me alive." He looked down at you, one hand running through his hair while the other slowly stroked his cock.

You licking your lips as you stared at his impressive length was all he needed to ler himself fall forward and catch himself right before he'd make contact with you, calmly catching your lips in a deep kiss. With your tongue against his lips you asked for more and he obliged almost immediately, parting his lips and swiping his tongue against yours, lips moulding together in percect harmony until you desperately needed air.

Your hand lingered on the side of his head, thumb caressing the scar around his eye.

"What's the story on this one?" Daryl couldn't get enough of that look on your face. The one filled with curiosity, not a speck of fear or disgust on you.

"Old girlfrien' decided she didn' like me no more." He averted your gaze as he remembered the fight in the cabin back then, and the serrated edge of the knife catching the skin of his face. He deliberately left out the terms his then lover called him as she chased him out the door with a shotgun. That was a tale for another time.

Right now all he wanted was to ravish the woman underneath him.

The setting sun caught his eyes and for a fraction of a second they seemed to glow, icy blue in a sea of black. When they looked back at you it was gone, a pair of normal blue eyes looking at you.

He shook off the memories and brought his focus back to the now, to you underneath him, the scent of your arousal, and his painfully hard cock.

Daryl adjusted his position, his length rubbing your folds in the process earning a soft moan from you.

"Gonna make more o'them pretty noises fer me, doll?" His hand reached for his member and rubbed the tip between your folds, spreading your wetness around, listening to your soft mutters of "yes" and "please".

Daryl needed no more convincing, nuzzling your noses together before kissing you deeply as he slowly inches himself inside of you. The initial stretch hurt and you couldn't help but groan into the kiss at how big he was. His cock was way girthier than just two fingers, and it had been years since your last time before this.

Daryl's hand moved down your body, slowly rubbing your clit to distract from the stretch. His kisses deepened, your tongue sliding past his teeth, feeling around his fangs with fascination.

A soft whimper sounded from you as he bottomed out, making him halt a moment to let you adjust. "Ya tell me when yer good, 'kay?"

You nodded and answered a soft "uhuh." and a bit later, after a few experimental squeezes you told him you were good.

With his hand still on your hip Daryl carefully pulled back and slid inside at a slow and steady pace, letting you get used to him for a few thrusts until your heels came up to dig in his rear.

"Hmhm, eager are we?" Daryl grinned against your neck, taking the hint and quickening his pace. His hands had your hips in a bruising grasp, his hips snapping against yours earning soft gasps on each impact.

"H.. hah.. ah Daryl fuck--" you were a beautiful piece beneath him, with your head thrown to the side, arm covering your eyes and chest heaving and shaking with each thrust.

"So good, doll. So pretty for me." Daryl was huffing out a laugh, moving his hands off your hips to grab at your lower legs. Deep, short thrusts continued as he moved your legs from around him back to up beside your torso, knees pressed against your shoulders as he fucked into you with your ass up off the matress.

He was so deep all of a sudden it had you see stars, crying out his name aa your orgasm crashed down on you.

You were sweating all over, breaths deep to get enough air and body heavy. With your eyes closed you laid still, getting the air back into your lungs as Daryl teased you by softly rutting into your overly sensitive cunt.

"Don' tell me yer tired already, I haven't even finished yet.." His thrusts changed angles and now brushed your clit, having you mewl out pleas he chose to ignore. "Tha's more like it, music, those sounds o' yers." His thrusts continued, as did your pleas. You didn't even know what you were begging for but the knot in your belly was quickly returning in time with his thrusts getting sloppier, not long after crying out again as you came a few thrusts before je did too.

There were tears rolling down your face, laying limp on the bed. Daryl's hands had let go of your legs again, letting you stretch them for thr short moment before he was fully hard again.

Unexpectedly Daryl flipped you onto your stomach and moving your hips around to his preference.

"Time fer round two?" He wached you nod wit your face in the pillows, moving to slowly press inside you once more and bending down to press soft kisses to your back. Your mind went back to being hazy a few thrusts in with how good his cock felt at this new angle fist gripping at the pillows beneath you that muffled your moans.

His hands were all over your backside, kneading every soft surface he could reach as he continued his steady pace.

Your sounds were like music to his ears, wishing to hear them every night, over and over again until your throat was so soar he had to bring you medicine and nurse you back to health. Your curiosity was already enough to make him want you, never having anyone radiate such a type of energy towards him and it has him hooked. But having you here like this now had him almost addicted, wanting to keep you, claim you but he knew he didn't have the right to do so. He didn't deserve it, for he was sort of still lying to you about large aspects of his life.

But if he could make you feel this good now in this moment, that was all he cared about.

He fucked you from behind until you came once, twice and then moved you onto your side, holding onto one of your legs against his chest as je continued rutting into you, earning two more orgasms from you right before finishing himself for the second time.

As he came down from his high he stared at you, passed out and asleep beneath him. Ever so carefully he moved you so he could lay down as well, pulling you against his chest as he settled to drift off too.

It was morning by the time you woke up, groaning in pain as your legs resisted being moved off the bed. You blinked the sleep from your eyes and shot up off the bed. "Ah, god damn oww.." Your ass hit the matress again, the crunchy layer of dried fluids scratching your thighs.

"Oh for fuck's sake I'm gonna be late!" You stumbled around the place searching for the shower to scrub yourself clean, picking up your shirt off the floor and sniffing it. "Nope, can't wear that. Shit!" You found the bathroom and were vigorously scrubbing your legs and quickly back to digging through all of Daryl's drawers in a panic, trying to find something decent to wear.

"Ya know ya can just ask, right?" You didn't even register what he said and grumbled back at him. "I don't have time, okay? I'm already gonna be late for work and I got nothing to wear because my own clothes stink so I'm gonna have to run home first and be even later."

Face down in a drawer your attention was pulled by a short whistle, and the second you were up and turned towards the noise an entire outfit found your face.

Underwear, socks, simple sweats and a flanel.

"Why do you have a stash of women's clothes?" You were genuinely curious but that didn't stop you from struggling to put on the clothes with your entire body aching. "I don't even know how I'm gonna walk my rounds. Everything hurts.."

You were already dreading today and it had barely even started.

"Need me ta make yer rounds? Got time so I don' mind." Daryl was following you down the stairs now, hands ready to catch you as you stumbled, not wanting you to fall.down the stairs on your wobbly legs.

"No way I'm letting you do my rounds. I don't want the whole community on my neck tomorrow about why I sent you." You were halfway out the door already, walking as fast as possible and waving Daryl off on your not so fast way to work.

You arrived late and got told off for it, but the baker quickly changed his demeanor once he saw you limp. He gave you a quick rundown of what he had planned to do at the bakery and let you stay in as he took over your rounds, which you were very thankful for.

The front door bell rang and Carol appeared, a while after Daryl had dropped by for his usual, and bringing in a bag with your clothes.

"Hey, didn't see you this morning." Carol was as cheery as ever, her hair braided and her smile kind and motherly.

"Yeah," you leaned against the counter, wincing as you moved your weight. "Hurt my leg yesterday, so I'm in here thr whole day now." You tried to shrug it off, not feeling like coming up with a decent enough lie. Not that you needed one anyways.

"Which clearly has nothing to do with you spending the night at Daryl's place?" A knowing smile spread on her face as she looked you up and down, arms crossed over her chest, laughing as she watched your eyes about to pop out of your head in response. "You're wearing my emergency clothes. Looks like we have about the same size."

You felt blessed with today being a quiet day and could clean while you chatted with Carol and closed up shop after, with the baker off again while you ran the bakery.

"There's something wrong with that man." You sighed as you bent down to lock up the garage door, groaning as you came back up. "He's like, what? Almost sixty? And he still held out longer than me. I swear I passed out once before he was done."

Carol was giggling all the way with your bags in her hand. "He's fifty-four, but alright."

"Yeah, okay. That fifty-four year old would have kept going if I hadn't clocked out after lord knows how ma--"

"Five, doll." Daryl's voice suddenly behind you had you jump up and almost fall if it wasn't for his quick response to steady you.

"How the hell are you fine?" Your question was directed at Daryl, but your eyes were on Carol who was having the time of her life seeing you be so confused about her best friend's energy levels.

"There's a lot about Daryl you don't know yet, dear." She winked at her friend, who only grunted in response.

"Oh really? When are you planning on telling me all about yourself? Do I need to cook you a romantic dinner?" Your words came out with way too much excitement, letting out how eager you were to learn about Daryl.

"Ya'll learn eventually. No need ta rush things, righ'?" His voice kept cool, but Carol read his body language like a book and quickly saw he needed help to cross that line. Him scratching the side of his fingers, and obsessively wiping the hair out of his face, eyes looking everywhere but at you. They were all tells, and Carol felt bad for him.

"Why don't you two stay over for dinner? Ezekiel won't make it home in time so I'd be all alone otherwise." Carol quickly set up a plan, making it all seem like coincidence but in her mind she had all the steps figured out already.

"I'd love to stay over, but only if it's not too much effort." Peeking past Daryl you saw her wave your assumption off and assure it was fine.

And thus you three ended up around Carol's nice dinner table in the King's home.

Somehow you expected it to be fancy and pristine, but that would never happen with how selfless the King was.

The food was nice and Carol had gifted you some stronger painkillers she had laying around to ease your body, you all just chatted about your day, and you thought your subtle questions about him were going okay, until Daryl excused himself to go smoke what seemed in a hurry.

"It's okay honey, Daryl has a hard time opening up to people. He needs to find the right moments to talk." Carol gave you a loving shoulder squeeze and pointed you towards the back door where Daryl had just left through.

"He loves the forest, he feels safe there." With a wink she sent you off.

You carefully approached him and settled in the doorframe. "Hey," Your voice was soft as to not startle him. "Wanna go for a walk? Outside the walls."

With a nod he got up and offered you his hand to take, and with a sigh he let a smile come through. "Carol really set us up, didn't she?"

You laughed along with him and decided then you wouldn't push him, and let him talk at his pace.

With your gear gathered the two of you found yourselves walking along the tree line in silence.

"M' sorry." Daryl kept his eyes on the ground where he walked, but with his pinkie he touched yours and hooked them together.

"When Carol brought ya to welcome me back after the huntin' I was confused. But when I felt yer curious stares instead of gettin' negative 'n scared I got.." He fell quiet, his hand pulling away from yours but you quickly grabbed it fully, rubbing your thumb across his knuckles.

But you stayed quiet, and just walked with his hand in yours.

After a long stretch of only hearing the ground crunch under your shoes Daryl stopped.

"S'where I stay when I go out each month." You stood a few feet away from a rock wall, overgrown with green and a small clearing in it. Looking around you there was no way of being seen here from any angle.

You also saw trees with torn off branches and what looked like deep claw marks. "Should'a shown ya 'fore last night."

You looked over at him and made sure he saw you smile. "You really think anything would have changed my mind?" Your hands came up to his face to hold his gaze on you, hoping he'd see the truth in your eyes.

"I know yer not lyin'. Ya haven't lied since we started talkin'." His hand moved to touch the small of your back, the other one gesturing at the overgrown wall. "C'mon."

Daryl had his knife ready as he moved past some hanging vines with your hand in his to keep you close.

The area was void of any dead, except for the picked clean bones covering the ground.

And the seemingly random pile of fabrics and signs of humans staying here.

He let go of your hand and let you wander around, staring at every little thing.

You kneeled down off to the side, getting up to move some vines to let in more light before walking back.

"You stay here?" Your fingers traced the print in the sand, glancing over at Daryl who was slowly stepping closer with calculated steps, like a true huntsman would to not startle an animal.

Quietly he leaned down next to you, and without saying a word moved his hand to the print in the loose sand.

The world went blurry around Daryl's hand as you watched it change. Muscles under the skin warping to reshape as flesh darkened and nails grew, and then fit perfectly into the indentation.

Daryl was hyper aware of everything around him, senses almost overwhelming him as he felt the worms crawl under the earth and heard the birds fly over outside. But even with his senses running on overdrive he couldn't find a single negative feeling coming off you.

You stared at his hand, now more a claw and it felt like everything suddenly made sense.

His strength, the way he heard things from so far off, his way of using terms that didn't make sense and that strange glow in his eyes.

Daryl's mind kept showing you running away, crying as he got closer each time.

Instead, there in the small cave like structure he called home once a month, you reached out your hand and placed it on top of his changed one.

"I don't regret being curious." Your shoulder rested against his, slowly easing into more contact. "And I'm still happy I went home with you, and came here to see this. To see you." Your weight was now entirely resting against his side, and for the first time since he sat down he dared to look at you.

You, who laid comfortably against his side.

"I'm honestly kinda glad you showed me this." You watched Daryl raise his brows at your words. "Suddenly your strange but interesting things make sense. Kinda obvious for someone to be so strong, or have glowy eyes when they're not human."

Your hand gave his a comfortable squeeze. "I hope you'll show me all of this you one day." With a finger pressed to his knuckles you moved your head to kiss his cheek.

"Close yer eyes fer a minute." Daryl moved to stand after he kissed your head, moving behind you.

Noises filled the air. Clothes being undone and landing on the floor.

And then cracking. Tearing and groaning. Coughing and growling, a thud that acompanied a shove against your backside that almost made you turn around, but je asked not to, and you were going to respect his wish.

Once the noises died down and all you heard was deep breathing you opened your eyes again, staring straight forward as you waited. Waited for something to signal it was okay to turn.

That something was a press against your shoulder, a press and a huff of air against your exposed neck.

From the edge of your vision a nose peeked, making you turn and stare right into his scarred eye.

"Wow." It caught you off guard and you stubled backwards just a small bit, staring and laughing at yourself for falling on your ass. "Okay. Big guy. That's ..wow."

You followed his movements as he walked into your view. And you recognised him. All ofrhe features that made Daryl look like himself changed along with him, from the dark, shaggy mane to the scar and beard. Even his tattoos were spots of darker fur, especially clear on the lighter areas.

But, still..

"Wait. So Carol knows about," you wildly gestured at his entire self. "you know, this. She's seen you? And what about the butcher? That comment of hers, she knew."

You gasped in realisation. "You were testing me! You could hear us, you were there on purpose oh my god."

Daryl only sat and listened to your rambling. If anyone had asked him how he envisioned this scene to go, he would have never guessed this to be the way. Not that he was complaining or anything, he liked this.

He liked you, and you liked him too, even in this shape.

With a tap to your hand and his paw covering his eyes he asked you to look away once more, changing back to his human self and getting dressed before coming to press a kiss to your temple. "So, ya sure this's all fine?"

You stood up to join him at eye level. "You're either the most dense man ever, or are still convinced you don't deserve love just because you're different." Your deadpan look spoke more than needed.

"Yeah, alrigh'. Sorry." He shook his head in apology.

"You literally just turned into a goddamn werewolf." You paused. "Wait. That is correct, right? You're a werewolf? I mean, I don't wanna assume and be wrong, or offensive.."

He kept his head low but nodded, telling you were correct in your observations.

You stepped into his space and peppered his face with kisses, grabbing his hands to fake a sense of chaining him to you and it worked. He let himself melt into you and accept your affection.

Your love.

"Let's go home?"

With a nod he stepped back go retrieve your items. "Yeah. Home's good."

The walk home was silent, only sporadic and very random questions with short and simple answers.

Only when he dropped you off at home he spoke full sentences again. "I wan' ya t'move in with me."

You shrugged and nodded. "Yeah, okay. But we gotta clean the place first."

With a nod he agreed and let you go for the day. Only a week later moving the last of your items into his home after strategically cleaning and rearranging his home to accomodate two people.

That night, in bed all cuddled up together after a shower, Daryl pressed his lips against your jaw and uttered three simple words.

"I love ya."

A/N: Okay yeah damn that became way longer than I originally planned. But it wad fun! Hope you enjoyed it~

#sometimes i write #daryl dixon x reader #daryl dixon #daryl dixon smut #daryl dixon imagine #daryl dixon fanfiction #daryl smut #daryl x reader #twd #twd daryl #twd x reader #the walking dead #twd smut #twd au #werewolves #werewolf

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yandereunsolved · 2 months

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Hello yan, bae its me who gave the isekai reader.

What if instead of isekai reader who is in a panicky state just matched The Cannibal's vibe, matching energy since riders and dragons at the least had some semblance.

Intimidating menace dragon with an equally intimidating, despite being short,menace rider.

Reader: Khan, fetch *pointing at the knight who pissed them off*

Cannibal who responds to the nickname: *roars before chasing the poor guy*

Aegon: you have a dragon that belongs to the house targayen give them back to us

Reader: boy make me

Aegon: I am no boy! I'm the king! And you shall bow before me

Reader: you're a bitch I was trying to be nice

Aegon:...

Thank you for the idea. I definitely love it. The Cannibal and reader being feral together is so much fun.

Here's my addition—

All of the Targaryens would immediately see reader as a threat. They would also be interested.

'Who is this man!?' kinda vibe.

Some would become obsessed with them because of the power they hold. Others would see them as a beacon of safety and hope.

🐉

The Cannibal loves Helaena because you like her. She's so sweet to you. She shows you all of her bugs and info dumps to you. The Cannibal is just sitting around the both of you. The fierce beast is ready to burn anyone who dares interrupt your time with her.

He also loves Dreamfyre. She's one of few dragons he can stand.

You giving her basic human decency causes her to obsess over you.

Helaena: "What do you want from me?"

Reader "Wot :?"

Helaena: "You're so cold with everyone else. Everyone fears your anger. You're so nice to me."

Reader: "That's because I enjoy spending time with you! I just want to hear your thoughts and have a friend."

Helaena: nose bleeds. "R-Really?" passes out.

🐉

Aegon II is jealous. Only because he's attracted to you, but you aren't attracted to him. He's needed a new plaything and you'd be perfect for it! You're so dom. It makes him salivate like a starved dragon.

Aegon II: "Darling—"

Reader: "No."

Every attempt by you is rebuffed. Even Cannibal has distaste for him.

He does what he does best. He threatens you and uses his power to make you bend the knee.

You have one dragon.

He rules seven kingdom and has many more.

🐉

Nyra is attracted to your fierceness. She recognizes it in herself. You feel like an escape for her. So naturally she becomes infatuated. She is a queen.

She tries her best to acquaint herself with you. She knows making friends with Cannibal is the biggest test.

Does Cannibal like her? Does he not?

#anonymous asks #anonymous #anon ask #thanks anon!#isekai #isekai reader #yandere #yandere x reader #hotd #hotd x reader #yandere hotd #yandere hotd x reader #rhaenyra targaryen #aegon targaryen #helaena targaryen #the cannibal

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saltpepperbeard · 9 months

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Be a Lighthouse - Fight For OFMD Season 3

Hi everyone. The news of our cancellation is both incredibly devastating, and quite shocking considering the trajectory of the show and its fanbase. Everything looked like it was lining up in a positive fashion...only for the rug to get yanked out from under us.

I cried. I went numb. I stared at the wall for a while.

But then, something sparked. Like Ed who was resolved to his fate in S1Ep4 only to rocket back upwards, I was struck with a realization: we need to be a lighthouse!

Fanbases have campaigned before, and have gotten results. Sense8 was able to get a two hour finale to properly wrap everything up. Lucifer was able to get picked up by Netflix after being cancelled by Fox. Brooklyn 99 was able to get picked up by NBC after being cancelled by Fox. And many more examples.

Be it a proper renewal, a finale wrap that entails Ed and Stede's wedding, or the attention from another network, I say we fight that good fight. So, here are some ways we can be heard; if you think of any additional points, please feel free to add them!

If you don't cancel your Max Subscription, continue watching the show and leaving feedback on Max's online feedback form. I had a kneejerk reaction when cancellation was announced and pulled the plug...only to sit back and reconsider. I want them to still get my metrics. I want them to still see the show means something to me. And whether that's through words or statistics, I feel like that's something.

2. Follow @renewasacrew and keep up with their resources/campaigns. They're very active and passionate, and have already come up with different ways to fight for our show.

3. Sign the petition to give us just that little bit more of a chance to have our voices heard.

4. Stay active on social media, and stay positive. Continue sharing how much this show means to us. Continue creating. Continue loving. Use hashtags like-

#RenewAsACrew

#SaveOFMD

#RenewOFMD

#BeALighthouse

#OFMDSeason3

or anything equivalent on any and all OFMD-related posts. Keep the buzz about it going on social media. Comment on posts, keep spreading the word, and get the light burning.

5. Renewasacrew has given us another outlet; an official HBO email address. Write an email detailing your personal experience with this show, and how significant a third season would be.

6. Tweet/email other platforms to pique their interest. Be it Amazon Prime, Hulu, Netflix, or whoever else, let's see if we can't catch someone else's attention. A romcom with iconic LGBT representation seems pretty enticing if you ask me!

This show means the world to me. Y'all mean the world to me. So let's show them why. Let's show them why, and get the proper ending we, the cast and crew, and the characters all deserve.

#OFMD #Our Flag Means Death #OFMD Season 3 #OFMD S3 #Renew as a Crew #Renew OFMD #Be A Lighthouse #ofmdaily #ofmdsource #ofmdedit #ofmdblog #I'm trying #I'M ATTEMPTING

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littjara-mirrorlake · 2 months

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The Color of Hope: Ambition, Necromancy, and Black Mana

Black is one of the most misunderstood colors in Magic: the Gathering, not least because it appears on the surface to be so straightforward. Look at the most iconic black cards of Magic and you'll see deals with demons, necromancy, mass destruction and cruelty and suffering–the trappings of classic fantasy evil. Even the color's symbol itself is a skull, a universal signifier of death and danger.

And in early Magic that seemed to be all it was. White was the color of Fantasy Good, black was the color of Fantasy Evil, and the rest of the colors were... fire magic? Elves? Whatever odd but intriguing skeleton affairs are implied by Time Walk?

Gradually, though, Magic deepened as both a game and a storytelling medium. The color pie grew into itself as a system of complementary philosophies, archetypes whose associated aesthetics were only part of the full picture. Their arrangement around the wheel, below, is highly deliberate; neighboring colors are said to be allies with a high degree of philosophical and mechanical overlap, while colors on opposite sides of the pie are known as enemies, more likely to disagree on fundamental levels.

Black stopped merely representing capital E Evil and became the color of striving for power; unlike its peers, black felt that nothing, least of all morality, could prevent it from seizing what it wanted. Mark Rosewater's 2015 article about black emphasized the color's focus on the self:

"Black's philosophy is very simple: There's no one better suited to look after your own interests than you... Many costs require the sacrifice of others for your own advancement. Because it puts itself first, black is always willing to make this trade. The weak must fall for the strong to thrive." -Mark Rosewater

At its worst, black is an exploitative, amoral color that prioritizes itself at the expense of all others, allowing the "weak" to fall and scorning the very idea of compassion. Rosewater writes that black is "always willing" to trade others for itself. And these can certainly be parts of black's philosophy, when taken to its worst possible extremes, but they're far from the entire story.

Over time, Magic's outlook on black gained nuance. Magic story introduced protagonists like the necromancer Liliana Vess, whose craving for immortality, seemingly exploitative nature, and demonic deals called back to the oldest portrayals of black–and yet she was not one-dimensionally evil. She underwent character development over the years, learning the value of reclaiming herself and standing beside others, and at no point did she become any less mono-black for it. Remember her; we will come back to Liliana and her story later.

In addition to the usual death and decay, black cards began to feature a theme of relentless devotion. On the plane of Eldraine where each color represents a virtue, black's is persistence, explicitly as important as any other color. On the plane of Ikoria, the love between bonder and beast pulls Winota back from the brink of death. Wherever this Oathsworn Vampire printing is set, its flavor text is quintessentially black. It's the same self-driven attitude as before, but cast in a different light: black is nothing if not persistent when it's got its heart set on something (or someone) it cares about. Nothing, least of all the grave, will keep it down. After all, black will always come back for its own.

These newer cards uncovered the true face of black as a color capable of both great love and harm (sometimes even the latter for the sake of the former), and suggested a tantalizing new thread: perhaps putting yourself and yours first isn't all that bad, necessarily. Black is a deeply protective color; it says you don't just have to accept what you're handed, it's okay even to be furious about it (hello, ally color red), but let that galvanize you to do something about it.

Vraska, a gorgon who faces extreme discrimination on her home plane of Ravnica, triumphs by reclaiming herself, gorgon powers and all–and even more radically, loving herself. She displays traits often considered the purview of white and green, such as a love of home and a drive to elevate the oppressed, but they are all filtered through the lens of her black alignment. Vraska staunchly refuses to deny herself or her people, the Golgari Swarm, of their value. Nor does she allow law or propriety to prevent her from championing them by any means necessary–even if that means cold-blooded murder, or aligning herself with a villain like the Planeswalker Nicol Bolas.

"[Vraska] thought of Mazirek, of the kraul, of the rest of the Ochran assassins and the malignant Jarad who reigned with casual ruin over the most downtrodden of the downtrodden. She remembered her years of isolation, and the heinous cruelty of the Azorius, and how no group deserved to suffer as much as those who would subjugate her own. Eliminating that hell was all she ever wanted." -The Talented Captain Vraska, Alison Luhrs

Like Vraska, black loves fierce and hard, willing to break any taboo for the sake of those it cares about. And it whispers, the entire way through, you are enough. You deserve better. No matter what others may say or do, you are enough.

"If I am to be met with disrespect, then I must first love myself with a fierceness no fool can take away." -Vraska in Pride of the Kraul, Alison Luhrs

Even black's "ruthlessness" isn't as fundamentally cruel as it appears, centering a passion for problem-solving (shared by its other ally blue) instead of a blunt disregard for others.

"People don’t understand the word ruthless. They think it means 'mean.' It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it." -K. A. Applegate

All of this comes together to make a black a color not of evil but of strength, integrity, and persistence. And that's all well and good, but I'm going to take it even further and put forward a new proposition: that black is the color of hope.

Of the nine mono-black Magic cards with "hope" in their names, all but Liliana portray black as an instrument of hope's destruction. This is, once again, black's flaw taken to its extreme–crushing others to achieve its own ends–but neglects black's own relationship with hope.

Black, more than any other color, requires hope to stay alive.

For black to persist, it must believe in a light at the end of the tunnel, a future in which its goals are realized. As long as it does, it will endure any hardship, walk through fire, and turn reality itself upside down on its way there. Primal, desperate ambition is the engine of hope that burns at the heart of black, keeping it always one step ahead of stagnation. Bitter and stubborn, black believes tomorrow will come because there is no other choice. After all, for black to relinquish hope is to let itself wither, regress, and die–an unacceptable outcome.

Thus, it is monumentally difficult to strip black of hope. That only makes it all the more crushing when it happens, when black contends with the idea that there is nothing it can do.

Black's deepest, darkest fear is helplessness.

Like any mono-black character, Liliana Vess is driven at her core by a seething, desperate hope. When Liliana first unlocks her necromantic power, it is out of a sheer refusal to allow her ill brother Josu to die, even when the esis root that would cure him is destroyed by enemy witches in an undead-raising ritual. She defies her previous training as a healer, which taught her only to take the safe path, in favor of a higher-risk and higher-reward approach: stealing life from the witches themselves to restore power to the esis root she needs. It is her knowledge that her brother needs her, and her sheer stubborn will to succeed, which allows her to defeat the witches against steep odds.

"Six foes, and Liliana stood alone. But Josu's life depended on her, and the power blossoming within her was more than enough." -Liliana's Origin: The Fourth Pact, James Wyatt

Tragically, however, Liliana's attempted cure goes horrifically wrong, transforming Josu into an undead being plagued by eternal suffering. In his pain, Josu attacks Liliana. For a while Liliana holds out hope, finding the power to fight back while she determinedly searches for a spell to reverse the harm she's done. It is when she realizes this isn't possible that her strength falters.

"All this time, she had believed… that she could turn the power of death to the service of life and health. That a healer should use every tool at her disposal. But Josu was the result, a horrible fusion of life and death, and all her spells meant to manipulate the life force of the living could do nothing to harm the dead." -The Fourth Pact

Liliana learns that even her own dark magic, fueled by determination, cannot solve the problem she's created. She discovers the hard limit of her willpower, and the despair of this discovery is what causes her Planeswalker spark to ignite.

At this time Planeswalkers are as gods, immortal and near-omnipotent. Liliana spends decades enjoying this affirmation of her capability before the Mending strips her and all her peers of their power, reducing them once again to mortal mages.

"Then the Multiverse reshaped itself, robbing her—and every other Planeswalker—of the godlike power they once had wielded. Some called it the Mending, as if something broken had been repaired, but to Liliana, it seemed the opposite. It broke her beyond any hope of repair." -The Fourth Pact

Once again, it is Liliana's fear of helplessness and her refusal to accept it that drives her to push beyond the bounds of propriety–this time, to make a pact with Nicol Bolas and four demons to maintain her immortality. It is not enough for her merely to delay death; she requires the security of knowing she is fully beyond its reach, that she will never be helpless before it again as she was with Josu.

"Holding death at arm's length for whatever years are left to me? No, that's not enough. I want to be free of its shadow." -Liliana in The Fourth Pact

Black isn't like its enemy colors white and green, which are superficially associated far more often with hope. Unlike white, it doesn't believe that conviction, justice, and community will bring about rightness. Unlike green, it doesn't trust in the wisdom of the world or the natural order. Black believes that nothing will change unless you make it change; ultimately, black's self is the only one it can trust to bring about the world it needs. In addition, black lacks its enemies' idealism. Instead, it strives to be a pragmatic realist, making a final assessment of defeat all the more definite and crushing.

While white and green are more amenable to finding hope and holding it aloft as a banner, black claws hope desperately to its chest with shredded, bloody fingernails. Every ounce of hope black has, it tore by itself from the clutches of an uncaring world.

Ironically for such a self-driven color, black's fierce hope is the greatest asset it can provide to others–on its own terms, of course. It was Liliana who turned the tide of battle against the Eldrazi titan Emrakul, defiant in the face of cosmic despair. And when Nicol Bolas made his bid to return to godhood, using Liliana's necromancy to command his undead hordes, Liliana finally turned against him. In reclaiming her power, so too did she use it to free her fellow Planeswalkers from Bolas' assault. Her fear of helplessness no longer shackled her to him; agency and autonomy were hers at last.

The triumph of black, its moment of ultimate victory, is the hard-won fulfillment of its hope.

"Do not go gentle into that good night. Rage, rage against the dying of the light." -Dylan Thomas

An aetherborn, railing against the shortness of their natural lifespan, constructs a new body for themself with their own bare hands. An artificer's grief over her lost companion causes her to push invention to its limits. A young girl who loves her brother calls on the darkest of powers to save him. As it turns out, necromancy–that original thematic keystone of black–is only one of black's many, many refusals to let go of love and hope once it has them, even in the face of the ultimate end.

Time and time again, black–in love with life, ablaze with hope–looks the Grim Reaper in the eye and tells it: "Not today."

#mtg #magic the gathering #color pie #black mana #liliana vess #vorthos #literary analysis #war of the spark #magic origins #planeswalker #nicol bolas #vraska #necromancy

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