March Madness with Wharfedale: Elevate Your Hi-Fi Experience with Apollo
The Wharfedale Legacy: A Symphony of Quality
For decades, Wharfedale has been synonymous with audio excellence. With a rich legacy dating back to 1932, Wharfedale has consistently delivered speakers that redefine audio standards. From their classic designs to cutting-edge innovations, Wharfedale speakers have graced the homes of music enthusiasts worldwide, earning accolades for their clarity, precision, and immersive sound.
Marching to the Beat: Wharfedale in the Spotlight
This March, let Wharfedale take center stage in your audio journey. Whether you're a seasoned audiophile or a newcomer to the world of hi-fi, Wharfedale offers a diverse range of speakers tailored to suit every taste and preference. From the crisp highs of the Diamond series to the authoritative presence of the Elysian line, Wharfedale speakers capture the essence of music with unparalleled fidelity.
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March Madness Specials: Your Ticket to Audio Bliss
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Join the Madness: Embrace the Wharfedale Experience
This March, let the madness of music sweep you off your feet. With Wharfedale speakers from Apollo Hi-Fi, every note becomes a symphony, every chord a revelation. Step into a world where sound knows no bounds and immerse yourself in the magic of Wharfedale.
In the realm of audio, excellence knows no compromise. This March, elevate your hi-fi experience with Wharfedale from Apollo Hi-Fi and embark on a journey where music reigns supreme.
Embrace the madness. Embrace the music. Embrace Wharfedale.
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Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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no cause i was just thinking wouldn't it be crazy if baaabe is just pacing their room all night after their like fifth date with asher, freaking out because they've never been in love with someone as much as they love him and it's scaring them
and asher's just rolling around in his own bed literally giggling into a pillow and kicking his feet because he just knows he's never going to get over them?
and they met in an ELEVATOR???? erik get off my phone. goodnight.
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