#Best Thing that I Read in 2019

[moomin-happiness]

Seeing the 90s anime version of moominpappa's adventures suddenly makes so many fanfiction details make sense.

[flashfuture]

I'm gonna be real. I think many comic fans in DC and Marvel are completely stuck on how the character was written in whatever run they read first. And are now unwilling to engage in good faith with Any comics. Not every comic needs to be ground breaking reinventing the wheel. Just like not every comic needs to stick to the status quo but fans seem to somehow want both happening at the same time.

And I've said it before but having multiple weeks to ruminate on issues gives people time to nitpick where when you read entire runs at once they seem much better than they are. A story is a sum of its parts and we get slow-fed the parts. Yes sometimes the whole is a cake filled with sewage. But sometimes we're just eating the cake flour first. I think fans, myself included, could really start being a little more patient with how comics come out. Every comment section I look at, tumblr, twitter people are so unhappy with new comics. And it's because we're going into it with a predecided opinion on how a story should be when we're not the ones telling it. Again sometimes the author is dogwater and the story is trash. But then again... are old comic arcs we cherish any different?

[howlonghaveyoubeenseventeen]

.

[direwombat]

i’m actually so late but the roots that clutch caught my eye 👀

ahhhh tysm macy (and no worries i'm answering these out of order afld;kjadf)!

the roots that clutch (which is just a placeholder name, actually) is an ambition fic tbh. one that will take an amount of technical skill and ability to do biblical analysis that i. currently do not have flakfjdafds

but it's essentially a biblical fantasy/apocalyptic horror au and retelling of the book of revelation all centered on hope county and rook and the seeds are biblical angels of the Lord. I don't have anything properly written for this (just outlines and ideas), but i do know that it would be one of those fics where it's told entirely from the ensemble cast's povs and NEVER from rook/the seeds' povs. they're angels after all. they work in ways beyond the average hope county citizen's comprehension. but the members of the hope county sheriff's department are primary pov characters and staci and joey in particular are going through the Horrors.

[silouvertongues]

vlogmas time tomorrow 🫡

[chwejongho-archive]

21 years old and i just made myself cry listening to each atz title track and remembering exactly what i was doing/where i was when it released over the last four years

[everythingsinred]

i was finally able to successfully request my university diploma

i pressed the button and then burst into tears like. genuinely never thought id get this far.

[thematicparallel]

need to search more about Prometheus........

[thetreetopinn]

Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)

I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.

This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.

- - - - -

Harry's list of mentioned youtubers:

Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie

Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.

Please give them your support.

- - - - -

Midlands Zone Magazine - Column by Steven Spinks

After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17

It will not allow you to download it, but you can read it exactly as it appeared in print form.

- - - - -

My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers

Tinker Bells and Evil Queens By Sean Griffin

The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added

Camp and the Gay Sensibility By Jack Babuscio

The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts

Why Rebel Without a Cause was a milestone for gay rights By Peter Howell

Why "The Craft" is still the best Halloween coming out movie By Andrew Park

Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever

Women and Queerness in Horror: Jennifer's Body By Zoe Fortier

[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez

Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason

Queering James Cameron's Aliens (1986) By Bart Bishop

Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven

Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)

Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit

How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique

When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London

Why Queer People Love Witchcraft By Amanda Kohr

'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto

(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube

5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent

The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard

Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey

The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)

Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson

- - - - -

The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.

Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy

- - - - -

Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix

- - - - -

I refrained from including certain sources.

First off only focusing on Somerton's work.

Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).

Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.

If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.

- - - - -

Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

[fullhalalalchemist]

🚨🚨CONGRESS SECRETLY TRYING TO SNEAK IN EARN IT ACT COPYCAT INTO MUST PASS SPENDING BILL (PLEASE READ EXTREMELY IMPORTANT)

July 20, 2023 Congress is right now determining what is included in a must pass spending bill the NDAA. Often congress will sneakily add as amendments their bills that they can't pass in a normal setting.

If you remember, I made a previous post about EARN IT being reintroduced here.

The EARN IT Act and it's copycats are bipartisan bills that will greatly censor if not completely eliminate encryption and anything sexual and LGBTQ+ from the internet, globally. Anything the far-right doesn't like will be completely gone. The best way to stop them is to use https://www.badinternetbills.com/ to call your senators.

Following it's initial introduction earlier this year was massive opposition from human rights, LGBT, tech, political groups, and grassroots groups. Bc of this, the senators decided to remake the bill but give it a new name, so they can still pass Earn It without actually passing Earn It. Those bills are the Stop CSAM Act (yes really, they actually named it that), and the Cooper-Davis act.

The entire point of these bills is to mass surveil and censor everyone and I don't know why more people or senators speak out against it. There is a direct timeline from when the Attorney General Barr (under Trump) said he wanted to do this to it's initial introduction in 2019, and how the senators explicitly knew they couldn't actually say that so they lied and said it was about "stopping CSAM" or "stopping drugs" for Cooper-Davis Act.

These bills essentially do the following:

they gut encryption, the one thing actually protects you from having your data seen by anyone. Do you want republicans to know you're trans? that someone had an abortion? that they spoke out against the govt? to see your private photos you have uploaded to the cloud? to see what porn you watch? if youre a journalist, or an abuse survivor, any hacker or abuser can see your stuff and track you.

they gut parts of Section 230, the one thing that allows anyone to post online and birthed social media. Previous gutting into 230 gave us the tumblr nsfw ban and killed that site.

they create an unelected commission with some already established govt body (DOJ, FTC, etc) that will include law enforcement and people from NCOSE or other Christian conservative groups who will decide what is and isn't lawful to say. no citizen can vote who's on this commission, and the president gets to pick. it's like the supreme court, but for the internet.

lead to mass censorship and surveillance because of the above

We have until the end of the month to stop this, but this can be added literally any moment until then. It's literally code red. If this is added it goes into effect immediately. The BEST way to stop this is to drive calls and emails to the senate. https://www.badinternetbills.com/ connects you directly to your members of congress & gives you a call script.

It is ESSENTIAL to call the Senate leaders who can stop this. Here's a more precise call script you can use: https://docs.google.com/document/d/1huD5Ldd1lPTECYTEb9Gg2ZzrqW6Y9tryHT-MdjOl8kY/edit

All these people expressed concern over Earn It, so we need to press them hard to not allow it's copycats Cooper-Davis or Stop CSAM into the NDAA. This is URGENT and needs all hands on deck. Chuck Schumer (D-NY) (202) 224-6542 Maria Cantwell (D-WA) (202) 224-3441 Jon Ossof (D-GA) (202)-224-3521 Alex Padilla (D-CA) (202) 224-3553 Cory Booker (D-NJ) (202) 224-3224 Mike Lee (R-UT) (202) 224-5444

Please please please spread this message and blow up their phones.

TLDR; The Senate is trying to quietly push the Earn It Act's copycat bills into the must pass NDAA, which will lead to mass censorship and surveillance online by gutting Section 230 which is the entire reason you can even be on tumblr and why the internet exists, killing encryption which put everyone's lives in danger, and appointing far-right people to a supreme court-esque commission that the president has direct control over. They could be added in ANY DAY and we need to push hard to stop it before it gets to that point. CALL YOUR SENATORS **NOW** BY USING https://www.badinternetbills.com/ AND CALL THE SENATE LEADERSHIP AND SPREAD THE WORD!!!!

[theonottsbxtch]

Cool for the Summer | LN4

an: i’ve been trying not to just blow up the timeline with a bunch of smau but thanks to @isaadore and @diycriptheory i finally chose one thing to post!

synopsis: in which lando goes to the same resort each summer and he befriends the owners daughter who works there

fc: pinterest!

2019

landonorris

liked by carlossainz55, maxfewtrell, yourusername and 592,362 others

summer break in full swing 🤘

*tap to load more comments*

userone: sun looks good on you

usertwo: look at those back muscles

userthree: WHO is that girl?

landonorris: her name is yn! she works at the resort we stayed at and was our personal guide, check out her dads resort @/resortname

userfour: just yn? 🤔

carlossainz55: why didn’t you invite me cabrón?

landonorris: “i don’t want to go on holiday with you, i see you too much” - do those words sound familiar?

carlossainz55: not at all, who said them?

landonorris: 😑

userfive: yn is us, reading on the beach

2020

landonorris

liked by carlossainz55, yourusername, danielricciardo and 864,436 others

much needed break 😴

*tap to load more comments*

userone: is that yn?!

usertwo: did he meet up with the girl from last summer?!

carlossainz55: i was also on that holiday

landonorris: were you? i must have missed that

carlossainz55: gringo

danielricciardo: there is no way this beats an aussie summer

landonorris: oh but it does

userthree: carlos went on holiday with him 🥲 my carlando heart

yourusername: i was quite enjoying the idea of a summer not working

landonorris: but unfortunately for you, your dad loves me

yourusername: wrong, he loves your money

carlossainz55: lol 😹🫵

userfour: don’t shoot me but landoyn

userfive: 🔫

2021

yourusername

liked by landonorris, carlossainz55, yourbestfriend and 2,371 others

he got some hours in this summer - also check out this vase i started earlier!

*tap to load more comments*

userone: pottery queen

landonorris: child labour

yourusername: you’re 23

landonorris: exaclty 😞

usertwo: each summer i get excited knowing we get landoyn posts

userthree: if they don’t get together i may cry

userfour: and now they kiss

carlossainz55: best boat rider? driver? chauffer? ever!

yourusername: skipper! but thank you :)

carlossainz55: but you don’t skip?

yourusername: it’s a dumb name i know 😭

userfive: it’s the way she’s friends with carlos too

yourbestfriend: @/landonorris how does it feel to steal my best friend each summer?

landonorris: pretty good actually

yourbestfriend: 🔪

2022

landonorris

liked by yourusername, danielricciardo, carlossainz55 and 462,382 others

finally was trusted enough to see how pottery stuff is done

*tap to load more comments*

userone: i come alive once each year for the annual post

usertwo: lando is a summer child

carlossainz55: don’t lie. you paid her €100 to let you in the room

landonorris: that was not meant to be public knowledge

userthree: lando is such a simp bc why did he pay €100 to watch a girl do some pottery

userfour: but it’s not just SOME girl

userfive: it’s THE girl

yourusername: €100 well earned

landonorris: you and i are no longer friends

yourusername: whomp whomp

2023

yourusername

liked by landonorris, yourbestfriend, oscarpiastri and 3,472 others

spent the summer saving the people’s favourite driver from drowning

*tap to load more comments*

userone: thank you for your service

oscarpiastri: not my favourite driver

yourusername: facts me too

carlossainz55: @/landonorris: shots fired

usertwo: parents

userthree: okay maybe not this year but next year 😞

yourbestfriend: *cough* i actually was on lifeguard duty most of the summer

yourusername: shhhh

userfour: help can lando not swim

yourusername: no

landonorris: she’s lying, i can

2024

landonorris

liked by your username, oscarpiastri, mclarenracing and 934,635 others

ahead of the hungary gp i had a personalised helmet created to fit in with the rich culture of the country, following the gp i will put this up to auction for a children’s charity - see you on track!🏎️🏁

*tap to load more comments*

userone: SHUT UP SHUT UP SHE DID NOT

usertwo: i am sick

userthree: landoyn is so real

userfour: 2024 is the year

yourusername: nice helmet! wonder where you got it from?

landonorris: some pretty, talented woman made it for me

yourusername: what a lucky lady, you speak highly of her

landonorris: ☺️

userfive: THÉ COMMA. PRETTY. TALENTED. KILL ME NOW

oscarpiastri: does the artist take commissions for next year?

yourusername: potentially!

landonorris: back off piastri

twitter:

yourusername

liked by landonorris, oscarpiastri, yourbestfriend and 6,422 others

this summer i learnt how to do a handstand

*tap to load more comments*

userone: don’t freak out calm down too late i’m freaking out

landonorris: that’s a headstand actually

yourusername: chat to me when you have a olympic gold medal

usertwo: THIS IS NOT A DRILL

userthree: THE LAST SLIDE

oscarpiastri: photo credits?

yourbestfriend: i took that actually

oscarpiastri: that’s from my sunbed actually

yourbestfriend: we were on the same bed dufus

userfour: 👀

carlossainz55: the son of a bitch did it

userfive: CARLOS HELP

landonorris

liked yourusername, oscarpiastri, carlossainz55 and 937,361 others

i love summer

*tap to load more comments*

userone: I LOVE SUMMER TOO LANDO

usertwo: the way she looks at him 🥹

oscarpiastri: @/yourbestfriend we are feeding the landoyn fans

yourbestfriend: that we are

userthree: someone check in on the landoyn fan base

userfour: miss rabbit has fainted

yourusername: i think i may love summer too 🤭

landonorris: 🥰

yourdad: i approve

[fuckyeahgoodomens]

The Good Omens Musical Masterpost🎵❤

How it started :)

Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’

Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’

They then sent it to Terry who sent it to Gaiman. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.

They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 

* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]

Vicki and Jim got the permission to being adapting it as a musical in 2013.

Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody

In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.

In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.

Following a rapturous response to this reading it continued to be refined and developed.

In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Gaiman and Rob Wilkins which was ‘a pretty heartstopping experience’.

Differences between the musical and the book

The ending of the musical is a bit different.

It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 

Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.

The Future?

What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.

There will be a CD of the soundtrack available when the show is produced in it’s full version.

In 2024 on insta they said that it is in "complicated process of rights to stage Good Omens" and "We appreciate your support and patience of the progress or seeming lack therof, of Good Omens the musical but we assure you, we will bring you the show in the next few years."

Videos

Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))

Sizzle Reel 6min

Anathema singing The Perfect Place

Crowley calling Dagon to check on the hellhound

Shadwell and Newt

Aziraphale vanishing Hastur 👀

Links

Webpage

Instagram - a lot of more bts videos and pics :)

How to support?

Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.

[gb-patch]

GB Patch Games: 2024 Intentions

[Adorable guest art by @dreamtydraw]

Welcome to 2024, everybody 🥳️

This is the year of Our Life: Now & Forever (and 2025 will be too, but let's not get ahead of ourselves that much). After a good five odd years of making Our Life: Beginnings & Always content, it's amazing to look ahead and see only the progress that will be done on this new game. Qiu and Tamarack are the center of the GB Patch Games universe now. But even though I'm not creating any new OL1 scenes, there may still be some exciting developments for the existing stuff. Cove hasn't been forgotten.

💚❤️️💙

If you want to know about what will be accomplished specifically in January, you can read that HERE. Now here's the entire year's goals-

Honestly, 2024 is gonna be the most basic year in a very long time, haha. There's not gonna be major launches of new DLCs, or a full game going live, or any bonus Moments. It's simply making progress on OL: N&F. That's pretty normal for game development. It's just not something we've had to go through since 2019. But we're hunkering down for the long haul on this one.

Specifically, Step 1 will be fully completed in 2024 and I'll make as much headway into Step 2 as possible. There will be two updates to the public demo, one probably in May and another sometime in Fall/Third Quarter 2024. Those will focus on Step 1 scenes still. I can't guarantee we'll be able to rework the Step 2 part of the demo with new content this year. As it is, the content was made to be a demo preview. A lot is gonna change for the complete version.

And that's about it for our main game. I appreciate all of you who decide to follow along with the process.

Beyond that, the Our Life: Beginnings & Always digital artbook is going to become available through Steam and Itch.io in early 2024! Maybe not January, but ideally no later than February.

Finger's crossed, we will also launch Our Life: Beginnings & Always for Mac on Steam and make it available for Androids through the Google Playstore. I can't state it with confidence, since there's constantly been roadblocks/issues with those, aha.

My final little note for this coming year is that, potentially, there could be more information coming out about the game that's going into production after OL2, "Project W".

▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾ ▴ ▾▴ ▾ ▴

And that's what you can look forward to. Every year I'm amazed I can continue to do this as my fulltime job. I'm always wondering when that will end, but I'd be lying if I said I could see that point. The support GB Patch Games has gotten, and still gets each day, is more than enough to for it to continue for the rest of OL2's development.

I'm pretty confident in assuming that when that game does launch it's going to be successful enough for Project W to go into full production. It's a truly wonderful thing. Thank you so much for being here. We'll do our best with the time and attention you've given us.

Happy New Year 🥰️

[thebibliosphere]

I'm sorry screens are causing such issues for you recently. And that people's responses have been wildly unkind. I wanted to mention, if screens are the issue, have you considered using speech to text / text to speech software? There is a learning curve with any of these, but it would allow you to work on things with out needing to engage in the screen itself. Which seems to be a major barrier for you at the moment.

There are a number of built in tools depending on your platform that you could enable to use. If possible, use an attached microphone as built-in microphones can struggle due to the fan. If it's helpful, I'm happy to talk specific tools, but please ignore if this seems to be in the same vein as the 'just dim your screen' crew. Wishing you the best.

I’ve been using text to speech since about 2019 for a lot of what I do. My phone is actually reading this ask to me right now! Yay technology!

But I also suffer from vocal cord dysfunction so my voice often gives out a lot and it affects my breathing. So I have to be careful. (Possibly starting speech therapy soon to help with this so fingers crossed.🤞)

It’s also hard to edit on. Like I’ve got the punctuation down quite well while talking in real time. But when it comes to doing major edits I need my screen and a keyboard.

I’ll figure something out that works for me. I’m just not there yet while we’re still in the “putting out the fire” phase of what has been a prolonged neurological event with systemic wide consequences.

My brain needs time to heal from being in a constant migraine from May until August. So does the rest of me. I can’t work through this, not the way I used to. I have new limitations. And that’s okay.

It doesn’t feel like it right now. But it will be.

[khaleesiofalicante]

AN INCOMPLETE LIST: THINGS I LOVE ABOUT HRH PRINCE HENRY OF WALES:

1. The sound of your laugh when I piss you off. (@magsalecs)

2. The way you smell underneath your fancy cologne, like clean linens but somehow also fresh grass (what kind of magic is this?). (@alexshenry)

3. That thing you do where you stick out your chin to try to look tough. (@tylerposey)

4. How your hands look when you play piano. (@nostalgiaisabitchhuh)

5. All the things I understand about myself now because of you. (@userstede)

6. How you think Return of the Jedi is the best Star Wars (wrong) because deep down you're a gigantic, sappy, embarrassing romantic who just wants the happily ever after. (@magsalecs)

7. Your ability to recite Keats. (@magsalecs)

8. Your ability to recite Bernadette's "Don't let it drag you down" monologue from Priscilla, Queen of the Desert. (@darwinsfinchesx)

9. How hard you try. (@sheisraging)

10. How hard you've always tried. (@stevenrogered)

11. How determined you are to keep trying. (@simon-eriksson)

12. That when your shoulders cover mine, nothing else in the entire stupid world matters. (@magsalecs)

13. The goddamn issue of Le Monde you brought back to London with you and kept and have on your nightstand (yes, I saw it). (@sheisraging)

14. The way you look when you first wake up. (@magsalecs)

15. Your shoulder-to-waist ratio. (@gay-bucky-barnes)

16. Your huge, generous, ridiculous, indestructible heart. (@thomasbrodiesandwich)

17. Your equally huge dick. (@tylerposey)

18. The face you just made when you read that last one. (@uglygreenjacket)

19. The way you look when you first wake up (I know I already said this, but I really, really love it). (@magsalecs)

20. The fact that you loved me all along. (@magsalecs)

— I can't match you for prose, but what I can do is write you a list.

Red, White, and Royal Blue by Casey McQuiston (2019) and Matthew Lopez (2023)

Credit to all the gif makers and editors, the real heroes of the fandom.