#Bronica S2A

[joeiannandrea]

[walking-la]

New (to me) camera. This belonged to my great grandfather who was a portrait photographer. Looking forward to using it more and getting to know him a bit more through his camera.

[phonovice]

とても暑い日の渋谷 / Shibuya on a very hot day.

Zenza BRONICA S2A , NIKKOR-P.C 75mm f/2.8

Kodak PORTRA160

[666blackpanther]

後半戦となりました

岩森洋介 写真展 人間ブルースVol.02

2階展示室では2021年に作りましたブルースBOOKがご覧いただけますよ

2024.4.14-4.20

1階2階両展示室にて開催

1階展示室 16×20サイズ10点展示

2階展示室 11×14サイズ15点展示

伝説の機材と感材品

BRONICA S2A　Nikkor 40mm F4 ILFORD MGFB 1K & KENTMERE PAN 400 120

[alexmmx]

SF - St Mary's Cathedral - 1978 This is the main organ that is use on Sundays, and Weddings, and sadly Funerals. The person that plays it is off to the side as Originally when the Church was built that the Organ would rise from the 1st floor via through Hydraulics But it cost more to installed so they left it as is. I shot this with a tripod, and my Bronica S2A with one lens, and the exposure was One Second at F/16 as it sounded like a Cannon when it sounded like a Big BOOM!!!, and I took about 6 shots... And then I left.. Camera - Bronica S2A with a 75mm F/2.0 Nikkor lens Film - Ilford FP4 125 BW 120

[ultralowoxygen]

View to Köngissee from Jenner by ThomasG. Via Flickr: Bronica S2A @F22, Lomo CN 400 @ISO200

[dofpreview]

Hydrodynamics

Bronica S2A | Nikkor-P 75mm 2.8 | Ilford HP5+ @ 1600

This is a waterfall at the end of the San Diego Creek trail at El Yunque National Forest in Puerto Rico. There are several waterfalls along this trail but sadly after the passing of Hurricane María this is the only one accessible since the rest of the trail is blocked by debris.

[jaiemiller]

J.Miller, 2016

[nervespike]

Alexis Szyd | "The surface of empty space" | May 2017 

[joeiannandrea]

Peppers from the garden shot on Svema CO32 (exp 10/69). I was able to find out enough about this film to know it wasn't suitable for any current standard chemical process. What I wound up doing was developing in L110 (HC110 equivalent) like a standard b&w negatives. I then bleached in potassium ferricyanide over a few hours, exposed to sunlight then redeveloped in a batch of C41 chemistry I was about to throw out. The b&w negatives looked fairly clean but somewhere in the bleaching, exposure and colour development process some interesting character flaws were introduced.

[phonovice]

東京6×6スナップ / 6×6 snap in Tokyo.

Zenza BRONICA S2A , ZENZANON 100mm f/2.8

KENTMERE PAN400

[666blackpanther]

ブルース岩森氏の愛機

BRONICA S2A　Nikkor 40mm F4

は2階展示室で鎮座中です

岩森洋介 写真展 人間ブルースVol.02

2024.4.14-4.20

1階2階両展示室にて開催

1階展示室16×20サイズ10点展示

2階展示室11×14サイズ15点展示

簡単ですが展示動画公開中です

[retroboldphotography]

[alexmmx]

Marin Headlands - 1980 Along with my friend Silvia as we both were photographing the Abandon Gun Placements that have been here since the end of the 19th Century. Camera - Bronica S2A with a 75mm F/2.8 Nikkor Film - Fujicolor100 CN 120

[iso3200net]

And through the mist of the night came the Fox

I know I know, we're all busy........it's hard to explain but I don't stop thinking about using my camera.....It just happens to be a while since I have.

Anyway, this was a rare night out down at the good old favourite Apostles. It was a classic night really. I got there early as usual and watched. I watched the sunset with the throng...it was pretty nice, I watched the throng watch the sunset...I kinda like that too...bit of a people watcher...I watched the penguins arrive, check out the beach and return to the safety of the water to wait a little longer to charge the beach later on with the safety of numbers, I watched the throng watch the sunset again and miss the penguins completely. I watched the sea mist roll in. I watched the sun disappear, and for a while thereafter the throng too...if not a little tooo slowly. Then I watched the Moon rise right on cue.

Finally alone.....or so I thought.

First came the Crickets. I actually felt them before I saw them. I felt them smack me in the head, arms legs....everywhere. It was a classic warm late summer night so a hatch is not unusual but I can't remember seeing this many crickets there before.

I took four shots this night, this was the third, but it was while waiting for the first one to do its business, I think it was about a 15-20 minute exposure I realised it wasn't just me n the crickets. At first I thought it was a Bandicoot as I've seen one before in just the same spot too but no it was a Fox. It was so close to me that I actually got a bit of a fright.....it didn't. It strolled passed me within arms length with not much more than a glance, along the board walk and up the small stair case to where the night lights were illuminating the path back to the carpark. Of course the light was attracting the crickets in huge numbers and the Fox proceeded to feast.

I followed it up and took a seat on a small stone wall and watched again. It was pretty fucken awesome. Its coat was perfect, its tail bushy. At one stage it nearly stepped on my shoe as it skitted back and forth crunching down the crickets.

I couldn't help but think how menacingly cool it looked but at the same time how effective, adaptable and destructive it was and how it didn't really belong there in that beautiful place.

Bit like me I guess.

Bronica S2a, Kodak Porta 800 (first time I've used this film at night), exposure about 20 minutes under a pretty full moon, f8 I think.

Photo by Philip Rouse.

Sharing great work taken on a film.

[lightcrusadr]

Operational abandoned mall. Bronica S2A - Lomography 800 120 film