Me: what I'm totally neurotypical idk what you're talking about-
The the little annoying voice inside my head that I argue with for fun: Remember that summer after eighth grade where you watched How to Train Your Dragon four times every single day for two months and by the time summer was over you could quote the entire goddamn movie by heart?
Me: what that didn't- This is Berk, it's twelve days north of hopeless and a few degrees south of freezing to death. It is located solidly on the meridian of mis-
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New people with empty accounts that are suddenly following me, I really need you to do something that looks like a human person. I've been here long enough now to remember the old wars, and you are coming into my home wearing the uniform of our enemies.
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me when other people tag me in things: this person??? thought about me???? i'm so flattered??????? 🥺💕🥺💕🥺💕🥺💕
me when i consider tagging someone in a post: i am annoying!!!! i am overstepping every single boundary!!!! i am making an absolute fool out of myself!!!!!!
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found family coworkers (definition multiple) of all time
[image description under cut]
Comic 1:
First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”.
Akari has an awkward smile and replies “oh, no no. he’s my...”
There’s a long pause as she looks at Ingo. He’s leaving it up to her.
She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.”
Comic 2:
A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!”
Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”.
In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??”
Volo is experiencing off-screen violence.
Comic 3:
The comic is titled “Reunion”.
In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”
In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?”
In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.
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rian johnson took all that time, put in all that effort to make glass onion a fantastic period piece to the first four months of pandemic, a prescient narrative that anticipates the stupidity of rich billionaires, and then pulled the rug from under us because the world of benoit blanc just straight up doesn't have the mona lisa anymore
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eight-episode seasons becoming the norm, shows being cancelled after their first or second season altogether, corporations not spending a single dollar to promote their renewed shows, corporations deciding to renew based on how many people binge it over and over and over again... this is the slow, choking death of media literacy.
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