james somerton arguing on an alt that his plagiarism didn’t really hurt people’s livelihoods because “most of the stuff he plagiarized was like a decade old”, thus proving he feels no real remorse and hasn’t remotely learned his lesson… well why the fuck not post hole after that. he’s already showed his ass figuratively, might as well do it literally.
912 notes
·
View notes
we really didn't get violent enough about roe v wade being overturned. but and also - you're one person. you donated money. you went to the protest. you did what you could, which felt like doing basically nothing.
recently some big paper published an op ed (why did you even read it? you knew you'd get upset) about how it's gross that men can't find a partner because women don't want to suffer bad dates - they'd rather go to yoga class. you actually laughed - well, yeah! and it was funny until it wasn't, because something about it made your stomach churn. this is the thing, you want to say, but you don't have the words for what the thing is. just that men being bad at dating is your fault.
the thing is also on instagram. you don't know if it's a setting or algorithm thing, but these days, the most hurtful comments always seem to skim the top. simple reaction is don't read the comments but - you're human, so you're curious. you want to respond to every weird, sanctimonious one with replaying something a million times to find evidence they're lying about their gender is literally sexual harassment you shouldn't be proud of this or maybe get a fucking life you absolute dickhead but you've gotten into enough of these battles as a kid. nothing ever resolves. it just makes you upset.
your father was radicalized. the thing is - you go to therapy about it and yet never find the words for exactly the way that one hurts.
the other day your sister predicted that a commercial that aired during the superbowl was going to cause trouble. you wanted her to be wrong about that. this morning, while scrolling, you saw someone post exactly that - he got so angry i had to leave. it was terrifying. it reminds you, however bleakly: there are entire swathes of people who do not worry about domestic violence. who have no idea why you would put keys into your fist. who do not understand "it's better to be rude than dead." who have never googled am i being gaslit.
the other day you found out there's a bill that would make it so if you have a uterus and are braindead, you could fulfil your cattle purpose and carry a fetus to term. you think about the fact that the leading cause of death for pregnant people is murder. you think about ongoing and informed consent. you think about how, out of fear, if your ex boyfriend had pressured you, you absolutely would have said yes to it. in the comments, you write there is no way that these documents wouldn't be immediately forged. this is going to be misused. and then just delete it, sighing. get up and go to work.
the other day they overturned roe v wade. we weren't nearly violent enough about it. somewhere, a clock is ticking. it's been ticking a long time. you want to say it's time, but it's been time for a while, hasn't it.
4K notes
·
View notes
Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
159 notes
·
View notes