#Clickin Script

[retphienix]

There are so many fucking games I want to play for the blog and I hypothetically have the time, but the energy, the attention span, the drive?

In more positive terms here are some various titles I plan to give a shot for the blog.

Let's do a 5am state of the blog kind of thing to clear some thoughts, eh?

Morrowind (Current Game ramble)

For the moment the blog is more or less on break with me playing Morrowind ""For the blog"" but mostly for me, because that's just a game I've wanted to explore. Not that every other game on the blog isn't that, just that I looked at Morrowind and said "That'll be a terrible game to present naturally. That's a stream game, or a condensed video, not a liveblog" and then did it anyway.

I'm loving Morrowind! Honestly the sense of mystery, fantasy, and adventure is just chef kiss levels of perfect to me.

But it's terrible in a photoset, I'm not particularly interested in doing another format for the game, and it's a game with less 'intense narrative themes!' and more 'Incredibly different game design compared to modern Bethesda' in terms of discussion material and let's all be real here:

We're all fucking tired of that conversation lol.

So there ain't much to talk on in depth, it's more of a "Here's a newbie seeing new things!" playthrough with nothing to talk about after the fact, which ain't a strong point for the blog- again- that's a stream/video kind of thing.

ANYWHO- Morrowind fun, about the only news I can offer on that series is that it might abruptly end and become a 'for me' series because I'm not particularly interested in beating the game nearly as much as I'm interested in exploring aimlessly and seeing what happens.

I'm not playing Morrowind for the end goal of beating the main quest, or beating the DLCs. I'm playing it to wander into caves and find new pants, so if I reach a point where I'm satisfied with what I've shared and my motivation has not borne a new end goal then I'll end the live blog and move on to a new game :P

Backlog

The short statement I'll make is that this blog is a hell for my backlog.

Even without infinite money on hand I've ended up with so many physical and digital games just sitting here waiting to be played either because they caught my eye or because of recommendations by various people over the years.

I keep sitting down, cataloguing my backlog, realizing it's pointless to catalog, deleting it all, and then starting over yet again.

The fact is, if anyone recommended it it's probably still sitting in a text document somewhere, or physically on my shelf, and I don't remotely know when I'll get to it.

I've yet to hit the point where I decide to turn this blog into work, so I have never sat down and gone "Well, Retphienix NEEDS to post! Sit down, 8-12 hours minimum, let's play the next game!"

And part of me wishes I'd do that, but the fact is this isn't a job. There's no money here, there's the opposite even! I don't remotely see it that way, but if you squint and tilt your head I've spent a lot of money on this blog over the years.

Capture devices (a lot of them!), consoles specifically bought for the blog, controllers out the wazoo, I've gone through multiple computers for this thing, and the games, my lord the games- so many games.

And that's fiscally, what about manpower? So many hours have gone into this blog, so many hours poured into the background of making all this work, researching shit, putting my all into formulating my opinions clearly for posts, writing, hell video shit even though it's mostly clips as my one step into edited content became an impromptu awkward hiatus from doing more lol.

What was I on about.

Despite all that nonsense, Retphienix is a passion project. Not a job.

If I lack the passion in some sense then the work doesn't get done "just for the sake of the work". And I don't mean lost passion as much as "No motivation on x day; tired on y day; interested in doing something else on z day" etc.

If things aren't clickin' I don't force it, so the blog has all this backlog and isn't put together in a way that facilitates burning through it quickly.

I do sometimes wish things were different though, I know I'd still enjoy such a playstyle, but I can't justify "faking it til you make it" in a format that literally isn't built to pay and was never intended to.

I can't work myself for nothin'.

Hypothetical "Next" games

While the backlog is a wild wasteland of titles, there are some that just kinda guarantee their spots sooner rather than later.

Yakuza 6 and 7 along with Judgment, obviously. The series is one of my all time favorites and I generally have some of my absolute most fun on the blog side of things with those games, so it's a winner on two fronts. It's just fun to react to, post out of context things for, and talk with other fans about and for whatever reason tumblr has a healthy enough fanbase for the series that my meager blog gets some attention there.

Dragon Quest has a strangely weighted chance all things considered. DQ has many of the same advantages as Yakuza- it's a series I adore, it's fun to talk about in this format, and the fandom is big enough to occasionally spill my way making the blogging experience a bit more fun. It's also a series where I don't know what'd come next to be fair. Probably DQ4? I mean, might as well continue on from that point since I have 1-3 done. I can't exactly justify replaying the entirety of DQ11 no matter how much I want to! Turning on the games above gave me DQ goosebumps which kinda settled how likely it is to show up sooner rather than later, lol.

Jeez. I looked at one of my surviving lists and that's like all that's popping out at me.

Other series feel like giant leaps with no gas in the tank, like do I want to start playing Kingdom Hearts? Not really, not right now. Do I finally play Lisa? Eeeeeeh. Persona? Hmmmm.

I haven't the fuzziest. There are so many one off interesting titles, but if the drive ain't there they might as well be textbooks.

Perhaps instead of any major next game I'll just do some afternoons exploring random titles for a bit here and there with no intention of beating em.

The idea is enticing as hell, but the feeling of not giving the game's a "real shake" feels bad.

We'll see. The only certainties seem to be Yakuza and DQ, as much as I'd prefer far more.

Side project hypotheticals

Outside of the basic live blog stuff I'm still interested in exploring scripted stuff. Mostly to prove to myself that I can overcome some anxieties and break from the meandering pace the last effort gave- I can write! That much I know! So just gotta trick myself into writing for a video and then make the video after the fact lol.

Current thoughts are on a video exploring the monster taming sub-genre. It's a genre near and dear to my heart, and one I know some weird things about as is- but mostly it's a genre I KNOW I know very little about despite that, so I'd like to give it an overall look, or perhaps just explore some random entries, I haven't a clue lol. I'd mostly like an opportunity to talk about some interesting entries in the genre, things like explaining my adoration for DWM while explaining how the flaws make it really rough today, or the interesting mash of genres that is Lost Magic, or the more modern take that mashes idle-like mechanics with Siralim Ultimate.

Won't lie, playing the demo for Monster Hunter Stories 2 threw a wrench in that plan because it made me want to talk about it and how the genre might have a new breath of life after really grinding to a halt as pokemon became what it is today, but all to be seen or not lol.

As far as other things like streams? Not really.

The concept of writing a bit more on games is tickling the back of my head lately, but that mostly just means "more posts that aren't live-blogging" as I haven't the fuzziest where I'd share such nonsense.

Really it's all up in the air as far as retphienix content is concerned, beyond the live blogging obviously.

5am closing

It's fun to explore what games have to offer, both on the individual level, the personal level, and as a whole- as a medium.

So I like Retphienix.

And I like all I've made here.

I hope to continue for a long, long time- no matter what future formats might look like.

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[stevenrogers5-blog]

Ruin What Friendship?!

18+ SMUT

Summary: Demi was finally making the music video for Ruin the Friendship. And she wants you, her best friend, to be the main character. With Tom Holland. But what happens when rolling hips, shared kisses, and thigh riding are shared between the two of you?!

Warnings: SMUT! THIGH RIDING! FINGERING! WRAP IT BEFORE YOU TAP IT OR JUST BE SAFE AND READY TO RAISE A CHILD! 

A/N: I’ve been jamming to demi too much lately! 

Song It’s Based On: https://www.youtube.com/watch?v=1appUFoj7XU

“Don’t be mad. But i hired Tom Holland as your co partner in my video!” Demi calls down the hall. I stand in silence before leaning out into the hallway.

“Seriously?! You know how much he makes me feel all those lady things!!!” I cry out. I hear her laugh before her head finally pokes out.

“I know! That is exactly why i hired him! I knew it was damn time you two finally met! Now hurry! He is awaiting you in that hot Black lingerie!” I look down at myself and sigh. I should have fucking known the moment she hired me.

“I fucking hate you!” I call out before returning to my makeup artist. He smiles at me as i bite my lip nervously.

“Girl! I wish i could work with Tom Holland like that!” He says as he returns to my face.

“Really?”

“Yes! Girl if i were you, i would walk out be the confident person i am! I would milk it to the point that he is going to wish we were actually fucking! Make it worth it! Even if it only turn into a one night stand.”

“Yeah.. You’re Right! I am about to be giving Tom Holland lap dance after lap dance! I am going to work it!”

“That’s my girl!” Demi calls out from the room next door.

“Shut it! I am still mad at you!”

“Not for long! Wait till you see how little he is dressed! You will be thanking me! Now let’s go!”

My jaw drops the moment my eyes lay on his bare torso. Demi and I walk closer to him, her hand reaching out for his.

“Hey Tom! This is Y/N. She is your co partner in my video.”

“Hello.” His british accent dipping into my ears. I smile and shake his hand. “So, what if your vision for us?”

“I want you two to pretend you aren’t turned on by each other. But the glances and touches are what leads to Y/N straddling you, you carrying her and slamming her against walls while making out and trying so hard to give it to her.” He nods his head, his eyes glancing at me. “She is a dancer, so be ready for her to be flexible. Oh and a lap dance!” I sigh nervously.

“Demi! We are ready for your dancers!” Some person yells towards us. She smiles and we all turn and walk towards the set. A motel room with black, reds, and purple lights all around the room. “Here are the few words i have for you guys at the start of this video, middle, and end.” We take the script from the guy and look it over.

“Okay.” Tom says, smiling at me. I take in a deep breath and we move towards the set, my black robe flowing behind me. My heels clickin against the floor. Tom reaches a hand out to me to help me up onto the set.

“Thank you.” I say, taking his hand and being lifted by him. He smiles and nods his head. But soon turns and makes his way to the bed. He talks, or what i assume is flirting, with one of the lights girls. She giggles at his jokes, touching his arm every so often. She was taking my chance to get with him. I take a deep breath.

“Remember, i’m the one giving him the lap dance. I’m the one making fake love to Tom Holland.” I sigh as the director calls out a few things. We soon get in our places and action is called.

“Really?” I say, looking over at him as he pulls out a lighter.

“What? It’s just a cigar. Whatcha going to do?” He teases, waving the flame in front of the cigar. And soon the song starts. I sigh, rolling my eyes at him, getting off the bed. I walk over to the dresser, Tom following. His hand reaches around my body, putting the cigar out. His hand brushes my face, our eyes meeting. I bite as i spin and dip under his arm. I grab his arm to balance myself. I soon let go and reach for the bathroom door knob. But his hand stops me, pulling me back. He smiles and steps into the bathroom instead. I huff, rolling my eyes. But soon biting my lips. Pretending the thought of his body on mine. He returns, smiling and sitting back on the bed.

I sigh, sitting next to him. I tap my thigh, our eyes meeting once again. His hand traces down my leg, pushing my hand from my leg. He places his hand on it, squeezing gently. Oh god, I soon become aware of how fat i feel. I bite my lip, looking away from him. He smiles, reaching his hand under my chin, pulling my face back to his. He shakes his head.

“Baby you and i’ve got history. And we can’t deny our chemistry.” Is played as he reaches under my right thigh, lifting my body so i drag my leg around his body. Holy fuck i am straddling the Tom Holland. I look down at him, running a finger down his torso. I feel his body shiver under my contact. He snatch my hand in his before bringing it to his lips and kissing it softly.

“So why the fuck are we a mystery. Let’s just go with our connection. Give me your affection. You’re only brave in the moonlight. So why don’t you stay until sun rise.” Tom’s hands soon travel up my arms until he snatches the robe from my body, bunching it into ball and tossing it. Then i hear it. Just above a whisper. But i hear it. I hear a soft moan escape Tom’s lips as he scans over my body in the black outfit.

“Your body’s looking good tonight. I’m thinking we should cross the line. Let’s ruin the friendship.” Tom sits up, our lips just ghosting before he wraps his arms around my back. And up i went. Tom listening to Demi’s instructions from earlier, and moves towards the closet wall. My back hits the cool surface, my hands pulling at his hair, our lips fighting for dominance.

The laugh from her music sounds, Tom turning us around and throwing me onto the bed. I back up a little as he crawls closer. I gulp as we soon become face to face. My back against the bed as his lips attack my neck. A soft moan escapes into his ears from my lips. I feel him smile before his hips soon starting rolling against mine to the beat of the music. I press my head further into the pillow as he continues to roll his hips. His lips still kissing, sucking and biting at my neck. Deep moans soon escape his lips as the music stops.

“No. Please. I just want to. Gah!” He cries into my ear. He pants heavily before taking in a deep breath. My legs still wrapped around him, our bodies still pushed closed together. I feel his hot breath against my ear. “I think i need a minute to clean up.”

“You did not just make Tom Holland Cum in his pants!” Demi exclaims.

“Shut up! I do not want the whole damn crew knowing!”

“See. I told you that you were sexy! I want that kind of authentication in my video! If you two are not fucking by the end of my video, i am going to be so upset!”

“Demi. We are ready for you two.” A voice sounds from the other side of the door.

“Thank you!” We call in unison before smiling and opening the door.

“Okay. I was thinking, lap dance turned into thigh riding and just a whole lot of sex. I want this to be as real as possible!” Demi calls out to us as Tom sits down on the chair in the middle of the room. “MOOD LIGHTING!” Soon the black, red, and purple reappeared. “And ACTION!” The music starts playing. I walk seductively towards Tom. He bites his lip, thoughts of what happened only 30 minutes ago replaying in his head. He can feel himself getting hard at the thought of how wet i must really be.

I roll my hips, squatting down in front of him. I look up at him before standing up and turning. I bend forward, shaking my ass at him. I turn back to him once more, walking around his chair. I soon end up in front of him, sitting down in his lap. Facing forward, i bend forward pressing my ass against his dick. I reach to my toes before sitting back up and rolling my body back against his. I hear that favorite little moan of mine before standing, turning and straddling his left leg.

“Fuck yeah.” Escapes his lips just below a whisper. I look down at him before putting my hands on the back of the chair. Our faces an inch apart. His hands traces down my body until they reach my hips. I clench my jaw before kissing him softly. He soon pushes my body a little back and forth till i take control. Rocking my hips back and forth. I clench my jaw harder as he starts to bounce his leg softly. Pressing his thigh up with each bounce. The pressure being met with my clothed clit. My breaths soon becoming rigged. But i soon stand and bring my left leg to straddle his whole lap. I roll my hips once again, my clothed clit sparkling in excitement from the contact again.

“I need to know.” He whispers, his hand disappearing between us.  

“What are you doing?” I whisper back.

“I need to know what you taste like. If you’re as sweet as your moan makes you seem.” He says, smirking up at me. But before i can say anything, the pads of his fingers have found their way under the fabric and are pressing against my clit. I clench my jaw as hard as possible. Tom fucking Holland is fingering me. In front of the whole damn crew. His finger drags down, meeting my slit happily.

“You’re so wet baby girl. We haven’t even done much of anything. You’re such a slut for my fingers. You want me to finger fuck you right here? Let the whole damn crew hear how good i make you feel?!”

“Tom.” I moan softly into his ear as my head hangs lowly in his neck. He continues to pump slowly.

“That’s right. Moan my name. Louder for them to hear. I want this whole motel to know how good i make you feel.” Then it hit me that we were still acting. Fuck! Did Tom Holland really have a hold on my body.

“Fuck Tom.” I moan louder. Not knowing if i was trying to act or if my body really wanted him to be fucking me and not just his fingers. But the music starting back up as he pulls his fingers out of me. He smiles as he examines his glistening fingers. He soon wraps his lips and tongue around them. He moans around them.

“As Sweet as i imagined.”

“Cut you guys! That was great! Lunch break. See you guys in a few!” Demi calls. I stand up immediately, hot and 100% bothered. And there was nowhere proper for me to go to give myself what i really wanted.

“I need to borrow you.” Tom says behind me. I turn to look at him, half expecting him to be talking to the other girl. But the moment our eyes met. I knew. Instantly. He took my hand, pulling me with him. Demi looks up at us, our eyes meeting. She smirks before winking and returning to the man talking to her.

“I did not expect myself to be so intoxicated by someone. But fuck. I can’t stop thinking about how much i want to pound into you. How much i want to fuck your brain out. Over and Over again. All day. Everyday!” Tom cries as he slams his trailer door and locking it. I bite my lip as he turns around. ‘You are officially my obsession. You. Have got me so high. I need you.”

“Then have me. Fuck me against every surface of this trailer.” I say, ripping the lace from my body. I throw it, standing naked in front of Tom. His jaw slicks back, his eyes getting even darker than ever before.

“Oh Girl.” He says, undoing his belt. He tosses, soon unbuttoning his pants. They fall to his feet, stepping out of them. “Bend. Over. Right. Now.” I nod my head and turn. I bend over the counter and loud moan escapes his mouth. His hand pulls at my ass before groaning just as loud. “Fuck! Just look at you! Your glistening all over!” He cries as he soon rids himself of his boxers. I hear a little movement, wrapper being torn and soon moan out as he sinks deeply into me.

“Give a girl a warning next time! Not all of us are made to take such massive dicks right away.”

“Sorry. I just couldn’t wait any longer. You are just so inviting.” He tries to explain. He soon starts to thrust slowly, but soon pickes a pace decent for the both of us. HIs hand is brought down to my clit once more. Figure 8’s made, moans, groans and soon spilled Semen fills the trailer.

We stand panting as he slips out of me. He slips the condom from his dick, tying it off and tossing it into a trash can.

“Guess we ruined that friendship.”

“But not our relationship.”

[thejonymyster]

a script

bright n tallstar --__---_-- so bright n tallstar are like sittin in tallstars room workin on music together in a small project together they call "acoustic outfit" even tho its like made on the computer

bright sings for the most part n also makes  n arranges the music on the computer and tallstar helps a lot with comin up with the music itself and tweakin it and stuff, bright just does the physical typin n clickin. they both write lyrics, sometimes together, sometimes separately.

bright is wearin a cute jacket because he was just feelin it. theyre workin on a track where the working title is "little corners"

tallstar (speaking softly): do you want tto uh keep it all bass or do you think we should introduce another instrumment

bright: uhhhhhhhhhhhh i dunno lets see if the lyrics make it feel like it um needs it

tallstar: ok good idea

tallstar: *hiccup*

n so they listen to the bass line they put in there on loop a few times n they took turns hummin along with it in different ways and murmuring improvised lyrics until they found an idea that was really soft that they both liked

tallstar: oh thats nice...

bright: thanks... i think ill keep that "slow down" part. its cute

tallstar: yyeah youre–its cute..,

bright: huh?

bright turns his head to tallstar cause like did he just say what he thinks he said

tallstar: you're right, its c-cute..  

tallstar: ah uhh mmmaybe it can be like  uhh

tallstar: well wait dyou have any ideas?

bright: nah im listening. whatcha got?

hes dismissed what tallstar had said before as a simple error in speaking.

tallstar: i dunno.. *closed mouth cough sound*

(short silence)

bright: hm..

(more short silence)

in this break of sound bright reconsiders his previous conclusion and decides. what if tallstar. *did* mean to say "youre cute" for a moment or just had let it slip or something? he decided hed. test the waters and see if. see if maybe he was. interested or. Basically

basically brights brain fired up the "oh but what if you flirted with your friend" program and it is now up and running letsa go — BUT before bright can do anything

tallstar: shshould we change the file name

bright: *thinks for a moment*... bright: no i have an idea...

and then he types this into the little lyrics notes tab thing:

"little corners of your room (slow down)"

tallstar: oh ok cool uuh...

bright: can i get this one i think i have a good idea

tallstar (a little loudly): yyeah of course !

and then tallstar sits completely in silence (except for some small noises) as bright types up the lyrics n thinks and stuff. half way through though

bright: hey do you think you could sing the "slow down"s?

tallstar: a-ah i uh... you know im nnot really a singer...

bright: but i love your voice...

tallstar doesnt really know how to react to this and stiffens up and is completely silent and then makes an involuntary "hMmh" which forces him to talk

tallstar (a little loud again): UH ii,, okay iif you insist,!!

bright: thanks... im smiling at you

tallstar: uh-h  ..oh! *he nods. er. no, he bows a little at bright* yeah!

anyway this is what bright writes after a little while:

"little corners of your room (slow down) little corners of my eyes (slow down) a little bit when i see you

i light up (slow down) i tried to (slow down) but you were... cute

i wish that (slow down) i lived in (slow down) the little corners of your heart

and id be yours (slow down) your roommate (slow down) if you would like

me (slow down) you (slow down) my heart"

and they sing it together and tallstar stumbles over some of the "slow downs" but it still sounds great and tallstar actually hears it all for the first time and hes just like... wow this is so pretty

tallstar: wwow that was so good,...

bright (with immense and temporary confidence): thanks its about you

this of course immediately kills tallstar --_---__--

[luxus4me]

CSS-Tricks http://j.mp/2sQ8fVR

This is a real worry these days. I've heard it from lots of lots of developers. The years tick by on their projects, and all they ever seem to do is add to their CSS, never remove. It's not just a feeling, I've talked with companies before that track hard data on this. Over five years of tracking the size of their stylesheet, and all it's ever done is tick upwards in size.

This could be considered problematic for several reasons:

Files getting bigger is worse for performance

The developers are afraid of the CSS

#2 being, in my opinion, a much bigger deal than #1. The overall file size of CSS is likely to be fairly small compared to things like image assets and even the JavaScript payload these days. Fancy tooling and the world's internet speed ever-lurching faster will probably make #1 not that big of a deal.

But being afraid of your own styles is a bigger problem.

"Afraid" isn't usually how this problem is talked about, but I think that's what it amounts to. It's often talked about in terms of how the global nature of CSS is problematic or that the middle "S" in "CSS" is the only one worth saving.

"Unusued CSS"

Part of this story could certainly be about deleting CSS that is determined to be "unused" in a project. I know there is incredible demand for this kind of tooling. I feel like there are some developers damn near frothing at the mouth to blast their CSS through some kind of fancy tool to strip away anything unneeded.

This worries me just a little bit. It feels like saying: "Yes, I am afraid of our stylesheets. I don't want to understand them, I just want something to fix them for me."

Here's how one company I heard from was doing it:

They injected a script onto the page for some subset of users.

The script would look at the CSSOM and find every single selector in the CSS for that page.

It would also run a querySelectorAll("*") and find every single DOM node on that page.

It would compare those two sets and find all selectors that seemed to be unusused.

In order to get the best results, it would fire this script after a random amount of seconds, on a random set of users, in a random set of conditions. Even with this, it needed a lot of data over a long period of time.

After that had run for long enough, there was a set of CSS selectors that seemed likely to be unused.

To be sure, unique background images were applied to all those selectors.

After applying those and waiting for another length of time, the server logs were checked to make sure those images were never accessed. If they were, that selector was used, and would have to stay. Ultimately, the unused selectors could safely be deleted from the CSS.

Whew! That's an awful lot of work to remove some CSS.

But as you can imagine, it's fairly safe. Imagine just checking one page's CSS coverage. You'll definitely find a bunch of unused CSS. One page, in one specific state, is not representative of your entire website.

Websites have multiple pages. JavaScript runs on them affecting the HTML. Users may log into them, displaying things in a different state. Dynamic things happen on websites. In order to really know what CSS is used, you'd have to test every possible page in every possible interactive permutation, which is a tall order. I'm sure you can imagine some CSS that applies only to a select menu for a logged in user with an expired subscription who has logged in to update a credit card which happens in a modal window with a form that displays a certain way because the card is American Express.

All that said, there are tools that purport to help you find unused CSS

Chrome has a "Coverage" panel (in Canary as I write) that can tell you what of your CSS is used:

It's pretty nice in how you can hit the Record button, click around and do a bunch of stuff (even changing pages) and it will continue analyzing how much of the CSS gets used. Then you can see what is used or not with the red or green bars next to the CSS.

It suffers from the same problems that I described, in how you just clickin' around isn't enough to guarantee coverage. You're very likely to miss edge cases, and if you make choices on CSS to delete based on your incomplete testing, you'll be causing yourself problems.

There are other tools that take a stab at helping remove unused CSS, UnCSS probably being the most popular.

UnCSS does some smart stuff, like allowing you to list a whole array of URL's to test together, provide media queries to apply, and runs JavaScript. Here's their example configuration:

var uncss = require('uncss'); var files = ['my', 'array', 'of', 'HTML', 'files', 'or', 'http://urls.com'], options = { ignore : ['#added_at_runtime', /test\-[0-9]+/], media : ['(min-width: 700px) handheld and (orientation: landscape)'], csspath : '../public/css/', raw : 'h1 { color: green }', stylesheets : ['lib/bootstrap/dist/css/bootstrap.css', 'src/public/css/main.css'], ignoreSheets : [/fonts.googleapis/], timeout : 1000, htmlroot : 'public', report : false, uncssrc : '.uncssrc' }; uncss(files, options, function (error, output) { console.log(output); });

I'd still worry that this would be difficult to configure (and keep configured) such that it provides 100% test coverage. Everytime you wrote a new CSS rule, you'd need to make sure it didn't trigger a false positive here. That is, presuming you actually use this tool to delete CSS.

Not to mention that, while it does execute JavaScript, it's not simulating interactions.

Another approach: frameworks

Imagine you used a CSS framework that provided every practical bit of styling you'd want to apply. Rather than writing CSS, you'd apply the classes that the framework applied to do what you needed to do. You've now tied your HTML classes pretty heavily toward this framework, but you've solved the growing CSS problem. Over the years, your CSS will remain flat.

I'm no expert in Tachyons, but that's what it seems like to me. After you get used to using it, you get pretty speedy at coding up what you need with the side benefit of this rarely-changing static CSS file that nobody is afraid of.

This falls into a category that has come to be known as Atomic CSS, of which there are many players. A version of Atomic CSS is "programmatic", in which you use special classes and a processing step generates the final CSS for you. The idea being that now you aren't shipping a static framework of CSS, but only the very little bit of CSS you actually need.

John Polacek recently wrote about this. He's finding that he both suffered from the growth of CSS problem, and found that Atomic CSS not only stopped the trend but reversed it:

Heck, even frameworks like Boostrap, Foundation, Materialize, or Bulma fit the bill here. The idea is that if you stick to the framework, you'll never get to that undesirable state of being afraid of your own CSS.

CSS in JS

Managing styles in JavaScript (recommended reading) also can help with this problem. Styles that are entirely scoped to a particular module are, by nature, easy to delete. Don't need the module, don't need the styles.

Don't worry too hard

I find all this stuff fascinating to watch and think about. As is often said: the web is a big place. All of us have unique circumstances. This problem affects some percentage of us, and dare I say, probably a fairly small percentage.

If you aren't particularly worried about the size of your CSS and aren't particularly scare of it, good! Neither am I, on most of my projects.

I just have a feeling (a prediction, really) that there is a modular future for CSS:

When we write styles, we will always make a choice. Is this a global style? Am I, on purpose, leaking this style across the entire site? Or, am I writing CSS that is specific to this component? CSS will be split in half between these two. Component-specific styles will be scoped and bundled with the component and used as needed.

What the prodominant tooling for that will be, I am unsure, if there even is one.

Oh No! Our Stylesheet Only Grows and Grows and Grows! (The Append-Only Stylesheet Problem) is a post from CSS-Tricks

http://j.mp/2rwVdJb via CSS-Tricks URL : http://j.mp/2bNbLYg

[theworstbob]

yellin’ at songs, 2.25.2017

or should i say, yellin’ at seangs this week! you know, ‘cuz of all the big sean they put in there, these are seangs this week, i say! my wit is grand and deserving of mass attention.

22) "No Favors," by Big Sean ft./Eminem 70) "Sacrifices," by Big Sean ft./Migos 74) "Halfway off the Balcony," by Big Sean 76) "Jump out the Window," by Big Sean 86) "Owe Me," by Big Sean 97) "Light," by Big Sean ft./Jeremih

...I prepared myself for a lot of things when I decided my weekly routine would include this silly project. Did I know I'd be listening to and thinking about a lot of songs I otherwise never would have made time for?  That couldn't be avoided. Was I aware a song I loved and would stand up for could fall off the chart the very next week? It hurts that we lost "Run Up," but yes, I know no pop song is destined to hit the top 40. ...Did I prepare myself for six Big Sean songs. I was cognizant of a newly-released Big Sean album. Did I realize relatively deep Big Sean cuts would make their way into my life. Did I realize that, thanks to this fractured world where major artists give their preferred streaming service the right to be the sole host for their album, how difficult it would be to find a song with an Eminem feature on The You Tube. I worked harder to listen to "No Favors" than I ever otherwise would have. I could have said, "Eminem is on this track! I bet that's bad to listen to." Nope. I had to spend three minutes clickin’ on various YouTube videos until I found the actual song so I could confirm that Eminem is still not worth anyone's time, to say nothing for the time it took to find this song. Eminem describes himself as "rapey" and describes beating Jamie Lee Curtis with a spaceheater. Eminem, still incredibly not cool with the fact women are alive and breathing the same air as he does! Still thinking as he ever has, that one. Eminem turns 45 this year.

And then I remembered that I have Amazon Music, because I am a 51-year-old office manager who needs all the Steely Dan he can handle and is thus in the Amazon Music target market, and a cursory search showed that Big Sean did not make his album exclusive to one streaming service. So while I am not thrilled to put four other Big Sean songs into my life (there's an Official Video for "Halfway off the Balcony"), I am elated to give you a version of Yellin' at Songs which is complete and honest in its evaluation of every pop song to make its chart debut in 2017, except for the 1.7.2017 chart, that chart doesn't count for... some reason, don’t ask, I’m weird I AM PLEASED however, to report that my opinion on Big Sean is the same as it was when we discussed "Moves:" Big Sean has made great strides as a rapper, and while I wasn't looking forward to hearing any of these songs, I didn't mind them! Why, I downright enjoyed "Light," though I'm just a big fan in general of the first song of albums. (I like introductions. I like starting things. It's the middle and end parts here I'm like, enh, I don't know how to do this, but beginning a new thing is always a rush.) "Sacrifices" was also somewhere better than okay. So we have one song I'd be okay listening to again, one song I mostly enjoyed, one song that might end up being the worst thing I'd heard this year (remember that this year has included a Brantley Gilbert song and "Body Like a Back Road," and know that we're about to get to "Look at Me!"), and three other songs. Given that this easily could have been 24 minutes of nothing, I'll gladly take three songs I could have thoughts about!

43) "Believer," by Imagine Dragons

Listen, we have our fun with Imagine Dragons. It's pretty nuts that this is the biggest rock band we have going, imagine going back in time and playing this for Chuck Berry and telling him this song is a direct descendant of his work, but this song, it's pretty okay! It's a nice "love letter to the fans" sort of song, there's nothing terribly offensive about anything that's happening, it's a perfectly competent rock song that is going to serve well as the walk-up music for the Kansas City Royals' back-up utility infielder in two years' time. My opinion of this is absolutely colored by the fact that this song contains an itemized list. 1) I'll say the words in my head. 2) Don't tell me who you think I could be. 3) Thank God for the haters. 4) We made it, you and I, and I gotta give mad love to you, the fans. I dig any song with a list. I still defend Jay-Z's verse in "Monster" on the grounds that rap could use more lists.

68) "My Old Man," by Zac Brown Band

Before the Grammys hit, I went through every nominee field for Record of the Year to see how representative the Grammys had ever been of trends in pop music (spoiler: THEY NEVER WERE), and something I wanted to do was go through each year and determine the true Record of the Year field. I didn't have time for that because I started writing the post early Saturday morning and wanted to get it out before the Grammys started, but I ended up doing it anyway, and I present this to you: "Chicken Fried" absolutely would have been an ROTY nominee for the year 2009 if the Grammys had any got damn sense. I don't know if there's been a country song this country has been more in agreeance with since. Everything about that song works, it even earns the ode to the flag! 2009 wasn't one of the best music years in recent memory, either, you don't have to stretch the imagination to see a nice song about how great fried chicken getting ROTY consideration. Zac Brown Band puts out really solid country music. They're not Chris Stapleton-y throwbacks, they're not trying to revolutionize the genre, but they have their niche, and they know exactly how to operate within that niche. Most country songs about a strong paternal figure would be insufferable, but this is about as good as that sub-genre gets! Zac Brown Band, generally pleasant to hear since 2009!

87) "Beauty and the Beast," by Ariana Grande ft./John Legend

The least necessary thing on the planet is pop remixes of signature songs from Disney musicals. It only worked for Elton John, but those were songs he was writing, so that is a CLEAR EXCEPTION. The pop remix didn't work in the '90s, it didn't work with "Let It Go," and it doesn't work here. I REPEAT: Angela Lansbury or GTFO.

89) "I Don't," by Mariah Carey ft./YG

The most amazing line on Wikipedia is "Mariah Carey (born March 27, 1969 or 1970)." That says so much, and not all it says is about Mariah Carey, but we learn so much about Mariah Carey from that biographical tidbit. But why was I on Wikipedia looking up Mariah Carey's age? Because I just had to listen to a 39-year-old man sing a love song with a woman 15 years younger than him, and one of the reasons that Mariah Carey is a legend is that she is nearly 50 years old but still getting in those slinky dresses and getting 27-year-old gangsta rappers to write guest verses about how hot she is. That’s amazing. Like, think about female romantic leads in Tom Hanks movies for a second, or in Woody Allen movies, or in any movie, literally any movie, it’s always, the dude is hella old and the woman is portrayed by an early-20s ingenue, and here Mariah Carey is FLIPPING THE FUCKING SCRIPT. That’s what you get to fucking do when you’re a legend. Think about YG for a second. In the same 12-month span, YG released a song called "Fuck Donald Trump" and wrote a verse about proposing to Mariah Carey. That's not a mark against YG, that is a testament to Mariah Carey's legend, that we’re nearly 20 years removed from “Heartbreaker” but she still wields the same influence. I did not start writing this series about pop music to besmirch Mariah Carey's good name. What I think of this song is immaterial. She is a goddess come to earth, and her every movement is a blessing.

93) "Now & Later," by Sage the Gemini

So, I don't know about this song's long-term ability to stay on the chart. It's been out since last October, and it's apparently part of a popular Snapchat filter, and I'm not sure I'm ready for a world where songs can get big via Snapchat. I barely got used to Vine hits, now I've gotta worry about Snapchat? Anyhoo. Take a trip with me. On last year's year-end Hot 100, the hip-hop entries were all either trap or Drake, with the exception of "All the Way Up." It's been way too long since we've had a solid pop/rap song hit the charts. And this is such a blast! Even the rap singles I've enjoyed over the course of this project, they're still slightly ponderous. This young man just wants to eat candy, and it's like "Cake by the Ocean," yeah candy is a metaphor for something but this dude doesn't want you to think about it too hard, he just has this dope song you can enjoy. It's nice to hear music that isn't taking itself seriously. Bless you, friend.

94) "In Case You Didn't Know," by Brett Young

Meanwhile, the world has hundreds of versions of this exact pop/country song. We're all good. We don't need more. This is a new dude! How do they keep finding dudes like this to sing songs like this? Are they just in a mall somewhere scouting dudes like this in line at the Auntie Anne's? Do they just go to baseball games and look for tall dudes with stubble? Do they just carry guitars to karaoke bars, and when they hear a voice just nasally enough to be considered twangy they give him the guitar to hold for a few minutes and evaluate how hot he looks while holding that guitar and smiling? “Oh, yeah, that could be an album cover. I could see that on an album cover.” “So y’all from ar” “Shhh, shh shh shh, you talking ruins everything we like here.” Where do these guys COME FROM even?

95) "Look at Me!" by XXXTENTACION

But I kind of understand the appeal of bro country. At this point, when I see a white dude's name on the Billboard chart, I know I can expect one of two things: a fast jam about a hot summer night in a Chevrolet truck, or a slow jam about a hot girl the bro truly loves. And there's a certain safety when you know what to expect. If you feel safe enough in an environment, you'll want to spend more time in that environment, and if you spend enough time in that safe environment, you'll eventually call that place your home. This is all to say that, as I listened to "Look at Me!" I found myself appreciating the mundanity and predictability of "In Case You Didn't Know," and it takes a certain kind of aggressive unpleasantness to make me consider the bro-country universe's redeeming qualities. This song is horrendous. There's no musicality, the lyrics are the most misogynistic thing I've heard IN A WEEK WITH A FUCKING EMINEM VERSE, there's nothing here that suggests this is something meant to be enjoyed. Who is this for? Who's listening to this song that would subject themselves to it more than once? There is neither creativity nor artistry, just a horrible worldview presented abrasively. Y'all rejected "Run Up" for this and I will never forgive you.

Anyway, we’re a month and a half into this thing, and I think we’ve encountered enough Cs and C+s to expand the Top 10 into a Top 20! 20) "Road Less Traveled," by Lauren Alaina (2.11) 19) "I Don't," Mariah Carey ft./YG (2.25) 18) "El Amante," by Nicky Jam (2.18) 17) "Timeless," by A Boogie Wit da Hoodie ft./DJ SPINKING (1.14) 16) "Beibs in the Trap," by Travis Scott (1.21) 15) "My Old Man," by Zac Brown Ban (2.25) 14) "Castle on the Hill," by Ed Sheeran (1.28) 13) "Call Casting," by Migos (2.18) 12) "Running Back," by Wale ft./Lil Wayne (2.11) 11) "I'm Better," by Missy Elliott ft./Lamb (2.18) 10) "Way Down We Go," by Kaleo (1.14) 9) "Light," by Big Sean ft./Jeremih (2.25) 8) "Guys My Age," by Hey Violet (2.11) 7) "Good Drank," by 2 Chainz ft./Gucci Mane & Quavo (2.11) 6) "Now & Later," by Sage the Gemini (2.25) 5) "Shape of You," by Ed Sheeran (1.28) 4) "Despacito," by Luis Fonsi ft./Daddy Yankee (2.4) 3) "Issues," by Julia Michaels (2.11) 2) "iSpy," by KYLE ft./Lil Yachty (1.14) 1) "Run Up," Major Lazer ft./PARTYNEXTDOOR & Nicki Minaj (2.18)

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