#Comscore

[artcoon]

✜ Articon #15 ✜ 네이버의 감소, 구글의 추격, 야후의 반란 디지털 업계의 절대 강자는 없다. 플리커와 텀블러를 업고 재기를 노리는 야후

호핀에서 무료 컨텐츠가운데 ‘짝패’라는 영화가 눈에 들어와 액션 부분만 잠시 클릭해서 봤습니다. 뒷부분에 두명의 주인공이 조폭 소굴에 들어가 칼잡이들과 펼치는 리얼액션 연기는 한국의 킬빌로 불릴만한 장면인데요. 그 내용 가운데 조직 두목의 유명한 대사가 나옵니다. “강한자가 살아 남는게 아니라 살아 남는자가 강한거야” 하지만 그말을 한 조직 두목은 결국 죽게 됩니다. 자신은 강한자인줄 알았는데 그렇지 않았다는것입니다. 이 내용을 보면서 요즘 디지털 업계 현상을 대변한다는 생각이 들었습니다. 각 국가별 어떤 검색엔진이 인터넷 환경을 지배하고 있는지 볼 수 있습니다. 구글이 지배하고 있는 유럽권과 미국 호주를 제외한 나머지 국가들은 나라별 특화된 대표 검색엔진이 있습니다. 하지만 수치상의 데이타로 확인을…

[collapsedsquid]

In its analysis of Comscore data, TheRighting found significant audience erosion at every news website except one it monitored in the four-year period from 2020 to 2024.  The three largest news websites had the smallest audience declines: CNN (-20%), The New York Times (-22%), Fox News (-24%).  Almost every right wing news website suffered audience decreases of at least 50%, with three outlets – Breitbart, Townhall and the Washington Free Beacon – each posting drops of 87%.  Only Newsmax, among all the news websites surveyed by TheRighting, generated an audience increase (+37%) from January 2020 to January 2024.  […] “It’s important to note that 2020 was a banner  year for traffic because it was the most consequential year in American history this century.  Major 2020 events included the pandemic, the civil unrest following the death of George Floyd, and the contentious battle for the presidency between Donald Trump and Joe Biden. Unless some unfathomable incident occurs, it’s hard to see how 2024 will come close to producing the same audience levels for most news brands from four years ago.”

[louisupdates]

DEADLINE

By Jill Goldsmith | March 26, 2023 12:28pm

Notable event films, as per Comscore, Trafalgar-released Louis Tomlinson: All Of Those Voices in 569 locations to a debut of $534,913 for a cume to date of $1.208M.

Per Deadline, All Of Those Voices has grossed $1.208 million in the USA (26.3.23).

[subrage]

So I recently enabled the DuckDuckGo Android browser "app tracking protection" and it is enlightening. I know protection software stats can be a bit self-serving but

23,000+ blocked tracking attempts blocked today.

Apps attempting to track me when they're not running. They're not even running in the background.

All apps that track are using multiple agencies, eg Tumblr (not the worst but not good) has trackers from Google, Amazon, The Trade Desk, Adjust, Integral Ad Science, comScore, Double Verify, Liftoff, Smaato, RhythmOne and AcuituAds running.

Mostly ad-targeting but all of them are trying to get enough information to discern exactly who I am and where I am at all times

Fuck sake. No wonder the term Spyware has become outmoded.

[bananaofswifts]

Update: “This one is hard to predict,” is the constant mantra this weekend among rival box office sources guesstimating the opening swing for Sam Wrench’s Taylor Swift: The Eras Tour concert movie. Friday is currently pegged in the $40M-$50M range with a big spread of $107M-$130M at 3,850 theaters. On the high-end, that could be the third biggest opening at the current 2023 domestic B.O. after Barbie ($162m) and Super Mario Bros 3-day of $146.3M. Added another source about Eras Tour outlook: “Prepare for us to be wrong.”

Why is a Swift concert film calculus to box office bean counters instead of weekly algebra when it comes to projections? Basically, there’s an enormous amount of frontloaded presales here, plus the x-factor is how many walk-ups occur. Add to that the standard drops on Saturday night with a young-female skewing title. One source has Eras Tour tracking ahead of Barbie‘s pure Friday gross (less $22.3M Thursday previews), which was $48.2M. That said, no one is expecting Swift here to play out like Barbie which fashion-walked to a $162M opening. We’ll have more updates as they come.

Meanwhile, haters aren’t going to hate: Critics on Rotten Tomatoes are giving Eras Tour a 100% score. AMC isn’t sending out official figures until tomorrow.

Early Screen Engine/Comscore PostTrak from last night, which was combed from $2.8M previews, gave Eras Tours five stars or 95% positive. Parents gave it 4 stars and kids under 12, 5 stars. Thursday night leaned 76% women with females under 25 at 42%, females over 25 at 34% and guys way behind at 15% over 25 and 9% under. Moms, natch, outnumbered Dads, 67% to 33% with an jawdropping 95% girls making up the majority of kids under 12. Best grades are women over 25 (100%) and under (97%) while men over 25 grit their teeth for 2 hours and 48 minutes giving Eras Tour its lowest grade of 78%. Note these exits will shift during the weekend.

Previous: The AMC distributed Taylor Swift: Eras Tour concert movie officially made $2.8M in Thursday night previews.

We told you last night that the rough estimate was below $5M. The pic played in 2,700 theatres with showings last night beginning at 6 p.m. local time.

Remember, these previews aren’t indicative of how the weekend will go. Projections of $100M+ stateside still stand at 3,855 theaters. Swift announced Wednesday night moments before her premiere that she was pivoting her lucky 13 release date plan of Friday 6PM to Thursday night previews for the Sam Wrench directed movie. In certain places, advance tickets for the concert film last night didn’t go on sale until six to eight hours before showtime.

There are technically no comps to last night, not only because of the last-minute addition of Thursday previews, but also there haven’t been many wide release concert movies in the preview millennium era of box office. Interestingly enough, the midnight showtime starts for Michael Jackson concert docu, This Is It, drew $2.2M on its Tuesday night, Oct. 27, before posting a $7.4M Wednesday and $34.4M five-day.

The last minute showtimes for Eras Tour didn’t take too much air out of the sleepy autumn box office with Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer earning an estimated $1.3M yesterday at 3,663 theaters, -9% from Wednesday for a first week of $33.9M.

Lionsgate’s Saw X at 3,262 theaters did $729K yesterday, +1% from Wednesday, and $11.3M in week 2 and $35.7M running cume.

Paramount and Spin Master’s second week of Paw Patrol: The Might Movie earned $15.8M after a second Thursday of $620K, +2%, at 4,027 theaters. The animated pic’s running total is $42.8M.

New Regency/20th Century Studios/Disney’s The Creator at 3,680 theaters grossed $571K on Thursday, even with Wednesday, with a second week of $9.3M and a running total of $28M.

Fathom Events’ The Blind saw $271K at 1,312 theaters, and a second week of $4.5M and a running total of $11.9M.

[justinspoliticalcorner]

Mike Hixenbaugh at NBC News:

VIRGINIA BEACH, Va. — The audience of about 1,500 people waved small American flags and chanted “USA! USA! USA!” as television cameras began filming last Friday inside a Regent University ballroom. Many in the crowd wore red “Make America Great Again” hats. Some carried Bibles. They had paid $60 each to attend a live taping of “FlashPoint,” a national TV program that’s won loyal viewers with a unique blend of pro-Trump political commentary and prophetic messages about God’s divine plans for America.

Over the next three hours, the audience heard the same overarching message that “FlashPoint” broadcasts three times a week on the Victory Channel television network and various streaming platforms: The world has entered its final years. Jesus will soon return. But Christians are not meant to wait idly while evil runs rampant; they are called to occupy positions of power and influence in society. And in the short term, that means putting Donald Trump back in the White House. “I watch to get the truth,” said one “FlashPoint” attendee, who described a “supernatural” rush of clarity the first time she found the show while flipping channels two years ago. “This is the only news show where you hear what Jesus thinks,” said another attendee, a mother of three school-aged children who’d driven four hours from central North Carolina for the taping.

Launched in 2020 and hosted by pastor Gene Bailey, “FlashPoint” at times looks and sounds like other right-wing cable programs. But unlike Fox News hosts, the rotating panel of conservative pastors and commentators on “FlashPoint” pepper their political analysis with messages that they say come directly from God. Viewers hear regularly from Lance Wallnau, a self-described prophet known for popularizing the Seven Mountains Mandate, a philosophy increasingly embraced on the right that says Christians are called to claim positions of power atop seven key “mountains” of society, including government, education, business and media. “FlashPoint,” which presents itself as an alternative to mainstream news, embodies that strategy. In a January broadcast, pastor Hank Kunneman, another “FlashPoint” mainstay, said the Lord told him that 2024 would be a year of “divine reckoning” and “vengeance against the wicked.” In the months since, the show has portrayed the presidential election as a spiritual clash while depicting Trump as a flawed leader — like a modern King David — who’s been anointed by God to save the nation.

The show draws a monthly cable TV audience of roughly 11,000 households, according to Comscore data, while clips of the program reach hundreds of thousands more viewers online. With a rabid following, it has “become incredibly popular and even gravitational” on the Christian right, said Matthew Taylor, a senior scholar at the nonprofit Institute for Islamic, Christian, and Jewish Studies in Maryland. Trump is one of several prominent Republicans who have appeared as guests on “FlashPoint,” including Rep. Marjorie Taylor Greene and Charlie Kirk of Turning Point USA. The program fits into a growing evangelical movement that calls on followers to “think of themselves as soldiers in a cosmic conflict,” said Bradley Onishi, a former megachurch pastor and author of “Preparing for War,” which documents the history and rise of Christian nationalism in America. To “FlashPoint” loyalists, political debates are no longer just about who wins the next election, Onishi said; they are about the fate of eternity.

“When you explain it that way to folks,” he said, “you’re able to prime them, not only for action, but I think for extreme measures.” Trump has embraced elements of this framing, warning in speeches that the left wants “to tear down crosses” and promising that his return to office would restore Christian power. He also has promised to eliminate the Johnson Amendment, a rarely enforced federal law that prohibits nonprofit foundations and religious organizations — including the one that operates the Victory Channel — from endorsing political candidates. White evangelical Protestants remain among Trump’s most loyal voting blocs, with more than 80% planning or leaning toward voting for him in November, a recent Pew Research survey found. Hoping to push that number even higher, “FlashPoint” has called on pastors to start preaching a pro-Trump message on Sunday mornings. 

Bailey, the “FlashPoint” host, did not respond to messages requesting an interview.  Rick Green, a regular “FlashPoint” panelist, is the founder of Patriot Academy, a Texas nonprofit that teaches courses about what it calls the nation’s explicit Christian origins — an idea disputed by historians. He told NBC News that he believes many critics of the show’s mixing of religion and politics are ignorant “about the founding principles of America.” Others, Green said, harbor “hatred and intolerance of differing views.” “You get more truth from ‘FlashPoint’ than any news program in the nation,” Green said. 

To rally the show’s most loyal fans, known as the FlashPoint Army, the Fort Worth, Texas-based Victory Channel, a Christian network run by the nonprofit Kenneth Copeland Ministries, has hosted tapings across the nation as part of its Rescue America Tour. The live programs, even more than the regular broadcasts, take on the feel of a Christian revival service.

NBC News reports on the Christian Nationalist propaganda program FlashPoint that airs on The Victory Channel, which is run by Kenneth Copeland Ministries and hosted by Gene Bailey.

A typical episode of FlashPoint features prophecy and news from a Christian Nationalist pro-Trump perspective.

See Also:

Raw Story: Trump presented as God's anointed leader by popular right-wing Christian TV program FlashPoint

[popculturebrain]

Critics React To Studio Ghibli’s ‘The Boy And The Heron’; Hayao Miyazaki’s Final Film Described As Mature, Complex & Visually Stunning

ComScore reported a $13.2M opening weekend for the film, distributed by Toho, with IMAX saying it set a new three-day opening record with $1.7M from 44 screens. Reactions from Japan-based critics, none of which were offered advance screenings, are mixed but mostly favourable.

Subscribe to the Pop Culture Brain Daily newsletter for more stories like this!

[cherictech]

Digital Marketing Trends 2023

Digital Marketing Trends 2023: What to Expect and How to Get Ahead

As the year 2023 approaches, significant changes are expected in the world of digital marketing. From artificial intelligence (AI) to automation and voice search, these changes will have a significant impact on businesses of all sizes and shapes. In this post, we explore some of the top digital marketing trends in 2023 that businesses need to be aware of to stay ahead of the curve.

Artificial Intelligence (AI) AI is poised to change the world of digital marketing. It has the ability to optimize ad targeting, personalize user experiences and improve customer service. According to a study by the Boston Consulting Group, artificial intelligence will make up about 60% of marketing functions by 2023. This means that companies using artificial intelligence have an advantage over their competitors in terms of efficiency and the ability to offer personalized experiences to customers.

Automation and chatbots Automation and chatbots are becoming increasingly popular in the digital marketing world. Companies use chatbots to provide 24/7 customer support and automate certain tasks such as scheduling appointments and tracking orders. According to a Gartner report, by 2023 more than 25% of customer service operations will use chatbots across multiple channels. This trend significantly improves customer experience, reduces workload and costs.

Optimizing voice search Voice search is becoming more common thanks to the rise of voice assistants like Amazon's Alexa and Google Home. Businesses need to optimize their content for voice search queries so that their websites and products can be easily found by voice search. ComScore research predicts that by 2023, 50% of searches will be voice-based.

Video marketing Video marketing is an integral part of digital marketing and is predicted to grow further in 2023. According to a Cisco report, 82 percent of internet traffic will be video-based by 2023. This means that businesses that invest in video marketing can reach a wider audience, increase engagement and increase sales.

In conclusion, the world of digital marketing is evolving rapidly and companies must stay ahead of the curve to remain competitive. By embracing these digital marketing trends, businesses can improve efficiency, deliver personalized experiences, reduce workload, reduce costs and increase sales.

For More Details Click here

[partisan-by-default]

Inside Snopes: the rise, fall, and rebirth of an internet icon

Mikkelson, a divorced computer programmer in California, met Barbara Hamel, a divorced bookkeeper in Canada, on Usenet, a precursor of sorts to Reddit, where the two lorded over a prolific channel called alt.folklore.urban. AFU acted like the site’s fact-checker for far-flung urban legends. If, for example, a rumor was circulating around the internet (and watercoolers and lunchrooms) about a cactus that disgorged scorpions, AFU’s job was to investigate.

AFU is ultimately a footnote in the story of Snopes—the now well-regarded fact-checking site for sorting out myths, rumors, and misinformation on the internet, which averaged around 6.4 million page views per month in 2022, according to analytics company Comscore. But it’s an important one:AFU is where some of Snopes’ civic-minded DNA was spun, and arguably where Mikkelson’s blend of aptitude and arrogance was first put on display in a saga that would, in the end, remind the world that sometimes the people who police our messy digital lives are themselves in need of, at a minimum, some adult supervision.

[denimbex1986]

'Christopher Nolan’s “Oppenheimer” keeps climbing at the box office with more than $900 million in global ticket sales to date.

Over the weekend, the R-rated historical drama added $12.8 million globally, including $10.7 million overseas and $2.1 million domestically. After nine weeks of release, “Oppenehimer” has grossed a staggering $910 million worldwide, with $318 million from North American theaters and $594 million internationally.

“For ‘Oppenheimer’ to cross the $900 million global mark after just nine weeks in theaters is a remarkable achievement,” says Paul Dergarabedian, a senior Comscore analyst. “It shows how an amazing film with a superstar director and a star-studded cast can turn a three-hour historical epic into a blockbuster mainstream hit.”

“Oppenheimer,” starring Cillian Murphy as the so-called “father of the atomic bomb,” continues to crush expectations and stands as the third-highest grossing release of the year behind “Barbie” ($1.41 billion) and “The Super Mario Bros. Movie” ($1.36 billion). At this rate, the $1 billion benchmark isn’t out of the question — but it would require “Oppenheimer” to continue playing in theaters for several more weeks. (Awards attention and theatrical re-releases would help as well.)

“Those last few miles of any theatrical run are the toughest,” Dergarabedian adds. “But at this point, […] it’s a total winner no matter the ultimate outcome.”

Whether it hits that rare milestone, the $100 million-budgeted film is already hugely profitable for Universal and Nolan. It’s the director’s third-biggest movie ever, behind “The Dark Knight” ($1 billion) and “The Dark Knight Rises” ($1.08 billion). As for Universal, it’s the studio’s biggest non-franchise film of all time and 12th-highest grossing film in history ahead of “The Secret Life of Pets” ($894 million).

Nolan used Imax cameras to film “Oppenheimer,” and the final product has been hugely popular on the company’s premium format screens — especially the 70mm prints. It became one of the top-five highest grossing Imax titles ever with $180 million globally, trailing only “Avatar,” “Avatar: The Way of Water,” “Star Wars: The Force Awakens” and “Avengers: Endgame.”

Nolan adapted “Oppenheimer” from the Pulitzer Prize-winning book “American Prometheus.” The somber biographical epic follows the American theoretical physicist who led the development of the atomic bomb, which helped to end World War II. The cast includes Robert Downey Jr., Matt Damon, Emily Blunt, Florence Pugh and Alden Ehrenreich.'

[weclassybouquetfun]

It's as if we just exited film awards season and now we are in Emmy For Your Consideration (FYC) season and there is already talk about possible 2024 Oscar nominees with the excellent Ben Affleck directed AIR (an interesting and engaging look at how the Michael Jordan collaboration changed the landscape for Nike and athlete campaigns forever) being bandied about. Cannes Film Festival is in May, but before that we can see some of the more pedestrian films that will be adorning theater marquees in coming months thanks CinemaCon - the annual showcase for theater owners.

Hopefully no one will be getting served with legal papers this year!

CinemaCon's schedule

April 24 is International Day where there will be panels discussing the global disruption due to the pandemic, global box office and movie marketing.

Honored during International Day will be producer Barbara and her brother Andres "Andy" Muschietti (THE FLASH) as International Filmmakers of the Year and AVATAR: THE WAY OF WATER will be honored with the Comscore International Box Office Achievement Award.

Sony Pictures is the studio to kick off the event. While they have not named a spotlight film, it's likely films that will be touted are: SPIDERMAN: ACROSS THE SPIDER-VERSE and SPIDERMAN: BEYOND THE SPIDERVERSE

(trailer for the former will drop Tuesday) ,the sex comedy NO HARD FEELINGS starring Jennifer Lawrence, the live-action HAROLD AND THE PURPLE CRAYON, Neil Bomkamp's GRAN TURISMO live-action adaptation that stars Orlando Bloom so you know it will be pants, EQUALIZER 3, KRAVEN THE HUNTER, the untitled GHOSTBUSTERS sequel, Dakota Johnson's MADAME WEB

The rest of the sked

Tuesday: Will be Warner Bros. who are celebrating their 100th anniversary.

Films likely to be showcased include no-brainers like BARBIE, MEG 2: THE TRENCH, THE NUN 2, BLUE BEETLE,

Whose trailer drops tomorrow

AQUAMAN AND THE LOST KINGDOM, a Timothee Chalamet double-header with DUNE PART TWO

and the musical WONKA, THE COLOR PURPLE, the sequel to GODZILLA vs. KONG, Bong-Joon Ho's MICKEY 17 starring the very talented, but face like a parking meter Robert Pattinson.

They will have a special screening and it will likely be THE FLASH.

Wednesday will be The Walt Disney Company. Thanks to their acquisitions Disney doesn't just mean their Disney branding but 20th Century and Searchlight.

Films likely to be showcased: A HAUNTING IN VENICE, Gareth Edwards TRUE LOVE, Taika Waititi's NEXT GOAL WINS, Jonathan Majors MAGAZINE DREAMS, PETER PAN & WENDY, GUARDIANS OF THE GALAXY VOL. 3, THE LITTLE MERMAID, ELEMENTAL, INDIANA JONES AND THE DIAL OF DESTINY (which will premiere at Cannes), THEATER CAMP, THE HAUNTED MANSION, THE MARVELS

and SNOW WHITE.

The evening Universal and Focus Features will highlight their upcoming slate.

Films likely to be showcased: OPPENHEIMER, FAST X, STRAYS, POLITE SOCIETY, Alexander Payne's THE HOLDOVERS, BOOK CLUB: THE NEXT CHAPTER, the animated RUBY GELMAN: TEENAGE KRAKEN, the adaptation of the 80s series THE FALL GUY cleverly titled THE FALL GUY starring Ryan Gosling, KUNG FU PANDA 4, the untitled PLEASE DON'T DESTROY film featuring the comedy trio of SNL writers Ben Marshall, John Higgins, and Martin Herlihy (the latter two being sons of SNL writers Tim Herlihey and Steve Higgins). Essentially they are the new Lonely Island, but not funny and no rapping skills.

and Wes Anderson's stacked ASTEROID CITY

Paramount will close out the night with a reception celebration TRANSFORMERS: RISE OF THE BEASTS.

Thursday Paramount is back at the gate highlighting their upcoming slate. Likely to be showcase: The Tom Cruise juggernaut MISSION IMPOSSIBLE 8: DEAD RECKONING Part One(with a very likely teaser for Part 2), TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM, A QUIET PLACE DAY ONE (which comes out in 2024 but will be released before 2024's CinemaCon)

Director John Kasinski and his cast: Djimon Hounsou, Alex Wolff, Lupita Nyong'o Joseph Quinn.

*I remember when A QUIET PLACE came out and everyone praised that an original concept was having a success - that finally, no established IP was heading up the box office. Now there's sequels and prequels to this bish.

Lionsgate will have a special presentation of their slate.

The seminal literary masterpiece turned schalmatzy film, ARE YOU THERE, GOD, IT'S ME MARGARET , THE BLACKENING (with one of the best taglines I've seen).

*The skit it is based on

THE EXPENDABLES 4, WHITE BIRD: A WONDER STORY (yes, there is a WONDER universe now), SAW X, THE HUNGER GAMES: THE BALLAD OF SONGBIRDS AND SNAKES and the DIRTY DANCING sequel.

including a screening of the raunchy comedy, JOYRIDE starring whose cast is being honoured as Best Comedy Ensemble at the event.

[incarnateirony]

In September 2021, Nielsen lost its ratings accreditation. While it was suspected to be temporary after so many decades as king of the world, but a year later, they remain suspended, and other companies are vying for control of the market.

The TLDR is Nielsen got caught lowballing audiences for Reasons that are Complex And Corrupt, Primarily. Since then things have been a mess, you'll notice delayed ratings reports and so on.

VideoAmp has deals with major publishers, including Disney and Warner Bros. Discovery, and is looking to fully make a name for itself in an everchanging measurement world.

Expect to see more from the company during the upfronts, with media conglomerates such as Paramount and NBCUniversal poised to transact on VideoAmp as currency. In addition, it faces stiff competition from other measurement companies, including iSpot and Comscore.

[first-digi-add]

How to Optimize your Website for Voice Search

Introduction

Optimizing your website for voice search is becoming increasingly important as more and more people use voice assistants like Alexa, Siri, and Google Assistant to search for information online. According to a study by ComScore, by 2020, 50% of all searches will be voice searches. In this article , we will discuss how to optimize your website for voice search with the help of the Best Digital Marketing Company in India.

Here are the Important points of Website Voice Search

1. Use Conversational Language

 When people use voice search, they tend to use natural language and ask questions in a conversational tone. Therefore, it's important to optimize your website content for conversational queries. Use long-tail keywords and phrases that mimic the way people talk to make your content more accessible to voice search users.

2. Focus on local SEO

Voice search is commonly used for local queries, such as "Where is the nearest coffee shop?" As a result, optimizing your website for local search is critical. Make sure your website includes your business address, phone number, and other relevant information, such as your hours of operation.

3. Optimize for featured Snippets

 It is short, concise answers that appear at the top of search engine results pages (SERPs). They are often used in voice search results. To optimize for featured snippets, create content that answers common questions related to your business or industry. Make sure the answers are concise and to the point.

4. Improve Website loading Speed

Website speed is an important factor in voice search optimization. If your website takes too long to load, it may not be included in voice search results. To improve website loading speed, optimize your images, use a caching plugin, and consider using a content delivery network (CDN).

5. Create an FAQ page

An FAQ page is a great way to provide answers to common questions about your business. Voice assistants often use FAQ pages to answer voice search queries. Make sure your FAQ page is well-structured and includes concise informative answers.

6. Use Schema Markup

It is a type of structured data that helps search engines understand the content of your website. By using schema markup, you can provide search engines with more information about your business, such as your address, phone number, and hours of operation. This can improve your chances of appearing in voice search results.

7. Optimize for mobile

Mobile optimization is important for all types of search, including voice search. Make sure your website is responsive and looks good on all devices, including smartphones and tablets. A mobile-friendly website can improve your chances of appearing in voice search results.

Conclusion

Optimizing your website for voice search is becoming increasingly important in today's digital landscape. By using conversational language, focusing on local SEO, optimizing for featured snippets, improving website loading speed, creating an FAQ page, using schema markup, and optimizing for mobile, you can improve your chances of appearing in voice search results and drive more traffic to your website.

[usinsiderofficial]

Marvel’s “Black Panther: Wakanda Forever” scored big during its domestic debut, earning an estimated $180 million in ticket sales.

The film’s earnings in its opening weekend now become the biggest film opener in the month of November. It also snatched the second-highest debut in 2022 in terms of sales. Last week, many experts predicted the film’s success as people waited long for the sequel of the Black Panther movie, which hit the cinemas last 2018. The film commemorates the late Chadwick Boseman, who played the Black Panther in the first movie.

According to estimates, over 12.7 million fans went to the cinemas to watch Wakanda Forever. EntTelligence says the movie lagged behind Marvel’s Doctor Strange in the Multiverse of Madness, which drew over 13.7 million moviegoers. The same movie still holds the biggest sales during its opening week this 2022, earning over $187 million. However, if Wakanda Forever sees a surge in ticket sales in the next few days, it will surpass that number.

“After weeks of a post-summer slowdown, ‘Wakanda Forever’ delivered a strong reminder of the power of an epic Marvel movie to deliver blockbuster-style revenue to movie theaters,” said Paul Dergarabedian, an analyst at Comscore...Read More

Source - US Insider

[popculturebrain]

‘Barbie’ & ‘Oppenheimer’: A Rundown Of All The Box Office Records Broken

Comscore this AM says this weekend for all movies stateside came in at $301.6M, making it the fourth time only in the industry where the domestic marketplace for all pics has been greater than $300M. It’s the largest opening since Dec. 17, 2021 when Spider-Man: No Way Home led all pics ($281.

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[rsnews555]

Brasileiros rejeitam anúncios no meio de filmes e séries por streaming

Resumo A publicidade durante filmes, séries e vídeos online é considerada a mais intrusiva por 56% dos espectadores de TV conectada no Brasil. A maioria dos lares utiliza smart TVs para acessar conteúdos da chamada TV conectada; videogames e dongles também são comuns. A média de assinaturas por residência é de 8,2 serviços, sendo 4,7 pagos e 3,5 gratuitos. Pesquisa da Comscore mostra que domingo…