#Could have set up some interesting conflict

[greenconverses]

As I've mentioned a few times times, one of the actual interesting things Riordan is doing in this new series is mentioning Percy's obvious rage issues and then not actually doing anything with it other than making Percy swallow the anger down so he stays Nice and Controlled at all times.

Which, if we were dealing with pre-Disney+ show deal RR, could be a great character arc over the course of the series where Percy learns to actually deal with his anger and trauma while he's actively being triggered by petty godly bullshit. But Wrath made it pretty clear he's okay with letting Percy eat shit emotionally as long as everyone is one big happy team in the end and we're Therapy Speaking ourselves into the sunset, so I don't think that's happening.

Wrath sets up a conflict between Grover and Percy that's pretty simple: Grover eats a magical thing he's specifically told not eat and causes chaos that puts Percy's quest at risk. Reminder, these stupid quests are so Percy can get into college and Grover knows this. Percy gets angry at Grover; so angry Annabeth can see it and shoos him out of the room so he doesn't explode. And then he just... tries to stop being angry, assumes Grover means well, and carries on pretending it's not Grover's fault while being resentful because it's totally Grover's fucking fault.

Eventually, we get a scene where Grover attempts to make things right by putting himself into danger and Percy freaks out because, duh, he doesn't want his friends to get hurt. Grover then attempts to apologize by admitting he maybe sorta kinda subconsciously wanted to sabotage things. And it's here where we run in to trouble.

Please notice that Percy immediately tries to reassure him that he's not responsible despite Grover acknowledging it. Then we get the good ol' Grover tears and looking like a poor bullied baby before he confesses to sabotaging his best friend's quest because he doesn't want to be left behind. And with that, all of Percy's anger is gone because how can you be mad at your friend for that?

Uh, pretty fucking easy, especially if my idiot satyr friend knows exactly what the consequences of failing the quest is (forget the college letters; Percy is under the assumption that Hecate will unmake him if he fucks up) AND said idiot frequently has gone MONTHS without seeing me because of his job and, in fact, several months from now will be halfway across the country anyway helping Apollo with some different quest bullshit!!!!

I digress.

Suddenly, Percy is the bad guy for being mad at Grover. And this continues with the next part of the conversation.

How hard it's been on him?????

Percy Jackson, you are constantly blowing literal gaskets because of the stress you are under, and you're worried about how hard college applications has been on GROVER???????

"I'm the one who should be apologizing. I should have been thinking about how you felt rather than stressing about getting into college."

"I'm the one who should be apologizing. I should have been thinking about how you felt rather than stressing about getting into college."

"I'm the one who should be apologizing. I should have been thinking about how you felt rather than stressing about getting into college."

like

are you kidding me here rick

are you FUCKING kidding me

PERCY needs to APOLOGIZE to GROVER for PRIORITIZING COLLEGE?!?!?!?!?!?!?!?

And then Grover makes a joke about Percy's shitty gpa because dunking on Percy in an emotional conversation is totally fine because his emotions don't actually matter to any of his friends. He'll get over it! He's Percy, duh. He's not a ticking time bomb of resentment full of grudges whatsoever.

I think we're supposed to see this as Percy maturing and being forgiving, but is he? He doesn't tell Grover he forgives him. Percy's the one apologizing in the end because he's been guilted into feeling bad that Grover is sad/upset and put himself in danger. The conflict doesn't actually get resolved because Percy brushes it aside; it doesn't matter any more because Grover is sad and must be reassured. No one's going to learn anything from this because there have been no consequences. Grover's gonna do some dumb shit again, Percy's gonna get mad at him, Grover will cry and make up a sad sack excuse, and Percy will stop being angry because Grover's his bestie and what else is he supposed to do?

(This could be a good character arc about how Percy's fatal flaw makes him have a really messed up view of friendships and the meaning of loyalty, but again, we will be denied.)

And for the record, just because your friends have compelling reasons for their shitty actions doesn't make them any less shitty. It doesn't mean they shouldn't apologize for their fuck ups or negate the hurt they caused you. Forgiveness needs to be earned, not manipulated out of you through tears and reckless actions.

Grover can get fucked. I hate this fucking character.

[dungeons-and-dragon-age]

ok sorry i'm just. ????

rant and spoilers ahead because i gotta yell into the void a little

first of and most of all. WHY does it sound like Solas front and center of everthing now??? Including both Inky's and Rook's stories/motivations???? Like okay i understand that Solas will inevitably be important in Rook's story and that's chill! We knew he was gonna play a part in this story! But why do they make it sound like half or Rook's purpose is just there to further Solas's story/character

and it quickly becomes clear that Rook will have their own unique relationship with Solas, as the Inquisitor did before them. I think what's been fun for us, too, is trying to build Rook as kind of almost a mirror of Solas.

Epler also acknowledges that the Inquisitor “obviously has a very personal relationship with Solas,” one that will need to be reckoned with in The Veilguard.

“And I'd say the Inquisitor, to some degree, feels guilty or responsible for what Solas is doing to the world. So while we're not going to get too far into details about what role they may play, they absolutely are somebody who is going to be interested and invested in the outcome of Rook's journey in The Veilguard.”

Why. are you telling us how our Inquisitor is supposed to feel about this?? When you play DAI you agree to play The Inquisitor, yes, but you don't agree to play someone who Cares About Solas. Like. Yes. I get that he is important. That much has been clear since Trespasser. And i'm ok with that! But how come you say "this is a game about Thedas and a world in conflict" and then also talk like this story is About Solas, Actually.

The other thing i absolutely do not get and do not like. At All

Those decisions are: who your Inquisitor romanced (with the options gender- and lineage-locked in the same way that they were in Inquisition), whether or not you disbanded the Inquisition, and whether you vowed to stop Solas or save him.

?????

No "who drank from the WoS"? No "who is Divine"? No "does OGB Kieran exist"? No "is Hawke alive" (Varric is there. SURELY he cares about this a lot)? No "what happened to the Mages & Templars"? No "were Wardens banned from the south"? Arent't those uh. Really Relevant Decisions???? WHY is one of the whole grand three (3) decisions that carry over if Inky wants to save Solas or not. I mean ok i guess i get it cus that was The Big Decision TM at the end of Trespasser but again. Why is that the big thing that matters. out of all the things that SHOULD matter.

There's not as many decisions you have made up to this point that have an impact on what's happening in Northern Thedas.

But it’s also part of the advantage of moving the setting up to Northern Thedas, Epler says, with the prior games in the series taking place in Southern Thedas, a significantly different region both geographically and sociopolitically.

Uh. Yeah they do. See above points and also some that i forgot probably. Northern and Southern Thedas don't operate independently from one another that's not how this works. Especially again with things like the WoS or the Divine decision. Also half our companions from the other games are from the north?? Like yes ok i know get what you mean kinda and it's true to an extent but not like this

for one, the team focused on choices that they felt they could react to meaningfully – not just a cameo or one-liner.

“There's never a sense of, ‘Oh, that decision doesn't exist.’ But maybe we don't touch on it in this particular title,”

The. Cameos and one-liners are what make it special though?? You can't say "We want those stories to be personal." and then say you're not making any of those small decisions matter. And i don't mean matter as in having A Big Impact TM but i know that a lot of us LIVE for those small tiny nods to previous decisions that make the world feel actually alive and connected. I understand that we can't have full on-screen cameos or questlines or whatever for every little tidbit but not even. idk. Background convos about what's going on in Orzammar? Gossip about Ferelden's monarch? A line from Varric about Bartrand? Dunno man. Again not to mention the Big Things like Kieran. or the Well of Sorrows consequences. Or the Divine (which. yknow. is directly relevant everywhere except maybe Tevinter??). Those were always the things that made importing a worldstate so charming! because you could see the small little impacts that you have on the world. The tiny things like the line about the pigeons in Ferelden in DA2 or a wartable mission with Wade and Herren in DAI are so so special to me

[terukotime]

thinking about Ace and Eden again and how i really don't want either of them to be the culprit lol. i just feel like either one being the blackened would be a waste of their potential. i know in Danganronpa that's bound to happen with some characters, but Ace and Eden both have traits and arcs that could run through the whole series, or at the very least, to the next chapter. while a big part of any killing game story is losing characters quickly and having their arcs and growth cut short (we've already seen as much with Arei, rest in peace queen), Eden and Ace have a lot of prominence in the Trust vs. Distrust theme of drdt, on either side respectively. and they both have a lot of potential for their views to change. i can totally see Eden's optimism finally starting to crack, and she begins to lose hope in trusting others and thinking they're good-intentioned, especially since she was put in virtually the same place that Teruko was in in the last trial, with everyone distrusting her and thinking she's the culprit. though Ace hasn't had much of a catalyst to alter his beliefs yet, there's still hope for his views to change. he's a lot like how Teruko began to behave after the first trial, thinking he can't trust or rely on anybody and pushing everyone away as much as possible.

[giant-ass analysis under the cut. i didn't expect myself to go on such a huge rant, but i realized i have quite a lot of thoughts on the matter lmao. there are probably a lot of hot takes in here and i know there will be people who won't agree with me, so take this all with a grain of salt, pls & thx]

while Ace's role in the trials is mostly confined to causing conflict and being a comedic relief, he's expressed being committed to investigating the scene of Arei's death. while sure, if Ace is the culprit, his desire to investigate could very well be a ruse. but for the sake of his potential, it'd be far more interesting if him being innocent results in him going on to investigate more thoroughly and contribute substantially to the trials. Arei did have potential for a full redemption arc, but her death doesn't feel narratively unfulfilled. its tragedy not only allows the audience to further sympathize with Arei and see just how nuanced she was, but it's also meaningful to the members of the cast, and will serve as a point of motivation for them, whether that be to maintain hope in escaping or giving into despair.

at least, that's how it's set up to be. i feel that if either Eden or Ace are the culprit, Arei's death loses a good deal of its weight and meaning. especially if the culprit is Eden; even if she had "well-intentioned" motivations for killing her (as well-intentioned as murder motivations can be, anyway), Arei's breakdown, desire to change, and tragically short path to redemption is rendered pointless. her want to be a good person will have affected virtually no one. her death will have only held significance to David, as most of the cast didn't care for Arei or hated her, much like Ace.

while Culprit Ace won't render Arei's death *as* meaningless as Culprit Eden, it sure would make Ace's own death feel pretty meaningless. he'd be dying in a trial where he fully believes everyone is cruel, everyone hates him, and no one cares about him at all. his shift in his belief can't really be considered much of an arc or even a regression; he just descends further into his hatred and paranoia until he dies doing exactly what the killing game expects of him. Ace, a character who has prioritized his self-preservation all throughout the series, will have thrown that away for...what? revenge against Nico? would he really place his hatred for them over his fear and will to live? Ace is impulsive and narrow-minded, but he's not without *some* sense. if Ace were to be the culprit of this chapter, what would he have contributed to the story? what would his existence have meant? what would he have provided that the story can't progress without? he'd have zero growth, zero stakes, and zero relevance to the ongoing plot, aside from unrevealed backstory (most of which will likely go unsaid in the main story if he were to die now). do i think Ace is going to play a significant role in the overarching story? no. not as much as characters like Xander and David, anyway. but he still has so much to offer as either a survivor or later victim/culprit, as we'll have spent more time with him, gotten a better understanding of him, and possibly be able to sympathize with him, like we do with Arei.

and here's another thing i've been thinking about, too: all the deceased so far have a point of significance to the story. Xander has a connection to the larger-scale mystery surrounding the killing game and a complex relationship with David. he continues to be relevant in the story even after his death and will likely always be.

Min is not only a cautionary tale to the rest of the cast, but her story follows a very cohesive path:

she's a girl committed to her academics and has been led to believe it's the only thing about her that matters ->

while not a social butterfly, she still enjoys spending time with others and making the most of the situation she's in ->

she forms a bond with Teruko, someone who has shown to value both her intelligence and her personality ->

she finds Teruko being murdered by Xander, and instead of being a bystander, she takes action to save her friend ->

she realizes that what she did has jeopardized her own life, a life that she does not center around herself. her family depends on her having a successful future, a future she has been groomed to achieve since she was little and has made several sacrifices for ->

though Teruko is her friend, Min prioritizes her self-preservation. there are too many things that are objectively more important to her than the life of a girl she's known for a couple days ->

still, she cannot shake her guilt and chooses to remain at Teruko's side throughout the investigation ->

she's desperate to maintain her lie, even if it means framing the friend she tried to save and getting everyone else killed. she fights and fights until she can no longer ->

she loses everything. her life, her future, the trust of her friends, the trust and bond she had with Teruko. Min always had good intentions. but even good-intentioned people can do terrible things.

Min's story throughout Chapter 1 alone is very digestible and easy to follow. even without knowing the greater contexts of her life, like her family's financial situation or her groomed future of being a Hope's Peak student, her motives and actions make complete sense. you don't come away from it feeling like she acted out of character or that her death was hasty or sloppily written. her death has a lot of meaning and impact on the other characters.

and that alone makes Culprit Eden or Culprit Ace unsatisfying. Culprit Eden would not only undermine Arei's death and potentially lead her into character derailment, it'd also just be Min's story regurgitated in a much less compelling manner. Teruko has already had her trust broken, and while it seems like she's slowly starting to see the value in relying on others again in the Chapter 2 trial, what good would Eden's death do for her? even if it causes Teruko to regress, what will change? wouldn't Teruko go back to being the way she was acting at the start of the chapter, undoing whatever growth was already beginning to happen? will she be unaffected by Eden's death, or at least act like it? will it somehow strengthen her desire to trust and rely on others again? (it won't.) Eden's role as the chapter 2 culprit really won't do much good for the story, regardless of what her reasons are. everything we've learned about Eden and Arei, both together and individually, will be irrelevant. the significance of Arei wanting to be Eden's friend unconditionally, something that we learn is so significant for her because of her secret, will turn out to actually be pointless because Eden will have killed the one person who expressed they'd be her friend her regardless of who she is.

Ace simply hasn't done enough in the story to establish his deeper character. with Xander, Min, and Arei, we already got glimpses into their core beliefs, their true selves, their moral standings. if those aspects of a character are only revealed after they're confirmed to be the culprit, then honestly...that's just bad writing. i don't like saying that, but i firmly believe it. not only do we hardly know anything about Ace's backstory, we just don't know a whole lot about him other than surface-level things the show outright tells us: he's fearful and paranoid, he doesn't like being a jockey, he's hotheaded and unsociable, he developed an eating disorder due to the strict requirements of his talent, he's hardly ever had any friends, he doesn't think anyone cares about him. and while a lot of inferences can be made from that information, it's still very speculative, and even a bonus episode after his execution wouldn't be able to cover enough of his backstory and personal life for it to feel justified narratively. you simply can't kill him off without letting us see another side of his character and have it better the story.

if either of them do, unfortunately, turn out to be the true culprit of the case...i will be very disappointed. i won't drop drdt or criticize drdtdev for their decisions, but i will still personally believe it to be a bad choice. nevertheless, it's not my story, and i will continue to support and enjoy the show regardless. i have a lot of faith in drdtdev's skills as a storyteller, but no story can be completely perfect. Ace or Eden being the true culprit won't destroy the show as a whole, and i'm not trying to imply that it's a fundamentally bad choice, i just think it'd be very difficult to pull off and have it feel natural, organic, and satisfying for the ongoing story. i will neither be optimistic nor pessimistic about what happens in the next coming episodes, i will simply wait and see. i just wanted to get all my thoughts out here, and hopefully i didn’t come across as aggressive or snobbish or anything. this is a free to watch series, after all, and i enjoy and appreciate all the hard work that has gone into it and made it possible.

[galadrieljones]

"Bet on Hope": More Thoughts on Isabelle

This is a response to @frangipanilove's post about Isabelle as a Beth Proxy. I agree 100% with everything frangi says and had to type up this quick follow-up, regarding Isabelle as a "proxy" for Beth.

I want to add that this may feel a little out of left field, but I believe that Beth and Isabelle are connected even in the hard wiring of some of the symbols we've seen over the years. What I want to talk about here is one of the last things it seems we will hear Isabelle say in the series, which is: "Bet on hope." She can be heard saying it in the trailer, and it also appears in the *leaked* script from episode 2.6.

The language "Bet on hope" is unique and uses gambling rhetoric and essentially conjures an underdog situation. To bet on hope is to call the enemy's bluff, and to hold out "hope" that you can win, even against all odds. The opposite of betting on hope would be to fold, to give into your fate, even if you still have a chance to win, or if your chances are, essentially, no worse off than your enemy's.

First, I have to wonder, what "hope" they are betting on here. I maintain there's a connection to the actual character Hope Bennett from The World Beyond, who, as a distiller and a scientist currently hiding out with T.B. Ellis, I think will be instrumental in curing Wildfire or finding a remedy for it. I think we should literally "Bet on Hope" (capital H).If you rewatch the WB coda to season 2, you'll notice that the French scientist (who has a folder full of T.B. Ellis papers on her laptop) uses the word "hope" multiple times, mainly in iterations of the phrase: "Hope beyond hope." She is "hoping beyond hope" that the Primrose Team will return to France and "end all of this."

We also see in episode 1.4 of The Ones Who Live, at the "Greenwood" laboratory where Rick and Michonne find themselves after exiting the helicopter, a poster that urges residents to "Keep Hope Alive!" None of this is coincidence!

Hope Bennett aside, when thinking of the phrase "Bet on hope," I am also reminded of episode 10.19 "One More," which TD pounced on long ago as containing a huge number of "Still" callbacks, including alcohol consumption, drinking games, golf, color parallelism, and cards. The episode revolves largely around Father Gabriel's slow loss of faith, a conflict which he will confront in season 11, and Aaron's struggle to believe in himself as a survivor. Their dynamic mirrors that of Daryl and Beth in "Still."

In "One More," FG and Aaron play a game of poker while drinking whiskey. At the end of the scene, FG bluffs his way to a win, because, instead of calling his bluff, Aaron folds. Episode 10.19 is all about foreshadowing and setting up characterization for the future, just like so many of the episodes in 10c. It is also the episode that comes directly after "Find Me."

What's so interesting about their poker game is not JUST that Aaron folds in the face of adversity, but the way that the hand goes down. Mind you that they're not playing for money. They're playing for bottle caps, so essentially, there's nothing at stake. Aaron, in a very Beth-esque "bullshit" moment, accuses FG of bluffing, so FG urges him to call his bluff.

Aaron, however, is afraid. He "doesn't have enough" to call. In a game with no cash pot, FG, however, realizes one has to be creative. He tells Aaron to bet his whiskey.

At this point, Aaron considers it. He even starts to push his cup toward the pot, but then at the last moment, he folds. You can see in his hand that he has a jack, just before he throws his cards down. It doesn't mean he has a better hand than FG, but it does mean he could have something, and that it's worth soldiering forth. He will not "bet on hope" here, so to speak. He gives up.

After FG wins, Aaron then demands that FG show him his hand, and what are the cards that FG holds? An 8 and a 2.

In the shot above, you can see in the background of FG's hand a mini-golf set. Apparently a game of mini-golf was among deleted scenes for this episode. The 8 and 2 here, which is a terrible hand, and which beat Aaron (who was too afraid to call FG's bluff), is yet another callback to Engine 82, the firetruck that mysteriously disappears without any explanation after "Coda." The firetruck that Abraham's group previously fights tooth and nail to defend from walkers. Where did it go?

Whatever happened to the firetruck may explain what happened to Beth. After "Coda," both Beth's body AND the firetruck disappear without a trace, and we never learn what happened or why.

"Bet on hope" could mean, essentially, hold out for the long odds. You could still find the one thing that's been missing all these years, which could solve all of your problems and deficiencies. Even if it is hidden behind a major, major "bluff." You must see through it and be brave enough to call it out. You may have to be creative, to bet everything. And to do this, you need all the hope you can muster. Unsurprisingly, Isabelle, a woman of faith, just like Father Gabriel, gets it.

It could also be important, especially as this is in response to a frangipanilove post and contains the reference to "Hope" Bennett, that in "One More," Aaron considers betting his alcohol to call FG's bluff. Alcohol, we are all pretty sure, has some connection to the "cure" for Wildfire, as the "Staff of Life" (quoted by Jim, the beer brewer from Fear season 4). I've also written a post comparing the French herbal liqueur Chartreuse to the potential cure for Wildfire. Essentially, I think "Bet on Hope" also means "Bet on a Cure." It also just means, "Don't give up. To get the happy ending you desire, you have to take the long odds."

Alcohol, Engine 82, and golf all in one shot. Both a nun and a priest encouraging a doubter to bet on hope. Idk if it means what I think it means but I'm going to "bet on hope" a little longer.

[imthepunchlord]

What's a show you liked that was really good, but the network it was on screwed it over and got it canceled? For me, it's Thundercats 2011 and The Secret Saturdays.

Oh man there's a good few.

Rise of the Teenage Mutant Turtles comes to mind. Thus far, it was my favorite adaptation of the concept. Animation was good, the brothers felt like actual brothers, and they made changes I genuinely liked. It was planned for 3 seasons, but unfortunately, we got a season and a half, as Nick canceled it mid s2 development, and they had to hurry to try and wrap up Rise with half a season.

You actually get to hear of some of the plans that we didn't get to see like Mikey taking care of his brothers turned into tots, Mikey and Raph crashing Ice Bear's wedding, and getting to discover who Big Mama's assistance was, who was potentially a lost sister; and we probably would've gotten expanded Draxum and Cassandra redemption, maybe an ep to show the backstory of how April met the turtles, probably more April-Cassandra eps as those two are usually paired together; and to see their take of the Rat King, who was set up to be worse than the Krangs and man, I don't know how they would've topped the Krangs. I am both scared and intrigued what they had in mind. But chances are good I'll never get to see.

Owl House is another. It was also planned for 3 seasons, but Disney said no, let's do 3 specials for season 3. And of course, after they realized how popular Owl House was but too late. I will say, for what they had to work with, they did do a really good job.

Amphibia sorta feels like another, I'm not sure if it actually was, but the last season feels like two seasons combined into one.

Inside Job. It's one of the very few adult animated shows I did like, I usually don't click with them as they're focused on drugs and sex and a lot jokes don't click with me; but that one I did actually enjoy... It may be that it had some wholesomeness to it, as a lot adult animated shows, from what I've seen, are really mean spirited. But IJ did have some really wholesome, solid friendship moments, that made it very refreshing. So RIP IJ. You got screwed.

Oh! Infinity Train is an easy stand out. That is one of the most intriguing, most mature, most complex, and most human cartoons I've ever seen. And it went super dark in it's concepts. And there were so many interesting ideas that the creator had, and at this time, those are ideas we won't see. It's a big shame that it got the most attention after it got removed from Max. This is probably next to Rise in seeing more seasons of, if we get the chance to get more.

Um... maaaaybe AtLA? That show was an easy stand out to have 4 seasons, especially as the whole thing is tied to 4 elements and 4 nations. I don't know if Nick was like, you need to stop at s3, or if Bryke was the one who was like stop at s3. And I will say, for the latter half of s3, some of the writing and characterization just feels off, though I did hear there was a lot of conflict between Bryke and the head writers, and that Bryke got involved more often so maybe that was it?

I know one of the head writers wanted s4 and had plans for it. And I will say, there are things I do think about that I wish I got to see in the show, but it never came up. These potentially could have if we had gotten 4 seasons.

Zuko and Toph having their own adventure.

Zuko and Soka having the same teacher of the blade and having a match to test their capability.

Just, in general, more of Zuko working off the Gaang.

Katara working off Suki, her potential future sister-in-law.

A resolution on Toph with her parents or at least her mom.

Covering the origins of the Avatar (especially as I disliked Korra's answer of it, and I lean not counting it as LoK has a different idea of spirits vs AtLA; so I wonder what AtLA would've said about it).

I also would've loved to see more spirits in general, s3 was lacking of them.

There's Ursa and her whereabouts, what I hear comic wise I don't like; so I wonder what AtLA's take and plan was.

Zuko reuniting with his crew from s1 (did they even survive Zhao's invasion?).

Zuko ever coming across the 41st Division, which I think is another big emotional missed opportunity, as him standing up for them is what "costed" him his honor, but just imagine them bowing to him in thanks, validating his stance as honorable, that he was right; that could've been huge for Zuko emotionally. Which, this is something I'll give to the NAtLA, having Zuko's crew be the 41st I thought was a really good choice.

I know the head writer had an idea for an Azula redemption, which I would've been open and intrigued to see, especially as he revealed it was going to be darker and harder than Zuko's, and Zuko would've taken what he learned from Iroh to help her, and supposedly end up an Azula who apologies often and over shares her feelings (which could end up being very funny).

I'm also bummed we never got to see Kuzon or Lu Ten (outside a drawing).

Oh! And seeing Aang and Ty Lee work off each other, especially as there's a possibility that Ty Lee is an AN descendant, given that she has gray eyes, moves quickly, and has an airy personality.

Which, if she is, that is a missed opportunity for Aang's emotional healing, the realization that he's not as alone as he thought. That there's another who shares his heritage. That could've been huge, could've been a tear jerker.

This is about it. There's probably more, but these are the stand outs to me that I feel got screwed over (or potentially screwed over).

[picturejasper20]

So @murcielagatito recently made a post talking about the Phandom and how it is weird that the Phandom created a character like Wes to be someone who investigates who Phantom is when there are characters like Paulina and Valerie in canon that can fit that role.

I want to talk about some of the characterization/moments that Paulina has in the series since we are already familiar with Valerie and i think she fits better as friendenemy- antagonist turned ally role but that's on me.

So one thing about Paulina is that she has a huge crush on Phantom but not on Danny Fenton. In Season 1 episode ¨Lucky in Love¨ has near the ending showing that she has somewhat of an altar dedicated to Phantom in her locker.

So we know from this that she is really into Phantom and she seems to idolize him. I wouldn't say that she is obsessed with him, more like she just really likes him.

This alone builds some potential cool interactions between Danny and Paulina because of how she sees the two halves of who Danny is so differently. For her Danny is a huge loser and Phantom is a hero/idol.

Another very interesting is that in ¨Memory Blank¨ Paulina invites the Phantom trio to her quinceañera (15th birthday), which leaves the teens confused of why she is doing this if she doesn't like them much. Paulina then says the following:

She explains to them that she is inviting Danny because she has noticed a connection between Phantom showing up whenever Danny is close by, so she thinks that way if Danny comes, Phantom is likely going to be there too.

This is worth of noting because not many characters in the series realize this or go to this level to being this close to figuring out that Danny is Phantom, not even Valerie with her technology used to be this precise.

These things alone can set up for potential things to work with, with Paulina finding out who Phantom is and some potential character development for her.

Now this crush thing she has was clearly inspired by Lois Lane from Superman- but it could be written to be one sided crush and her staying friends with Danny after she learns his secret. It could also be changed in a way she really looks up to Phantom and she would like to be more like him. So it doesn't have to rely on the romance stuff that much.

What i'm trying to say is that Paulina as character has more potential to fit the role ¨person who investigates Phantom¨ than instead having to... use a character that isn't even in the series. Plus, it could give some good character development she needs- considering that in the series she was mostly a static character.

[raycatz]

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*

[puppyeared]

Been LOVING your lil magician folks recently please continue they're beautiful and very cute and cool and also very well-designed!! 🥺❤️

thank you for the kind words !!! im not much of a writer, but i do have some sort of story in mind for them.. theyre bitter rivals who end up as roommates bc of their scatterbrained elderly landlord lol

[aroaessidhe]

2024 reads / storygraph

Stuck In Her Head

short contemporary YA coming-of-age set in Hong Kong, following two teen girls who are friends

one is a musical prodigy but has lost her passion and wants to explore different possibilities for her future

the other is passionate about music but dealing with mental health & family issues

the latter develops a crush on the former, who is aroace, and they have to re-navigate their friendship, while working on a music/coding competition project together and dealing with their own issues

[aro-culture-is]

Aro culture is wishing desperately for physical and emotional connection but not pursuing it because it has romantic connotations and you dont want romance. Its knowing that your friends in relationships will never be the same with you again.

please don't cut yourself off from physical and emotional connections. i promise that things will be okay. yes, you will lose some friends - but you can always make new friends, even new friends already in relationships, and it will be okay.

[sysig]

TVAU Outfit, coming someday (Patreon)

[greenconverses]

I’m big time upset about annabeth’s characterization in these new books. She looked for Percy for a year or something, did everything she did in HOO, she’s so amazing that she caught up on all of her school work (in fact she’s back on track to go to an ivy if she wants after everything that happened to her), she has all this extra time for Percy (having a boyfriend is time consuming enough without his quests), and then she’s so good at socializing with mortals and so popular…. Just to go to New Rome University (wtf is new rome university) and live in new rome. It makes me sad for her because I feel like RR won’t let her be bad at anything or awkward anymore and she just has to be this hyper competent angel gf all the time…

Oh also the way Percy is contrasted against annabeth in this new series makes me nauseous. I feel in some ways she only exists as this hyper-competent angel gf so that percy has something to "aspire to"… as though he hasn't proven himself a million times and deserves to constantly measure himself up against annabeth. It really just robs them both of their depth and motivation and mutual respect for each other that was so painstakingly built up in the original books.

I was telling @perseannabeth last night that while Annabeth had a lot of pagetime in Wrath, she felt like an utter non-presence other than the last couple of action scenes. And yes, it's because he keeps writing Percy as the only one with all the problems and Annabeth is the perfectest, smartest angel who is always right and can do no wrong, unlike stupid idiot Percy. Ha. Ha.

I do think a lot of the character issues in these books come from him avoiding or only introducing easily resolvable conflict with the main trio. Part of what makes Percy and Annabeth, well, Percy and Annabeth is that they have conflict. Conflict doesn't mean they have to be mean to each other or something terrible has to happen to them, but having them at odds with each other over something (anything) allows for interesting character development and growth.

Grover and Annabeth each get moments of "aw I kinda fucked up" in Wrath that are resolved with basically no effort because Percy shrugs it off or blames himself for their actions. I couldn't even begin to tell you how Annabeth's hubris played a part in the third act ghost fight, but apparently it did, so that's a thing he can brush off because teamwork is all that matters in the end, kids!

And the thing is, Rick is actually setting up a really good conflict with Percy constantly bottling up his rage and messy feelings, but he's too much of a coward to pull the trigger on it. Grover destroying the house and releasing the animals was the perfect spot to actually pursue that conflict and give everyone something to do other than mini quests. Percy could've yelled at Grover and Annabeth for failing to do what they had promised him, and then everyone could deal with the consequences (both of the initial mistake and the fallout of his anger) and make amends in a meaningful way. Instead, Percy has to grit his teeth and fucking apologize to Grover instead. (I'm gonna do a separate post about this because boy howdy do I have THOUGHTS on that.)

By making Annabeth the perfectest, smartest girlfriend ever for dumb dumb Percy, RR is basically removing the conflict that makes them interesting together. There's also the matter of conflict being one of Annabeth's main drivers. Conflict happens to Percy ("I didn't want to be a half-blood."); Annabeth looks for it. And now she's just along for the ride... as long as it doesn't mess up her studying schedule! Her job is school now. Don't get your hopes up.

Also, super controversial opinion ahead, but I think the show casting has contributed to how he's writing Annabeth now. He's deliberately avoided describing her in these books. It's all very vague impressions of her, to the point of Percy describing her having a "human face, human hair" when she turns back after the animal transfiguration in Wrath. No blonde hair. No gray eyes. It's weird.

(Note: I'm not saying the TV cast is wrong or weird, I'm saying it's fucking insane that this man is trying to retcon 15 books worth of character descriptions so his dumbass "actually we never SAID annabeth was white, you just perceived her as it!!!!" defense holds some water.)

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[wickedghxst]

i wouldn’t even want it bc the less i have to see of jason or damian the better, but it’s absolutely insane that they haven’t utilized cass for a story with either of them.

[ohnoitstbskyen]

re: Somerton

Not for nothing, but I think we should remember that James Somerton's fans and subscribers are normal people, just like you. They are people who received his output in good faith, and extended to him a normal amount of grace and benefit of the doubt, which he took advantage of.

I don't think it's helpful to respond to the exposé on Somerton with sentiments along the lines of "wow, how could anyone ever think THIS GUY'S videos were any good, ha ha ha, how did he ever get subscribers?" because 1) you have the substantial benefit of hindsight and a disengaged outsider perspective, and 2) it's a rhetoric that creates a divide between you (refined, savvy, smart, sophisticated) and Somerton's audience (gullible, unrefined, easily taken advantage of, terrible taste), which is a false divide, with a false sense of security.

Somerton's success happened because he stole good writing. He found interesting, insightful, in-depth work done by other people, applied the one skill he actually has which is marketing, and re-packaged it as his own. He targeted a market which is starving for the exact kind of writing he was stealing, and pushed his audience to disengage from sources that conflicted with him.

Hbomberguy makes this point in his exposé video: good queer writing is hard to find and incredibly easy to lose. The writers Somerton stole from were often poor or precarious, writing freelance work for small circles under shitty conditions, without the means or the reach or the privileges necessary to find bigger markets. And, as Hbomb demonstrated, when people did discover Somerton's plagiarism, he used his substantial audience to hound them away and dissuade anyone else from trying to hold him accountable.

He stole queer writing by marginalized people, about experiences and perspectives that people are desperate to hear more about, and even if his delivery and aesthetics were naff, his words resonated with people because the original writers who actually wrote them poured their goddamn hearts and souls into it.

Somerton also maintained a consistent narrative of persecution and marginalization about himself. He took the plain truth, which is that queer people and perspectives are discriminated against, and worked that into a story about himself as a lone, brave truth-teller, daring to voice an authentic queer perspective, constantly beset by bigots and adversaries who sought to tear him down. As @aranock, who works with some of the people he targeted, writes in this post, Somerton weaponized whatever casual bias and bigotry he could find in his audience to reinforce his me vs them narrative (usually misogyny and various forms of transphobia), which is what grifters do. They find a vulnerable thread in a community and pull on it. And while you may not have the particular vulnerability that he exploited, you do have vulnerabilities, and they can be exploited too.

People felt compelled to support him, even if his work was sometimes shoddy, because he presented himself as a vulnerable, marginalized person in need of help, he pulled on that vulnerable thread.

Again, he has a degree in marketing, and just like propaganda, nobody is immune to marketing.

YouTube as a system is set up to push for more, constantly more. More content, more videos, more output, more more more more, and part of Somerton and Illuminaughty's success was their ability to push out large amounts of content to the hungry algorithm, even if it was of inferior quality. The algorithm rewarded their volume of output with more eyeballs and attention, and therefore more opportunities to find people who were vulnerable to their grift.

It is a system which quite literally rewards the exact kind of plagiarism that they do, because watch-time and engagement are easily measurable metrics for a corporation, and academic rigor is not. There is pressure to deliver, and a lot of rewards to gain from cutting corners to do it.

Somerton and Illuminaughty and Internet Historian are extreme and very obvious cases, so blatant that you can make a four hour video essay exposing what they've done, but the vast majority of this kind of plagiarism isn't going to be obvious - sometimes it might not even be obvious to the people who are doing it. Casual plagiarism is endemic to the modern internet, and most people don't get educated on what the exact boundaries are between proper sourcing and quoting vs plagiarizing. We had an entire course module at my university aimed at teaching students the exact differences and definitions, and people still made good faith mistakes in their essays and papers that they had to learn to correct during their education.

All of this to say: it is extremely easy in hindsight to call Somerton's work shitty and shoddy, his aesthetics flat and uninspired, and to imagine that as a sophisticated person with good taste and critical faculties, you would never be taken in by this kind of grifter. It is extremely easy to distance yourself from the people he preyed on, and imagine that you will never have to worry about your fave doing your dirty like that.

But part of the point of Hbomberguy's video is that plagiarism is extremely easy to get away with, and often difficult for the average person to spot and call out, and with the rise of AI tools blurring the lines even further, it is not going to get any easier.

So I think we should resist the temptation to think of Somerton's audience as people with bad taste and poor faculties. We should resist the temptation to distance ourselves from the perfectly normal people he preyed on. Many times in your life, a modestly clever man with a marketing degree has fooled you too.

On a personal note, by the same token, I am resisting the temptation to assume that I am too good to be vulnerable to the systemic pressures that produced Somerton and Illuminaughty. No, I've never made a video by word-for-word reciting someone else's work, but I know for a fact that I could do a better job of double-checking my work and citing my sources. I feel the exact same pressure to get a video out as fast as possible, I have the exact same rewards dangled in front of me by YouTube as a platform, and I can't pretend it doesn't affect my work. To me, Hbomb's video felt like a wake-up call to do better.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 27: Drown In It

Summary: Your heat lingers closer and closer, which leaves you with some conflicting feelings. Of course, you're not going to worry about them for much longer...

Paring: Poly 141 x reader

Word Count: 6,179 words

Warnings: NSFW, 18+, p in v sex, unprotected sex, bodily fluids, heat cycles, knotting, licking, biting, grinding, spanking (it's like once), kissing, Alpha/Beta/Omega dynamics, Alternate Universe, a/b/o typical classism and sexism, a sprinkle of angst, language, emotions, and of course some fluff

A/N: And we're in it again, folks. It's happening (again). Though this time, there may be a bit of a surprise....

MASTERLIST | <- Previous | Next ->

(Yes I am using a Barry Sloane gif, trust me you will understand once you read the chapter)

You freeze, dread and panic beginning to fill you as you stand in the doorway to the rec room. The pounding of your heart is loud in your ears, which are quickly growing hot. The urge to turn tail and run is strong, yet you can’t move, frozen in place by the sight in front of you. 

Simon is sitting, far too relaxed, in the chair where he normally sits. There’s a book in his hands, the crinkle of the page being turned is like a gunshot. You almost flinch in response, but hold still, wondering if you could back away before he notices your presence. You know it would be futile. He would have heard the crinkling of the bag of chips in your hand, the quiet rustle of it against your leg as soon as you turned the corner. 

“Interesting book, this.” He says, not bothering to look up as he sits reclined in the chair, about halfway through the book in his hands. 

Your mouth goes dry as you stare at him. You might never have given him, or the book, a second glance had you not been so clearly able to see the cover. It was almost like he was doing it on purpose, hoping you’d see what he’d found, what he’d discovered in your underwear drawer. It’s almost like he was hoping you’d walk in and see it. Or maybe he heard you coming and positioned himself so you’d see it. 

“‘The Powerful Omega.’” He says, closing the book to stare at the title. 

You shift on your feet nervously, ready to run if you need to, the bag of chips crinkling as you tighten your grip on it.. “I-I can explain-” 

“No need.” He says, cutting you off as he flips the book back open. “Is this how you got into our heads so easily?” 

Despite the accusing question, his tone isn’t malicious or even disparaging. You fiddle with your fingers, starting to feel like you’re being tested. If you say yes, what will he do? Get angry, accuse you of manipulation? But if you say no, he might think you’re lying, or perhaps he already knows the answer. 

“I-It helped a bit.” You say, shuffling forward a step. “At first. I almost forgot it was in there.” 

“‘Learn to Speak Their Language.’” He reads off the chapter title, your cheeks warming a bit. Of course he’d be there when you caught him. He stares at you over the top of the book, your gaze turned to the black TV screen. You can’t stare at him. Not right now. “Is this why you asked me to train you?” 

There’s no lying to him. You already know that. You sink your teeth into your bottom lip, nodding. “It was part of it. It gave me the idea, but then I realized if I’m gonna go around making stupid decisions like punching alphas, maybe I should know how to defend myself a little. I-I also thought it might help me get closer to you, at least get you to tolerate me a bit.” 

He huffs out a laugh. “Well, I can say it worked. Was more you than anything, but I was a bit touched you asked me.” 

Your nervousness begins to calm as you realize he’s not angry you have the book. He’s also not angry you used it to get closer to them, to begin to integrate yourself into their pack. You set your chips down on the coffee table, sitting on the edge of the couch. 

“How did you get it?” He asks. 

“I called Kate.” You give him a small smile. “When she sent me the first uh...care package. That was part of it.” 

He huffs, shaking his head. “Sneaky thing.” 

“I mean, one of you was bound to find it eventually.” You shrug. “Thought it might be Johnny with how often he sneaks into my underwear drawer. Though, I suppose he steals them from the laundry basket more often.” 

He hums, his gaze returning to the book. 

“Are you really reading it?” You ask. 

“‘Course.” He responds, getting comfortable in the chair again. 

A smile tugs at your lips as you watch him, his focus zeroing in on the book again. You get an idea, rising from the couch to scan the shelves in the rec room. You find a manual on guns and ammunition, sitting back down with the heavy book in one hand, your chips in the other. Simon glances at you over the top of his book again as you make yourself comfortable on the other side of the couch, the title clearly visible as you turn to the first page. 

“Really?” He asks, exasperated. 

You shrug, glancing up at him. “It’s only fair.” 

“Little shit.” He rolls his eyes, letting out a sigh as he goes back to reading your book. You sink down against the arm of the couch, using your book to hide your satisfied grin. 

“It never fails to amaze me.” 

“Huh?” You turn to face Johnny, a piece of popcorn falling out of your mouth from how much you've managed to stuff inside in one bite. 

“How much ye can eat during your pre-heat.” He says, grabbing the piece of popcorn that landed on the couch between you. 

You attempt to say something in response, but it comes out as a muffled mess around the popcorn you’re chewing. Johnny eats the piece that fell, reaching for the bowl. You move it out of his reach, pressing your foot against his side to keep him from getting too close. 

“Mine.” You say, pushing against his side, trying to get him to move away from you. 

He’s undeterred, using his size against you as he reaches for the bowl. A low growl rubles in your chest as you lean backwards, trying to keep it out of his reach. He freezes at the sound, staring down at you as you glare at him. 

“Did ye just growl at me?” He blinks at you, his lips turning up in a grin. 

You bare your teeth at him, another growl rumbling in your chest. You go for his arm, his reflexes just managing to yank it out of the way before your teeth sink into his skin. 

“Alright, alright.” He says, holding up his hands as he sinks back into his spot. “I got the message.” He grins as you sit up, holding the bowl protectively against your chest. “That might be the cutest thing I’ve ever seen.” He pulls out his phone, snapping a picture as you glare at him. 

Your glare deepens as you shovel more popcorn into your mouth. He nearly giggles as he stares down at his phone, tapping on the screen a few times. You push yourself up, trying to get a look at his screen. “Who are you sending that to?” You ask between mouthfuls of popcorn. 

“The group chat.” He says, as if that’s not revealing news. 

“Group chat?” You ask around another mouthful. 

He nods. “Just the four of us fellas for blethering.” 

You blink at him, trying to translate what he means in your pre-heat addled brain. “Huh?” You say stupidly, a piece of popcorn dropping back into the bowl from the handful you had been holding up halfway to your mouth. 

“We like tae gossip among each other.” He says, giving you a grin. 

“Do you...talk about me?” You ask before shoving the handful of popcorn in your mouth. 

“All the time.” He answers, using his reflexes to steal a piece of popcorn from the bowl. 

You’re too distracted to care, though if your mouth hadn’t been full you might have been tempted to bite him in retaliation. “‘Bout what?” You ask, the words almost unintelligible thanks to the popcorn you’re still chewing. 

“Oh, lots of things.” He grins. “How cute ye look all cozy in yer bed, how nicely yer arse looks in your skids, how we got ye to moan like that, tips on how tae make yer legs shake-” He does let out a giggle as you softly kick him in his side.

“Rude.” You pout as you curl up against the arm of the couch away from him with your bowl. “Could at least include me.” 

“Aw but we need our space,” He says, leaning closer to you. “Fer all our mingin' gab.” 

You give him a look, still trying to process his words as he presses a kiss to your head. He uses your distraction to steal a piece of popcorn from the bowl, immediately jumping away from you as you react, letting out another growl. The popcorn bowl falls to the floor as you leap at him, ready to sink your teeth into his arm. 

“You're avoiding me.”

Simon glances up at you before looking back at his computer. “Not on purpose. You know the dangers if you go into heat too close.” 

He’s right. Though, you think you’d know if your heat was starting and you could get away before things got dangerous. Of course, with his sensitive instincts, he might notice before you do. Things would get ugly fast if John noticed too and tried to stop Simon. You’re not sure the betas could get to you in time to try and stop them, or at least get you away in hopes it clears their heads enough. 

You look around Simon’s office, the desk shoved further back to make room for the two cots set up in the corner closest to the door. Soon he and Johnny would be shut in here, avoiding the hallway around the corner while you and John fucked nearly non-stop for the next week. 

It feels different now that you’ve reached this new stage of your relationship with Simon. He’s not on the outside anymore, not separate from you. There’s a strong bond there now, one both of you have contributed to. He had made the boundary clear, even without having to say anything. He won’t take the risk of helping you. He’s not your alpha. 

However, wouldn’t complain if he were the one to get to you first, to lock you in his office and throw you on the cots and fuck you stupid for the next week. You shift on your feet at the thought of taking his knot, being pumped full of him and locked together. Would he remove his mask? Would you remember his face at the end of your heat-induced haze? 

He’d never forgive himself if it happened. He’d close himself off, avoid you like the plague. It would shred that fragile bond that has been set in place. 

You won’t entertain those thoughts anymore. Not when he’s so clearly drawn the line. 

You take half a step forward, pausing at the growl that rumbles in his chest. He’s setting another boundary, warning you of the dangers both of you pose towards each other in this delicate time. 

You continue forward despite the obvious warning, pushing against the instincts telling you to heed it and stay back. Yet, he doesn't stop you as you pass his desk, slinging a leg over him and planting yourself in his lap. It’s obvious, the tension in his body as you sit there, as if you might go into heat at any second. There will be signs once it is coming on, symptoms different from ones you feel outside of heats. 

You stare up into his eyes, his gaze sharp but not piercing as it once might have been. There’s a softness to it, something you might even call affection as he stares down at you. 

“Will you kiss me?” You ask softly, hesitantly. “One last time? So maybe I might remember you still like me when I wake up on the other side of this?” 

“I don’t think you could forget that.” He says, his hands dropping to grip your thighs. 

“Still...would be nice to have one.” You say, wrapping your arms around his neck. “For good luck?” 

He hums, the sound rumbling in his chest, before he lifts a hand, pulling his mask up to his nose. He leans forward, meeting you halfway as he presses his lips to yours. 

The kiss is searing, conveying a deep passion and almost a longing feeling as his lips move against yours. Does he regret his decision not to even offer to help you? You’re not sure even you would have said yes to his offer. It’s only your second heat, the second time you’ve trusted your pack to care for you in such a vulnerable position. While you don’t distrust Simon and his ability to take care of you, a deep part of you longs for your alpha and the surety and safety he’s already proven. 

Simon’s hand slides up your back, brushing over your neck before cradling the back of your head. He holds you still as he licks the seam of your lips. You moan softly against his mouth, wishing you could pull him closer, wishing you could sink into him and avoid the inevitable heat lingering over your head. 

A sigh is pulled from your lips as his tongue presses into your mouth, taking its time to explore before flicking against your own. His other arm wraps around your back, tugging you against him, chest to chest, legs spread around his hips. Had you not been trying to rest your body, or entirely disinterested in sex currently, you might have fucked him right in this chair, one last time before you’re lost to your heat and your alpha. 

He pulls away from your lips, resting his forehead against yours as you both pant softly. The silence is loud, but it speaks volumes between you, sharing things you’re too scared to say out loud, things that push the boundaries of vulnerability between the two of you. There will be time afterward, plenty of time to gently push those boundaries and continue to worm your way into his most intimate thoughts. 

You open your eyes, meeting his gaze. You can see the dots of freckles on his skin, the shades of brown in his eyes. His breath is warm against your lips as you sit there, almost like you’re trying to commit each other to memory, as if you’ll forget about him as soon as the door seals you and John inside your room. You will forget in the throes of your heat, but once the haze fades and you come back to yourself, you’ll remember him. He won’t be far, and neither will you. 

“See you on the other side?” You say, cupping his face, letting your thumb trace the line of his jaw, his stubble prickling your skin. 

He leans forward, kissing you once more, his lips brushing yours as he speaks. 

“See you on the other side.” 

You’re on fire.

Sweat has soaked your skin and right through the loose shirt you had donned earlier. It’s dripping down your face, offering no relief from the lava pulsing under your skin. You’re surprised the liquid doesn’t start sizzling as it drips down your chest and arms. You’re panting softly, legs spread as you lay on the bed. There’s a steady pulsing between your legs, the ache and need beginning to steadily grow more intense as slick seeps out of you and onto the blankets below. 

You woke earlier with a crawling sensation under your skin, your pajamas quickly ditched in favor of the baggy shirt to avoid the overstimulation of any tight fabric. You knew last night as soon as the ravenous hunger began to abate that you were close. Mid-bite of some potatoes the hunger had faded and suddenly they looked almost repulsive. Simon and Johnny had moved into his office and you quarantined in your room with Kyle and John on standby. 

Sleep had evaded you for most of the night as you waited for it to start, expecting it to be in the middle of the night like last time. Your mind had faded in and out of sleep, expecting to wake any moment with the uncomfortable feverish heat beneath your skin. 

Instead you woke early with no sign of it yet, still dry between your legs and almost cold from the always cool air in the barracks. The only sign had been the itching, crawling feeling beneath your skin. 

You’d made it just past lunch, Kyle bringing in food for you, which you had struggled through, only eating to try and get some last calories into your body. The familiar electrolyte drinks and nutrition bars that will keep both you and John alive over the next week, sit in stacks next to the door, some already set up on your nightstand. Your bed has been stripped down to a sheet, your pillow, and the blanket you slept under last night. Your stuffed animals and decorative pillows sit piled on your desk in the corner. 

It came on suddenly, the heat beneath your skin. The prickling sensation had begun in your core and flared outward to your very fingertips. It had been like a flushing feeling, the heat rippling through you. The book in your hands slid onto the floor as the deep cramping began, making you wince. You’re not quite sure what had been worse, the pain or the initial panic. 

Your phone is on the floor with your book after you’d managed to send a text to Kyle. The panic is still bubbling under the surface as your brain begins to get foggy, its only focus the pulsing between your thighs. It’s been a while since you’ve been awake for the start of your heat. The last one had started in your sleep, and the one before that you had been sedated by the CIA, closely monitored and put under before the itching even began under your skin. 

Your trembling fingers fumble with one of the electrolyte drinks on your nightstand, struggling to wrap around it and then get the cap off. It does little to soothe the dryness in your mouth, but you drink as much of it as you can. 

The door opens, Kyle slipping through before quickly closing it behind him. He approaches the bed, that sympathetic look in his eyes again. He’s not sure what to say, you can tell by his hesitance, but what is there to say in this moment? ‘Good luck, hope John doesn’t accidentally hurt you?’ 

You don’t blame him for his silence, though you know his beta is agitated, wanting to offer you comfort and support, but he can’t. He can’t do much for you this time, only your alpha can. 

Kyle bends down, picking up your phone and book from the floor before checking the charge on your phone. He sets it down on the nightstand, pulling another from his pocket and placing it down next to yours. It’s John’s personal phone. You recognize the familiar olive green case. Kyle will alternate charging them, mostly for John’s peace of mind. Not that he’ll care much about potential calls or messages while he’s knotted inside of you. 

“You’ll be okay.” Kyle says, brushing the wisps of hair stuck to your forehead back. Johnny had braided it last night, his final act of comfort before retreating with Simon to their own quarantined space. Kyle must have noted the nervous edges in your scent still lingering in the air as he tries to comfort you. 

You hold his hand against your face, nuzzling your cheek against his rough palm. It’s not quite enough, he’s not quite enough, but it’s no fault of his own. Your instincts are beginning to take over. The desire for an alpha, your alpha, to help you is overtaking any rational thought. 

Kyle strokes your cheek for a moment before he pulls away, taking the bottle from your trembling hands and tossing it in the trash. He folds your blanket and drapes it over the footboard before setting your book on your desk. 

“John knows.” He says, standing close to the door. “He’ll be in soon.” 

All you can do is nod as you rub your thighs together, trying to get any ounce of friction you can. The fabric of the shirt you’re wearing is like a million tiny knives against your skin, but your hands are useless as they tug at the fabric. You can’t get your body to work enough to pull it off. 

A pathetic whine leaves your lips as the door opens again. You’re still tugging at your shirt, writhing in your attempts to both remove the offending fabric from your skin and also get some relief for the pulsing between your thighs. 

“Alpha...” You whine, vision zeroing in on your alpha as he stands there, staring at you with dark eyes. 

“Look at you.” He rasps, taking slow steps closer and closer to you. 

Another whine falls from your lips as you reach out for him, desperate to feel him against you, like his very touch could ease the fire burning beneath your skin. Your arm is shaking by the time he reaches you, his fingers brushing against your hand. A content purr rumbles in your chest as he finally touches you, rough fingers tracing your palm before continuing down the inside of your arm. A shiver shakes your body at the feeling of his rough calluses against your sensitive skin. You wish those fingers would go elsewhere, your mouth watering at the thought of them between your thighs again. 

“Alpha,” You whine again as he grips your upper arm, yanking you up. 

In one fluid motion he sits on your bed, tugging your body onto his lap. His arms wrap around you, holding you against him, your slick dribbling onto the front of his pants. A quiet sound rumbles in his chest, his pupils dilating as his alpha begins to come out, his alpha responding to the thick scent of your pheromones in the room. 

You press against him, but it’s not enough. You need to feel him, his skin against yours, the prickling of the hair on his chest against your sensitive skin. His hands trail up your sides, the drag of the fabric of your shirt against your skin making you whine. You need to feel him, not the synthetic material separating you. He slides his hands all the way up, skirting past your breasts and sensitive nipples to grip the neck of the shirt, ripping it down the center. 

Your omega purrs happily at the display of strength, a quiet sigh leaving your lips as he pushes the shirt from your shoulders, freeing you from the overwhelming sensation. His hands flatten against your back, a content purr leaving your lips at the feeling of his skin against yours. You arch into him, pressing your hips against the prominent bulge in his pants. Your fingers tug at his own shirt, but you lack the strength to tear it off him, even as you paw at the fabric. You likely wouldn’t have been able to anyway outside the throes of your heat. 

“Needy little thing.” He purrs, nipping at your bottom lip. 

You chase his lips, kissing him harshly. His fingers dig into your back as you push your tongue into his mouth, licking at his own tongue. Your thighs clench around his hips at the thought of that tongue between your legs, more slick soaking the front of his pants as it gushes out of you. 

His hands slide down to grip your hips, dragging your slit along the front of his jeans. You moan at the delicious friction, pulling away from his mouth to kiss down his throat. His beard tickles your skin as he tilts his head, bearing his throat to you. A low growl rumbles through your chest as he allows himself to be in such a vulnerable position. You’re shaking in his arms as he guides your hips to grind against his pants, legs clenching around his hips. You’re close, the pulsing beneath your veins getting stronger and stronger. 

“Gonna cum like this?” He growls, his grip almost bruising on your hips. “Without me even touching you? Make yourself cum and I’ll give you what you need.” 

Your heat-addled brain somehow comprehends his words, picking out the parts it needs as you shift on his lap, dragging your clit against the seam of his jeans. Your face presses against his throat, devouring his scent straight from the source. It goes right to your head, the earthy scent nearly indistinguishable from the musk of his rut. 

Your body shudders as your first orgasm rocks you, slick gushing out of you like a tidal wave. You sink your teeth into his shoulder, fingers digging into his skin. 

“Son of a-” He curses, delivering a harsh slap to your bare ass. “Fuckin’ naughty little omega.” 

You grin, lapping at the teeth marks you’ve left on his skin as you press your ass into his hand. Your orgasm has provided a little relief, but it’s not enough. It’s never enough. Not until you have his knot inside you. 

You tug at his shirt again, bunching the fabric in your hands. “Off.” You whine, desperate to feel his skin against yours. 

He finally acquiesces, pushing you back far enough to tug his shirt off. Drool drips down your chin as you stare at the skin now exposed to you. You can’t help yourself as you lean forward, licking your way across his collarbones and his chest. You slide off his lap, kneeling between his legs as you lick your way down his chest, dragging your tongue across his soft stomach. 

He grips the back of your neck, pulling you away from his skin. Your tongue is still sticking out, almost like it’s trying to taste every last bit of him that might be in the air. “Fuck.” He groans, pushing you back as he moves to stand. 

You grab his hand before he can fully stand, tugging with surprising strength. He falls into you, both of you falling back onto the floor in a mess of limbs. Your omega scratches in the back of your brain, your gaze sharpening as you wrestle with him, finally managing to pin him on the floor. 

His eyes are almost black, a dangerous growl rumbling in his chest. Slick dribbles out of you, smearing on his stomach as you return his growl, baring your teeth at him. You want him to submit, you need him to submit to you. Your omega doesn't care about the obvious challenge, the stupidity of trying to control a rutting alpha. 

Yet, he goes lax beneath you, his gaze still sharp and cautious as he stares at you. 

Your growl softens into a purr as he relaxes, submitting to you for a moment. You bend down again, your tongue flattening against his skin once more. Your eyes are locked on his as you lick the beading sweat on his chest, purring at the saltiness of it on your tongue. You continue your way down his body, following the path down his chest and across his stomach. His eyes leave yours, watching the wiggle of your bare ass as you crawl backwards, continuing to lick across his stomach until you reach the puddle of shiny slick streaked across his skin. 

He lets out a rumbling purr as you lap at your own slick. It’s sweet from your pheromones, yet there’s the familiar tang of your natural taste on your tongue as you clean the mess you’ve made on your alpha’s skin. 

As soon as you deem his skin clean enough you continue downward, licking at the waistband of his jeans. Your fingers are shaking as you paw at his pants, trying to get your fingers to work to remove the last barrier between you. You need your alpha’s cock, you need to see it, to taste it. Your mouth is watering as you fumble helplessly, unable to handle such fine motor skills when all your brain is screaming to do is fuck. 

He pushes your hands out of the way, undoing his pants easily. He wiggles them down enough until his cock has sprung free, heavy and almost throbbing on his stomach. You stare at it wide eyed, drool slipping down your chin as you stare at it. You need it, you need his knot now, the burning under your skin intensifying from how close you are to finally getting what you need. You wrap your hand around his heavy length, the tip already leaking as you lean down, dragging your tongue from his balls to the tip. He lets out a groan as you close your lips around the head, flicking your tongue across his slit. 

You hold his gaze, dragging your tongue across his head once more before lifting yourself and shifting over his hips. You hold his gaze as you drag his cock through your folds, your needy brain searching for the spot you need. You let out a whine as you find it, his head catching on your entrance. You don’t hesitate, a long, desperate sounding whine falling from your lips as you sink down onto his length. 

It goes in easily, your body opening to him eagerly, your slick aiding the process as it gushes down the length of his cock. You make it halfway before pausing, breathing for a moment before you sink the rest of the way down. 

Your pussy flutters around him, a whimper leaving your lips. You could cum just like this, just from the stretch of his cock inside of you. It’s still not enough, it’s still not what you need, but it does ease the ache throbbing in your pelvis. 

He lays there, eyes hooded as he watches you, content to let yourself use him in your needy state for now. Your hands press against his stomach as he sinks almost impossibly deep inside you, your hips settling against his. He reaches up, pressing against the bulge in your pelvis, your hips jerking at the shock of pleasure that thrums through you. 

He lets out a pleased rumble as you squeeze around him, slick dribbling out around the base of his cock. “Be a good omega, take what you need.” He commands, his alpha rough around the edges of his voice. 

Your hands press firmly against his stomach, using him for leverage as you begin to move, lifting your hips and then letting them drop. Quiet whimpers leave your lips with every movement as his cock drags along your walls. The ache in your bones is finally starting to ease, the burning itch beneath your skin fading. You rock on your alpha’s cock, using his body for your pleasure as he lays there, content to watch you. 

The low rumble in his chest vibrates through you, inaudible under your desperate whines and the squelch of your pussy on his cock, but you can feel it in your hands, your subconscious picking up on it in a way you can’t understand. It only adds to the pleasure coursing through you, your clit throbbing from the friction against his jeans earlier. 

You’re tired, your legs shaking as you begin to slow down. The need pulsing through you is strong, but your heat-addled body is not. You whine desperately as you grind on his cock, seeking out any sort of pleasure you can get as your legs give out, too exhausted and weak to continue. 

“What’s the matter?” John says, lips pulling up in a smirk. “Poor little omega getting tired? Can’t fuck herself on my cock anymore?” 

“Please...” You whine, nearly crying in desperation. “Need your knot alpha.” 

“Then take it.” He says, not making any move to help you. 

“Can’t,” You whine. “Need you to do it. Need you to take care of me.” 

He lets out a growl at your confession, his hands finally moving to your hips. He pulls you off of his cock, flipping you around so you’re on your knees, upper body pressed against the floor. You push your ass up as high as you can for him, presenting for your alpha. He lets out a pleased rumble, his fingers dragging through your slick coated slit. You whine needily, pushing back against his hand. 

“Easy.” He says, pressing close behind you. “Alpha’s got you.” 

Your eyes nearly roll back as he sinks into you again, the change in position nearly making you see stars as he begins fucking in you, the snap of his hips against yours rocking your body on the carpet. Your knees burn but you can hardly feel it as he fucks you through an orgasm, your walls clenching desperately around his cock. Your brain is going hazy again as you feel the swelling at the base of his cock pushing up against your entrance, drool pooling on the carpet beneath you as you wait for it, wait for him to push his knot inside you and tie the two of you together. 

“Alpha...alpha...” You chant the title like a mantra, the sounds slurring together as you push back against him. 

“Take it,” He grunts, his fingers digging into your hips as he holds you steady in place. He pushes against you, his knot stretching your pussy as he begins pushing it into you. “Take it...good girl.” 

You whine as his knot pops into place, your body shuddering with another orgasm from the gaping stretch around him. He grinds his hips against you, his knot tugging at the entrance of your pussy as you clench tightly around him. He cums with a groan, his body falling over yours as he spurts his seed into you. You lay there, whining and panting beneath him, sweat still dripping down your back. 

Your brain is starting to float away, your mind going hazy again, but you’re not fighting it this time. You’re giving into your instincts, unable to do anything but submit to them, submit to your alpha. 

“I’ve got you.” Price says softly, gently brushing the sweaty strands of hair from your face that have fallen loose from your braid. 

You give into the haze, trusting him to take care of you. 

You’re not sure when you moved to the bed. It’s the crackle of the mattress protector that’s pulled you from your haze for a moment. One of those rare moments of clarity post-knot as you come back into your brain enough to be semi-aware of your surroundings. You won’t remember it by the time you come out of your heat, lost in the mush of hazy memories from the week. 

Your pussy is pulsing around John’s knot, his chest pressed into your back. You still feel hot, feverish as you lay there half out of it. John’s right arm is under you, wrapped around so his hand is against your chest. He’s holding the cap of an electrolyte bottle in his right hand, the plastic cool against your heated skin. 

There’s hands moving in front of you, pulling a charging cord from one phone to put it in the other. There’s voices, but you’re too far in the haze to understand what they’re saying. There’s a scent in the air, clearer and softer than the heavy musk that’s settled in the room. It goes straight to your head, nearly making you black out again. You want to taste it, your tongue darting out to lick your lips. 

Your hand shoots out, surprising even you with how fast it’s moved. Your brain feels slow as it tries to catch up with the movement, your fingers wrapped around someone’s wrist. Your hand has a mind of its own as it pulls the wrist closer, pressing it against your face. 

A soft, fresh scent fills your nose, your eyes fluttering as it pulses through you, your pussy convulsing around John’s knot. He groans behind you, his hips shifting just slightly in response. Your tongue darts out, licking at the wrist pressed against your face, trying to taste the scent. 

Salty, briney, fresh. The sea, you remember from the haze in your mind. It smells like the sea. You continue to lick it, wanting it to consume you, to sink into your brain and ease the aching need. 

“Careful, love.” A soft voice says, cutting through the scent-induced haze you’re in. 

The attached body tries to pull the wrist in your grip away, but you let out a whine, fingers tightening around it as you pull it closer. You drag your tongue against the skin again, letting out a quiet whine. You need it, your hand trembling around his wrist. 

The word feels heavy on your tongue, your heat-addled, scent drunk brain trying to form it on your lips, pushing it from your mind until it vibrates in the air audibly. The process feels like it takes minutes, when in reality it was likely only seconds. You tug on the wrist again, trying to bring the source closer. 

“Stay.” 

NEXT ->

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