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#DARK THE WALKING DEAD CHARACTERS
mdemontespan1667 · 2 years
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DIRT ROAD HONEY
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DARK SHANE WALSH X READER
DARK RICK GRIMES AND READER
SUMMARY: YOUR THANKSGIVING BREAK GETS INTERRUPTED
WARNINGS: NON-CON/VAGINAL SEX/ORAL SEX (MALE RECEIVING)/SLAPPING/CHOKING/CHEATING(RICK)/RECKLESS USE OF A FIREARM/GIGANTIC ABUSE OF AUTHORITY/HANDCUFFS/PROFANITY/FORCED ORGASM/NON -CON
(I'VE HAD THIS HALF WRITTEN IN MY GOOGLE DOCS FOR ABOUT 2 MONTHS. IT VERY SIMILAR TO "THE TROUBLE WITH COYOTES" BUT THIS FIC JUST WOULDN'T LEAVE ME ALONE. SO, FOR BETTER OR WORSE, HERE IT IS. I APOLOGIZE FOR ANY MISTAKES. I WANTED TO GET IT OUT OF MY SYSTEM SO I COULD MOVE ON LOL.
“You need help with that Darlin? Hose looks a bit big for you.”
It never fucking failed.
Every time you filled up your bright, fiery orange ‘72 Chevelle some wannabe Alpha male had to make some sexist comment.
It wasn’t your fault the designers had put the damn fuel cap under the license plate. 
And it certainly wasn’t your fault you had to bend over to keep the nozzle from falling out.
Nor was it in any way your fault that you occasionally might over exaggerate how far you had to bend over, especially like today, when you were wearing tight, frayed jeans and a wide neck off the shoulder teal sweatshirt.
“I’m fine.”
“Oh yeah,” he whistled, “You are most definitely fine.”
The pump kicked off.
You put the nozzle back, securing the gas cap before facing the latest offender.
He was tall, rough cut facial features with a mop of short, dark curls.
You made a show of pushing down your sunglasses as you blatantly checked out the rest.
Wide chest and muscle corded arms encased in a tight black t shirt.
Tan cuffed cargo pants sat high on his tapered waist.
Well.
Nothing wrong with that either. 
You licked your lips, hand propped on your hip.
“I bet you say that to all the girls.”
Your voice dripped, saccharine sweet.
“No, it ain’t like that.”
His knuckles brushed along your upper arm.
“You are hands down, the prettiest thing I’ve ever seen.”
Snorting, you batted his hand away.
“Bullshit. That line might work on your little dirt road honey’s but..” You slid your oversized tortoise shell Ray-Ban’s back in place, “It’s not working on me.”
You pushed past him, strutting toward the tiny attached convenience store.
God, it was so easy winding men up.
Fun too.
They were so damn transparent.
And, despite how you’d coldly dismissed him, you knew, KNEW, he’d be jacking off later thinking about you.
Not because you were devastatingly beautiful or had a killer body. 
In those categories you ranked a solid average.
What you did have was confidence with a capital fucking C.
Own every room you walked into, all eyes on you, smart as hell, know your worth, every woman wants to be you, every man wants to fuck you, (and woman, let’s not be coy here, you knew damn good and well your face would be buried between Ivy’s lush thighs at some point this weekend, you were all about equal opportunity), bone deep confidence.  
It’s what had gotten you through Grad school and later your Doctorate in Mathematical Engineering.
The rusty bell above the worn metal screen door dinged, announcing your arrival.
You took your time perusing the limited snack aisle, selecting a bag of Funyuns and a fountain Pepsi, flicking the straw provocatively, making sure to flash a little cleavage at the old guy working the register.
Back at your car you checked your phone.
“No service. Fucking wonderful.”
When your best friend had proposed a quick getaway to celebrate your latest promotion you’d been expecting sun, sand and endless Mai Tai’s, not a rustic cabin on some forgotten lake in rural Georgia. 
You waved your phone around trying to find a signal.
“Ain’t gonna work.”
Oh lord, not him again. 
“Why not?” you huffed.
“We’re in the middle of a deadzone Darlin’.”
“Lovely.”
You took off your sunglasses, resisting the urge to throw them at the odious man.
“How the hell am I supposed to find that goddamn cabin without my phone?”
“What cabin are you looking for, girl?”
Your eyes narrowed at the nickname.
“Some stupid fucking cabin on some stupid fcuking lake off of some stupid fucking Bob’s road!”
The octaves rose with each word until you were practically yelling.
“Bob’s Road?”
Oh shit. Probably shouldn’t have shared that with the entire gas station.
“Uh, yeah.”
You pulled a piece of paper from your back pocket.
“732 Bob’s Road, Lake Horton.”
He chuckled.
“That’s Bob Schermer’s place. I can give you directions.”
The setting sun sketched him in shadows. 
A kernel of unease settled in your gut.
Jesus, get a grip. This isn’t Deliverance.
“That, uh, that’d be great.”
He smiled, teeth showing.
It reminded you of a predator sizing up his next meal.
“So you’re gonna take a left outta here on’ta Highway 92. Just keep going North for about an hour and a half, maybe two. You’ll take a right at white mailbox. If you see the “Jesus Saves” sign you’ve gone too far. Go about three miles then turn left. Cabin will be on the left.”
“Two hours?”
You exhaled dramatically.
“Fucking great.”Dropping into the driver's seat you cranked the ignition, the Chevelle’s 454 V-8 rumbling to life.
“Thanks.”
“My pleasure.”
Another unnerving smile.
The hair on your arms prickled.
“You be real careful on those back roads. It gets awful dark out here.”
“Uh, yeah, sure.”
With a curt nod, you revved the engine, throwing gravel in your wake.
They like to get you in a compromising position
Well, they like to get you there and smile in your face
Yeah, they think they’re so cute when they get you in that condition
But i think its a total disgrace
And I say
I fight authority, authority always wins
Well, I fight authority, authority always wins
Well, I’ve been doing it since I was a young kid
And I come out grinnin’
Well, I fight authority, authority always wins
You cranked up the volume on your after-market stereo singing along to your Spotify road trip playlist.
Jesus fucking tits, the guy was right, it was dark.
Not like the dark you had grown up in.
A pale shimmer had blanketed San Diego from sundown to sunup.
The light from a full moon helped soften the inky landscape, a little.
God only knew what might be hiding out there, watching, just waiting for the perfect moment to…
FUCK!
You slammed on your brakes.
Was that a white mailbox?
Turning the volume down so you could see, you dropped the transmission in reverse, taillights casting an unsettling glow. 
You sighed in relief at the sight of the pock marked mailbox.
Shifting to First, you swung off the HIghway to a narrow gravel road.
I swear to God, I’m never, ever letting Ivy pick a destination again. After this she’ll be lucky if I let her pick a restur….”
WHOOP WHOOP WHOOP
Red and blue flashing lights blazed in your rearview mirror.
What the fuck?
 Where the hell did he come from? 
You hadn’t seen another vehicle since you left town. 
“License and Registration.”
You jumped, startled.
“License and Registration.”
“Yeah, Yeah, I heard you the first time.”
You reached across the seat digging the items from your bag.
“What am I….Oh my God, you can’t be serious.”
Leaning in your window, now attired in a shit brown Sheriffs uniform and matching baseball cap, was the man from the gas station.
“I’m gonna need you to exit the vehicle, ma’am.”
Something was off.
“Why? I didn’t do anything. I wasn’t speeding.”
“Please step out of the vehicle.”
“Oh for fucks sake.”
Climbing out, you glared at him, arms crossed.
“Ma’am, you were driving erratically. I detect the smell of alcohol on you. That gives me probable cause to search your vehicle.”
Ducking, he rummaged through your car, dumping your purse and overnight bag, scattering the contents.
“Well, look what I found,” he announced, producing a half drank pint of cheap vodka.”
“That’s not mine. I don’t even drink vodka. You..you put that there..I’m not.”
‘Hey, Shane, taillight’s busted out too.”
In total disbelief you watched another officer bash the red plastic with his boot.
“What the hell!” you hollered, charging toward the other, leaner built man, “You can’t fucking do that…”
Grabbing your elbow, Shane swung you back, jerking you off your feet.
You stumbled, arms pinwheeling.
You bumped into him, knocking his hat to the ground.
“Woah, woah, Sweetheart, now that’s assaulting a police officer.”
“No…wait..I…”
He placed one steel cuff on your wrist, tugging the other behind your back.
Twisting, you wrested your arm free.
WHAM
Shane slammed you face first onto the hood of your car.
Wrenching your arm, he secured it in the cuffs.
Hauling you up he snickered.
“Guess we’re adding resisting arrest to the list.”
He paused, eyes crawling along your form.
“Unless you want to work out a little private restitution.”
“Are you fucking kidding me,” you laughed, “What? You can’t get a piece of ass like a normal guy? Let me guess? Can’t get it up? Two pump chump? Or..”
CLICK
“Ought to be polite to a man with a gun.”
Shane’s partner pressed the gun barrel to your temple.
“Only common sense.”
“Oh shit,” you rasped, “yeah, okay, what..whatever you want.”
Shane unzipped his pants, stroking his cock.
“On your knees.”
You knelt down as best you could.
“Doesn’t she look pretty like this Rick?” he called to his friend.
 “Open wide. Let’s see if you suck dick as good as you mouth off.”
Gun still aimed at your head, your mouth fell open.
Shane gripped the back of your head.
Viciously, he shoved his cock to the hilt, your nose nestling in his pubic hair.
You gagged, trying to draw back but he was too strong. 
Holding you steady he languidly fucked your throat, his cock cutting off your air.
Tears poured down your cheeks.
“Maybe next time you’ll show a little respect Darlin’”
Time stood still.
Shane rammed his cock down your throat over and over and over again, both hands keeping you in place.
Eventually he came, warm, sticky cum filling your mouth.
Finished, he pushed you away.
He bent down to your level.
“That wasn’t so bad now was…”
You spit on him, mixed saliva and cum dripping from his chin.
“You’re done!” you shrieked, “Both of you! I’ll own the fucking Cook County Sheriff’s when I’m through! You limp dick bastards won’t be able to….”
SMACK
You reeled from Rick’s backhanded slap.
“I don’t think she’s learned her lesson yet, brother.”
Shane wiped his face.
“I guess we’ll just have to keep teaching.”
Tugging you to your feet, Rick threw you on the hood, upper body jarring from the impact, cheek thumping the cold metal.
He tore off your boots then ripped your jeans and underwear off, kicking your legs apart.
“Don’t touch me, you fucking piece of shit!” you bellowed.
Shane stuffed your thong in your mouth, ending your tirade, his hand splayed between your shoulder blades, pining you to the hood.
“You talk to fucking much,” he snarled.
Panic took hold when you felt Rick’s cock brush against your slit.
Rick spit on your inner lips.
You screamed behind the gag, your dry cunt unprepared, as he plunged in. 
He was bigger than Shane, your walls straining to accommodate him, every thrust carrying fresh agony.
Rick snapped his hips quicker, zipper chafing your tender skin. 
Sobbing softly, you closed your eyes, vainly wishing this was just a dream.
“Fuck. Haven’t been in a pussy this tight since before I married Lori.”
“Just hurry up, man. I want another turn.”
Your eyes flew open to see Shane palming his newly hardening length.
Rick’s movements became stilted, hips pumping wildly with his orgasm.
Pulling out, he motioned to your prone body.
“Batter up.”
The two men switched places.
Gritting your teeth, you waited.
Instead of Shane’s cock, his fingers gently probed your battered cunt.
You jolted at the swipe of his thumb across your clit.
Deftly he worked you, circling your nub, slick coating his hand.
Shame and disgust gnawed in your brain at your body’s natural reaction.
He draped his large frame over yours.
“You love this, don’t ya.”
You shook your head frantically.
“Knew you would. Way you showed your ass, flashed your tits at Charlie. Damn near gave the old man a stroke.”
Shane applied more pressure, eliciting a series of muffled moans.
“Hear that Rick? Slut loves this.”
Your pelvis rocked against his swirling digits. 
He pinched your clit,sending you over the edge, streaks of lightning fraying your nerves.
Shane wasted no time in slipping inside.
You keened at the intrusion, channel swollen and bruised from Rick.
WHACK
He left a heated handprint on your ass.
Grasping your hips, he pounded your cunt feverishly, your juices and Rick’s cum easing his way.
All out of tears, you stared into the darkness.
Shane rode you cruelly, your legs growing numb.
His breathing hitched, hips faltering.
He came with a grunt, grinding into you.
Almost tenderly, he released the cuffs, holding you upright, removing the gag.
Trembling, you shimmied your jeans up. 
“Hey.”
Nearly catatonic, you barely registered him speaking.
SMACK
“Listen to me.”
You tried to focus, terrified it wasn’t over.
“Rick and me? We got your ID. We know where you live.”
Blinking, his threat set in.
“You tell anyone, we’ll find you.”
“I..I won’t tell…never tell..” you stammered.
“Good girl.”
The two men sauntered to their cruiser.
“Thanks for your cooperation ma’am,” Shane taunted as they drove away.
 Crawling into the driver’s seat, you clutched your phone. 
“911. What is your emergency?”
“I need,” you sat up straight, “I need to report an assault.”
Shane and Rick were about to find out they had fucked with the wrong woman. 
Authority Song
John Mellencamp
1983
@caffiend-queen @fanfic-fangirl @alexakeyloveloki @americasass81 @lokislastlove @sweeterthanthis @ironlady1993 @joannaliceevans-fanficblog @nildespirandum @jennmurawski13 @gigglingtigger @starynighty @sapphirescrollsv@xsapphirescrollsx @dragon-of-dreams @momc95 @sagechanoafterdark @jtargaryen18 @demonsandpieohmy @toomanykids @lizzystuffsthings @km-ffluv
@sinceimetyou @buckybarnesandmarvel @imdarkinme @inlovewiththefictionalcharacters @saiyanprincessswanie @titty-teetee @maroonsunrise83
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voidmarkd · 22 days
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#voidmarkd; an indie, selective and fandomless portrayal of Atlas Fitzgerald, featuring themes as life in a coven, rebirth through death, marked by the void, necromancy, betrayal and abandonment, the blood and the burden, keeper of forgotten graves, [ . . . ] mutuals only. 21+. low activity. eng/ger. ♱ carrd ♱ memes ♱ open starters
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cracklewink · 5 days
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some sketches of my guy
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pizzabox-box · 4 days
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hurt peppino more >:)
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THIS IS NOT A JOKE. ONE MORE TIMELINE WHERE ANOTHER PEPPINO GETS BITTEN BY THAT FREAK OF NATURE-
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parkvcrs · 2 years
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emmodii-mode · 11 months
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In my defence, what was I supposed to do? Leave their corpses to rot?
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cienie-isengardu · 1 year
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MK1 as it is except this is Johnny's cinematic version of events and he take some artistic license here and there...
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majesstiiic · 2 months
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pov: this morning you were worried about getting to work on time and now but by 3 there was a zombie apocalypse in full send
posting this here cause tiktok hates me and you know what, I kinda hate tiktok.
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youngdutchishot · 2 months
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Ask Game answers - MultiFandom, Emery and Phoenix
As I mentioned in the reply to the 'Ask'. My reply was long, because of all the parts to it, so I made it a new post with a 'keep reading' option.
Okay—A) Thank you for the Ask! B ) Thank you for asking about House of Wax, OMG. I don’t watch horror movies EXCEPT this one and I LOVE IT so much. Vinny is baby and needs protected. (well probably not… but you get my point) C ) I definitely don’t mind the multiple parts to this! I’m just glad someone inboxed me :D.
Also, sorry it took so long, I got busy with schoolwork and trying to catch up on Dynamite and life in general. But here you go Nonny. (And they’re in order based on the question, so whatever the order the thing is listed is the same order the answer will be—and each will only have 3 passes available to use)
To: Emery ( E ) and Phoenix ( P )
You can see exactly how similiar/different the two of them are from their answers to this.
Kenny Omega, Orange Cassidy, Wardlow (Wrestling) Stab, Shoot, Drown: E= *cries* OC, K-kenny, Wardlow P = OC, Wardlow, Kenny Fist Fight, Get Drunk with, Share a Flat With: E = Orange, Wardlow, Kenny P = Kenny, Wardlow, OC Go to a Wedding with, Go to a Party with, Go to a Museum with: E = OC, Wardlow, Kenny P = Wardlow, Kenny, Wardlow Fck, Marry, Kiss: E = …. Wardlow, Kenny, Orange P = …. OC, Wardlow, Kenny (Can I kill him instead? >> )
Damian Priest, Finn Balor, Jey Uso (Wrestling) Stab, Shoot, Drown: E = Damian, Finn, Jey *cries* P = …. Refuses (1) Fist Fight, Get Drunk with, Share a Flat With: E = Damian, Jey, Finn P = Jey, Damian, Finn Go to a Wedding with, Go to a Party with, Go to a Museum with: E = Jey, Damian, Finn P = Finn, Jey, Damian Fck, Marry, Kiss: E = Finn, Damian, Jey P = Damian, Finn, Jey
Imperium (Wrestling) – Walter, Marcel Barthel, Fabian Aichner Stab, Shoot, Drown: E= Hard pass (1) P= Values her life too much to answer this (2) Fist Fight, Get Drunk with, Share a Flat With: E= Walter (a quick L), Marcel, Fabian P= Marcel, Walter, Fabian Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Fabian, Marcel, Walter P= Walter, Marcel, Fabian Fck, Marry, Kiss: E= ….Fabian, Marcel, Walter P= agrees. Fabian, Marcel, Walter
BCC (Wrestling) choose any 3 of the 4 you'd like – Bryan, Mox, Claudio, Yuta Stab, Shoot, Drown: E= Claudio, Bryan, Mox P= …. Pass (3- no more left) Fist Fight, Get Drunk with, Share a Flat With: E= Claudio, Mox, Yuta P= Mox, Yuta, Claudio Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Yuta, Mox, Claudio P= Claudio, Mox, Yuta Fck, Marry, Kill: E= …. Claudio, Yuta, …. Bryan and Mox P= rude. …. Yuta, Claudio…. Bryan *shrug*
Mustache Mountain (Wrestling) – Trent Seven, Tyler Bate, Pete Dunne Stab, Shoot, Drown: E= No! (2) P= Tyler, Pete, Trent Fist Fight, Get Drunk with, Share a Flat With: E= Tyler, Pete, Trent P= Pete, Tyler, Trent Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Trent, Pete, Tyler P= Tyler, Pete, Trent Fck, Marry, Kiss: E= Pete, Trent, Tyler P= Tyler, Trent, Pete
Best Friends (Wrestling) – Chuck Taylor, Trent Barretta, Orange Cassidy Stab, Shoot, Drown: E= NEVER (3- no more left) P= Trent, Orange, Chuck Fist Fight, Get Drunk with, Share a Flat With: E= OC, Trent, Chuck P= Trent, Chuck, Orange Go to a Wedding with, Go to a Party with, Go to a Museum with: E= OC, Trent, Chuck P= Trent, Orange, Chuck Fck, Marry, Kiss: E= Chuck, OC, Trent P= Trent, Chuck, OC
Darby Allin, Marko Stunt, ELP (Wrestling) Stab, Shoot, Drown: E= *cries more* ELP, Marko, Darby P= Darby, ELP, Marko Fist Fight, Get Drunk with, Share a Flat With: E= Marko, ELP, Darby P= Darby, Marko, ELP Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Darby, ELP, Marko P= ELP, Marko, Darby Fck, Marry, Kiss: E= Darby, ELP, Marko P= ELP, Darby, Marko
Daryl Dixon, Negan , Jesus/Paul (Walking Dead) Stab, Shoot, Drown: E= :{ Daryl, Jesus, Negan P= Negan, Daryl, Jesus Fist Fight, Get Drunk with, Share a Flat With: E= Negan, Daryl, Jesus P= Jesus, Daryl, Negan Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Daryl, Negan, Jesus P= Jesus, Daryl, Negan Fck, Marry, Kill: E= Jesus, Daryl, Negan P= Daryl, Negan, Jesus
Vincent Sinclair, Lester Sinclair, Bo Sinclair (House of Wax) Stab, Shoot, Drown: (both ask if you’re trying to kill them) E= Vincent, Bo, Lester P= Lester, Bo, Vincent Fist Fight, Get Drunk with, Share a Flat With: E= Lester, Bo, Vincent P= Bo, Lester, Vincent Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Bo, Lester, Vincent P= agrees. Bo, Lester, Vincent Fck, Marry, Kill/Kiss: E= Bo, Vincent, Lester P= Lester, Bo, Vincent
Castiel, Lucifer, Crowley (Supernatural) Stab, Shoot, Drown: E= Lucifer, Crowley, Cas P= Crowley, Lucifer, Cas Fist Fight, Get Drunk with, Share a Flat With: E= Lucifer, Cas, Crowley P= Cas, Crowley, Lucifer Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Cas, Lucifer, Crowley P= Crowley, Lucifer, Cas Fck, Marry, Kiss: E= Lucifer, Crowley, Cas P= Crowley, Lucifer, Cas
Sub Zero (Bi Han), Scorpion (Hanzo), Sub Zero (Kuai Liang) Stab, Shoot, Drown: (you’re really trying to kill us, aren’t you?) E= Kuai, Hanzo, Bi-Han P= Bi-Han, Kuai, Hanzo Fist Fight, Get Drunk with, Share a Flat With: E= Bi-Han, Hanzo, Kuai P= Kuai, Bi-Han, Hanzo Go to a Wedding with, Go to a Party with, Go to a Museum with: E= Hanzo, Bi-Han, Kuai P= Kuai, Bi-Han, Hanzo Fck, Marry, Kill: E= Hanzo, Kuai, Bi-Han P= Kuai, Hanzo, Bi-Han
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didn't expect to get this invested in The Next Generation so quickly but here I am now weeping over the end of "Skin of Evil". WHHYYYY.
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ziracona · 2 years
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Do gotta hand it to FO4; there’s something very poetic about The Railroad, a group taking its name from a forbearer that also at great risk smuggled slaves to freedom, made up of this small, struggling, regularly brutally purged, yet defiantly resilient group of civilians and liberated slaves, during the course of the game, operating and living out of a little church of historical significance, a symbol of freedom in its own right, living out of the crypts beneath it, among the bodies and the graves.
#everything about them is poetic and sad. it’s poetic and sad the last scripted Dialogue for Deacon’s first mission with the player is ‘End#of the line.’ Said happily about reaching escape. but also the quest name of the quest where you’re asked to walking into HQ & destroy them#there’s something poetic and awful and painful about how Deacon’s first personal remark to the Sole Survivor is that he’d take it as a#personal favor if they wouldn’t betray them to the institute since he vouched for them. it’s said laughingly. friendly. and the last thing#said to Deacon if the player /does/ betray them to the Institute is Desdemona’s ‘I should have known better than to trust your#recommendation’. before his desperate ‘I swear this wasn’t me. what the fuck’ and before they all die. there’s something deeply tragic and#poetic in that one of the women in HQ gives Preston caps excitedly and thanks him for the Minutemen. in that if you wipe them out with the#brotherhood you storm a church to be met by desperate civilian begging you to just leave them alone as they’re cut down pipe pistols to#power armor and Gatlings. not anger like the other factions. fear and desperation. pleading. trying to buy someone else time to flee#in that if Deacon isn’t in HQ when you destroy it if you turn on them he will hunt you down and try to kill you to avenge them. a#trait unique in every faction to him alone. In that they only move on the brotherhood when attacked. in that they attack the Institute to#save people not to destroy a threat. In that you find safe house after safe house with dead civilians in cloth.#in the way they’ve died many times before and someone always cares enough to pick up the pieces. in that every route points you gently to#them. but there’s nothing to keep them safe except choice. that even if you abandon them but don’t attack Dez will let you walk.#in the fact Deacon’s character exists at all. they are truly deeply overwhelmingly tragic. and it’s beautiful. and simple. just people#trying to do something that can’t be done forever knowing that for the days they can. everyone is standing in a host of ghost’s shoes#even the PC is given a dead man’s gun and can take his name. is recruited becuase they’re falling without him#and they live in a church among the dead in the crypts far from the light and their symbol is a lanter#Mama Murphy calls them the light in the darkness. truly. surrounded by it. but better to light one candle than to curse the dark#and hundreds of people have done so and died so that a few others could live. and they’re still doing it. and they don’t regret#Deacon calls them a family. P.A.M. stayed and helped for love of Glory. Carrington says Desdemona’s flaw is her heart - evidenced by her#allowing the PC to join or leave despite the risk they represent when the clinical call would be to kill them or another extreme measure.#and he’s right. but it’s also why they have a chance to live. Everything about them is about vulnerability and heart. Everything#fallout 4#the railroad#the railroad fallout 4
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marimbles · 3 months
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my favorite thing about zagreus is that he’s the ultra-cool prince of the underworld, son of the god of the dead, skilled warrior protégé of Achilles himself, tall dark and handsome, completely shredded, with the dopest heterochromia ever, leaving sparks in his wake while he struts around like he owns the place (cause he kind of sort of does). BUT he’s also the most pitiful, disaster-level idiot in the underworld.
He got fired from his nepo job for being lazy and unfit for office work. Whenever he talks to the worker shades in the admin office they all roll their eyes at him. despite his elite training he can only progress toward the surface with endless redos and the constant help of every Olympian AND Cthnonic god. his room is a dump. he’s absolutely terrible at playing the lyre. His outfit is designed after his dog. He is sopping wet from his last dip in the pool of Styx 100% of the time, and every time he fails at escaping the whole house can see his walk of shame while Hypnos loudly makes fun of him for dying AGAIN. And all of this is magnified 10x if you’re bad at the game. incredible story design.
Zagreus’s initial inadequacy makes for an even more compelling narrative that feels extra rewarding with each level of progression. And this is all reflected so well in his attitude as a character. He’s such a fascinating mix of brazen confidence and good-natured humility. He may seem like an entitled brat on the outside but he’s incredibly heartfelt and generous to those around him—not just to those of similar status but also to the nervous housekeeper and his angry ex and the trapped souls he comes across in his journeys. he goes out of his way to help people even while he is trying to reach his own goal. and he never gives up, even when it seems impossible. his repeated failures just serve to emphasize his greatest strengths: resilience, determination, hope, and genuine care for the people in his life.
what a character, man. what a game ✊
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“The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards
“maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay
You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?
Examples
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Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.
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Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!
My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.
Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.
*as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!
Here’s the thing: the possibility is not the issue here!
The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.
The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.
And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!
Eurocentric Beauty Standards
Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.
It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.
Examples
-Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.
-Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.
-“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:
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(It’s not even her natural hair color!)
-Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.
They came up with a figure similar to Kendall Jenner as the female option.
(Guys, we’re never getting out of here at this rate.)
-We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.
Appropriation:
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I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.
I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?
First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.
Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.
Acknowledge when you’re holding a bias:
For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.
Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.
Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.
White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.
Creating with Intent (and the lack thereof!)
(This is so important I made the header larger)
You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.
For example:
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credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!
I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?
Why This Matters
So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?
It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?
Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”
But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.
I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!
I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:
“Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”
Conclusion
So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?
We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.
When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!
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yuujispinkhair · 11 months
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Death's Bride
Death visits your village to reap the souls of the dying, and you end up making a deal with him. If he spares your sister's life, you will join him in his dark kingdom and become the woman by his side.
Halloween Masterlist 2023
Pairing: Sukuna x Reader (female) Genre: Dark Romance, fluff, smut Word Count: 14k Warnings: 18+, smut, dark content, mentions of death, gore + blood. Reader has to take her own life so she can join Sukuna in the afterlife. Sukuna is described as a fallen angel who became the God of Death. All characters are of age. This story is 18+. Minors don't interact.
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You know this is no mortal man who is walking towards you with his white cloak billowing behind him as he strides through your village, carrying himself like a king, while you lie on the threshold of your small house, breathing weakly, clutching the bag with herbs to your chest. You know this is no man. You know that this is Death coming to your village to collect what's rightfully his: The souls of the dying.
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It started two weeks ago. A strange sickness took root in your village and spread like wildfire. By now, almost everyone has been infected. For some, the sickness is easier to bear, and they are on the way to recovery by now. But others are at the end of their strength.
You are the only one out of your little family who is able to get up while your mother and younger sisters are still bedridden, trapped in fever dreams and violent shivers. You went out this morning to get more herbs, taking hours for the task because you were so shaky on your feet, weakened by almost two weeks of fever, your chest hurting from one coughing fit after the other. But you forced yourself to keep moving. You had to. Your family needed you. You had to prepare more tea to fight their fever.
You dragged yourself through the streets back to your small house, feeling dizzy and nauseous but driven by desperation. But you only came as far as the door before your legs finally gave out, and you broke down from exhaustion and ended up where you are now: Lying weakly on the threshold in the open doorway, staring in horror at the scene in front of you.
A tall, broad figure striding with large, strong steps through your village, dressed all in white with a long flowing cloak with a hood that covers the head of the man wearing it.
It sparks a memory inside you. Old tales whispered to you on long, cold winter nights when you huddled together with your little sisters to keep warm, and your grandmother, who was still alive then, told you those gruesome tales about him. The one who could walk freely between the realms of life and death. The Reaper of Souls. The Fallen. The merciless, cold-hearted God who ruled over the afterlife and held judgment over the souls of the dead.
Hysterical laughter bubbles out of your chest. You cannot look away as the huge man leans down over a crumbled body on the ground. The cobbler, who was always so nice as to accept homemade pie in exchange for a new pair of soles. He was one of the first who was infected. And now he broke down in front of his shop.
The white-cloaked figure extends a large hand and brushes over the head of the lifeless man on the ground. His touch has a frightening finality to it. As if you can see the life leaving the cobbler's body.
The figure in white straightens up again, and the wide hood of his cloak slips off and reveals reddish pink hair and a face more beautiful and otherwordly than anything you have ever seen.
You draw in a sharp breath as you stare at him. Now that you get a clear look, it is obvious that your mind wasn't playing tricks on you. This man really isn't human. You are looking at a creature beyond mortal limitations. You are looking at a God.
He turns his head at that moment, and a pair of glowing red eyes trap you in their intense gaze. Your eyes widen, and your breath comes out in short, panicky huffs. You know you wouldn't be able to move even if you tried as if his gaze alone holds enough power to shackle you to the ground.
He is here. The Fallen. The Grim Reaper. The God of Death.
And he starts walking in your direction with slow, sure steps. There is no hurry in his movements. He has all the time in the world because, after all, he is the end of all time for the ones he claims or a neverending cycle of the same suffering over and over again for the poor souls he decides to punish.
Behind him, bright red splotches appear, and you realize that those are flowers, blood-red spider lilies that grow out of the dirt, building a small path to mark where Death walked. It is a horrifyingly beautiful sight.
He carries himself like a King, walking through these dirty streets as if walking down a wide marble hallway in a castle. You suspect that even if you tried, you wouldn't be able to tear your gaze away from him.
His beautiful face is adorned with black lines. Intricate filigree patterns accentuate his angular features. The black symbols mark his otherwise flawless skin with a story of pain and sin. Your mind is suddenly flooded with the tales your grandmother told you on those winter nights long ago.
There once was a beautiful angel, the most powerful of them all. But he was too proud to abide by the rules, and so he was punished. His beautiful white wings got torn out of his flesh, and his skin was etched with the marks of the crimes he committed. He was cast out and cursed to become The Fallen. The one who claimed the throne of the afterlife, of the world beyond mortality. He took the reins, and from then on, his true name was forgotten, and everyone only called him by his new name, which was Death.
And now he is walking towards you. Strangely, you don't feel fear anymore, only fascination as you watch him approach.
He stops next to you, looking down at you with an unreadable expression. This close, you can see his face even more clearly, and your mouth opens in awe. He is devastatingly beautiful.
And so big. He is towering over you, tall and broad. From where you are lying on the floor, he looks like a mountain that is about to crush you.
"Are you here to collect souls?"
Your voice sounds weak and hoarse from coughing so much.
His glowing red eyes watch you intently for a long moment, and you think that he almost looks surprised for whatever reason. But then the moment is gone, and he nods. A slight smirk lifts one corner of his lips,
"Yes, but not yours, little one. It's not your time yet. Your body will heal again."
His voice is low and calm. He sounds soothing. Not at all how you imagined Death to sound. You were always scared of this mysterious figure you heard all those grim tales about. A terrifying, violent creature with blood-red eyes and monster-like fangs, a devil who brings pain and suffering.
But right now, you only feel calm. You feel strangely at peace with him here. His power emanates from him, so powerful that you can feel it on your skin and smell it in your nose. But it doesn't feel evil or threatening.
Instead, it feels comforting, like a warm bed with freshly washed sheets waiting for you to sink into and wrap yourself in its sweet comfort. Like the relief you feel after finally lying down after a hard day of physical labor, like the feeling of sinking into a hot bath that eases the tension in your limbs.
But that momentary feeling of peacefulness slips away again a second later when Death takes a large step past you. His feet stomp heavily on the wooden threshold next to your head, and with it, terror fills your senses.
"No!"
Your voice is a hoarse scream as you lunge forward despite your weakened state, your hand darting out to wrap around his ankle and cling desperately to it.
"Please don't go in there! Please don't!"
Your family is in there. Your younger sisters and your mother.
Your lips tremble, just like your hand, but you refuse to let go of the black leather boot that's slippery with mud. You cling to it, sobbing as you gaze up at Death through the hot tears clouding your vision.
He looks down at you, an elegant eyebrow lifted in a curious expression. He stares at your tiny hand wrapped around his ankle. You cannot tell if he is angry or amused about your pathetic attempt to stop him.
"Let go, little one. I told you, your time hasn't come yet. But I have to collect a soul from in there."
You are drowning in dread. And the words pour out of your lips, desperate and panicky,
"Please don't do it! Please take me instead! I am begging you, my Lord! Please spare them!"
Narrowed red eyes meet yours. He laughs softly and lifts his leg, effortlessly shaking your hand off. His low voice sounds amused as if you made a nice little joke.
"Look at you trying to negotiate with Death. You are a brave one. Foolish but brave."
Now you see how truly terrifying he is. Death knows no mercy. He doesn't just collect the souls of the old people who lived a long, fulfilled life. He claims anyone whose time has run out in the cruel hourglass that is life. He will go in there and take your mother or one of your sisters with him even though they still deserve so much more from life.
He looks at you with a cold, intimidating look in his red eyes. His mouth is set in a thin line, and his shoulders are pulled back, making him look even more massive. You cannot negotiate with Death. He is the God of the afterlife. There are forces at hand which every mortal is completely helpless against. Humans are all just little toy figures on the game board of the Gods. Or not even that. Just tiny, irrelevant grains of dust.
And yet, you cannot stop yourself from pleading with him.
"I don't care what you do to me! Take me with you! I am ready to die any death you see fit! Just please, please let my family live! My sisters are still so young. They deserve to see more of life! And they need my mother, she has to live too! But I am dispensable. Take me instead! Please! I will do anything you say!"
He watches you with amused eyes and a thoughtful expression.
"You're such an interesting one. You aren't dying, though. So I cannot take you to the other realm. But we could make a deal. I have to collect one soul from this house. I don't care whose it is. There is still time. I could still heal your sister. But only in exchange for another soul. You die, she lives. How does that sound to you? Are you still brave enough now?"
His red eyes watch you with an amused glint in them. Cruel excitement seems to fill him. You can't help but think that you are something like a strangely colored bug that he watches for his entertainment before he crushes it under the soles of his boots.
But you don't care. You refuse to avert your gaze, staring stubbornly into his otherwordly red eyes, your hands balled into fists as you nod.
"I agree. Please, my Lord. Please save her."
He chuckles softly, a low, amused sound, and his face lights up in a grin. He looks disgustingly delighted.
"I will, little one. But only if you seal a binding deal with me first. I spare your sister's life, and in exchange, you take your own life and let me take you with me. The moment you breathed your last breath, you belong to me, and I can decide what to do with your soul. I am in a good mood today, so I will be open about my plans for you. It would be a waste to send you back here as a curse that haunts your family. Instead, I want to keep you by my side. I could use someone who looks after my temple and warms my bed. I could use a bride. What do you say, little one?"
You can see that he is amused, that he expects you to decline after hearing his plan for you. But you don't. For a moment, you stare at him, horrified by what his words imply. But you shake yourself out of it, driven by a desperate conviction. You cannot let your little sister die today. You could never live with the guilt of knowing you had a chance to save her and let it pass. You will do what it takes. Even if it means following Death into his dark kingdom and giving your body to him. You swallow hard, lips trembling as you answer him,
"Alright. I will be your bride and look after your temple. I agree to your terms. Now, please hurry up and save her!"
More laughter falls from his lips. His red eyes glitter like two precious rubies. He sounds pleased when he says,
"You're a fearless one. I like that."
His red gaze never leaves yours as he reaches inside his cloak and pulls out a wicked-looking dagger.
"Here. Do it. End your life, and let me collect your soul. The moment your soul belongs to me, your sister will wake up from her fever dream and recover from the sickness that has befallen her."
You gulp hard, fear squeezing your heart tightly, as you stare at his large hand wrapped around the golden hilt of the dagger, his red eyes watching you challengingly, watching if you will really fulfill your part of the contract.
You are scared suddenly, your breath coming out in short huffs. You feel lightheaded, adrenaline pumping through your veins, making stars dance before your eyes.
Maybe this is how things are. No matter how prepared you are for Death, when he comes to really collect you, you feel fear after all. Fear of the finality of it all. There is no way back after you take this step.
But you don't hesitate. You press your lips together tightly and take the offered dagger out of Death's hand.
The moment you hold the heavy weapon in your grasp, Death's large hand wraps around your wrist, and he pulls you to your feet, making you stand before him.
He is so much taller than you, even now when you are standing. You have to tilt your head back to look into his eyes. He looks even more intimidating up close. Powerful, strong, unrelenting. A cunning business partner who is waiting for you to fulfill your side of the contract. A contract you pay for with your life.
You half expect him to taunt you, and it makes you clench your jaw and stare up at him defiantly. But to your surprise, there is no mockery in his low voice when he speaks up again.
"Have no fear. You won't feel any pain. I will make sure of that."
His words bring tears to your eyes, making them spill over with the hot salty liquid as your chest fills with comfort, finding solace in the fact that Death apparently knows mercy after all.
Your hand is trembling violently, but you bring the sharp blade of the dagger to your neck, gazing up at Death as you do so, looking deeply into his glowing red eyes as you slice your own throat.
The sharp metallic taste of blood fills your every sense. You taste it, you smell it, you feel it hot and wet running down your slit throat and your chest, you hear it gurgling in your mouth when you try to speak.
But Death leans down to take the bloodied dagger from your hand. His other hand cups your cheek. It's so large against your face. But his touch is gentle as if he is holding a thin, fragile porcelain cup,
"It's fine, little one. You did well. Brave until the end."
His voice is soothing. Low and calm, almost seductive. Like a lover luring you into his comforting embrace. You lean into his touch, smiling weakly when you feel his thumb caress your cheek soothingly.
Black spots dance before your eyes, and you feel so tired. You see his lips move, but you can't hear anymore. Your legs and hands feel numb. You fall forward, but strong arms catch you.
You feel yourself get swooped up into Death's strong arms and pressed safely against his broad chest. You feel him move as your head lols back weakly. The ghost of a smile tugs at your blood-stained lips. He carries you like a groom carrying his bride to the bedroom on their wedding night.
How fitting. After all, you are truly his bride now.
If you weren't so weak, you would laugh at the commentary your delirious mind provides.
By now, your vision has vanished completely. The only thing you are still aware of are his arms around you. It's peaceful and warm. As painless as he promised. You feel one last weak throb of your heart. And then it's only sweet, comforting darkness and the feeling of those strong arms carrying you safely across the border from mortal life into Death's dark kingdom.
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You wake up feeling rested and comfortable. Your eyes are still closed, and you sigh contentedly, snuggling deeper into the soft and warm sensation of a silky pillow and blanket.
In the back of your mind, some strange warning tugs, but you are too wrapped in the luxurious feeling of being well-rested after a good night's sleep to pay it much attention. You can't remember the last time you felt rested like this. It was hard since your father died. You are the oldest daughter and had to help your mother raise your younger sisters. You were the one who had to do most physical labor, working on one of the farms day in and day out. Your body constantly ached somewhere.
But not today.
You sigh happily, stretching your limbs and marveling at how soft the bedsheets and the blanket feel against your naked skin and how large the bed is.
That's when the little voice in your head becomes too loud to ignore. You blink in confusion and open your eyes.
You are in a large room with marble walls decorated opulently with red and gold murals. Red candles are flickering in large lanterns. A fire is crackling in a beautifully decorated hearth. The bed you are lying in is huge and definitely not made for only one person.
You gasp and sit up, looking around hastily.
There are two red pillows and two red blankets, and everything is made of the finest silk. As if you are in a King's bed chambers.
And, suddenly, you remember everything.
The sickness haunting your village. Your dying sister. Death walking towards you. The deal you made with him. The dagger in your hands. The blood. Strong arms carrying you. You remember him. Death himself. Your bridegroom.
Instinctively, you grab the blanket and wrap it tightly around your body, feeling exposed and vulnerable. Your heart is beating wildly, and it makes you feel nauseous. You still remember the feeling of your heartbeat becoming slower and slower before it finally faded away completely. You remember dying.
And yet you are here now, breathing, feeling the silk on your skin, feeling the thrumming of your heart. So very alive, even though you know you can't be.
And so very naked in a man's bed. Or not a man's bed. In a God's bed. In Death's bed.
At that moment, the large door opposite the bed opens, and you wince in fear. You clutch the blanket tightly against your body, staring at the door with wide eyes.
He stands in the doorway, his pink hair almost brushing against the doorframe. Tall and massive. He looks intimidating even without the white cloak he wore when reaping souls. Even the way he is dressed right now, as if he just woke up too, with only a pair of black pants on his muscular body. His feet and chest are bare.
There are more tattoos on his body, matching the ones on his face. Black lines decorate the defined muscles of his chest and stomach, as well as his strong arms.
He could almost be a human man. Almost. But those glowing red eyes tell you otherwise. Those are the eyes of a mythical creature. The eyes of a God.
And you feel like a small animal trapped in that gaze as you sit there on his large bed, naked except for the silk blanket wrapped protectively around yourself, unable to move as you watch him walk into the room.
He moves gracefully like a big cat, even though he is so tall and muscular. A slight smirk lifts his lips as he approaches the bed. His red eyes never leave your small figure huddled in his blanket.
"Ah, I see you are awake."
"What... what did you do to me?"
The words have left your mouth before you can stop yourself. Confusion and fear make you blurt out mindlessly. You are distraught by the memories of slitting your own throat, by the feeling of dying. And you are terrified by the knowledge that you are naked in Death's bed. Terrified by what he might have done to you in your sleep. On the other hand, maybe it would be better for you not to have been awake for what he did.
He falters for a moment, his beautiful face shadowed by a frown as his red gaze bores searchingly into yours.
"We made a deal. Can you not remember? Your life in exchange for your sisters? You agreed to follow me here."
You nod firmly,
"Yes, yes, of course I remember."
"When what..." he starts, but then comprehension seems to dawn on his features, and he laughs, sounding mocking, his eyes glittering amusedly when he continues,
"Don't worry. I didn't touch you while you were unconscious. Where would be the fun in that?"
Oh.
You feel some of the worst tension leave your body, a long breath you had been holding finally finding its way out of your lips.
"But why am I... naked?"
"You were dirty. Do you think I would let you sleep in my bed like that, full of dirt and blood? My servant undressed you and cleaned you and put you in my bed."
So you were right. This is his bed.
"Why am I in your bed?"
He huffs at your question as if you asked something utterly stupid.
"Because you are my bride. Of course, you sleep in my bed. We have a deal. So if I say you sleep in my bed, you will sleep here. Is that clear?"
You lick your lips nervously, feeling fear tingle under your skin at his imperious tone and the intense gaze out of those unnervingly red eyes.
You quickly avert your gaze, bowing your head obediently,
"Yes, my Lord."
"Sukuna."
You blink and lift your head again to look at him questioningly.
"What?"
"That was my name before I became Death. Sukuna. I want you to call me that from now on."
He sighs, and the stern expression on his face becomes softer when he adds,
"It would be uncalled for my bride to address me with my title. I am Sukuna for you. Your betrothed."
He says his own name with a slight tilt in his voice as if he isn't used to saying it. Maybe he isn't. It must have been a very long time since he told someone his name. Maybe eons.
You gulp hard.
How strange it is to be here with him. To talk to him as if he is a regular mortal when he is so much more than that. He has never even been human. He is a being so ancient and so powerful, so crucial to every mortal's existence, that your head spins just from trying to imagine it.
But you force yourself to be brave and look at him.
He is right. You agreed to his terms. And he did his part. He spared your sister. Now, it's your turn to fulfill the rest of your side of the contract.
You are still trembling and hugging the blanket tightly to your naked form, but you look bravely into his eyes and give him a polite nod,
"Of course, Sukuna. Thank you for saving my sister. I will be a good bride for you."
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A day ago, you were a mere mortal. One of millions who were caught in the hands of fate. Working day in and out to stay alive, always hoping, begging, praying to have more time and to see your loved ones live a long life too, while all of you were exposed to the threat of Death cutting your lifespan with his sword at any second.
Now, you are beyond that. You died, and you came back again. Brought back by Death himself, the Master over every soul who left the mortal world behind.
From this day on, you reside in the afterlife. From this day onwards, you will be Death's Bride and live your new life, or rather your afterlife, by Sukuna's side.
He tells you that you are free to move around in the temple. When you ask if you are also allowed to go outside, he lifts an elegant eyebrow and seems strangely amused, as if you asked something stupid.
"You can also go outside. But I don't think you will find anything interesting there, little one."
You don't know what he means, but accept it and take the fine clothes his loyal servant Uraume brings you. Everything is made out of the finest silk. A fabric so luxurious and soft that it feels like a caress when Uraume helps you get dressed. You gulp when the servant puts jewelry on your neck and wrists. Heavy gold and pretty jewels, red rubies that glitter in the same color as your groom's eyes.
Sukuna's temple is enormous and luxuriously furnished. Not at all like the tiny, shabby house you grew up in. But you cannot claim that this temple is better than your old home because, contrary to the vivacious atmosphere of your former home, Sukuna's house is eerily silent. A silence that feels haunting.
You don't dare walk too fast so as not to make any loud noise. You catch yourself whispering because your normal voice sounds too loud in these empty halls. It's a ghostly place. The silence feels too heavy, almost tangible. Something that can easily drive a person into madness.
You try to focus on the little noises that are there. The little signs of existence, like the sound of water flowing into the large bath. Or the sound of the doors sliding open and closed.
It takes a while to explore the whole place. To see all the large rooms with their rich tapestries and carpets. Gold and rubies shine and glitter everywhere. But a lot of the rooms look too clean, too perfect. There are no signs of someone actually living in them.
It is lonely here.
Maybe this is why Sukuna was willing to make a contract with you that would bind you to him and make you join him here. Maybe he was looking for a companion, or just a pet, to amuse him in this everlasting silence.
It is not like you are a servant here, as Sukuna made it sound at first. You assumed you would tend to him, clean his temple and clothes, wash and cook for him. But that isn't the case. His servant, Uraume, takes care of those tasks. They mostly remain invisible, like a ghost, taking care of everything for their Master, seemingly manifesting out of the shadows to bring you fresh clothes and oils and wine.
You ask them timidly what you are supposed to do, and they shake their head to inform you that you are just here for Master Sukuna's enjoyment.
A statement that makes a shudder run through you.
You have been here for three days, and so far, he hasn't laid a hand on you, maybe because he was away most of the time, apparently reaping souls on a battlefield.
But he demands your presence at dinner with him, where he sits across from you at a large table, and those gleaming red eyes never leave you. He is polite, asking questions about your day and how you like the jewelry.
And he joins you in the large bed every night, naked, with his tall and broad body full of solid muscles and black lines unashamedly on display for your terrified gaze.
You try to tell yourself it is the shock that makes you unable to look away from him when he undresses next to the bed and then slips in. But a little voice in the back of your mind whispers treacherously to you that maybe it is because Sukuna has an undeniably beautiful body.
"You're getting quite intimate with Death, my dear, aren't you?"
His amused low voice makes you hastily look away and hide your face in the silky pillow, heart racing nervously. His mocking laugh makes goosebumps creep over your skin. But he doesn't seem mad. He is just amused once again.
"Don't be shy, little one. Look all you want. You'll have all the time in the world to explore this body."
You bite your lip at his words, your body tensing up under the blanket when a large hand lands on the nape of your neck and slowly slides down your spine. Your heart is fluttering, and you don't dare breathe. But he pulls his hand away after a moment.
You slip to the edge of the bed, as far away from him as possible, your arms wrapped tightly around yourself, knees pulled up, curling into yourself, instinctively trying to protect yourself as if it would help anything against this God in your bed.
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The more time you spend in Sukuna's Kingdom, the more you realize that this is really death. It is the absence of life, the absence of sound, and plant- and animal life. You begin to understand that the once graceful angel Sukuna really got punished. This here is his suffering, his punishment. The loneliness, the absence of life that so suffocatingly surrounds him at all times.
But he was cunning enough to cheat and take his chance when you offered it so beautifully to him. Now, it is the two of you here in this dead place.
It's truly a lonely place. Maybe that's the definition of hell. To be trapped in a beautiful temple that holds all the riches the world could offer but lacks life, lacks the connection to other beings.
You try to befriend Uraume, but they seem to vanish when they aren't busy with some task. Your attempts at chatting with them get declined with a polite but stern bow and a "Please forgive me, my Lady, but I must ask you to refrain from distracting me from serving Master Sukuna."
You meet no other being aside from Uraume and Sukuna.
The worst thing is the eerie silence. It almost drives you crazy. It makes you stomp your feet loudly just so you can reassure yourself you are still able to hear. It makes you slowly push open the large gate that leads outside in a desperate attempt to find anything living.
The rich opulence inside Sukuna's home is a stark contrast to what greets you when you finally step outside the temple.
A seemingly endless wasteland stretches before your eyes. There is no sky above you. It feels like you are in an enormous cave with a ceiling so high your vision cannot reach it. Eternal darkness lives in this place. Cold with icy winds and a rotten stench of iron and decay.
It's gruesome. Hopeless.
You press a hand over your nose and mouth and stand there wide-eyed, staring at the endless darkness in the distance. But as frightening as it is, the complete darkness in the distance is a blessing compared to what you see in the strange, dim, reddish light surrounding Sukuna's temple.
A vast crimson-red sea surrounds the island upon which the temple is built. The color and the stench make you ask yourself a question to which you already know the answer. Yes, this sea must be a sea of blood.
You shudder as you take a tentative step closer to the crimson-red liquid at your feet. You gulp hard as you lift your head to look straight ahead. There is a narrow path leading through the sea of blood, a path that is made of stones and other shapes. Shapes that look too similar to bones to be a coincidence.
But at the end of that path is something even more horrible. A massive pile of bones. It is so high that it seems like a small hill. And on its top is a large throne made out of skulls.
This must be the place from the tales you heard whispered.
Death's throne.
This must be where Sukuna holds court and decides on the fate of the newly deceased. Some will move on to eternal peace. Some will suffer forever in the fires of the afterlife. Some will be forced to return to the mortal world. But not as humans but as empty shells. As curses that were laid upon them by others.
A heavy hand lands on your shoulder, and you scream.
You whirl around wide-eyed, only to stare into the smirking face of your soon-to-be husband.
Sukuna's red eyes wander slowly from your face to his throne in the midst of the sea of blood and back again to your face, looking deeply into your eyes as he says in his low, velvety voice,
"I see, you found my throne. You can sit next to me up there if you wish while I pass judgment on the newly reaped souls."
You shake your head frantically.
"No! No, there will be no need for that!"
He raises an elegant eyebrow and huffs softly.
"Such a pity."
But he leaves it at that. His white coak billows behind him majestically as he strides back into the temple, and his soft laugh carries over to your ears, amused, maybe a bit mocking.
You follow him hastily, not wanting to be out here any second longer.
You plan to never set foot outside again after that. It's easier to pretend when you are inside the temple. It's easier to pretend that you are not in the middle of literal hell.
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You aren't sure how many days or weeks have passed since you arrived in Sukuna's Kingdom. Time is nonexistent here. There are no seasons. There is no night and day. You have dinner at appointed times, and you go to bed where you still slide to the far end of the bed. But you have no idea if the days have the same hours as in the mortal world.
It might be a week, maybe since you were brought here when Uraume informs you while dressing you in the morning,
"Tonight, the wedding ceremony will be held. I will bathe you and dress you in your wedding dress later on."
And you feel like you are falling. Falling deeper and deeper into darkness so absolute it feels like velvet brushing over your skin as it swallows you wholly.
You knew this was coming. But it still shakes you to your deepest core. There is something so final about becoming Death's bride. You know you will be here forever. You will be Sukuna's forever. Bound to him by a promise, by a contract, by a union of bodies, maybe by blood too.
The wedding dress is the most beautiful dress you have ever seen. White silk, so delicate it looks like a mere spider's web. Your skin shimmers through it. The dress clings to your curves, showing your body almost as if you are naked. It looks like the dress of a Queen. Or a Goddess.
"Master Sukuna wanted the finest wedding dress ever made for his bride. You should be grateful and wear it with pride."
The disapproval in Uraume's voice is evident as they catch you crossing your arms timidly in front of your breasts, trying to hide your body.
When you walk towards your groom, you hold your head up high, clutching the wedding bouquet of spider lilies tightly in your hands, your gaze glued to Sukuna's glowing red eyes, trying your best to be brave.
You play along and do what Uraume instructed, extending a hand so Sukuna can take it and let him lead you to an altar. You are brave. You don't flinch when Sukuna takes the same dagger that you took your life with and touches it to your wrist, cutting your skin lightly.
No blood is welling up from the wound. Another mystery. What are you now? You feel a heart beating in your chest, but you don't bleed. Is anything you feel even real? Or is the beating of your heart just a phantom sensation you remember from being alive and refuse to let go of?
You feel lightheaded as you stare at the thin wound on your wrist, but only for a moment because then Uraume hands Sukuna a tray with a small pot with a black liquid in it.
You know what is to come. Your husband is marking you as his, filling your wound with the black liquid, giving you the same markings he bears.
He doesn't kiss you but stands in front of you, so close that you feel his warmth. One of his large hands cups your cheek, his thumb brushing slowly over your lower lip before it pushes into your mouth and feeds you some of the black liquid he marked you with.
"Take my sin into you and become mine for all eternity. Be my companion in this eternal darkness, like I will be yours."
There is something in his voice and about his choice of words that makes tears prick at your eyes, but you will them away and repeat his vow.
He takes you that night for the first time, consummating your marriage by pushing you onto the bed, one of his large hands pressing your face down into the silken pillow, as Sukuna settles over you.
You clutch the pillow tightly between your fingers when you feel his heavy weight pressing your body down. You tell yourself to be brave and obedient, but you cannot stop a muffled cry from falling from your lips when his huge cock splits you open and claims you for the first time.
He takes you with deep, thorough thrusts. The initial pain vanishes after the first few thrusts, and after that, your union isn't exactly painful anymore, but it feels frightening how full you feel, how stretched out. You have never lain with a man before, but even if you had, you know no mortal man would have been able to prepare you for your wedding night with a God like Sukuna.
He is so big, so strong, taking you unrelentingly while you tremble in his arms, knowing you could never run from him even if you chose to back out of your contract with him.
His large hands are placed on each side of your head, his lips trail over your neck, sharp teeth grazing over your skin, while he snaps his hips and makes you feel like you are getting crushed anytime his heavy weight presses you down onto the bed.
There is no love in this union of your bodies, but it's not like you were as naive as to ever imagine your wedding night to be filled with love or tenderness.
You always expected to marry out of convenience. A girl like you couldn't afford the luxury of love when picking a husband. You had a family to look after. Maybe it would have been one of the farmer's sons if you were lucky. You would have given birth to his children in exchange for a relatively comfortable life for yourself and your mother and sisters in one of the big farmhouses.
You never were so foolish as to believe you would have a loving marriage. So this wedding night with Sukuna isn't that much different from what you were expecting in your future anyway.
And so you grit your teeth and take his cock obediently, letting him use your body to satisfy his desire until you hear his low groans in your ear when he finds his release and fills you with his warm seed.
You are a good bride.
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You know you aren't expected to work, but you find your way into the large kitchen anyway, standing behind Uraume as they prepare a meal.
Sukuna has been gone the whole day, and there is only so much staring at the ceiling while lying in your bed that you can do before you inevitably go insane. So you went in search of the only other living being down here, hoping they wouldn't send you away.
"Do you need help with the cooking? Can I maybe chop some ingredients or something?"
Sukuna's servant sends you a cold gaze over their shoulder, looking at you as if you offended them by the suggestion alone.
"I have spent eons preparing Master Sukuna's meals, my Lady. I don't need any help. And you aren't a servant here. You should do other things."
"But... but that's not what I meant. I am sorry if I offended you. The food you cook is always perfect. I just...I am looking for something to do and for some company maybe. Can I please assist you? There is nothing else to do here."
Uraume sighs, but they nod slightly, and you feel relief wash over you. They wave you over, hand you a knife, and point to a cutting board where a small pile of vegetables is waiting to get sliced into little pieces. You smile at Uraume and murmur a soft thanks, going to work immediately.
"Uraume? Can I ask you something? Does Sukuna even need to eat?"
It's something you have been curious about since the first time you sat across from him at the large dining table. You don't feel any hunger since you woke up here in the afterlife. Why would someone who is already dead need food? But you eat because you feel like it is required of you in your role as Sukuna's bride. It made you wonder, though. Why would a powerful being like Sukuna need to eat? Or does he just do it because he likes the sensation of eating?
Uraume watches you warily for a long moment, probably contemplating whether they should chat with you about Sukuna. In the end, they sigh softly and answer you,
"Master Sukuna doesn't need any food. But he wants to eat."
Uraume hesitates for a moment, their hand with the knife hovering over the meat they are currently chopping, but then they add softly,
"In the heavenly realms, they have big feasts all the time with as much food and wine as one can imagine. Even after The Fall, Master Sukuna didn't want to give up on that. He was supposed to have a life void of all those joys, but he evades that form of punishment by consuming the food I prepare for him with ingredients I collect from the mortal world. Of course, it's not quite the same taste as the foods prepared in the celestial realm, but for the ingredients I can obtain, it is the best food he can get."
It makes sense.
You can't help but chuckle softly as you realize that eating a four-course meal every night is Sukuna's little ongoing rebellion against the ones who turned him into The Fallen.
It somehow makes you see your husband in a different light. It makes him seem a little more human. A little more relatable. You have been there, too, several times, feeling the desire to do something out of spite when someone tries to forbid you something.
That evening, you watch him closely while he eats the meal Uraume and you prepared for him. For the first time, you take in how much he seems to treasure the food served to him. He takes his time eating it, letting it melt slowly on his tongue, taking in all the different flavors, and his eyes close in pleasure when he savors the taste.
It almost makes you feel sorry for him and for what he lost when he got cast out of heaven.
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You never wanted to set foot outside the temple again after seeing the endless wasteland and the sea of blood. But your curiosity gets the better of you when Sukuna informs you he will be holding court today, and you watch him slip into his white cloak and walk through the huge doors of the temple towards the path that leads to his throne.
You follow him after a few minutes, unable to resist the lure his words have on you.
A horrifying sight greets you. The sea of blood is filled with a large crowd of shadowy figures. The bloody waters are shallow, only reaching up to the knees of those standing in it. But none of them look down. They all have their heads tilted back to look up at the imposing figure who thrones over them. Atop the gruesome pile of bones, sitting on his throne of skulls, is Death.
He looks bored. His long legs are crossed casually one over the other. His chin is resting on the back of one hand while his eyes trail slowly over the souls standing before him, awaiting his judgment.
Eyes that glow blood-red, vibrant like two lights in the dark, standing out frighteningly in the dim light of the afterlife.
He is beautiful and terrifying.
You can see the immeasurable extent of his power and can even feel it as if it is a physical thing that surrounds you, making the air thick and filling your senses with dread. A dread that comes with the absence of all hope.
Sukuna is the King of the Afterlife. The God of Death. There is no escape from him. Every living soul will one day end up here and stand before your husband.
A shiver runs down your spine at the thought. You instinctively hug yourself even as your gaze stays glued to the scene playing out in front of you.
As expected, Sukuna is unrelenting in his judgment. There is no mercy to be expected when he makes his decisions. He isn't swayed by the cruelty of the fates of the ones standing before him, no matter how tragic they are. His decisions are rational and brutal at times. And yet, after you stood there for several hours and watched him, you have to admit that his judgment is fair. Of course, he won't revive anyone. But he assigns an appropriate ending to their lives. He punishes the ones who did evil. He transforms the ones who got cursed. He leads the ones who are innocent to their eternal sleep.
When the last soul has vanished in a cloud of red smoke, Sukuna gets up from his throne and slowly walks back toward the temple. His movements are graceful, making you watch him with a feeling akin to admiration.
His red eyes land on you, and for a split second, a surprised expression crosses his beautiful features.
When he reaches you, he stops next to you with a content expression on his face and a small smirk lifting the corners of his lips,
"So my bride watched after all, hm? I am pleased."
You nod at him, and to your surprise, you see his smirk turn into a smile.
One of his large hands reaches out and lands on your head. Long fingers brush over your hair, petting you for a brief moment before he pulls away again and continues walking toward the temple.
You feel strangely light-hearted when you fall into step behind your husband.
When he takes you that night, he is gentler in the way he handles you. He doesn't press you face down into the pillow like he usually does, but instead rolls the two of you to the side, entering you from behind while you lay in his strong arms and his large hands trail down your body, cupping your breasts and rubbing circles over your belly.
His lips graze your earlobes while his low groans and murmurs fill the room,
"You're a good little bride."
You don't know whether it's his words or the way he snaps his hips that makes you clench around his thick cock and exhale a surprised moan, as for the first time, you feel thick syrupy pleasure explode inside you and spread through your whole body in warm crashing waves.
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Your husband is often away. In the mortal world, reaping souls. You know that anywhere he goes, he brings devastation and fear. But when he comes home to you, he brings a certain comfort with him, as strange as it sounds.
You are almost glad when Sukuna's tall, broad figure walks into the wide double doors. It is very lonely here and scary at times when you become too aware of where you are, and the silence becomes too suffocating. Sukuna's presence brings comfort. His low, calm voice helps you drift away from that brink of madness you sometimes feel yourself drifting towards when you are alone with your thoughts for too long.
Your husband is Death, but to you, he is the only sign of life you meet down here, and that is enough to make you drift towards him when he is at home.
He is terrifying because of his role in this cycle of life and death. He is terrifying because he symbolizes the end. His position is terrifying. But the man Sukuna doesn't seem so bad.
He treats you well. He is polite. And as long as he looks at you and talks to you, you feel real. You still exist. You aren't gone. You aren't a ghost or a curse. You are very real and corporal.
You catch yourself following Sukuna around, watching him while he polishes his sword and the various daggers he carries. Watching him when he sits comfortably on the bed with books spread around him, reading and making notes.
His red eyes find yours and narrow in a frown.
"You've been staring at me for half an hour. Do you have nothing to entertain yourself with? What are you usually doing while I am away?"
The question catches you off guard. Is he mad at you? Is he accusing you of being lazy?
You look nervously at him,
"There isn't a lot to do here... I mostly just... wait? I sleep a lot, I take baths, and I help Uraume in the kitchen. Is there anything you want me to do?"
He blinks at you and shrugs.
"Why don't you find a past time? I showed you my library. Why don't you spend your days there and read?"
You feel shame wash over you. You get treated like a noble woman here by the King's side. But you have always been just a poor peasant from a dirty little village where the only thing that mattered was physical labor.
"I never learned how to read."
Sukuna's red eyes widen, and he stares at you for a long moment before he finally says firmly,
"Follow me."
He gets up and walks toward the door without bothering to check if you follow him. A man who is used to everyone obeying his commands.
You quickly scramble to your feet, bunch up your dress, and do as he says. You have to walk fast to keep up with Sukuna's large steps, probably looking pathetic as you hurry after him. But he doesn't comment on it. There is an amused smirk on his beautiful face, though, when he waits for you at the door that leads to his personal library.
It's a vast room with large shelves filled with so many books that you suspect he must own every book that has ever been written.
"Sit."
Sukuna's low voice is demanding, but you can hear the tint of amusement in it as he points one long finger to one of the large armchairs.
You nod and sit down, watching Death stride through his collection of books and pull several books from the various shelves, which he then places on the small table next to your armchair.
"I will teach you how to read. These are all books that contain very little text. We will start with those."
Your head snaps up, and you stare at him, caught off guard and astonished by his offer. Why does he care whether you have something to do in your time here or not? Why does he take some of his precious time to teach his bride, who he claimed is only here to warm his bed, how to read?
At the same time, you feel a shudder run through your body, feeling flustered suddenly as you realize that this means you will spend a lot of time with him.
Holed up in Death's personal library, where he sits so close to you that his large hand brushes against yours anytime he turns a page. So close that his breath caresses the skin of your neck anytime he tells you something in his low, velvety voice. You find it hard to focus on his words, too distracted by the warmth emanating from his tall, muscular body.
He takes you almost every night, but somehow, those hours spent with him in the library where he teaches you how to read feel much more intimate than the nights spent under his heavy body.
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Sometimes, Sukuna returns home as immaculately looking as he left. His white cloak clean, his beautiful face flawless. But at other times, he comes home covered in dirt and blood from walking over a battlefield or through a slaughtered city.
On those days, you help him shrug out of his stained clothes and then lead him to the large bath, where you join him in the hot water to wash the blood and dirt off his muscles.
It is something he demanded from you.
"Why should I wash myself when I have a perfect little bride to do that. Isn't it your duty to serve me? Now take off your clothes and join me in the bath."
At first, it took all your bravery to slip out of your clothes in front of his wolfish gaze and smug grin. But now, it is no cause for shame or discomfort anymore. You are used to being naked in front of Sukuna. Used to getting claimed fully by him.
But it's not just that, you realize as you slip into the hot water and walk towards your husband.
By now, you feel a certain pride in this. Sukuna is Death. He is a God. A being that seems untouchable with all the power he holds. But you are allowed to touch him. You are allowed to invade his personal space.
There is something so intimate about straddling his lap here in the hot water, naked skin on skin, as you cup his beautiful face with one hand and use a washcloth to wipe the blood off his skin and wash his hair. A certain bond blossoms between the two of you when his muscular arms encircle you, and his red eyes watch you intently, glittering like two rubies in the flickering candlelight while he lets you take care of him. There is a certain softness in the way he thanks you for cleaning him despite his former claims that this was your duty to him.
It's during one of those shared baths when Sukuna kisses you for the first time.
He has claimed you almost every night, had you under him or in front of him, or made you be on top and sit on his large, heavy cock while he lifted you up and down and rolled his hips to thrust deeply into you. He made you bury your nose in his pink pubic hair while he used your mouth for his pleasure, made you choke on his copious amounts of seed, or sneered when he pulled out in time to shoot it all over your face and naked breasts.
He claimed you in every way a man can claim a woman. But he never kissed you.
In all the months you have been here by his side, Sukuna never kissed you until this afternoon here in the large bath where you sit on his lap and wash the blood off his face.
Your face is barely inches from his as you scrub at the dried blood on his right cheek when you feel one of his large hands trail up your back slowly. A caress that feels too gentle for a being like him. Your eyes flicker to his, and you see him watching you intently with an unreadable expression in those glowing red eyes.
Before you can go back to scrubbing at the blood on his cheeks, you feel his large hand cup the back of your head and pull you closer.
Your eyes widen when Sukuna's lips touch yours. They are surprisingly soft. His kiss is slow at first, lips barely moving against yours. But it grows more passionate quickly. His large hand tightens its hold on your hair, his mouth opens against yours, and his velvety tongue licks over your lips before pushing between them.
You shudder, not able to tell if it is from fear or pleasure. But your eyes fall shut, and your hand drops the washcloth. Your arms link behind Sukuna's broad neck. You open your mouth willingly for him, letting him in further, licking against his tongue experimentally, surprised at the heat that it makes throb in your core.
A soft growl is heard, and you can't tell if it's coming from you or Sukuna. But you know that his arms tighten around you and that you press your naked breasts against his muscular chest as you push your tongue eagerly against his, caressing it with a hunger that you didn't know you possessed.
You feel an all too familiar hardness growing beneath you, but instead of dreading it, you press against it eagerly, allowing yourself to fall into those hot, red feelings of desire and need. Allowing yourself to dive into those stormy waves of carnal pleasure, embracing the comfort and freedom it offers you.
This time you shudder in pleasure when Sukuna's thick cock pushes into you. This time, you gasp needily when his large hands knead your flesh, and his nails dig into your skin as he lifts you up and down on his throbbing hardness. This time, you meet the snaps of his hips eagerly, taking him deeper, making the act faster and more passionate as you ride him shamelessly until you are both grunting and gasping loudly, and the warm water splashes out of the large tub anytime your bodies connect in those passionate and frenzied moves. Both of you cry out loudly when your pleasure reaches its peak at the same time.
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When Sukuna is at home, you can almost believe you are living a normal life in the mortal world. Of course, a life very different from your former one. A life as a princess, maybe, or a queen, who is living in a castle, wrapped in luxuries, with nothing to do except improve your newly acquired reading skills and help your loyal servant prepare decadent meals that you eat with your husband before he leads you to your opulent bed chamber where you both read and share the occasional laugh about an amusing passage in a book until your low moans fill the room while your lips and bodies meet in a passionate union.
You almost succeed in pretending that you are still alive.
Almost.
But then Sukuna leaves the temple to fulfill his duty as Death, and you become too aware again that the windows are only enchanted to show day and night and a blurry landscape instead of the eternal night and the nothingness surrounding Sukuna's temple.
And that's when you feel the unsettling presence of the complete silence choking you again. That's when you feel the absolute absence of life closing in on you again as if the temple walls are moving closer and closer to you.
You can only escape for so long into the fantasy world of the books you are able to read now. And Uraume isn't very helpful with how they seem to avoid you except when dressing you or cooking with you.
You catch yourself humming under your breath to comfort yourself. The humming turns into soft singing. At first, you feel a bit weird about how loud your voice sounds, but soon, you become braver and sing at an average volume, unafraid of how your voice fills the marble rooms of the temple with its clear sound. You are surprised by how many songs you remember. Songs from your childhood, folk songs from your village, popular songs from the big cities you heard performed at the harvest festival every ear.
You get so comfortable with it that you don't think twice about singing, even when Sukuna is at home. You only realize what you are doing when you hear him chuckle softly behind you, and you gasp and stop singing and turn around to see him standing in the open doorway, leaning against the door frame with his muscular arms crossed in front of his broad chest, his white cloak painted with the scarlet pattern of a soul claimed.
He smirks at you,
"Don't let me interrupt you. I am just unfamiliar with such sounds here in my domain. But it sounds lovely. Keep singing for me, my little bird."
You feel intimidated all of a sudden now that his red eyes are watching you, but you swallow down the nervousness and continue singing the song you were in the middle of before Sukuna entered the room. A song as old as your village, kept alive from generation to generation, speaking of the human longing for company, a home, a fire to keep you warm, and a love to comfort you.
Sukuna's gaze is glued to you, a strange emotion flickering over his god-like features. Something akin to longing, you think. Something akin to sadness even. But before you can wonder too much about it, he turns away from you and leaves the room without any further word.
When you wake up the next morning, you can't move. Your eyes fly open in panic, only to realize you are lying draped over your husband's broad, muscular body, your naked skin pressing against his, one thigh thrown over his hip, your head resting on his buff chest. And what made you unable to move are his strong arms that are wrapped tightly around you, holding you in their firm embrace while he is still fast asleep.
Your breathing calms again, and a small smile lifts your lips as you relax against Sukuna's warm body, letting his strong embrace pull you back to sleep.
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"Sukuna, look!"
You are walking next to him on the path leading from his throne back to his temple when you spot it. A bright green patch of color in the otherwise dim and monotone landscape of greys and browns.
You hurriedly walk over to it, only to realize that, to your utter astonishment, it seems to be a cherry tree sprout growing bravely out of the seemingly dead ground of this Kingdom of Death.
You lift your head to look at Sukuna, only to find him staring at the tiny sprout bewilderedly.
Before you can ask him what's wrong, he stomps towards the small flower, yanks it out of the earth, and burns it with a swish of his hand, making you take a hurried step back and gasp,
"Why... why did you do this?"
His eyes glow viciously in the dim light when he turns to look at you.
"A flower like that doesn't belong here! This is the land of the dead!"
He stomps away, his white cloak billowing behind him as you can only stare after him with a confused frown.
Why does a little delicate flower bother him so much?
It is later during dinner when you dare ask him again. Sukuna's gaze is stern, his expression filled with a cold rage that makes you gulp fearfully.
"You don't know why I am upset? Then let me tell you, my little bride. Nothing grows here! No life exists here! That is how it always was! But now you are here with your singing and your liveliness, and suddenly, a symbol of renewal and hope grows in the middle of my kingdom! I disturbed the balance! By bringing you here, I disturbed it! You brought life into the realm of Death!"
"B... but that doesn't make sense. I died. I took my own life to follow you here!"
"And yet, you are still so ... so full of life. It's not right!"
You gulp hard, instinctively trying to hide the hurt you feel at his words. You bow to him, muttering,
"Forgive me, my Lord."
"I told you not to call me that."
You don't answer him but just get up from the table and hastily walk deeper inside the temple, fleeing from his words that cut deeper than the dagger that you used to slit your own throat with.
Tears are gathering in your eyes. You cannot bring yourself to care about whether you are allowed to leave the table before Sukuna or not. If he wants, he can punish you later, and you will endure whatever punishment he sees fit.
You wipe angrily at the tears that spill over as you stumble into the library and close the heavy door behind you. Why does it hurt so much? You came here because you agreed to his cruel conditions. You sacrificed yourself to save your sister. It was supposed to be a marriage of convenience. Come here, get wed to Death, and warm his bed. It was something you were supposed to hate. So why does it feel like you are being ripped apart upon feeling like your husband rejects your presence?
You huddle into one of the oversized armchairs, hiding your face behind a random book you grab from the table in a fruitless attempt to distract yourself.
That is where Sukuna finds you later that night.
You lift your head from the open book in your lap when you hear the door opening and see Sukuna's tall, broad figure looming in the open doorway. His red eyes glow devilishly in the dim light of the room.
"Don't run from me, brat."
A sad laugh escapes your lips, and you close the book you couldn't focus on anyway, lifting your head to glare at him.
"I thought you didn't want to have me around. So shouldn't you be glad if I run?"
"I never said that."
"But you think something is wrong with me and that it was a mistake to bring me here."
You hate the way your voice breaks at the end, turning into a teary sob as fresh tears spill over and slowly run down your cheeks. You don't understand yourself anymore. You don't understand why this bothers you so much, why you are so hurt by his words.
You should be glad if he doesn't want to spend time in your presence! You should be glad if he decides to let you go and fall into the nothingness of eternal sleep! You should even be glad if he decides to send you back to the mortal world as a curse that lives in your family's house!
Anything should be better than being forced to live here in his temple and be bound to him! But here you are with an aching heart and tears running down your cheeks because apparently, somehow, during the last months, you grew attached to Sukuna, and somehow, knowing he thinks you don't belong with him makes your heart break in ways you didn't know before.
Sukuna stares at you, a baffled expression on his beautiful face. The silence stretches on, deafening, suffocating, making you ball your hands helplessly into fists.
But then your husband moves. Sukuna marches towards you with large, sure steps, and before you know what is happening, he grabs you and pulls you up from your armchair and against his tall, broad body.
"That's not what I meant. I apologize for my careless words. There is nothing wrong with you. I am just... surprised by what you do to me."
His words make you lift your head to look up at him, blinking against the tears as his large hand cups your cheek.
"I don't understand, Sukuna. What do I do to you?"
His red eyes flicker with an array of emotions. Regret, pain, longing. He looks so strangely human right now. As if he isn't an almighty God who reigns over this Kingdom of Death and has the final say in the fate of every soul who comes here.
His voice is soft like a caress, low and velvety, but filled with a sadness that surprises you.
"Don't you see? You made a flower of life grow in the depths of the afterlife. When you sing and laugh and hug me with that warm, soft body, there is so much life everywhere around me. I am Death. I am used to being alone. I am used to numbness, to silence, to nothingness. It is part of my punishment. But now you are here, and you fill everything with colors and sounds and warmth. You are a source of light in this eternal darkness. And it... it unsettled me when I saw the extent of your power."
You blink at him in utter astonishment.
"But Sukuna... you are Death. How could you be unsettled by anything? What effect can someone like me even have on you? What power could I ever hold?"
He huffs softly, a sound that reverberates in his broad chest.
"I have existed as Death for eons. And it was always an existence in solitude. It's the irony of being me. Death belongs to life. It is inevitable. And yet, everyone who lives chooses to ignore it. They push it away, they demonize it, they make a taboo of it. I was always just a fearful whisper. I am something the mortals try to pretend doesn't exist until their last moments, when all hope is lost. Their delusion is so strong that I can walk through the middle of a crowded city filled with mortals, and no one will notice me. That's how much they banished me from their existence. I am invisible to them. They can see me only in the moments right before they die."
He stops momentarily as if to let his words sink in while his gleaming red eyes gaze deeply into yours. Something about what he said makes no sense. You frown.
"But... But I.."
"But you saw me. Yes, I know. You weren't supposed to be able to see me. But you did. Do you begin to see what I mean? You talked to me, and I was greatly amused by it but, at the same time, utterly fascinated. Do you think I go around randomly making deals with people? So many beg me in their last moments, but I always ignore their pleas. But you were different. You weren't standing on the threshold between life and death, but you still saw me. That's why I offered a deal to you. I was curious. But I wasn't prepared for what you would do to me. I wasn't prepared for what it would do with me when you talk to me and eat with me and bathe with me or when you kiss me and lay with me and find pleasure in it. I wasn't prepared for what it means to be seen by someone."
Sukuna's thumb brushes gently over your cheek, wiping your tears away while his red eyes gaze deeply into yours. He is a God, yet he is so human now. His words make your chest feel tight, and more tears well up in your eyes. But this time they aren't for you. Those tears are for him. 
You realize that you are pressing your body tightly against him, wrapping your arms around him, and holding him. Hugging Death and looking at him with a gaze full of compassion.
"And I will keep seeing you, Sukuna. You aren't just a shadow. You are very real, and you aren't unspeakable or evil."
This makes him raise an eyebrow, his red gaze burning into yours.
"You don't think Death is evil? If you could, wouldn't you bring an end to it? Isn't that the ultimate goal mortals want to achieve? To defeat Death?"
You gulp hard but shake your head, refusing to avert your gaze but instead looking deeply into Sukuna's gleaming red eyes.
"No. You have a right to exist. Death belongs to this world just like life does. Why would anyone value their life if they knew it was everlasting? Many things are so much more special because of their fleeting nature. Your position brings a certain beauty to the world, a certain urgency, that wouldn't be there otherwise. Death can be cruel and unfair. But it belongs to this world. There could be no real value of life without you."
Surprise flickers over his face before it gives way to a pleased expression.
"I knew from the start that you are brave. And maybe fate sent you here to conquer Death after all. You definitely have conquered me."
A smile lifts his lips, so beautiful and flawless that it's not hard to believe that he once was an angel. Red eyes as beautiful as jewels glitter in the soft glow of the candlelight, making your heart flutter.
You look up at Sukuna, reaching out to touch his cheek too. He is so much bigger than you. Tall and broad. Death is standing in front of you, powerful and merciless, and yet you feel no fear anymore. His red eyes are soft when they look at you. His large hand is gentle when it cups your cheek. His voice is full of tenderness when he asks,
"Will you sing for me again?"
You smile at him and nod gently.
He picks you up and carries you to the bedroom, his lips finding yours several times on the way while your small hands cup his beautiful face, and you kiss him back eagerly.
You sing for him again when you are in bed, and he lies beside you, his hand playing with your hair. You sing even while he undresses you, parting your robe and exposing your naked breasts to him. Your chest heaves, and your voice flutters, but you keep singing even while Sukuna cups one of your breasts with his large hand and squeezes it gently, his thumb brushing over your sensitive nipple.
You keep singing, only interrupted by short, breathy gasps when his hand travels down further and slips between your naked legs. He is so loving tonight. His touch is tender, his large hands surprisingly gentle. Long, strong fingers caress you in a way that makes your whole body fill with heat. He isn't taking from you tonight. He is giving to you.
And you fall apart under his tender touch, spreading your legs for him shamelessly, lifting your hips to press your naked cunt against his hand, letting him feel how wet you are for him and how much you long for his touch.
You only stop singing when you can't form coherent words anymore, and your song turns into needy sobs and loud moans. Your hips buck, and you whine when Sukuna's fingers spread your creamy wetness over your folds and over your pulsing nub that he caresses slowly.
He keeps touching you, keeps caressing that little bundle of nerves that sends shocks of desire through your body, almost overwhelming in its intensity. 
Loud gasps of Sukuna's name fall from your lips. The heat and pressure become so intense that you think you can't take it anymore. Your tiny hand's claw at his large one between your legs.
But Sukuna is unrelenting,
"No, let me. Let your husband take care of his beautiful bride."
A loud, raw scream falls from your lips as the pleasure crashes over you in hot, unrelenting waves, and your body arches up, thighs twitching as your swollen nub pulses hotly against Sukuna's large, firm fingers. He keeps rubbing it, slow but firm, and you feel hot wetness gush out of you and over his hand while you scream his name and twitch helplessly in his arms.
He is breathing heavily, his red eyes gleaming as he watches you intently. 
"So beautiful for me, my sweet bride."
He pulls his hand away, but only to push your thighs wide apart, exposing your naked, wet heat to his hungry gaze. And his face gets pressed against your soppy cunt, mouth licking up your wet mess. Your hands tangle in his pink hair, tugging on it, crying out as your head falls back on the pillow when your husband pushes his tongue into you and licks and kisses you.
You fall apart for Sukuna that night on his fingers and on his tongue. And when he finally takes you with his cock, it is slow and intense. He faces you this time, kneeling between your spread legs and capturing your lips in a kiss when he sinks down on you and claims you with his thick cock.
He is everything you see and feel, tall and big, a mountain of muscles, and a cock that fills you so completely. He takes you with slow, strong thrusts that make you clutch his muscular back and moan his name while you chase peak after peak of blinding pleasure until you are so exhausted that you fall asleep right there in Sukuna's strong arms while his low voice whispers to you,
"You sing the most beautiful songs for me, my little bird."
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"Mortals always say they will love each other until death do them part. What do you think that means for us?"
Sukuna's lips are lifted in an amused grin as he asks you the question.
He is lying next to you, his beautiful naked body laid out for your admiring gaze on top of the dark red silk sheets. His chin is probed up lazily on one large hand as he watches you, letting his gleaming red gaze trail slowly over your equally naked body.
You smile at him, reaching out to run a hand down his muscular arm, tracing his biceps and the black bands around them with your fingertips before they wander to his broad chest. You let your small hand rest there, fingers sprawling over his firm muscles, right where his heart would beat if he were a living being.
"I would say this means nothing and no one can do us part. It means our love will last until the end of time, just like Death will."
Sukuna's large hand lands on top of yours, covering your hand completely under his. He sounds pleased when he murmurs in his low voice,
"My bride is not only brave but also smart."
You laugh softly at his words before you lift your head to look deeply into his eyes.
"Sukuna?"
"Yes, my love?"
"You told me I could sit on a throne next to yours if I like."
His red eyes glitter in the firelight as he cocks his head curiously, a small smug grin lifting the corners of his mouth.
"Yes, I did."
"Is that what you want?"
"It is your choice, but yes, I would like it if you sat next to me."
"Then I will do so."
There is respect in Sukuna's gaze when he gives you a nod to signal that he will set things in motion.
You know this is where you belong. By Sukuna's side.
One day, you will see your mother and your sisters standing in front of your husband's throne of skulls, but you don't fear for their souls. You will sit next to Sukuna when it happens and guide them to eternal peace, where they can finally rest free of all pain and worries.
You are Death's Bride.
You kiss him gently farewell before he leaves for the mortal world to reap the souls of the dying. You greet him with a smile when he returns, hugging him tightly and helping him out of his coat. You wash the blood off him, you kiss him, you talk to him. You fill his dark kingdom with light, just like he said.
And he lets you.
He even laughs softly when another little green sprout fights its way through the rotten soil next to the sea of blood.
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THANK YOU SO MUCH FOR READING!!! I didn't think this story would get so long, but once I started working on it, I got dragged into Sukuna's world and didn't want to leave again. The power he has over me!!
I hope you enjoyed this story!! Please let me know what you think. Comments and reblogs would be very sweet!!
This is the last story for my Halloween Event 2023! I am so happy that I could write all the stories I wanted! Thank you so much to everyone who read a story (or maybe several) of this event!!
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autistichalsin · 19 days
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Analysis of each character's final words in the new Dark Urge evil ending
If you are romanced to a character, you have the option, when taking the new version of the Sins of the Father ending, to kill your partner in front of the others in your party, killing them with one last kiss. They then give their last words and pass away. I love each and every one and feel they are incredible characterization moments.
So let's break these down!
Lae'zel:
I... I am glad it was you. No other blade would have sufficed.
This is something that hammers home that, Vlaakith or no, Lae'zel deeply believes in all the ideals of a Githyanki. Life is a privilege for the strong, and death is the price of weakness. Further, if romanced, Lae'zel will affectionately call you "the source of my bruises" many times. If she has to die, if she has finally found the one person stronger than herself, then she is "satisfied" that it is you- who she both loved and admired. The only one she would ever consider worthy of besting her.
Karlach:
Fuck you.
Short, simple, and to the point, just the way Karlach does everything else. She's already gone through all her stages of grief with her engine- well, almost all of them. Anger still remains. She burns hot until the end.
Wyll:
I... I forgive you.
This isn't just Wyll being a good guy. This is heartbreak, and guilt. Guilt for not saving you from Bhaal's influence when he was so sure he had. Heartbreak that after he gave his literal soul to save as many people as he could, he couldn't save you- and couldn't save others from you, either. All he sacrificed, negated in an instant by the person he loved and trusted most. Of all the characters here, Wyll (tied with Halsin) sounds the most obviously broken, and it's easy to see why, given that he is self-sacrificing to a fault.
There was a set of scenes datamined from the game, where at the Morphic Pool, the Netherbrain would have taunted the players, causing them to hallucinate things related to their fears and insecurities. Wyll's would have been a vision of himself talking about how he was never a hero, how the Blade of Frontiers was a farce all along. One can't help but think about that scene here, wondering just how much blame, bordering on self-loathing, he might feel here.
Dark Justiciar Shadowheart:
I... I'm coming to you, Lady Shar.
Another short and simple one. By becoming a Dark Justiciar, Shadowheart has fully embraced the nihilism of Shar's teachings. Why be saddened or angry at her own death when this is just what she's embraced with all her sacrifices?
(Sidenote: this does also answer a question I had, namely, what was going to happen to everyone Durge kills. Thankfully it seems they aren't actually going to be sacrificed to him as such, and will indeed end up in the realm of their deities. This makes Bhaal's plan even DUMBER, because deities in DND lore need worshippers to have enough power to exist. Killing everyone at once just guarantees that soon after Durge dies as the last person alive, so too will Bhaal fade from existence.)
Selunite Shadowheart:
I... I thought we were going to save each other...
This Shadowheart rejected everything she knew. She was scared to defy her goddess, but worked up the courage- thanks to you. She thought you would have a new life together. She believed in you. She thought she would get to return the favor, and help you turn the page on Bhaal, too.
She's not just heartbroken for herself; she's heartbroken for you, too. Heartbroken at the life you denied both her and yourself.
Gale:
You made me want to live...
From the moment the orb entered Gale's chest, he knew he was at risk of dying. Then Mystra all but marked him as a dead man walking. But despite that, he finds love with you- and for the first time thinks maybe there is a purpose for him beyond Mystra. That he isn't more useful to the world dead. More than that, he wants to live to be with you, to enjoy your company and companionship. And then you kill him, and do the one thing WORSE than what would have happened if he'd never been pulled from that rock.
It almost would have been kinder to just hack his hand off the first time you met him, though Gale may or may not agree.
Spawn Astarion:
I should have killed you when I had the chance...
The angriest, most bitter response out of all the romanced companions, a step beyond Karlach's "fuck you." This is beyond "fuck you" and even beyond "I hate you." It's "I regret every moment I spent with you." You made him believe he could have better. That he could recover from what Cazador did. You even convinced him to spare the 7,000 spawn and that he could be something better than Cazador.
And now you reveal it was all a lie. Astarion is probably thinking that you talked him out of completing the ritual solely so he'd be easier to kill right here and now. How many regrets are flashing through his mind, how many moments where he wonders if things could have been different if only he'd done this or that, even aside from killing you?
All he wanted was to live as a free person. And then the first time he thinks he has that at last, he loses it as the world ends.
Ascended Astarion:
No... no, this can't be... I can't- you can't- no...
In contrast to spawn Astarion, ascended isn't angry, because he doesn't have the clarity, the ability to process what's happening. Spawn Astarion could tell he'd been betrayed.
But Ascended? Ascended, who went through so much to become one of the most powerful beings in the world, only to STILL lose without fanfare? And by you, his own spawn who he thought he had under his control? It isn't betrayal, because he is bluescreening; he can't comprehend what happened or how or why. How could he have been killed, and by you of all people? Was all he went through killing Cazador really for nothing? How could it be when he was supposed to be the most powerful? Was power actually meaningless all along?
He doesn't say anything of substance because he can't understand what's happening here.
Halsin:
Thaniel... goodbye...
Halsin is the oldest of all the companions. He's experienced the most loss of anyone; his birth family, his fellow Druids, and, for a time, Thaniel. He has had more than enough time to contemplate his own mortality, because he's already lived multiple lifetimes.
So here, two things are happening. One, he isn't expressing anger or betrayal at his murder- because he is more than wise enough, and humble enough, to understand that there are worse things than what has been done to himself. Instead of himself, he is thinking of the world he's leaving behind that is about to fall- and most of all, of his most important person, the one who gave him a purpose, who was there when no one else was, who he failed once and only just got back. The closest thing to a child he'll ever have. In his last moments, instead of himself, Halsin is thinking of those he loves.
And second, it's an almost deliberate snubbing of Durge. He willingly walked into that kiss, knowing full well it would be the last thing he ever did. He gave you his death, he pleaded with his own god to forgive you and him both. He gave you everything he felt he owed you, and no more- no begging or sobbing. Instead, he comes as close as he ever gets to selfishness, and spends his last moments thinking about the thing that makes him the happiest- which could have been you, in another life, if you hadn't done this.
Minthara:
No... we were meant to do this together...
Heartbreak, disbelief, and betrayal. You spent so many nights planning this out. She had been cast aside by her people, her goddess, and she was going to get the last laugh. She was going to crush them personally under her heel and prove she was the best (or second best, behind you) of all of them. She's devastated she won't get to help you torture all those souls and take what she feels was owed to her. But interestingly enough... no anger. Probably because it was overshadowed by the sheer heartbreak, but also a sign that even in those moments, she still admires you for your ruthlessness.
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