I went ahead and made a transcript for the villains' trailer because there are some quality dialogues that I feel people are missing out on. It would have been nice if Red Barrels had given us proper subtitles rather than autogenerated ones.
Big thanks to @misa-bun for keeping me sane and helping me go over the garbled audio towards the end.
youtube
EASTERMAN: You’ve been expressing anger in the therapy.
GOOSEBERRY: Everything Mother does is love! If I have to show a little… discipline, that’s just a firmer kind of love.
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EASTERMAN: You’ve shown real enthusiasm. We’ve decided to give you a longer leash.
COYLE: You think you’ve got a leash on me? Might be you who built this little juzgado, but I’m the one who made it a home. Why you ain’t nothin’ but the towel boy in my whorehouse.
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FUTTERMAN: The fuck d’you think I am? Some kinda puppet? You pull my string? Heh!?
EASTERMAN: You are literally a puppet.
GOOSEBERRY: Don’t! Don’t you upset Daddy.
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EASTERMAN: This is science. If we happen-
COYLE: I’m fuckin’ talkin’ here! This ain’t a charity, this is business! Business don't mean shit without the law.
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GOOSEBERRY: Mother is the name for God in the lips and hearts of little children.
COYLE: Property don’t mean shit without a threat of violence.
GOOSEBERRY: Who would die for the children!?
COYLE: The threat of my boot on your neck is what butters the bread ‘round here and everywhere else!
GOOSEBERRY: Who would kill for the children!?
COYLE: In the civilized world!
GOOSEBERRY: What would… you do… to protect the children!?
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AVELLANOS: Cut them. Well? Whaddya think?
WERNICKE: Experience has taught me one truth about the human limits of terror and pain.
AVELLANOS: Which is?
WERNICKE: There are none.
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Just a few things worth noting:
"Juzgado" (pronounced hoos-gah-doh) is Spanish for courthouse or tribunal. The word "hoosegow" is a slang term meaning prison, derived from a mispronunciation of juzgado. It's interesting to me that he uses the proper Spanish given his well-known bigotry.
"Mother is the name for God in the lips and hearts of little children" is a direct quote from the novel Vanity Fair by William Makepeace Thackeray.
"Butters the bread" means how he makes his living, the job he gets paid for essentially. Police work is his bread and butter. 🤷
I can't think of anything else that might require further expiration, but if anyone else has any insights please share them!
Leland Coyle five creepy quotes..the more i play this game the more i realize how creepy this guy really is😭😭😭 It doesnt help that i play as a guy while hes saying this to me😂😂😂😂 (This is my gameplay)
Catching up! Celebrating Spring with LEESA ROWLAND and friends in NYC. The charismatic Actress, Philanthropist and Author had a fete celebrating her recent Park cover in the East Village, New York. Wearing a custom collection floral dress made by fashion designer Marc Bouwer, friends came downtown to celebrate.
NEW YORK, NY – APRIL 3: Leesa Rowland attends Leesa Rowland Cover Party At Populares…
saw someone writing Outlast sexuality headcanons so here's mine!
Waylon Park: oddly enough I can't see Waylon as anything but hetero/ace despite shipping him x Eddie.
Miles Upshur: Omni with no pref
Blake Langermann: Bi but he's had trouble with men after loutermilch
Lynn Langermann: shes also bi
Chris Walker: Aro/Ace
Richard Trager: He's either bi or hetero (but he'll still kiss Jeremy good night)
val: Pan- I feel like I should discuss their gender but honestly I don't know either. maybe gender fluid or trans, Idk.
Marta: Ace lesbian (this is my 3rd ace, what does this say about me?)
Eddie Gluskin: Gynosexual HES LITERALLY THE DEF OF THIS ISWTG
Jeremy Blaire: Bi man with preference to women but he can only pull men😞
Leland Coyle: Omni- he doesn't care as long as your willing to get 𝓯𝓻𝓮𝓪𝓴𝔂 with a phone charger
I know about that lore, and I’m so glad he’s not real
I find Coyle fun in a “if he were real I’d run but he’s really interesting to mess with as a character” way. or “him being in the Klan just adds to his evil as a villain” way
the Outlast series has always depicted fucked up things through out the games anyway. aren’t the player characters in Outlast Trials possibly part of MK-Ultra?
I understand people have different comfort levels around racist characters tho so I will be tagging everything with him so people can filter the posts out. Personally I’m uncomfortable with Nazi characters so I avoid tags for characters like Wernicke, etc.
but really I think the fact he’s unambiguously a piece of shit in a way I find realistic is more fun, like, you don’t have to argue with people how racist the police brutality boss is because everyone knows how bad he is.
he’s designed to be scary and unsettling and maybe kind of hot in a psycho-sexual way … he’s one of those characters I’d run from if they were real, but they’re so fun to play around with in fiction
same with Frollo, I think part of the appeal of Coyle to me is how he thinks he’s so high and mighty bc he’s a white supremacist…
but you still see him fuck up during trials and say cartoonishly evil shit and trauma dump about his awful childhood.
and then you can throw bricks at him (in game) and draw pictures of him naked… from the comfort of your own home! you can explore some really dark and awful things with Coyle and other outlast villains in a safe fictional environment without anyone getting hurt
tl;dr I know and I can write thirsty posts about a character without endorsing their politics / actions (like with every horror villain I’ve written for)
My Uncanny Valley Series OCs explained vaguely via a few short sentences because I can (and because it is taking forever to make their designs):
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Chucky Davidson: Chaotic femboy with Tumblr gremlin energy. He likes to eat drywall. Torments REALTORS for fun with his forced "valley girl" accent. Best friends and roommates with Andy. Will beat up people who makes fun of Andy tbh.
Reverend Andy Robinson: Depressed preacher with Wernicke's Aphasia. Life seems like a twisted, ironic joke. Introverted and hates it. Best friends and roommates with Chucky.
Katrina Liddell: Immortal who "dies and responds". Curiosity killed the cat incarnate. She would like extreme sports so much fr. Definition of "you changed for the worst".
Jamison Twist: Human who believes he's a REALTOR. Literally the start of a phenomenon in the Uncanny Valley. Somebody please send him help. Even the REALTORS are concerned, somehow. He's taking business away from them.
Matthew Somnia: Hypnotherapist who is a vampire. Instead of consuming blood or energy, he eats your mind. Loves his patients, hates his life. Looks like a cinnamon roll, but will actually "kill" you, but will also hate it.
Dr. Pierce Glasgow: Reworked old OC. Cold boi. Misses his kids. Sensitive to temperature. "Hey can I drink your blood so I can warm myself up? My joints are stiff."
Kōji Andou: An actual human realtor who's depressed about lack of business. Poor as dirt - moved to the Uncanny Valley in hopes of getting more business (plus it was cheap). Unsurprisingly to us, didn't get business. Too poor to move out, now. Feels like a clown.
Cast: Peter Lorre, Ellen Widman, Inge Landgut, Otto Wernicke, Theodor Loos, Gustaf Gründgens, Friedrich Gnaß, Fritz Odemar, Paul Kemp, Theo Lingen, Rudolf Blümner, Georg John, Franz Stein, Ernst Stahl-Nachbaur. Screenplay: Thea von Harbou, Fritz Lang. Cinematography: Fritz Arno Wagner. Art direction: Emil Hasler, Karl Vollbrecht. Film editing: Paul Falkenberg.
Point of view is everything in a thriller. Let the viewer see events through the wrong eyes, and suspense goes out the window. The remarkable thing about Lang's great thriller is that the point of view changes so often. It starts with that of anxious parents, knowing that a child-killer is on the loose, then narrows to one particular parent, waiting for her daughter to come home from school for lunch. But then we see the object of her fears, her daughter, making contact with a strange man, and our suspense builds as we return to the worried mother. But as strongly as we sympathize with the mother, we also eventually learn to focus our anxieties elsewhere: on the beleaguered police, on innocent victims of people's suspicions, on the criminal underworld harassed by the police, and eventually even on the murderer himself. There are even moments when, as he becomes the object of the manhunt, trapped in the attic of a building swarming with the criminals in search of him, we find ourselves semi-consciously rooting for him to escape. Then we find ourselves rooting for the criminals to capture him and to escape being caught by the cops. And then, when he is put on trial by the criminals, we root for the police to arrive and rescue him. In short, the movie is a study in the ways in which sympathy can be manipulated. Lang and his soon-to-be-ex-wife Thea von Harbou wrote the screenplay, and the atmosphere of the film is superbly maintained by the cinematography of Fritz Arno Wagner and the sets of Emil Hasler and Karl Vollbrecht. But none of it would work without the presence of some extraordinary performers, starting with Peter Lorre as the sniveling, obsessed Hans Beckert: a career-defining performance in many ways, considering that Lorre had been known for comic roles on stage before Lang made him a movie star. Then there's Otto Wernicke as Inspector Lohmann, whose performance was so memorable that Lang brought him back as the same character in The Testament of Dr. Mabuse (1933), stereotyping Wernicke as a cop for much of his career. And Gustav Gründgens, the imperious leader of the criminal faction, who later became identified with the role of Mephistopheles in stage and screen versions of Goethe's Faust (Peter Gorski, 1960) -- not to mention in Klaus Mann's 1936 novel, Mephisto (and István Szabó's 1981 film version), based on Gründgens's embrace of the Nazis to advance his career.
The show where we take a character and drop them into a different franchise at a random location to see if they can conquer the world.
This Episode....
Mary Jane Watson invades Mount Massive Asylum!
Conditions:
Insomniac Games's Mary Jane
MJ as of Spider-Man 2 with all her associated equipment.
MJ will be replacing Miles Upshur in the plot of the original Outlast with all the same goals. If she can escape the Asylum alive with all the evidence needed to bring Murkoff to justice, that will count as a win.
MJ cannot call in the Spider-Men or anyone else for help.
Scenario:
The same set up as Outlast but with MJ replacing Miles Upshur. Mary Jane Watson, reporter for the Daily Bugle, gets an anonymous email from a burner account about the atrocities being committed by Murkoff at Mount Massive and goes in to investigate. MJ speculates that the building has a jammer when she mysteriously losses all signal after getting in range, but she pushes on regardless. It is only after MJ can no longer get out the way she came in that she realizes the building has been overrun, leaving her no choice but to push in deeper.
Invader: MJ
Mary Jane Watson. One of the most iconic damsels and love interests in comic book history. Though iconic for her role as damsel in distress in the Rami movies, Insomniac's Mary Jane is more in line with her comic counterpart. She's a freelance reporter capable of kicking as much ass as her superhuman boyfriend sometimes and she'll do anything to unbury the truth.
She's surprisingly an expert in stealth and infiltration. She's snuck into the compounds of crime lords like Tombstone and Hammerhead, snuck past the international mercenaries of Silver Sable and her men, and avoided capture by Kraven the Hunter's mercenaries. Using her boyfriend's Spider Lures as a distraction, she's even managed to break into the Oscorp undetected.
While writing a book on the country of Symkaria, MJ got some self defense training from Silver Sable herself, as well as a fancy new taser that can drop a goon in one shook. She later upgraded this taser gun with Peter's gadgets, allowing it to shoot webs and shoot sonic blasts loud enough to ward off a symbiote behemoth. With these tools, she's able to take down Kraven's hunters, who are strong enough to kick down steel doors with a single kick snd survive rpg rockets exploding in their face. These are the same rockets that usually explode with an energy equivalent to 650 kilojoules.
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What's more, MJ is fast enough to dodge arrows from a hunter's crossbow, which csn travel up to 350 feet per second or 106.68 meters per second.
Source:
Honestly, Mary Jane Watson is kind of a badass. She's escaped from being captured by Kraven's hunters, fought her way through a symbiote hive, outrun a Symbiote controlled Spider-Man trying to kill her, and managed to fight off the control of the Scream Symbiote, with some help from Peter.
This MJ is a far cry from the damsel in distress she's stereotyped as and she's just as vital a member of Spider-Man's team as the Spider-Men themselves.
Invaded: Mount Massive
The Murkoff Corporation could never be said to have had a sterling reputation. The company had an unofficial history of human experimentation and exploitation. Never on American soil, of course. Never anywhere that the American public would actually care about. Not until they bought out Mount Massive Asylum.
Because if there's one group that Americans care about less than foreigners, it's the mentally ill.
Murkoff wanted to exploit the theories of the retired Nazi Dr. Wernicke by diving into dream theory. The enlisted him in their Morphogenic Engine program, hoping to summon, empower, and control the nanotechnological ghost known only as the Walrider. To this end, the experimented on the mentally ill, physically and psychologically torturing them. Turning the compatible into human engines so their nightmares could fuel the god they wished to enslave while leaving the incompatible to rot and die. Even loyal members of the company, like executive Richard Trager and Father Martin Archimbaud, were used as test subjects at the earliest convenience. The variants, as they were called, begain to mutate and deform. Tumors formed over their bodies, clogging their mouths and block their eyes. Their hair begain to fall out and they emancipated into borderline skeletons.
The variants pre-existing conditions worsened. At best, they became catatonic and unresponsive to the outside world. At worst, they became violent and murderous.
And then they found a subject fully compatible with the Walrider. Able to sustain it, control it, and survive as its host. Billy Hope. As soon as he was in control, all hell broke loose. The Variants broke out and happily took their revenge on their tormentors. Scientists and security alike were butched like pigs, heavily armed soldiers were impaled on pikes. And the Walrider was set free.
Notable Variants include the likes of Eddie Glusken, a misogynistic serial killer who was only made worse by the Morphogenic Engine. Granted superhuman strength by the treatments, he was now strong enough to lift a full grown man off the ground with one arm. "Doctor" Richard Trager was now strong enough to cut off limbs, decapitate his victims, and cut open the gates to the elevator with his giant scissors. And every varienty in the build was now strong enough to bash down doors and kill reporter Miles Upshur, who survived a massive explosion that blew him out a window. An explosion thst generated an energy equivalent to 11,840 kilojoules.
Source:
But the most dangerous Variant in the entire building was Chris Walker. Once a simple war veteran suffering from severe PTSD, Chis became a killing machine with an enhanced sense of smell, hearing, and sight that could let him track down his victims even in the dark. Obsessed with containing the threat of the Walrider, Chris's judo skills and military training make him a veritable beast, capable of easily ripping Miles's head clean off with one hand and bashing down reinforced steel doors.
But even he is still just a man next to the Walrider. A futuristic marvel of nanotechnology that feeds off the dreams of its host to survive, the Walrider can fly, go through walls, go through your pores and rip you apart from the inside, and is nigh-invisible to the naked eye, only complely visible on night vision cameras or during the day.
The only issue, however, is that the Walrider is completely submissive to the will of its perfect host, reliant on them to survive. And if its host is not perfect, as Miles Upshur turned out to be, they will be reduced to a walking corpse overtime by the possession.
Mount Massive Asylum represents one of the biggest atrocities committed in the name of corporate greed. A warcrime that even drew the digust of the Nazi forced to work on it. No one cares about "a building full of forgotten lunatics". Let it burn, I say.
Throwdown Breakdown:
The stats on this one are rather interesting. Miles Upshur is 11x more durable than the goons MJ can one-shot, meaning every single thug in the building is going to be strong enough to rip MJ apart if they get their hands on her, seeing how Miles is almost completely helpless against them.
But, none of the Variants have ever demonstrated superhuman speed, meaning they're absolutely never catching MJ, who can move fast enough to dodge subsonic projectiles. Sure, Chris Walker is fast, but MJ is faster than a speeding car. If he doesn't get the drop on her or corner her, he's not getting his hands on her.
Then there's MJ's other gadgets. Her sonic blasts will likely have no effect, as they're specifically designed to fight Symbiotes and ordinary humans are unaffected. At most, I could see them potentially stunning Chris Walker due to his advanced hearing. MJ's noise devices could be a good distraction, but her taser could likely be tanked due to how much stronger the Variants are. On the flipside, I don't see any of the varients breaking free of her webbing. This is the exact same webbing Peter regular uses to lift cars and restrain his supervillains. That's a bit out of the league of most Variants. Meaning she could probably skip Trager's whole segment by webbing him to the wall, which is admittedly funny.
This is compounded by MJ's far superior stealth. Walker might be a military veteran, but MJ's snuck past some of the best international mercenaries on the planet. It's no contest on that front, even with Chris's enhanced senses.
It's with the Walrider that this becomes tricky.
The Walrider isn't invisible or intangible in the same way, say, a ghost is. It's basically a cloud of microscopic nanites. It's difficult to spot and touch because it's a very thin cloud. For most people in most circumstances, it's difficult to spot until it's basically right in front of you, at which point it's too late to escape. This means that I'm pretty confident in it getting through MJ's webs, even if some of its components get stuck.
The issue is how damn fast MJ is. The second it appears in her face, she's gone halfway down the hall. It doesn't help that it prefers to throw its victims around before killing them, which would only give MJ the opportunity to escape.
I think the Walrider could easily end MJ's run if it got the drop on her. Which it very well could. It got the drop on Miles several times and he actually has the means to see it coming in less than optimal conditions, something MJ wouldn't without a night vision camera.
But, this is where MJ's superior stealth comes into play. With a sneaking ability far superior to Miles and a speed that the Walrider can't keep up with, MJ could avoid getting ambushed by the Walrider by never getting found by it in the first place.
There are plenty of scenarios where MJ gets ripped apart or, worse, possessed by the Walrider. But there are more where MJ uses her superior stealth and speed to avoid it long enough to complete her mission. And once she kills Billy Hope, whose sitting helpless in a tube at this point, the Walrider wouldn't be able to make her a new host to survive due to her just being too fast for it to catch.
Overall, I think Ms. Watson has all the skills she needs to get the scope she's after.
alice and paul marion live in a murkoff company town a negligible distance away from the grand canyon national park & the secret sinyala facility. initially stationed as a detail on the project conducted at facilities in los alamos, after the two assets collaborate, paul assumes a new task in delivering the collected public & private records on the reagents obtained from charitable outreaches across the country and transfers them to the facility for disposal as an integral part of the lathe two project.
their proximity is necessary due to alice’s disease treatment being interconnected to the medical facilities at sinyala & los alamos. they have little choice in uprooting to move to arizona once dr. rudolf wernicke is invited to observe the project. there are few children alice’s age in the company town. she doesn’t feel very welcome by the adults who stay there; mostly scientists, guards, and their neglected spouses. she does make the acquaintance of irene easterman, the vacant wife of the chief scientist, dr. joliet easterman, but feels in her gut that something is painfully off about her. alice often finds herself looking after dr. wernicke’s many housecats to pass her time when she is not attending the small school on the site. alice isn’t sure what they were all named before, but she’s generous with her own nicknames for the felines. paul is beginning to wonder how their milk carton keeps vanishing.
alice is a naturally curious soul who can’t resist a mystery. she’s very inspired by noir novels as a precursor to her love of horror & science fiction. she likes to journal (especially her dreams) and often keeps a notepad on her person for her thoughts, observations, and drawings. a novel is often an inclusion in her bag, along with a few bobby pins, hair ties, a sewing kit for mending on the fly, some first aid tools, & the medications she takes daily. she’s endlessly inquisitive about the happenings at the laboratory & around the company town, although her father doesn’t have much to do with the secrets, which has earned her suspicion a few times. she eavesdrops on employees more than she should. those that get acquainted with her habits call her a miniature nancy drew in her own right. at the times she does enter the facility for her treatments, sometimes staying for days at a time, she has fitful sleep & swears she dreams of people screaming, of blood & of butterfly wings.
in this particular time period, she wears long pleated skirts & pressed pants, saddle shoes and bobby socks, button-downs, sweaters, large overcoats & cardigans despite the heat, as she is almost always cold inside the facilities if she’s not wilting under the arizona sun & dry heat (which a broad-rimmed hat & a smart sundress helps with). she keeps her bangs neat & tidy with a hairband, & despite the trend of short, trendy tresses, her blonde hair remains very long. she keeps a pair of heavy lilac blue frames in her front pocket for reading long hours in the dark.
she likely would not interact with any subjects of project lathe two except in the event such as the first fatal incident which collapsed the project. however, there may be some interest in gauging her reactions & monitoring her behavior in the facility from dr. wernicke, as she is connected to the opposite project walrider as an essential asset.