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#Eda
may-month404 · 11 hours
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Day 18 of posting my old art until I run out of stuff to post
From 2020. I DREW THIS BEFORE HARPY EDA HERE'S PROOF I PREDICTED HARPY EDA
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kaereth · 3 months
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Woo finally able to post the piece I did for @raedazineofficial! :D I'm really happy to have been a part of this project and I adore the end result- thanks so much to the organizers and other creators who made it possible!
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chernyskaaa · 26 days
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She's too cool for this world 😎
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astrolavas · 2 months
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kissing your beloved's scars 💚💜❤️
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lovemoroporo · 8 days
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harpy sisters for a comm <3
⭐ kofi | comms | inprnt ⭐
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there's something about eda going from despising school to running a school that hits deep. something about rebuilding instead of destroying. something about turning anger into positive change. something about recognizing that you have the power to be better than those who hurt you. you get what i'm saying
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catboymoments · 1 year
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I know this is predictable coming from me but consider. Raeda baby….. (hooty voice) they’re adorable and I wish them nothing but happiness!!!!!
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cy-cyborg · 29 days
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How The Owl House did amputee representation right before Eda ever lost her arm - Disability in Media
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[ID: A screenshot of Eda from The Owl House, an old woman with pale skin, very large, grey hair and pointed ears in a red dress. Beside the screenshot on a dark pink background is text that reads "Disability in media, How the Owl House got amputee representation right before eda ever lost her arm." /End ID]
Dana Terrace's The Owl House has some of the best disability rep I’ve seen on a Disney channel show in a long time, with Eda, the main character’s mentor, being one of many stand-out examples.
Plenty of people have discussed how Eda’s curse and the loss of her magic can work as an allegory for disability and how refreshing it is to see a story (especially one aimed at a younger audience) who’s focus is not on her “overcoming” it, but learning to accept it as a part of her and go from there. Eda’s story tackles a lot of subjects that are often mishandled in other examples of disability representation, from the subject of parents who refuse to accept, to glass siblings and much, much more, The Owl House handles all these topics beautifully.
But one thing that dawned on me during my most recent re-watch of The Owl House is how well Eda (and later Lilith) worked as amputee representation, long before Eda actually lost her arm.
One of the side effects of Eda and Lilith’s curse is that sometimes their body parts, mainly their limbs, can fall off. It doesn’t hurt them, and Eda is seen removing them intentionally at multiple times in the series, but they can always be reattached.
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[ID: an image of Eda holding her sister Lilith's hand. Lilith is a pale woman with long, black hair, wearing grey clothes. She is looking at her other arm suprised, as her hand is missing. Luz, a Latina girl with short brown hair and a purple hoodie is looking on, smiling. /End ID]
While most likely unintentional, the way the show depicts this with Eda in particular is exactly what I wish more people would do with their prosthetic-using amputee characters.
Eda detaches her limbs, especially her legs, when they’re inconvenient or when she’s relaxing.
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[ID: an image of Eda laying on the couch in a bathrobe, her hair in a towel. She has taken her legs off, throwing them to the other side of the seat. /End ID]
The fact that this is mostly played for laughs is actually a good thing in my opinion (though obviously, the show’s overall tone is part of that), as it shows the audience who are mostly children and teens, that in a world of weird and downright scary (from the perspective of the characters) things, this isn't one of them. It’s just a thing she and Lilith can do, and it can even be funny.
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[ID: An image of Luz and Eda dressed as pirates. Eda is sitting on the ground, her legs detached and off screen somewhere. /End ID]
It does startle Luz and Lilith on a few occasions, but that’s more because they didn’t know the curse could do that, but once they’re introduced to it, it’s never really brought up as a big deal again.
I’d love to see more amputee characters who do this with their prosthetics. So often media is almost afraid to have amputees take their prosthetics off on camera or on the page. For some folks, our prosthetics are like a part of our bodies, but that doesn’t mean we never take them off. Show your leg amputee flop on the couch and throw their legs across the room. Have them go without on occasion, not because they have to, but because they just don’t feel like putting them on.
Likewise, the owl house creators never shy away from showing Eda when her limbs aren’t all attached. A lot of media, and kid’s shows in particular, will avoid having an amputee character’s stump visible if they ever do take their prosthetics off - treating that part of the character’s body the same way they treat gore or nudity. I’ve talked before how this actually does have a real impact on how kids in particular react to amputees - I’ve legitimately had kids I worked with cry when I took my prosthetics off, then immediately calm down when they see there’s nothing "scary" under my socks. As much as I love How To Train Your Dragon, it’s very guilty of this. Hiccup looses his leg at the end of the first movie, and wakes up with his prosthetic already attached. The Netflix series has a few instances where he has his prosthetic off, but the camera almost always avoids showing it until he can cover it up again, or is super zoomed-out so you wouldn’t be able to “see anything”. To their credit, they do get better with this in the last movie (though it's still always covered), but for the majority of the series, they are very reluctant to have any shots where hiccup’s leg is in view without the prosthetic (unless they’re very far away).
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[ID: a screenshot of Hiccup from How To Train Your Dragon 3, a white man with short brown hair, and one leg missing, wearing armour made of black dragon scales and no prosthetic. He is holding onto toothless's head, a black dragon. /End ID]
Ironically, Eda does (permanently) loose an arm at the end of season 2, but I don’t really have much to say about her as amputee representation on that front, since she’s absent for a lot of Season 3, and when we do see her again, everything is so hectic, the story doesn’t really have any time to focus on her missing limb (which is reasonable). I will say, I do appreciate that they kept the amputation when she's in her owl-beast form in the finale, but there's honestly not much more to say about it. We do see her again in the epilogue after she’s had some time to settle into the amputation, wearing a hook prosthetic, but it’s, once again, too quick to really say anything from a representation standpoint. There's a few little nit-picky things I could bring up, like the fact they seemed to change the type on amputation she had (when she looses it, we see the split was very close to the elbow, but in the epilogue she has most of her forearm again) but those read to me more like animation mistakes or an odd prosthetic/clothing designs rather than a representation issue - and as someone who's worked in animation, given the stress the team was under for the finale, I'm not really worried about it. Like I said, it's more nit-picky than anything.
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[ID: A screenshot of Eda, her hair tied back and wearing a red robe and a hook for her right hand. /End ID]
Despite all that though, I still think Eda is still good amputee representation, but mostly because of how they depict her curse’s side effects rather than her actual amputation. She’s honestly one of the only characters that I think you could refer to as “amputee coded” (outside of maybe Teen Titan’s Cyborg), and I genuinely wish more creators would treat their actual amputee characters the same way the Owl House treats Eda in that regard.
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love-moroporo · 1 year
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i am inconsolable
⭐ kofi | comms | inprnt ⭐  
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ponettedefeu · 9 months
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Eda... Do you have kids?
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peridotite · 1 year
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kaereth · 1 year
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raeda snuggles for a kofi request! ♥♥
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astrolavas · 3 months
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a piece for @raedazineofficial from a long while back!
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lovemoroporo · 9 days
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we didnt talk about their fits enough
[Image description: digital art of Raine and Eda from The Owl House in their timeskip designs. Raine's in their cape and billowy pants, while Eda's in her headmaster outfit. Raine rests their head against Eda's shoulder, grinning, while Eda reaches her hook arm around their waist. The color palette is limited to slightly desaturated oranges, reds, and green. End ID.]
⭐ kofi | comms | inprnt ⭐
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this is the boiling isles’ form of homophobia. terra wants to be a homophobe so badly but homophobia doesn’t exist in the isles so she had to settle for the closest thing they have: making fun of band kids
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pdaliceliveblogs · 1 year
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WHY DID THIS STUPID FUCKING 90S-ASS PHOTO WITH THE MATCHING SWEATERS BRING ACTUAL TEARS TO MY EYES
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