Advanced Excel | What If Analysis |Microsoft Excel Free | Excel Training |Excel Tutorial
Advanced Excel is complete Excel tutorial that helps aspiring data analysts with excel data analytics fundamentals. This Free Excel Tutorial is for Beginners and will cover basics of excel like data validation, conditional formatting, spreadsheet fundamentals to advanced excel tips like time series analysis, filters, slicers, excel dashboarding, data visualization, and much more.
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With OneInfini's online course on the Complete Guide to Excel, you can become an Excel pro in no time. Our course covers everything from the basics to the most advanced features, including VLOOKUP, conditional formatting, and data analysis, helping you become a master of this essential tool.
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Counting Rows in Excel: Learn How to Count Text, Numerical, Blank and Data Rows with Functions
Counting Rows in Excel: Learn How to Count Text, Numerical, Blank and Data Rows with Functions
Counting the number of rows in an Excel worksheet is a basic yet crucial task that helps you manage and analyze data effectively. In this tutorial, you will learn how to count different types of rows, including text, numerical, blank and data rows, using various Excel functions.
To count text rows in Excel, you can use the COUNTA function, which counts all non-empty cells in a range that contain…
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spotify wrapped is out and i'm sort of baffled to learn lovejoy is my top artist this year. then again to be fair. i DID loop portrait of a blank slate for like, a month, maybe this shouldn't surprise me. anyway for the curious,
[image ID: my spotify wrapped. my top artists were Lovejoy, C418, AlicebanD, SIAMES, and The Garages. my top songs were Portrait of a Blank Slate, Sometimes, Saint Bernard, Call Me What You Like, and Rules. i listened to 18,755 minutes of music, and my top genre was pov: indie. /end ID]
now please tell me what "pov: indie" means please why doesn't that just say like, "indie rock" or "indie pop" or something that's a real genre please,
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See how Juliet steps back when she realizes she’s not Jack’s first choice? Very demure, very mindful. See how she doesn’t blame Kate for it and continues being a girl’s girl? Very cutesy, very demure.
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i have several drafts from back in january comparing some of my old man yaoi ™️ ships which i decided against posting at the time because, quite frankly, they were thoughts no one would appreciate but me. two of the ships i know have some overlap, but the third didn't fit. a different genre. too niche.
but, with a new deadpool movie out and other ppl seeing the buggy parallels, i might as well get this off my chest:
shuggy is cablepool.
(not movieverse cablepool, to be clear. (i enjoy movieverse cable but he is not my mutant messiah.) comics cablepool.)
the dynamic is eerily similar:
we have an occasionally slapstick murderclown with obvious issues about the unusual way he looks, who presents himself as only having selfish motives but is (sometimes) lying about that, is very hard to kill, is disliked by ppl who have to work with him and popular with and beloved by ppl who don't both in-universe and out!
and his ex-bestie, a massively overpowered would-be martyr who is missing a flesh arm, has three scars over one eye, whose continued fondness for the murderclown post-breakup baffles everyone around him (murderclown included), and who refuses to elaborate on his motives for doing shady shit (including manipulating our beloved murderclown) except that he's doing everything for the sake of the future
like. tell me that's not them.
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hi! i've been reading some of your older fics and was wondering if there's any merit in watching buffy for the first time in the year 2024
This may not be obvious, but this is actually an extremely complicated and highly subjective question. I'll try to go on for too long.
As background: my mother loved Buffy and its spin-off Angel growing up. It was our Bible (besides the actual Bible). Not kidding, she was on the forums and fan groups and wrote fanfiction for it and everything (These days, she's really into kdramas and Asian dramas, and calls me about how the Thai seem like big fans of gay people). So I'm quite biased.
BTVS is both a product of its times and ahead of its times. It was a show about feminism and the struggle of living in this world as a woman, when very few shows were doing that. It was the first show to have a long-lasting lesbian couple, and the first show to depict a kiss between them. For better or for worse, it was one of the codifiers of broody vampire boyfriend. It was pretty unafraid to be experimental in a lot of what it did. It had incredibly complex and nuanced character work and growth that I still aspire to. Spike's arc is still matched in quality only by Avatar's Zuko. Angel's long term arc, from Buffy to his spin-off series, still makes him one of the most complex characters on TV. It had the most complex depiction of depression on TV at the time and I still think it's one of the best. I think the show had very high highs.
It also had very low lows. Some of the feminism is problematic in retrospect. The sapphic couple has a rather famous element that was severely problematic. There are, overall, some deeply atrocious arcs that I can appreciate objectively but not in practice. Xander: a whole-ass character aged awfully. On a meta level, the workplace conditions were bad (thanks, Whedon.) There are no people of color. The spoiler's sake I won't go into detail on this, but in general the good stuff was so influential and the bad stuff was just awful.
I think these days people tend to brush off the entire thing because it's Whedon. That is more than fair. But I'd also say that Whedon & Buffy is extremely similar to Brian Michael Bendis & Ultimate Spider-Man. Bendis was fantastic at writing sassy, bouncy, permanently stressed-out teens - issue was, he wrote entirely different serious adult characters the way he wrote these sassy teens. Same with Whedon: the annoyingly constant quips are perfect for Buffy, because that's who the characters are. They're awful in Marvel, because Steve Rogers is not Xander. Kinda similarly, Buffy was genuinely feminist for 90s TV - issue is, Whedon has not grown or developed his views, and now his works feel so sexist (oh my fucking god why did you treat Natasha like that). After a certain point it's egotistical: you're writing like that because you're Joss Whedon and it's how you write, not because it's what's best for the characters and story. But it was really important to me to get the character voices right, and it's freaking difficult to endlessly write dialogue that distinct, full of voice, witty, and clever.
I think BTVS & Angel TV's greatest influence on my writing is how intensely character-driven both of those shows were, and how intricate the characters were. What every character did was something they would do, if that made sense. Even the stuff I hated to watch, that made me uncomfortable, was the culmination of so much (usually). I think I also picked up the constant wit and humor lol. On a personal level, the conversations I would have with my mother where she broke down the character motivations and composition of the story was my first exposure to looking at storytelling from an analytical perspective and a framework of critical analysis, which was an approach I carried into the rest of the media I consumed and that was the primary reason I was able to become a decent writer. Thanks, Mom. Have fun with your kdramas.
TL:DR: There is merit, especially if you care about good character work. There are things about it that may make you want to drop it, which is extremely valid. Season 1 is rough but interesting, Season 2 and 5 are the best, Season 3 is pretty good, Season 4 and 7 skippable, and Season 6 is........epic highs, epic lows......
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