1489-1490 Giovanna Tornabuoni by Domenico Ghirlandaio (Museo Thyssen-Bornemisza - Madrid, Spain). From tumblr.com/life-imitates-art-far-more/642167958715695104/domenico-ghirlandaio-1448-1494-portrait-of; adjusted to fit screen 781X1400 @72 484kj.
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Domenico Ghirlandaio, Portrait of Giovanna degli Albizzi Tornabuoni, 1489–1490, Museo Nacional Thyssen-Bornemisza, Madrid ..
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RETRATO DE GIOVANNA TORNABUONI, DE DOMENICO GHIRLANDAIO
O Retrato de Giovanna Tornabuoni (em italiano) é uma pintura a têmpera sobre madeira de Domenico Ghirlandaio, pintado entre 1489 e 1490, com 77 cm × 49 cm de dimensão e exposto actualmente no Museu Thyssen-Bornemisza de Madrid.
1489 – 1490 – Início do Renascimento – 77 x 9 cm – Museu Thyssen-Bornemisza
A pintura representa Giovanna degli Albizzi, uma nobre florentina que casou com Lorenzo…
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Domenico Ghirlandaio - Portrait of Giovanna Tornabuoni
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Giovanna Tornabuoni together with Chameleons by Martin La Spina
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Domenico Ghirlandaio, Ritratto di Giovanna Tornabuoni, 1488, tempera su tavola
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Domenico Ghirlandaio: Retrato de Giovanna Tornabuoni (Abaixo, no salón de J.P.Morgan en Madison Av)
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Since it's been forever since I posted anything, I'm finally catching up on homework and finished this Renaissance Parody piece. Original piece is called "Portrait of Giovanna Tornabuoni, 1490" by Domenico Ghirlandaio. Also featuring my dog, Freyja.
This painting was done for a class project.
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Portrait of Giovanna Tornabuoni (detail, 1488) by Domenico Ghirlandaio.
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Domenico Ghirlandaio | Portrait of Giovanna degli Albizzi Tornabuoni, 1489-90 https://www.instagram.com/p/CmQqeVoDckV/?igshid=NGJjMDIxMWI=
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Favorite Costumes (6/?) - Ever After 1998
Work dress
Danielle’s work dress consists of a chemise. Under bodice, overdress detachable sleeves, and apron. Her chemise is full length, has a wide scoop neckline with a drawstring, and is most likely made of linen. The underbodice has a square neckline and is short in length, the purpose of it is to cover the front lacing of the overdress so the chemise isn't exposed. The overdress is full length and consists of the over bodice with front laces and the skirt. Danielle’s chemise puffs out from under her detachable sleeves, which attach to each other and the bodice with strings. This costume is accurate to what working women in the 16th century wore and is very similar to the painting The Flower Picker by John William Waterhouse.
Monastery dress
The dress Danielle wears in the monastery is so beautiful, it consists of a chemise, underbodice, overdress, and detachable sleeves. Her chemise is full length, has a wide scoop neckline with a drawstring, and is most likely made of linen. The underbodice is the same shape as the one worn with her work dress and is goldish color. Her overdress and work dress is similarly shaped, made of blue and goldish brocade, and the bodice and waist have trim. The sleeves have two puffs at the top with trim on the top and bottom of each. The sleeves are fitted from the elbow to the wrist. Her look is finished with a jeweled headpiece.
Ruins dress
The dress Danielle wears at the ruins is my favorite in the movie! I want to make it so bad! This outfit consists of a chemise, overdress, and a snood. This chemise is different from the others because the sleeves are gathered and puffed at the bottom, but the top of the same as the others. Her overdress has a square neckline, high waistline, and is made of a gorgeous dark red velvet. The sleeves go to the elbow, with two puffs, have gold piping, and are attached to the bodice with string. Danielle’s hair is half up, half down with braid wrapped around and adorned with a pearl snood.
Breathe dress
The Breathe dress is the most iconic dress from the movie and is the dress most pick as their favorite. It’s not my favorite, mostly because it reminds me of a lampshade my grandma had, but it is gorgeous, nonetheless. The dress is off the shoulder, with an empire waistline, the sleeves have a puff at the top and the elbow and then go into fitted sleeves. The champagne satin underskirt can be seen peeking out of the front slit and the outer layer of the dress is heavily embellished. She also wears sheer butterfly wings with glitter throughout them. My only problem with this look is the makeup, the glitter and rhinestones take away from the look instead of adding to it. It reads more late 90’s/early 2000’s party girl than a soon-to-be princess. I prefer the promotional pictures without the glitter because it allows the dress to be the focus.
Princess dress
Danielle’s princess dress is inspired by Portrait of Giovanna Tornabuoni by Domenico Ghirlandaio. It consists of a chemise, kirtle, detachable sleeves, and overdress. Her chemise is the same as the first two outfits. She wears a burgundy velvet kirtle with matching detachable sleeves. The sleeves have a gold lattice design, connect at the shoulder, and have a button and loop closure up the back of the sleeve. Her overdress is sleeveless, has a low v-neckline, is made of red and gold brocade, and has a gold belt at the waistline. Danielle’s final look is finished with a gold crown and gold cross necklace with a ruby in the center.
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Giovanna Tornabuoni and Her Accompaniment, 1488, Domenico Ghirlandaio
https://www.wikiart.org/en/domenico-ghirlandaio/giovanna-tornabuoni-and-her-accompaniment
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