#HE WANTS TO EXIST AND BE KNOWN

[somnas-writes]

Sharing my writing on this website feels weird but

Imagine an Azriel that doesn’t exist. He’s a ghost in the eyes of the world, he isn’t known publicly, by the courts or even by his closest friends.

His job is the night courts spy, his job is to be sneaky and unknown, so why would he be a public figure? Why would there be records of his existence?

There are rumors about a male made of shadow, it’s a horror story maids tell the children of lords, so they behave. It’s an urban legend among the higher fae, the night courts monster that has no problem going undetected through your wards.

The high lords have a suspicion that a shadow spymaster exists, but they’ve never seen him nor do they have any proof.

Azriel who makes appearances as often as the planets align, whose existence is only confirmed to the Inner Circle of the night court. Even then, they rarely meet face to face, only relying messages through letters and notes.

An azriel who doesn’t exist, but desperately wants to.

[wanologic]

sorry danny, sam will never think you’re cool

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[crustyfloor]

"Ivan isn't loved by anyone-" You were fooled by his warped perspective.

[wispforever]

exalt

[askblueandviolet]

Heyoo can Macaque sing? Can Mayor also sing too? (If yes, what songs would they sing to each other?) :3

MASTER POST

Asks Start 💙💜

Previous 💙💜

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[chiscribbs]

Varigo?

Nah, friend. I never got into Varian and the Seven Kingdoms, sorry.

(Plus, I'm a long-time Cassarian shipper, so it doesn't appeal to me anyway.)

[rist-ix]

https://www.tumblr.com/rist-ix/749015401700229120 not you reblogging this when you ship bloom with the man who murdered her family 😭

Bloom's into ppl who slay! Hope this helps :3

[foxstens]

when kevin is having a breakdown over the district change wymack says 'I'm not letting you go back there.'

[aalghul]

i saw an account post that, unfortunately, if you are a jason todd fan account then you’ve most definitely gotten an ask along the lines of “if you like fanon jason then you’ll definitely like canon helena/steph/mia” and was wondering if you’ve ever gotten an ask like that

I've gotten a few about Helena specifically, never Steph or Mia so I'm going to talk about Helena rather than generalize what I'm about to say to both of them too (because I was actually thinking about this a few weeks ago!)

Those people are right...in a way. If you want christian guilt (that Jason does not in UTRH and should not ever struggle with) and genuine efforts to be accepted by the Bats? You want Helena. A character whose relationship with killing can be benefited by people bringing her into their light without rendering her previous choices pointlessly antagonistic? that's Helena.

Then there's also the factor of Helena often, in canon, being treated as unstable and untrustworthy, no matter what she does to prove otherwise. and that's seen as a continued failing on her part, even if it's others that refuse to believe in her. Jason constantly being pushed into those situations in fanon and canon is very Helena coded. He's got her good and bad.

But if you like the Jason from UTRH era, arguably the best written Jason post-resurrection (which isn't saying much because...we all know how he's written most of the time), then Helena would never work for you because they're so different. Even with fanon, there's only a certain extent it can apply to. Helena's not Bruce daughter, he didn't raise her, she was never family for him outside the costume (or in it. but that hurts me to say), and she certainly wasn't Dick's sister. So those dynamics should be different inherently, even in fanon where they're altered to resemble something like what Helena has. There's still a history that Jason has here that she naturally doesn't.

I think it's too vague and unhelpful of a thing to say if you're trying to make people interested in Helena or change their portrayal of Jason. But I do see the basis of it.

[jrueships]

im going into my new work tomorrow, first time ever😐

[hecksupremechips]

God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like

Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault

On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself

IN OTHER WORDS, it’s fucked

[hella1975]

the closest ill ever get to being a pick me girl is the joy that fills me when the chefs at work so clearly favouritise me. like im there nicely cleaned up in my smart-casual uniform just a 20 year old waitress smiling my customer service smile and behind me spawns Scary Dog Privilege 10x in the form of several burly middle-aged chefs at least three of which have criminal records and would all stick a bread knife in someone for bothering me

[trees-to-meet-you]

Btw I’m actually a little behind on the pjo series so I’m only on like. Episode 5. But I’m getting to the end of it and I just wanna say I love Annabeth so much I love her and I love Leah Sava Jeffries they’re both incredible

[aroaessidhe]

2024 reads / storygraph

Looking for Love in All the Haunted Places

contemporary romance with a light paranormal mystery

follows a woman with ESP who gets onto a reality tv show where she has to stay in a mysterious house and document her stay - and every previous occupant has only lasted three days - and she’s determined to figure out what’s going on and get her abilities taken seriously

she’s quickly drawn to a man working on the show, and they begin a relationship - and she gets caught between him (and his cute 10yo daughter) and the house and her career goals

Black ace MC

[autisticrosewilson]

First of all, you have given me so much to work with, thank you so much. Second of all, I’m really glad you could see where I was going with Grant’s real test not actually being about killing Slade. Third of all, I absolutely love what you’ve suggested with the powers and I am currently designing met gala esque outfits for the trio and Tara’s specifically is really fun to play around with. I’ve been thinking to show they’re becoming more divine I’ll change their hair and eye colours but not their faces for the most part. I was drawing robin Jason with Natalia and decided he should have brown eyes and a crooked nose from breaking it as a kid but once he returns his eyes get weird (eg go blue and occasionally other colours), a patch of his hair went white and he lost all of his scars. Also, I think the closer they get to divinity I’m gonna draw cracks on their body that glow with their specific colours just to hammer home how they’re shedding their mortal forms.

With Tara being able to see the strings of fate, I though it’d be fun to give her a harp and then with Jason having the see no evil trait I thought it’d be fun to give him weighing scales since lady justice wears a blindfold. Idk what to give Grant though. I mean probably a weapon of some sort or maybe a Shepard’s crook that he can turn into a scythe to play into the sheep, wolf, Hunter thing.

With Jason and Tara’s splintering, I love the idea of them making fun of Grant for being the baby god. He hasn’t even had a cult yet, gosh he’s so young. Also them being besties just holds a special place in my heart.

And I just came up with this, of course they have parallels to the trinity but in universe rumours of their existence have been around much longer than Bruce, Clark and Diana. They’re the big three of the justice league but these guys are justice gods. So they start calling themselves the justice trinity but then people get confused about which trinity is which because the justice leagues’ trinity sounds awfully close to the justice gods’ trinity. The new all caste is certainly more distinctive branding but the point isn’t to be distinctive, it’s to be petty.

I'm so glad my unmedicated rambling helped!!! And I'm so excited for the outfits!!! I love when characters start becoming less and less human, when they're stuck in that uncanny valley spot of not quite human but not entirely Other, when they lose control and the cracks start to show...um I should probably give a warning for slight body horror elements. Not in the gore sense, in the "this body is not made of flesh and there is something divine clawing it's way out". Uh also there are teeth. Just. Teeth. I dipped into a little bit of cosmic horror at the end there because I wanted to cover my bases with mixed mythologies

Jason, with his defined splinters, is usually depicted with three faces in ancient texts. The Child, gaunt and dark colored, is said to appear before the downtrodden and impoverished. The few stories remaining tell of kindly people who give him an offering, and in exchange he reveals his true form, with his crown of golden ivy and beautiful strong wings to gift them bounties of food and water and riches. Other stories tell of not so kind encounters, where The Child witnesses an injustice - typically against women or children - and again reveals his true form, one with clawed hands and a mouth dripping with blood. Scholars argue what the wings looked like, but whichever All-Caste member annotated it before has compared their likeness to either a Robin or a Shrike.

There's also The Ghost, He appears young at first glance, but his hair is wirey and gray, his eyes milky and unseeing, in bloodied armor he greets the souls of the damned as they're delivered to him, and with scarred hands he wipes the tears of children taken too soon. Accounts of this face are few and far between, but all of them are entrenched in sorrow.

Finally there is The Soldier, scarred and still smoking from the ruins of battle he emerges, giving voice to the weak and resources to the needy. He champions revolutionaries and philosophers first, a strategist who delights in the liberation of the people from corrupt systems. Accounts of him usually come from times of famine and war, and he was particularly popular with poor villages, who would mark the graves of their dead with the symbol of his sword as offerings. For some reason or other, he got particularly popular with the youth, girls and boys both seemed to pray for him and leave him offerings.

The way these manifest on Jason is subtle at first. I could go the body horror route, but I won't. Yet. Instead I think his splinters show up as reflections, shadows, imprints. The faint echo of bell-like laughter when Jason does a move he learned as Robin, the image of a younger him with longer hair and unblinking eyes staring at him in the mirror. It gets worse when he gets the blades, the white streaks his hair, the swirling mark covers more of his skin every time he uses them, he trails the scent of smoke and blood behind him like a signature. His scars...they should disappear. They have for everyone else who used the pit, but instead his skin starts cracking. Any place he's ever been scarred glowing cracks break up his skin. He can't feel them, but he's always aware of them, the meaning behind them, the divinity literally leaking through his body. His eyes aren't brown anymore. They aren't even green. He looks in the mirror and they are copper, molten and burning. He tries his best to keep his mask on.

What do you think of when you imagine the word divinity? Probably something like Tara. Something with skin carved from stone, with moss and fungus crawling up her legs and snow laden shoulders. They say her hair is made of swirling clouds and the sun and moon are her eyes.

Some say she's a nymph although no one knows what kind. You're just as likely to see her name among the naiads as the dryads. Whether flowers bloom where she dances or waves crash when she sings, she's known to be more vicious towards suitors than her sisters.

Others have said she's a faerie, who takes the faces of lost daughters and lovers, slipping into their places seamlessly, forcing unruly men to pay their dues. Others say she's a shifter of a different sort, with a shawl of feathers and a crown of twine and gems. Stories range from men trying to steal her coat (and paying dearly) to lost children returned safely home on the back of a swan.

Tara doesn't think about it at first, the way gravity tends to cede to her, she doesn't notice how sunflowers turn their faces towards her instead of the sun. She doesn't notice the way her face...shifts. it's imperceptible really, and it's not like she looks in the mirror all that often. But everyone around her notices it, on some level, the way her expressions are off. A little too exaggerated. The way her limbs bend just a little too oddly. The way she never looks quite the same as she did the day before, the way she picks up features from the people around her the way she picks up rocks from ground to add to her collection. Clay molded subtly into the image of those she loves, a museum of everyone she's ever met. She does notice when her hair starts going white at the ends, the strange way her hair starts to curl unnaturally, almost floating. She's not so upset about her eyes, the deep blue of her father that has glared down at her day after day, she has changed her hair, her face, her language but she could not change her eyes. It seems she didn't have to, when she wakes up with one a little too silver to be gray and one a little too gold to be brown. And then her skin starts splitting, a cavern made from a broken rib and ravines made by the slashing of knives. She doesn't even bleed anymore, they never scab over. They crystallize, amber like ambrosia, like ichor. Her body a geode waiting to be cracked open to let the thing within finally break free.

They know the least about Grant, whatever he used to be. Half written scrolls, torn or burnt or simply stopped abruptly, illegible journal entries with symbols never recorded in any known language, half finished sketches where the details are never quite clear. A few things are usually consistent though, signs that he's been there, usually from hunters down on their luck or the particularly old and sickly. First, the howling. Like a wolf or a storm, although later accounts would add that it occasionally sounds like a mechanical whirring. Then the rabbits, dead and gutted, but not a trace of blood. Piles of them left in heaps on doorsteps or windowsills. Some have reported knocking at strange hours or finding teeth in their homes, a mix of human and animal. There is one photo on record, the most recent thing in the archive most likely, of claw marks on the side of a barn, too big and oddly serrated, certainly not from anything native to the area. Elderly that report these phenomena typically pass from heart problems within the week, according to some of the old medical files.

Grant came back wrong. Physically, at least. He knows that he's still himself for the most part, dying didn't make him a selfish asshole he did that all on his own, but...but something is wrong with him. It's the way lightbulbs flicker when he's mad and how cameras, no matter the quality, never quite get a clear shot of him. The way Joey can't ever grasp his features, not fully, the details slipping from his mind like water. The way eyes on his face slide right past, unable to look directly at him. It's in the gray spreading from his roots and his eyes too wide and dark to belong to something human. It's the way death clings to him like a second skin, sickly and pallid turning the tips of his fingers gray. His teeth are starting to feel too sharp for his mouth, and he hears things no one else does, whispers of voices that Are Not and Can't Be. The worst part is the orange, liquid candlelight under his skin, lighting up all of his veins and scars, webbing together like the world's worst game of connect the dots. No, there is no mistaking him for something human, so there is no reason to try. If this is his fate then he will take it, because he is not a sheep and he will not be a wolf, he is a hunter, and he is hungry.