#HIGHER OH HIGHER!!!!!!!!!!!!!!

[gatoburr0]

Hehe hiii samurai shiver Hii um!!

Also yes I designed the tattoos from scratch and I still gotta do the one on her back 😪

[supernovasilence]

Ok we all talk about the Pevensies' trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too

They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he's all grown up. Even Edmund, who went away surly and withdrawn. She doesn't know her children haven't seen her in over a decade.

They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.

It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.

(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you'd think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)

Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don't remember anything. One time in class Susan forgets Earth is round and wants to die.

Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)

Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It's a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he's High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)

Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)

Lucy doesn't have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah

Lucy loves to climb into her siblings' laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she's upset, he'll tickle her and tell bad jokes until she's smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom's lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor's house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she's back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.

But if Lucy looks out the window, all she'll see is the rain over London, so it's not only a cold and grey sort of day, it's a lonely sort of day too.

Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren't that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he's going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it's simply a matter of course.

"Doesn't the rain sound familiar?" says Lucy in a solemn, wistful way.

Their mother doesn't know what that means, but her siblings must, because Susan says, "Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.

(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he's grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)

[ryllen]

color coded affection

[shenzuns]

OUR SONG OF HOPE, SHE DANCES ON THE WING, HIGHER OH HIGHER

[southern--downpour]

[reasonsforhope]

"Enviornmental campaigners have welcomed Labour’s decision to lift the Tories’ ban on new onshore wind developments.

In one of the new government’s first acts, the department for energy and net zero confirmed that future projects will be treated in the same way as other planning applications.

Energy secretary Ed Miliband said: “The onshore wind ban has been in place for more than nine years. We’ve been in government 72 hours, we’ve lifted it.

“That’s the pace we’re going to move at. We’ve got to become a clean energy superpower for energy independence, to cut bills, to create good jobs and tackle the climate crisis. We’re getting on with it.”

“By harnessing the country’s vast renewable power potential, the new government is staking its claim as a global leader in the green energy transition.”

Chancellor Rachel Reeves confirmed the change as she also announced major changes to the planning system to allow the building of more homes as part of the government’s moves to boost economic growth."

-via HuffPost, July 8, 2024

[itissadbutitsmy-artblog]

hey i got really sad about baby world being bmo's wish. thats actually awful. jake. safe. thats what prismo got out of that wish.

i clearly couldnt keep my energy up through the end of this but i still. wanted to. p.ost, it. before fnc tomorrow. :]

[vaggieslefteye]

VOX, Media Overlord | 1x02 - Radio Killed The Video Star

"[He's] up in his tower waiting for a flat-faced prince to calm him down."

[fluffyartbl0g]

PREVIOUS

Speedrun/Time Travel AU masterlist

[nevertheless-moving]

unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.

Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.

and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.

(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)

Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 

Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.

The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?

Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!

Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 

Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—

You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...

What—when did you lose—

I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...

So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.

And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.

When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.

Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.

It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.

Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.

Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??

the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.

Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.

FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?

“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.

Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)

And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.

Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.

Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 

Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.

Is mildly disturbed by the revelation.

Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.

It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 

Things REALLY become stressful after he rescues that carriage full of noblewoman.

What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.

I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.

So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.

Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.

Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—

well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—

and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?

i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”

Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).

But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.

Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.

And then the partners change again, the moment ended.

Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.

Hes almost excited when the first assassains start coming after him. It's like a hobby.

Everyone tells him he should get a hobby.

Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.

needless to say he ends up fired again, life under real threat after offending some high lord.

Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.

Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )

Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?

And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?

Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer

[birdmans]

props for challengers (2024)

[beaulesbian]

🌘☀️ Some thoughts on Zoro & Luffy and their connection to gods and demons☀️🌒

This post started at first with just a few points about Zoro in the context to Asura/ King of Hell but since then it somehow evolved into connecting bits and pieces between Zoro & Luffy parallels again, I just can't help it, sooo...long post ahead.

Wano + Egghead spoilers

I always love remembering this one of the very first scenes where we (and Luffy) first hear about Zoro, and in the context of Zoro being a Pirate Hunter, even described as a demonic beast or as Koby says "demon in human form." None of this discouraged Luffy upon hearing this, on the contrary - he thought that if he sees for himself if Zoro was a good guy, he would be a great addition to his crew, and then went out of his way to seek him out! And only later we got the explanation that Zoro just couldn't find his way back home. "Roaming the seas" meant surviving for him, bounty hunter meant getting by in life with the skills he knew the best - swords, which is kind of sad when you think about it, but all the more interesting that it was Luffy who found him in Shells town,

where Zoro, a nonbeliever of any gods of higher power, was bound to a cross, and the first thing Luffy pointed out was "he's smiling".

I like to think that the smile might have been one of the first signs important enough for Luffy to choose someone for his crew - not only the kindness that followed when Luffy saw Zoro eating the dirty rice ball, but the smile that's by itself also very connected to Luffy himself:

After that first fight they won together, already reading each other so well, Zoro was the first one to call Luffy his captain (and later at Baratie also the first one to call him the future Pirate King!). He was someone who already fully believed in Luffy's future of reaching his dream without questioning it, perphaps because their drive towards their goals and dreams was very similar. And Luffy was the one who freed Zoro and let him have his swords - his biggest treasures - and gave him back the possibility to go into the world to actually follow his dream!

"One day, he'll show up and take you out under the sun, to the freedom of the sea!" - ch. 1095, Buccaneers about Sun God Nika (flashback with Kuma)

Fast forward to Wano - it's incredible how entangled their stories are with belief in always striving to do better/be stronger/try again next time for Luffy, someone who doesn't care what others think - he just needs to do what he wants and to be free - only for him to awaken his Devil Fruit and his God Nika powers; and for Zoro (a non-believer/apatheist) with how determined he was to successfully wield Enma so he could defeat King the Wildfire even to the lengths of becoming the King of Hell if that was what needed to be done to get Luffy one more step towards being the Pirate King.

Which brings me back to Demon Asura Zoro and where we saw this form throughout the manga:

This whole post started at first as a parallel to my other post about Zoro not really being shown to react to Luffy's Gear 5 (yet, as of chapter 1109), and I kept thinking about Zoro's Asura technique and how he used it so far only three (!!!) times, and there weren't many reactions from the strawhat crew either.

First one was during the Enies Lobby against Kaku, who even calls that vision 'demon-god' (ch. 417). If I remember Zoro was there by himself with Kaku, his crew each fighting other opponents elswhere:

The second time was during their first visit to Sabaody Archipelago, ch. 510, where it was the whole crew against the Pacifistas. The only bigger reactions were Brook and Chopper ("So many Zoros!!" - how cute!)

Luffy went right after Zoro with his last attack against the Pacifistas, so he's either seen Zoro's attack or it just wasn't the time or place to react, which, fair.

and then, third and last time so far Zoro went into his Asura form, it was up against Kaido, ch. 1010, when Luffy was out of it and Kaido was threatening how he would end Luffy in various ways.. which only angered Zoro more ("That's my captain!" - yeah, tell him, Zoro!)

All of these three times we've seen Asura, it was against few of the most dangerous opponents and all three times Zoro had his bandana on, being serious about it. All three of these times he knew his whole crew was fighting for their lives too and were in very real danger. Enies Lobby really changed the tone of the next few arcs with how serious things were about to go; Sabaody was just after Thriller Bark with Zoro being still injured and he knew what Kuma/Pacifistas were capable of - there was real fear and despair. And of course, on Wano against Kaido,. he saw how much damage Luffy took, Zoro could only hope to put more wounds on Kaido to count in their favor.

Zoro knew he had one last attack to try and make some difference in this fight - and this was before his fight with King, so he wasn't fully in sync with Enma yet, but it was good enough to unlock Asura technique - with something more to it.

Apparently along with his haki - not just the armament or observation haki, but the supreme king haki, as Kaido himself is shocked to find out. Zoro wasn't even consciously aware of having/using this haki.

Even the wiki mentions this as Zoro adding the supreme king haki to his Asura attack to strenghten it, or possibly was only able to unlock this technique because of having supreme king haki - meaning he was possibly using it even in both of those pre-time skip situations mentioned above.

The supreme king haki is something people can't learn, but are born with, meaning Zoro probably didn't know until Wano (and still wasn't sure what he did), but possibly learnt to use it instinctively - very much like Luffy on Amazon Lily.)

I already made a post that touched a bit on King of hell Zoro, and other parts around Asura (clearly, i'm never done thinking about that), with a very big possibility/hints that he could come from lineage of people of the D. (asura - enemies of gods - people of D.) - especially if it's connected to supreme king haki as inherited ability (although that isn't confirmed in the manga, as far as I understood).

This brings me to Zoro's family, and specifically Ryuma.

Wano was a great arc that connected things from Thriller Bark -with Zoro returning the legendary sword Shusui back to Ryuma's grave where it belonged.

There was an interesting panel at the end of Wano, where people were celebrating Luffy's victory over Kaido, but were given the name Joyboy as their savior - possibly Momonosuke's doing as Luffy told him not to mention him by name because Luffy didn't want to be a hero.

And in this panel, the peple are comparing this feat of victory to the legendary "God of the Blade" - which is another title for Ryuma.

It's so curious how Zoro is connected to Ryuma, even through span of many centuries and countries across, but still there is that connection, on top of actually fighting Ryuma's zombie on Thriller Bark, and Zoro isn't even aware of it. We only know about it from the SBS corner of Oda mentioning Zoro's family. (SBS corner in vol. 105. Ryuma wasn't mentioned there precisely, but the name Shimotsuki being of Zoro's grandmother and others from Wano, it makes sense they're Ryuma's descendants):

Side note: There's also something really beautiful of how the Shimotsuki line was passed down on Zoro from his grandmother - and his promise he cherishes since childhood being tied to Kuina, someone who wanted to be the greatest swords(wo)man - and therefore Zoro carrying Wado and that dream and promise for her.

Zoro & Luffy

Now to tie it all back to parallels with Zoro and Luffy - I love that there are always these small moment in how similar these two are - in their honest words and actions, in them believing in one another and believing even more in reaching their dreams, their crew and their strengths. In both being so directionally clueless and sometimes outright stupid, yet in certain situations (more so in battles and fights), they are the ones sometimes smartest and most strategic.

Then there's these other similarities between them: how much they don't care about what's told about them or -be it by luck or fate- how things work out in their favor in the end, usually. How both of them don't wish to be heroes, because heroes had to share (food and sake).

How there's that fact that Zoro doesn't know the full context of his powers, especially with his supreme king haki- or that he doesn't want to know the truth or put a name to that ability, because he fights with his swords and doesn't need to put belief of any other powers beside his own strength. (Or maybe he will soon learn how to use it to his (and his crew's) benefit.)

and Luffy, who doesn't know probably anything about Nika- and most likely wouldn't care much about them beside the scope of his new powers. The whole meaning of being something like "sun god" for others didn't register with him yet, and it might never be that important to him personally. Time after time, people around him mention luck or fate, or how people of the D. are the enemies of the Gods - enemies of the celestial dragons, but those don't really matter to Luffy because it doesn't change why he fights and why he needs himself and others to be free and achieve his dream.

How Zoro and Ryuma could be parallels to Luffy and Joyboy - one living in the present, reminiscent of those that lived centuries ago - something about the history always repeating.

When Zoro got to fight Ryuma on Thriller Bark, or even Hyogoro compares him to Shimotsuki Ushimaru (Zoro's great uncle),

and how Zunesha was waiting for Joyboy, how Roger and Oden found messages from Joyboy of his promises to return.

The parallels between sun god Nika and demon god/king Asura are so interesting in their opposites yet similarities. There's still so much we don't know about Nika or Joyboy, but Luffy himself isn't just the perfect picture of responsibility or justice. He's free, and that's the most important for him. He now has the power to do what he really wants to do with his powers, he unlocked that new potential to make it even more fun and even more dangerous against his enemies.

Even if Zoro's saying he doesn't believe in higher powers he embraces the powers that unlocked with Enma and getting him the title of King of Hell, he knows it would be the things that would keep him fighting for another minute, hour, day when it becomes necessary to protect Luffy and their crew.

Zoro may not believe in any gods but he believes in Luffy with all his being.

And in the similar vein, Luffy is the one who always believed in Zoro's strength and capability to protect the rest of their crew when it was necessary, times after time.

It's feels like it's not at all a coincidence that Luffy's whole crew is full of otherness and beings connected to hell/monsters/demons more than anything divine - because lot of the gods in One Piece are mentioned in context of standing above others and above common people - it's a bit flipped of what's good or not, or even more it's never clear because that's life, and those people are just claiming some titles. Eneru being the first example of a "god" the Straw Hats encountered, celestial dragons being called Gods, the Gorosei having each titles of "Godhead" - it's no wonder that Luffy's crew all fights for freedom and reaching whatever each of them needs to achive as their dream,

and includes: a dead man but living skeleton Brook; a demon child Nico Robin; Chopper "I don't mind being a monster for Luffy.'"; Sanji with all his hell fire and "diable" kicks and attacks, along with his non human strength and other abilities; Nami wielding the powers similar to Eneru without the need of both Devil Fruit or being called a goddess, and bringing down lightning on anyone who threatens her crew; Usopp and his powers of nature and plants sprouting new life and strengths from long distance; Jimbei - fishman and former Sun Pirate and also "First son of the Sea"; Franky the more cyborg than a man; and of course, Roronoa "I might as well become the King of Hell" Zoro.

It's not all so black and white, good or bad. Luffy is still everything that makes him Luffy - he's honest and selfish in his selflesness, kind and brave and stubborn, and always knows that Zoro (and his whole crew) has his back so he doesn't have to hold back.

And Zoro is still Zoro despite being able to wield some newer haki powers he's slowly discovering now. He's still getting lost and still is his stubborn self that puts the crew and Luffy above himself, and would follow Luffy into hell if that was needed.

Luffy and Zoro are "just" captain and his first mate, always throughout the story since the beginning. Orphans with such interestingly woven past and relationships around them, who grew up with a big dream they had to go and achieve it no matter what, and found someone just as honest, kind, powerful and trustworthy as they were. But there's that deep and fierce devotion that always borderlines on something beyond just good. They're pirates - because that means being free.

They can be chaotic and powerful, and find something divine in the loyalty of the demonic powers, and something hellish in the god-like entity bringing freedom.

It feels like something Roger said to Rayleigh when they first met - That it was a fated meeting.

[epickiya722]

"I didn't know Yuji was like that."

The first chapter he jumps STORIES just to bust through a GLASS window to punch a curse and save his friends and kept his composure the whole time.

Held a Cursed Finger and asked "is it good" because Megumi said curses would want to eat it.

Swallowed said finger (mind you, in the manga he throws it in his mouth by hand) like it was nothing.

Even before all that, THE KID ACTUALLY BROKE A RECORD AGAINST HIS COACH.

KIDS WERE TALKING ABOUT HOW HE'S THE REINCARNATION OF A REAL LIFE PROFESSIONAL FIGHTER WHO IS STILL ALIVE.

Yuji isn't just "like that" and "has that dog" in him. That kid is a special class of his own. He's crazy, a wild card... chapters before 256 he spat in Sukuna's face!! No one else that I can recall can say they did that.

Y'all really just realizing this or are the shades too dark? Were you not at the beginning or what? HE'S BEEN LIKE THIS!!

[front-facing-pokemon]

[finalgirlsamwinchester]

guy who so desperately tries to find god. who wants to have faith in a higher authority to guide him out of the hole he's in. from the weight of guilt from simply existing, as the person he is. but every time he thinks he's answered his higher calling it turns out he's made the Morally Incorrect choice and his path to goodness and holiness was the road to the devil all along

[thecruel]

absolutely no way