#He's actually a powerful character if you use his powers correctly

[positivelybeastly]

From the Ashes Infinity Comics #16: Pygmalion, Part 2

Let's go. I'm eager to talk about this one, because it was good.

Ahhhh, I do love it when comic books are on the nose - and I genuinely mean that. Subtext may be for cowards, as Garth Marenghi once loudly stated, but I also feel like it's just. Too subtle, for most people. You really do just end up with a load of people who don't get the message because it wasn't loud enough, who are there because the franchise is cool and not because they internalise the messages of it, and that's how you end up with racist X-Men or Star Trek fans.

By all means, get into the franchise just because it's cool! But let's engage with the themes and the narrative and the meaning, too, yeah? Trust me, it makes it better.

Anyway, the Uncanny! The adjective applied to the X-Men most commonly since their debut in 1963, the concept of the uncanny has its roots in German philosophy, and specifically the work of Friedrich Wilhelm Joseph Schelling in 1837, but Beast and his mimic here correctly identify that it was popularised by Sigmund Freud's theories about psychotherapy and the human psyche, especially his 1919 essay literally titled "The Uncanny."

That being said, my first exposure to this word and its deeper meaning was in relation to Gothic fiction, and the use of supernatural figures like the vampire, in my English Literature class, where the following definition was perhaps a bit more apt: a. : seeming to have a supernatural character or origin : eerie, mysterious. b. : being beyond what is normal or expected : suggesting superhuman or supernatural powers. an uncanny sense of direction.

As a literary trope, the examination of the uncanny, liminality, and the creation of transgressive works exploring the human fascination with the taboo and what falls outside the bounds of 'normal', that which is considered both attractive and terrifying, is a very old human past time.

The X-Men, as mutants, were always meant to have this quality, though how much a writer wishes to touch on it will always vary. Compare and contrast Hickman's use of the uncanny to make Krakoa seem alien, disturbing, and strange, versus how very mundane a lot of especially late 00s X-Men was, with Utopia's focus on very War on Terror politics, and you can see just how different a vibe you get when you have a writer genuinely interested in exploring what makes mutants actually uncanny. Morrison vs. Whedon is another very good example of this dichotomy, imo. Morrison's X-Men are uncanny, and Whedon's are not. Both are good, but they have a very different feel as a result.

Anyway, enough waffling on about literary analysis!

Taking Ben Percy and Jed MacKay's lead, this version of Beast is very much more in line with his 90s or 00s self than the Defenders version he's meant to be closer to - 1985 Beast did not talk like this. That being said, Beast's use of affectation, facade, and code-switching to fit in means that it isn't really a breaking of canon, it just indicates that Hank feels that his goofball persona would be very ill-fitting for this stage of his life, and given the stresses he's under, I can't say he's necessarily wrong.

Browerian mimicry, otherwise known as automimicry, is a form of animal mimicry in which an animal will commonly imitate itself in such a way that it confuses and deflects attacks, i.e. a fish manifesting eye spots away from its actual eyes so as to misdirect a predator. But, as Hank points out, the form of mimicry on display here is somewhat more complex and involved . . .

And now we come to the first hint about what the actual conflict is going to be here - just how much of this mimic's thought processes are its own, and how much are Hank's? After all, while Hank has, historically born up under immense pressure, stress, and racial hatred before, that hasn't always been the case.

In Uncanny X-Men #8, he was one of the first mutants to experience racial hatred and a near lynching for the use of his powers in an altruistic manner, an experience which led him to nearly leave the X-Men. While he grew out of this misanthropy, it's interesting to see this trait potentially return in light of his inner conflict over his inner goodness and morality - it makes sense that Hank would question if he's only a good person when he's treated well, given his lack of faith in his intrinsic goodness and growing belief that he cannot be trusted.

So, we have to ask if this sentiment is the mimic, Hank, or both, especially given how sharp Beast is in this issue, and in MacKay's X-Men #4. Even an older, allegedly more morally degraded Beast, was more polite to similarly ignorant masses in Rosenberg's Uncanny X-Men, and yet, in this issue, Hank refers to them very unflatteringly, to say nothing of his somewhat brusque manner during his fight with the Upstarts . . .

"We're." "We."

Interesting.

I think this issue might well have given Psylocke more dialogue than all of Jed MacKay's X-Men run thus far. That being said, I'm not massively worried about her prominence and treatment, given that what she's gotten has been eminently capable, and she does have a solo series coming out soon, so it's not as though she's being particularly hard done by, I think.

Blankslate. I actually rather like that. It has a very pleasing simplicity to it, and it's both apt and unique, which is hard, given the number of existing shapeshifters that the Marvel Universe plays host to.

I do like that the instant Psylocke saw that Scott was considering field deployment of a vulnerable young moment, she locked that shit down, ASAP. We aren't having a repeat of Utopia's X-Force here, Scoot. Again, pulling at the relative lack of play Kwannon's gotten in MacKay's X-Men thus far, it's nice to see her so assertive and able to speak up against what she perceives as Scott's utilitarian tendencies.

Also, Hank continues to be incapable of sitting on a chair properly.

I really have to question what the fuck Scott thought was going to happen. Were you even listening to what Hank and Kwannon were saying, Scooter?

Hank really isn't used to having an outer monologue. It throws him, to hear the nasty things he thinks about himself spoken aloud, finished, and not left unanswered and unquestioned in his own mind.

It's also very interesting to see this fear explicitly acknowledged in even this version of Hank, given that this worry about rejection, and the ensuing bluster and humiliation, led to his violent reaction to the garbage intervention in Uncanny X-Men #600. He decided to leave rather than be made to leave, deciding that the X-Men had already elected to make him leave the team (not an unreasonable conclusion, given how determinedly shitty they treated him up until that point, and after it), and in so doing, made his worries manifest.

I've also talked before about the significance of moments where Hank doesn't talk. As a persistent prattler, it's worth noting his silences.

A Markov chain is, essentially, a statistical model of real-world processes, that often describes a sequence of possible events in which the probability of each event depends only on the state attained in the previous event, i.e. the prediction of a specific outcome after a number of specific events. Hence, a probability chain.

Here, Hank appears to have inputted data relating to his own life experiences, and the data available to him about the life experiences of his previous self, as well as, likely, his alternate reality counterparts, in an effort to discern his likelihood of turning out the same way.

While this version of Hank has substantially reduced life experiences compared to his older self, he still appears to be well versed in statistical modelling and probability mathematics. If he is behind his Prime self, it's likely only going to be for so long, given that this level of mathematics and modelling was well beyond his 1985 self, who was notoriously rusty at even his own chosen field of biophysics and genetic manipulation in New Defenders, having neglected his scientific studies in favour of, well, fun.

Prions are misfolded proteins that induce a similar misfolded state in normal variants of the same protein, leading to cellular death. Your most likely common experience of the word may be related to prion neurodegenerative diseases affecting humans and animals, such as Creutzfeldt–Jakob's disease, kuru, and mad cow disease.

While this is very impressive science, I think it skirts around the fact that Hank is essentially working on a gun that can kill him and reset him back to a more 'pleasing' version of the same person if someone he deems worthy of entrusting the gun to decides he needs resetting. This is horrific and exactly the kind of self-hating science that Hank would only ever conscience being used on him and only him, because he's like that.

This is the kind of thing that Simon Williams or Abigail Brand would beat his ass for doing, and then destroy, because no, Hank, do NOT keep the 'mind wipe me when you don't like me' serum around, it's horrible that you think so unkindly of yourself, you idiot!

I like Hank's weird little science lamp. The man can't just have a simple lava lamp like the rest of us, can he?

Oy vey.

To be continued . . . in another post, because I ran out of images right at the end, again.

[inkykeiji]

⋆₊˚⊹♡ alastor + allowing you to ride him

character: alastor warnings: 18+ minors do not interact, pet/master dynamic (use of the term Master), toxic relationship, edging, pet names, fem!reader words: 665

Alastor doesn’t normally enjoy being ridden; Alastor doesn’t normally allow you to ride him. It relinquishes too much control, grants you too much power, and leaves him feeling bored and restless.

Most of the time. 

But sometimes, he gives in. Sometimes, he lets you use him like a toy.

And sometimes, when he’s feeling especially cruel, when he’s feeling like he wants to put in the effort and play, he’ll force you to edge yourself on him, eyes never leaving the pages of his novel as he nonchalantly instruct you to speed up, slow down, swivel, bounce, stop, hold, hold, hold—cockhead digging into that swollen patch of flesh buried deep within you, his hips shifting in micro-circles as he grinds into sensitive flesh, pained little sounds climbing higher and higher, tinged with pleasure, and don’t you dare fucking cum, darling—now begin again. 

So you do, and he drones on, commands drawling from his lips without casting you a single glance, eyes skimming over the words in front of his face, sometimes hovering, sometimes retracing their past trails, but never leaving the page. 

It’s almost offensive, how bored his tone is, how much he acts as if this doesn’t matter to him, as if he doesn’t care, as if it’s all for you, despite the way his cock twitches and his breath hitches, the very edges of his words gone wispy whenever your orgasm is on the cusp of cresting. 

He knows your body so well that he doesn’t even need to see you—doesn’t need to read the expressions on your face, features twisted tight with hedonism, doesn’t need to witness the harsh trembles rippling through your flesh—to know when you’re teetering on the edge of full-blown pleasure. 

No, he can feel it, feel it in the way your cunt begins to pulse with irregular flutters around his shaft; he can hear it, hear it in the cracked gasps he keeps forcing from your chest, fragments catching on thick moans; he can smell it, smell it in the dense, heady arousal copiously coating his thighs, slick and shimmering. 

“Please, Master,” you’re finally sobbing, when every muscle in your body has gone achy and heavy with continuously coiled tension, never allowed to loosen, release, snap, constantly rewound with a few simple orders. “Please, please, let me cum. It—It hurts!” 

It’s supposed to hurt, you silly little girl. It’s not fun if it doesn’t. 

“Now, now,” he’s saying conversationally, the slight breathlessness to his tone the only indication he’s being affected at all. “You wanted this, remember, sweetheart? You asked for it. Begged, actually, if I recall correctly.” 

You did, you did, but you’ve been at this for over an hour now, your body lacquered with sweat, quivering as tiny tremors of overstimulation bolt through your veins with each brush of your clit, each rub of his head, leaving your flesh feeling hypersensitive, overexposed. 

“I just—I thought—I wanted to—” hiccups stutter your words, nose twitching with a harsh sniffle.

A coo drips from his lips, spoiled syrup, sick and sadistic. Poor, pathetic baby. 

It stings, his disregard corrosive, gnawing away at your cheeks. A fresh torrent of tears floods your eyes, casting a thick watery shield that bulges along your lash line, wavering on the verge of overflowing, a single slow blink sending them cascading down your face in glittering streams. 

“Really, you should’ve known better,” he’s saying as you collapse against his chest, weeping into the curve of his neck. “What else did you possibly expect?” 

You don’t know, you aren’t sure, you can’t remember, brain gone melty and stupid beneath the constant enticement of pleasure, held just out of your grasp. Something tangles on your tongue, garbled and wet as it seeps into his flesh, fingers curling in starched cotton as you attempt to pull him closer. 

“Oh, dear,” he sighs gleefully, a palm petting your head. “If you want to ride me, you have to pay the price.”

[cy-cyborg]

People on the internet: they can't hire actors who are actually in wheelchairs to play wheelchair users in movies! What if there's a scene where they need to stand up? A wheelchair user can't do that!

Robert Rodriguez: hold my beer

This is a scene from spy kids 3 - a movie in a series famous for its shoe-string budgets, where Ricardo Montalbán's character is in a wheelchair, but spends most of his screen time in a digital reality where he doesn't need it. Ricardo Montalbán was actually in a wheelchair though in real life, so they just used a combination of VFX and camera tricks (and a dolly for a few shots) to film those scenes. Also if I remember correctly the movie ends with him back in the real world, fighting a mech with his jet-pack wheelchair lmao.

The disability rep is dated (as is the VFX lol) and does fall into a lot of tropes I personally dont like, but it's so earnest in their attempts, and the visible effort behind the scenes to include a real, disabled actor outweighs it for me - even as a kid who wasnt fully aware of why.

Bigger studios have no excuse.

I've linked the video I got these screenshots from, they talk a lot about how they handled Ricardo Montalbán's character being out of his wheelchair there. If if you like behind the scenes stuff for campy old movies, I highly recommend it!

[ID 1: a screenshot of the movie Spy kids 3D, showing Juni, the main character in a suit of yellow power armour, talking to his grandfather, who towers over him in red power armour. his grandfather is kneeling so he can be at eye level with him.

the caption underneath reads "where he kneels down and talks to Juni" /end ID 1]

[ID 2: a photo of the same shot but without the effects. Grandpa is shown to be in a wheelchair, and is being held at the needed height by a moveable platform his wheelchair is sitting on. Juni is wearing the armour, grandpa is not, and there are green screens behind them.

the caption underneath reads "but we just had him lowered in a dolly" /end ID 2]

[tofixtheshadows]

Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

[spyret-the-shitposter]

and now it's time to play WOULD GRAVITY FALLS CHARACTERS RESPECT YOUR PRONOUNS (pre-weirdmageddon) (non gravity falls fans take this as a sign.)

DIPPER PINES - not sure he'd understand the concept immediately, but would catch on quick because he understands what it's like not being called something you want to be called

MABEL PINES - YES. no question about it. there's so many things i could say here. she'd correct herself for THINKING the wrong pronouns.

STANLEY PINES - understands and correctly genders you for all the wrong, crime-related reasons! bro is the king of preferred names. you say "hey i'm actually exam/ple" and he'll be like "AH. I GET IT. WINK. DO YOU ALSO WANT TO BE NOTIFIED WHEN THE COPS ARE IN TOWN" like i cant overstate this. if you say hey i want to change my identity he will pull out a stack of fake IDs and have you pick one. he's a little confused but he got the spirit!

STANFORD PINES - if you ever need a guy to not grasp a modern-day concept, call this guy! he'd do his best, but only because he wants to be nice. he does Not understand. give him a little bit of systematic exposure and he'll get it! he will take a scientific approach! but he'll get it! somebody get this man 2024ccs of woke liberalism stat

SOOS RAMIREZ - calls you dude and bro. does not call you anything but dude and bro. he knows what you are and he respects that! but let's be real honest here.

WENDY CORDUROY - incredibly supportive and super chill. if you were still in the closet, she'd do the mouth zip motion thing. you get it. she's so awesome about you

WADDLES - oink?

GIDEON GLEEFUL - yes to your face! no behind closed doors. he'd probably call you "that queer" while villain monologuing in his room . i can hear it in his voice

BUD GLEEFUL - THE gravity falls homophobic youth pastor let's be for real he'd say "it's not too late to turn to God" as a christian trans person i'm pretty sure God thinks about lgbtq+ kids and fraudulent capitalists on two separate ends of a very long line

SHERIFF BLUBS & DEPUTY DURLAND - do i even have to say it. i'm gonna say it. solid top and DEAD SERIOUS bottom. they ARE the loud and proud gravity falls lgbtq+ community. if they're transphobic i'll eat my socks.

CANDY CHIU - i know what you guys are thinking . "oh candy's so sweet of course she'd respect your pronouns!" CANDY MOTHERFUCKING CHIU WILL NOT ONLY RESPECT YOUR PRONOUNS, BUT SHE WILL GO OUT OF HER WAY TO USE THEM AT ANY POSSIBLE MOMENT. if she sees somewhere to say your pronouns, she will DO it. because she LOVES YOU. and also she'd fight anyone who gets it wrong!

GRENDA GRENDINATOR - trans. she loves you. will help candy fight anybody who gets your pronouns wrong.

FIDDLEFORD MCGUCKET - honestly this is a hard one. he could ACKNOWLEDGE! your pronouns! but other than that i'm not sure. pre-memory wipe, i think he'd feel a little weird about it, but it would become nothing to him eventually

PACIFICA NORTHWEST - "ew. what the fuck." and then suddenly she's asking you how you figured that out. For No Reason

ROBBIE VALENTINO - calls you a faggot. is it because he is homophobic? because he is one? because he hates you specifically? the world will never know

BLENDIN BLANDIN - he lives in the year 207̃012. i find it hard to believe they haven't made respecting pronouns mandatory yet.

AGENTS POWERS & TRIGGER - are the pronouns on your legal documents????? it's not funny stop laughign

TYLER CUTEBIKER - gay. his pronouns are get/it. he will respect you (in his own ways)

LAZY SUSAN - forgets you had the wrong pronouns in the first place. she respects you by default

TIME BABY - does not refer to you

BILL CIPHER - he would call you your preferred pronouns but DON'T get it twisted. he does not respect you as a living thing. it isn't bigoted (that would be ironic considering that whole sixer thing) he just doesn't. maybe he'd make HEAVY fun of you for good measure but he's got to dig at somebody somehow. also were pronouns even real in his dimension anything could happen man ????

SHMEBULOCK - shmebulock

(did i forget anybody? let me know)

[elspethdekarios]

Gale as an archmage

I've been thinking about this for a while. If you select Gale as an origin character in the character creator and play his intro, he introduces himself as Gale of Waterdeep™ he immediately follows with "please - no need to be intimidated."

Now I think we initially brush this statement off as Gale being full of himself, but the first time you talk to him and ask him to tell you about himself, there's an option to say something like "Come on, you must have stories from your time as archmage."

And I've always wondered - how would tav know this? Gale hasn't mentioned it. Which leads me to my research question:

Is Gale famous?

Not Elminster-famous, of course, but is he THE archmage of Waterdeep, known throughout the Realms? Is Gale of Waterdeep a legitimate title, not just one he decided to use because it sounds important?

Maybe all of this is common knowledge in DnD lore, but it's a fairly new world to me. Here's what I found about archmages:

From the Forgotten Realms fandom wiki (https://forgottenrealms.fandom.com/wiki/Archmage):

Archmages were among the most powerful arcane spellcasters found throughout all of Faerûn. These practitioners of the Art were experts at manipulating and altering their spells, often in strange ways. Many cities across Faerûn had a single archmage who dedicated themselves to serve that settlement and its people. Some notable cities included Lyrabar in Impiltur, and the great western metropolis of Waterdeep. The term "archmage" was often used to refer to spellcasters who took on leadership roles among similarly-inclined practitioners of The Art. In the drow city of Menzoberranzan, the head of the arcane academy known as Sorcere was granted the title, Archmage of Menzoberranzan.

So, to summarize, archmages are super powerful, big cities often have a singular, dedicated archmage, and they take on leadership roles in the city, sometimes (or at least once) being deemed THE archmage of the city.

I've already seen posts about the insane amount of power held by archmages, so I'm not really going to go into that. I'm just interested in how well-known Gale would be in the Realms. One issue I'm running into while researching is that many people seem to approach the archmage in terms of DnD stats (spell levels, player levels, etc) rather than from a storytelling perspective.

I can't find much else specifically on how widely known archmages would be. There is a list of archmages on the Forgotten Realms wiki, but Gale isn't included on it. I'm assuming maybe BG3 lore is considered an off-shoot of FR lore and therefore not necessarily canon? Let me know if I'm wrong about this.

So that leaves me with message board responses. Here are some notable ones:

An old candlekeep.com forum on the differences between the titles used by magic users. Several users seem to agree with this person.

From the same thread as above.

Interestingly, DnD beyond has archmage categorized as a monster. I'm not sure if this applies only to evil-aligned mages or not, so anyone with more familiarity, feel free to chime in. Anyway, here's what DnD beyond says:

"Archmages are powerful (and usually quite old) spellcasters dedicated to the study of the arcane arts. Benevolent ones counsel kings and queens, while evil ones rule as tyrants and pursue lichdom. Those who are neither good nor evil sequester themselves in remote towers to practice their magic without interruption. An archmage typically has one or more apprentice mages, and an archmage's abode has numerous magical wards and guardians to discourage interlopers."

Gale does mention having students/apprentices at some point (he says something about being impatient with them if I remember correctly, but I can't remember when he actually says it), and, if he's Professor Gale in the epilogue, you're told that an apprentice delivered the invite to the party.

I also find it interesting that archmages typically have wards around their home to keep out intruders, implying that they're well-known enough to have people regularly trying to break into their home?? Or at least has happened enough times to warrant protection.

I also appreciate this reddit comment on a thread asking about the rarity of archmages:

This lead me to a super interesting reddit post which I really suggest you check out if you're interested. The OP breaks down the percentages of each class and level and translates that to city populations. I'm bad at math so that may be a horrible explanation. Anyway, here's a chart that they made:

I have been trying my hardest to put the alt text on the images for accessibility but I have no idea how that would work with this chart. I did include the text at the bottom for screen readers just in case. I'm sorry!

Sooooo someone in the comments asked specifically about Waterdeep and here's what someone who is good at math figured out! (They are correcting a previous comment with incorrect math, hence the first part of the comment):

Since a wizard is considered an archmage at level 18, it's safe to say that Gale would definitely be one of only a few wizards in Waterdeep with such a title. And if the above commenter's assumption about the Blackstaff being one of the only archmages in the city, Gale being of a similar level is HUGE, right? The Blackstaff is a big deal. From the Forgotten Realms wiki:

Blackstaff was the title and name given to the master of the eponymous staff and Blackstaff Tower, including Blackstaff Academy, as well as the Archmage of Waterdeep.

So if the Blackstaff is THE Archmage of Waterdeep, Gale, obviously, is not. But!!! If we can trust the math of the reddit users above, and we assume Gale was at least a level 19 wizard pre-orb/tadpole/whatever ... he would be one of two archmages in Waterdeep, second only to the Blackstaff themself.

I personally think that's enough renown to be a somewhat familiar name throughout Faerûn. So yes, Gale is a bit arrogant and, in his own words, pompous about being Gale of Waterdeep™ but perhaps it's warranted.

This has been a deep dive fueled by procrastination about writing the research papers I should actually be writing right now. Thank you for your time

[yusiyomogi]

this is the last time i'm gonna interact with this discourse, i promise. i just wanna tell a few things that i've been meaning to tell anyway.

yes, the larger connection you can make between elves and real world imperialism is interesting, canaries are obviously modeled after military forces of imperialistic countries. even if their goals aren't nefarious, they withhold information from local governments, ignore borders and ensure the global power of their own country. the way they deal with the threat also often disregards actual safety of local people, despite their original goals.

but when we're talking about this theme, which is important and interesting, we have to discuss other significant implications of this allegory. like, for example, people from that military force are systematically treated as completely disposable. story itself doesn't shy away from this, even their nickname "canaries" represents how ridiculously deadly their job is - they're expected to die, basically. practice of recruiting convicted criminals to the army because they are desperate and disposable is something that is actually happening in the world right now. recruiting noble kids to the army as an "honorable tradition" to ensure their loyalty and investment in country's politics is another practice that was common in real world. wealthy people are the most dangerous to their government, after all.

if we actually wanna analyze this, we need to take it seriously, not to use it to prove that some characters are "bad" because of it. kui for sure didn't do this, she specifically humanized canaries in her story and showed how participant of the system can be abused by that system (that doesn't absolve them of their wrongdoings though). just how she decided to show racism as something everyone participates in, instead of making some one-note villain characters who are racists. you can have your own feelings about it, but that's how she did it.

the other thing is, if we actually try to analyze it, we can only take it as interesting thought experiment. we can call it "reading through certain lenses". because we're still dealing with fantasy world here. functionally canaries can be seen more as international disaster response, since they don't participate in actual wars. their primary goal is to control and destroy dungeons, which can be seen as analogy to natural or technological disasters. they don't influence local politics, they don't mass murder people, they don't aim to establish their own bases on the territory of the country (at least not at the point we are in the story). so, they are an amalgamation of these two ideas rather than only one of them. we can't have a real analogy to our world, since we don't have the demon that can destroy us all just because some people have tasty desires. that's why working with allegories to real life is a limiting way of looking at the work. it's fine to do it, but it's only one way to interpret it and it's not "the only correct" way. in fact, most authors prefer when their worldbuilding is judged on its own merits.

mithrun does participate in military force voluntarily and it's an important part of his story. it's also important to analyze why he's doing it: he thinks that he's doing a good thing by enlisting to the unit, because he believes that he's the one who can change things. according to adventurer's bible, his main motivation for recovery was what happened in utaya: mithrun could see how incompetent canaries were when they were dealing with the dungeon and the demon, so his thought was literally "if only i was there...", one of the most common army movie tropes.

and he does change things, surprisingly, because we can see that he focuses on efficiency much more than any other elf. he correctly assumes that the faster they deal with the threat, the less casualties there will be. he speedruns the dungeon in 15 minutes, while utaya's investigation took 1 year before it all collapsed horribly, killing a bunch of civilians and soldiers. mithrun does it so efficiently in fact, that even kabru for a second doubts his decision to stop the canaries. mithrun believes that no secrecy is important when the world is at stake, that's why he tells kabru literally everything he knows. mithrun believes that he can change things. he is wrong though.

mithrun is wrong, because he still serves for elven government and they have not at any point demonstrated that they're interested in actually solving the problem for good (for many reasons probably, they're likely still considering that they'll need the demon's power). mithrun realized it in the end, when he decided to let laios do what he wants instead, basically giving up on his loyalty to the elves. much more obvious agent of elven imperialism in the story is flamela, because she stays loyal to the government and her queen, even when situation got desperate. mithrun also eventually left his country to live under short-lived races' rule.

so, it's kinda weird and suspicious why some people in the fandom decided to focus on mithrun as "the main agent of imperialism" when they talk about those things. yes, it's interesting to look at him from this point of view, especially if you wanna discuss how he changes through the story, but... do you really care about him as a character or are you looking for a bad guy? because i've seen both.

it's not fans' fault that they care too much about his personal character arc instead of looking at his background and role of antagonist. blame kui for it, because that's what she also decided to focus on in her story. some people just don’t wanna discuss such things, because it seems disrespectful to real life, the other believe that looking at everything in the story through allegory is limiting. i’ve seen people who mentions problematic elements, while respecting the other facets of the story that we all enjoy, and it’s amazing and i wish i could do it as gracefully.

but a lot of people noticed the tendency in this fandom to turn some characters into villains and people have right to be tired of it. the story doesn't do it, so if you don't like it... i'd advise you to look for another story, but you really can do what you want.

[tennessoui]

just wanted you to know that I'm OBSESSED with the idea of marriage counseling!Anakin restarting Obi-Wan heart with FORCE LIGHTNING?!?! THE IMPLICATIONS OF THIS? ARE WE GOING TO TALK ABOUT IT MORE IN THE FUTURE?? if I'm not correct isn't that like a dark side power only or did I just invented that? I love your mind 😭

counselor: so let me get this straight

obikin: ok

counselor: so you, obi-wan, very literally actually died. heart stopped sort of died.

anakin, already shaking and bright-eyed: let’s not use the d word I’m sensitive about that.

obi-wan: yes he is sensitive about it. weirdly in fact. did I show you the encyclopedia of health food he made fir me

the counselor: oh trust me we will get to that when we talk about if anakin trying to control the uncontrollable is intrinsic to his character or a behavior he learned from you, who raised him and also like to control the uncontrollable

obikin: oh. no we don’t want to have that conversation

counselor: of course you don’t. but back to the matter at hand. so you, obi-wan, were…unalived. and you, anakin, actually restarted his heart by using an incredibly exact application of…Force Lightning? which is, if I’m understanding correctly, something the Jedi think only evil Jedi can do? But you used it anyway because in the moment there was nothing you wouldn’t give up or sacrifice if it meant his heart would start beating again. and it did. for you, specifically.

Anakin and obi-wan, not looking at each other:

the counselor: and you haven’t talked about it since.

anakin and obi-wan, not looking at each other:

counselor, popping twelve space ibuprofens: alright. alright. let’s take a quick scream break.

[eldritch-spouse]

Currently you're sitting at a table with your master, waiting on your meal. You have complicated feelings on Nebul. He doesn't necessarily treat you badly, he takes care of you but that's because you've been cooperative, you've seen him less gentile…..

The chef walks on by dragging a man screaming and wailing. His eyes look searching for someone, until they fall on you.

“Help me!” He looks at you with pleading eyes. “He's going to kill me!”

You are no savior, you have no power here. You look down at your lap, hearing his cries for help become more and more distant. Dread and despair grows in your heart.

[I can write this out from his perspective.]

Nebul enjoys pets like you.

One might glance at him and think that perhaps the trainer would prefer a real brat. Someone who stomps their feet, bitches and whines and spits. The kind that just won't take it lying down and nearly breaks themself in their effort to be free of his controlled dominance.

But they'd be quite mistaken.

Nebul loves a pet who instantly recognizes their place. A darling thing like you, smart enough to realize that you have no chance of ever escaping intact, and thus, become subservient to your rightful master. You know Nebul will protect you, will provide for you, because you're learning to be the perfect pet he's training you into on a daily basis. There's something just insanely satisfying and obscenely arousing about your immediate submission to Nebul, he savors it slowly, preens you, makes sure you'll last him long.

Many were the tests you've been subtly subjected to since your time under his care. Some were elaborated to get a feel for your character, others for the amount of progress in obedience and loyalty you've developed. The undead quickly adjusts his methods depending on your performance, though you've been nothing if not stellar thus far. Very impressive, very good.

This moment is both another test and a reward. You have earned yourself time outside of the shop, time watching others, pretending to be a member of a community. Not that this particular community sees you as anything but a breathing toy, but he knows it's enough to bring a semblance of comfort to a contact-starved psyche like yours.

See, tonight you're having dinner at The Clergy's restaurant. And the place is quite packed, much to Nebul's distaste. His organism, unalive and magic-riddled, may not require food, but yours sure does. Nebul did take the care to make sure you will not be ingesting "human products", as he already ordered your meal a fair bit ago. Now, he's just making idle conversation and attentively mapping your reactions to seeing so many monsters ogling you like a steak. At certain times, it feels as if you want to sit next to him on the ground, where you have correctly learned is safest, and he glows with pride.

Many a client have stopped by and wordlessly pointed at you, every each one receiving a polite and consice explanation that you're not for sale or a free-use treat. He relishes the dread in your eyes, but even more so the relief. Gratitude that you had been picked by the wraith, and not some uncaring, sadistic entity looking to rip you open.

Yes, the sooner you understand how good you have it here, the sooner you'll drop silly ideas of escape and freedom.

Your rhythmic fidgeting with the silver tag of the collar around your neck is harshly interrupted by the sound of the closest elevator parting its doors, and a very angry monster stomping out, dragging a badly injured human man by medium-length hair.

Nebul senses the way your breath catches and a spike of adrenaline makes you pale, eyes wide, so tense you might pop.

He diverts his attention to Morell. The chef looks more than agitated, genuinely irate. It's not likely that the human actually managed to place a dent on that cinderblock of a monster, but it is a possibility that it outsmarted the chef in a moment of stressful workflow. And that, Nebul knows, will have the shroom smashing through furniture.

" Fuckin' pig! Ah was gonna make it smooth for ya, make it fast, ya wouldn' even feel much- "

The chef's apron is smeared with splatters of blood, what Nebul thinks might be some kind of sauce, and a decent chunk of dirt from the messy chase. The man, on the other hand, is bruised on the face and limbs, one hand bent at a bizarre angle and his ankles most definitely crudely twisted to a mockery of a ragdoll.

Even through the immense pain the undead can sense emanating from this human, the resilience commonly associated with this species shines clearly, as he screams and tries ever so hard to claw the mushroom monster's skin. Broken nails fail to so much as scratch the calloused pudge of his executioner's fingers, who are so tense around that mangled arm it might just explode.

He tries still, he tries, and will continue to for as long as his organism can supply a powerful dosage of adrenaline.

The mostly pointless squirming does succeed in one thing however, getting on Morell's nerves. Predictably, the chef turns around just enough to land a powerful steel-toed boot kick right to his middle, making the man wheeze like a dying animal. He seems to zone out for a moment, probably due to the immense pain wracking his body.

He doesn't zone out enough to miss you, the only other human present.

Nebul expected his frantic screaming, and he can't lie, part of the undead was looking forward to seeing how you'd react in a situation like this. Do you have any kind of wit in that cranium? It seems you do, because even when he's dragged by, pleading with all the remaining breath in his lungs for the help of his kin, for salvation only you can provide, you hardly react.

Aside from a light twitch of the limbs, as if you're trying to guiltily swat a mosquito away, you hang your head and focus on your intertwined hands on your lap. Your stare glazes, losing its alarmed quality, and your breathing becomes steady. You're effectively out of the scene.

Good.

Very good.

Morell makes an apology gesture towards the shopkeeper when he realizes that's the table he just walked past, eyes lingering on you with morbid curiosity before he slams the kitchen doors open and drags the drained human inside.

Nebul doesn't let you dissociate for too long. It's not the first time he's seen you do this, but he needs you quite present for this feedback. A grasp upon said clasped hands gets you to inhale sharply, shaking a bit. You glance at him with fear, as getting distracted in certain moments can earn you punishments.

" You've been performing exceptionally well. " He purrs. " With such exemplary behavior, you're on the fast track to perfection. Pets like you deserve rewards for their discipline, and you will get one once we're done eating. "

You nod hastily, fidgeting on your chair while you try hard to ignore the stains of blood on the floor.

Nebul's mist swirls playfully. " Now, what do we say? "

" I'm sorry, Master- Thank you, Master. "

" Very good. "

[spop-romanticizes-abuse]

i don't get why Perfuma is considered good trans representation or just.. trans representation at all.

even if we put aside the fact that she's not a very interesting or well-written character, it doesn't even seem like she was written to be trans. the only reason she is considered a trans woman is because her character designer said that they intended her to be trans. and i think Nate said somewhere that he supports the headcanon. that's it.

it's basically the same as Catra being Latina (or any kind of POC, for that matter). it's not ever mentioned in canon, it just looks like it was added as an afterthought. you would only know that Perfuma was designed to be a trans woman if you were deep enough into the fandom to discover what her designer said about her.

and i get it. i want casual queer rep too, where not everything has to be verbally confirmed. a lot of trans people pass as their gender anyway, and it's not always easy to tell. it's not great to label certain features or body types as strictly feminine or masculine either.

but if that's the motive, they could have at least made Perfuma a more interesting character, so that her being trans wouldn't be one of the only notable aspects of her character.

OR they could have made any of the other characters trans - Entrapta, Scorpia, Glimmer, or Adora herself would have been good candidates. you know why? because they were actually interesting characters and not 2D vegan horoscope girl stereotypes.

a good example of a canonical trans character is Terry from TDP. he's not a main character, he is introduced as Claudia's boyfriend. he doesn't play a huge role in the narrative but despite this, he is still an interesting and fleshed out character.

for one, him being transmasc is actually canon. he talks about it to Viren, how the other elves treated him like a woman at first and how he chose his own name. and this was done in a natural way without coming off as too sudden or expository.

this serves a purpose other than informing us that he's trans. it also helps to build a connection between him and Viren, who was initially disapproving of Terry but responds to this situation with actual empathy and understanding.

Terry also has some notable moments dedicated to him despite being a side character, like when he had to kill an elf in order to protect Claudia and was plagued with guilt because of it. his relationship with Claudia is also pretty well-written and actually healthy, despite the fact that Claudia is a villain. Terry is also a decently powerful character who is actually useful to the plot.

he is also voiced by a transmasc VA, which definitely helps the case. i'm pretty sure Perfuma's VA is cis.

in short, Terry being trans doesn't seem like an afterthought or fanservice, because it was seamlessly integrated into the story and he was already an interesting character in his own right. he was only introduced in the fourth season and he's already a much better character than Perfuma, who was introduced in the first season (if i recall correctly).

[karlastarion]

I'm so curious about Kagha, because she's so different from Halsin. She and Halsin are both wood elves, and I get the sense that Kagha is probably not ~young~ but she's not nearly as old as Halsin. When you deal with the Shadow Druids, she's very quick to defer to him and treat him like a teacher she's disappointed. He probably mentored her, if he's chosen her as his second in command - though, I would bet it's in more of a general thing in the way that the First Druid is everyone's mentor, rather than the clearly more direct and specific mentorship he has with Nettie as a healer.

Canonically, Halsin isn't an exceptionally good leader. He's not bad at it, and he has good instincts. He correctly surmises that after the dust-up with Kagha and the tieflings, the Emerald Grove needs an outsider to step in and lead without being tied to any particular grudges or politics. That's savvy enough that I think Halsin was a good First Druid, he just wasn't especially good or great at it and clearly didn't like the position. At worst, I think he let some situations fester because of his focus on the Shadow Curse.

But I'm not ready to say that he didn't realize Kagha was a proverbial snake in the grass ~the whole time~, because I don't think she was. I think she was genuinely and recently radicalized by the Shadow Druids. I think she probably had something of an edge before, maybe she was a hardass or had a mean streak or something. Regardless of how I feel about the quality of the Shadow Druid subplot (which is that I think its pacing is meh and Kagha's face-turn is way too fast and kind of shitty), I think it speaks to the fact that her care for the Grove is genuine. That perhaps Halsin's failure with her wasn't in not realizing she was A Bad Person Actually, but in not tending to her insecurities or noticing that she might be feeling isolated, if she was so effectively shaken by the Shadow Druids' fearmongering.

The recent wave of IRL cults should have taught us all by now that everyone is susceptible to cult tactics if they're sufficiently scared and alone, and BG3 is a game riddled with various cults. You don't have to already be a bad person, or a stupid or weak person, to fall for them. And I think Kagha's story is way less interesting if you just think she's an evil power hungry shrew too stupid to keep herself from being radicalized.

She clearly has a nasty streak, but her apologies and regrets also sound sincere, if you manage to hear them. Even when she isn't "redeemed", she accepts her punishments, even if she does so bitterly and not believing she was wrong. And I have to wonder just how much of that mean streak is self-defensive rather than inherent in her, how much of it is that she struggles to admit failure and learn from it. Or how much is her modeling Halsin's level of single-minded commitment, picking a methodology or an action and throwing all of her weight behind it, even when it may no longer be working.

I wish characters like Kagha got nearly as much love and fandom development and benefit of the doubt as someone like Ketheric. I think she has a ton of potential for that, and way fewer crimes to her name than other fandom favorites who just happen to also be, you know. Men.

[crazyk-imagine]

Stealing is Not the Answer, but It Could Be

Pairing: Shawn Spencer x Detective!reader

Characters: Shawn Spencer, Detective!reader, Burton "Gus" Guster, Chief Vicks, Carlton Lassiter, Buzz McNab

Warnings: Fluff, humor, Shawn being Shawn, Gus and reade being besties, Shawn trying to use his Shawn psych, Shawn trying to steal something, reader putting Shawn in his place, Shawn and Gus doing shenanigans

Word Count: 615

------------------------------------------------------------------------------

You walk into the department, aiming for chief Vicks office when you hear an alarming statement from your favorite chaotic duo.

“Sometimes I think it would be easier to steal something than ask for it,” Shawn blurts out.

You owlishly blink, wondering if you heard that correctly.

“That is both frightening and alarming, Shawn.”

He turns to face you, putting on an innocent face. “I’m afraid I’m going to have to disagree.”

You look over his head to see what his buddy’s expression is. “Gus?”

He nods, gesturing to you. “I’m with her.”

“What? Gus? Aw, come on.”

He shakes his head, “I am not agreeing with you on stealing. Last time I agreed with you, we wound up in jail.”

“That was here though!”

He turns towards Shawn, “Lassie kept us there for five hours.”

“Yes, but then Buzz let us out.”

Gus shakes his head, “no, I’m not going back in there.” He stands up, whispering in your ear, “I almost had to pee in front of the other people locked up. You know how I feel about that.”

You nod, patting his shoulder to comfort him. “I know, Gus. I know.”

“Well, this has been nice.” Shawn tries to slip past you, “I’ll be off now.”

You shake your head. “Not so fast.” You hook your arm in his and pull him back. “Where do you think you’re going with the chief's favorite figurine?”

He yanks his arm from you, “how dare you! How could you even- okay, that was a little dramatic even for me but look at it.” He presses his face against the fish figurine. “It’s so cute.”

You shake your head, “put it back.”

“Fine,” he sighs. “It was just a harmless little prank."

“Harmless or not, you tried to steal in a police station, how smart is that?”

“You tell him.”

“Can it, Gus.”

“Yes, ma’am.”

Shawn snorts, “ma’am? What are in the 1950’s and you're the little harmless housewife?”

“No, it’s called I have respect for those who are in a higher power than me.”

You smile at him, “thank you, Gus.”

The doors open.

“Anything I can help you three with?”

“Actually-”

You cut the psychic off and grab his arm. “Nope, thanks, chief. Keep being awesome.”

You sit him down at his dad’s desk and stand in front of him, holding a pen and a piece of paper. “Now make with your chicken scratch and write, stealing is not the answer fifty times.”

He opens his mouth to whine.

“Whine and I’ll add twenty-five.”

“Yes, ma’am.”

You smile, patting his shoulders, “attaboy.”

Gus covers his mouth to hide his amusement.

“Come on, Gus. Let’s go make like Shawn’s humor and scram.”

-

“Hey! Where are you two going?”

“To get some jerk chicken and a pineapple smoothie.”

“I want to come!”

“No!”

“That sounds amazing,” the pharmaceutical rep adds.

“I know right.” You close the door only to be hit with a breeze before the car shakes.

“Here. Now let’s go.”

You grab the paper. “Wow, you already, did it?”

You look in the left corner, “wait- nineteen- this is from when we were fourteen.”

“You never specified when I had to write it.”

“Shawn that’s not- that’s actually really good, you got me.”

He lets out a victory chuckle. “See, Gus. I told you; it would work.”

You gasp, “how dare you. Gus, I thought we were besties.”

“Uh- you see the thing is-”

You shake your head, “no. I’ve been betrayed enough.”

You lean against your arm, watching the world go by as he drives, unable to hide your smile as Shawn tries to bug you and tell you it was all him.  

-

Tag list

@kmc1989

[suqueenaryomen]

Sukuna's wrath & Yuji's Last Memories?

What really disturbs me and makes me a little worried is, when I reread the manga (hoping the translation is correct). So, if I understood correctly, Yuji apparently shows and shares his last thoughts and memories with Sukuna before he dies. Because it looks that way? Because Yuji's sentence where he said, "I thought I just wanted to show or tell you, even if I might be wrong." These sentences made me think. It sounds like he feels he is wrong in the end and later loses to Sukuna?

This means that everyone had the wrong idea about Sukuna all along (since some thought he was actually good or would become a good guy like Kurama or Meruem). Sukuna himself has stated that he has never been interested in anything or needed anyone in his life. This is now clearly evident again, as one cannot have proper conversations with him, negotiate, or reconcile. He seems like a personification of evil, like a sociopath or psychopath if you will, without clear reactions or emotions, which has been observed multiple times with other characters as well. They are masters in acting and manipulation! (The fact that Sukuna gets very angry confirms that you misunderstood and mistaken him). He is bored by these kinds of conversations and even feels disgusted, especially he cannot stand compassion. He does not need it and does not want it. For him, it is an insult! (And holy crap, now he is devilishly wild like a demon).

However, it is also possible that Sukuna will unfortunately be the one to show Yuji love (but well Yuji is the Main Character anyway). The whole conversation about love was something else the whole time. It was never about romance, but always about battle, who is the strongest, their philosophies, their worldviews, friends or even no connections, and who is right or even remains right in the end. Because Sukuna said he understands Yuji and yet he has no interest in it, he finds it disgusting, and to Kashimo he said he also understands love because we are loved because we are strong. (Because there, respect and recognition are gained through fear, power, etc.). But that does not mean that Sukuna will not get a flashback from his past. It is possible, but whether it will be a sad story? remains to be seen. Maybe it could be a sad story but then with this theme as an unwanted child or maybe even something with the theme of a monster? (and that starts as a child, cuz no normal baby eats another baby without any problems or monstrous abilities). Something good or evil can happen. Both are possible. I do not rule anything out! What I also can see is, he really don't like humans. It is definitely a real hate! That's why he eats them...

Also disturbing is that Yuji has just now finally awakened Sukuna's wrath. Perhaps we will see a new monstrous side of Sukuna with this ember of anger, where he uses even more of his abilities. (As Uraume said, he still has many secrets and is moody to reveal everything). I'm just saying, if the translations are correct and Gege has not yet finished his big plans for Sukuna and the whole story, it will get exciting again or even brutal soon.

Oh boy now he’s hella mad (*gritting his teeth*)

[endrinstone]

Since it looks like ivory's streams are gone now, I compiled a list of all of her Showtime SMP streams, so that there's at least some record of their existence. I provided links (in blue) to alternative povs of the events, if any exist for the given day, and included brief descriptions of what happened. In parentheses are the titles and links of the now deleted streams. Enjoy!

All dates are in 2023.

9. 6. ivory's video. Gets gear, and a horse named Lewidor. Not in character. The video Becoming a Minecraft Dictator is a summary of the first few days, with kinda a more self-aware, comedic take on it. (Title: its showtime.)

10. 6. Zolister. Announces her Watchkeeper reign, then talks about morals with Vi and chat. (Title: ivory makes an announcement)

12. 6. ivory's video. Hunts down her first person, Rylan. The video Hunting Minecraft’s Most Elusive Player sums it up very well. (Title: showtime smp)

13.6. None. Makes a grave for her horse Lewidor with Vi. Vi then shows her his therapy office. (Title: lewidor's funeral)

22. 6. Vi. Gets introduced to kantje and Effy. Kills Cupid, then Mugm in an arena duel, then Rylan. Then hangs out with Vi. (Title: SHOWTIME SMP)

25. 6. None. Builds a drowned farm (with Vi and Loppezz, if I remember correctly), and kills Tidus in a very drawn out battle. (Title: happy tuesday.)

28. 6. Nebula. Killing Strobe, which she felt really bad for. (Title: i love murder.)

2. 7. Nebula. Killing Nebula. (Title: i am normal!!!!!!!!!!!!!!)

4. 7. Zolister and Vi. Gets hunted down by a group of people. The bit where she gets hunted is gone now though. (Title: frog)

5. 7.  None. Family roadtrip with Vi, Zolister and Rasplin. Ends with Vi trying (and succeeding) to prevent the other three from killing each other. (Title: SNOG)

9. 7.  kantje. Casino opening day, she threatens the owners after they put her kill list up for auction. (Title: shoe time)

16. 7. Vi and Zolister and kantje. The petition against ivory's regime. She refuses to step down, and gets killed repeatedly. (Title: SHOWTIME SMP SUNDAY and the n NIERAUTOMAA) 

17. 7.  None. VN43 makes a deal with her: he will provide her with resources, and in exchange she will give him some power if she wins the election. Both are very willing to betray each other. (Title: nothing - showtime smp AND THEN OMORI)

21. 7. Vi. Talks with Vi, looks for a location for a new base, briefly talks with Win, Trashy, and Divy. (Title: showtime smp - WAHOO)

23. 7. None. Looking for a potential base location and grinding. She (half by accident, half on purpose) finds someone’s secret base. Not in character. (Title: SHOWTIME SMP)

26. 7. None. Just grinding for resources. Not in character. (Title: showtime smp CHILLING. NO MURDER.)

6. 8. Zolister. Gets told about The Silencers by kantje, kills Zolister, tears down her house. She starts "glitching out", reminiscent of the I Killed God video. Alluded/talked to Ebony (clarification). (Title: showtime smp sunday)

7. 8. None. Renovating an ancient city, getting rid of the shriekers. Not in character. (Title: im going to kil)

9. 8. None. Hangs out with CherryNyx, who asks her questions about humanity. Then works on her base. (Title: im)

13. 8. None. Building an iron farm in her base. Not in character. (Title: gorgle)

18. 8. Vi. The election. (Title: SHOWTIME SMP ELECTION)

Bonus: ivory didn’t stream these, but they are relevant. If you have more of these, let me know.

23. 6. Vi: Vi and ivory hang out, and discuss ivory's mental state.

20. 8. Win/Boba/ Vi: ivory’s goodbye letter.

28. 10. Vi: (Unborn Solipsism) has a scene where ivory tells Vi goodbye.

Bonus two: these ivory streams were not actually on Showtime, but were related. Not super useful information, but here you go.

30. 6. gug. Analysing her video Becoming a Minecraft Dictator.

13. 7. WEEE. Analysing her video Hunting Minecraft’s Most Elusive Player.

18. 7. showtime smp reading stream (then drawing). Reading Showtime SMP fanfics.

31. 7. showtime smp base planning. In a creative world, planning out the design of her ancient city base.

[zeynyukine3011]

I have a stupid question, sorry. I read robin (2021), and lord death man says in there that Damian’s blood (the blood of a demon) is stronger than Lazarus resin (if I remember correctly), so… Could Dame’s blood like cure or revive someone? If not, could you explain me? Because they needed his heart for the island. I’m terrible sorry if I’m bothering you or if this is a dumb question.

I'M ALIVE!!!!!!! Thank you for patiently waiting for me. I had one hell of a week.

I am personally a huge fan of Magic!Damian. Because he has so much potential for magic and also enough canon material to happen.

And especially I am a fan of blood magic. Characters using blood for magic and spells have always intrigued me. Like Kimetsu no Yaiba, Kyoukai no Kanata, Kekkai Sensen, etc.

And Damian has this potential too. He has used magic before, using his blood. He had open a gate with his blood to a magical place in Robin: Son of Batman.

Ra's al Ghul has lived for centuries and has used Lazarus Pit for God knows how many times. So, theoretically, Lazarus Pit could affect his body beyond just reviving him. It could seep deep into his DNA and be one with his physiology.

And while Ra's al Ghul was seeing Lazarus Pit as a science, his mother, Rúh al Ghul saw Lazarus Pit as magic. It had the Lazarus Demon residing in it. So yes, Lazarus Pit is a magical thing.

With each generation, this Lazarus Pit's magical capabilities can show itself more and more. With it's power knitted into their blood, it can give Al Ghuls powers.

If we go along this, Damian, the last generation of Al Ghuls, has the most aptness to magic among his family. Thus, his blood has the most Lazarus magic embedded in.

And if his blood is powerful than Lazarus Resin, it can be used to revive a dead or heal a injured person, just like you said. If he can find a way to use the Lazarus magic in his blood, he can revive someone!

We have seen many times Al Ghuls using magic. Ra's al Ghul did, Talia did, Rúh did, Damian did...

I would really love to see Damian using his blood to help someone. That would be very awesome.

And no matter how improbable it is, I want Damian to thrive in magic and join Justice League Dark. [He was actually going to join it. But DC decided against it :( ]

[willicebattlecatsblog]

First post on this whole new blog ! I decided to redesign Lionblaze for my Lionblaze is Scourge AU so that he is less "simple" !

For those who might be new : Lionblaze is Scourge AU is about Lionblaze being a "reincarnation" of Scourge, just like Cinderheart is a reincarnation of Cinderpelt. In this AU, Scourge started believing in Starclan after seeing Tigerstar die nine times; he would be sur Starclan does exist when Firestar comes back to life. Starclan would then give Scourge a "new chance" at entering Thunderclan, as Tiny was hurt by Tigerpaw who had the time disrespected the warrior code. That's the backstory !

Now for the actual story, Lionblaze doesn't know he is a reincarnation of Scourge. He is cheerful and kind most of the time. However, he is very scared of the current deputy, Brambleclaw, for reasons he can't explain (Brambleclaw isn't his adoptive father in this story, Shrewpaw/tail is and does know that the Three aren't his kits !). He sometimes feels uneasy around his grand-father Firestar. Since he is a kit, when he sleeps, Lionblaze often goes in a strange place he doesn't know, where the ground is granite, where monsters and twolegs are everywhere and where cats eat from big metalic boxes and cylinders. Lionblaze somehow feels home in this strange place, like he was used to it, and he does now a lot of the streets.

Sometimes, he feels like something is missing around his neck, but it feels great to not have it anymore.

Basically, the goal of this AU is mainly to give Lionblaze a story line that can go through all the books in Power of Three ! Lionblaze was one of my favorite characters because he had some great potential, but I feel like he never was exploited correctly by the Erins. He was just really boring in most of his chapters...

Oh, also for Lionblaze's design : Lionblaze isn't a calico, he is just a chimera :) He "absorbed" his twin in the womb and the only part left of said twin is the black and white paw !

If you have any ideas or input for this AU, don't hesitate to tell me !!