#Henry Ulke

[love-for-carnation]

Dianthus Carthusianorum, gouache on green colored paper Henry Ulke (1821-1910, German-American)

[federer7]

Apsáalooke (Crow) delegation 1872

Photo: Ulke Brothers Studio (Julius Ulke and Henry Ulke) -

[dclblog]

Wendell & Wild (O-Ton)...

...ist in gleich doppelter Hinsicht ein echter Henry Selick, zum einen, weil dessen unapologetisch exerzierter Drang zum Makabren, Burlesken, bisweilen gar Grimmigen und Garstigen mittlerweile als klares Markenzeichen gesehen werden kann, zum anderen, weil er so immens gut darin ist, die Visionen der Menschen, mit denen er an einem Werk kollaboriert, mit Hilfe von virtuosen, jeweils die Grenzen des bislang Möglichen sprengenden Stop Motion-Animationen in bewegte Bilder zu verwandeln, dass er selbst dabei manchmal aufpassen muss, nicht in Vergessenheit zu geraten: auch ich hatte viele Jahre lang gedacht, "A Nightmare Before Christmas" wäre eine ganz klare Burton-Regie und hätte mich nicht allzu sehr gewundert, wenn diese neueste Grusel-Fabel sich als alleinige Kombo des Kultduos Key & Peele herausgestellt hätte, ist doch Jordan Peele mittlerweile ein gefeierter Drehbuchautor und Regisseur und hat er doch immer wieder einen Platz für seinen nicht ganz so vom Erfolg verwöhnten Ex-Kollegen Keegan Michael-Key in diversen Projekten gefunden - auch hier beweisen sie, dass sie kein bisschen vom jahrelang gemeinsam trainierten Timing verloren haben. Aber so sehr sich die beiden die Bälle zuspielen und so viel an social commentary drin ist im von Peele mitgeschriebenen Drehbuch, so ungeniert und frei darf sich auch Selick hier austoben und in Bildern, die sich in die Netzhaut einbrennen, eine Geschichte erzählen, die es mal so richtig in sich hat - wer auf einen harmlos-markabren Ulk wie "Corpse Bride" gehofft hat, sollte sich lieber auf das Horror- und Traumata-Level von del Toros "Pinocchio" einstellen, sonst könnte es gerade auch bei Sichtungen mit Kindern böse Überraschungen geben.

Nicht alles läuft unbedingt rund in diesem Film, er ist ein kleines bisschen zu lang und braucht eine ganze Weile, um plottechnisch in die Pötte zu kommen. Aber unter'm Strich bleibt er eine schaurig schöne, wunderbar heterogene Mischung aus Horror-, Coming of Age- und Black Experience-Geschichte, die ebenso Lust macht, sich bald mal wieder "Coraline" anzusehen, wie sie zum x-ten Nachschauen alter "Key & Peele"-Sketche verleitet.

D.C.L.

[ckc4me]

A Civil War Christmas, An Introduction

Τhe Civil War fundamentally altered our nation in many a different way and it still does to this day. It is not surprising, therefore, that the manner in which we now celebrate Christmas was also deeply affected by that great conflict. Official White House portrait of President Grant by Henry Ulke, 1875 We have seen how President Lincoln came to make Thanksgiving a National Holiday. One might…

[si-national-portrait-gallery]

S. T. Smith, Henry Ulke, c. 1865, Smithsonian: National Portrait Gallery

Size: Image/Sheet: 9.7 x 5.8 cm (3 13/16 x 2 5/16") Medium: Albumen silver print

https://npg.si.edu/object/npg_S_NPG.79.246.140

[lucanus-notebooks]

Henry Ulke (January 29, 1821 – February 17, 1910) was an American photographer and portrait painter. Henry Ulke was born in Brankenstein, Prussia, and studied painting in Breslau, and also in Berlin under Wach. For a time he was occupied in decorating the Royal Museum of Berlin, but became involved in the Revolution of 1848, and was compelled to leave his native land. Henry and his brothers Julian and Lee moved from Germany to the United States in 1852. Henry worked in New York designing banknotes, then illustrations for Harper's and Leslie's weeklies in Philadelphia from approximately 1853 to 1860. They settled in Washington D.C. in 1860, finding residence in the Petersen boarding house at 516 Tenth Street, NW, across the street from Ford's Theater, where President Abraham Lincoln was shot by John Wilkes Booth on April 14, 1865.It is presumed that Julian Ulke took a famous photo of the Petersen house room in which Lincoln died on the morning of April 15. ✳️🌟✳️🌟✳️🌟✳️🌟✳️ https://www.amazon.com/dp/B085RVQ6CZ ✳️🌟✳️🌟✳️🌟✳️🌟✳️ #henryulke #ulke #presidentusa #Lucanus #famous #People #notebook #diary #journal #goodreads #lucanusnotebooks #blankbook https://www.instagram.com/p/CCoUyZugO4M/?igshid=p7d0c3qhqnvn

[mote-historie]

Jeanne Mammen (German, 1890-1976), Goldfischfang im Großstadtdschungel (Goldfish in the big city jungle), 1925.

Jeanne Mammen, watercolorist, painter, printmaker. Raised in Paris. Studied art in Paris, Brussels, and Rome from 1906 until 1911. As a German citizen, was forced to flee France with her family at outbreak of World War I; lost all possessions. Impoverished, settled in Berlin in 1916, where she eventually earned a living making illustrations for fashion magazines and posters for Universum-Film AG (UFA), the film distributor.

After 1924 frequently published drawings and watercolors in major satirical periodicals such as Ulk and Simplicissimus, for which she chronicled the experiences of Berlin's crop-haired, self-reliant "new women" at work and leisure - experiences that mirrored her own. Often showed them in cramped, distorted spaces, some rendered in lurid tones reminiscent of Henri de Toulouse-Lautrec and others in brilliant, orphic colors of the prewar Parisian avant-garde. Enjoyed growing commercial and critical success; in 1930 had first solo exhibition at Galerie Gurlitt in Berlin. At publisher Wolfgang Gurlitt's behest, made lithographs illustrating a book of erotic Sapphic poetry, Les Chansons de Bilitis, in 1931–1932, which was banned by the Nazis.

Under Nazi dictatorship, remained in Germany but lived in a state of "inner emigration"; refused to exhibit or publish. Turned increasingly to painting in Cubist and Expressionist styles out of solidarity with artists who Nazis defamed as degenerate.

[oldster2]

Check out Henry Paul Band ‎– Feel The Heat - Atlantic ‎– SD 19273 https://www.ebay.com/ulk/itm/164144357889 @eBay

[tanapacozyfashion]

WORLD VIEW 9781945270833) Religion/ Christian Life/ Social Issues SEEKING GRACE AND TRUTH IN OUR COMMON LIFE By MARVIN OLASKY This was refreshing writing book and compelling to read with that also had an engage and offering shape of the story with the new event and compare with the situation and the culture in our community as a same as we all have to living on in today’s world. This book had a well researching with all the passion to all the Christian had to facing to that will finding a resolved of how to understand and be a part of living each day. Marvin Olasky is editor-in-chief of World, a distinguished chair in journalism and public policy at Patrick Henry College, and the author of more than twenty books, including Compassionate Conservatism and The Tragedy of American Compassion. He and his wife, Susan have four sons. #📚#📽#📷#📦 Check out World View: Seeking Grace and Truth in Our Common Life https://www.ebay.com/ulk/itm/202497319417 @eBay #📝#🙏#❤️#🌎#🍃#🌲#👍#bookstagram #photo #Imo_lifestyle #picture #worldview #seeking #bookworm #ebook #nookbooks #amazonbook #readers #booklovers #christian #biblestudy #kindlebook #bookcovers #newpost #giftideals #like https://www.instagram.com/p/BqPsoiNAi-O/?utm_source=ig_tumblr_share&igshid=ocfcbs9c0aco

[si-national-portrait-gallery]

R. Kennicott and group, Henry Ulke, c. 1863, Smithsonian: National Portrait Gallery

Size: Image/Sheet: 8.9 × 5.7 cm (3 1/2 × 2 1/4") Medium: Albumen silver print on paper

https://npg.si.edu/object/npg_S_NPG.78.104

[si-national-portrait-gallery]

Henry Ulke Self-Portrait, Smithsonian: National Portrait Gallery

Size: 18.2cm x 13.3cm (7 3/16" x 5 1/4"), Image Medium: Salted paper print

https://npg.si.edu/object/npg_S_NPG.78.129

[si-national-portrait-gallery]

Lieutenant Colonel Mills, Henry Ulke, 1865, Smithsonian: National Portrait Gallery

Size: Image/Sheet: 9.1 x 5.8 cm (3 9/16 x 2 5/16") Medium: Albumen silver print

https://npg.si.edu/object/npg_S_NPG.79.246.88

[si-national-portrait-gallery]

S. T. Smith, Henry Ulke, c. 1865, Smithsonian: National Portrait Gallery

Size: Image/Sheet: 9.7 x 5.8 cm (3 13/16 x 2 5/16") Medium: Albumen silver print

https://npg.si.edu/object/npg_S_NPG.79.246.140

[si-national-portrait-gallery]

John Lawrence Leconte, Henry Ulke, 1865, Smithsonian: National Portrait Gallery

Size: Image: 18.7 x 13.2 cm (7 3/8 x 5 3/16") Medium: Albumen silver print

https://npg.si.edu/object/npg_S_NPG.78.120

[si-national-portrait-gallery]

Robert Kennicott, Henry Ulke, c. 1863, Smithsonian: National Portrait Gallery

Size: Image: 18.9 x 13.3 cm (7 7/16 x 5 1/4") Medium: Albumen silver print

http://npg.si.edu/object/npg_S_NPG.78.117

[si-national-portrait-gallery]

Joseph Henry, Henry Ulke, c. 1870, Smithsonian: National Portrait Gallery

Size: Image/Sheet: 11.8 × 8.1 cm (4 5/8 × 3 3/16") Medium: Albumen silver print

https://npg.si.edu/object/npg_NPG.81.113