Extraño mucho esas noches de llamada
De apoco te iba teniendo mimoso
Luego, te hablaba bajito
Hasta conseguir con cada palabra
Que seas mio
Que digas mi nombre con la respiración entrecortada
Hasta que un momento todo era silencio y sonrisas
Y nos decíamos te amo
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Official agency spies or under the table unofficially used unattached "agents"
(quotations used for implication of irrationality associated with concept, essentially implying doubt in its validity)
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The recent release of most of the Tony Martin era Black Sabbath records in a box set (Anno Domini 1989-1995) pushed me to revisit all of Tony Iommi's catalog. Born Again is one of the most interesting diversions from the lauded Ozzy and Dio years in part because, it's not much of a diversion.
Iommi, Geezer Butler, and Bill Ward are all present, with Deep Purple's Ian Gillan taking the place of Ozzy/Dio. Since the record came right after Mob Rules, it sounds a lot like music from the Dio era, but with an unusual edge to it due to a more dissonant approach (see: "Disturbing the Priest"), plus Gillan's unique lyrics and singing (which hits levels of shrieking that's more akin to Robert Plant and Rob Halford than what we're used to hearing on a Sabbath record).
The album rightfully gets dinged for poor production: it's very compressed, Tony sounds like he's playing in a cavern, his main riffs almost disappear when the solos kick in, and it's just overall boomy. But at least we can hear Geezer really well, and honestly, is Dehumanizer really that much better? Looking past this, there are some really interesting songs to enjoy. Listen above to the deep cut "Hot Line," which is a great combination of Iommi riffing, soloing, and the wailing so typical of Gillan.
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