#I also intend to tweak the make up on him

[bragganhyl]

some brainstorming/patch notes for Bertalan 3.0 Larian's Version Third Time's The Charm Version

has a more messed up backstory, I won't detail it here but it involves being offered to a hag before his birth but then going back on the deal

he is actually Baldurian now, but he prefers staying outside town where he's needed more (as a monster-hunter/herbalist i'm thinking those farmlands/woods that get destroyed in act 3)

has more of a "power reveals" than a "power corrupts" mindset both in terms how power is used and what one might do to obtain power

as such he no longer takes on tadpoles out of insecurity but bc he totally know who he is and what he's about, he can be trusted with power I prommy

as such he is more aware of his own standing in society and has a more dutiful approach to things, but also has more disdain for the peacekeeping organizations of Baldur's Gate but also towards the gods

his age got bumped up a little bit to the 38-44 range

he is now grumpier and angstier but also more confident and with more of a "I know more than you" attitude in acts 1 and 2 but he also also has more of a heart of gold don't worry

alchemy is no longer a metagaming thing he actually has braincells to do it

[beefycupcakes]

I watched the Cars trilogy recently and with that came a wave of nostalgia and a strange desire to make my own designs for the cars as humans. Aka taking all the charm out of Cars but scratching the brain itch.

So, no need to drag out the intro any longer, I have some notes written out about em for those who might be interested or just bored.

Lightning McQueen:

I tried to make his suit look as professional as possible, with references pulled straight from McQueen's paint job/stickers, while also keeping in mind that I do intend to draw him more so I didn't want to go too crazy with the design. In a perfect world I would've let my maximalist cravings win, but alas let's keep it digestible for my sanity.

I feel like everyone's kinda on this unspoken agreement that McQueen as a human would pretty much look just like Owen Wilson, and that's the big picture here. I used Wilson as inspiration while tweaking and exaggerating a few things to my preference. (Okay, well not everyone, lmao.)

The chevron markings on the front cut off at the side seams not wrapping around the entire suit as to not clash with the sponsor logo on the back.

Also, he's wearing special gloves to help him grip & have control over the steering wheel. I think sometimes that looks a little weird when his sleeves are down & cuffed, but I just feel like he needs to have the gloves there— especially when he comes out of the top half of the suit. (It's also lowkey supposed to mirror his 4 tires when you consider his shoes are also black.)

So yeah, that's basically all I have to to say regarding Lightning McQueen's page. I feel like a lot of my design choices are self explanatory and, honestly probably shared universally... I mean, he's really cut & dry. (But I love him ⚡︎)

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Mater:

I'm not gonna lie, Mater was a bit challenging for me. I definitely had to step out of my comfort zone but I wanted to stay true to the character and not butcher anything.

My first thought was to give him a fishing pole to substitute for the tow hook— but then the more I was thinking about it, the more that felt so... out of place? Radiator Springs is in Arizona, which is (not entirely, but mostly depicted in the movie as) a desert. And even though there are beautiful bodies of water in Arizona, in the movie I don't recall seeing any prominent ones, at least in relation to Mater. So, scratch that, instead I gave him a lasso, which isn't supposed to entirely substitute for the tow truck— no, he still drives a tow truck, but the lasso is so he can grab people/things similarly to Tow Truck Mater (very cartoony). My explanation for this is the cattle ranch. Yeah, Mater is a tow truck driver but perhaps he has a side hustle, or hobby, if you will.

Also, I didn't want to make him... dirty(??) Like, yeah, of course, Mater would obviously get a bit filthy from time to time, it's just in his nature, but that is NOT going to be the core of my design. In regards to the rust happening on him, I felt like instead I would substitute this with being very tan. Again, Arizona is a desert. Because of this, he would take off his shirt often, and this would substitute for the missing hood like on Tow Truck Mater. The removal of the shirt also reveals just how tan Mater actually is.

It's his uniformed overalls that have his original aqua color, but from years of wear & tear they've been patched up with brown patches, this would also reference the rusting. The one strap is supposed to mimic the one headlight being broken, and I know that's a stretch, believe me, I wanted to do something with his eyes but eyes are not the headlights in the Cars universe..... think about this. Think about it really hard... if you know what the headlights are in the Cars universe then this actually makes perfect sense.

He is taller and wider than McQueen, which is a reference to the literal frame of their vehicle counterparts. (A little hard to picture with these images, but eventually I'll draw them together!)

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That's all I have to say really, but do let me know what you guys think! Gas it up and it might encourage me to make a part 2 with some of the other characters! Who would you like to see next? ♡ Thank you so much for reading & have a great day, Kachow!!

[mozart-in-a-gokart]

My Thoughts On How Five Could Have Had A Romance In Season 4 That Doesn’t Involve His Siblings Or Lila

You guys voted for it so…

Here it is! So far it’s been an overwhelming majority telling me to share so here you go! There’s only two ways IMO that the introduction and execution of giving Five a love interest could have been done well.

I’ve never taken a screen writing class and this all may sound very fanfictiony. For that I am sorry. This is the first time I’ve actually posted a full rundown of a character that I’ve created online for people to read about, consider, and discuss with me! Also This post is so VERY long. I MEAN IT. I will not make you scroll through it if you aren’t interested! More below!

You can scroll down if you don’t wanna read any of the introductory info. It makes more sense if you do though. Your life though man! I’ll have it separated from the actual story bits!

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!Start of Introductory Information!

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Basic Character Information

I have given both love interests neutral names and tried to be as gender neutral with how I’m writing this as possible.

I am fully FOR the idea of Five being an Ace or Aroace icon. I adore his character and fully embrace all variations of him. (That being said I wish I had the ability to shove the home wrecker version of him we received in season 4 underwater and hold him there until I see the bubbles stop.)

Both of these options for love interests can and are intended to be open to being ace or non-ace regardless. These are just ideas that can be tweaked!

Also If you all like these I am debating writing either of the options into a few one shots? However, If you all hate them I won’t. (If you like anything you read in here I fully encourage you to use bits of it if you like the ideas. I love seeing people write stories and come up with their own versions. You all inspire me and helped inspire these characters!)

Both these versions of love interests would have bits of common background.

Both of these variants would start off as someone that he is established to work with at the CIA. (These organizations do not just let people do whatever they want whenever and with whomever they want.) They could have written it similar to season one with Diegos relationships. How Diego had this established life in an organization that he left. Diego established ties and interpersonal relationships with his coworkers which is not out of the norm. Acquaintances, Friends, rivals. All normal things that could develop between Five and a coworker similar in age to his physical body over the course of a SIX YEAR PERIOD.

Both of them will always take Five at his word. Neither variant of love interest would distrust him. Both know he’s not one to beat around the bush. If he says something he means it. Five is a blunt character regardless of how tired of all the work he’s doing all the time. This is an established character trait of his. The love interest would be USED to how BLUNT he is.

To Establish Age And Timeline: Five is stated to be in a 13 year old body in season 1 and that ends in April. Seasons 2 and 3 happen over the course of a few weeks for him. Then season 4 happens and he’s about 19 physically. I’m pushing season 4 so it’s more like a 7 or 8 year time-skip instead. Having Five be in a relationship like this ace or not at physically 19 is just odd for me. It feels wrong. So in order to make a romance work in this situation you’d need to push it further down the timeline. Make Fives physical age 20 or 21. It makes the audience feel better about seeing him involved with someone, Ace Or No Ace, and it allows for more wiggle room when they explain he’s now working for a government agency. People would be more inclined to believe he’s allowed to work for the government because he’s at the very least physically an adult man now. (Aiden Gallagher is 20 years old so him actually playing a 20-21 year old Five is not out of reach) — With that in mind both love interests would be the same physical age as Five and were recruited to the CIA because they were prodigies in their respective fields, but they went through training and recruitment with Five during the 7-8 year period we don’t get to see during the start of season 4.

This bullet is just so you understand some of the choices I make later in my run downs: Five has always just kind of done what he wants and gone where he wants so I think there’s a great opportunity for a running gag or even just a fun plot point about how in order to keep tabs on Five both love interests have their own special way of tracking him. (Explanations further below)

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!End Of Introductory Information!

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The Actual Characters

1—: Optimistic Opposite Partner : his handler researcher he always calls, personable, soft, NEEDS approval, and a prodigy

For this post let’s refer to Optimistic Opposite Partner as, Ash

2— Pragmatic Mirror Partner : his work partner, stubborn, practical , dry, Hot headed, and always left out

For this post we’ll refer to Pragmatic Mirror Partner as, Morgan

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Both Ash and Morgan would highlight different aspects of Five’s character in, at least from my point of view, very delightful ways. I think characters like these would be a great addition to the story if we got more episodes to insert them and add more interactions with All of The Umbrellas. For now however I will only be inserting them into the story that we got so there’s less interaction with the whole Hargreeves family. I will however do what we all know is right and disregard the cannon ending. I will be writing this under the assumption that the show would end how I detailed in my previous post where I detailed how I thought season 4 should have ended. That post can be found HERE.

Another Note: I’m not writing fully fleshed stories just bulleted versions of arcs and scenes I believe would have been better than what we got. Specifically and mostly following the “lost in the subways among the timelines” bit.

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Main Key Ash:

Five - Blue Text

Ash - White Text

Diego — Green Text

Lila — Pink Text

Luther — Orange Text

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THIS IS WHERE THE ACTUAL STORY BITS START

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Ash

They are the cute and fun character that eventually gets pushed a little too far.

They are the person Five is calling at the CIA every time he needs background research done. And I mean every single time.

When you think of this dynamic think Varric and Zhu Li From LOK mixed with a dash of Garcia and Morgan from criminal minds. Ladybug And Maria from Bullet Train.

The first time we see them is when he gets out of the meeting with his boss in that first episode. Maybe Give goes to his office and there they are set up across from him with a quirked eye brow.

“So how’d it go? Wait let me guess? Not well?”

“I really don’t need this from you right now Ash.”

“Too bad.”

“You know what I really need is—“ he stops as the camera focuses on a to go cup of coffee steaming on his desk already.

“Why did you—“

Ash gets up “I figured you’d need it. You got a party to get to. Lots of screaming kids.” They wave as they walk out the door. “If I were you I’d chug it! Have a good night!”

We see five irritated beyond belief silently indicate that Ash has a point, pick up the cup and drink from it with no hesitation. In one scene we establish that at the very least Ash knows Five very well and Five seems to trust Ash because he without hesitation accepts the coffee and takes the advice to chug it.

Ash Tracks him through his phone. He has a government issued one. It needs to be used like this because as we saw in the show in other seasons, Five just goes where he wants. He did that when he had powers. He does it now. As his research assistant THATS EXTREMELY FRUSTRATING. A scene that could happen is

“I can’t believe you’re in ‘New Grumpson right now.”

“I told you to stop tracking me.”

“How else am I supposed keep tabs on you Five? You never tell me where you’re going. What am I gonna do when you need back up? Just throw a dart at a map and hope I’m right?”

“Look can you just send me the file I need”

“I can’t just fax it anywhere it’s classified.”

“It’ll be fine just—“

“Too late I’m already here.”

Five gritting his teeth and looking up to see them getting out of a car waving the file at him. His siblings are there and it’s amazing for them and us as the audience to watch Fove unravel in front of us. We feel like an older sibling watching him be pushed around by someone he can’t retaliate against. Five shakes his head and just takes the file from them. If done right this interaction could be something that feels like it happens every single mission he goes on at some point.

It’s obvious to everyone else that this person cares about Five deeply already, but Five just kind of takes them for granted. He doesn’t not care about them. He just doesn’t realize how much he relies on them. This is communicated nonverbally through the show in the CIA building. (Ex. Like when he’s in the office and in the middle of explaining something and walking Ash is anticipating and handing him things to help him make his point before he realizes he’s going to need them. They’re his bubbly little shadow at the office. There could even be a scene showing this if it wasn’t 6 episodes and 10 instead. At some point Five is at the office and he reaches to his side or in front of him and he doesn’t even realize there’s nobody there with him. Like there’s a shot of their usual desk in the corner exactly as it was the previous scene when Ash left it. They aren’t here today and they are always here. It throws him off. We get to see him be a little taken aback by it.

Ash gets pulled into the Cleanse mess because they bring him a file in the Christmas town and get caught up in the gun fight.

Five tries to blink them out of the fight and they both end up in the subway.

Personally I like the idea of Five getting on the train and the door closing before Ash can get on. The train leaves and Ash tries to run after the train but is too cautious to try following the tracks. They don’t know how to leave the station and they don’t wanna abandon Five, so they’re just kind of stuck there. They walk around the platform for a few minutes and end up sitting on the bench and just as they do the train rolls back into the station. Five walks off the train having done what he does in cannon, albeit a little more unnerved. In the other timeline he gets off the train at the next station and leaves the platform. He discovers it’s an alternate timeline. He gets back on the train and goes back and gets off the train in front of Ash. He’s been gone for ten minutes almost but it was only 5 minutes or so For Ash. Ash sprints at him. Five is surprised to be hugged by Ash and hugs them back for a second before they quickly lets go and hold each other at arms length purposefully. Five doesn’t even let them speak. He just cuts in before Ash can and tells them how its alternate timelines. At this point there’s no use in hiding it from Ash and they’re here in the subway with him so they ought to know.

Ash is more spiritual and fate oriented as a character. They take Fives abilities to blink specifically to the subway as a sign of it being important. Lila still convinces Five to check out the subway again and they do. He encounters himself. They both come back, and Ash is the one whose been looking into The Jennifer Incident File for Five. He meets them at the office and they fill him in on the file.

Ash is the one who gets him to really think about Ben before he goes to Reginald’s mansion. They comment on the file explaining

“This is a somewhat biased account, I’ll give you that. It’s the guys you were fighting against so there’s always gonna be an amount of “he said she said”. But the guy who wrote this seems to be blunt as hell. Very factual presentation of everything. No punches pulled about how badly he fought or how his team failed to achieve goals.”

“What are you saying?”

“What I’m saying is… History is written by the winners Five. I don’t know your dad well. Hell I don’t know him at all, but I gotta ask… Is he the kinda man who would lie about this stuff? Is he the kind of man you could trust to tell you how you actually won? What do you remember?”

Five squints at them. “Nothing… I wasn’t there… but it’s an interesting thought.” He gets up and walks around to Ash’s desk.

“I try.” Five starts to leave and ash calls out after him “I’ll let you know if anything develops on this end.”

Five waves the copy of the File at them in aknowledgement and disappears out of the office door

Ash comes out with them to the Alpaca farm when they get the call about it. They’re standing with Five And Lila when she tries to convince Five to go back to the subway again. Five agrees he’ll go and take a look but not with her. This irritates Lila. Ash tries to level with Lila and this annoys her. She snaps that it’s none of Ash’s business and to stay out of it. Lila snapping at Ash is Five’s cut off. He tells Lila she isn’t coming with him to the subway because of her attitude right now. She’s acting way too impulsively right now and he’s not going to risk that. She needs to take a breath go regroup with Diego and Luther. Keep tabs on them. Lila is irritated by this and storms away. (This may be out of character for her but I truly have never understood Lila as well as other characters. I’m so sorry.)

Ash asks if they can come with. Five is about to ask them if they’re serious? He just denied Lila why would he bring Ash? Ash says that they’re just curious about this all honestly. Plus it’s always better to bring someone to watch your back. Five reluctantly agrees because Ash is right. Plus they’ve kept a very level head through all this. If something happens he can just bring them home. It’ll be fine.

So he brings Ash with on that second run to investigate and everything with the sparrow academy timeline happens.

Then as we know they both end up getting stuck.

They roll past their stop.

“Five? Wasn’t that our—“

“Stop? Yes. Yes it was.”

The montage of what happens down there wouldn’t really be a montage it would be an entire episode or at the very least half of an episode dedicated to following them over the course of these six years. (If it was a montage though, the song I feel like that would be amazing in vibe and fit would be “You’re Dead” By Norma Tanega)

We would get a lot more scenes above the subway when they’re looking for supplies and gathering information. Fighting things that are on the surface in these other timelines.

This version of Five is one who is coming at the fact he’s stuck in a never ending nightmare universe like this again as if it’s a personal slight against him. Like of course, of fucking course it happens to him again. OF COURSE. When his family needs him this happens AGAIN. (It’s a very self centered way of looking at it. The fact Ash is there and also dealing with this is not even on his radar at first. Ash's feelings about this don’t even register to him until later because as a defense mechanism he’s automatically slipped back into ‘survival apocalypse’ mode. ‘One problem at a time’ mode. ‘This physical problem in front of my face is what I’m focusing on’ mode. we can tell when he finally picks up on Ash's feelings about being stuck here but he doesn’t say anything to them about it. His character has never been good at approaching people gently and while they’re in survival mode gently isn’t really an option.

Ash is obviously so scared about the fact that they’re trapped there and don’t know how to get home. They just don’t want to show it. They put on a brave face the whole time and we watch it crack.

Ash can seem to sense Five’s irritation and just slips into doing what they do best. Following Fives lead.

So Five makes a plan. They are both agents for the CIA so they both should be able to survive out here. They both spend months staring at the map terminal and physical map, trying to decode it and it gets more and more frustrating for five. But Ash is trying their best to stay optimistic on purpose. You can tell it’s somewhat forced but still somewhat genuine.

Ash is also doing what they do best. Assisting Five. But at the beginning it seems like it’s much more difficult. Apocalypses and time travel aren’t anything they trained for. Plus their survival training was minimal since they joined the CIA as an analyst not a field agent. They aren’t sure what Five needs. There are moments we see Five hold out his hand out of habit and Ash just stares. They don’t know what he needs and it’s unsettling for both of them. Five realizes he has to reach Ash what they need to do out here and you can tell it’s irritating to him.

A full year passes and Ash's optimism seems to fade but they’re getting better at knowing what needs to be done to survive in the subway. They get better at anticipating things that are needed. When they talk Ash's smile doesn’t seem to reach their eyes as much. Five doesn’t notice this still. Five always seems slightly annoyed that Ash is always so upbeat.

Year two you can tell the smile isn’t barely real at all but Ash still pokes fun at five along the way. Ash is the one trying to keep them both feeling human. They have to force Five to do things like wash clothes, eat, sleep, comb his hair. Five is visibly irritated by it. He doesn’t want to be dragged away from the problem but he always begrudgingly acknowledges that Ash is right.

It’s around the middle of year 3 that they both break. Ash offers to help five shave (similar to how Lila does in the show) because he’s doing a god awful job of it. He hasn’t had to do upkeep like this since the first apocalypse and even then he just let his beard grow out then. We see Ash in the “mirror” Five is using to shave and even he can tell the smile is so forced it hurts to look at. Five glares at them and breaks his silence. He snaps at the about how shaving isn’t fucking important. Getting back home is important. At least when he was alone before he didn’t have to worry about some chipper chipmunk of a person following him around like a lost puppy. He berates them about the fact that they’re so chipper all the time and how irritating it is when all he needs to do is work. He Berates them for trying so hard at it. Why won’t they just admit that this all sucks. It’s awful. He wants Ash to get mad. He wants Ash to blame him. Ash needs to blame him. He implies that Ash doesn’t seem to care at all about the fact that they’re stuck here and that’s when Ash snaps back.

Ash isn’t smiling anymore. They go off at five about how much they care and how selfish Five has been. They know this isn’t a game. They understand the stakes. Theyre trying so fucking hard he has no idea. They’re just trying to keep it together because of they don’t they’re gonna go insane. (Essentially they lose it at him and tell him how much of a selfish prick he’s being.)

The two end up screaming back and forth at each other all sorts of things that devolve into nothing insults about little things that have annoyed them about each other (we as an audience get an insight into how well these two really know each other with how insanely specific some of the stuff is)

“At least I don’t gag when I skin a rabbit!”

“Oh I’m sorry apocalypse boy? Does my lack of enthusiasm towards skinning small animals upset you? I’m so so sorry you dad never let you have a pet rabbit! But some of us still—“

“Yeah, yeah, I remember your pet bunny. You’ve only mentioned sir pumpernickel 300 times. Im sorry you used to love one 👏🏻but 👏🏻we 👏🏻have 👏🏻to 👏🏻eat👏🏻this 👏🏻one 👏🏻to 👏🏻live👏🏻 so stop gagging and get it done.”

Ash then says something along the lines of “ You know? You talk about your ‘dad’ and you pretend you’re nothing like him, but you act exactly the same. Pompous and arrogant. So wrapped up in your need to stop the apocalypse and ‘save your family’ that you don’t give a shit who you hurt to do it!”

With that Ash storms off out of the station to whatever world they’ve stopped in.

Five is stunned by what they’ve said and lets them go still half shaven.

He turns back and tries to keep shaving and after a few minutes he realizes what he’s said to Ash.

He stops shaving and washes his face off. He goes up after them. He finds them washing clothes in the river he sits next to them.

Five helps them finish washing clothes. It’s silent the whole time. They bring clothes back to the station he offers Ash the barber knife. It’s an olive branch. Ash takes it.

We then get the shaving scene but it’s Ash and Five. The scene is silent save for the scraping of blade against skin. Then Five speaks.

“I’m sorry.” A pause. “For saying all of that and for treating you like—.”

“It’s okay. Stop talking, or I’ll end up cutting you.” More quiet scraping.

Five waits til Ash is finished shaving him and wiping off the knife before he speaks again. He says he’ll do better.

“Yes, yes you will.” There’s another pause “or else I’ll only shave half your face next time.”

This is the first time Five cracks a genuine smile in YEARS. Ash smiles back. There’s a renewed sense of understanding. A silent deal is struck essentially. Be kinder to each other in this.

The next two years we get scenes that are more gentle between the two very similar to the ones we get in the actual show. Five is more open to teaching Ash things about the worse parts of hardcore survival. Which in turn helps Ash feel more useful and lightens the load on Five. He can trust them to handle themselves more.

We watch them Slowly moving closer too each other over the course of the train rides. Falling asleep with heads on shoulders. Cooking for one another. Interspersed with scenes of them just entertaining themselves with the other. Reading from books they find in these universes. Playing chess together, cutting hair, sewing up cuts. Light Play fighting in the rivers they wash clothes in eventually leading to the sixth year five months two days conversation.

It happens just after a scene where we watch Ash set Fives Broken leg.

That’s RIGHT the reason they end up in the green house is a legitimate reason in this one.

Five loses his footing hunting in a previous scene and falls down a hill. He blinks and lands haphazardly on rubble in the subway startling Ash who has to immediately jump into action and help.

Ash after setting and wrapping Fives leg tells him that he needs to rest. They have to settle somewhere and let his leg heal. Five doesn’t want to stop but has to concede that Ash is right. Ash starts packing up the camp and they brainstorm where would be the safest place to rest. Five brings up the greenhouse.

“The one with strawberries and that fun little office room?”

Five nods. “It was pretty clean and there was a desk there. I can still work on figuring out this subway while I’m bedridden…”

Ash rolls their eyes at him. “Like you’ll actually stay in bed once I make you a set of crutches.”

Five glares at them as they finish packing things up.

“Don’t be such a baby. It’ll only be for a few months till you can put weight on it. We aren’t giving up.”

And here’s the big change from cannon. THEY DONT GIVE UP.

They do rest there. Five recuperates there. He’s the one messing rolling about in a chair scribbling things down in a notebook while he messes the strawberries in the greenhouse. Ash goes Hunting instead.

They do have their cute little cottage core moments but they don’t give up. And it’s not in the green house that the strawberry throwing happens. It’s a basket of clothes that Ash brings in while five is WRITING IN THE JOURNAL trying to decipher the glyphs from the subway.

Ash throws socks at five instead of food. That conversation about winter happens and Ash DOES FALL but it’s into the handmade wheelchair that Five has been using while healing.

Five is always holding a notebook in his hands. I cannot emphasize enough HE IS STILL WORKING TO FIND HIS FAMILY.

THATS when the kiss moment happens.

“Was that not okay? I’m sorry. I know this isn’t the time—“

Five cuts them off with a kiss again and that’s answer enough.

They don’t ask if it’s weird because ITS NOT. They are two people with and established back and forth coming together in this moment.

Five finds the journal on one of his first trips out since his leg has healed enough to walk freely. The dinner is an anniversary dinner but more so to celebrate his leg healing. He shows it to Ash IMMEDIATELY. There is no fear of returning and losing them to someone because Ash is not married to his brother. 👀

Ash and Five end up staying in that greenhouse together while they make sure the journal is legit and figure it out together for a few days.

They finally figure out how to get home using it.

They wait a week to gather supplies to help them to continue on in case the journal screws them over and they got it wrong

Before they leave green house they have one last candle lit dinner and say good bye to it. They leave it all set up and all their things strewn about. Because the things don’t matter they’re going home together and there’s no question of will this last after they’re home because they don’t need to question it. Of course they are. It’s the same as Diego and Lila in season 2 and 3. There’s no questioning it.

They will stay together.

We get a fun scene at Lila and Diego’s house with the whole family talking about everything but Klaus is staring at Five and Ash. He is looking them up and down because they aren’t wearing suit jackets and pants anymore. They’re both in casual. Five is wearing his sweater vest and Ash is wearing jeans and a flannel. Diego calls it out.

“What is this then? No offense to, Ash, right? But why’re you here?”

“I vaguely recall asking you the same question about lila back in 63.”

“Lila’s different”

Lila has picked up on what five has indicated and his body language

“Not sure how different the situation is Di.”

This is when everyone on the couch picks up on it. Allison and Klaus immediately react silently. Klaus open mouthed impress and shock Allison bewildered looking at Ash for confirmation. Ash maybe makes eye contact with Allison and looks away a little embarrassed.

Diego looks at Lila confused “what do you— wait— You’re!” Diego accusatorially pointing a finger at Five. “Since when?!”

“My love life isn’t important right now Diego”

Only when Five says this does Luther pick up on it. He’s got a look of bewildered awe on his face and He looks right at Ash and addresses them.

“Wait, you two are dating?”

Klaus and Allison gag on their water like we got in cannon.

Ash looks like they truly have no idea what to say and five holds the bridge of his nose.

“Really not important right now. Can we get back to what’s important? Like the apocalypse? namely Stopping it?”

They continue their regular conversation about stopping the apocalypse

All of them leave and pretty much everything that happens leading up to my version of the “Cleanse” happens

These next bullets happen in the universe where my version of the ending is cannon once again you can read it here.

They have a meaningful moment on the subway after they’re all speeding away we get him asking them if they regret knowing him. Knowing what was gonna happen. Ash looks at him funny then says they could never.

“Besides. If we do get to live whole new lives… that means you still owe me all the years that we would’ve gotten in this one. Also a pet rabbit. You owe me a pet rabbit too.”

Five laughs “Of course.”

Five is holding them closely when the train hits the reset point.

The next we see them both is when the I detailed as his wife in the polkadot blouse comes walking into the classroom. Now Fives spouse in the true timeline, full name Asher Delores Murphy (Male/Female/ Or Nonbinary) Also PHD is wearing dress pants and a polkadot button up shirt

Maybe in the scene where they’re gathered around a tv in the physics building we see a rabbit cage in the corner. Five got them their rabbit that he owed them.

That’s Ash character arc. Five never stops looking and he falls in love with a character who is always willing and able to meet him where he’s at. Match his energy. Understand him without having to say anything to him. Someone we get to watch learn and teach Five to not shoulder a burden alone. Someone who carries the weight of the world alongside him, while simultaneously bringing out the human side of him that we as the audience rarely get from him.

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Morgan is Different. Morgan is more one sided rivalry to realization that it was actually just tension all along. Fighting with him and being on his side and willing to go down with him in the end.

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Main Key Morgan:

Five — Blue Text

Morgan — White Text

Lila — Pink Text

Klaus — Purple Text

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Morgan

They’re one of the CIA’s newest recruits and very similar to Five from season one. Also a prodigy.

Desperate to prove themselves

They don’t understand why Five keeps getting sent out into the field and they’re being denied the opportunity

“We’re the same age! We have the same experience! We’re technically partners! Let ME try for once!”

Five almost seems to pity them at first which absolutely infuriates Morgan

The first time we as an audience are introduced to them, is when they’re the one who comments on Fives lateness instead of the blond bespectacled operative we aren’t even properly introduced to in season 4

Five doesn’t need to have his suit handed to him he already has remembered it and is wearing it walking in the building.

Morgan is leaning against one of the pillars and they are quick to fall in step with five on his way.

“You’re late.”

“I am aware.”

“If you were aware, you wouldn’t have been late. Do you even know how to read a clock?”

“If anyone is gonna lecture anyone about time it’s me. I’m certain I know quite a bit more about how time works than you do Morgan.”

“Oh really? That’s interesting because last I checked, when you decide on a time to meet and a person gets there after that arranged meeting time, it means they’re late. That’s how time works.”

Five just sighs his defeated sigh and ignores them

He used to deal with worse from his siblings when they were younger. He’s completely fine with this. it’s almost welcomed by five it’s nostalgic for him in a way(the fact he’s never completely phased by the jabs you can tell is infuriating to Morgan)

At the last minute Morgan stops Five before he opens the office door and makes five look at them

Five has been wearing that gross mustache the whole time they’ve been talking

Morgan rips the mustache off Fives face and Five recoils

Morgan makes a quip about the mustache before pushing open the door and five walks in with them scowling

There could be a small bit where Morgan could also be suspicious of Five not checking in when his brother is kidnapped

Morgan is also in the room when Five blinks for the first time in eight years in their shared office.

We can tell what Morgan’s space and what’s fives space. Five’s is overly organized with books of mathematics strewn about and a chalk board covered in equations. Morgan’s side is covered in puzzle books. Sudoku, word scramble, decryption puzzle books, anagram puzzle books, books on linguistics, cryptograms. Notebooks with sticky notes just sticking out of every page. Morgan is obviously clever. Curious, a puzzle solver. Needs a challenge.

They just turn around and Fives just gone. They are fucking baffled. They think he walked out in the middle of a conversation. Rude!

Morgan leaves to get something and they come back and Five is falling into the chair bewildered and starts to keel forward.

Morgan is once again baffled. Then their face pass through a few emotions. Starting with irritation then suspicion And finally landing on concern

“I thought you’d left. In the middle of a— Are you alright?”

“No. I don’t think I am…” Five gets up and grabs his jacket and says he’s taking a sick day.

Morgan is absolutely taken aback. “A— You’re? Okay?”

Five ends up doing his thing and driving with his siblings up to New Grumpson

He calls Morgan from the pay phone and has them look into Sy Grossman and Jennifer Grossman

We watch it play out in a vertical split screen.

Morgan gives him the information but you can hear them just before Five hangs up

“There’s no one listed living in New Grumpson under those names Five. Are you gonna—“

“Thanks Morgan. Gotta go”

“Wait! Five! I’m your partner! you can’t just—“

Click.

The audience sees Morgan is slamming the receiver into the dock of the phone over and over again. This happens while the screen transitions Morgan off screen and focus back on Five

Everything that happens in New Grumpson still happens

Five ends up in the subway and comes back

They escape in the van and get into an accident

Five calls again and we get another vertical split screen. This is the call about running the Chrysler and Morgan is sick of this after Five hangs up this time. Instead of lingering on Five we linger on Morgan.

They’ve run the address and they message it to Five but instead of just leaving him to it that first time they meet him and his family at Gene and Jeans apartment.

Five is irritated but Lila doesn’t seem to care and Diego is trying to be cool for Morgan because they’re also from the CIA

Diego leaves and while Morgan is investigating something on the other side of the room Lila asks the blink question and they have that conversation with Morgan in the room.

Morgan doesn’t know what blinking is but it’s something they latch onto because Five can’t do it.

“What is it five? What do you mean by blink? You have to let me in! I can help!”

they’re poking him when Lila says to get back on the horse and grabs Five.

“Don’t!”

All three of them end up in the subway

Morgan is absolutely horrified and nearly throws up

“Oh my god! What did you do?! What is this?! Am I in hell? Is this 9-5 commuter hell?!”

Morgan is visible my freaking out in the background while Five and Lila argue about what she’s just done

Lila doesn’t care she’s just kinda whatever she doesn’t fully work for the CIA like Five does, she’s just doing it to feel alive again , same as Diego wants too. (look at that they’re Diego and Lila are husband and wife and they want the same thing? Who’da thought it?)

They are straight up just going to leave Morgan on the platform as when the tarain pulls into the platform (Morgan is not part of the family yet they are tagging along at this point.)

Morgan doesn’t wanna be left alone so they jump the train with the other two.

“Where you going to leave me there?!”

Simultaneously “You’d’ve been fine.” “Yes.”

“We’d have come back for you…”

“At some point”

“Probably”

Morgan glares at them both and is silent pretty much the whole rest of the trip. Lila cracks a joke at them about their crack about ‘commuter hell’ but Morgan scowls and ignores her

Five comments on how Morgan is taking this remarkably well. Morgan’s response is very curt and the only real response they give for a while

“I work for the CIA. Secrets are what we do. I will ask you more questions about those secrets when I’m no longer trapped in a weird freaky subway with you.”

EXTREME FORESHADOWING.

“You aren’t trapped. Trust me. You’d know it if we were trapped here.”

Everything happens like it did before with the breadcrumbs commentary and being shot at by OG timeline Five

Morgan and Five deal with being shot at like pros and Lila is as she was in the show not the best at it and they all get on the subway. Lila is last this time.

They come back to apartment they blinked out of and learn about the file. from here on out Morgan refuses to leave Five alone.

Morgan comes with to Reginald’s house. They’re there for the conversation about Ben’s death and the mind control.

Five has obviously filled in some details on the way and Morgan is able to deduce details themselves and provide an outside perspective

All of the siblings are a little weirded out by the fact Morgan is there. They ask who Morgan is and Five tells them that Morgan is his partner. (This could be the fun start of a joke where Five NEVER elaborates on that word and all of the siblings are like what does he mean by Partner? But all of them refuse to ask because they know he’d never tell them.)

Reginald, Diego, and Allison I think wouldn’t appreciate Morgan being there but Five would actually stand up for them.

I don’t know how he would or what would be said but it feels like it would be a weird kind of turning point for the trust between the two

Then finally they get to memory machines and I’m not sure if he would let Reginald restore his memory or not. (If he did I think he’d tell Morgan to shoot Reginald if this looks like it’s going bad. And Morgan would respectfully agree to.)

Everything happens like normal and they get called out to the Alpaca Farm Massacre site where Ben murdered all those people

The conversations are the same including Lila convincing Five to use the subway except this time Morgan is present for it

Morgan Volunteers to go with instead of Lila

“I have the training. I think It would make more sense for me to go.”

This is when Lila snaps. She, like Diego, wants to be important to the mission but it’s more subtle than Diego. She doesn’t just wanna be a mom but also a bad ass and this subway stuff is scratching her itch and filling her need of getting out of the house and away from Diego for a bit. Morgan is threatening that.

“How on earth does it make more sense for you to go? I was raised an assassin and what are you some CIA puppy? New recruit Wanna prove yourself so badly? Think you’re tagging along on a fun adventure? It’s not fun. It’s life or death. I have way more experience with that than you’ll ever have.”

Five is staring at Lila a little taken aback at the outburst but Morgan is impassive and gentle in their response.

“i recall how dangerous it was Lila, but unlike you, I don’t have any family. I am, for lack of a better word expendable. If something happens Five can leave me behind and come back to let you all know that route is bust. It makes more sense for ME to go with him.”

We can focus on five and Lila’s reactions to this response. Lila seems embarrassed and agrees respectfully that

“yeah um yeah sorry no you make a good point. I gotta report in anyway.”

(I’m so sorry every time I try to write for Lila I feel like I’ve written garbage for her. I’m so sorry. She deserves better than me.)

Five doesn’t say anything to Morgan about that but you can tell it’s struck a cord with him. He doesn’t like the idea of that. Of Morgan thinking they’re expendable.

Diego walks over to Lila and they converse same as before while Morgan and Five walk over to their CIA boss they have the same conversation about babysitting Diego and Luthor maybe this time also Lila.

Morgan maybe mentions talking to Lila and Diego seriously about joining the CIA.

Five is once again taken aback by how considerate Morgan is being.

Everything happens leading up too Morgan and Five walking into the subway and just before they do five asks if Morgan is sure about this. Morgan agrees that yes they are.

“Field work like this is why I joined the CIA. I wanted to do big things and i don’t think it hets much bigger than trying to work out how to use an inter dimensional subway station to save the world from devastation.”

Five nods his head in a conceding motion and he blinks them into the subway.

When they get there Morgan pulls out a little book from their pocket and starts writing down more of the symbols from the walls and train.

We get a conversation about this where Five asks Morgan about it, and says he recalls them doing the same thing when they were on the subway earlier.

Morgan shrugs and explains that they’ve always enjoyed word puzzles.

“I’ve always thought that Decryption was just a more fancy way of saying puzzle, and you know how great I am at those.”

Five makes a sound of concession once again and we get our first real grin from Morgan. Morgan isnt being hostile this time and it’s shocking.

“Besides! It’d be good to figure out how to read what’s written on the walls. Could be helpful and it may be the key to understanding this place and why it’s here.”

Morgan is trying to be fun and interesting because they’re excited. They’re is excited that they’re finally in the field. That’s all they’ve been asking for. They just wanted to be allowed to try.

As the two board the train we hear Morgan comment out loud about how alien the symbols look. They aren’t typical symbols like other symbolic languages. They maybe comment on certain similarities to other ancient languages that are dead that scientists haven’t been able to place but that they’re still different. Gosh they wish they had their textbooks to study this better. That’s fine though. This note book will help when they get home.

After that the same things happen that Five did with Lila in the other timelines on this excursion with Morgan. (I.E. Traveling back in time in the sparrow timeline and all that with Five exasperatedly saying they aren’t going to wing this and it was a terrible idea. He’s immediately calling the mission and saying it’s a bust.)

Morgan runs into the train with him and tries to convince him that it’s fine! They can’t quit after only one attempt.

They’re having a back and forth about this still on the train when the train passes their stop.

Five notices and has to quiet Morgan

“That was our stop.”

“What?”

“We just passed our station.”

“What do you mean what’s—“

The PA comes on and we hear garbled reversed speech and then “express”

Simultaneously “Shit.” “Shit!”

Instead of just a shot of the tunnel flashing green we get a shot of them inside the train looking at one another and both look shaken

“Five?”

A flash of green and we move on

Then it’s same thing as before we get a montage of the two losing their shit at one another over the fact that they’re lost. Which similarly to the other love interest before eventually the becomes mutual respect, care and love for each other.

It’s different from the previous love interest because they’re both “trained” as field agents. Both would have survival skills except one of them is also trying to solve an insane decryption issue at the same time.

While we watch this version of Five trapped in the Subway with Morgan it becomes clear to us as the audience that we are essentially watching the same thing we did in season 1, where Five was trapped alone, but with two people instead. In this case too we realize Morgan is taking on Five’s role from the original timeline. They are the one who seems to feel this intense drive to understand this particular problem. Five having done this all before becomes the Delores of the two. A support system. Always Helping and trying to keep Morgan sane. He recognizes and feels like he’s watching the same thing happen to Morgan that happened to him in season 1. However this time the key to understanding this isn’t something he can solve with mathematics. It’s words and he’s never been great with those. Sure, he can speak plenty of languages, but he’s never had to translate an entirely new language from scratch before. Morgan is the only one of them that has experience with that. Morgan is the key this time.

We get to see the years progress through Morgan’s “Notes” and it’s a montage set to “Dear God — Remastered” by XTC

The Notes are along the outer edges of the screen and the scenes we watch are super imposed on top of the “notebook” itself like we’re watching it on the books

The first year it’s just a bunch of wild scribbles Morgan isn’t writing anything down in it slowly. They’re frantic because they wanna get home. We see five and them arguing the same as we watched him and Lila do in the original

The second year they’re both in survival mode. Cooking food and making fires collecting supplies.

The notes are more organized. There are some sketches of the platforms. The symbols are better sketched at the top with more care. Morgan seems to be trying to visually keep track of stations

Year three is when the notes start to get more and more clear but still no words or even letters are decoded. There are notes about how time feels like it’s passing but “is it really?” Time is resetting every stop they make. Is the subway taking them back in time of freezing time everyone they’re in it? There’s a scene of Morgan scribbling angrily on the book and throwing it down the train car and falling down on the bench.

We watch Five get up like he’s done this a million times before (we get the sense he definitely has) and pick it up. He walks back over, slides it into Morgan’s pack and sits down next to them. Morgan leans into Five’s shoulder looking somewhat defeated. Five seems surprised by this but doesn’t push them away.

We get the chess scenes and in this variation they find a deck of cards so we get a billion scenes of them playing card games.

Year four the notes in the margins are sharp. Morgan is getting better at sketching the same things over and over. We start to see questions pop up about repeating letters and why doesn’t there seem to be any? Sketches of the PA system. Sketches of the train car’s interiors.

This is the year where there’s more laughter and intimacy in the interactions between them. There’s the visions of them caring for one another. In various ways Morgan bandaging Fives hand. Five fixing a dislocated shoulder for Morgan. Morgan shaving Five and Five cutting Morgan’s hair.

Year five is when interesting questions start popping up in the margins of the screen. We see sketches of the door mechanisms form in the train. Questions like is it possible to drive? WHO is driving? What is driving? Do we want to know? Can we get in there? A sketch of the drivers car through the window of the train but it’s impossible to see through a blacked out window in the sketch. A caption of “drivers car impossible to reach. new plan is the old plan?”

This is the year becomes clear there’s real feelings forming between the two but they are also looking really tired. Morgan starts falling asleep tucked next to Five.

Morgan just keeps staring at the book and you see scenes of five taking it from them and pointing to the sleeping cot or handing them food. They reluctantly take it and sit right next to Five and eat with their head on his shoulder

Year six is when the margins start fading from the screen and we pan up away from the book

A string of symbols on a page and the word “Station” circled. A double sided arrow connects the two as we pan away from this we see it’s written on the pages of the book that is in Morgan’s hand. They’re clutching it in one of their hands as they sleep and l are in the same position we saw Five a Lila in under the umbrellas.

The six year montage ends not with despair but with a kind of hope

So the next time we see them their conversation isn’t about giving up. It’s about really sitting down and cracking into this. Morgan really thinks they can solve this. But it’s just so hard to focus like this. It’s off hand in reference to moving around on the subway

“Morgan, what do you need to solve this. Anything you need we’ll figure it out. You need to tell me what it is though.”

“If I could just.. I don’t know… sleep. Like really sleep. In a bed… bathe? Shower, if I can? I know I could get this… WE could get this… We’re so close…”

Five agrees and they have a conversation about instead of staying in the subway going somewhere to work in peace where they don’t have to scrounge. Just for a while until they’ve fully cracked this.

They debate and land on that greenhouse so they GO THERE to sit and decode it

We get a scene of them setting up shop. Just after they’ve cleaned up. And it’s a nice scene like you get in any romance show or movie where the characters are seeing each other for the first time in a new light for real. (like a wow look at you I never realized just how nice this person is to look at?)

And we get a few scenes throughout the episode of them slowly but surely solving it. More letters going up in a bulletin board connected to symbols with twine and other things salvaged. Interspersed with moments of them eating dinner and playing cards. Playful throws of paper. Morgan excitedly running in with a record player and putting it on. They drag Five away from the bulletin board and start dancing. Five argues they should keep working but Morgan says that if they don’t take breaks they’re gonna go crazy staring at the symbols so please just dance. Do something for himself you know?

Five kinda has a moment that you see where he recalls that’s exactly what happened with him originally. He NEVER stopped and he went insane on the OG timeline.

So he takes a real minute not like the games before. Just a real minute to dance.

The two laugh Morgan trips Five catches them

Five’s holding them close

They look in one another’s eyes.

“What are you doing?”

“Something for myself.”

He kisses Morgan and Morgan reciprocates.

AND BY GOSH BY GOLLY WE HAVE A WELL BUILT RELATIONSHIP THATS KiNdA ONE SIDED RIVAL TO LOVER

The last scene we have of them in the greenhouse obviously more time has passed

Five does the same thing he did for Lila. He makes Morgan something. I think Five fixes them up a Rubix cube or even whittles them a cool wooden hand held puzzle. Like one of those puzzle balls or even a puzzle box that has something else in it? Idk. I just feel like a ring or any type of jewelry is too cheesy and fast to be in the box So maybe it’s just the box. Morgan loves it and gives Five something in return. They’re like it’s not as crazy as a hand carved gift but they took some time between solving the decryption to go and find him something special. It’s a mug that used to say “Life Is About More Than Coffee.” but coffee is crossed out with red paint and in big red letters it says Apocalypses so it now reads “Life Is About More Than Apocalypses”.

Five can’t stop laughing when he looks at it. It’s stupid. It’s a dumb joke that’s really insensitive to him the more you focus on it. He’s told Morgan all of stories about all 3 of the apocalypses he’s experienced in his life during these six years trapped here with them, but for some reason the fact they took time out of their day to repair this cracked mug and personalize a stupid word play joke at his expense makes him lose it. This also happens the same day they completely decode the alphabet. THEY CAN GO HOME BECAUSE THEY ARE ABLE TO READ THE MAP NOW. (I can’t begin to tell you how mad I am that that alien language was never talked about once. Or the fact that they never considered trying to decode it at any point? They’re stuck in this subway… LEARN TO READ THE SIGNS)

They’re excited but you can tell after the hype dies down it’s a little sad. They kind of liked this existence here. It was simple. Five could sit and do old man things and just keep them alive. He wasn’t the one the solution hinged on so he gets to rest a while. Morgan was spending their all of their time solving a HUGE puzzle. It was kind of heaven for both of them.

They pack up everything that’s needed and leave the deck of cards and a half solved crossword puzzle book they found previously on the table. Something for whomever comes across this place to find.

They have a conversation just outside the greenhouse about what they’re gonna do about what they’ve become when they return

Morgan responds by taking Five’s hand

“One problem at a time right? We’ve decoded the subway. Next is stopping the apocalypse. Then, after that’s done and we know for a fact that we can still stand the sight of one another while other people are present, we’ll worry about filling out the relationship paperwork at the agency.”

Laughing. “There’s paperwork for that?”

“Yes. Lots of boxes to check and forms to fill.”

“If it makes you happy.”

“It does actually. Soothes me.”

Five picks up their bags. “Once more into commuter Hell?”

“I said that one time!!”

There’s a flash of blue and the camera holds on the playing cards and their initials carved into the table (childish maybe Fanfictiony? Probably? I’m not a screen writer!)

I think we also deserve a pleasant little scene to replace when they get back and there’s the whole Lila/Five dramatic cheating reveal on Christmas at her families house 👀👀👀

It would be them all regrouping at Lila and Diego’s house because they get back and it makes sense to regroup there

They walk in holding hands. Five helps Morgan in and refuses to let go of them the whole time they regroup.

The funny stuff comes from everyone on the couch, while explaining their info, trying to figure out what is going on with Five and Morgan.

Five is sitting on the arm of the chair Morgan is in, his arm is around them and finally Klaus is the one to break tension and be like

“Obviously the elephant in the room though… what is THIS!?”

And just motions to five and Morgan and five and Morgan get to explain how the subway was a bust and they got trapped there for almost 7 years

Lila tries to push to use the subway again and they all get in an argument about using it

She argues that Morgan decoded it so they can read the map now.

Five argues back that they decoded how to get back here, it would take weeks to figure out which specific world would be the one they needed to do all of what they wanted

Lila is angry that they didn’t map that while they were stuck

Morgan jumps in with the are you kidding we were stuck there seven years because that’s how long it took to figure out how to read the map all while trying to survive. Sorry that wasn’t enough for them all.

Essentially we get that argument but then the same things cascade like before. Things fall apart and we end up at the end of the world again. Once again my version of the cleanse occurs. (Because I refuse to acknowledge the real ending and think all of them deserve happiness and to live. Sue me.)

These next bullets happen in the universe where my version of the ending is cannon once again you can read it here.

Morgan and Five’s moment of the subway train is not exactly the same as Ash’s but kind of similar. Five asks apologizes for the fact Morgan’s first ever field mission was ending like this. He asks if they regret getting involved with him now that they know what’s happening.

“Are you kidding me? This is the kind of mission kids get told stories about and then join the CIA because of. I got to decode an alien language, time travel, possibly save the world, and fall in love with a super hero… I almost hope this resets because…”

They put a hand on Fives cheek. “I’d love to do this all again… I only got to complete one mission with you as my partner so, please find me? Even if you forget me? Find me. So we can do more big things together.”

“Of course…”

Five is seated with them on the train bench. He’s holding them with one arm and holding his family with the other when the train hits the reset point.

Again the next we see them both, is when the person I called his wife in the polkadot blouse comes walking into the classroom. Now Five’s spouse in the true timeline, full name Morgan Delores Murphy (Male/Female/ Or Nonbinary) Also PHD is wearing dress pants and a polkadot button up shirt is handed a puzzle box when they sit on Five’s desk in the final montage.

In the scene where they’re gathered around a tv in the physics building we five holding a mug aloft. Five drinks from it. It’s personalized to say “Life Is About More Than Rocket Science.” They’re still the same couple who make the same jokes and give the same gifts. No matter what timeline.

That is Morgan’s Arc. Someone who desperately wanted to be Fives equal and prove themselves. Someone who Five saw himself in and refused to let become him. Someone who is helped through the speedrun version of what happened to Five and comes out the other side fulfilled, safe and supported not wired up, scared, and paranoid. Morgan’s character is essentially meant to be a mirror to reflect all of what Five has been doing to others back at him. So Morgan becomes Fives equal by literally experiencing a smaller scale version of what Five went through and being allowed to process it all along side Five in real time.

Thank you so much if you’re still here! I appreciate you taking the time to read this. You’re amazing. If you liked this or have thoughts on it, I would love to discuss these things more with you! Message me! I want your feedback! If you hated this don’t message me. I’m terrified of your feedback! I’m so sorry, and if I could erase it from your memory, I would. Please forgive me.

Thank you so much for reading this far if you have!

Have a wonderful day!

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Extras if you want:

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These are other things I think would be great but have no clue where they could go In the timeline or where they’d be appropriate:

A scene where five asks Morgan about how they were enjoying field work and Morgan says to remind them to tell the boss they never want to go into the field EVER again.

A bit with Ash where it’s established that they always pick up ( I cannot emphasize enough that no matter WHAT TIME. THEY ALWAYS PICK UP) and this is mentioned at some point in the story. maybe they get kidnapped by Gene and Jean. (This is if it’s a 10 episode season and there’s time for this)They don’t pick up. And this is something that Five is immediately shaken by.

I didn’t explain how Morgan would track Five in their outline but it would be kind of a gag I think. Morgan pops up in places where Five asks how they found him. Morgan always replies with

“I put a tracker in your ____”

it’s always a different piece of clothing. His socks. His Tie. His jacket. His hat. His Shirt. and the next time five pops up he’s either removed that piece of clothing or replaced it. The reality? It’s in his shoes. The tracker is in his shoes. And when this is finally revealed to Five in the subway he can’t stop laughing. Of course. He only has like three pairs and one pair is exclusively for work of course that where Morgan would have planted trackers. God he’s an idiot. Morgan is very proud of themselves for this.

An interaction as follows when they’re in the subway or maybe when Viktor says Five’s name:

“Max huh?”

“Yes, it’s short for Maximillian and I hate it. Please don’t start.”

Laughing then “Don’t sweat it. I understand. I’m not a huge fan of my name either.”

Five gives them a curious look.

A Sigh “My Full Name is (Morrigan/Asher) Delores Wilcox.”

We get a shot of Five’s whole demeanor shifting, like he’s been punched in the gut. He’s short circuiting. He’s blank. No fucking way. No FUCKING way. No fucking WAY. That is NOT their middle name. (If he had a nickel for every time he’d been stranded somewhere in time for a great many years with only someone named Delores for company, he’d have two nickels which isn’t a lot but it’s insane it’s happened twice)

Love interest takes this as a sign he hates it too.

“Yeah see?! Even you think it’s awful. God damn it! Please don’t—“

“It’s wonderful.”

“What?”

“I love it. It’s perfect for you.”

“Really? You don’t think it’s too fancy?”

“I think it suits you…”

“Oh, well… thank you.”

There’s silence while they go about doing things. Five breaks it suddenly

“Weird question but… how do you feel about sequins?”

“I love them?”

“I fucking knew it.”

“What?”

[hockeymenarehot]

Hiiiii your fics that I have read so far are literally AMAZING. Ngl your my new fav author on here my goodness those stories were making my stomach turn.

Could you please do a Tom Kaulitz 2007 smut, him and reader have to share a room unwillingly. The reader starts playing with his hair and he is low-key into it 😋 You take it from there queen because you are so creative it’s crazy.

THANK YOU SO MUCH 😘😘

"One Bed". Feat. Tom Kaulitz

YES! of course i can do this! i'm glad you enjoy my writing! i also kind of tweaked this a bit to go with another request for an enemies to lovers vibe w/ tom...honestly i love the one bed trope!! (sorry, this is coming out later than intended!!)

summary: not too long ago, you caught your (ex) boyfriend Tom at the bar with another woman. you were pretty pissed, and you still are. but you two agreed to travel together to see a mutual friend as long as you stay separated. however, you did not anticipate the room shortage...

warnings: fem!reader, use of y/n, hotel sex, p in v, unprotected, slight edging, overstimulation, use of toys, degradation (slut, whore, etc.), praise, kinda mean Tom, he's sweet sometimes though?, cervix fucking, spanking, squirting, pretty much brat taming, creampie, you think he cheated but he didn't

"What the hell do you mean there's not enough rooms?! I paid for two!" your patience was wearing thin with the poor desk attendant who claimed there was a "room shortage for the holidays". Bullshit. "Ma'am, I've already explained this to you. We overbook expecting some cancelations. It's better for business this way." The woman at the desk was making sure to keep her distance from you. Your stance looked like you were about to leap over the desk and pounce on her at any second now. "Good for business-!?" You were cut short by none other than Tom Kaulitz, your cheating ex-boyfriend, lightly grasping your arm, afraid that if he put too much pressure you might seriously swing at him. You gave him the nastiest glare, he swore it pierced his soul. "Hey, there's no use in yelling at this poor lady. Let's just go to our room. It'll only be a night. I can sleep on the floor." He spoke in a gentle tone, this managed to ease your nerves a bit. You removed your sprawled hands from the desk, giving the desk attendant one final glare. You were also not too thrilled that he took her side. You grabbed your key and made your way to the elevator, Tom trailing behind.

You and Tom hadn't spoken a word since getting to your room. It truly was a small, one bed hotel room. Right when you set your bag down on the (quite hard) couch, you flopped down onto it with a exaggerated groan. "Okay I think you need to calm down. I get it, you would rather not be doing this. But can't you take a day to-" You quickly cut him off, still angry with him. You were angry he had the nerve to tell you of all to "calm down". This made your anger bubble back up. "Calm down? Calm down?! How am I supposed to calm down when you're here? How am I supposes to calm down after what you did to me!? I don't want to fucking hear it from you. Go back downstairs and sleep with the little hotel girl from earlier since you like to take her side so much. Not that you ever took my side." Okay, admittedly you were being pretty petty, but you didn't care. Not when the events that transpired were so recent. About 1 month ago you caught Tom at a bar giggling with another girl because apparently he hadn't realized that's the bar you were having your girls night at. You screamed at him, threw a drink at his face, and hadn't spoken to him since. Tom stared at you for a second, he was trying to let you be angry at him. Because truthfully, he shouldn't have been so sneaky when he honestly wasn't doing anything wrong. He was at that bar to catch up with his brothers wife, but mentioning that fact would probably make you begin to spiral even more. He really didn't want another drink in his face. So, for now he decided to let you scream and yell at him all you wanted, even if the words you spoke couldn't be farther from the truth.

It had been about 5 minutes of you yelling, and you were now laying on the bed quite literally sobbing your little heart out. You couldn't take it, all of your pent up emotions were bursting out and making an ugly mess of you. You thought about how this was probably the reason why he decided to cheat on you. Tom just sat on the edge of the bed, lightly stroking your thigh. You apparently hadn't noticed, but your body was subconsciously leaning into his touch. Once your rapid breathing had slowed and your tears dried up leaving dried makeup streaks on your face, he finally spoke. "I didn't cheat on you." You almost laughed, "What?" He drew in a large breath before he continued, still treading lightly. "You never gave me a chance to talk. But trust me, I don't blame you. Please hear me out on this." Once he had gotten your silent sign of approval, he slowly continued, "That woman? That was my Bills wife. She was just in the area, and I wanted the chance to catch up with her. Ask her how things were going. All I talked about was you, every single question she had, the answer was always you. She even recorded a video on my phone for you of her saying hi. Please, believe me. I know I shouldn't have been so secretive, I know that's my fault. But just please. Here's the video." Tom pulled out his phone to show you the video of who you now noticed was Bill's wife in that same exact bar saying hi to you, and explaining how she hoped all was well with you.

Right after the video ended, your heart dropped so low as you looked up at him it almost fell out of your ass. I mean, you had met Bill's wife before, but you hadn't gotten a good glimpse of her at the bar. Only of the back of her head. You knew she was a nice woman, and you were starting to realize that you probably should've let Tom explain himself instead of throwing a drink in his face. But when he pulled the "Baby, it's not what it looks like" line, you almost lunged at him.

This whole thing just added more on top of the emotions you were already feeling, and you began to cry again. "Tom," you shook out as you pulled him into an embrace, finally being able to feel him again "I'm sorry." You swear you had never held onto anything so tight in your life, and he was seriously about to crush you as well. But it didn't really matter. All that mattered was, yeah, you both fucked up but at least you still had each other. That night was a long night of exchanging explanations, and setting up boundaries as to how to deal with situations like this again. As well as how to work on managing your emotions...

It was getting pretty late, and you had just came out of the shower to find Tom laying down on the small couch. "Are you serious? You don't have to do that... Come sleep with me." Tom turned over to look at you, a bit surprised you could forgive so quickly. That had never been apart of your personality. But he was exempt from this, he assumed. "You sure? If you don't-" You stopped him, "I'm sure." and gave him a sweet smile. The both of you crawled into bed, and got into the position you normally get into. He placed the side of his face on your breasts and you used one of your hands to play with his hair, feeling him relax into you. He whispered out a small "I love you" that you almost didn't catch. To let him know you heard him, you craned your neck down and pulled him into a sweet kiss. Well, the kiss started sweet.

Tom had been left to just his hand, lotion, and some shitty magazines for way too long now. He missed you. A lot. What was supposed to be a simple sweet kiss now had your back to him and him aggressively thrusting his cock into you. You let out a string of moans, trying to stabilize yourself by putting your hands on his thighs. His chest was flush with your back, and his thrusts were relentless. "Tom!" He knew you loved this angle, it allowed you to feel every inch of him buried deep inside you. "Yeah? That feel good, y/n?" One of his hands came down to rub at your clit. "Think I've given you enough time to throw your little tantrum, gotta put whores like you back in their place." His minstrations had you a moaning mess, and you could already feel your orgasm flatly approaching. "Ah-! P-please!" Your pussy clenched tightly around him, a sign he knew you were about to cum. Right when your soft walls began to flutter he completely stopped all motion. "W-what?" You were confused, and you whined at the loss of stimulation. "You forget? Brats like you have to ask nicely to cum. Then I'll consider." He landed a harsh slap on both cheeks of your ass, causing you to his. "Im sorry! Please! Please make me cum!" He rubbed over both red marks, attempting to slightly soothe them before beginning his pace again. This time, he was impatient. He flipped you over onto your back, sprawling you out onto the bed before he pushed in and out of you at a fast pace. You could feel every vein on his cock at this angle, and his tip was practically brushing up against your cervix. The painful pleasure was almost too much, and you just barely remembered to ask to cum. "P-please, can I cum? Please, please please..." You were just babbling nonsense at this point, which made him laugh at the leverage he had over you. He leaned down, nipping the shell of your ear before he said "Cum for me, baby" and that was all the clearance you needed before you gushed all over his cock with a high pitched moan. All of your limbs twitched as he helped you ride out your high, your mind melting back down to earth. Your brain was still fuzzy, and you didn't catch how Tom leaned over to open the beside drawer, pulling out a small bullet vibrator. Once he waved it over top of you, your eyes widened. You obviously could think enough to understand what you were about to be subjected to, but not enough to question why it was in that drawer.

"Please" You mewled put, not sure if you were begging for him to use it on you or begging him not to. Either way, he turned it on, using it on the lowest setting as he rubbed it over your nipples. "Mh!" You let out a satisfied grunt at the stimulation being pressed to your nipples. Tom always worshipped every part of your body, and tonight he had neglected your nipples. The attention they were now receiving left you wanting more. You relaxed, parting your legs and letting the spread across the roughness of the hotel sheets. Tom trailed the small vibrator down the valley of your stomach, towards your already swollen clit. "Yeah, take it like the good slut you are. Just my cumdump, aren't you?" You nodded your head in agreement, making the best "Mhm" sound you could with how fried your brain was. You both knew this wasn't true. If you both were being completely honest, he was at your mercy. Tom pressed the vibrator up against your clit, and immediately started thrusting back into you. "Ah! Wait! T-Tom! Too much!" He laughed at you almost mockingly "You can do it. My sweet baby can do it." The way his tone could change at the drop of a hat only turned you on even more, and his sugar coated words coaxed you on to obeying him. "Ok... ok, just for -fuck- you." "Yeah, thats what I fucking thought." It didn't take too much longer for you to reach your high, and by the way you were squeezing him he knew, too. Tom decided you'd been through enough tonight and let you off easy this time. "My baby gonna cum on my cock? Come on, make a mess on me. Cum with me." Those words immediately flipped the switch inside of you, letting your pussy twitch around him and gush everywhere, making a mess all over his abdomen. Tom thrusted into you as deep as he could possibly go before cumming inside you. "Yeah, gonna take all the cum I give you." And you did, you took every last drop, squeezing him to milk him for everything he was worth.

The night ended with an exchange of soft kisses, giggles, whispers of sweet nothings, and a hot bath to ease your poor muscles. You might need a wheelchair for tomorrow.

Before you two left, Tom left a note on the bed thanking the hotel room attendant for bluffing for him, and left her some extra cash. He also apologized for the mess.

a/n: this was supposed to be released last night but I had other things going on! so sorry! but I hope you enjoyed! requests are still open, and if you've already sent one just know it's sitting in my drafts. remember to take care of yourself!

[factual-fantasy]

27 ASKS! :00 THANK YOU!! :}} 🧈

@amoonlight007

I'm indifferent to it. I know of it and have seen a lot of people play it, buuuut it doesn't really catch my interest much.. :( 💔

If he was starving or dehydrated.. he probably could have :( Not sure what he'd see or hear though..

@neo-metalscottic

AAAA THANK YOU SO MUCH!! :DD 💖💖

Although unfortunately I cannot reveal anything without spoiling stuff..

Though I can say that the animatronics- new and old, are not fully aware of Fazbear Entertainments history.. 👀

@badlyblurry

WAAAAATHANKNYOU SO MUCH!!! 😭😭💖😭THIS MADE MY DAY SO MUCH BETTER FR THANK YOU SO MUCH!! YOU'RE TOO KIND!!💖💖💖

I think there is yeah :0

Well of course :0 But considering Seam and Jevil's trauma with Spade King.. if they ever saw a Lancer they likely would have just turned the other way in discomfort-

I feel like either Peso, Dashi or Captain Barnacles. :0

Other than maybe effecting his magic in someway..? I cant think of anything :0

That world looks beautiful! Yet also spooky <XD I don't know anything about Worldless but if its safe, they'll stay a while. :0

I feel like none of the Octonauts get seasick. Considering their species, line of work, and life experience..

But maybe if there's a crazy storm of sorts,, mayyybe.. Tweak.? wouldn't feel the best? But it'd be less sea sick and more like a headache. :(

I don't intend for them to encounter anything like that no.. <:/ But if they did? They would FREAK OUT. You bet the Octopod would be stationed nearby for months as the Octonauts studied the sunken city XD

Oh hugs for sure. Angsty? Wholesome? It doesn't really matter. A hugs a hug and I love drawing them 🤗

XDD I'm glad you like what you see! And I'm technically into Undertale atm! Well, its a bit more focused on Deltarune characters. (Seam and Jevil) But there's a handful of Undertale characters in there as well! :}}

XDDD THANK YOU SO MUCH!! :D And yes indeed! I am the culprit behind the silly jester men and their very large spider/human DJ friend XDDD

I'm not familiar with tarot cards, so I haven't thought about it no.. <:/ Sorry!

@rubydraft

AAAAAA THANK YOU SO MUCH!!! I DON'T HABE THE WORDF- THIOS IS SO KIND!! THANK YOU!!! STUFFING THIS ASK UNDER MY PILLOW SO I CAN WAKE UP AND READ IT AGAIN EVERY MORNING FRFR 💖💖😭💖

KXKSXCKJ FR THO IT'D BE LIKE THAT XDD

@khoiazo

I think they'd be too disturbed by the burning corpse on the ground to even realize that you were dancing <XD

I think that Fazbear entertainment doesn't add more characters because its a lot more complex than we might think.

Not only do you have to design and build the animatronic and its personality. Which would include probably thousands of dollars in work and trouble shooting to make one that is as advanced as the others..

You also have to set up an attraction for it. You have to set up marketing, plushies, clothes, toys, themed food, etc. You have to hire employees to run the attraction, you also have to train said employees on how to run the new attraction. You have to get handlers for the new animatronic, build another green room on Rockstar row, redo all the maps in the Pizzaplex to accommodate for the new attraction.

This also includes updating the fazwatches/making new fazwatches to hand out. Every single staff bot has to be updated in order to be made aware of the new animatronics presence and how to interact with it.

Like. Soooooo much would go into adding a new animatronic its crazy-

Jevil feels bad for his original counterpart. Because he's still locked up in a cell..

Seam is probably jealous of his original, thinking that he got off easy. He doesn't even have shackles..

Goner kid doesn't envy her original at all. Considering her original is still lost in the void somewhere..

Grillby had a run in with his original.. it did not go well..

Asgore does not envy his original at all. He cant imagine how it would feel for his children to pass, and his wife to leave him out of disgust...

River feels.. a bit indifferent to her original I imagine..

@elegysonnet

I do! Somewhat-

A family member introduced me to the web comic a few years ago. And I kept up with it for a while.. Eventually though it stopped updating. I was bummed. Figuring that something must have happened..

..Only to find out that they were working on a pilot animation the whole time and are as alive as ever! Still haven't sat down and watched the pilot like 9 months later-- 💔

As for my opinion on the comic, the artwork is fantastic. But I don't got two braincells to rub together and don't understand/remember the story so uh.. <:D yeah...

Now thankfully I don't think it would ever come to that-

Even after someone as powerful as an Asgore joined their group, Jevil is still endlessly paranoid and risks nothing when it comes to Seams/the groups safety.

If anyone found out that he could dimension hop? He would immediately assume that he is no longer safe around those people and would flee that AU.

And if someone did take him well.. now you've got a mighty king and a determined human on your tail. Which are not good people to have after you-

Though I suppose all of that aside.. if that did happen? The only one who would remember is Frisk. And she would be greatly disturbed.. Upon a reset, she would tell Jevil very sternly that this AU is not safe. Jevil wouldn't question her for a second and would instantly open up a mirror and they would bounce-

Oh! I'm glad to hear that the "controversy" was nothing serious! :0 Thank you for the info! :}

Jevil probably told the kiddos to be on the look out for a new hat. He could have told them he likes to wear a hat but doesn't like his jester one. They would understand the assignment and would be on the look out :0

Sometime after Peach was rescued the bros were brought over to Daisy's kingdom to meet her. Kind'a just a "meet the legendary heroes that saved my best friends life" situation.

It wasn't love at first sight- but Luigi did notice her. Not just for her beauty, but for her bravery and personality as well. 💚🧡

@beryl-shade

XD Made me imagine a home alone situation. The Glamrocks setting up slap-stick humor type booby traps to deter the bad guys XDD

[sky-kiss]

R/T: Linger

A/N: Trying to find my way back into the Raphael headspace. Also. Feeling stupidly soft. So. Making Soft Raphael all your burden.

RAPHAEL x TAV: LINGER

The devil sleeps. The devil dreams. 

Raphael twitches in her hold, tweaking his nose against the rise of her breast. No sliver of light exists between them, grip bruising, hips pressing her further into the mattress. There's no pain, not yet, her body still pliant around his softening length, sweat-slick, spent. Joi strokes his hair, wrapping her arms and legs around him. His breathing evens out and then slows. 

Some nights, flush with vanity and victory in equal measure, she thinks she might protect him. The imaginings are foolish and girlish, but they soothe Joi's ego—he is hers as much as she is his, and it galls her to watch her possessions suffer. 

But that is an understatement and a lie, isn't it? It's not galling—it's maddening, leaving her blood singing in her veins.

Teeth press against her breast—an unsubtle warning to desist. Her fingers have curled in the cambion's hair, tugging to the point of pain. Raphael's voice is muffled against her skin, nakedly irritated. "Take your leave if you intend to maim me, Duchess." 

She scoffs. "You exaggerate." 

His tail arches up to flick the inside of her wrist. "And you inconvenience, wretched little beast."

Joi rolls her eyes, pressing her lips to the crown of his skull. "Perhaps I am not yet tired." 

He doesn't bother to lift his head, only shifts his weight over her more fully, driving the air from her lungs. "I recommend you find Haarlep." 

"You'll have to let me up, my love." 

She feels him smirk. "Be industrious, Duchess."

He's too heavy for her to be industrious—petty and simplistic as it is, it's his favorite trick. He's too much for her (or Haarlep) to lift with any ease. The succubus sighs. Magic would serve as a solution, but…oh, the effort. It's easier to indulge him. The fact that he's undoubtedly counting on her coming to this realization doesn't change her mind. Joi grumbles and returns to stroking his back. 

Voice still muffled, Raphael says, "Good girl." 

She fists a hand in his hair and yanks.

[eliyips]

HOW DO YOU MAKE X SO FRIENDSHAPED?!

But also genuinely curious about the design translation from the actual skins to your interpretations due to the small but mighty details added in

Infodump as hard as you want!

If i ever pass up an opportunity to talk about my X design, it will be because I am either dead, or dying!!! neither are true at time of posting, so here you go! I will be going over my ENTIRE design process for Xisuma, starting with my initial design:

My initial design for Xisuma wasn't anything special, in my opinion. Most of what I included was directly ripped from the classic Doomslayer. Though, the face scars were inherited from fanon, of course. :) The changes that I did make were in service of having things make more sense for Xisuma. Namely, the belt buckle, and the fabric covering the arms...

The belt buckle is simple - bullets didn't really make sense as a design motif, all considered - but the fabric is more complicated. I have a couple different ideas about why Xisuma wears the suit, but I haven't settled one way or the other on some of the specifics, so forgive me if I'm a bit vague. Ultimately, It is just my impression that X is not comfortable having his body visible more than it needs to be, whether that be for health-related reasons or for personal/emotional reasons. I don't intend to ever draw Xisuma with his helmet off, because of that. To me, it feels like a violation of boundaries. To be perfectly clear though, that's just for me - more power to other artists who draw him without the helmet/armor! :)

By the time I was full-on fixated on Xisuma, I realized I was unsatisfied with this first pass at his design. Mainly, in regards to the helmet. So I did more work on it!

I feel like my re-design process for the helmet is a good example of the importance of using reference. :) I did a lot of unsatisfactory sketches before pulling up pictures of real helmets, at which point I feel like I settled on something I was happy with very quickly.

Specifically, I referenced motocross helmets! My choice of reference was mostly driven by my passing interest in sports equipment design, though motocross helmets are similarly bulky and have the same distinct mouthpiece as X's helmet, so I think it was a good choice. I also feel like the pixels at the top of Xisuma's skin can be pretty easily read as the brim of a helmet, so it works out!

Other than the motocross helmet influence, I also made the choice to add tubing to the sides and back of the helmet. This rolls with my headcanons about the purpose of the helmet, connecting to air tanks on his back! I also think it helps to distinguish him from the doomslayer, in addition to the new helmet shape.

The only other changes I made were to the helmet's palette, added a few additional grey tones for contrast, and the positioning of his scars. I decided I wanted them to be a little off-center, leaning towards his left eye. I'm pretty inconsistent with how I draw the scars though, lol, so it changed again by the next time I drew him.

At this point my design is mostly settled for him, and I don't expect it to change very significantly any time soon. I don't have much else to say about it, but I listed the other iterative changes I made to the design above! I figure I will continue making small tweaks to his design every time I draw him :)

That said... I have yet to answer your initial question! So I will answer it now:

"HOW DO YOU MAKE X SO FRIENDSHAPED?!"

My answer is that it's (almost) all in the eyes!!! I have already talked pretty extensively about Xisuma's eyes. So I won't dwell for too long! In short, human facial recognition is very closely tied to the eyes. The ability to see the eyes of a character clearly affords you a lot of flexibility when it comes to making a design seem approachable, or "friend-shaped." I painted over a screenshot of doomguy to illustrate my point!

My drawings tend towards being a little cutesy, of course, so that helps :) but you can see that the bright, saturated color, big distinct eyes, and less harsh expression all contribute to making him seem like he is less of a threat, despite this literally just being the doomslayer.

Another thing that helps is, again, related to the style I draw in. My art is very "clean" looking, not gritty. I use a lot of soft shape language and don't texture things too heavily. With Xisuma specifically, I also make no effort to make him seem intimidating. I use very neutral angles when drawing him, I don't frame him in a way that makes him seem intimidating or imposing, I don't pose him too confidently or angrily. Because he's not that kind of guy! Though it would be an interesting challenge to try and make him look as intimidating as possible :) I certainly think he could be quite scary, if he wanted to be. Just a matter of what I'm trying to convey.

... I think that's all I have to say for now! Once again, blown away by all the nice things people have to say about my Xisuma design and my art. Everyone here has been so kind and encouraging, and I really appreciate that. Thanks for giving me the opportunity to yell about Xisuma! If you have follow up questions, by all means, I am ready to answer :)

[mrs-avenger3000]

Seeing Red

Pair: Wanda Maximoff x Fem!Reader

Summary: After Steve went into the ice, HYDRA took out their frustrations on his doe eyed little sister Y/n Rogers. Now after being experimented on for half her life, she’s back in Steve’s life. She’s a part of the team. A team that included the elusive Wanda Maximoff who just so happened to have saved her life. An accident forced them together, but it seems something deeper, more mysterious, is keeping them together.

Word Count: 2.9K

Warnings: 18+ Violence, fighting, implied smut, kissing, smut, swearing, angst, fluff, soulmate au, PTSD

A/n: I had this idea whilst reading Vampire Academy. I loved the idea of Rose and Lissa’s bond, so I tweaked it a little and turned it into a soulmate story…

Please do not copy my work or repost with the intent to take ownership of my work :) Feedback is as always welcome as are reblogs, comments and likes

1945

Things were never easy for you, you've lived through a literal world war. You lost your boyfriend and then your brother. You had given up at this point. Without your family... what did you really have? Your parents? Dead. Brother? Dead. Your love? Also dead. The only person you had left was Peggy, and she was just as distraught by Steve's death as you were.

Despite this you kept going. You were determined to ensure your brother didn't sacrifice himself for nothing. You had made it your mission to destroy HYDRA. Every fibre of your body burned with pure rage as you saw what they were doing to your home.

You had mixed feelings about Steve's sacrifice. Because yes, he thwarted their plans, and saved millions of lives, but it cost him his life. And it cost you your brother. This was the guy who would light all the candles in your bedroom every time you had a nightmare. He'd tell you that as long as the candle burns, you were safe. He's the guy who nursed you when you were sick. He taught you never to back down from a fight; he is- was the only constant in your life and you miss him terribly.

You lifted your head as you heard the door to your apartment open. You smiled sadly at Peggy. Her eyes were reddened and puffy. It didn't take you long to deduce that she had been crying again.

"I wanted to stop by... to see how you were." She mumbled, her voice slightly hoarse. You sighed, looking at your feet..

"I'm okay." You say, still looking at your feet.

"I wish I could say the same... I really, really do. I miss him so, so much." She sniffles, her eyes becoming glassy. You took a sharp intake of breath, thinking of him always hurt now. You used to think of your brother and be nothing but happy, but now that he's gone, the happy memories hurt because you know you can never experience anymore.

Thinking for a moment, you glanced at the teary woman in front of you, sighing you turned and walked into your bedroom. Pulling a cardboard box out from underneath your bed, you smiled as you saw the black-and-white picture of you and your brother at the carnival. He had face paint on and you had drawn a silly moustache on yourself. Placing the picture in your pocket, you grabbed what you originally intended to and walked back over to Peggy.

"Here, it was his favourite... it... it still smells like him." You whisper, handing her his favourite jumper. You nodded as she held it to her chest, sniffing it slightly. This seemed to make her cry harder.

"Thank you." She whispered as she slipped the jumper on over her uniform. You smiled as she did so. You knew your brother would have married this woman. She was his future, and you understood why. She was a beautiful human inside and out and you felt extreme pride when you refer to her as your friend.

You two sat and talked for hours until there was a noise that had Peggy reaching for her gun. Your anxiety bubbled as you watched her go check it out. You grabbed a knife from the kitchen and gripped it tightly. There was a loud commotion and shots were being fired, the loud bangs echoing through the walls of the apartment. You could smell the burning of... something, as the air suddenly felt warmer. Something was burning. Your worry increased as you heard Peggy groan in pain. The sudden puff of smoke confirmed your suspicions. Your apartment was now burning. "Y/N! RUN!" Peggy yelled as she came rushing into the front room, only to be tackled by a large burley looking man. He pinned her to the ground, and you glared at him.

"Let her go!" You yelled as you rushed over. Before you could get to him, you screamed as the front door was smashed in wood flew everywhere as it splintered off the door. The door crashed to the floor and your eyes widened as more people filed into the room, they were dressed in a uniform, they were soldiers and you then noticed the marks on their uniforms. Your rage soared as the HYDRA men burst into your home. You gripped the knife tightly before going after them. Even though you had no idea how you were going to win against a small army of HYDRA agents, you were determined to win. You punched, kicked, stabbed your way through the agents, but it was no use. One guy punched you so hard in the face, stars clouded your vision and you felt your eyelids become heavy.

The last thing you heard before you faded into the darkness was Peggy's final scream for you. "Y/N!" she yelled as you hit the floor.

HYDRA had got you now. You were theirs. And nothing could be done about it.

Today

The ringing in your ears intensified as you began running through the halls. There was only one thought in mind. "I have to get out." Your feet moved quickly as you rushed down the hall. You were being chased, but you had one advantage your advisories didn’t. During your time in HYDRA, you had been turned into a super solider just like your big brother was before he died.

You saw the wall and something inside you knew that you were only on the second floor. So you braced yourself and launched yourself out of the window. Glass shattered all around you, slicing your skin. Even more so when you landed. You slid across the ground. A cry leaving your lips as you did. You rolled over before you pulled your body up and broke out into a sprint. All you could think about was not getting caught. It didn’t matter about the fact nothing looked familiar, or that your body was begging you to lie on the floor and give up. You didn’t care about the blood that was seeping into your clothes all you cared about was getting away.

You were so caught up in getting away you didn’t pay attention to your surroundings. You slammed straight into a couple. The man’s hands shot out to steady the girl as they looked angrily at you. Until they saw your condition. The noise of the world hit you at once and you kept turning around, your eyes squinted as you looked all around the place. Tall buildings, loud noises. And they’re way too many people. The man came into focus as he gave you a concerned look.

“Can you tell me your name, doll?” He asked, and you squinted at him. Your heart was pounding in your chest so loud you could barely hear anything else. You swallowed.

“Where am I?”

“New York.” He replied softly.

You shook your head defiantly. “No, no, this isn’t New York. I- no!” You grabbed him by the collar. “Where am I!” you demanded as you shoved him backwards before stepping back from him a few steps. His eyes widened as he looked to your left.

“Watch out!” You heard someone new yell. Suddenly, you were encased in a red glow. It’s spirals moving you. Your body instantly warmed, and you strangely felt comfort from this red embrace. But your comfort didn’t last long as a body knocked into you. You both went tumbling to the floor, causing you to groan as you scraped your already bleeding cuts. Despite the pain, you felt insanely warm. You opened your eyes to see a curious and worried green pair staring back. Your heart jumped into your throat as you gazed at her. She was truly beautiful.

You flushed as you realised that she was practically straddling you. Her cheeks turned red as she stared at you. “Wanda!”

That voice.

The girl you now know as Wanda got up and held her hand out for you. You took it. Her touch was warm, and it left soft tingles on your skin and for a second she didn’t let go of your hand. You blushed softly before your eyes widened. “S-Steve?” You whispered softly. His eyes teared up as he rushed over to you.

“Y/n! How? How is this-” you cut him off by throwing your arms around his shoulders hugging him.

“You died! I- I mourned you.” You cried. His tears wet your shirt as he hugged you tightly.

“Peggy… she said HYDRA attacked and took you and she hasn’t seen you since.” He mumbled. You nodded.

“I… I’m like you now.” You mumbled, and he pulled back, cupping your face with his hands as he surveyed you.

“You’re not my little sister anymore… you’ve grown up.” He smiled, kissing your forehead.

“I was so lost without you. When you didn’t come home… when you went into the ice. I thought you died, Stevie.” You mumble, your voice cracking as you started to cry again. He squeezed you and you gasped in pain, causing Wanda to step forward, worry present on her face.

“Steve, she’s bleeding.” Her voice was like silk, so smooth, and yet she sounded so panicked. You glanced up at your brother through heavy eyelids. The exhaustion was catching up quickly, and you struggled to keep your eyes open.

“I… I think I’m going to close my eyes now.” You muttered as the world started to darken. You remember Steve picking you up before your eyes closed fully.

Steve glanced at Wanda, his eyes widening. He scooped her up and held her to his chest. “Let’s get her back to the tower.” He rushed out as he began running.

~/~/~/~

Steve sighed as he watched Bruce work on his little sister, his worry increasing when Bruce pulled out surgical instruments. “Just need to throw a few sutures here, Cap. Nothing too serious. She's lost a lot of blood, so I'm going to have to replace it. I've already started a drip and she should be okay in a couple of hours.” He muttered, focusing on what he was doing. His focus was momentarily taken off you as he heard the door open. He smiled softly when he saw Wanda walk in. She had been feeling antsy ever since she left. She didn’t know what, but something was urging her to come seek you out. The way her heart fluttered when you and her locked eyes confused yet intrigued her. Her eyes widened when she saw Bruce stitching up her side.

Steve have her an exhausted smile as she took a swat next to him. Wanda frowned as she could feel how anxious he was. “You never mentioned you had a sister.” She commented with a snippy edge. He glanced at her, noticing her small smirk. He sighed, a small smile tugging at his lips.

“When I went into the ice, she was seventeen. She’s at least twenty-three now. She should be at least 80. Which means for 80 years she has been in HYDRA’s clutches for decades and I didn’t figure it out.” He whispered sadly. Wanda reached over to squeeze it.

“You couldn’t have known.” She whispered.

“But I should have. I should have known.” He repeated, seeming distraught. Wanda wanted to take his mind off it so she asked about her. It helped distract Steve enough, so he wasn’t constantly hovering over Bruce. It also helped to quench Wanda’s compulsion to ask about you more and more.

“When we were kids, our parents used to take us to this field and there was this tree that Y/n made it her mission to climb for weeks. She tried and then when she did. She fell off,” he chuckled. “She never wanted to get down. My father usually had to climb up and get her.” He smiled at the memory.

“And then our parents died, and we only had each other. And then Bucky. She lost him too. She lost everyone. I’m glad Peggy was there for her once I went under. I always wondered if Y/n had a crush on her.” He joked, causing Wanda to giggle.

Bruce had finished stitching you up. He pulled the gloves off his hands and stood up. “The sedation will wear off soon and I’ve given her some medication to help with the pain.” Bruce smiled.

Steve nodded, his eyes travelling to the door. Bucky walked in, his eyes widening. “Y/n?” He whispered, his voice strained. He looked at Steve and he nodded.

Bucky hugged Steve tightly, laughing in excitement. “I can’t believe it.” He whispered, pulling back.

“Me either.”

An hour later and you began to stir. The pain in your side was bearable, but you could tell it was numbed. “Steve…” you called out, reaching up to rub your eyes. You looked down and saw that the girl who saved you… Wanda was resting her hand on yours. You looked at your hands and then at her before your eyes shot up to see Steve.

“Y/n… how- how are you?”

You smiled. But then your smile dropped. “B-Bucky?” You gasped. He stood up and grinned, walking up to you.

“Hey doll, happy to see me?”

“Is everyone who is supposed to be dead not dead? Is Peggy?”

“No… no she, she died a few years ago.” Steve said sadly. You frowned.

“I’m sorry. Did you at least get some time with her?”

Steve smiled, nodding. “A little.”

That little piece of information made you smile. Peggy had always wished for more time, that was it, and you were glad that they had gotten time together, even if it was only a small amount. Bucky came around and held your free hand. He brought it up to his lips he kissed your hand, and then smiled brightly up at you. "Things haven't been the same without you. I've missed you every day." He sighs, and you cast your eyes over to Wanda. She seemed annoyed. There was a small crinkle in between her brows that gave away her annoyance. You wanted nothing more than to. Make it go away. You pulled your hand from Bucky's grip, a small smile on your face.

"I missed you too, Buck." He frowned.

"What happened to you?" Steve asked, and you sighed.

"Well... since you destroyed HYDRA's plan to blow up the world they were angry with you so they took their frustrations out on me, at first it was purely anger based torture, but then they decided they needed me, so they experimented on me and then once they successfully turned me into an enhanced super solider, they froze me I guess, I don 't really remember much, I woke up a few years ago. It was weird I was the same age, but it was like a million years had passed. The world looks so different now. I- I don't think I'll ever be able to catch up." You explained. They all listened to your story intently. Wanda squeezed your hand as if to remind you that she was still here, or to support you, you didn't know which.

"They tortured you?" Steve asked brokenly.

You looked up at him and shook your head. "I survived, I'm okay."

"You're strong." The girl spoke up. You looked at her and smiled softly. Her eyes captured you as she stared at you. You couldn't find the strength to look away. Her features were soft, her eyes assessing you. There was this connection like there was something about her that pulled you into her orbit. She was truly gorgeous, from her fair skin to her cute button nose. You swallowed. Clearing your throat, you smiled.

"You feeling okay?" She asked, her hand still on yours. Her warmth was comforting.

"I'm as okay as I can be." You say with a smile. She continued to stare until a noise blurted out, causing you to jump. Steve smiled apologetically at you. He then pulled out a small square thing and tapped it. You frowned.

"Yes, Tony. I know. She’s okay.” He said, talking into the tiny magic box.

“I’ll update you on this when she has rested.” He muttered. Shoving the square thing back into his pocket.

A sudden chill wracked through my body and in a second the room had warmed and the chill of the room replaced with a toasty feeling. You glanced at Wanda and saw the red tint in her eyes. You tilted your head slightly, looking at the glow in her irises.

“Your eyes change colour?” You asked.

"A side effect of my power." She said, her hands glowing as she showed me. The red glow is similar to the red shield that encased you earlier, only darker, more vibrant. You looked at her in pure fascination. Your hand came up to touch her glowing hand, but Bucky quickly intercepted grabbing your wrist softly.

"Careful, doll, that energy stings." He said, glancing at Wanda's frown.

"Only when I want them to." She said with a feline smirk. In the split second, she made a decision. A small ball of her power shot out from her finger and slammed into Bucky's hand that was still gripping my wrist. He hissed in pain, ripping his hand away. He started shaking his hand as if it would stop the pain. Wanda giggled as he swore at her.

You grinned at the interaction. Your mind was reeling from today. So much had happened, and there was still so much to learn. You were eager to learn all about this new era, but even more eager to learn about the powerful redhead at your bedside. As if she could read minds, she turned to you and smiled. You smiled back, loving the blissful look on her face. You didn't spare Bucky a second glance as Steve called him over.

Tag list

@blackxwidowsxwife @g-cordelia @causeitswhatjesuswouldfreakingdo @cristin-rjd @yeetus-thyself @xxxtwilightaxelxxx @upsidedowndanvers @wanda-nats-slut @i1ovewanda @littlewinchester15 @fishlikestuff @gengen64 @procrastinatingsapphictrash @liladoesfanfics @baller2412 @rice-wiife @tomy5girls @srtamercury @nothingisrealanyway @marvelwomen-simp @darshikaria @ria900 @ic-4u @atlas-nex @xxromanoffxx @kcthewifitheif @fairydxll @strangegardentaco @maxxione @pbeckn26

[asterbats]

Starfallification GTI edition... It's these guys....

Design/Story/Headcanon rambles below!

Virizion

Name: Aramis

Pronouns: She/It

Design Ramblings:

-Her colors are a little dull to imply a sense of melancholy. Kind of a hint that she's not exactly healthy.

-Has a battle scar on her face from one of its escapades pre-GTI

-Has a friendship necklace with Keldeo. She only starts to wear it again in the postgame.

Headcanons/Tweaks:

-Doesn't go by Aramis until far later. Insists on the more distant "Virizion" until the Great Glacier arc

-Because this is an alternate timeline where humans went extinct, the Swords of Justice never became a steady group, so there is no formal quartet. Aramis does not know her own Terrakion and Cobalion.

-She does, however, know Keldeo, of course. There was no sort of mentor/student relationship between the two, they were childhood friends and used to spar frequently. Aramis was a shy child while Keldeo was more bold, so he helped bring her out of her shell. The two had a "he talks enough for the both of us" sort of dynamic. He infodumps and it listens.

-Has always struggled with deep self esteem issues, as she doesn't feel she's particularly likable.

-It actually did know about Keldeo's entercard capabilities, which was how it recognized Umbreon and Espeon as entercard users back in the day. It was very disturbed to see Keldeo's entercard markings in the Great Glacier.

-Didn't expect to find Noodle and Parker as enjoying as they were. She honestly expected to see Parker as a pest. But she found them more and more endearing as time went on and eventually sought out their company on her own very consistently. She’s in a QPR with them.

-She's very expressionless and aloof, which leads Pokemon to assume that she has no real feelings, especially as she rejects all of them. She was like this even before Keldeo sent the letter, but it got worse afterwards, of course. She's very blunt and honest as well, not seeing the point in sugarcoating anything. Because of this, she gets along well with Espeon.

-Feels the most conflicted about their child, as its worried that they will resent her for being aloof and avoid her. Or that they would see her for "what she truly was". But their child loves and looks up to her a ton, which does make her feel better.

Emolga

Name: Parker (Insists on Emolga)

Pronouns: He/It

Design Notes:

-So when I was younger, I always figured that Emolga kinda presented himself as a superhero? Because he swoops in to save Dunsparce in Stompstump Peak, he always sticks up for the little guy, and he's very vain and outspoken. The wings also lended well to that, since they look like a cape. So I wanted to lean into that!

-He's mixed with both Theivul (for the mask, tail, and extra brown color) and Boltund (for the wavy fur and eyes).

Story/Headcanons:

-When Parker was younger, it was abandoned by its parents, and no one was willing to take the orphan in, so he had to steal food to survive.

-It was every Pokemon for itself, so Parker never grew close to other Pokemon. Due to his small size and power, he was usually harassed for what little items he had, so he never trusted anyone.

-When he was a teenager, however, he ran into Noodle. The little snake was being bullied for their money by another group of Pokemon, and was frantically trying to empty his pockets. Emolga typically would have just ignored it to save his own skin... but watching the Pokemon mock Dunsparce and berate him for not having more food, and the sheer desperation and tears in the snake's face, something in him snapped, and he swooped in to defend the Dunsparce, fighting off the Pokemon. He intended to leave soon after, but Noodle insisted on taking care of his wounds and giving the Emolga a place to stay. After that, he and Noodle were best friends.

-Parker stopped stealing after that incident- it didn't want to stay in that lifestyle anymore after seeing how honest Noodle was. Unfortunately, this meant going hungry, so he would often go into Mystery Dungeons to get supplies for them- eventually becoming a stronger fighter for it. This inspired Noodle to want to be a treasure hunter themself, although they got lost very easily- Parker would have to look for them more often than not. Not that he didn't take pride in that... he let that ego go to his head. He loved providing for the smaller Pokemon, sure, but he also craved the notoriety.

-Holds a grudge very easily. You call him a rat and he will remember that decades down the line. He finds it hard to forgive

-Despite his size, he knows how to impose himself. Its got a naturally loud voice and he usually perches himself on high ledges so he stands over people.

-He has a massive heart, though. He adores his partners and will lay himself on the line for them. He also fawns over their child a lot.

-Was the closest to Eris out of the gang for a while, besides Kiran. It taught Eris how to handle his electricity and take care of his new body properly.

Dunsparce

Name: Noodle

Pronouns: They/He

Design Notes:

-Wears a reunion cape given to them by Kiran so they don't get lost as often!

Headcanon/Story notes:

-Was always picked on for being a weaker Pokemon. Because of this, they were rather withdrawn from others, and never put up a fight against larger Pokemon- they just didn't want any trouble.

-Took Parker into their home once he saved them from a group of Pokemon that was harassing them, and the two became fast friends. Parker jokingly called them a "noodle" because of how wobbly they'd get when they were scared, and the name stuck.

-Parker inspired them to want to become an explorer... but unfortunately, they never had the strength for it. He would go into dungeons on his own, and Parker would have to swoop in and save him.

-At first, they admired Aramis for its strength, and thought that if they could only become stronger, they would be liked as well as she was. But when they both joined Paradise, they broke her walls down, and saw her for who she truly was- warts and all. And they appreciated her more and more every day for it.

-Actually fell into a more strategizing/organizer role as the events of the game went on. They came into their own as a fighter and explorer and can hold their own in a fight now, but ended up finding a lot of comfort in taking care of others.

-It was their idea to adopt their kid. The trio had found the egg in a dungeon and Noodle pushed and pushed to raise the child as their own.

[swifty-fox]

❝  you’ve stolen my heart,  the least you could do is tell me what you intend to do with it.  ❞ for Outlaw AU bc it’s cheesy but I can see Bucky being cheesy and also theft outlaw au etc etc it all comes together

ohh i got so many prompts for this au where. Sorry this one got a little saucy.

read here!

"So what went wrong?"

They're camping just outside of Abilene, Texas. Pulled off the road into the desert and spread atop several old blankets John had fished out from the depths of the back seat. John's head is pillowed on Gale's stomach, rising and falling with his breaths and Gale wonders if he can hear the sounds of their last meal being worked over. He wonders if it's gross, but John seems content enough, hair sticking to the back of his neck with sweat and shirt bunched awkwardly up around his neck like a scarf to cool off.

It'll be cold come nightfall, especially with winter racing them westwards, but for now the evening heat is still an oppressive blanket. Gale has his braid twisted in his free hand, trying to keep as much of the heavy weight away from his skin as possible.

"I got shot is what," John mumbles, ashing his cigarette just past Gale's hip.

The hand Gale had been scratching through John's curls drags down John's shoulder and torso to finger at the near-perfect round scar nestled just above his left hip, smaller in on the back entry, a little wider on the exit round the front. John grunts slightly, though there's no way the scar could still be painful and Gale worries his thumb over it in small circles.

"You told me to never do daytime hits."

"If you wanted a rule-follower you shouldn't have run off with an outlaw, doll."

There's a pile of candy by Gales hip, twizzlers and sour skittles and dumdums. He plucks one at random, unwrapping the tiny lollipop and humming as sour apple flavor blooms across his tongue, makes a face and passes it off to John instead. The second is cotton candy and he works it over his teeth just to hear the click.

"I woulda run off with or without you. Just woulda ended up dead in a ditch in one scenario."

John shifts uncomfortably, rolling so they were face-to-face. His brow is furrowed, lips pinched. He's a good man, well-raised and well-mannered despite it all. Tender in ways Gale thinks was carved out of himself long ago, "No, you would have figured it out."

Gale strokes a thumb under John's eye, brushes across his lips until they relax into something less sad. He presses a kiss to the exposed jut of Gale's hipbones, nuzzles the tease of curls there and nibbles at the waistband of Gale's briefs.

Fingers knotting in reprimand behind John's ear, Gale bites back a whimper, "I'm not having this conversation with you with my dick in your mouth."

"Is it a conversation?" John asks, the sound of Gale's zipper loud in the night.

"Bucky."

John sighs heavily, drops his head back on Gale's stomach with a put-out air. Gale tries to ignore the way his breath puffs over the suddenly tight fabric of his jeans.

"There was a kid," John finally says, "A little kid and his brother. And I froze. They don't need to see that shit, you know? That's why I do nights. No innocents."

"You were standing in front of kids and the clerk shot at you?"

"Yeah," John spits in only the way an older sibling could, "Piece of shit."

They're silent for a while, John returning to licking the sweat from Gale's hipbones. Probably, they'll have sex, Gale thinks. It's just a question of when one of them will muster the energy to retrieve the lube and roll of condoms from the center console.

John's straddling him, thighs over his hips and sucking red kisses along Gale's chest when he sits up straight and fixes Gale with a calculating look. Gale watches him stare, content to let the other man work through his thoughts.

"You wouldn't have," John finally says.

"Wouldn't have what?"

"Frozen," John laves his tongue across the peaked bud of Gale's nipple, tweaks the wet skin after, "Would you ever get this pierced?"

"Focus. Please."

"That's the whole thought, you wouldn't have frozen if you saw those kids."

"What're you saying?"

John sits back with a sigh and fixes him with another look. The muscles of his arm flex sweetly as he brushes the hair off his forehead, "You got a cooler head than I've ever had. You don't freeze."

Gale thinks of the home he grew up trapped in and shakes his head, "I freeze plenty."

"Hmm," John answers, pushing up off of Gale's prone body and stretching his arms toward the empty sky, "No."

"No, what? Can y'quit bein' cryptic for one minute?"

John grins at him, eyes crinkling to vanishing, and offers a hand to haul Gale up, "No."

"I'm going to get the condoms," Gale says, "Get a handle on your lunacy in the meantime."

It doesn't surprise him that John's arms wrap around his waist while he's rifling through the mess of the car. They needed to clean it out, badly, and he doesn't pause in his quiet muttering when John's broad hand drags across his stomach.

"You'd be a better thief than me, if you tried."

Gale snorts, "Name one thing I've stolen that hasn't been a plan hatched by you."

"You stole my heart," John murmurs against his neck.

"Oh for-" Gale finally locates a single elusive condom under the passenger seat, "Jesus, John."

Bucky hums, tugging Gale out of the belly of the Corolla and pressing him against the closed backseat door, "I mean it," He insists, bumping their noses together and grinning, "The least you could do is tell me what you're gonna do with it."

Gale tilts his head back to allow for the kisses trailed down his neck, sighs up at the stars and allows himself to smile close-mouthed and faint, "I'm going to eat it, if you're not careful."

"That's hot," John remarks, falling to his knees in the dust

[howlingday]

*Slaps leg*

Rwby Au: A Sly cooper thing but But Jaune is the Leader and Theif,Nora the Muscule and Driver, and Ruby as the Inventer and Hacker. They would have different Relationships than the Sly cooper gang. Like Nora x Jaune. I think Ruby should date the main detective after them. I think Penny would be neat. Weiss would work better probably. I don't know just a knee jerk idea from my Nora's Arc ask. They would only steal from Crimials and Corrupted leaders though.

I like this idea, but I'd like to tweak it a bit.

So, I actually saw another RWBY Sly Cooper AU with Ruby and I think Winter having a Sly/Carmelita relationship, so I'll stick with Ruby as the leader of the Ruby Rose Gang.

Ruby Rose is the leader, as previously stated, and the inheritor of the Robber's Rose, an ancient and secret relic intended for Silver-Eyed Huntresses like her, even though there's a current propaganda war going on to abolish freelance huntsman work. Unfortunately, on the night she was supposed to inherit this relic, her home was attacked, and her mother perished in the altercation. But it's not all bad, since it's where she met her best friends, Jaune and Nora.

Jaune isn't an orphan, but is the son of the Arc Family Foster Home, and spent a lot of team helping Ruby with hard brain stuff, like math and physics, though a lot of the experiments were done with him going hands-on. That doesn't make his efforts to build and improve weapons any less impressive.

Nora is an orphan and has been since her village was destroyed years ago. The village leader, Li Ren, offered to raise her with his son, but their home wasn't big enough anymore to support four people, even if two were children. So she left and met Jaune, a kinda gutless dweeb who was picked on a lot. That all changed when Nora stepped in and showed just what "girl power" was really all about! Since then, the two have been thick as thieves, which is fitting since Ruby had some plans for when she left the Arcs.

Now, with introductions out of the way, I'd like to talk a bit about story, if anyone is interested. Going along with the story of the first game, Ruby breaks into Atlas Headquarters to find a lead on what's known as "The Inner Circle". It is during this venture that she meets Specialist Penny Polendina, who says it's her duty to stop freelancers like the Ruby Rose Gang. Hunting down and besting The Inner Circle, Ruby makes it to Salem, whom she must defeat by teaming up with Penny. The second game story will also be the same with a new group of villains trying to bring Salem back from the dead, ending in a fight that cripples Jaune, Nora blaming herself, and Ruby giving herself up to Specialist Polendina.

Whatcha think?

[lurkingshan]

Shan! After today’s episode of Only Friends, I have the feeling that I’ve lost a sense of the endgame of this series. I think I was under the impression — from the promos, the tweets, etc. — that we were going to get a summarily messy ending, with a whole bunch of toxic threads needing to be unwound. I’m intrigued by my thoughts on this — and maybe a touch concerned that we might end up getting morality stories out of this. By the time we roll around to an episode 10 or 11, what are your thoughts on a viewer not having a sense — not even of where the journey will end — but also of what the meaning of the journey was in the first place? I wonder if, in successful show construction, if I would have had a stronger and clearer sense of this earlier in the series?

Typically, we do have a strong sense of a show’s arc and narrative beats by this point in a story, but Only Friends specifically does not follow bl beats, so it’s always been a little bit its own beast. That said, it’s funny that you ask this now because after this week, I do feel like I have a sense of where this is going and I’m not sure how I feel about it. Namely, I am now fairly confident that we’re headed toward an ending with all three couples together and happyish, if not purely happy. The way this episode was structured to lead us into the final arc points to the end game conflicts—Boston and Nick figuring out where they stand on monogamy and distance, Mew deciding whether he can truly forgive Top, Ray trying rehab and Sand getting his head spun by Boeing—playing out next week, leaving the finale for resolutions and probably some kind of final word on this group of friends who barely seem to like each other.

I feel mixed about this suspicion because to me, happy endings all around doesn’t feel totally aligned with the spirit of this show and some of its themes. It feels a bit like the character arcs have been adjusted as we go, so that if you returned to the beginning and tried to draw a straight line to where we’re landing, it wouldn’t entirely track. But I’m also aware that this show has been unusually shaped by external forces like branded pairs and fan reactions.

In recent interviews the show’s creators, Jojo and Ninew, shared a few things that made a lot of this click for me:

Their original vision for this show was intended to be cast entirely with supporting actors and not bl pairs (this is why Neo and Mark were first in)

When they realized they were getting branded pairs they they were surprised and tweaked the characters and story to fit them (I’d bet money this rehab arc for Ray was added once they knew Khaotung was playing him)

Jojo allows the actors and their management to view their scenes (he said this specifically about sex scenes, but it may include others as well) and anything they are uncomfortable with doesn’t get put in the show

They have been tracking fan reactions closely and have incorporated those reactions into their final editing decisions (for example, removing a scene of Top hooking up with a random because people already hated him more than expected)

For me, all of this adds up to the conclusion that the show has in fact changed pretty significantly from their original vision, and those changes have been in the direction of a more conventional ending that will align with expectations for bls with branded pairs. In the end, branded pairs are a capitalist endeavor and they can’t let OF damage the brands. So while I do think the show has done more than any that came before it to push the boundaries of these constraints, they’re not going to be able to go all the way. The pairs need to end up in a good enough place that fans don’t want to burn GMMTV to the ground and the actors’ next projects are still set up for success.

So to your original question: I think the tension you’re feeling about the show’s overall point is a result of these changes creators are making as they bow to external forces. I personally think, given the constraints they are juggling, that they’ve still kept the story and its themes pretty legible, and some of the messaging is landing very consistently. But Only Friends is clearly not purely uncompromised art, it’s serving a lot of different needs and motivations.

[playroom-sekaii]

i recall you once mentioning Little tourpe and CG danchou so i was wondering, are your hcs of littles from different aus different? And what are ur hcs of danchou and tourpe :)

Depending on the au, yeah! Obviously aus where personalities are tweaked a bit would lead to changes (Dazzling Light, Hidden Circus, etc) as would ones with drastically different settings (White Day/Fantasy, Anni/Lily), I could probably think of agere stuff for almost any au and that's concerning-

Anyways,

Regressor Torpe and CG Danchou headcanons!

Gif credit - au info from my main if you'd like

♪ Torpe regresses relatively young, probably ~2-3 years old. He hadn't intended for the orchestra to know, but Danchou found him asleep at his piano one day after rehearsal and gently woke him up and he was so very small as he helped him get home. Torpe was mortified at first and tried avoiding the band for a while, but with help from Miku and Kaito (workers at the tavern he used to perform at that may or not also be able to shapeshift into his animal friends) he eventually got the courage to explain everything to Danchou, who agreed to be his caregiver without a second thought.

♪ For Danchou, the signs that Torpe is slipping are quite easy for him to see. Either side of his personality ends up amplified, be it the more shy and nervous part of him or the part that's more irritable and passionate. He fiddles more with his jacket and is somehow even more clingy towards him (dantoru is real in my aus for this I don't make the rules-). However, they are musicians through and through, so if they're practicing and Torpe starts to feel small Danchou can always tell through if his playing starts becoming a bit less refined than it usually is. Torpe tries to hide that he's regressed sometimes, but Danchou always tries to assure him that it's okay, his darling pianist can be small whenever he pleases <3

♪ Torpe still loves playing piano while small, even if he's not the best at it. He mostly plays simpler songs, but he's still incredibly talented for such a little guy. Danchou is always happy to hear his little one's music, and he even got him a toy piano that he absolutely loves while tiny. (Torpe's favorite song to play while small is Twinkle Twinkle Little Star)

♪ Torpe also adores reading picture books and going on walks while small, which Danchou is always willing to provide. Torpe usually doesn't like public places when he's little, but outings to the town's library to read books while snuggled up close with his papa makes him happier than almost anything.

♪ Torpe loves cats, even more so when he's small. Whenever he's out with Danchou and he sees one, the baby always tries to go running to say hi to it, his caregiver having to remind him to not startle the animals. He carries a stuffed kitten he's had since he was a kid almost everywhere with him when he's small; when he first showed it to Danchou it was in pretty rough shape, so he quickly patched and cleaned it up food as new for his little one ♡

♪ Danchou rarely calls Torpe by his first name, and the times it happens is either during really personal and lovey moments or when he's small, and when it happens it always makes him feel incredibly special and loved (and smaller during the latter). Other nicknames he has for tiny Torpe are "little pianist", "little star", and other things along those lines. Danchou is a bit hard for the baby to pronounce, so he usually calls him Rui when he's little, which similarly to Torpe, always makes Danchou melt. The only ones who usually call Torpe Tsukasa are his siblings and Shizuku, and the only ones who call Danchou Rui are Nene and Mizuki, so these moments show a closeness with each other the two rarely get with others. (Also Torpe may or may not have called Danchou Papa a few times, he gets mortified afterwards but Danchou feels honored whenever it happens.)

♪ If Torpe is ever small and Danchou isn't available to look after him, Nene and Emu are always happy to look after their orchestra's little one! Torpe even while big was initially nervous around them but was able to feel more relaxed within a few weeks of joining the band, but he still feels a bit cautious around them while small. Thankfully, the two of them are really good at helping him feel better and more comfortable with them, performing music for him or playing simple games with him make him instantly feel better, Torpe loves "Mumu" and Nene (seeing as he usually just calls them Otori and Kusanagi while big they melt at the titles). Torpe lives with his two younger siblings, and he's still nervous to tell them about this side of himself, but Danchou is slowly helping him get the courage to someday.

[mia-tiny]

『 Mingi & Overstimulation 』 | KTB ‘22

⇒ pairing: s. mingi x fem!reader

⇒ smut, overstimulation, oral (fem receiving), fingering, vibrator, handcuffs, panties used as gag, crying, sadistic dom mingi, multiple orgasms, dirty talk

⇒ word count: 899

💕 view my masterlist here

🖤 view my Kinktober ‘22 masterlist here

⇒ author’s note: bro when I tell you that this man’s voice in person is deep, I mean that I didn’t think it was possible to have a voice that deep. videos don’t do it justice

There is absolutely nothing you can do to calm the quivering of your legs as they squeeze around Mingi’s head. You wish desperately that you could reach down and grip his hair as he devours your needy pussy, but your wrists are cuffed to the headboard. In addition, you can’t even beg for mercy since he has stuffed your panties into your mouth, effectively silencing you as he has his fun.

He glances up at you as he sucks harshly on your clit and you try to plead with your eyes. He replaces his mouth with his fingers momentarily in order to speak to you.

“What is it?” he teases, knowing there is no way you can answer him. Still, you attempt to speak, the muffled sounds making him feign further confusion. “Baby, I can’t understand you. Just tell me what you want and I’ll do it.”

You throw your head back in frustration and tug on your restraints in a mini tantrum. Mingi just laughs and once again begins lapping at your core, the sensation overwhelming. He has already made you cum two times just like this, leaving your body sticky with sweat and incredibly sensitive. The continuous onslaught of pleasure has your climax building rapidly once again despite the sting of overstimulation.

All it takes to push you over the edge is Mingi humming in satisfaction around your swollen clit. Your body doesn’t even feel like it is yours anymore as you shake like a leaf, the sound of your muffled wail filling the room. Tears finally begin to spill over from the intensity of your orgasm, but your boyfriend isn’t even close to being done. So long as you don’t use your safe word or signal, he could go for hours like this, just admiring the sight of you absolutely falling apart. 

He at least removes his mouth from your soaked cunt and, for a moment, you have a shred of hope that he will call it quits early tonight. Of course, you are quickly proven wrong as he pulls a small bullet vibrator from his pocket. He gazes up at your desperate expression with a proud grin.

“Do you want another, angel?” he taunts sadistically. When you shake your head defiantly, he gives your core a sudden slap that has you jumping in surprise. “I said, do you want another one?”

Intimidated by the lecherous look in his eyes, and fearing another slap, you nod enthusiastically. He smirks.

“That’s what I thought.”

You hear the small toy buzz to life and prepare yourself for another round of bittersweet pleasure. He glides the object into your pussy with ease, watching with desire as your hole swallows it greedily.

“Still so hungry for more.”

The strength of the vibrations have you attempting to close your legs, but Mingi effortlessly pries them open again. Without giving you time to adjust, he inserts two of his thick fingers and pushes the toy directly against your g-spot. Your back arches off the mattress and you moan pitifully into your own undergarments. You receive no mercy as he begins flexing his fingers in a “come hither” motion, the vibrator also being dragged against the most pleasurable areas, as he intended.

Your muscles are sore at this point from continuously tensing, but it is impossible to relax any part of your body. The sensations in your core seem to extend everywhere, setting each inch of your skin on fire. Your brain feels as if it is floating off as you separate soul from body, your current existence being only defined by the overwhelming pleasure and pain.

His fingers increase their pace as he also reaches up to tweak one of your nipples. Spots dance in your vision as you feel your climax approaching once again. You don’t even have the energy to moan as it hits you like a truck, your breath stopping altogether as you cum harder than ever before. Mingi curses to himself as he takes in the sight before him.

Even after you resume breathing and squirm away from his cruel touch, he continues. Totally entranced, he also uses his left hand to rapidly rub your clit, your high building swiftly once again despite the fact that you came down from your fourth orgasm just moments ago. You are openly sobbing at this point, but the euphoria that comes along with the agony is enough to keep you from tapping out.

It takes only thirty seconds before you are coming apart again. Your eyes squeeze shut and you tug hopelessly at the handcuffs, your wrists surely red and bruising by now, but you can’t feel anything other than the unrelenting pleasure at your core.

Once you stop shaking from the intensity of your orgasm, Mingi finally grants you mercy and removes his hand from your sex, pulling the vibrator out in the process. Your entire body is numb and you feel like you could sleep for a thousand years. You are so dazed that you don’t even notice your boyfriend removing his clothes and coming to kneel between your legs. Having thought you were done, you look at him in startled confusion when you feel him line his cock up with your pussy. He chuckles at your expression, per usual.

“You didn’t think I’d let you off that easy, did you?”

Looks like you’re in for a long night.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Taglist: @minkysmilk @annaflwrs @han8ul @whatudowhennooneseesyou

[spinningwebsandtales]

Imagine Vash Teaching You How To Shoot

Vash the Stampede X FemReader

Rating: T

Warnings: Target practice

Word Count: 1k

(A/N:) I’m putting all my pew pew knowledge into this one! I’ve saw other fics with the same concept but I thought I’d give it a shot (heh heh pun not intended) myself as I had this idea a little over a week ago. I do have more than basic knowledge when it comes to target practice and I was very impressed with Trigun Stampede’s weapon usage and the .22 shell was an actual one. So bravo Orange for doing your homework! I’m impressed! Until next time happy reading! ~Countess

Also peeps be careful when it comes to any form of weaponry. Safety is key as accidents can happen. I have lots of experience and my dad made sure that I knew proper procedures and to take care of myself and others. One accident could be the last with any type or form of arms. So take caution and kids don’t go behind your parents back, that’s a no no just ask them. 9 times out of 10 they’ll answer your questions.

Vash was watching worms circle in the sun, lazily enjoying a much needed down moment until your voice broke the silence. You called his name cheerfully as you ran up to him, your arms full of discarded bottles.

“Vash,” you panted the bottles clacking together in your arms. “Will you teach me how to shoot?”

He seemed reluctant to at first but when he saw the excitement in your eyes he couldn’t refuse to teach you how.

“Sure,” he finally agreed and you shouted in victory.

It didn’t take long to set up the bottles on the ledge of a mountain. Vash didn’t want any stray bullets to go further than he could see. So the mountain would be the perfect containment zone for any mishaps. You danced in place as you were both excited and nervous. You always wanted some form of protection against any villains will ill intentions towards you and you just knew Vash would be the perfect teacher. He chuckled at your enthusiasm as he stood by your side.

“Ready,” he asked.

“Naturally,” you replied making him chuckle. Unholstering his .22 he handed it over muzzle facing downwards. You carefully took the grip, trying to remember how Vash held it. He mostly shot one handed at times, but you knew you weren’t quite ready for that. Seeing how you were lost on even holding it, Vash held out his hand and you placed it back into his palm.

“Hold it like this since you’re a beginner,” Vash spoke showing you the proper form. “This hand goes first with your index finger pressed against the side until you’re ready to pull the trigger and then you’re going to balance it with this hand. Make sure you keep your fingers from the hammer and the cylinder as you don’t want them to get pinched. That would hurt like you wouldn’t imagine.”

“Got it. Watch the hammer, hold it like so.”

Vash nodded handing the weapon back. You had more confidence this time as you held it just like he had shown. With a couple tweaks you were one step closer to actually shooting.

“Now what,” you asked ready to learn more.

“Make sure your rear sight and front sight are perfectly align. The front sight should be even with the rear. If the front sight is up farther than the rear you’ll shoot high. If it’s lower than the rear you’ll shoot low,” Vash started explaining. “Now when you’re ready to pull the trigger don’t use your whole finger, just your fingertip. If you use too much of your finger you’ll pull it off your target and cause it to move left or right. And don’t expect your shot, let it surprise you. That way you won’t pull off your target or flinch.”

“Man,” you grumbled, “this is complicated.”

Vash laughed, “Pistols are harder to shoot than rifles. You put rifles on your shoulder and you’re much steadier this you only have your hands and arms. Need me to explain again?”

“Make sure my sights are perfectly aligned, don’t use too much finger, and let it surprise me.”

“You’re a quick learner. But widen your stance and get down on it or you’ll be unsteady and if your arms get tired don’t drop it down pull it to your chest then thrust out when you’re ready to shoot.” Vash was getting into his element now as you were soaking every word up like a sponge. “I’ll teach you about how to walk steady too but let’s see if you can hit your target first.”

“Okay,” you breathed going over everything Vash just said. While aiming, your arms began to tremble from the awkward stance and the weight. You couldn’t imagine what a bigger caliber would feel like. Vash’s .22 was heavy enough on your arms. Trying to steady your wobbly aim as best as you could, you started to squeeze the trigger. The boom echoed across the desert but the bottles remained intact. You pouted looking back at your teacher.

“Try again,” he encouraged.

You tried again, the hammer hitting the primer and sending the shell out of the barrel. Only for your second shot to miss. This was becoming a lot harder than you expected and you felt bad for wasting Vash’s expensive ammo.

“This is harder than I thought,” you moaned.

“One more time you have six rounds in the chambers. Well four more since you’ve already shot twice.”

You steadied yourself pushing the pistol back out and aiming. Another round. Another miss. You were getting frustrated now, so much you didn’t hear Vash come up behind you. He moved your arms back out into the shooting position, his back pressed up against yours. His added steadiness had the pistol in a steady grip.

“Squeeze the grip as you pull the trigger. Don’t be in a hurry, quickness comes with experience. Take your time be steady and you won’t miss. You got this.” 

His breath puffed against your cheek causing you to shiver. But with his added encouragement and him pressed up against you, you tried again. The pistol went off the bullet whizzing towards the bottles, in seconds one shattered instantly sending glittering shards through the air. You looked to Vash in bewilderment while he just smiled.

“Told you,” Vash raised his hand for a high-five. You didn’t hesitate your palm slapping against his.

“I think you did more than I actually did,” you answered though you wouldn’t let it sour your mood.

“Nah you’re awesome. But I think my teaching has earned me a reward.”

“Oh yeah?”

“How about you buy my next meal?”

You seemed to think about it while handing him back his pistol. He holstered it by his side swiftly and smoothly. He reminded you of all those cowboy stories you heard about as a child growing up.

“I think that’s fair,” you said knowing that he deserved more than just food. But Vash wouldn’t take it as he was too nice. But you looked forward to learning more from him. He was the perfect teacher and you wanted to know what all he had to offer.

[thelyingjoke]

what are your thoughts on pregame kokichi?

this took a long time to answer sorry!!! i start getting Busy around this time (school my nemesis.......) but this ask is interesting enough that i can use my remaining free time to answer it! thank you!!!!!!

now a thing like this is something i personally can have a bit of trouble with—that is, making up a personality for a character that doesn't have one. when i have something to go off of in canon i can run with it all day and come up with so many things...but i need that little prompt to start with, and if there's nothing, i can't really think of anything. so for a Longgggggg while i've kept my hands mostly Away from the pregame characters, since most of them have so little about them i just couldn't think of anything that would satisfy me. but more recently, maybe like. a few months after i rewatched v3 last year, i started to think about them a little more...and now i think i can answer this question kind of!!!

pregame kokichi is a hard one considering he's one of the many that has like. 1-2 lines that don't say much at all about his character. like the most he has is this

and really Nothing Else of note. but after thinking on it it says A Lot.

already you get from it a guy who is Helpful and looks out for others, even in a situation where it might be dangerous! both caring and also maybe does not have a good sense of self-preservation...but not like, nervous or cowering at all. so, that's a start!!! though there's also a bit i wanna get into in order to elaborate more on what else i think about him (i anticipate this will get Long so. i will put the cut here)

yeah anyway the thing that made me Really start thinking about the pregame characters was the full realization of kaede and shuichi being like...basically the same, just kaede being a little more snappy. and i mean, i knew this the whole time, but i never put too much thought into it because like—yeah they're still the same guys that makes sense. (and i was in major denial about the ending at first haha)

but actually thinking about it it kinda intrigued me. of course they'd be like that. sure they were given different memories, but there's only so much that that can really change about a person, you know? like...there's the assumption i'd have had that they directly tweaked the personality alongside the memories, but honestly i don't think they did. i mean, of course, the memories do influence the personalities—some more than others—but that's as much as i'd imagine they'd have done in terms of personality-changing. they didn't do it directly.

it's like nature vs nurture, kind of. your memories make up a large portion of who you are and how you act, but they're not everything. there are certain things that are just inherent to certain people. two different people given the exact same memories would likely act similar, but ultimately there would be differences, because they're two separate, unique people, with their own quirks and preferences.

and for how the characters were made, i do believe that their backstories and intended personalities were based on their original personalities (whether you believe tsumugi was lying about the audition videos, and i do lean towards her lying, i don't quite think she was lying about getting a flash of inspiration from shuichi's nervousness, that part makes sense to me). kaede is just pregame kaede without the cynicism—because she's given a happier life prior to everything. i think parts of them leak in throughout the game that were not necessarily intended by tsumugi...just because those traits are part of Who They Are, and the memories can't change that. these might be obvious thoughts to have but i felt like talking about them haha

it's hard to say what those traits might be, since we see so little of them, and we don't know what exactly tsumugi would have intended, but you could perhaps guess...maybe kaede's temper? and well. i was going to have a ramble about my ch1 murder theories but i was having trouble wording it and realized that was Really off topic so i will move on

ANYWAY the reason i think this all has to do with kokichi: his pregame personality likely inspired some of ingame personality, so my thoughts on what parts...i think perhaps his Playfulness. i mean, a guy with a hairstyle like That has gotta be down for all kinds of fun and games. so i guess i see him as a playful little guy who wants to help others and maybe doesn't have the best survival instincts/views of self-importance...........

(sorrySorry i just recently read a 5 year old dr/woy crossover fic with kokichi and i haven't been normal since. it was so ridiculous too bad the author orphaned it they were kinda cooking...kokichi and wander are similar you're so right...wish i could talk to them about it SORRY I'LL GET BACK ON TOPIC!!!!!)

in all Seriousness though. i think that that small line has such a big influence on how he acts ingame. of course he's not nearly as willing to throw himself into danger for the others' sake...but i think that Care, that Desire to Help them still lingers, just under whatever backstory gave him those trust issues so he's not as Open about it. and the self-sacrificial nature i Mean...chapter 5. and it's how he kind of 'breaks character'. if you get me? i'm not sure if i'm explaining right...doesn't help i have to do it in increments between Other Things haha

i don't really know if i have an overall point to this but Yeah that's how i see pregame kokichi. i don't have much other thoughts though :( Do you want me to check on what's happening is all i really have to work with...i've seen people talk about him being a student council president and i like that thought. but nothing too concrete, pregame kokichi enjoyers tell me what you think about him i would love to hear what you have because i. do not have much! everyday crying at the lack of information so many things have