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#I am sorry it's short!
stalebagels · 9 months
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Edit: muted this monstrosity but if you're looking for the blank template it's on my blog and I'll tag this and it with "the stupid fucking shorts post" so you don't have to scroll through everything 💀😂 (I did not make the template btw, I don't know who the OP is but if you do please let me know)
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egophiliac · 4 months
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bring your son to work day
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dailymanners · 7 months
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Always use "excuse me" if you have to get into someone else's personal space.
Someone at the store is standing in front of the shelf where there's a can you want to grab? Don't just reach into their personal space without warning, say "excuse me" or "pardon my reach" first so that they at least have a warning that someone is about to reach into their personal space, and most importantly, so that they have a chance to move before you get into their space.
Or if someone is standing on a walkway or in a doorway you need to get through, don't just silently shove past them or squeeze past them, say "excuse me" so that they have a warning that a someone is about to squeeze or shove into their personal space, and they have a chance to move out of the way before you do you.
People deserve a fair warning if someone is about to squeeze or shove or reach into their personal space. A lot of people are not okay with having someone, but especially a stranger, randomly shove or squeeze or reach into their personal space without warning. They also deserve a chance to move out of the way first for the sake of their comfort.
Try to avoid just staring at people who are in your way and expecting them to read your mind that you want them to move. Most people cannot, in fact, read minds, so having someone stand in front of them and stare at them often only leads to making them feel uncomfortable and frustrated.
But also more importantly, if you are standing somewhere someone needs to get to, and they say excuse me, you should move aside for them even if just temporarily, so they can avoid the discomfort of having to reach into your personal space or squeeze past you.
If someone is saying "excuse me" it's because they would like you to move because they don't want to have to get into your personal space, whether it's out of respect for you, or just because they themselves are not comfortable getting in your personal space.
All of this goes double for people with trauma and/or people who are neurodivergent. If someone has trauma related to abuse or assault they may find it more upsetting or possibly triggering to suddenly have someone shoving or reaching in their personal space without warning.
Or, many types of neurodivergence can make it especially disturbing and unpleasant to have someone else in your personal space, especially without warning.
You can never be 100% sure who is and isn't traumatized and/or neurodivergent, so always practice respecting other's personal space by giving them a fair warning with "excuse me" or "pardon my reach" before getting in their personal space, and moving aside when you hear those magic words. Or, even if someone isn't traumatized nor neurodivergent, it's still fair to not like someone in your personal space without warning and not being given the opportunity to move first.
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cametotheshowinsd · 9 months
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TAYLOR SWIFT: THE ERAS TOUR (2023)
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elsecrytt · 1 month
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okay but jjk somnophilia is like
gojo "please please pleaaaaase let me put it in while you're sleeping PLEASE i swear i'll make you cum i proooomise please let's try it once pleeaaase. YOU can put it in ME whenever you want!!! any time any place anything you want in any of my holes!! wake me up with it!! it'll be soooo hot" satoru
vs
nanami "i have kink charts for both of us and they have sliding scales and notes section for each one. we can mark hard boundaries for what state of consciousness we want for ourselves or our partners, giving or receiving, what sex acts, etc. we'll set up a safe word and a safe gesture and then we can start trying things out" kento
vs
geto "sorry i fell asleep while eating you out, it will happen again. no, i won't stop eating you out when i fall unconscious. just tear me off your pussy if you don't like it" suguru
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flowercrowngods · 2 years
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based on this post, because at this point i think it's safe to say @unclewaynemunson is actually my muse or something (hi anna i hope this is okay even though it’s, like, way angsty and way too long huh)
🤍 also on ao3
Two days after Starcourt, concussed and beaten, Steve has a seizure.
His ears are still ringing when the doctor gives him a stern glance over the rim of his glasses and pronounces him unfit to drive. No, in fact, he claims Steve poses a real danger to himself and others if he sat behind a wheel again.
Immediately, Dustin and Robin jump to promising that they won't let him do that, and in another life Steve is sure he would be grateful, or at least reasonable about it, but in this one he has a horrible second where the floor falls out from under him and he wishes, for just one second, that his head had been shaken a bit more, just enough to–
It makes him nauseous even thinking that. Everything does, lately. He closes his eyes against the offensive brightness of the hospital room and lets the sound of Dustin's and Robin's voices wash over him as he takes a moment to really take in what the doctor's orders entail.
He can't drive anymore. No more late night drives to watch the street lights pass and lull him into a safer state of mind than his bedroom walls could. No more driving the kids to their DnD sessions, no more taking Robin anywhere at the drop of a hat, no more bickering, no more reign over the music, no more stern glances through the rearview mirror, no more "Shut up, Wheeler, or you're leaving the car."
No more "Thanks, Steve!", no more "I'll bring some of mom's cookies if you drive us to the arcade", no more "You're the best" or "You're a lifesaver" or "I owe you one".
No more place for him in the group, no more use for him, no more...
No more. Nothing. Now he's just Steve, would-be lifesaver, 'has-been babysitter', 'could-have-been somebody until he lost his license to drive because he wasn't quick enough, wasn't good enough, wasn't strong enough'. Just Steve.
He doesn't know how to be that. Who is Steve Harrington without his car, without the one thing he was good for anymore?
The pit in his chest is deep enough, dark enough to pull him in, and for a moment the very thing he is good for is misery.
He waits until a nurse makes everyone leave for the night, and then he cries. It makes his head hurt, pressure building behind his eyes, but he's used to being in more pain than any teenager should be in, so he curls in on himself and hides underneath the blanket.
Here's to hoping the others won't notice just how useless he is now. Not too soon, anyway. He wants another month. A painless month filled with laughter and hugs, and then they're free to leave, to pull back slowly. Calls unanswered, radio channels changed so he won't reach them, sheepish apologies and rain checks, because now Nancy will drive them. Or Jonathan. Hell, maybe Max will take the risk just to avoid him.
---
He gets a week of daily visits in the hospital, the doctors and nurses insisting on keeping him here, a watchful eye on his vitals, scanning his head three times during his stay, insisting he has head trauma of a severely worrying degree.
Nancy picks him up from the hospital and it's awkward, tense, too much left unsaid between them but there's no one else to do it. Steve's hands are shaking, gripping the seatbelt the whole way home – and then his heart falls when he sees his Beemer in the driveway. The glorious, trusty, wonderful, best fucking car anyone could wish for. His baby. His.
He throw up into the brushes when he realises that he won't get to take it on one last ride. Maybe he shouldn't be so attached to a car. Maybe he's being pathetic about it. At least he can explain away the fat tears in his eyes now, and Nancy doesn't press.
The first thing he does when Nancy is gone is calling Robin, and she's excited when she says, "I'll come right over!" and Steve wants to ask, how, but he keeps his mouth shut, biting his lip. It's stupid, but the thought of someone else driving Robin over makes his skin crawl.
"Alright," he says instead, his voice raspy, and he hangs up before she can detect something in his voice.
After that, he goes outside again and runs his hand along his Beemer. It's shining in the sun; he had it cleaned the other week, the full program, every step in the book to celebrate four years since he got her.
"Four years, huh," Steve says, his nail catching on a minor scratch that isn't even visible but might be more familiar to him than even his home. "Damn good four years."
He's talking to his car. God, it's so stupid, it's so stupid, it's so stupid–
Steve's knees give out and he gives in to the desire that's burning under his skin sometimes, the desire to just sit down and ignore the world. Because everything is less real when you're sitting down somewhere you're not meant to be, and the ground is warm, and Steve just wants the world to go. His head is leaning back against the warm metal of the driver's door, and he closes his eyes for a while, his head still spinning, his ears still ringing, everything still awful.
After a while, there’s a shadow followed by a weight settling down between him, a head landing on his shoulder, a hand taking his.
"I'm so sorry, Stevie," Robin says. The lack of dingus makes it more real, somehow. More tragic. More pathetic.
"I'll live." And it feels a bit like a lie.
---
He gets his month. A month filled with barbecues in his backyard, the kids coming by after school to check on him, and Robin has practically moved in. Joyce picks him up on Friday nights for dinner at their house for a change of scenery.
It’s a good month, though Steve feels trapped. Caged. A bird without his wings, a boy without his car. Steve without his one purpose, the one thing he was good for. He has to be picked up because they don’t trust him walking, or they have to come to his place. And soon the worried glances that are thrown his way are too much, caging him further, reminding him of what this is. A pity party — quite literally. No one trusts him anymore, there’s always someone jumping to help him, not caring or listening to his protests.
And he can’t leave, because “What if you have a seizure in your room?”
It makes him want to scream.
Maybe it shows, or maybe everyone’s just fed up with him now that he can’t provide his taxi services anymore, but after summer the Byers dinners stop and the kids pull away.
“Told you that’s all I’m good for,” Steve says with a mean, pained huff as he hangs up the phone. Claudia said Dustin isn’t home, but he could hear the kids in the background. It hurts more than it should.
“What is?” Robin asks from her place on the floor with her back against the wall.
“Nothing.”
She frowns. “Come on, dingus, you can’t start and then—“
“No, I mean it. Nothing. That’s what I’m good for now that I can’t drive them anymore.”
“Bullshit!” she says, and it comes out so harsh that it makes Steve flinch. He swallows. Right. Robin isn’t hear to listen to him whine about how he feels like he has no place in this town, in this group, in this life anymore now that his head is so fucked up he can’t even be trusted to live alone.
That’s why Robin is here, right?
The babysitter becomes the babysitted… or something.
She doesn’t care, not really. She doesn’t listen. She doesn’t ask.
“Steve, they’re kids.”
“Yeah, well. So am I.”
He turns away from her and ignores the tears threatening to fall. The door to his room falls shut and he would love to lock it just to make a point to the world at large, a point that it can’t shut him out if he shuts himself in, but he knows it’s too risky. If he has a seizure, Robin needs to get in.
He can’t even stay in his room alone without supervision anymore. What kind of a fuck-up is he becoming, where does it end? He’s already managed to chase away the kids, even Dustin only checks on him sporadically anymore, and it hurts. He wants to know why, wants to know what he did, how to take it back, how to get them back.
But then he remembers how it all started. Dustin needed a ride and someone to take a beating. Both of which he can’t do anymore without risking life and death of himself and others. He’s a safety hazard. He’s useless. He’s Steve fucking Harrington, which doesn’t mean anything anymore.
---
And then it’s spring, and Chrissy Cunningham is found dead in Eddie Munson’s trailer. The group is back together again, the Party assembled once more. And Steve, for a just one second, hopes that he can get it right this time, that he can do this again. One last time. Because Vecna slash Henry slash One surely is it.
But then they turn on him — even Eddie looks confused, which is a rather adorable look on him — the moment Steve tries to get a word in.
“You’re not coming with us, Steve.” That’s Dustin, and Steve just rolls his eyes, but then Robin joins in.
“Yeah, no, I’m with the gremlin on this, dingus.”
“Hey!”
“Oh shut it, Henderson.” She turns to him, her eyes softer but no less burning another hole inside Steve. “We can’t risk it, Steve.”
“Risk what?” It’s a challenge. His shoulders squared, his jaw clenched, he’s challenging her, and it’s cruel.
She holds his eyes, her expression icy, like he’s stupid. “We can’t risk you dying. We can’t risk you getting a seizure mid-fight or just by being in the Upside Down.”
“Hey, woah,” Eddie tries to get a word in, but Steve won’t hear him as the desperation, the loneliness, the feeling of being caged like a bird and still the only human left on a desolate planet, all that breaks free.
“We all know that dying in a fight is the only thing I’m good for anyway.”
The silence among their war council, as Max dubbed it, is deafening.
“What?” Lucas sounds small when he asks that, and Steve closes his eyes. He hadn’t meant for him to hear that. Any of them, actually. They weren’t supposed to know.
“Steve, that’s not true.” Dustin’s words are filled with disbelief and worry, and Steve hates the worry, it makes his skin crawl, it makes his heart race, it makes his fists clenched and it makes him want to scream again.
“What else then, huh?” he asks weakly. “What else is there? None of you even talk to me anymore since Starcourt. Since summer.”
“Because you were pulling away,” Nancy explains, though her words are weak and her mouth clicks shut when Steve looks at her.
“Because we’re scared.” Max this time, and Steve doesn’t want to look at her, doesn’t want to tell a child that she’s not allowed to be scared for him— not more than he is, anyway. It doesn’t make sense for him to be hurt. They don’t want him to die. That’s a good thing, right? They didn’t want to see him hurt, so they looked away. It makes sense.
But it also hurts.
Steve shakes his head and pinches the bridge of his nose before all but running from the trailer. He doesn’t make it far (“Stay close so we won’t have to worry”), just needs some fresh air and to sit down somewhere the world will become a bit less real again.
The stairs it is. He tries to breathe through the lump in his throat, clenching and unclenching his hands to get rid of the anger and the hurt and all that excess energy.
He doesn’t want to die, is the thing. The very thought makes him nauseous and panicky. He wants his life back. His car. The freedom to just jump in there and get away. He doesn’t want the cage or the worry or the hovering or the loneliness when he isolates himself from all that.
Face buried in his hands, Steve almost misses it when someone comes to sit beside him. The thick smell of leather and cigarettes tells him who it is without looking up.
Eddie doesn’t speak for a while, just sits with him as Steve calms down.
And then, after a while, he lights a cigarette and asks, “You get seizures, Harrington?”
Steve nods. “Sometimes.”
Eddie hums. “That sucks.”
He nods again, and then that’s that. But even though it was a rhetorical question and Eddie didn’t even need an answer, it feels pathetically good to be asked about something. About himself. It only makes the pit inside his chest deeper, cutting into his soul with a sharp edge, this tiny little moment of normalcy. He wants to cling to it. He wants to talk to Eddie. God, he hasn’t really talked to anyone in so long.
“Before Starcourt — remember, the mall? The fire? Yeah that was, uhm. More monster shit. And Russians who thought I was a spy and then… yeah. Anyway. Uh. We used to be friends, I think. The kids and I. They used to care — or I like to think that they did. And then I got one too many head injuries, and the seizures started, and then they… It became too much. For them, for me. And the caring stopped. And, like, it’s fine or whatever, but I still care, and I can’t let them do all that alone. I know that all I was good for was taking them somewhere with my car, but I can’t drive anymore, so now I’m just… I’m just Steve. No titles attached, no use or function or point.”
Eddie just stares at him, puzzled and intrigued and even a little sad, and Steve wants to laugh it off when the silence stretches.
“Sorry, that’s kind of a sob story, you—“
“Wait here,” Eddie says, stubbing out his cigarette before disappearing back into the trailer. Steve watches him with a confused frown but stays put. A minute later, the door flies open and a scandalised looking Max appears, followed by the rest of the crew.
“You what?!”
“Uh,” Steve blinks. “I what?”
“Eddie told us you think you’re useless and that we don’t like you and that all you were ever good for is driving us from A to B with, like, no personal value whatsoever,” Dustin fills in, sounding no less bewildered. “Is that true, Steve?”
And God, the kid is so good at making all his questions sound like dares that Steve instinctively wants to swallow and negate it, tell them that Eddie misheard, that he’s fine, that everything fine.
But then Robin’s whispered little, “Steve” stops him from doing that. In fact, the sadness and confusion on their faces makes the dams break once more, confronted with months of spiralling and no one to drag him out, no one to listen.
Tears spring to his eyes and he gets up from the stairs to properly face them. He shrugs. It’s as much of a confirmation as anything.
And then Dustin sprints forward and tackle-hugs him, burying his face in Steve’s chest with no intention to let go anytime soon.
“I’m sorry,” he mumbles into Steve’s shirt and Steve runs a hand through his hair immediately.
“It’s okay, Dustin.”
“No! It’s fucking not okay, Steve, stop saying that. You’re my big brother, you’re my best friend, you’re my hero! You’re the coolest guy I know and nothing’s gonna change that, okay?”
“Then why’d you leave?” His voice is so small, but Dustin only hugs him tighter.
“Because you were hurting and I was… I feel like all of that is my fault.”
“Why would it be your fault, Dustin?”
He shrugs, and it breaks Steve’s heart. Dustin thinks everything is his fault just like Steve thinks it’s his.
“It’s me who got you into the thing with the Russians. I insisted. And you were tortured for it, Steve! You… You told us to go, and we did, and then we came back and you were— you-“
“Hey,” Steve whispers, curling himself around and over Dustin. “Hey, no, it’s okay. It’s not your fault. None of that.”
“Okay.”
“Okay.”
“I’m sorry I pulled away, Steve,” Dustin sniffles and looks up at him. “I swear it’s not because I think you’re useless. It’s just… I’m so scared.”
And it makes sense, somehow. The anger leaves Steve when he whispers, “Me too. And I don’t like it when you’re all scared and worried. I hate it.”
“I know. Sorry.”
“No, you’re not.”
“Shut up.”
And then they’re both laughing with tears in their eyes. Lucas and Max join them with their own promises that Steve isn’t worthless to them.
“Did you read my letter? You know, the one if…”
“No,” Steve says. “You told me not to.”
“Right. Anyway, read it. Whatever happens, I want you to read it. Because you’re my brother and you mean too much for me to, like, never let you know. But, uh. Billy died. And I hated him, but it fucked me up. And then you almost died, and then you almost died again; and then you just… collapsed. And I thought, I cant do this again, not with someone I actually like. Not with you. And I didn’t wanna watch. I watched Billy. I… I can’t watch you die, Steve.”
She’s crying by the end of it, and Steve pulls her against his chest. Shit, he hadn’t meant to make anyone cry like that.
“It’s okay, Max, I get it.”
“Not okay,” she shakes her head again. “I know it’s not. But—“
“I know.” He’s stroking through her hair. “I know.”
“Uh, guys? I hate to break up the heartfelt confession time,” Eddie chimes in. “But I think our window is closing.”
Right. The end of the world.
With one last squeeze to Max’s shoulders, he lets her go and they gather their things. Discussions about Steve’s joining their mission have been put on hold while their window is still open. They can continue this later.
Nancy drives while Max holds Steve’s hand in the back. They don’t talk and she has her headphones on, letting Kate Bush work her magic, but it’s fine. It feels a bit like healing.
He catches Eddie’s eyes on the other side and holds them for a while. Eddie smiles before looking away, and Steve does the same.
---
In the end, Steve doesn't climb the rope with them. He stays behind in Eddie's trailer even though every fibre of his being screams at him to join. But Nancy has a point when she explains to him that she and Robin got this. It's the first time he stays behind, and he hopes it will be the last.
They hug him before leaving, all of them. Promises are made to talk about this later, after, and he nods.
"Go save the world for me," he tells Robin, holding her tight, unwilling to let go.
"Only for you," she promises, and kisses his cheek before pulling away. "You better be right here when we come back."
He shrugs and gives her an encouraging smile. "I've got nowhere else to be, Buckley. Now go." The last words are whispered and it feels like goodbye. Steve should join them, he should be there! But his head is pulsing and he knows that one wrong move could leave him half blind with a migraine, and they don't need one more handicap.
The one thing he can do, though, is helping them climb the rope, and it makes him feel ridiculously proud, seeing them land safely on the other side, smiling up (or down?) at him. Robin and Nancy wave one last time before heading off.
That leaves him alone with Eddie and Dustin. The latter is already climbing the rope, itching to finally do something, preparing the trailer for their plan.
Only Eddie is left, and Steve looks over at him.
"Will you be okay, Steve?"
"Sure."
Eddie sighs and looks up at the gate, disbelief and resignation and even a hint of fascination in his eyes.
"It should be you," he says, and Steve frowns, confused. "You're the hero here."
"No," Steve huffs, smiling at the metalhead. "No, I'm no hero. The real heroes are already up there, and in California. The real hero died after Starcourt. I'm just the driver who lost his license, the boy with the bat. The protector who needs to be protected."
Eddie looks at him again, that kind of intense stare, the one that shows Steve that Eddie sees something in him. He wonders what it is, but isn't sure he wants to know.
"I think you're wrong, Steve." He says it with such gentle conviction that it takes Steve's breath away for a second, and something passes between them as they hold each other's eyes.
Eddie opens his mouth to say something, but then–
"Eddie!" Dustin is calling for him from the other side, and the boys snap out of their daze.
Steve steps into Eddie's personal space and pulls him to his chest. "Make him pay," he says. "But stay safe. Come back, okay? First sign of danger, you abort mission. Come back, Eddie. I'll be right here."
"Yeah," Eddie rasps, and he squeezes Steve once more. "Catch me when I fall through that gate in two hours?"
Steve laughs, a sad little thing, and he pushes Eddie away from him, hands steady on his shoulders. "Sure, big boy."
"Hey, that's my part."
"Say it when you come back, then."
This thing passes between them again, and then Eddie goes to climb the rope. Steve's hands find their way to his hips, steadying him, but Eddie is strong enough to pull himself up without problem. Huh.
"In the meantime, wrap your head around the fact that you're the one I'm coming back for, pretty boy."
And then Eddie is gone. Steve watches as he falls through the gate, landing on the mattress with more elegance this time, and then he, too, grins down (or up?) at Steve.
He gives a little wave, and then he is alone.
Plenty of room to think when your friends have gone on a suicide mission and you're the one who has to stay behind. The one who will have to do the explaining when things go south. The one who will have to watch and listen, helpless.
It makes him regret the past few months, the self isolation, all the times he pulled back, all the times he didn't push for an explanation or a conversation, all the times he hadn't asked the kids if they're alright because he was too caught up in all the ways that he wasn't.
God, he wants them to be okay. He wants to talk about this, wants them to tell him he's more than the driver without a license, more than the protector who needs protecting. He wants Eddie to come back and explain what he meant, say what he wanted to say. He wants...
He wants his old life back. But more than that, he wants them in his new life just as much. He wants to be brave enough for this new life and find a new purpose. Create one if he can't find it.
But he can't do it alone. He refuses to do it alone even one day more.
"Come back to me," he whispers, looking up at the gate from where he's sitting on the floor, back against the wall. "Come on guys, you've got this. Please work. Please, make the plan work."
And then, miraculously, it does. Eddie falls into his arms with an undignified squeal and the rest of the Party soon follow. They're unscathed, miraculously, and Steve cries as he holds them, all of them, in a group hug that makes the trailer smell like relief and grief and a new life ahead of them. Slowly, with an unnatural sound, the gate above them closes, and then silence reigns.
They cling to him now. Refuse to let go. Good thing he has nowhere to go as Lucas gasps and sobs into his chest, explaining what happened, that Jason almost destroyed the walkman, that Max could have died. And Steve runs shaky hands through his hair, pulling in Max, too, so the three of them can just hold each other for a second.
Dustin and Eddie are hugging beside them, and Nancy and Robin hold hands, a different kind of horror in their eyes, but they smile wetly at Steve as their eyes meet.
It's over. It's done.
They did it. They really did it.
Steve closes his eyes and holds Lucas and Max tighter. They don't complain.
---
Three days later, Steve's house is brimming with life again like it hasn't in months. Turns out, Hopper survived, and he hugged Steve for a whole five minutes, telling him he did good, he did great, he's a hero. Again with that shit that Steve doesn't believe, but he doesn't have the heart to tell Hop, so he just buries deeper into their embrace.
"It's good you're alive," he tells him, and the Chief sobs out a laugh.
"You too, kid. This town would be lost without you."
"Yeah, right," Steve laughs back, and then that is that.
Except, it isn't, because when he returns to the living room with Hop, Joyce and El in tow, everyone's standing, looking at him with timid expressions. Robin and Eddie are holding hands this time, and so are all the kids. They all look like they have something to say, and the only thing missing is a large banner that says INTERVENTION.
"Uh, what's going on?"
Dustin is the first to clear his throat, but only after Erica kicks him. "We wanted to apologise. For leaving you when you needed us the most."
Oh. Steve's shaking his head, placating words already on the tip of his tongue, ready to explain to them how that's not their fault, how that was all him, he could have said something, he could have asked, he could have–
"Steve," Nancy says, effectively cutting off any protest he could have voiced. "Just listen, okay? Don't say anything."
He looks at Joyce, who nods, and Hopper who looks about as lost as he feels.
Dustin continues then. "You deserved better, Steve, you really, really did. We all did, I think, but you... You put yourself in harm's way from the get-go."
"Yeah, you came to protect me when you didn't even like me." Jonathan this time. "No thoughts, just protection. I owe my life to you. Every single one in this room does, y'know."
"And what you got for it is severe head trauma and... us abandoning you." Nancy.
"You're not just the driver, Steve. You never were just a driver to us." Hell, even Mike is in on this? "You're annoying, you suck, and you don't even try not to act like you're everyone's big brother."
"You're family, Steve." Oh, baby Byers. That's what gets his eyes stinging and his lip trembling, so he bites down on it so they won't have to see. It's futile with the way they're smiling.
"Yeah. You're so much more than our babysitter," Lucas explains. "You're the best basketball coach."
"You actually listen to my music and read comics with me," Max continues with a smile. "You suck just a little less than everyone else in this town."
"Hey!"
"No, she has a point."
Steve's not keeping up with the who's who anymore, he's trying too hard to keep it together.
"You teach me new words," El says, smiling. "You give me your clothes, you take me shopping, you teach me how to deal with meanies."
And the list goes on. Everyone has something to say to him, something beyond the ways he can be useful. Something that he is to them, something meaningful, something that sounds a lot like purpose and family.
"And we were so scared, because you were hurt. Because of us. You were protecting us, and look where it got you. You're a hero, Steve. As real as they get, you are one."
"More than Wonder Woman," Max agrees. "More than Superman. You're Steve! And that's... He’s our hero."
"He’s our brother," Dustin says.
"He’s my son," Joyce adds, taking his hand.
"He’s our friend," Erica, Mike and El say in unison.
“He’s the one we stay for.” Robin’s eyes shine as she smiles.
“And the one we come back for.” Eddie’s smile is gentle, confident, and captivating. Steve can’t look away, even through his own tears.
---
In the following months, Robin gets her license and Eddie develops a sixth sense for whenever Steve needs to just sit in a car and ride around town, watching the street lamps pass and letting them lull him to sleep. There’s an upside to being a passenger, he finds, because he falls asleep like this a few times, always waking when Eddie kills the engine. He drives for hours sometimes, admitting with a blush high on his cheeks that he didn’t want to wake Steve.
Somewhere on the highway to Indianapolis, between three and four in the morning, Steve looks at Eddie in the soft glow of the night, and finds that he’s fallen in love.
And in the weeks and months and years that follow, he realises that that’s something new he’s good at.
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reapersynth · 6 months
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i wish i was a little bit taller i wish i was a baller....
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ryllen · 3 months
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Perhaps ... 😯 [x]
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dumbassalex · 14 days
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The fact there's like 5 posts about Saladin Ahmeds Wolverine issue 1 but a boatload of posts related to that fuckass movie is CRIMINAL!
Like c'mon people, there's a big focus on Logurt, they hug and Logan patches him up and worries for him, Logan runs around naked for like half the issue, even next to Kurt. There's angst and comfort and them working together and it's so sweet.
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Not to mention LOOK AT HIMMMM! He's so wide and hairy and wild!
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LOOK HOW SHORT HE IS! THAT'S MY GUYYY!
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python333 · 1 year
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your writing is literally the best in the cod fandom. we need more injured reader angst. it's too good
don't breathe — python333
— — — —
synopsis [reader] gets buried alive after refusing to give intel to enemy soldiers and *slips up and writes reader almost dying again* oops how did that happen haha
relationships platonic!price & gn!reader.
characters cap. john price.
word count 2.7k
warnings suffocation [reader], just generally really depressing thoughts, near death??, 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign].
note aww tysm :(( dont say its the best im gonna get a complex LMAO but i appreciate it!! and yes i agree injured reader angst ftw :3 i present to you: reader gets very injured and theres a lot of angst and its basically just you suffering for a good 3/4 of the fic while the last quarter has the actual comfort!
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“Hello?” You try again, your voice cracking and your tone as desperate as it can get, “Please, God, say someone can hear me.” 
You’ve been trapped in a casket for about five minutes now—at least, you woke up five minutes ago. God knows how long you’ve been stuck in the stupid thing, but realistically, it’s probably been much longer than five minutes.
The last thing you remember from before you were buried is being in the interrogation room of some small terrorist group’s facility, one you and the others were led to believe was abandoned weeks ago. 
Unfortunately, whoever gave you the information must’ve either had incredibly outdated information or was setting you all up for failure, because the facility was very much not abandoned and was instead full of enemy soldiers.
You all had already gotten into the building before you knew that, because of course you all had to be in the same spot at the same time—practically sitting ducks for the enemy—and of course you all had to be clueless about the possibly hundreds of people in the facility until it was too late. 
As far as you know, everyone managed to escape. Everyone but you. They didn’t mean to leave you behind, of course they didn’t, they were more focused on just booking it out of the facility. However, because of that, you were now stuck—you assume—several feet underground in a casket that has a limited amount of oxygen that drops every time you take a breath. 
You let out the breath you’re currently holding and suck in another deep breath, holding it as you think. Your strategy of holding your breath until you no longer could mostly worked, but it wouldn’t for long, you knew that soon you’d suffocate in all of the carbon dioxide gathering in the enclosed casket.
You don’t know how long you’d been unconscious in the casket, breathing in oxygen carelessly in your slumber, which made the whole situation worse. You didn’t even know how much time you had left. 
You hate to waste your breath checking your comms, but the enemy soldiers had accidentally left your earpiece in your ear—the small device apparently going undetected under their radar—and you wanted to make the most of it. You move your arm from your side and press onto the PTT button on your earpiece, wincing a little at how cramped the casket was.
“Does anybody copy?” You ask again, staring up at the almost pitch black space above you, “I repeat, does anybody copy?” 
It’s a vain attempt at contacting your team, really. You don’t know if they’re thinking about you, if the signal is going through, if they even have their earpieces on—you know nothing, and that terrifies you because you really don’t want to die right now but there’s literally nothing else you can do besides helplessly talk into your earpiece, not knowing if anyone’s listening. 
Your lungs start to burn and you let out the breath you were holding, taking another deep breath and beginning to hold that one. The air feels… thick. It’s starting to get harder to breathe, and you know you shouldn’t panic but you can’t help the few worried thoughts that come to the forefront of your mind. 
What am I going to do when I run out of oxygen and the only thing left for me to breathe in are my own discarded breaths? What will I do when all there is to do is suffocate? Am I going to try, in one last desperate attempt, to break out of the casket, or am I going to just lay here and die? Will my team try to find me, or will they forget about me? Have they already forgotten about me? 
Before you can listen to any more of those depressing thoughts, a voice comes from your earpiece. 
“H—lo? [c/n]?” It’s hard to tell with the static and the cuts in between the words, but you think it’s Price talking. 
“Price?” You ask immediately, all thoughts of preserving your breath forgotten. “Holy shit, you can hear me?” 
“Je—s— whe—e—” He cuts out for a moment and your stomach drops when all you can hear is static for a moment. 
“You’re— You’re cutting out, Captain, what did you say?” 
“Wher— —re you?” It takes you a moment to realize what he’s saying, your mind working much slower than it usually does, but once you do you shake your head negatively despite him not being there to see you. 
“I don’t— I don’t know,” You respond, taking a deep breath before adding on, “I think I’m underground, I just know I’m in a casket and it’s getting harder to breathe and—” 
“Okay, o—y,” You hear Price’s voice crackle, his voice becoming more distant and sounding almost muffled to you, “Sa— —ur bre—th, I’ll try to g—t some—e to track your— —tion.” 
With the constant cutting out of his words and the distortion of his tone, you can barely register or process what he’s saying, and that only panics you more but you refuse to let your emotions get the better of you even in the state of disorientation you’re in, so you keep holding your breath. 
A minute later, Price’s voice crackles through your earpiece again. 
“Okay, we’ve got your loc—tion,” Price’s voice sounds… oddly far away, “We can—” 
His voice slowly becomes muffled, and you release the breath you were holding without realizing it, slowly blinking up at the ceiling of the casket. A sort of haze falls over your mind and you can barely even hear Price anymore before you suddenly snap back to reality and hear his now much clearer voice loud in your ear. 
“[c/n]? [c/n], are you still there?” You recognize his tone now, and you’re just a little shocked at the sheer amount of worry in it. 
“Haven’t moved an inch,” You breathe out, before lying, “You cut out for a second for me, sorry.” 
“Don’t be sorry, it’s okay,” Price reassures you, “I said we got your loc—tion and we’re hea—g out th— —w. It’s not t— far away from where —e alre—dy are, we’re ba—ely three clicks away.” 
“… Clicks?” You ask, your eyebrows drawing together in confusion.
“Yes, clicks,” Price replies, sounding concerned, before hesitantly asking, “… You know what those are, right?” 
“I don’t—” You struggle to find words for a moment before you speak again, your own voice starting to sound distant, “I don’t think so?”
“What do y—u mean you don’t thi— —o?” Price asks, his voice sounding freakishly close, “Are you okay?” 
“No, yeah, I’m fine,” You lie through your teeth, not wanting to worry Price further, “I just… how far away are you?” 
“Just ab—t two cli—ks now,” Price says, before pausing and clarifying, “Two kilometers.” 
Two kilometers… how far is that? “And that’s… is that far, or?” 
“No, it’s not too far. It’s just a mi—te away, we didn’t ge— —o far before Laswell got your loc—tion,” Price tells you, “We’ll be there soon, ok—y? We’ll get y— —ut of there.” 
“A minute—” You cough and feel tears pricking at your eyes from how hard it is to take another breath, “A minute?” 
“Yes, a minute— [c/n], are you okay?” Price asks again, before laughing nervously, “You know what a minute is, do— —ou?” 
“...” You struggle to answer the question, thinking long and hard for a few seconds before hesitantly answering, “… Yeah, I do, sorry. It’s sixty seconds.” 
“Why’d it take you so long to answer?” 
“I don’t know, I’m sorry, I—” You take a few shallow breaths, and feel a headache start to build up, “How far away are you guys?” 
“We’re alm—t there,” Price promises you, “The heli’s ab—t to l—nd, and we’ll dig you up, and—” 
Why is it so cold? Price’s voice cuts off and when he stops talking you realize that you’re shivering. You ball your fists up and can’t even feel your nails digging into your palms, your hands having gone numb from the cold, and realizing that makes you discover that your lips feel numb too. 
Your ears start to ring and you feel that uncomfortable pins and needles feeling in your hands, the sensation slowly traveling up your arms, making you both wanting to peel off your own skin and also grateful that you can at least feel something besides the cold.
In the midst of your thinking, you hear muffled thumping coming from above you—whoever buried you couldn’t have buried you anything below six feet. 
“—llo? [c/n]? Are you still there?” 
You bring your hand up, the movement slow and sluggish, and you try to search around the side of your face for your earpiece. You eventually find it and when you do you press against it until you feel the PTT button being pushed. 
“Still here,” You confirm breathlessly, coughing again as you take a few more shallow breaths, “I think I’m running out of— of… what’s the fuckin’ air that you can breath in, it starts with an o…” 
“… Oxygen?”
“Oxygen, yeah,” You slowly blink up at the ceiling of the casket, “There’s— I think— I don’t… I think… I think I’m gonna pass out, Captain.” 
“[c/n], don’t you fucking dare,” Price growls, “You stay awake, I swear to fucking god.” 
“I can’t—” You take a few more shallow breaths, before coughing, the tears escaping your eyes reaching the corners of your mouth. 
You can hear Price briefly talk with someone else, his voice the most serious you’ve ever heard it, before he talks directly to you again, “How much longer do you think you have before you run out of oxygen?” 
It takes you a moment to register the question, but when you do, you answer, “Uh… I don’t— I think… maybe a few more minutes? I can’t tell, it’s just hard to breathe, I can’t…” 
“Okay, okay,” Price softly says, gusts of wind blowing into his mic as he talks, “Give me a second, okay? We’re almost there, kid, we’ll— we’ll be there in just a minute, we just passed over you, I just need you to stay awake.” 
“In a minute,” You repeat to yourself, before taking a deep breath, hoping that you have enough oxygen to make it out of this casket because you really don’t want to die here, not when there’s help just a minute away. 
After what you assume is a minute or two, instead of thumping, you hear something cut into the dirt above you. The sound, however, is heavily muffled, so muffled to the point where you don’t know if you’re hallucinating or not.
Is that a symptom of CO2 poisoning? Hallucinations? You lay still in the casket and can’t help but release the breath you’d only just taken, the ringing in your ears starting up again and growing louder faster than they had before. 
Your entire body is numb, your chest is heavy, and you can feel a sort of fog fall over your mind. You can distantly hear Price yelling through your earpiece, but you can’t find it in yourself to respond, instead simply laying there, your blinking starting to slow down before it eventually stops, leaving your eyes closed. 
— 
For a moment, you think you died and went to heaven, which would be weird, considering all the things you’ve done in your life. Not saying you’d go to hell, just saying God would probably hesitate for a second before letting you in through the pearly gates. 
You blink awake, slowly but surely, and the first thing you realize is that you can feel things again. You tilt your head down to the bump under the white bed sheets laid on top of you, and squeeze your hand into a ball, watching the bump move and feeling your fingers dig into your oddly sore palms.
You let out a sigh of relief and pull your hand out from the sheets, bringing it up to your face and feeling the oxygen mask that’s been placed over your mouth and nose.
“Don’t mess with that,” You hear a voice say to your right. You turn your head and see a very tired Captain Price, dark eyebags hanging under his eyes and arms crossed, his hands having a white knuckle grip on either one of his elbows. 
“…” You don’t say anything, instead you simply stare at him until he sighs and gets up from his seat. You watch silently as he leans over your bed and bends down, before pausing, and then quickly snaking his hands under your back to pull you up just enough for him to properly hug you. 
You reach up with shaky hands and tentatively hug him back, not nearly as tightly—not that you don’t want to, but you physically can’t with how weak your arms are right now—but with just as much sincere affection. You can feel Price’s beard rubbing against your neck and hear his small sniffles as he embraces you tightly. 
Maybe it’s his sniffling, or the way you can finally feel warmth for the first time in what feels like forever, or maybe it’s just the fact that he’s holding you with so much care and affection that it almost makes you burst at the seams, whatever it is, it causes you to tear up as well. 
Those tears quickly become sobs that bubble up in your throat and crawl their way out of it, forcing you to tuck your head into the crook of Price’s neck and muffle your sobs in it, muttering a small ‘sorry’ after each one. 
After each ‘sorry’, Price responds with, “It’s okay, let it out, sweetheart, you’re okay,” and those reassuring words only make you cry more because God, you didn’t even think he’d find you, yet here he is, letting you cry into his neck and is reassuring you after every apology that it’s okay. 
“I’m sorry, I’m sorry—” You mumble a litany of apologies into Price’s neck, your breath stuttering and hitching as you try to hold back your sobs. Price only shushes you and rubs his hand up and down your back in a comforting gesture, bringing his head up to kiss the top of your head. 
He tucks your head under his chin, “Don’t apologize, it’s okay. You didn’t do anything wrong.” 
And fuck, you know it’s just words, but it only makes you cry more. 
Your sobs eventually stop, leaving you hiccuping against Price’s neck, silently crying as he continues to rub your back. 
“I thought you died,” He whispers, his hand stuttering on your back, “I thought you died and I was going to dig up your dead body, when you didn’t answer me.”
You stay silent, letting him continue, “I thought you were dead when we dug you up and needed to feel your heartbeat for myself to confirm that you were still alive.” 
He pauses for a moment before continuing, “I’ve been here ever since they put you in here. I haven’t slept, I’ve just stayed here, waiting for you to wake up so I could tell you that I—”
He chokes up for a moment before taking a deep breath and continuing, “I’m sorry for not even thinking to drag you out of the facility with me when we all ran out. You were— you were right there, and I couldn’t just grab your arm and take you with me, I just had to leave you behind and I—” 
“You watched me while I was asleep?” You ask quietly, your eyebrows drawing together. 
Price pauses and pulls his chin off of your head, and pulls you away from his neck so he can properly give you the most incredulous look he can pull, before saying, “I’m pouring my heart out to you and apologizing for practically leaving you for dead, and that’s what you’re worried about?” 
“Well, I’m not worried, I’m just—” You shrug, not knowing how to explain it. Price sighs and chuckles quietly before tucking your head back under his chin. 
“You’re insufferable,” He mumbles, sniffling a bit. 
“… I forgive you, by the way,” You say after a moment of silence, “I didn’t really blame you in the first place.” 
“You had the right to.” 
“Sure I did.” 
“But you didn’t blame me.”
“Right.” “…” Price stays silent for a moment before pressing another soft kiss to the top of your head and saying quietly, “You should blame me.” 
“Maybe,” You mumble back, “But I won’t.” 
Later, maybe an hour later, if the others see you asleep in Price’s arms while he keeps your head tucked under his chin and rubs your back affectionately—no they don’t.
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ducktracy · 11 months
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a short placing heavy emphasis on Hungarian Rhapsody No. II is a rite of passage for golden age cartoons. Bugs Bunny did it! Tom and Jerry did it! Daffy and Donald! but one thing Woody Woodpecker has above the competition is that he is held hostage by a group of gangsters and is forced to entertain, lest he get executed. amazing
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egophiliac · 8 months
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BIRD SSR????????????
NOOOO I wasted all my keys on Platinum Malleus, HOW CAN THEY DO THIS TO ME
(I do kinda love that this is officially "Raven Jacket" Crowley though) (does this open up the possibility of a selection of future Crowley fashion cards)
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Childe isn't from Fontaine. unlike some of his coworkers, he was born and raised in Snezhnaya, his homeland, and would proudly serve it until his death. because of this, he's rather nonplussed about the prophecy in Fontaine- in the absolute worst-case scenario, he's an excellent swimmer, and will be able to get to safety with no fear of being dissolved, unlike the people of the Nation of Justice. so the Eleventh Harbinger doesn't pay much thought to all the rumors he keeps hearing during his trip to the Court- not that he could if he wanted to, though, with distant whale song and Foul Legacy's quiet growls filling his head at all times. it gives Childe horrible headaches, enough to not care about an entire city being flooded. the people of Fontaine are surrounded by water, they can take care of themselves, he reasons, and ignores his surroundings.
but then he meets you, and his whole world gets flipped upside down.
if Childe, being Snezhnayan, embodies ice and snow, then you certainly embody water and rain. you meet him when you're both out for a hot drink in the morning, recommending your favorite blend of tea to him, and the Harbinger is immediately enamored with your kindness and go-with-the-flow demeanor, so he immediately takes the opportunity when you extend a hand and ask to show him around the Court. it winds up being the most fun Childe, and Foul Legacy, by extension, have had in months, running around the grand city with you and trying various different foods and treats, and at the end you both promise to meet again, leaving Childe with a sappy smile on his face. Foul Legacy adores you, chittering and chirping with delight inside Childe's mind, and Childe can't even bring himself to tell his Abyssal half to be quiet because he likes you, too.
and as you promised, you continue to meet day after day, your tour extending outside of the Court and to the rest of Fontaine to spend more time together. Childe often drags you into more dangerous situations, always protecting you and emerging with rain in his hair and a triumphant smile on his face, which only grows wider when you praise him. and when he trusts you enough, he introduces you to Foul Legacy, and oh, how the moth-like monster loves you. he sweeps you into his arms and stares adoringly into your eyes, nuzzling his forehead against yours with a trill- that's how half of your walks with Childe become walks with Foul Legacy.
sometimes Childe wishes he'd never met you, wishes that your paths had never crossed. but then he despairs, knowing that his world would have been so much darker without the time you had together. and yet... perhaps, if you never met, he and Foul Legacy would not have to endure heartbreak. they wouldn't have had to watch, Childe screaming from inside their shared body as Foul Legacy howled and grasped for you, your body slipping through his claws and disintegrating into a curious pool of starry water you had come across by chance.
and the Fontaine prophecy claimed another life.
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intotheelliwoods · 3 months
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Playlists are here!!
Poptart Bops <- <-
Sprout Sounds <- <-
Big Leo Beats <- <-
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greencatalystcomet · 2 months
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im so excited for one year from now when there's an abundance of really long, like 100k+ word deadpool/wolverine fanfiction because. there is currently a drought
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witchkittymeow · 3 months
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JC Leyendecker study with my boy Eugene
(I did not draw the og this Is a study yall😭)
@julialepetit
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