A Discussion on Book Endings
Hey, friends. Thanks for coming today. I'm sorry to break it to you, but this is an intervention. Please, don't get defensive -- everyone here loves you and cares about you. But listen... I'm gonna need book readers and reviewers to reflect on the idea that finishing a book and going "Oh, I loved it so much, but I wish it was just a few pages longer!" is not really a valid point of negative critique in the assessment of a text.
Let me explain.
When I read people's otherwise wildly positive reviews of books and they say that line, I don't interpret it in context as, "This story needed to be a few pages longer for the plot to work, structurally, and for the ending to achieve a solid resolution." Rather, they basically seem to be saying simply, "I loved it and I didn't want it to end." That's always a GREAT feeling, but then they're.... taking points off from their total rating because of that??? They seem to be penalizing the author because they weren't left with a feeling of "Ugh, thank god it's over"? It's like, "This would have been five stars if it had had just one more chapter but it made me sad that it ended, so four stars" -- Guys, do we understand that's an insane take? It's insane. A book has to end. If you shriek "NO!!!" that it's over because you were having such a great time, that's... that's a symptom of a 5-star book, babes. I'm not sure why there's such a fashion these days for penalizing authors for this particular thing in this particular way, but it's really baffling to me.
But setting aside the puzzling trend of "I'm knocking points off because it ended when it should have gone on until I personally was fully bored and exhausted of it, like the 11th season of a TV show that was only supposed to go until season 4" -- listen, I guarantee you that nine times out of ten, when you're out here longing for just one more chapter or saying "this could have used an epilogue" you... are wishing for something that would have actively ruined your enjoyment and the quality of the book.
Are you a writer yourself? Have you ever finished writing a book before? Have you done it more than once? Have you deeply studied the endings of books? They are HARD, let me tell you what. Endings are so much harder than beginnings, because you're looking for that beautiful final note, like the ending of a symphony, and you're trying to ride it for a few glorious seconds before the FLOURISH and dum-dummmmmm....! and the conductor collapses as the audience bursts into applause! Right? Yes? Except that chances are that one more chapter or epilogue would ruin the pacing and resolution of the ending and muddle up the summary of the theme and thesis statement, and all of this WOULD ACTUALLY fuck up your experience of the story as a whole. For example, please consider the last Harry Potter book as an example. We all hate JKR now for being a TERF but oh, children, how quickly we forget that back in the olden times, we used to hate her for that fucking epilogue that made everything that came before feel rancid and pointless and hollow and cheap. Y'all remember how sickening and infuriating that was? Do you remember the Hunger Games epilogue? Nine times out of ten, that's what you're inexplicably wishing for.
To see this point illustrated, let's do a quick exercise together. Go pick out a piece of classical music -- some of my best suggestions for this are Beethoven's Ode to Joy, or "Der Holle Rache" from Mozart's Magic Flute, or Tchaikovsky's 1812 Overture. Listen to it all the way through. If you're struggling with scrolling addiction and your attention span has been severely damaged, fine, listen to the last two minutes ("Der Holle Rache" is the shortest, just 3 minutes). Then, after the song is done, click back to some random spot earlier in the piece, listen to another 30 seconds, and then stop. Consider: Did adding that last 30 seconds materially improve the piece, or did it undermine the overall emotional journey? Did it help the ending to stick the landing even more than it already did, or does it just feel weirdly stuck-on as an afterthought, like the "for more fun videos, check out the rest of our channel and don't forget to subscribe!!!" card at the end of youtube videos?
When you are wishing for an epilogue, my doves, you are wishing for something you do not actually want -- or which you probably would not want if you had the option to see it in practice and compare it side by side with the original. You are wishing for something that would more than likely make the story worse. You are holding the author at fault for something being wrong with the text only because you hit immersion and were having a lot of fun and didn't want to come back up for air. Like, I'm just not sure that's something that the author should be blamed for? It sounds like they were doing their job really well???
Please, just. Separate your feelings of "bittersweet disappointment that this wonderful book is over" from "frustration that the author didn't stick the landing, ugh what a flop" because they are two separate things. Before you say "I'm taking points off because I wish there was more", please take two seconds to ask yourself critical thinking questions like, "Why did the author choose to end the book here rather than in two more chapters?" because (other than a few wild outliers that should not be counted) the answer is never, "They got bored and just didn't feel like finishing the story." Chances are, they chose that specific ending for a reason. They ended it there because that's the point that underlines the thesis statement of the book, or because the emotions of that scene are the ones they want you to remember and walk away with, or because that marks the place where the story arc is genuinely over. When the author says, "And they all lived happily ever after," that means that what happily-ever-after looks like is in your hands now.
Nine times out of ten, you don't want one more chapter. Please. I promise you that you don't want one more chapter. The book is done; what you want now is either fanfiction or someone to talk about it with. Or maybe to start the book over from the beginning! Believe me, you would not want one more chapter if you had it. (Or, if you did have it and it magically didn't suck, you would just keep wanting more chapters because that's what "really enjoying the book" means. In which case, go read fanfic, that's what it is for.) I promise you, I promise you, the book would probably be worse with one more chapter and you would not like it as much. Please stop wishing for the author to be less good at their job. Please. A book has to end; so does this post. And we all live happily ever after*.
The End.
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* The post-canon coffeeshop AU sequel will be detailed exhaustively on AO3
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the vibe of each of the flora's themes
adele, adele's oath: a sacred, but mythical feeling befitting the virtuous knights from the old stories that used to be told to children. the choir is singing the knights' praise, perhaps symbolizing their initial glory days, serving the god-king during his heyday before ultimately betraying him and breaking their oath to protect him. however, it continues to have a non dominating presence in the background, symbolizing the present. although the knights of the einherjar was replaced with the militaristic high flora army, the flickering flame of a noble knight has not died yet. it was alive in adele, who remained loyal to her oath to the god-king to the very end.
khali, oblivion: the drums and choir ramping up throughout the song symbolizes her bubbling feeling of deep anger boiling over. she has a strong yearning for vengeance against ypsilon for the undeserved death of her family.
illium, death of asylum: the choir is singing to the metaphorical revival of the god of the verdent flora; illium's fusion with the elder crystal symbolizes him inheriting their will and carrying on the burning passion of the verdent flora race through the pride of their invention of mechanical wings. there's a sense of determination, but a quiet anger festering among them as well.
ark, recollecting memories: i miss my wife tails, i miss her a lot
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On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):
Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?
Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?
Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.
But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.
So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).
I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.
Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?
Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?
THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.
It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.
So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭
This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).
As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).
I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")
"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)
Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.
Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.
Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words
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