#I don't see her get it

[poorly-drawn-mdzs]

Expertise can't help you here.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[drrav3nb]

AYO EDEBIRI as Sydney Adamu WILL POULTER as Luca THE BEAR SEASON 3 | Episode 10 - Forever

Are you close? Yeah. Kind of best friends and kind of lost touch, so. It's nice to reconnect. Yeah, especially when it literally is like a best friend that you saw every day of your life and you kinda went through this sort of battle together.

Bonus:

[sweetbunpura]

Kifaji: Ah, Miss Yuu, may I trouble you for a moment?

Yuu, packing up her bags and sighs: Sure...

Kifaji: I've been made aware of my behavior towards you during your stay here in Sunset Savanna. I'm sorry for what my harsh words have caused.

Yuu: ... That's it?

Kifaji: Excuse me?

Yuu, slams her suitcase close: What about all the time you put down Leona in front of us? Or how you blamed him for that shit the other teams was doing during Bead Brawl? Something that wasn't even his fucking fault.

Kifaji: I implore you to watch you language.

Yuu, eyes narrow: Fuck you, watch how you treat people, even your own prince. *picks up stuff* I can see why he really never wants to come back home. If i had someone like you waiting back for me, I'd think of every excuse in the book if that meant I didn't get to go home. *turns to leave* Although, you look very angry with me right now. Almost like you wanna ask a question.

Kifaji, takes a deep breath: How did he know about the substitution team member and how did you move so effortlessly to handle that situation?

Yuu: Cheka loves his "Unca" Leona and his "Auntie" Yuu, he told me while I was spending time with him. Two, I told Leona and he trained me himself to make sure I was ready for the match. The prince is not as lazy as you make him out to be, Kifaji. You would know this if you give him a chance to show it. I honestly hope we never meet again. *Leaves the room*

Leona, heard everything as he waited outside: Yuu.

Yuu: Hmm?

Leona, hugs her tight and buries his face in her shoulder: ...Thank you.

Yuu, returns the hug: You're welcome.

[joyfuladorable]

Baby Junior's First Steps (based on a scene from Bluey)

Prompt from my buddy @vadfannypack! Everyone thank them Right NoW!!

[aueua]

love these guys. the musical chairs

[wistfulwatcher]

emily prentiss + her waning tolerance of getting close to killers

[tiffanyachings]

i love tlt because i get to be like yes i am aware this character has died not once but twice. now pray tell me what page of alecto is she gonna show up

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[2hoothoots]

been chatting with a friend who's playing through PN2 again and i want it to be known i will not hear anyone say a WORD about Hollis giving Raz a hard time at the beginning of the game. if anything she is OUTSTANDINGLY accommodating to this random ten-year-old who wandered in unattended off the plane in the middle of an extremely tense situation

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[rocketbirdie]

deranged picnic

[claraoswalds]

#mrs flood who are you: time lord edition

[elzorton]

Carry your girlfriend