#I don't want to share how long it took

[isharaneith]

January 2023 companion icons

Like, reblog or comment if you save, please

[poorly-drawn-mdzs]

The math just adds up!

[royalarchivist]

Ironmouse: Part of the reason why I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. [...] I've literally talked to almost everybody at least once like outside of the QSMP. We've talked on Discord, people regularly check in on me, we get in group chats and we play games like outside of the server... You don't really find that sort of connection all the time with people.

Ironmouse recently talked about her experience on QSMP, and how kind all the members are. I'm posting the entire conversation instead of cutting it up like I usually would because I really enjoyed hearing her thoughts on the server.

[ Subtitle Transcript ]

-

Ironmouse: Honestly, I'm sure he wouldn't mind if I did. He's so nice, he's so- he's always been super nice to me. He's been so nice, I– part of the reason why I- I love this server so much is because everybody's so nice. Everyone! Like, every single person is super nice! And it's like- it's like, genuine nice, it's not like fake niceness. You know how sometimes like– you always hear like, "Oh yeah, you know–" when–

Ironmouse: Whenever you like, join like a new thing, right? Whenever you like join like a new thing, you always worry, 'cuz you always think: "Oh, are the people gonna like me? Are they gonna be nice to me? What if- What if- you know, what if this, what if that?" But everybody like genuinely was nice when I first came by, and everybody has been so nice to me– not just in the game, but outside of the game, and–

Ironmouse: Something special about the QSMP is like... People wanna be your friend like outside of the game? Like, I've literally talked to ev– almost– almost everybody at least once like outside of the QSMP, like... We've talked on Discord, people like regularly check in on me, and like we get in group chats and like we- we play games like outside of the server, and it's just like... You don't really find that sort of connection all the time with people? You know what I mean? It's very– it's very not common when you go on like, a content creator-like server or stuff like that, you know? You'll get like one or two people that you get close to and stuff, but like... Everybody is SO nice, and everybody's been so nice to me, and I can't tell you how many people like, wished me– not just like wished me happy birthday, or like wished- said, "Oh, you know, hap- Merry Christmas!" dadadada, it's like genuinely like... Asked how I'm doing, and like talk to me, and like... Just like– I dunno, it's just like so- so- it's so wonderful. Ironmouse: Like, I get that with VShojo a lot, like– we're all like besties, and we all like talk all the time, but I feel like it's different, 'cuz like VShojo– we're VShojo, we're like– we're our own group, but this is like... You know... You don't expect this sorta thing when you get invited to like be on some- be a part of something, you know? And it's- and it's been so– it's been so wonderful and everybody's been so GENUINELY nice to me, and I- I appreciate everybody on the server so much, and they're just some of the nicest people that I've ever met ever, and it's just–

Ironmouse: It just warms my heart, and I'm just really– really like, thankful to be a part of something so great, and something so positive! Because like, everybody's so supportive! Like– the time when like, I didn't like– I- I- I had a moment where it's like I– do you guys remember in December when I- I was not around a lot? And like, I had to take breaks and all this stuff and it turns out it was like the concert stuff? They all like would message me regularly, like, we would all keep up with each other, and we would all talk. And I remember telling them about like, how much stress I was under, and like all the- all the pressures of the concert and stuff, and– and they were cheering, and- and- and they were just so... so kind to me, it was just so– so sweet, and- and you know, I was in a group chat with a- with a few people, and they were all just so excited and- and- just super nice, and- and very- very sweet, and it's just– and it's just very– I'm sorry if I'm rambling! It's just...

Ironmouse: I dunno! I- I- I just enjoy being here, and I enjoy hanging out with everybody, and... it's just nice to meet really good people. You don't really find that. You don't find that sort of thing all the time. Don't get me wrong– it's not like I haven't met a lot of good people, like– I just feel like this whole like, my whole like– Ever, like– My streaming journey, I've just been nothing but surprised at the goodness of people? Don't get me wrong– I've met assholes and sht like that, and I've met- I've encountered some people that are NOT so nice. I'll never like, talk about it or whatever because that's their thing, and I'm just gonna do my thing and I don't wanna like, you know, spread any type of stupid drama or whatever the fck, but like... I'm just always surprised about how– how incredibly nice people are, and how genuine a lot of people are, and it's... It- it's just nice, especially since like– You're used to coming from like, a certain background and a certain like, environment where it's like, you've met a lot of like fcked up mean people in your life, and you've just been around a lot of like fckery, you know? So when- when you're around stuff that's NOT fcked, it's just like, "Woah, this is crazy! Is this- is this how life is supposed to be?!" And it's just- it's just really... it's really- it's really nice. It's very nice.

Ironmouse: Yeah, it's very refreshing, that's why I- I enjoy hanging out on here, everybody's just so nice to me. And it's not just like being nice just to be on-stream, it's nice off-stream, on-stream, friendship on-stream, off-stream, it's- it's just- it's just so- it's- it's- it's wonderful. It's wonderful. And I just have to say like... man, I'm just really thankful that like... it's crazy that like I got invited to be on here and I'm just really thankful that, you know... Quackity like, reached out to me and he's- he's just been nothing but nice, everybody- everybody's just so kind. Everybody's so nice. This is something truly special.

[lil-lemon-snails]

"I can't ignore what's under dancefloor boards, The rhythm of my heart a dead-as-disco beat, But I still move my feet, to slip out of this groove, I'm free" ~ 2econd 2ight 2eer, Will Wood, The Normal Album

I have been plagued with visions of LDR Sun every time I listen to this song and I NEEDED to get this out of my system @spadillelicious when do we get to smooch the boy pLEASE

v textless version and close ups under cut!! v

[hepbaestus]

[tinystepsforward]

ngl it makes me want to die a little bit that it's so often trans people who feel that sex is mutable but oppression is always-forever based on asab in ways that allow them to demand that information from other trans people. like it feels fucking bad. it feels bad when it's people holding up someone who posts a lot of selfies as transition goals to a degree they have to clarify what they have or haven't done or what "direction" they're going in, it feels worse when people are out there like "caster semenya is not tma" or whatever the fuck. i am, as always, not a trans woman, but here's a sentiment echoed by many of the trans women around me who log the fuck off, quoted directly from one: "people who draw a clear line where they say that semenya or khelif are tme and then call me tma are just calling me male at this point".

like i get it. i really do. we seek community and shared experiences, and we feel betrayed when people have less in common with us than we thought they did. [*more on this later.] but that's not those people's faults and my god in the case i'm seeing play out on twitter rn this poor person did absolutely nothing to intentionally mislead people, just posted pictures of their actual kid self. who looks a lot like i did, because shockingly enough "we can always tell" doesn't fucking work for trans people either!

on the one hand i move in intersex circles which are unapologetically welcoming in cis "dyadic" people with pcos, because it serves nobody to draw a clear line where mutilation or genetics or some ineffable childhood suffering are what make somebody intersex, especially when most of us (esp in places like nz) have never been karyotyped and are being treated for symptoms without a pinned-down cause anyway. the more of us there are the stronger we are, the more pressure we can exert on a medical profession which doesn't like to consider how common outliers are, how uneasy sex is at all. and then on the other hand there's dyadic trans people on the internet who've yelled me out of spaces because a couple of traumatised incarcerated trans women i worked with as a prison abolitionist assumed i was also a trans woman and i didn't immediately tell them my entire csa-involved history of being sexed in varying ways as an infant and child and/or exactly how big my phallus was at birth or where in my junk config my urethra lives so they could decide i was tme or whatever.

returning to the * for a related but not identical thought: i think presuming shared experiences leads to some fucked shit in general! "oh we all had a radfem phase" or "oh we all were channers" no we fucking weren't and it's particularly obnoxious when me & mine are trying to build trans community locally to organise and resist the growing wave of far-right backlash against our existence, and there's just white people in there on a spectrum from "straight up being antisemitic and trying to get the n-word pass" through "handwringing about how they need to make space for people who aren't politically correct" to "handwringing about how brown people are right to be mad at them but doing shit fuckall". and then the other fucking brown people in the space are on some identity politics shit where they're like "trans joy inherently excludes those of us who could get deported" or "big city white queers are killing us by being visible instead of going stealth bc it stirs up the discourse" or whatever the fuck i've heard pulled out this year. there's a bunch of reasons i primarily organise outside of trans spaces and that's one of them. i've never felt more alone in spaces where people claim we're all the same than being left as the brownest moderator or organiser in a space full of people to whom "this is a safe trans space" apparently means they get to abdicate all other responsibilities not to lapse into presumed shared patterns that are fucking racist or otherwise alienating. i've never felt more alone than surrounded by exclusively trans people who sort people into boxes and assume everyone in those boxes has the transition goals they have. like i was on cypro until it disagreed with me to the point of endocrine crisis and now i'm on t and at both those points people were so fucking presumptive or entitled to my reasons or journey or personal relationship w my body

literally just submitted on (and was invited to consult on) the nz law commission's review of the human rights act and like. it's straight up fucked how many nz trans people fully do not comprehend that any "sex assigned at birth" type definitions fundamentally exclude migrants who have no way of proving it and many intersex people who happen to have been reassigned later or many times or never assigned at all as a baby. we can't make law with this shit and that's why we have to have symmetrical protections for all genders/sexes/expressions/presentations, bc naming and defining a protected class here often leaves the people who already are left out from those shared experiences of marginalisation out in the cold when they face violence

[smimon]

Like... y'know, nyah

Two hats for Käärijä as requested by @marcoofthemoon - hope you like them! ^^

[crowfromfoggyforest]

"Stop excusing Rumple's actions by saying he's a coward. He's just power hungry. He has never been a coward before he became the Dark One."

"Rumple saying he broke his leg because he was afraid in s5e6 is a dumb retcon, he did it to be there for his son."

This might sound arrogant... but you don't get it. You don't get what all this is actually about. [tl;dr: only read the bolded parts. Also i'd be very happy if you read this, i'm basically explaining how Rumple became who he is.]

Of course he wasn't always a coward. No one is born a coward. And you're right, all of his actions before he became the Dark One were actually very brave. Becoming the Dark One just to save his son was brave too. And mutilating himself was probably the bravest thing he has ever done. Because he actually chose the harder and scarier option. Yes, he was afraid of the war, but he also knew that if he made himself an invalid on purpose, - not only would he make his life harder because medical care isn't great in the enchanted forest so it wouldn't heal well -, but also everybody would call him a coward. And putting up with all that makes him objectively brave.

But. BUT! I've already mentioned the important point: People calling him a coward. This didn't start when he came back from the war. His whole life, he got told that his father was a coward (although i never really got that part) and he had to live with that bad reputation. People expected him to become like his father. That's why he was happy to go to war - so he could prove he wasn't like his father. So he had this shadow over him his whole life: Everybody thinks i'm a coward like my father. I hope they're not right. What if they're right? Then, he injured himself to flee the war, and for everyone he knew, it was proof that he was actually a coward. If everybody constantly told you who you are - wouldn't you start believing them? Of course, at first, he kept repeating to himself that he was actually brave. But even his own wife kept telling him he should have bravely died in the war! So he probably thought: Well, i had good intentions. But apparently, the objectively brave decision would have been to fight in the war. So maybe i am a coward. Probably inherited it from my father... (Keep in mind he hated that thought because his father was a terrible person.) Same goes for running away when his son was supposed to go to war: We as the audience know it's the only logical thing to do to save his son, but to him, his decision was just proof that running away "is what he's good at". At that point, he already believed what people said about him.

In my opinion, he has always been afraid of things - of course he has. Growing up without your parents must be scary. Growing up in a world where powerful people can take everything away from you at any moment must be scary. But he never really acted cowardly - until people convinced him he did. They taught him fear + logical action/ getting yourself and your loved ones to safety = cowardice. Or in short: fear -> cowardice.

So my first point is: When he multilated himself, he was scared, but not a coward. But people have convinced him he was. So what he tells Belle in s5e6 is the truth from his perspective, because in his manipulated memory, his fear was the reason for his action.

My second point is: He actually did become a coward. When he became the dark one, he said something very important: "I'm not scared of anything." For the first time in his life, he doesn't have to be afraid. His fear, the thing that made him hateable in is opinion, is finally gone - he doesn't risk doing cowardly things anymore. He won't be like his father anymore. His power allows him to protect Bae, but it also allows him to escape the one thing that has weighted on him his whole life. He feels free now, and he doesn't want to let go of that feeling, ever. So when Bae wants him to go to the land without magic, his main thought is: If i lose my magic, i become a coward again. Weak, scared. I'll become like my father again. He's terribly scared of being scared again, because in his mind, that means he will become a coward again. Of course, he also simply doesn't want to be weak again - but in his mind, this is linked to being a coward. And his fear is so strong that he lets go of Bae's hand. This is actually one of the most tragic things about Rumple: He actually becomes a coward for the first time because he doesn't want to be a coward. (On the same note, he also becomes like his father because he doesn't want to become like his father.)

And the fact that he left his son was the final proof for Rumple that the others were right. From that point on, he was actually a coward, because he believed he was. If this sounds weird to you: Yes, this is actually how psychology works. Your perception of yourself influences who you are. So from now on, every time he was afraid of something, he kind of gave himself permission to act cowardly because he thought that was who he was anyways. And most of the time, that thing he's afraid of is losing his power. Because yes, ironically, tragically, the thing he's most afraid of is still being a coward again. That's still what makes him a coward. (The second thing he's scared of is love - the reason for that is all the people abandoning him in his past + his regret because of Bae. So the reason for him rejecting Belle in s1e12 is actually mostly his trauma, but once again, he sees it as proof that he's a coward.)

If you don't believe me, if you're still saying "no no Rumple was actually just power hungry", look at this scene in s5e6. Yes, he hated losing his power. But not because he didn't have control over people anymore or anything like that. More than anything, he hated becoming the person he was before becoming the Dark One. A coward.

So yes, his goal is often to keep his power, but the motive behind that is fear - the fear of becoming who people convinced him he was, of becoming like his father. And he also wanted to be able to protect his loved ones. The only part where i will accept the "power hungry" argument is in s4, see this post i made.

[love-has-a-way-ofgrowingbackward]

everytime i take a tiny triangle out of the cake i made my brother comes in and cuts off a trapezium, making the cut a single clean line. it would be vaguely funny but like i made the thing and like could he not eat it all without leaving some for me

[weather-cluddy]

Apparently, if you get the store bonuses from Animate for both the first Milgram manga volume and the second novel, for a limited time you can also get an extra booklet called MILGRAM's Top Secret Experiment Report Side-W, with a little text written with Yamanaka that (I think) connects the current and past Milgram instances.

[softer--apricot]

.

[jlf23tumble]

I'm really trying to understand. I know Joshua does take good pics but some of his pics are awful and they still get so much praise. I'm seeing comments "I know the pic is blurry but it fits Louis' tour aesthetics". Seriously? Is that the excuse now? "This pic looks like shit but it fits Louis' tour aesthetics". Since that pic Harry posted on IG that was super super blurry, which I think he was trying to make a point with. That fans don't control him. I thought Lloyd's pics have got better since. They show more of the audience. I really like his recent pics that show Harry and the audience. They give a vintage postcard kind of feel. Old school. But he's still being trashed as ever. Sometimes I'll see a pic and think... that's not that bad so surely they won't be trashing that. But they will be, always are. He can't do any right. But Joshua can't do any wrong. I think it could be partly because Joshua talks to the fans on twitter. So they feel 'closer' to him. They're still incredibly bitter about the iHeart? tour photography award going to Lloyd, while also saying that it means nothing. If it means nothing then why still so bitter? Why the desperate push to vote for Joshua? They say that Lloyd only won the award because of Harries. Well yes. If Joshua won the award it would be because of Louies and Larries. That's how fan voted awards go. If anyone does like Lloyd's pics they get insulted for having bad taste. They really despise Lloyd and they just don't stop complaining about him. Why is it always like this? That everyone Harry works with is hated by the fandom and everyone Louis works with is loved?

I'm sitting here, nodding my head as I read this like a goddamned kitsch toy dog on the dashboard of someone's bitchin' Camaro because yeah, YEAH. I have some thoughts about it that I'm sure I'm not all that articulate about, so I'll take it to the tags and let your ask just shine up here, uninterrupted yet fully appreciated

[girls-and-honey]

my boss just said ‘manifesting this for us’ in the group chat and she’s being 100% serious

[sideeve]

⠀⠀⠀“WHAT?! SEX BAN?!”

﹅ contains ;; gojo satoru , kento nanami , choso kamo , toji fushiguro , ryomen sukuna , geto suguru

﹅ alt title ;; how long the jjk men can withstand the sex ban

﹅ warnings ;; sorta sub!choso , whiny!choso , toji's part is more explicit than the others , this is my first time writing for some of the character so i'm sorry if i didn't describe them well

GOJO SATORU (3 days)

“are you serious?” gojo groans, slumping forwards. gojo watched in disappointment as you crossed your arms, looking away from him. "you did it so you have to pay." for weeks, you've been trying to tell gojo to separate the colors from the whites while doing laundry. him just wanting to get it over with, he dumped them all in the same load, ruining some of your favorite pieces of clothing.

"baby, please. i won't do it again," he begs, kneeling in front of you. but to no avail, you stood your ground.

it only took him 3 days to convince you to wave your white flag, surrendering to his seduction. "you look good in my shirts." gojo's hands caress your hips as he presses his chest to your back. "i would be in my clothes if you would just listen to me." you huff, "i never said i was disappointed." gojo whispered, his hard-on pressing on your ass.

“please. just drop the ‘sex ban’. i said i was sorry.” his lips make a trail of kisses on your neck. you needed him too. whenever he wasn’t around, you would use your toys, trying to not let gojo know you were sexually needy. but they didn’t work.

RYOMEN SUKUNA (not happening!)

no. just no. it’s funny that you even thought about putting that in motion. sukuna was too desperate for sex but never wanted to admit it.

“no,” he stood above, crossing his arms, making himself seem bigger than you (as if he even needed to do that). “you can’t deprive me of sex, woman.” he grunts. “but i can, kuna. that’s what you fail to realize.” you tut, standing up to walk away.

one of his four arms wraps around your waist, throwing you back on the soft surface. "you're not going through with this." he growls in your ear, crawling go top of you.

how dare you even think such a thing? you were his woman, his twin flame. you were the only person he showed the littlest respect to and you decide to do some foolery like this.

he tugs your shirt over your head, your bra coming next. his rough hands slide over your chest. "such beauty..." he whispers. "i'll make sure you never think of this again.

KENTO NANAMI (it was on accident)

his job was taking him away from you. between being a jujutsu sorcerer and a businessman, he couldn't find time to be a partner for you.

due to the lack of attention you were receiving, you became sexually pent up, having the urge to pleasure yourself at the worst times. the feeling of neglect was creeping up on you. some days, you forgot nanami even lived with you.

"love, i'm home." nanami tugs off his tie, tossing it to the side. "i don't know how long i can take of this." he rubs his temples, deeply sighing as he led himself to your shared bedroom. before his hand touched the cold metal knob, he heard your muffled moans and the squelching of your cunt.

he slowly opens the door, peeking in the room before fully entering. "it seems i've neglected you." he watches as you quickly cover yourself as if he hasn't seen you naked many times. he unbuttons the top of his shirt as he saunters to the edge of the bed, removing the covers off you.

"seems like i have some things to make up for."

CHOSO KAMO (not even a day)

"please." he whines, his head resting on your lap as he looks up at you. ever since you shared your first time with choso, he's been going at it with you like rabid dogs. if he wasn't inside you, his head was squished in between his thighs.

"choso, i need a break." you sigh, trying to remove him from off you. his grip on your legs was tight as he put his face in between your thighs, shaking his head. he was acting like he couldn't survive without your cunt somehow being involved.

"i swear, i'll leave you alone after. just please," he whined. you couldn't resist him for much longer. you hated when he got all whiny like a baby. he was spoiled because of you.

"fine." you undo the tie of your sweatpants before his hands swatted yours away, tugging your pants and panties off. "i promised you." he kisses your inner thigh before his tongue began flicking away.

TOJI FUSHIGURO (mans was balls deep in you the second you said it)

"you really think so?" he darkly chuckles, rubbing himself on you. "toji, i'm sorry. please." you whine, wiggling your ass on his cock. "i don't think you are." he teases, stepping away from you.

you whine, following him. "it was a joke." you press your hand on his chest. "did i laugh?" he tilts his head, smirking at you. you sigh, "toji, i'm sorry." you press yourself against him, your chest touching his.

"fuck." you knew he couldn't resist the feeling of your chest on him. it was like heaven to him. "turn around." he grunts, gripping your hips to turn you around, bending you over.

he easily slid inside of you due to how wet you got over time. "don't say stuff you don't mean, baby." he laughs, thrusting into your backside. it was worth it.

GETO SUGURU (you gave in after implementing it)

you wanted to test geto's limits, giving him an extra nnn moment which made you realize something. it was always you initiating sex. "geto, please. i give up." you whine, following him around the house.

he chuckles, "everyone must deal with their consequences, my love." he turns to you. he plastered a sinister smile, taunting you. he saw how much you needed him but he wasn't caving in until he heard you say it.

"i'll do anything. my hand isn't even working anymore." you simper. it was starting to become frustrating seeing how calm he was about all of this as you were suffering.

"i need you! is that what you wanted to hear?" you shout, earning a grin from him. he walks closer to you, his finger tracing your jawline, "why didn't you say that sooner, love?" he chuckles.

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[kindacreepy-kindaugly]

So. Turns out he hates me (in part) cause I'm the reason he's here