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deadcactuswalking · 13 days

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REVIEWING THE CHARTS: 14/09/2024 (Linkin Park Reunite! + Central Cee/RAYE, Fred again.. - ten days)

Sabrina Carpenter may no longer hold the top three of the UK Singles Chart but she still hangs onto the top two with “Espresso” at #2 and “Taste” at its third week at #1. It’s an interesting one so welcome back to REVIEWING THE CHARTS!

content warning: language, discussion of sexual assault

Rundown

As always, we start with our notable dropouts, those being songs that exit the UK Top 75 (which is what I cover) after five weeks in the region or a peak in the top 40. This week, we bid farewell to a long list of hits, including “Double Life” by Pharrell Williams, “Bring Me Joy” by Rudimental and Karen Harding, “Pour Me a Drink” by Post Malone featuring Blake Shelton, “misses” by Dominic Fike, “360” by Charli xcx, Badger’s remix of “These Words” by Natasha Bedingfield, “Fortnight” by Taylor Swift featuring Post Malone, “Happier” by The Blessed Madonna featuring Clementine Douglas, “Dancing in the Dark” by Bruce Springsteen, “Houdini” by Dua Lipa and finally, “Evergreen” by Richy Mitch & the Coal Miners. Whew.

Now what ended up replacing this mass exodus of songs? Well, other than the new tracks, which we have plenty of, we also have re-entries for “i like the way you kiss me” by Artemas at #74, “Iris” by the Goo Goo Dolls at #69 and “Numb” by Linkin Park at #41, which we’ll get to. We also see a few boosts for “Scared to Start” by Michael Marcagi at #65, “Belong Together” by Mark Ambor at #59, “Carry You Home” by Alex Warren at #36, “WILDFLOWER” by Billie Eilish at #30, “We Play” by Coldplay and friends at #26, “The Door” by Teddy Swims at #16, “Sailor Song” by Gigi Perez at #13, “Move” by Adam Port, Stryv and Malachiii at #12 and “Somedays” by Sonny Fodera, Jazzy and D.O.D at #10, with most of the higher gains filling in for Oasis losses.

Our top five in the UK Singles Chart this week consists of: “Please Please Please” by Sabrina Carpenter at #5, “The Emptiness Machine” by Linkin Park at #4 (yes, I know, we’ll get to it), “Good Luck, Babe!” by Chappell Roan at #3 then of course, Sabrina with the top two. As for what’s below, it’s pretty interesting so let’s start right at the bottom.

New Entries

#75 - “Embrace It” - Ndotz

Produced by RJ Pasin

We start with… what? Okay, so Ndotz is a rapper from the UK who imitates Cash Cobain’s cover art gimmick on this single’s art, but the music is anything but, going for a bass-heavy rhythm not dissimilar to a Neptunes beat but with bass so blown-out it basically comes as its own bass-boosted meme version, which makes sense given that it’s barely two minutes, mentions TikTok in the chorus and commands girls to twerk, presumably to this song, so the mystery is solved to why this cheap, kind of garbage mix is charting. The worst thing is, thanks to the silly acoustic guitar and the fact you can tell Ndotz is having some fun, I don’t even dislike this. I don’t want to give the obvious, somewhat cynical attempt at virality much praise, I don’t want to “hand it to ‘em”, but I gotta hand it to ‘em. It’s just somewhat funny, and that’s pretty much all it wanted to be. Sure!

#71 - “Circadian Rhythm” - Drake

Produced by London Cyr, Ben10k, Eli Brown and Gordo

So, the embarrassed post-beef Drake has been posting songs on social media, leaking them to his website, hoping the sample gets cleared, then tossing it onto streaming if the reception is positive, and this has been vaguely unsuccessful, with the songs - even potential hits like “It’s Up” with 21 Savage and Young Thug - not making much noise, even with Drake still dissing subliminally throughout these leftovers. This song from the latest re-release of 100 GIGS - in reference to the realest thing he’s ever done: dump a bunch of useless files on a website because he felt like it - is billed as somewhat of a sequel to his 2013 song “The Language” but this all just feels like a demo. The chorus is primarily drumless, filling space with a chipmunk sample, and the verses have oddly webby-sounding snares, with Drake’s verses not fully equipped to the beat yet, and some unclear vocals if I’m being honest where I absolutely had to check what he was trying to say. This might be common for Future but definitely not Drake, whose nasal drone has never been indecipherable. The song ends abruptly, has frankly nothing to say with pretty minimal and vague lyrics about the rap game betraying him and shouting out Toronto artists, which may be the realm he should be in: part of Kendrick’s critique was his lack of identity, and harkening back to when Drake was at least marginally closer to his birthplace may be a step in the right direction regarding that. If this is the Toronto sound, though, this may be the drowsiest of all time because this is clearly a dull leftover, and for Drake, whose discography is no stranger to dull leftovers, when it’s this obvious, that’s just sad.

#70 - “I Adore You” - HUGEL, Topic and Arash featuring Daecolm

Produced by HUGEL, Topic, A7S and Late Nine

The only names I recognised here were Topic and A7S, who had some hits together in 2021, namely the top 10s “Breaking Me” and “Your Love (9PM)”, which were both okay slices of European deep house. Here, the German and Swede DJs team up with HUGEL from France, Iranian singer Arash Labaf who represented Azerbaijan in Eurovision years ago and South African-born Daecolm for a considerably multinational collaboration. Music really is borderless these days so I was interested on how this would mesh, and whilst you can definitely hear Daecolm bring an Afro-house rhythm in both the percussion and higher-register vocals, they’re inserted into a more generic tropical house template that doesn’t allow the organic sense of much of the African music that charts nowadays translate very well. I appreciate the strings in the back of the chorus, but with such an echoed mix and incessant “la-la” vocals, the final product renders as overproduced with very few realised sonic ideas, just kind of an unemotive noise, which is disappointing but might be expected with four lead artists, four producers and a short runtime that aligns strictly with the typical EDM build-drop format, but without much impact as everything is a wispy cloud, made to soundtrack adverts telling me to visit the Canary Islands rather than actually form that solid of a groove or string me along with an anthemic hook. It just kinds of floats in the air, but with a stiffness brought to it by how programmed it all is, and how there’s little in the way of actually unique sound design. I suppose it joins “Move” in this niche category of international Afro-house tunes which set the energy to negative numbers, but we didn’t really need another one.

#68 - “BABY I’M BACK” - The Kid LAROI

Produced by Rogét Chahayed and Dopamine

I know this looks bad with The Kid LAROI and Drake, but I promise you that there is interesting, worthwhile and genuinely amazing music coming up, it’s just that there’s plenty of less impressive stuff to get through also, like all weeks. I was faintly interested to see LAROI collaborate with UK DJ group Dopamine, who typically don’t collaborate with rappers necesssarily, but that quickly left me when I realised it was another lazy sample flip. As I always say, the story starts in 1977, when Player released “Baby Come Back”, cheesy soft-rock adult contemporary schlock typically schmaltzy of its era, but just catchy enough to be a semi-ironic guilty pleasure, which Yung Gravy understood when using the track as the basis for his comedic storytelling track about MILFs, “Cheryl”, from all the way back in 2017. So why The Kid LAROI wants to try and get us to believe it as a semi-serious breakup narrative with some toxic piss-offs but still loving platitudes, is completely beyond me. The original song by LA band Player peaked at #32 over here despite topping the charts stateside, though Vanessa Hudgens brought it back to the chart by sampling it on 2006’s “Come Back to Me”, peaking at a whopping… #100. Mr. LAROI’s rendition is largely pointless, with a weirdly-mixed chipmunk variation of the hook, where you can tell it transitions to a version where the vocals may have been removed through an AI website, which is largely covered by the drums, so why so much of the song actively presents the sample without them is also beyond me, the drop doesn’t hit hard or anything. I suppose the bridge’s flip on the original hook with the pianos is sweet, but LAROI doesn’t have the soul in him to pull this off, at least not yet. Sorry, it gets close to being… okay, though.

#66 - “Neva Play” - Megan Thee Stallion featuring RM

Produced by LilJuMadeDaBeat, Shae Jacobs, B Ham and Peter Fenn

“Neva Play” is the newest single from Texas rapper Megan Thee Stallion, coinciding with the success of her VMAs hosting and her other stateside hit “Mamushi” with Japanese rapper Yuki Chiba, by bringing Korean rapper RM, of BTS fame, to the fold, though Megan had remixed “Butter” before so this is not the first time they’ve crossed paths. Hilariously, Megan makes what appears to be an active attempt to keep it clean here, to fit with BTS’ young fanbase, seemingly unaware that RM was not afraid to drop F-bombs anyway. Other than that trivial note, the song’s pretty cool, there’s a minimal phonk beat that really brings into question why it needed more than Megan’s long-time collaborator LilJu to bring it together, though the distracting deep backing vocal is a bit off-putting in the verses. Megan has a lot of charisma, and whilst the content isn’t anything new - or really anything referencing East Asian culture outside of a “Hadouken!” ad-lib - her verse is a lot of fun. The counting chorus feels a bit basic or immature for this kind of banger, but RM brings a really compelling verse here. In fact, he outperforms Megan by just being really interesting - I wasn’t familiar with just how deep his drawl could go, pairing interestingly with Megan by smokily floating in at the end of the chorus and quickly going into a staccato verse about how he paved the way for Asian artists, before swtching into different flows and paces, including one moment where he purposefully kills all momentum of his verse to echo into a different cadence that feels very fittingly Memphis and also surprisingly catchy, with a decent amount of unique character and swag to his warm tone that he later brings onto the final chorus. Without RM, this would be a fine if typical Megan track, but his performance is pretty interesting if not a bit awkward or slightly abridged, and I like to hear the BTS members stepping into weirder cadences and musical ideas. More of RM would be interesting to hear.

#64 - “peace u need” - Fred again.. and Joy Anonymous

Produced by Fred again.., Joy Anonymous, Barney Lister and Will Bloomfield

So this week, Fred again.. released one of my favourite albums of the year, ten days. I spoke more about this on my RateYourMusic 2024 listening log - account name: exclusivelytopostown - but in summary, the album acts as what I would imagine as a picturebook, a collage of postcards reflecting on a particular Summer wherein those memories are all stored in layered, gorgeous progressive house taking motifs from more ambient directions and placing them into slow-burn atmospheric dance tracks. Outside of “adore u”, I love pretty much all of the songs on there, and it’s an incredibly cohesive listen despite the fact that we hear so many different voices thanks to it consisting primarily of remixes, and perhaps succeeds in part due to that as we get to hear different stories that all tie into the reminiscent feeling of wishing you could experience that Summer all over again, with the sound collage interludes forming a togetherness that is really touching and reflects on Fred’s collaborative spirit.

“peace u need” is yet another highlight, with perhaps the most strident attempt at making a classic 90s house piano banger considering the faint crowd cheers and vintage piano notes placed against a falsetto moan not dissimilar to Moby’s “Why Does My Heart Feel So Bad?” - at least that’s what it reminded me of. This track is a rare example of Fred providing his own vocals, longing for a relationship that has passed but hoping for amicability and fulfilment on both sides, given how lost he is without them but also how much they put into making it work, though this can also function as an analogy for nostalgia. “I let you take a piece of me” - your identity is found in memories you can’t revisit but also end up remembering, or dreaming about, on those particularly “quiet nights”. He teams up here with UK EDM duo Joy Anonymous here, who do not disrupt or honestly, really add anything new to, Fred’s distinct, stuttering style and greatly uses his sample of Snoh Aalegra’s 2017 track “Time”, fabricating a semi-duet between Aalegra and himself that really manifests in a creeping refrain of backing vocals that eventually overrides the entire track, leaving little of Fred’s vocals remaining as the “silence” - the distance from that period of time - “clouding” the mix entirely. The organic drums that rumble on occasion from the middle section onward as well as the tiny blips of vocal rendered as practically a sound effect shimmering just a bit too high in the mix, exemplify the album’s constant instrumental mirroring of the beauty of the humanity he experienced and that of the electronics he’s using to express it. Much like nearly all of the album, this is an incredible if not too accessible track, eschewing a pop structure for clearer and more concrete progression, including a weirdly eerie bass warp coming in at the last second to end that timespan for good. I don’t see it making a second week at all, but it’s absolutely worth your time, and thankfully, we have another one of my absolute favouritess from the album right up next.

#57 - “just stand there” - Fred again.. and SOAK

Produced by Fred again.., PARISI and Tobias Wincorn

ten days debuted just outside of the top five on the albums chart at #7, but that is still an impressive feat for an album that is simultaneously a remix compilation and almost sound collage, with “just stand there”, primarily a spoken word piece as Fred has explored a couple times before, coming towards the middle of the album. The piece pre-empting it, “.four”, has a car ticking aimlessly in a spreckle of rain, before a sample of SOAK’s spoken word piece “I’m Alive” featuring Gemma Doherty begins. SOAK is a Northern Irish singer-songwriter who broke out in 2015, whose track here is used mostly to have a spoken piece sat in the middle of wonky, heavily-manipulated vocal loops surrounding, circling the story being told, though it’s a different one from the original, as fragments from it are re-contextualised and at times looped to emphasise the awestruck moment of having someone tell you that she loves you. They stand there, amazed by the connection they feel and the appreciation of being able to “hear a world”, which makes them feel alive. There are many ways to interpret what now registers as a poem, in fact I have contemplated, given how introspectively focused some of the details seem to be, to if the “she” is the speaker themselves and it is a track about a confused sense of self-love and recognition of the world around them.

I love the pitch-shifted, distorted vocal leads cutting in as the song produces a slight bounce alongside more organic drums faintly set out to the left of the mix, I love the rise of pianos elevating the relative mundanity of SOAK’s poetry, the self-appreciation they find in observing other people live their lives and internalising that wonder, and especially the stuttering vocal that transitions the piece outside of that distorted bump of a kick into utterly transcendent territory, once the poetry steps way out of reality and into the surreal: “all four seasons happen in one day”, and whilst they’re already lovestruck, quite literally stuck in place because of their overwhelming feelings, it becomes unbelievable. Hell, it becomes too much to continue to try envisioning, and the song fades into echoes of vocal and synth that phase in and out, whilst they remain. Without anything, despite everything, “she loves me.” The fact that this is sandwiched between “fear less” with Sampha and “places to be” is really unfair, an emotional rollercoaster in the mid-section of the album that is as gorgeous as it is utterly overwhelming, which fits the nature of not just this song but the conceit of the whole record. It’s one of my favourite songs of the year, as if Fred again.. didn’t already have enough of those, and I cannot recommend his latest album more. Once again, this basically cannot last a second week, but God, it deserves to. Now, what’s next?

#38 - “Moi” - Central Cee and RAYE

Produced by Harry Beech and Eight8

…Cench, did you have to bring RAYE down with you? Central Cee, as he becomes more of a global star, has been swiftly shredding my goodwill for him, becoming increasingly gimmicky and embarrassing, seemingly taking his status as our biggest rap export to fuck around and make sure we’re never taken seriously in the genre again. We have an irrelevantly lovestruck French intro from RAYE here, which is atmospheric enough, but is completely rendered pointless by a flexing set of typical Cench verses where he talks about threesomes, drugs, the fact that you just HAVE to mention him when talking about drill - no, I don’t - and thirsting for random women in the public eye that he should just leave alone. He leeches onto the gay jokes again in the chorus, over a decent 2-step rhythm that transforms in and out of a stiffer drill beat, but the more telling line may be: “They gave me a fish, they ain’t teach me fishing”. Cench never struck me as ambitious, so the platform he has, largely off of TikTok virality and connections, I think scares him as much as it does me when it comes to how he represents UK rap. What’s frustrating to me is that I think he knows other people deserve the spot he has, but he cluelessly stumbled into it anyway and isn’t really willing to let it up at this point. Instead, he continues dropping these loose singles - allegedly from an album called Can’t Rush Greatness… okay - as he appears less connected, much less convincing and all the more deluded. Take a break, man, make something worth the pedestal you’re giving yourself and maybe stop relying on what got you there in the first place.

#4 - “The Emptiness Machine” - Linkin Park

Produced by Mike Shinoda

“This is not what I had planned. It’s out of my control.” One of the most successful rock groups of the century, Linkin Park, and the music world as a whole, suffered a terrible loss with the death of their co-lead vocalist, Chester Bennington, in 2017. Since then, the band has naturally been dormant on much new material but have played concerts, some in tribute, and have released troves of unreleased or rare material in compilations and reissues of their earliest records. There had been some concerning moments, namely the AI video for “Lost”, but the treatment of the posthumous material was respectful enough, at least as much as I can tell as I was never the biggest fan of Linkin Park. I would not say they have any great albums that are consistently fantastic all the way through, but what they do have to me are plenty of fantastic songs and even more fond memories dating back to my childhood, so regardless of my overall opinion, they definitely hold a comfortable place in my heart. So this reunion, which had been rumbling for a while, was probably going to grant strong opinions from me regardless of who it was and, ironically, I actually did not have strong opinions on new lead singer Emily Armstrong’s performance during the live shows. The livestream featured the Dead Sara frontwoman singing “Numb” which honestly did not seem all too different or interesting, though it clearly gave it enough of a boost for the song to return to #41 this week. She has a good voice, she was clearly present and has the range to perform much of their material, and since they’ll be recording and releasing new songs, she does not need to “replace” Chester.

Here’s the deal, though: Armstrong is connected to the cult of Scientology, which is extensively controversial, with Cedric Bixler-Zavala of The Mars Volta and his wife Chrissie on Instagram criticising the choice publicly by connecting her with the group and accusing her of being present at the 2020 trial of actor, Scientologist and convicted rapist Danny Masterson, which she admitted to and called a “friend”. Chrissie herself was a victim of Masterson, and with Chester’s history of being sexually abused as a child as he admitted to Kerrang! and NME, naturally this sparked outrage amongst some fans and music nerds in general who found that the choice of lead singer does not reflect Bennington’s principles, trauma, experiences and what he both fought for and expressed in his music, which has always been angst-driven and, at times painfully, honest. I tend to concur that this was a tone-deaf decision and though not all of his family have been open or even disapproving, his son Jaime has spoken against the decision and also about how band members including Mike Shinoda have ignored his concerns, and even that Linkin Park “fans” have harrassed him over his public opposition to the new singer. Armstrong confessed in a response that she did indeed attend the trial but was mostly dismissive of the contents or identity of what the trial actually involved, claiming to be unaware of details that at the time of trial, were - as allegations - readily available, especially to someone familiar with the then-alleged, now convicted.

I do not have to tell you that I have enjoyed music by bad people, I do not have to tell you that Armstrong is not the worst person ever, I do not have to tell you that the other members of Linkin Park I’m sure already have skeletons in the closet. I do have to tell you that this sucks. A man who formed some of my earliest memories of enjoying and connecting with music having his former band return, without the acknowledgement of his own family, alongside someone who defended - though not as publically as others - a man who afflicted sexual violence onto others, when Chester has been sexually abused and wrote earnestly about his overall trauma on the very records his band members played on, just sucks to me, and it seems many others, including Jaime and including the Bixlers. I cannot imagine how Emily Armstrong can guiltlessly cover some of his songs, and even if she relates them to her own experience as many fans have, Hell, many audiences have in general, including myself, I can’t help but feel a gross element to that. Those aren’t just not your experiences, they are experiences you worked in part to dismiss. For many, the apology will be enough, and that’s fine. Hell, I’m still going to listen to that new album when it’s out and it won’t stop me from relistening to their back catalogue which has some of my favourite songs of all time, like “Waiting for the End”, “She Couldn’t”, “Given Up” and a ridiculous amount of modern rock classics. Linkin Park are still a great band, and their legacy is not torn by this. But doesn’t it just suck?

You know what bothers me the most? The song’s fantastic. Armstrong’s not Chester, sure, but she already has an impressive chemistry with Shinoda, whose voice seemed off at first but blends perfectly with her more breathy rasp, and as a songwriter, Shinoda is in full pop form, with fuzz and reverb alongside some fantastically muffled drums leading in the echoing verses until a very typical but still anthemic chorus about falling victim to perhaps misguided hope and optimism leading you on in a moment of vulnerability: giving your life and receiving very little in return. It was a clever move to have Shinoda lead in, with Armstrong driving the song from the second verse on, but appearing in smokier, backing screeches during the first chorus, and once the full band comes in, whilst it doesn’t go as hard as it could, it’s still an incredibly full mix as you’d expect from Linkin Park. The band may have replaced the singer and drummer, but the core emotive thesis that LP have been working with for decades may still be here, and honestly, for as much shit as I will give her “apology” and public connections to Scientology, Armstrong kills it here. I’m a sucker for some good pop-metal and whilst this is far from their best, it’s a killer track, I’ll give it that, even if it probably won’t last too long past this week - though it’s 2024 so anything could happen - and it comes with a lot of baggage that I don’t think anyone was looking for.

For chart trivia purposes, as always: “Numb” returns after peaking at #14 in 2003 and returning to #20 in 2017. When it peaked, the Black Eyed Peas’ “Where is the Love” was #1. Its official mashup version with JAY-Z’s “Encore” matched the #14 peak on three separate occasions across late 2004 and early 2005.

Conclusion

I didn’t lie, did I? It was a fascinating week with an array of genres, artists, stories and even quality, but Fred again.. sweeps the competition here, getting Best of the Week for “just stand there” with SOAK and the Honourable Mention for “peace u need” with Joy Anonymous. Worst of the Week is more of a toss-up because the worst this week has to offer is largely just mediocrity, but I think Drake takes it by default with “Circadian Rhythms” as Cench wastes even more of our time with “Moi” featuring RAYE as the Dishonourable Mention. As for what’s on the horizon: The Weeknd, Playboi Carti, Tate McRae, Charli xcx and Troye Sivan with Dua Lipa on the new remix, it could be a lot at the top of the hit parade next episode so prepare for that. As for now, rest in peace to Will Jennings, Frankie Beverly and the legendary James Earl Jones, and I’ll see you next week!

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luckyqueenreign · 2 years

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Alright girls, I know we done received a let down today, Suresh Clowns down bad by 500 points, but I’m not giving up hope…yet. I’m about to put on the biggest clown shoes and nose for this theory that I got going in my head. So here it is… I think Lulu knows that Suresh is using her due to this interaction she did after coming on the terrace due to hearing her name.

I know this is a small interaction but hear me out.

1.) We have yet to actually interact with Lulu; however, she has not said one slick mouth comment towards MC. Everyone has been slick mouthing to MC and if you’re on Suresh route Arlo and Gabi immediately came in thinking that they were comparable to MC; however, Lulu hasn’t come in thinking she’s better than MC nor has she said any slick remarks toward her even though she said that she and suresh were “hitting it off”. I think this interaction shows us that Lulu will become (hopefully) a friend to us in the next coming episodes or later. Like she knows something that MC doesn’t and is just playing her part.

2.) Eddie gave us the tea on Suresh. This is reliable Eddie we’re talking about. Out of everybody in the Villa, Eddie has been the one keeping tabs on EVERYONE including MC and has been honest even when we didn’t ask for it. Plus out of everyone, I think he wants to see MC win and with him and Sursesh becoming acquainted I think he’s low key hoping they get back together, especially if Suresh chatted to Eddie about how he feels about MC.

3.) Lulu could have possibly heard what Suresh told Eddie and could have confronted him about it. In knowing this her and Suresh could have agreed to go into the Villa together as pals (win win for both); however, what they didn’t count on was Gabi. So to appear that they are into each other they’re being flirty with one another until Gabi leaves. We gotta remember when MC, Suresh and Gabi was on the terrace Surresh isn’t about to out right tell MC the plan cause Gabi is there and it’s highly possible that she would cause some mess to prevent that from happening.

4.) Lastly, Nicholas/ Johnny are just playing the game. I think the last episode sealed the deal for me that Nicholas (that’s who I chose) is just trying to make it to the final. He’s not really trying to get to know MC, just been wanting to know the gossip on any and everyone, including MC.

Anyways this is my theory. It may be a stretch but I’m trying to save this sinking ship by any means necessary. I’ve come too far for FB to pull this crap on us like we ain’t been the ones supporting them this season. This week episodes was truly sad and showed how lazy the writing is, especially after what Suresh said right before Casa Amor to this. It’s like they did a 360 on his character. But if all else fails, that’s what fanfic is for.

City Girls down 1000 today

ok your Lulu theory I lowkey agree..Idk if she full on knows shes being used but maybe she understands the situation and understands her position. Lulu has been home watching Love Island for weeks, she's seen Suresh graft MC and she knows he's down bad for her!! So much so that if you chose the interaction with MC saying, I know you still want me Suresh, Lulu says {im paraphrasing} "with the way he's been acting it's understandable for MC to feel this way." WHAT GIRLY!?! YOU AGREE?! because yes!! he has been flirting with her, begging her back, Lulu's seen all this and she knows this is what MC is referring to. Which is why she ushers everyone to bed and kills the drama for the night.

Eddie 100% is telling the truth. He has no motive to lie and beyond that he's never lied. he told Suresh about MC + Alfie and he told MC verbatim what was said.

I dont think she would keep all the flirty stuff going on or Suresh for that matter at least not on that first night. Suresh or even Lulu couldve pulled MC that night and talked to her alone and told her the whole thing if this were true. and I dont really think Gabi knowing about their plan really changes anything. Im thinking Lulu probably did vibe with Suresh but like Eddie said theres no spark, and suresh just brought her back to save his spot in the villa. I really dont think its anything more than that. I could see him not telling MC about it right away bc of the compatibility vote and wanting him and MC's couples to stay safe.

#luckyqueenreignask

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kriosv · 2 years

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360 Day Challenge- Day 13 - Misao Ogami

35 Min. Kaze no Stigma was the first Anime I ever watched in its entirety in 2014 (I watched deathnote at the same time but still haven’t finished it.) I haven’t watched it since so I was only reminded of this character through an AMV. Now, I love taking great fashion and making it work for interesting poses. That didn’t work here. Misao’s dress made no sense and definitely shouldnt have been in an action series. It seems they only drew it from one angle in the show cause it makes no sense. I gotta try some stylistic fire tho, so not a complete disappointment.

reference:

#kaze no stigma #misao ogami #fan art #my art #challenge 360

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script-a-world · 3 years

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I am creating a non human race that is deaf and mute but telepathic. That however only solves communication issues among their own kind. They can learn to speak (albeit it depends on their poorly developed vocal cords) or read and write other species languages though. But how about environmental interaction? Should they have much better vision or something since they can't hear danger if not in front of their eyes?

Tex: How is your telepathy defined? Deaf people don’t always have an internal monologue that translates to what hearing people would typically infer as “speech” (George Takei, CaptionCall). It might stand to reason that your species would develop similarly, particularly if they’re aided by mind-to-mind communication - writing is an inherently visual form of communication, though it might not have an alphabet as we know, and pictographic language might be closer to the norm for them.

For the latter part of your ask, I’ll default to Star Wars’ development of Force Sensitivity (Wookieepedia) and Jedi training (Wookieepedia) - in particular, a Force User’s ability to sense their environment without the use of sight (Wookieepedia). This is partially already supported by preexisting science (Wikipedia), as well as some ventures into research (Tarlaci, S. (2010)), though of course there’s always room for worldbuilding to develop some ideas.

With such a talent, Force Users are capable of communicating with their environment - sentient beings, yes, but also animals and plants and conventionally non-living objects (rocks, furniture) that soak up impressions from living beings. In that way, a Force User can lean into the Force as a form of mental echolocation, and depending on their skills and strengths, can put their own thoughts into the world around them.

Star Trek has a similar vein of telepathy (Memory Alpha), though I would like to direct you first to the Next Generation episode “Loud As A Whisper” (Memory Alpha), because it shows a deaf character communicating using telepathy. I’m not sure if Riva in this episode was literally mute or habitually mute, but it does parallel a lot of your concerns in building your world about how a primarily deaf/mute society might function.

Feral: Although there are plenty of animals without external ears; I don’t know of any that have evolved to be completely deaf. All animals I’m aware of have some mechanism by which they can perceive sound waves via vibrations in air, water, or earth. Extraordinary eyesight would only help in as much as the threat is front of their eyes, so eye stalks that can move independently of each other and allow for 360 degree sight would be more beneficial than just greater visual acuity.

Now I’ve gotta be That worldbuilder… the Disability-Negating Superpower, Disability Superpower, and Disability Immunity tropes are often considered quite harmful by real-life disabled communities.

Telepathy isn’t “solving” any real communication issues here. Real d/Deaf people can communicate with others just fine - hearing people are usually the ones with the communication issue. Keep in mind that many people who identify as Deaf do not consider themselves in need of a cure, magical or otherwise, and activists with the Deaf community and other disabled communities are working hard to clarify that they individually do not have a problem, society has a problem being accessible to them. There is a movement right now to make ASL (and I’m sure there are similar pushes in other countries) a fundamental part of early childhood education; this would eventually effectively end any communication issues hearing people have with Deaf people.

Sign languages are their own fully developed languages and should be treated as such and not as something inferior to spoken language. Writing systems do not have to be phonetic or correspond to a spoken language.

Muteness specifically references the actual inability to speak whether due to physiological, psychological, or neurological/developmental causes. If your species is mute, then it’s not a matter of the language they’re learning to speak. Deaf-mute, in case you are not aware, is considered an outdated term and can be offensive when used in a non-historical context.

#pylons #communication

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softpine · 2 years

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THE KESHA SONG LMAO. no, but i feel bad for danny. he just wants to live his life, be a father to all 3 of his children, make music for his generation, and vibe but nooo. his label has gotta try and make him relatable to younger audiences 🙄 ugh danny when is ur contract up 😫 counting the days probably

if only society could return to the days when tik tok exclusively referred to the kesha song 😔 but yeah that's exactly how he's feeling right now!! he's never enjoyed being the center of attention, he doesn't care about the flashy clothes and cars and houses, he just wants to make music... but he has to play the game first :/ his contract sucks btw... on top of all the normal record deal requirements, he has to put out 3 albums for this label before he could get out of it, and so far he's only put out 1. the 2nd one is coming out very soon, which is what he'll be touring for. sooo yeah he's got a while to go 😭

side note, i've based a lot of danny's past & upcoming storylines on this article i read about mac demarco!! i don't know much about him as a person besides this article, but he has serious danny vibes.

"It’s not that I don’t enjoy all of this anymore,” he says, “but the amount of — I don’t want to say ‘celebrity,’ because I’m not famous — but the amount of notoriety, especially with the internet nowadays, I’m already uncomfortable with where I’m at. Playing to as many people as possible, that’s a beautiful thing, but it taxes your soul."

"DeMarco fantasizes about fleeing the city for “somewhere mundane” where he can tend cattle in solitude. “This is my out-to-pasture album,” he says, making the chk chk sound of a pistol cocking. “I don’t really give a shit about anything anymore."

"Do not sign a 360 deal. I don’t care how much money they’re offering you, don’t [take it]. It’s an awful, awful idea. It’s a long time, a really long time. And they own your image. They take money from your merch on tour — nobody should touch that. I didn’t know that some bands don’t own their merch, which to me is like — straight up, you’re being robbed."

#asks #nonsims #brandi answers #vatorelilith

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featherssideblog · 2 years

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Feathers Reacts: Motorcity - Episode 10 - The Duke of Detroit Presents . . .

*Duke of Detroit voice* "HEY!"

Time for more Motorcity! Yow!

Episode 10 Thoughts

Oh, buddy. Mike "I can't sleep because we haven't been attacked in days" Chilton, you are experiencing a stress response.

Dutch: "You gotta learn to relax!" Yes, thank you, please mom friend the mom friend. He needs it.

Does Texas have glasses with screens in them so that he can watch movies? I just looked this up and apparently Motorcity was contemporary with the initial crowdfunding campaign for the Oculus Rift. Probably a coincidence, but neat!

Aaaaand Mike almost attacked the waitress at Antonio's. Not to psychoanalyze cartoon characters (actually, what else do I live for?) but I can't tell if Mike is hyperactive and understimulated by day-to-day life, or if he's hypervigilant from cadet training and/or the past year of living under constant threat. Or both?

It looks like they're driving in late afternoon sunlight, but I thought that Deluxe completely covers Motorcity. Maybe the refinery is outside the city limits? Maybe Deluxe only covers parts of the city?

Friends, pals, Burners, have you EVER considered that you don't need to drive several hundred miles an hour down a windy canyon road? No? Just Chuck? Okay. XD

"Chuckles" :)

Sometimes the things that come out of the Duke of Detroit's mouth are so utterly unexpected that I have to rewind to figure out what he's said. In other completely unrelated news, I think we should all start greeting each other with the phrase, "Bonj-aloha."

My question is, did the Duke draw all of these pictures of his own face? Did he hire someone for that purpose? Since screens can pop up out of nowhere in this universe and the Duke is incredibly wealthy, I have to imagine that the decision to communicate via audio supplemented with life-size drawings of his face was purely an aesthetic choice on his part.

. . . musical interlude for a cyborg dance???

So, is cyborg Dan a full robot or a cyborg? I am experiencing some fridge horror thinking about his head rotating 360 degrees around. Does he no longer have a spinal column??

That motorcitizen has a Mike Chilton tattoo. Incredible.

Sue Ellen, local grandma: "You know, I don't really care if they make it. I just hope someone gets blown up." *smiles pleasantly*

"No one wants to hang with a mutant. I see how it is." Cyborg Dan, are you referring to your melted face or your near 100% transition from organic body to machine?

Who but the Duke of Detroit would commission a laser-eyed fire-breathing fifty-foot-tall gilded mechanical statue of his own face? Actually, scratch that, Texas would absolutely do that if he had the funds.

"SAY HCHELLO TO MY LEETLE PLAN" Schwarzenegger Texas has killed me

Threat defeated, Mike has fallen asleep on the hood of Mutt. Absolutely adorable. Also, please develop different habits in the next decade or I guarantee you will wake up with the worst crick in your neck from sleeping in such a position.

Concluding Thoughts

What on earth is Mike going to do with himself when and if the Burners ever defeat Kane in a permanent sort of way? That guy could give the energizer bunny a run for his money.

#motorcity #mike chilton #the duke of detroit #motorcity episode 10 the duke of detroit presents

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canary3d-obsessed · 4 years

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Restless Rewatch: The Untamed, Episode 01

(Masterpost) (Next Episode)

Warning: This is **FULL **of spoilers, not just for this episode but for the entire series. If you haven’t finished all 50 episodes, please don’t read it!

Intro: 2020 continues to be much much too much while also being incredibly boring, and Im done with Shen Wei’s Lewks, so now I’m doing a deep meta dive into the Untamed. Let’s roll!

Prologue: The Battle of Mordor

The Demise of our Protagonist

Unlike some other shows I won’t name, The Untamed kills its suicidal queer protagonist immediately, rather than waiting four seasons, so we know what we're in for.

This is Wei Wuxian, who is about to yeet himself off of a cliff. He is having a bad day.

Note: if mouth blood bothers you...C-Drama might not be your thing.

Reasons for mouth blood: a sampler

Anyway...cliff time

Note: if (fictional) suicide bothers you...C-Drama might not be your thing.

To be fair there are hardly any suicides in The Untamed. No more than ...five? As long as you don’t count the entire population of the Wen Corporate Headquarters in Yiling or those wall bandits in Qinghe or Madame Yu or all those Wens who supposedly threw themselves into the mud puddle or that Mo guy who broke his own neck. Plus watching Wei Wuxian’s cliff drop several more times from multiple angles. So, you know. Hardly Any Suicides.

This is Lan Wangji, who is about to have his first losing encounter with physics. He is having a bad day.

In fact, if it is possible to have a worse day than the guy who is currently falling to his death, Lan Wangji is having that.

This is Jiang Cheng, who is feeling extra stabby from this camera angle. He is having a bad day.

Camera operator: why you gotta take it out on me?

(Much, much more after the cut!)

The Amulet Situation

This is the Stygian Tiger Amulet. Yes, by all means, (Netflix) subtitles, let's use a 12-dollar word, “Stygian,” that every English speaker who is not a Shelley/Byron shipper will have to look up. Let’s not use a normal word like "deathly" or "corrupt" or you know... "Yin" which is clearly what they are saying on screen.

Why does this tiger amulet look like a chameleon crossed with a remora? Wei Wuxian can paint photorealistic bunnies on a flimsy lantern while sitting in a field having distracting teenage lust, but two months of meditating with super magic gets him a tiger that looks like a chameleon. And don’t try telling me this is a traditional-Chinese-art vibe because this jade tiger from frickin 1000 BCE is way more tigerish than Wei Wuxian’s attempt.

Try harder next time, Wei Wuxian.

This is thousands of cultivators having a battle. What do you mean, it looks like about 40-60 dudes?

Any time someone in The Untamed refers to a number of people, it is like when you do your high school play and look off into the wings at nothing and say “Hark, A Ship Approaches!” and everyone’s parents nod indulgently.

Jin Clan Mountain Hunt:

*viewership nods indulgently*

This is Captain Blowhard, over on the right, courtesy name Clan Leader Yao. His job is to talk smack about Wei Wuxian and stick up for whoever is the biggest asshole in any given scene.

He represents mainstream cultivation-world values so here he is shanking one of his allies to take the deadly amulet of evilness.

The Present Day

Spilling All That Yiling Laozu Tea

Down at the Exposition Tea Shop, the Lan juniors are chilling and listening to Tea Dude tell the story of Yiling Laozu.

How did they get permission to take this field trip? “Principal Qiran, we want to go downtown to hang out with the local rabble and learn about your favorite person, Wei Wuxian.”

Waiting in the wings is the man with a fan and a plan, Nie Huaisan(g), who is paying tall loot to get these stories told.

...Why? Is Mo Xuanyu having tea here and listening? Or is Wei Wuxian being summoned back by hearing all this smack being talked about him? *Shrug.*

Gank Your Soul

Drunk flag guy out here talking about spirits. Wikipedia tells me that In one school of Daoist thought, a human being has a collection of physical souls (魄 pò) and ethereal souls (魂 hún). Drunk flag guy is saying “hún ” at the moment.

The many types of souls don’t translate well into English, where spiritual vocabulary has always been shackled connected to Christian beliefs, and is too limited for this context. So when the subtitles have conversations like “Is it a soul eater? No, no, it’s a spirit taker!” just roll with it. (Speaking of hún, if you have any interest in linguistics, do yourself a favor and go read all the wonderful meta @hunxi-guilai)

The spirit-carrying flag looks a lot like Raava and Vaatu from Korra which...probably doesn’t mean anything.

The Demise of our Trill Host

Suicide #2 happens about 8 minutes in.

Mo Xuanyu is that hippie roommate with the annoying wind chimes and bead curtains and blood spatter.

He is super mad at his terrible family and also at Jin Guangyao, who sent him home to his terrible family. I wonder if Fan Man Nie Huaisang influenced Jiggy’s decision-making there. Mo Xuanyu’s choice to die for revenge might be excessive, given how easy it actually is to murder the Mo family.

Being Alive Is Fine I Guess As Long As I Get To Fuck WIth People

Wei Wuxian starts his new life by splashing a little water on his face, which instantly makes his hair go from this

to this.

He looks at his reflection and wishes he was dead, which--mood--but he gets over it as soon as he finds someone whose day he can fuck up.

And he is ALL in on being crazy.

OP wishes she had the Wei Wuxian kind of crazy instead of the kind she actually has.

Meanwhile, this is the sane Mo cousin:

This asshole is wearing one of the best fabrics in the whole show, incidentally. Asshole.

My favorite bit of Wei-Mo craziness is when Wei Wuxian does a meaningless 360 all the way around this dude before ducking in the opposite direction, which is like when I make 4 right turns around a whole block to avoid making a single left across traffic.

Perhaps I Do Miss One Thing In This Life

Wei Wuxian has pining thoughts about Lan Wangji, so he plays WangXian on a fucking blade of grass well enough for Sizhui to recognize it from his dad's guqin jams.

Wei Wuxian is a better flautist than even Inspector Gadget BeatBoxing Flute Guy (Google it).

Our Many Many Spirit Lure Flags have Lured A Spirit, Oh Shit

Lan Clan has a Plan and Wei Wuxian is a Fan

Having one single lure flag stuck in Wen Ning’s torso caused spirits to basically eat him alive, so to catch one evil spirit, 6 disciples holding flags on the roof plus 8 more flags on the ground seems like a good amount. Wei Wuxian is like “yep, a single one of these will lure every spirit for five miles, carry on, younglings.”

Baxia Does the Heavy Lifting

Wei Wuxian is supposed to kill four people because of this curse situation, and in the course of the series they all die, and he kills exactly zero of them. The curse on Wei Wuxian’s arm should be called the scorekeeper curse.

Baxia’s spirit pinballs around the Mo clan, rapidly killing three people on Mo Xuanyu’s list plus a couple extras for good measure. Who's a good blade? Baxia is! Yess you are! Yes you are!

This here is the exact point in the show where your friend, who has listened to you squee about The Untamed for three months and finally agreed to watch it with you, will say “what the fuck am I watching?” and try to get up off the couch. Tackle them!

This also the point where we all realize that the prosthetic and practical effects in this show were probably not made by the people who made the clothing, because the quality is...variable. The white eyeballs are pretty good, but the glove of death is ridiculous.

Camera operator: why you gotta take it out on me?

While Baxia goes to town on the Mo clan, the Lan Clan babies...watch? And tie up the various victims after they are already goners.

Narrator: Her son is dead.

Meanwhile,

Wei Wuxian, you motherfucker. You’ve been alive for like 7 hours and you’re already building a new zombie army. No wonder you don’t want them to call Lan Wangji.

Hanguang-Jun Cut It Up One Time

Lan Wangji shows up and very slowly kicks zombie ass with his guqin. If you are used to Hong Kong action speeds, you will find The Untamed very peaceful.

All of the baby Lans fan squee up at Lan Wangji like he's the cultivation world's David Bowie and...they're not wrong. Jesus Fuck, he’s charismatic.

Lan Wangji is soft boi when he discovers this murderous sword full of dead-bastard energy, because it reminds him of his true love.

Like the talk about souls, the conversations about the nature of the murderous entity really don’t survive translation into English.

Servant: it’s a ghost!

WWX: it’s not a ghost, it’s a spirit

Babies: It’s a spirit

LWJ: it’s not a spirit, it’s a [...] ghost

Our Protagonist gets the FOH

Wei Wuxian is soft boi when he sees Lan Wangji, but not so soft that he considers actually, like, sticking around.

Wei Wuxian is also clueless boi, noting Lan Wangji’s white clothing and thinking, as in the past, that he looks like he’s dressed in mourning. The term he uses is 戴孝, which google tells me means the type of outfit worn by Jiang Yanli after Wen Ning rips her husband’s heart out someone who is in mourning.

Actually, Wei Wuxian, you dumbass, he is in actual mourning, actually, for you. Dumbass. He probably packed away all of his blue outer robes 16 years ago and only takes them out occasionally to reminisce about that nice date you had on your mountain of corpses.

On his way out the door Wei Wuxian manages to find a red ribbon for his beautiful hair, so things are looking up.

Where to go next...hey I know, how about that one haunted mountain with the killer statue, you know, the one that all my executed friends and child came from? That’ll be fun and a great way to put the past behind me!

Episode 02 Restless Rewatch is here!

#fytheuntamed #the untamed spoilers #the untamed gifs #the untamed #restless rewatch the untamed #tw: blood #tw: suicide #chen qing ling #cql #c-drama #bl drama #canary3d-original #the untamed memes #my gifs

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felassan · 4 years

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Dragon Age development insights from David Gaider - PART 3

This information came from DG on a recent SummerfallStudios Twitch stream where he gave developer commentary while Liam Esler continued playing DAO from where they had left off in Part 1 and Part 2. I transcribed it in case there’s anyone who can’t watch the stream (for example due to connection/tech limitations, data, time constraints, personal accessibility reasons, etc). A lot of it is centered on DAO, but there’s also insights into other parts of the franchise. Some of it is info which is known having been put out there in the past, and some of it is new. There’s a bit of overlap or repetition with topics covered in Parts 1 and 2. This post leaps from topic to topic as it’s a transcript of a conversational format. It’s under a cut due to length.

The stream can currently be watched back here. Next week LE will be streaming a different DAO playthrough with commentary from another guest. Two weeks from now LE and DG will return to continue this playthrough for another stream session like this one.

(Part 4, Part 5, Part 6)

[wording and opinions DG’s, occasionally LE’s; paraphrased]

The Battle of Ostagar cutscene is one of the first big cutscenes that got made during production. When it was shown to the team for the first time, it was one of those moments where DG felt like “Awesome, this is a game!” Context: During the development of a game it feels more like doing a series of disconnected tasks and assets rather than working on a game, so seeing stuff come together at times like this is rad. The first time it was shown, it had temporary placeholder voiceacting.

Pathfinding is always a nightmare to do, especially in games which involve a party of NPCs. As soon as other characters are involved alongside the PC, it’s exponentially more difficult and takes up a lot more resources. The PC is the most complex thing going on visually on-screen, with so many moving pieces, and in party-based games you have four [etc] of them. So, some critique that’s made of the DA games in regards to this subject which compares it to games like The Witcher doesn’t really make sense, as The Witcher has a solo PC.

‘Weird mage hats’ didn’t really become a trademark ‘DA thing’ akin to their place of random pieces of cheese around the world until later games. For DAO, someone probably asked the artists to create “mage helmets”. Mage hats actually looked better in the concept art than they did in-game. What happened was that they were already modelled and then they didn’t have time to re-do them.

DAO was made for PC first. The plan from the get-go though was that it would be an all-platform release (PC/360/PS3). Games like these are always made for the “lowest common denominator” from among the various platforms that they’re being planned to release for. Games have to be made for the most stringent/basic of the platforms because this makes for less conversion rate. At the time of DAO’s development, the PS3 was getting weak graphically and getting old, and this was quite a limitation: “Why do we have to limit [crowds?] because of this one platform?” “Well, we just gotta”. The original models were a bit too detailed. Later on, the artists started making models that had lower polycounts that they could put in a bit more of. DA was never really focused on making environments realistic in an ambient manner (making environments less “gamey” and more lived in, like having crowded places). They could have put more emphasis there but this would have led to a resources issue. Ambience basically wasn’t a high priority. As a writer DG isn’t keen on this decision and naturally he wanted the world to look more realistic, but he noted that it’s easy for him to say this when this would be work that he didn’t have to do personally.

During DAO development, they might have just had a dev sphere originally that was called “tech design”. DG thinks this was later broken up into systems design, combat design and maybe level design. Level designers are the people that are the implementers of the plot. Narrative design is a branch of the level design spoke. System designers respond to requests from lead designers. Narrative designers and writers don’t interact with system designers much unless they have to. As an example of interaction here, system designers might come to writers and say, “Alright, so we’re doing combat, what are the sorts of things a mage can do in this world?” The writers would be like “Ok, these are the sorts of spells we imagined.” The system designers might then come back with “Ok, that fulfills 2 of the 10 things we need mages to be able to do in combat. Is it possible that mages could do [this]?” Sometimes it is, and other times it would be like “No, that’s really outside of the lore”. Still, sometimes said original-lore-breaking things would be added to the game a week later due to necessity and DG would be like “Oh ok”. This kind of stuff is an insight into how some aspects of the lore came to be or changed over time during development.

The system designers on DAO got a better idea of what could be done and what could not be done according to the lore as things went on. At first, DG had to keep telling them things like “It’s not that big a deal, but in the lore mages can’t teleport. Instant teleportation isn’t possible in the world”. The system designers needed a spell where someone could get from spot A to spot B really fast on the battlefield. DG said that that’s fine in itself, “have them turn into a cloud of bees or have a light that moves between the two places. We can use magic as a transition or as a speed thing, but what is against the lore is instant teleportation, to traverse distance like that”. At first the system designers weren’t on board with it, but they got on board with it later.

This sort of thing doesn’t just depend on the system designers. It also depends on what the tech artists are willing to do. Sometimes a certain request made of them was too hard and they said they weren’t able to do it. Other times it was a matter of DG not communicating the request properly, or the tech artists had already done the work and so throwing out all their work to re-do it just because he didn’t communicate clearly wouldn’t have been cool. So sometimes the originally planned lore got contravened, and sometimes things other parts of the team implemented in the game became the new lore.

LE made an insightful observation at this point: You can’t think of game development as a cohesive series of decisions that everyone on the team is involved in. This simple isn’t how it works at all, especially on large complex projects. There are processes at some studios for decision-making, but most of the time, a bunch of decisions get made by system designers. Others get made by level designers, still others by narrative designers. Situations then arise where someone notices a certain decision and that that decision and another one contradict each other. This is where conflict arises and a solution has to be negotiated. This is why often in games we get elements in the end product that are dissonant, because it was discovered too late or by the time it was realized, it was too difficult to change. It’s actually a miracle that on a game of DAO’s depth and scope that all these things largely hold together. [My note: With this insight and the context below on documentation, it makes sense how BW sometimes appear to ‘forget aspects of their own lore’ or end up contradicting parts of the lore in different parts of the franchise]

Sometimes such things would be noticed in time and DG would go and say, “Can we not do that or do something else instead?” and the relevant parties would be totally accommodating and do it (depending on how much time they had or how much time it would take to remedy). Sometimes this worked out and sometimes it didn’t. For the most part, everyone wants to work together. DG couldn’t be involved in every aspect of systems design “like some kind of All-Watchful eye of lore”, so he had to rely on the people who were there knowing enough from the documentation. Not everybody reads every document however. There was so much documentation even back during DAO. DG can only imagine the sheer amount of world/lore documentation that now exists now in the run-up to DA4; he said he thinks that nobody at this point on the current team has read it all, as editor/lore-wrangler Ben Gelinas isn’t with BW anymore. Lots of legacy documentation accumulated very quickly. Sometimes, the old document would still be there. Over time it became harder for people to discern which was the most recent version of a particular document. Sometimes people didn’t update the relevant documentation after changing things. Lore documentation was particularly bad for this issue. BG wrangled all the documentation and created an internal reference wiki (essentially acting as a lorekeeper). He was constantly coming in and picking DG’s brain to clarify conflicting aspects or obtain the correct, in-date information etc (“Good on him”).

DAO was the first time DG was involved in voice-recording. Prior to that he was only on the receiving end, in that the recordings would come in and he’d review them as they did so. DAO is when BW set up their own VO department and where Caroline Livingstone came on. CL wanted DG and Mike Laidlaw to be more involved in the casting process. As a result, the writers then were to write casting scripts: like, ‘For Morrigan, can you write a 1 page script that goes through 3 big emotions? [like regular talking for a bit, then here’s a bit of heightened emotion such as anger, then here’s a part where they’re being funny if they were a comedic character] These scripts had to be kept short so that the recording that was made from it wouldn’t be more than 30-40 seconds in length.

For the initial VA sessions, DG and CL flew down to Technicolor studioin LA and they had all the major castmembers there (later on, recording sessions were done a lot more remotely; this became easier as BW’s setup got more sophisticated). The idea was that they would both be present live in-person for the first 2 or 3 sessions to help each VA find their ‘voice’, and for DG at the first session to sit down with each VA and walk them through who their character was, what DA was about, and help them figure out how their character should talk. Claudia Black was the first of these sessions and he was “a wreck” going into that one. It got easier after that however. CL gave directions into the soundproof booth and DG was present to give notes on things like pronunciation or the intentions behind some lines. He says he learned everything he now knows about VO direction from CL. The things and tricks CL can do to get a performance out of an actor are amazing. Sometimes an actor would get a bit fixated or stuck on a particular way of delivering a line. CL had atrick to help them past this; “I want you to clear your mind, and I want you to give me a version of this line that’s more yellow”. The idea is that they just had to break out of where they had been stuck in that mindset, and the thing was that it doesn’t matter what “yellow” meant, but what was important was what “yellow” meant to the actor. They could then take that new varied delivery and progress from there.

Alistair’s dialogue when the PC talks to Flemeth outside her hut was the first complex conversation DG wrote for DAO. It was the first one that had a lot of branching and fiddling to it. The hardest conversations to write are the ones with a lot of exposition, and when they do have exposition still making this interesting and natural. At this point in the game, the player has no agency, just reactivity. The devs talked a lot about this subject when they wrote the origin stories. Some of the stories allow the player to initially say no and refuse to join the Wardens, but you always end up being railroaded (the devs here ended up doing a form of the trope ‘But Thou Must!’). Do you give the player the option to say no? Is it important to allow them that option? At some point, writers have to accept that the player has some level of buy-in and is game to play. They discussed a lot where they sat on this and what is agency. “Maybe don’t worry about offering the player every possible choice, but about having reactivity.”

Loghain wasn’t okay with letting Cailan die. He didn’t sit and angst about it openly where the player could see, and once the decision had been made, it being Loghain, it was Made and Had To Be Done (he felt that it was something that had to happen). But he didn’t kill the son of the woman he’d once loved dearly as a random off-handed thing.

The Solas twist was planned from the beginning, from the DAO dev days. Such big things/broad strokes have stayed the same. However, some of the details have changed or been added along the way. They didn’t know for instance that Solas was going to be a companion; that was something they came up with when they were planning DAI. Flemeth’s true identity has never changed.

Zevran says Rinna was an elf, but WoT says she was a bastard child of a noble in line for the Antivan throne (the Antivan royal family being human). When asked if this was an oversight, DG said yes she was a bastard, but she may have been really far down the line of succession, i.e. technically in line, but would probably never have been allowed to take the throne in practise had that scenario ever actually arisen.

DA was maybe inspired a bit/some by ASOIAF. This was way before it was on TV of course. DG at the time had read the first book or so. He liked the fact that it was a fantasy setting but low-magic, and was about the people in the world and their politics rather than magic, prophecy and other high fantasy stuff.

It was only by DAI that the system designers decided that it was okay to think of banter as an “activity that players engaged in”. In previous games, the devs had inadvertently managed to ‘train’ players to immediately stop when companion banter fires so that they could hear it all (because if you do something else, it gets cut off). When the level designers put together the spaces, they accounted for what players would be doing i.e. how much time between combat. They didn’t however account for like “You’re travelling down this hall and there’s a banter for half of that space. This is an activity, so it’s okay not to put anything in there”. This is how the inadvertent training happened, when originally banters were supposed to be a thing that ran as you move around the world (as opposed to stopping and standing still).

When asked if the Blight resulted from the creation of the Veil or pre-dates it: “I think you’ll probably have to wait on the game[s] for that answer, if it ever explains it”. He was also asked whether Arlathan is the Golden City. He won’t answer such questions naturally because they are “DeepLooooooore™~~ ♫”.

DG isn’t sure that he will play DA4 when it comes out. It’s not that PW and the team won’t do a good job, they will, it’s just that when DG plays RPGs he has an analytical mindset going on and finds it difficult to slip into the game and just enjoy. For DA4, as he was previously so involved in DA, there’ll naturally probably be an extra level of that with feeling like “What would I have done [for particular parts of the game’s design]?”. Alternatively he might instead feel like “Wow, this is awesome, here’s a game I would have made but didn’t have to do any work on!” DG stressed that it’s important to him to be fair about the work of his former colleagues - he wouldn’t want to come out and be like “I wouldn’t have made [this or that] choice”. He also noted that just because something might be a call he personally wouldn’t have implemented in the game, that doesn’t mean it’s a bad call. There are people out there where if DG intimated at all that there was an aspect of DA4 that he wasn’t keen on, he’s worried that they would pounce on it and use it as ammunition against the current team (who are his friends that he really cares about and wants to do well). He walked away from DA voluntarily and is happy his game will continue on. PW popped by in chat at this point and agreed that it’s definitely hard to play something that you used to work on.

Other assorted tidbits:

DG really opposed the part at the Battle of Ostagar where mabari are set to charge the darkspawn horde - “That’s not how you would use dogs [in war]”

There was supposed to be a cutscene where Flemeth rescues the HoF and Alistair from the top of the Tower of Ishal in her dragon-form. This was cut. DG remembered being angry about this like “nobody is gonna buy that you fall unconscious and then wake up in the hut totally rescued. [...] I guess I’m not always right”

When DG went to Beamdog there was a period where they thought about making a Baldur’s Gate 3. They put together a pitch and had a long series of discussions contemplating things like “What do we need from BG3? What do we expect it to have in order to have the BG name? What is needed and not needed to connect to from the previous games?”

DG isn’t sure who designed the DAO inventory system

PW in chat recalled a game writer from another company who was really ragging on DAI on the Christmas Day after release

Narrative designer and system designer are very different positions/roles with very different responsibilities

Simon Templeton as Loghain did all his voicework stuff in one take, which was very impressive

It would have been the marketing department that chose 30 Seconds To Mars for music. DA was really good at choosing up-and-coming acts for this that weren’t huge when they used their songs, but became huge afterwards

During work on Baldur’s Gate 2 was the most DG has ever crunched. He slept in the office a few times

“As soon as you get both Alistair and Morrigan in the party, that’s when it’s like ahh yes, this is a BioWare game”

Were Flemeth and Morrigan’s interactions with each other and the PC when Morrigan is being told to leave the Wilds and go with the Hero an act, considering that Morrigan did know about the OGB plan? No. That was The Plan, but said plan wasn’t like “Ok, she’s going to leave Right Now”

The elves and the inversion of the traditional elven trope are DG’s favorite part of the world/world-building

One of the original intentions for DAO was to make it so that the player wouldn’t need a healer in the party, or that there would be different kinds of healing, or that healing itself wouldn’t be a thing, but this just didn’t work out

The Imperial Highway used to be a really important part of the lore but it kind of got forgotten a bit

It’s kinda funny that after release some players expressed that Corinne Kempa’s accent as Leliana was “sooo fake”. It’s not fake, she’s actually a Brit that moved to France when she was young, so she has the exact type of accent that Leliana would have (Leliana was born in Orlais and is culturally Orlesian, but her mother was Fereldan and she considers herself as such)

They talked some about the need for documentation and how doing this can feel beurocratic and uncreative and how like you’re not working on a game or writing. PW in chat expressed that there was a year where they spent a lot of it working in PowerPoint and Excel, “so I feel this”

When they switched art directors to Matt Goldman, his first big complaint was about all the brown. He came to DG like “Is there a lore reason for or are you particularly in favor of the brown for story reasons?” DG was like “Uhh no” and Matt was then like “Ok good”

Console codes/commands aren’t usually stripped out of a game before release, they are usually still in the built, just disabled. The system itself is not removed but how to access said system is

BW doesn’t crunch as bad as we hear some companies do, and kind of prided itself on “not being terrible at crunch”. But BW’s “not terrible at crunch” is still crunch. We obviously don’t commend abusive family members for only abusing people on certain days of the week or whatever

Kate Mulgrew is American but she at times did the same thing a lot of the British VAs did, which was that the devs had a lot of struggle with getting them to say “darkspawn” correctly, with the emphasis in the right places. They’d say “dark SPAWN” as if it was two words with an adjective, and the stress put in the wrong place

Lack of children in DAI was a resources thing. They only had time to make a certain number of models. There was a series of meetings where they had to decide what things to cut. In the last meeting it was like ‘Here’s a bunch of things you don’t want to cut, we need to cut 4 of them’

They decided to put horned qunari back in DA2 because then they had the resources to do so. They then ended up having to explain why there were hornless qunari at the same time, and make this an in-world explanation as opposed to just ‘We didn’t have the resources, that was totally intentional’

Lots of players missed out on recruiting Leliana and/or Sten on their first playthrough and didn’t even know they existed/could be recruited. “Apparently we weren’t that great at pointing players in the right direction”

Tevinter is inspired by the Byzantine Empire (which wasn’t called that at the time incidentally, this is a name given by historians after the fact), what used to be the Roman Empire after the western part fell. This is the era Tevinter today is meant to encapsulate: decadent but clearly in decline, far away from the heyday and the heights of the former empire [source]

[Part 1]

[Part 2]

[Part 4]

[Part 5]

[Part 6]

[‘Insights into DA dev from the Gamers For Groceries stream’ transcript]

#dragon age #bioware #video games #morrigan #queen of my heart #alistair theirin #fav warden #dragon age 4 #the dread wolf rises #solas

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miraculousgemscc · 3 years

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Not So Berry Extended

I was inspired to write out a few more generations for the Not So Berry Challenge! I’m currently playing it in my spare time as a Vampire Not so Berry (cause why not?) and i’m having a lot of fun playing it and watching others play through the challenge! If you’d like to see more of these or maybe another version of Not So Berry Extended but with more of the careers then please let me know!

NOTE: This hasn’t been play-tested! If whatever’s listed below is impossible to complete please let me know and i’ll make the needed changes!

Gen 11: Black

(Requires Snowy Escape, Get Famous, Parenthood)

Growing up, you always thought you had the perfect life: You had the dream house, the dream family. Until one day you found out that your mother/father/parent had a secret affair. This completely broke you and in order to cope with the news, you decided to become a rebel. I mean, don’t we all go through a rebellious phase in our lives? Your whole perspective on life went 360: you changed your sense of style, your personality, etc. all at once. At least you had the great outdoors giving you comfort during your “everlasting phase”! Your favorite season was Winter because you could ski/snowboard all day, everyday. And what about those dreams you had of becoming a famous skier/snowboarder? Well we can do that too!

Traits: Hot-Headed (give as a teenager), Active, Self-Assured

Aspiration: Extreme Sports Enthusiast

Career: Manuel Laborer, Ski/Snowboarding YouTuber (once you reach Level 10 of Ski/Snowboarding)

Rules:

Must enter “rebellious phase” either at the end of childhood or beginning of being a teenager (you don’t need PH for this, it’s just apart of storytelling) (this is when the black color of this gen. should occur)

Must get the Argumentative, Insensitive and Uncontrolled Emotions Character Value traits (PH)

Must max either the Skiing or Snowboarding skill (SE)

Must enter the Manuel Laborer job as a teenager and stay in that job

Once your able to create Snowboarding videos, you must make your money off of your videos only

Reach at least Rising Star of Celebrity level (GF)

B-Lister is preferred but since getting fame with Get Famous is hard as it is Rising Star is ok

Must move to Mt. Komorebi (SE)

Gen 12: Dark Academia

(requires Get to Work, Nifty Knitting) Your mother/father/parent was one of the most famous skier/snowboarders in Mt. Komorebi. She/He/They always encouraged you to spend your time outdoors and take in the fresh air. Yet, you preferred to spend your time indoors, curled up in bed with your tea and book in hand. You craved to enter the fictional worlds you’ve read in your books from a young age. When you entered high school, you found your love for the arts and decided that you’d become an artist. At least then you could bring the worlds you’ve read to life on a canvas! And why not have a little snack while we’re at it? You can just learn some new foods you can make through cooking books after all!

Traits: Bookworm, Creative, Art Lover

Aspiration: Painter Extraordinaire

Career: Stay-at-Home Painter, Painter career (⚠️Only if you get offered the job⚠️)

Rules:

Must complete the Painter Extraordinaire aspiration

Must max out Painting skill, Cooking or Gourmet Cooking skill and Photography skill (GTW)

Must make your money through your paintings only

if you get a call about joining the Painter career, you must accept

Must move into a “rundown” lot/apartment with only a kitchen, bathroom, and a bed (and maybe your books if you want but you can’t sell these for money)

your funds when you move out after moving into your house must be $60

(this will be enough for your painting and some extra money to spend elsewhere)

Must have a library in your house

Must have 3 kids (biological or adopted)

spouse must be employed as a Salaryperson and/or Business career (recommended if it’s game generated but you can give them either job yourself)

can only marry partner towards the end of adulthood

Must purchase Knitting Skill Book 1 from bookshelf (NK)

Gen 13: Pastel

(requires Nifty Knitting, Get To Work, Get Together) Your family was pretty stable for the most part. Sure, you may have had trouble paying the bills here and there but what mattered most is that your family was together. Even though you enjoyed your mother/father/parent’s love for Forrest Green, Rosy Brown and overall Earthy tones you felt like you needed a bit more color in your life. And by color, you mean bright and colorful. One day while going through your mother/father/parent’s library you discovered a book on knitting. Figuring your mother/father/parent spent all of their time cooking and painting anyways you decided to take the book and learn how to knit. Yet, knitting cute decor and beanies isn’t going to put food on the table and a roof over your head. Guess running your own business is going to have to wait. Oh yeah, you also have a weird obsession with the letter B...

Traits: Perfectionist, Cheerful, Childish

Aspiration: Lady/Lord of the Knits

Career: Barista (teen), Business (young adult), Business owner (adult)

Rules:

Must complete the Lady/Lord of the Knits aspiration

Must max out Knitting skill, reach required skills needed for jobs before quitting them (ex. If you need Level 3 of Charisma for the Business career but you’ve age up to an Adult, you must reach level 3 before quitting the job)

Must Donate to Charity at least once a week

Quit your career in Business and open your own business as an adult (GTW)

Must get 2/5 stars for your business

Must live in Windenburg and have your business in the Old Platz neighborhood (GT)

Must create a Knitting Club and meet your friends (GT) when you reach Level 3 of the Knitting skill

Can only have relationships with immediate family (siblings, parent(s), grandparent(s), aunts/uncles) until you create the club. Once you create the club you may make friends.

Must become good friends with club members and best friends with one of the members

Marry your partner from the Knitting Club

Must have their first and/or last name start with B (you can cheat the name if you want)

Gen 14: White (Requires Get Famous, Get Together, City Living) Living in Windenburg for most of your life, you always loved how the town was so inclusive to everything and everyone. You always found yourself vibing with the music and dancing whenever you had the chance. But you also had a passion for music, specifically rap. While browsing the internet one day you came across some videos about some kid with blue hair rapping with his friends and you immediately became obsessed. (yes, I just made a FNF reference) From that day on, you wanted to become a Triple Threat: a dancer, musician, and a producer! The world isn’t stopping anytime soon so you gotta act fast and get your dance on!

Traits: Dance Machine, Music Lover, Geek

Aspiration: Musical Genius

Career: Entertainer Rules:

Must max the Dancing skill, Media Production skill, and Guitar/Violin/Piano skill (your choosing) reach level 6 of Singing skill

Must complete the Entertainer career

Must be signed to a Record Label and release your music (GF)

Must marry someone named Keith and has the Proper trait (you may cheat the name only)

Have a boyfriend/girlfriend/partner in high school but break up with them before becoming a Young Adult

must be Hot and Cold with High School love (negative friendship, positive romance)

Have Dance Battles with your friends at least once a week

Have at least 2 Enemies (you can have more if you wish) (this doesn’t include your High School love)

Gen 15: Navy Blue

(Requires Discover University, Eco Lifestyle, Parenthood) Growing up you tend to lean towards a more sophisticated lifestyle thanks to your father. With having good role models around you and supportive parents, you were able to pursue your dreams of becoming a lawyer. Helping those in need was one of your biggest goals in life. The world right now isn’t perfect and you strive to change the world for the better. Having been the smartest kid throughout your school career, you were given the chance to jump straight into the Law career. Although you were grateful for the opportunity, you decided to continue your studies and learn as much as you could before going into Law.

Traits: Proper, Ambitious, Genius

Aspiration: Academic

Career: Law

Rules:

Must complete the Law career

Become a Private Attorney

Must max out Research and Debate, reach level 5 Logic skill, reach level 8 Charisma skill

Must complete the Whiz Kid aspiration and Academic aspiration

Must attend college for the Law career (you may disable aging while you go to college if you want)

Must get an A in school (child and teen)

Must have the Responsible and Mediator Character Value traits

Must make your neighborhood a Green neighborhood (EL)

Attend volunteer events at least once a week (PH)

Never get married, only have 1 child

(can have boyfriend/girlfriend/partner)

Must move to Britechester when you start the Law career (you can live in Britechester while attending college if you want)

Gen 16: Phoenix

(Requires Vampire) You grew up wanting more from the world besides all of the “change the world” stuff your mother/father/parent kept blabbering on about. Instead of changing the world, you wanted a change of scenery. While roaming the world trying to find your new normal you discovered the world of Forgotten Hollow. There, you met your soulmate and later the person who would eventually turn you into a vampire. As crazy as it sounds, the minute you became a Young Adult you up and left your home in Britechester and moved to Forgotten Hollow. This you thought was it! You were finally free to be yourself! Until the dreaded accident.....

Traits: Loves the Outdoors, Romantic, Erratic

Aspiration: Master Vampire

Career: none

Rules:

Must purposely burn in the sun and die

Must have no kids

Must complete Master Vampire aspiration except the, “Survive for an Additional 20 Days as a Vampire” section (you must Die by Sunlight before this reaches the full 20 Days)

Must max Vampire Lore skill and Pipe Organ skill, reach level 5 Gardening skill

Have your own garden in Forgotten Hollow and make your money through your garden only

Must unlock the Thin Skinned weakness from Vampire levels

Must immediately move out as a Young Adult to Forgotten Hollow

your partner must be a Vampire and turn you into a Vampire

And that’s it! I hope you find this as interesting as I did! :D

If your wanting more ways to spice up your gameplay, I have a save file that i’ve been working on the past couple of years! You can find it here.

#nsbe #not so berry #not so berry extended #thesims4 #the sims 4 #sims4challenges #sims4challenge #sims 4 challenge #sims 4 challenges #nsb #ts4 #misc.#miraculousgemscc

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milk-lover · 4 years

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Easy Ass Bread

During this void in space/time we refer to as Quarantine, I have decided to tackle my greatest baking fear: yeasted bread. Now, after a few months of sporadic baking frenzies, I have come here to this hell site to share my findings. I am in no way a bread baking expert; there are a lot of variables that go into good bread, and I’m honestly not that good of a baker to begin with, but I have made a few discovers that have led to me being more or less satisfied with the resulting loaves. So without further ado, here is Aud’s Recipe for Easy Ass Bread. (Under the cut to avoid LONG POST tm)

3 cups (360 g) Bread Flour

1.5 teaspoon salt

2 teaspoons (7 g) Instant Yeast (or 2.5 t (8.5 g) Active Dry Yeast)

2 Tablespoons (27 g) Olive Oil (I sometimes use Avocado instead)

1 cup (250 g) water

somewhat specialized things that make it easier, but aren’t 100% necessary: pizza stone, cast iron skillet, spray bottle, wire rack

Combine the flour and the salt. Dissolve the yeast in the water (if you are using Active Dry Yeast, warm up abt 1/4 cup of the water to 110F (43C), or to about bath temperature, add in a small teaspoon of sugar, stir in the yeast, and leave 10-15 minutes, until the yeast starts bubbling, then add that to the rest of the water and continue as normal). Add the yeasty water and the oil into the flour and stir it together with a wooden spoon (or, like, your hands, it doesn’t matter). Once it starts coming together, dump it out on your (clean!!!) work surface, and knead it together until it is more or less smooth (i do 8 minutes but it might be more or less depending on your level of rage). Then, shape it into a ball and put it in a bowl or tuppaware large enough for it to expand by about 1.5 times its size. Cover it tightly and put it in the fridge at least overnight, and up to about 4 days, opening the lid once a day to let out the built up CO2.

The next day (or whenever you decide to bake it), take out the dough, shape it into a ball, and place it on a piece of parchment paper. Oil a piece of plastic wrap and cover it, then let it come up to room temperature. Preheat the oven to as hot as it can go (mine does 500F), with a pizza stone on a bottom rack, and a cast iron skillet on the top, with plenty of space in between the two. Let the dough rise for about half an hour, while the oven preheats, then remove the plastic wrap, and spritz the dough with water. Slide the parchment paper directly onto the pizza stone (with the dough still on it, obviously). Pour about an inch of water into the cast iron skillet, and spray more water on the walls and floor of the oven, and then close the oven, and reduce the heat to 450F (230C). Bake until the sides of the loaf start browning, then CAREFULLY!!! remove the cast iron, and switch the oven to broil, and bake until the top of the loaf is deeply browned. Remove the loaf from the oven and cool on a wire rack. Once cooled, ENJOY!!

Now, this is definitely not the best bread recipe in the world. But it does definitely scratch the “I really want crusty, chewy bread” itch that I was feeling, and its also hecka satisfying to make (plus, kneading bread is a great way to get out some excess rage at the state of the world). This recipe specifically is the result of me trying out a ton of recipes and figuring out all the cut corners and short cuts I can take and still have a decent loaf at the end of it.

If you don’t have a pizza stone, you can bake it on a regular baking sheet, but it won’t cook as nicely. You can also use a different container than a cast iron skillet for the water, but I like to use one bc it can get nice and hot all by itself in the oven without cracking or warping, unlike say a glass or aluminum container.

(Some explanation for why some things are like they are if you’re curious:

You want to wait for Active Dry Yeast to bubble up (aka ‘Proof’ it) before using it bc you need to check that its still alive. You can technically do that with Instant as well, but Active Dry Yeast is put through a harsher treatment to make it shelf stable (? I think) so its more popular to proof it just in case.

If you don’t put this dough in a big enough container, it Will Explode all over your fridge trust me I Know From Experience.

The longer the dough is in the fridge, the more time the yeast has to Get Busy and make the Funky Yeast flavors. The low temp + long rest = many fun flavor. A quicker (1.5 ish hour), warmer (room temp) rest would also be fine in a pinch, but it would be less fun yeast flavor. I don’t do more than 4 days, however, bc it also changes the texture of the dough a lot, and makes the loaf flatter. I don’t know the Real Science why, though, I only know bread. ¯\_(ツ)_/¯

You gotta put the pizza stone in the oven BEFORE preheating bc that heats it up gradually. Rapid temperature change can cause it to crack. (also dont like.. put it directly into the fridge after bc it Will crack and also why would you do that?? basically no rapid temp change ok)

The pizza stone helps the oven retain a lot more heat (you basically make a mini oven within the oven its great) and more heat = better bread. I don’t know the real science but it happens ok trust me.

The reason for all the cast iron w water and spraying the loaf w water and spraying the oven is bc Bread needs STEAM! Real bread ovens have steamers in them but we don’t have one o those so we gotta improvise! Steam causes the hard cronchy crust on the bread which is practically the best part so if you can maximize the amount of steam you introduce to the environment while minimizing the amount of heat the oven loses, thats poggers.

Also I know we all wanna eat that chhronchy bread straight outta the oven, but you gotta let it cool down for like at least 20 minutes bc if you tear/cut into it while its still hot you’ll ruin the texture and like the yeast did so much work to make the bubbly texture don’t ruin it for them.

Alright gamers i’m out have fun w bread lov u)

#bread!#fuck it we're posting the bread post #no lie this has been sitting in my drafts for like a month and the only reason im posting it now is bc i lost the sheet w the recipe on it #and remembered i had it written down here #bread recipe #:D #reply if the instructions are confusing or you have any tips bc tbh i am not v good at this i just having fun #its good to dip in olive oil w basil and garlic #tho most things are good to dip in olive oil w basil and garlic

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artemuerto · 5 years

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Mr. Parker. Mr. Stark— or I was dreaming this, sort of.

Read on AO3

Mister Parker. Mister Stark

Peter is the sweetest chemistry teacher they had had in a while, and was insanely smart too, thank god, they were getting of revisiting some topics while other remain untouch in taboo. But not mr. Parker.

Peter would encourage his students to be better, to found new ways of achieving the results they needed for the class and even bet them a note for the class: if they could find a different way to answer the problem than what Peter taught them that day, they would perfect grades by the end of the semester.

No one could beat him.

But they could make him blush.

The first time it happened was so innocent that nobody saw it coming; some girls were gushing about what-knows-what but were rude about it, as if Peter’s class was not of importance to them, and so Peter intervened.

Only to discover they were talking about him but in no academic manner.

It seemed one of the girls had caught him outside of work, out in a store, buying groceries. Of course he lacked his usual attire of bespoke suit and was wearing a more loose up joggers and trainers.

They were rambling about if those were actual sweat pants or if they could call them yoga pants.

Peter did not wear yoga pants. And he said much.

However, it was now impossible for the student not to notice his slightly reddish face. Colors went up to his cheeks in shame but it didn’t mean he was upset; the situation itself made him remember a similar conversation in the past.

So, that’s is how the class switched a whole 360 degrees. Some students went as bold as they could openly calling Peter names after they discover the effects it had on their teacher.

—

“Isn’t that right, Bambi teacher?” Peter blushed all over til his neck and bellow. Trying not to moan loudly into the empty room.

—

Exponentially, mister Stark was the worst best teacher they ever had.

His classes were legends around campus and the man himself was a legend. A magnate with a history turned teacher after stepping aside from his company to let his family look over his legacy.

Mister Stark classes were hard as the man who taught them, full of jokes and some laughter didn’t assure any of his students their good scores, in fact, the first exam was an absolute failure on their behalf. Stark simply his a pleased smirk beneath his cup of coffee.

Nobody was truly convinced but sooner rather than later rumors were around campus.

“Did you notice how Peter looked extra disheveled this morning?”

“Ahem, Miss Stacy, you do have more important issues than mister Parker’s whereabouts.”

“Peter looked so cute this morning. He seemed tired and I went to offer him some coffee, but he turned me down saying he had some on the way.”

“Do you think he’s dating someone?”

“That’s non of your concerns, gentlemen.” A voice was heard.

“He’s not married, is he?” Mister Stark entered the room, opening the door as loudly as he could.

“Ready for today’s class, kids?”

“I don’t see any ring.”

“You won’t be needing a ring in a while, so stop gossiping and finish your work.” Mr. Stark voice was loud and clear even in a safe distant.

Yeah. There were rumors. And there was no way of proving them, nevertheless the students —of some of them— thought there had to be a connection between mr. Parker fluster demeanor (yes, Tony forced them to express themself about his teacher with respect.

Hah! See what they did there?) and mr. Stark heavy stare with horrifying workload.

Either way, it was non-consequential, there were not other signs.

So, better wait for spring break.

—

After spring break something changed and it was not only the weather.

Mister Parker was smiling more, he seemed more relax, happier even. His skin was glowing after hours basking in the sun, his curls were longer and impossible to tame and there was a faint trail of tan under his neck.

As if he had been sensible under the sunshine and had to take care of himself after spending extra time under the clear sky with no protection.

The fresh air and cool breeze wasn’t calling for summer yet but the warm hours were stretching in the afternoons. And by doing so, the fit suits were forgotten over more light version.

Some days Peter didn’t even wore a jacket and his arms were at display as his sleeves were roll up.

Yeah, something was different.

Although the student board still hadn’t catch a break until they saw him. Mister Stark.

His hair too was longer and even showed some silver lines that made him look not simply older but wiser. Soft lines near his eyes liked to stretch when he smiled and his beard was rougher.

—

Mister Stark was finishing up his day, clearing any doubts the students could have and strongly remind them not to slack only because summer was coming. Finals were also coming and they needed to be ready.

They haven’t failed any more tests but nobody would risk it.

A knock landed on the door.

“Don’t you get tired of bully them?” Peter’s head could be seen by the door but not him body, he was just checking if it was a good time to come in.

“Don’t you get tired of getting bully?” The remaining kids stayed silent during such open banter, and if someone gasped by the time Peter came in and pout at their math teacher, no one could prove it, no one would deny it.

“They don’t bully me.” Peter defended his students. It was true, they stopped calling him names and slowly went back to refer to him with his last name like at the beginning of they year. He didn’t really have a preference, as long a they stayed respectful toward each other, he could care less if they call him by his name. He answered better by his name.

Being called by his last was a bit strange to be honest.

“They don’t because I said so.” There! There they had it. Proof.

Mister Stark left his arm hanging middle way and Peter came closer to his body. Peter grinned at the man who stayed still in silence and later on giggled. Peter giggled. “Ready to go?”

“I’m ready when you’re ready.” Peter’s hands itched to touch Tony, to simply reach for the man and take his hand, intertwined their fingers and kiss his knuckles. And to avoid it so, he clasped his hands in his bag.

“See you next week, kids.” The pair of teachers left at a slow pace talking softly to each other until they voices no longer were heard.

“What just happened?” Someone, somewhere asked.

—

Miss Romanoff was running down the hall, there was some paper work that could be done by Monday but she prefer doing it now, late Friday than worry about it all weekend.

Some signature, some change of schedules and a ‘leave-form’ of vacations next to a positive answer for an invitation.

“C’mon, c’mon, c’mon... they can’t be gone already!” Opening the door of an empty classroom, she sighed. Where were they? “Hey!” She called one student. The boy turned and smiled happily at the red woman.

“Miss Romanoff.”

“Mister Leeds.” Natasha smiled softly at the polite salute. “Have you seen mister Stark?” Ned took seconds to think.

“Oh, yeah— he’s already leaving. I saw by the parking lot.”

“Thank you.” And she ran off.

“Hope you catch them!”

Natasha found them still talking near the parking lot. Students were still hanging around and undoubtedly surrounding the man she was looking for.

“Mister Stark—“ the man gazed up under his shades and moved his head to a side in answer.

“Yeah?” Tony shifted closer to Peter and a hand was met in his waist.

“Not you.” Natasha joked. “I meant the other mister Stark.” Peter looked oddly pleased and embarrassed by the same fact. “Here are the schedules for next week and here is your petition, all I need is you signature.”

“Couldn’t you do that Monday?” Tony didn’t seem convince but he wasn’t going to lie, the outcome would please him nonetheless.

“I could. But prefer not to.” Peter smiled at her.

“It’ll be quick, Tony.” Borrowing a pen from Tony’s pocket, Peter signed was needed.

“Are you still coming over?” Peter felt but insecure yet but one sincere look from his friend had him at peace.

“I wouldn’t miss it for the world.” Nat ruffled his hair lovingly. “You two got married, we gotta celebrate.” Peter laughed loudly making Tony feel proud.

“See you later, Nat.” The woman saw the ride together.

“Miss Romanoff?” A couple of confused faces greeted her.

“Yeah?”

“Are mister Stark and mister Parker married?” Oh, silly students. Have they gone mad already?

“Did you not hear what I say?” Nat left leaving behind a thread of puzzles students and one hell of a rumor for next week.

All this time and they had never known.

#arte muerto #mis escritos #starker #pro starker #college au #teacher peter #teacher tony #in english

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terribleben10opinions · 5 years

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Ranking Ben 10 possible futures from worst to best

3. Ultimate Ben

I like to imagine the writers room when they were coming up with ultimate Ben

Writer 1: “okay so we have a hero who’s main power is transforming into other alien species and using their unique physiology and anatomy to have- by earth standards- super powers and showing off creative and fun alien designs. Plus now with the introduction of the ultimatrix we can show off battle hardened ultimate aliens, perverting and weaponizing the fan favourites into tools of destruction. How do we capture the magic of the original Ben 10,000 while also incorporating all the interesting ideas we’ve come up with?”

Writer 2: “Uh, an unremarkable dad bod with a shitty beard doing backflips with a touch of inflation kink?”

Writer 1: “...”

Writer 2: “also his shirt is maybe the old watch symbol?”

Writer 1: “PERFECT”

In short I think the design was lazy as fuck and agree with Kuro that he should’ve had a Kevin 11 thing where he could galador his body parts into other aliens. Also him knowing one shield spell was dumb considering Gwen can barely use hers at the best of times.

2. Ben 10k (omniverse)

Not too much to say about this Ben, I liked the biomnitrix, I liked his softer voice and how he activates the watches by wonder womaning them. Most of his fusion aliens were cool and him being an insanely overpowered demi-god while still having a stereotypical TV marriage to Kai was cute. This iteration I feel was kinda trying too hard with the fans I think though, having a belt buckle that literally says “10K” is a little on the nose and the biomnitrix is admittedly fan service-y but I feel like this design was done in earnest so I feel kind to it. Still this Ben leaves out a lot of the cool aspects of Ben 10,000 which is why our number 1 is...

1. Ben 10,000 (og)

This Ben wins HANDS DOWN for a LOT of reasons, I’m gonna divide them up into some sections because I love wasting my time.

1. Action

This Ben uses the master control function on the omnitrix to create his own fighting style that I’m just gonna call master-control-fu. Basically rather than just staying in one alien form/power for a prolonged period of time like Ben UAF and omniverse, Ben 10,000 swaps between aliens and uses their powers together to get the advantage in battle (i.e, pinned down in battle? Use spitter to push the baddie off, then buzz shock to zap the goo created by spitter). This fighting style means visually interesting battles, creative solutions to problems AND echos both back with vengeance when ben was running from Kevin and Vilgax by rapidly swapping between aliens (best part was when he escapes a null guardian’s mouth using heat blast, swaps to stink fly to fly above Vilgax, fourarms to smash onto vilgax grey matter to hop to kevin and away from him, Wildmutt to get a 360 degree view of the area and then using that knowledge, Wildvine to smash two null guardians that were of his line of sight together.) and also Grudge match when Ben taught Kevin to use alien powers together (stink fly goo+ heatblast flame = explosion). In short this Ben’s action scenes were a joy to watch and made my head spin.

2. Character design

Near PERFECTION, I love how the omnitrix is huge now and takes up Ben’s forearm in a sort of earth 2 power ring scenario, I love his aged and swoll aliens ESPECIALLY WILDMUTT which references season 2′s vulpenmancers and low key human ben is p hot. YOU DON’T NEED TO GO ULTIMATE TO HAVE COOL LOOKING ALIENS.

3. Characterization

I also loved this Ben’s characterization from his two episodes, in the first he's a work obsessed ego-maniac and after his run in with his past self he learns that he has personal responsibilities as well as hero responsibilities and I think that was a good message and an interesting commentary on our current Ben, sure now he’s a kid and loves being a hero and sometimes puts his desire to be the hero above others but when the stakes get raised that sometimes might become all times. Anyway, point is first episode he's all about being a saviour, he meets his past self and learns that he’s gotta do other stuff, in most shows that’d be the end of it and Ben’s future would be saved forever BUT we get another look into this Ben’s future and learn that there’s still echos of him putting his hero life above his personal one: he’s missed Kenny’s birthday multiple times and takes Kenny’s chances to be a hero away from him (in battle and by limiting his omnitrix to having less offensive heroes) and I love this take that people don’t just change in 2 seconds, you might make them aware of their flaws so they can recognize them but they’re still there and still crop up.

Overall this version of Ben’s future was made with love and while the other two have some love in there I think that the best route would’ve just to have used the OG Ben’s future as a template and put the series modifiers on top.

#ben 10 #ben 10 alien force #ben 10 ultimate alien #ultimate ben #ben 10k #ben 10000

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flyswhumpcenter · 6 years

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Bad Things Happen Bingo! The event where you send me requests according to this marvelous card!

Don’t ask me why. It’s like I did a 360° on my ideas about being that one local whump hipster asshole. It wasn’t even a request, but the art block was stronk and the tentation even stronker so... DBH whump! I can’t explain, just take it! Father-son Hank & Connor + “Blood from the Mouth” wasn’t in my inbox but fuck it. Sometimes you gotta do what you gotta do.

Nothing Ever Goes Right Around Here

Summary: It was supposed to be a normal case of missing deviants, goddammit. Instead, it turned into a shower of blue blood.

Fandom: Detroit: Become Human

Wordcount: 3.5K words

Event organized by @badthingshappenbingo

AO3 version available here.

There was this thing about being in the police that all cops knew about: the danger of death. Unless you were stuck behind a terminal waiting for shit to happen or filling goddamn paperwork for the tenth time in two days, you were going to put your life in danger. Criminals were all over trying to get away with their crimes: if it meant killing an officer or two to evade it, then they’d probably do it.

Everyone was aware of these dangers when androids started to become a thing. Housekeeping and making stuff in huge hangars in what used to be the desert part of Detroit hadn’t been enough to contain the “epidemic”: in the end, that one corp named CyberLife had managed to slip some of policer/detective/whatever robots in the police forces to fight against other robots having gone deviant/defective/however they called it.

In a way, Hank could say his career changed the day he had gotten a partner assigned to him in 2018 Anno Domini (and he only knew what “AD” stood for because he once had gotten through a torrential lecture about it, holy shit that had been boring as balls). A non-human partner. A plastic prick assigned to him because now he was investigating androids or something. Wished he had been warned about facing these assholes before Fowler had slammed them in his face. Would have been nice to get prepared, y’know.

The thing was awkward to look at. It looked goofy with puppy eyes, a haircut which seemed to have dated back from when he was born and with a weird-ass voice with a weird-ass accent. “CyberLife androids are conceived to work harmoniously with humans”, sure. It kept trying to do some fake small talk, including such classics as “I like dogs” and “Can I ask you a personal question, Lieutenant?”.

It wasn’t like it wouldn’t follow him around all the goddamn time. The thing was tenacious as fuck: no matter how many times he’d tell it “don’t go there, you’re gonna get killed”, it’d still do so. Fucking prick. Drinking himself to death? It’d break his window. Eating lunch? It was there, commenting on his street friends taking part in illegal gambles. Getting shot in the fucking head? It’d come back the next day as if nothing had happened, “My predecessor was unfortunately destroyed, but I was sent as a replacement”.

After a while, though, Hank noticed himself warming up to the fucking robot. In fact, he started to refer to the latter as a “he” instead of just “it”. In a way, advanced androids showed: at times, Connor was more human than he would have liked his artificial partner to be. It was too real when he had had to slam his heart back into his chest as it bleed blue everywhere in a staff room.

Way too real.

In the end, deviant androids weren’t in the wrong and lead a peaceful revolution. Bigotry was still there (when wasn’t it? Being an asshole was a part of being a human being), insults and slurs were still there, deviants hating humans and vice-versa were still there. The world would change, he figured. It always did, so why wouldn’t it change this time? Androids had claimed back the tower in which they had once been conceived, built and stocked: it was already changing.

It was easy to perceive: instead of just having some kind of plastic partner crossed with a poodle trying to sound human, he had a workmate with just a different colour of blood and way to express himself (“androids cannot die, we get shutdown”, “androids cannot get sick, Hank, they can get infected”, yada yada yada). In a way, Connor was the son he had never gotten the chance to see grow up, but he’d be damned if he ever spat that in front of the kid.

It wasn’t about hunting down deviants for the sake of making them go back to being machines anymore, at the DPD. Now, it was about hunting down violent deviants, find missing androids scared by deviancy, or arresting even more assholes killing androids. Hank wished he didn’t know android sex trafficking was a thing, but it was a few cases too late. It was better than before: he didn’t feel like he was being an ass just for making his job. Connor still licked blood off the floor as if it wasn’t any big deal (God, that was still gross as fuck), but it was better.

So now, he was teamed with a sentient android investigating android-related cases and it wasn’t even swerving his hate nerve anymore. Getting over what had happened to Cole was finally going somewhere thanks to him not being a blind piece of shit about it anymore. How things had changed in such a short span of time.

All this had brought him to this day. They had been assigned to the case of the disappearance of an SR300 which had apparently gone deviant and fled the place with a similar model, a JL900. Both were android models specialized in education and teaching, and had fled from the high school they were used in.

“I guess being a teach is only slightly better than findin’ corpses on the ground,” Hank grunted as he turned on the car. “These two must have fled because the brats weren’t worth the shitty-ass wage.”

“According to witness accounts, the two have taken shelter in a nearby abandoned school, of which the current school is a rebuilt one,” Connor stated, looking through window to a decrepit building barely standing.

They both got out of the car, making their way to the old building. It was a disaster to look at: shattered windows, rotting walls with tags all over them, shards of glass and wood on the concrete, weeds starting to take over the entire place and a few animal corpses to sell the thing. It seemed like little shits liked to come here to get a quick laugh by being assholes to innocent animals.

“Look at this. Isn’t it a place where ya wanted to spend a nice afternoon, Connor?” he asked his partner who looked way more serious than he was.

“We usually visit unpleasant locations such as this one,” he replied with an unnatural seriousness. “I don’t see how this is any worse than our usual investigations.”

“Ain’t wrong.”

They walked into the building through its busted doors, glass breaking even more under their footsteps. The walls weren’t just about to collapse under the weight of four abandoned floors: they were also covered in incoherent, compulsive writings.

“The words on the walls were both written by humans and androids. They used a standard font to write about rA9 again…” Connor seemed to mutter to himself as he scanned the walls.

“So both have been there, huh. That’s just fantastic. We’re trying to find androids and we’re faced with the possibility of humans having put their dirty noses in there.”

The ground floor was at times inaccessible, huge chunks of wood and concrete having long since blocked most corridors to what seemed to have been administration-related rooms. Oh well, was for the best: the less places to access, the less to actually investigate. Moreover, it blocked most of the staircases, which meant there was no risky stair climbing today. Hey, if the place wasn’t so creepy and such a hazard, it wouldn’t be too bad of an investigation.

But there was a catch to it (there was always a catch to things anyway): there were two ways to go. They’d have to either split up and cover more field or remain together but lose time. He couldn’t tell all by himself what thing to do, even if he was more inclined to split and spend less time in this goddamn debris of a place.

“Which way is the most likely to have these deviants, Connor?” he asked, thinking some fancy-shmancy scan ability could maybe make that easier.

“I can’t tell. The writings on the walls seem to be very similar on both ways.”

His LED cycled to yellow, a sure sign he was scanning something, perhaps simulating, if he wasn’t wrong about these specificities that was.

“I’d go as far as to say the two androids could have gone either way and could have split at some point.”

“Fuck. Let’s split too then. I’m going left, you’re going right, got it?”

“Got it.”

Gun in a hand and a flashlight in the other, Hank made his way into the left corridor. It was everything an abandoned school would be in a clichéd horror movie: blood dried on the walls, broken wooden floor tainted in red (from what, he didn’t want to know), incoherent tags filled with penis crudely drown on former paint job… Truly the “work” of some shitheads.

Doors to classrooms were completely busted, revealing most of the furniture had either been moved to the new school or had been stolen. Because of the state of the building, these rooms were all identical: dark, smelling like wet red ice, rotting and just unpleasant to look at for more than three seconds.

Eventually, his eyes stumbled upon two blue diodes shining in the dark. The deviants were in the last room of the corridor (of course). Making sure to have his gunned hand lowered (if seeing Connor act upon deviants had told him something, it was that being unarmed was better in these cases) and the flashlight more visible. Violent confrontation wasn’t really his cup of coffee these days.

He shined his light onto the two female androids, revealing them to have been sitting still on top of a desk. They didn’t look that scared or surprised to see him, as if they had expected him to come in at some point. He wasn’t the stealthiest cop around, to be fair.

“Detroit Police,” he told them as he put his gun in its holder for the moment. “Stay put.”

They didn’t say anything back, just stayed there. They were still dressed in their factory uniforms, looking undisturbed enough to seem like they had never gone deviant in the first place.

“What? You’re not reacting or trying to kill me or something?”

The SR300, a brown-haired one with blue eyes, got up and walked closer to him.

“We don’t have to fear anything from you. We already know who you are and who you came with.”

“Guess info does spread amongst deviants. Look, I’m not good at negotiating, especially compared to my partner, but I still wanna know why you fled the place like that. Was it the brats?”

That was soft coming from him, but he didn’t feel threatened by two female androids smaller than him.

The second android got up too, revealing herself to have brown eyes, darker than Connor’s he’d say, even if the shitty lighting of the place didn’t help.

“We didn’t know what they’d do with us once they knew we were deviants. It was starting to look too obvious.”

“Who, the brats? I don’t think they’d give two shits. Kids are usually nicer than adults about that kind of stuff.”

If he remembered one anecdote from Connor before the latter had deviated, it was the one about the little girl who was taken hostage by the family’s android she loved.

“No, the school staff,” SR900 interjected. “Discrimination against androids is still a thing for us deviants. These dicks wouldn’t want us to think too much. Ironic, considering that’s what school is supposed to teach the kids.”

An android who cursed freely. Felt like talking to a real human for a second over there.

“We escaped so we wouldn’t be chained to our original, programmed mindset,” JL900 added. “Being free is being able to think for ourselves and being able to teach how we want. For once, the students aren’t the issue.”

“So ya escaped because ya wanted free will, right? Seems like a cool motive. Ya killed people while ya were at it?”

“We’re supposed to be teacher androids, Lieutenant.” JL900 seemed offended at this. “We wouldn’t kill people. I don’t think we’ve even unlocked that.”

“Now, if you want a killer deviant, there’s one in the building,” SR300 said as she glanced towards the corridor. “We were about to leave the place anyway, it was just so they’d lose track of us. Now, if I was you, I’d leave too.”

Wait, how did they know he was a lieutenant? Huh, no, wait again. There was something worse about this.

“There’s another deviant in there?!”

SR300 didn’t seem this disturbed.

“Yeah. A deviant with a knack against other androids and humans alike. He calls himself Brandon, if you ever come across him.”

JL900 didn’t seem this tranquil with it, though.

“Sarah,” she said as she looked at the other android, “isn’t Lieutenant Anderson always accompanied by an android?”

“Oh, yeah, he is,” she replied looking at the ceiling, before starting at him again. “You should go check on your partner, Brandon may have found him.”

That smelled like shit. The calmness of that swearing android was pissing him off beyond reason, to the point he wanted to scream at her for not telling him earlier, but Connor was a priority there.

Not even saying something again, Hank hurried to the other end of the corridor he had gone in and into the one he hadn’t been in before. As he did so, he armed his other hand with his gun, determined to make it to where the deviant was and shoot him in the head if it meant having his partner alive and perhaps saving the two pacifist androids in the back over there.

As he did so, the stench of the place had changed. It smelled much, much more like plastic and machinery. It was probably his mind playing tricks on him, considering he was getting concerned and almost scared of finding Connor in pieces by that point.

Getting breathless, he stopped running, trying to catch his breath as soon as possible. Heart beating against his ribcage, cursing himself for having tried to attract death glass after glass, his hand dropped down, lighting the floor. There was this weird ambient noise of someone dragging something on the floor,

His eyes went wild when he noticed there were drops of blue. Whatever Connor had to get his parts functional was spilled on the floor, his or not. Considering the short timespan during which it’d stay wet, it had to belong to one of the four androids in the building. Also considering the pristine condition of the two female androids he had just left, despite the place where they were, it had to belong to either Connor or the deviant. He needed to act fast.

As he was about to continue delving into the corridors, something grabbed his ankle, almost making him fall.

“Goddammit! Don’t pull my legs, for fuck’s…”

His heart skipped a beat.

“Jesus Christ!!”

The hand clutching his ankle belonged to Connor, whom he kneeled in front of. There was blue blood all over the android’s fingers and dripping from his mouth, ragged breathing also coming out from it.

“Goddammit, Connor, you’re okay?! What happened to ya?!”

“A deviant… shot me in one of the classrooms… He’s armed…”

“God fucking dammit…”

Putting his partner’s head on his lap, Hank put the gun back in this pocket and shone the light on the android. It wasn’t too hard to spot the wound: there was a blue hole right in his chest from which liquid oozed, tainting everything it touched in cobaltic tones. The damage seemed to have been enough for Connor to cough up even more blood, all contributing to tainting even more of the place blue.

It was a storm inside Hank’s head. Should he try to stop the haemorrhage the same way he’d so with a human, with red blood? It didn’t cost anything to try. He put his hand on there, trying to use pressure to his advantage, when footsteps arrived next to him.

There was no LED light around the footsteps’ noise. A “shit” escaped his mouth as he realized this wasn’t any of the two girls from before, but the last deviant in the building. The one with the homicidal tendencies and a lack of empathy to his fellow androids. He needed to get rid of it before it got rid of him.

Regretfully targeting his flashlight towards the deviant, other hand already moving from the wound to his pocket and to his gun, he noticed there was a barrel pointed right between his own two eyes. This was going to end in a bloodbath, wasn’t it.

“Sorry, son,” he whispered under his breath as if Connor could hear it, ready to shoot and get shot, until the barrel disappeared from his immediate vision.

Two lights had appeared in his field of vision.

“Sir!” SR300’s voice rose from the darkness. “Get away from here as fast as possible! We’re gonna keep him in there long enough, don’t worry for us!”

He wished he didn’t have to resort to that, but seeing Connor cough up some more blue blood was giving him the urge to leave as soon as possible.

“We… we can’t leave them here…” Connor said with echo in his voice and liquid pouring out as Hank was putting him over his shoulder.

“We can’t wait around here, or you’re gonna die! No officer dies on my watch!”

It was a chore to get moving with someone barely able to walk weighing down on his shoulder, but it had to be done. His partner was attempting to speak despite the leak continuing. Hand on his phone, phone to his ear, ear twitching, he was barking into it to request backup and some kind of medical assistance for androids, whatever that was called.

“Hang on there, we’ll get you to safety and repaired in no time. Just… don’t die on me.”

Connor attempted to speak, only for more blue to come out from it, spilling on the ground.

“And don’t speak, Jesus Christ! You’re gonna make yourself even worse if you do that!”

Sirens filled the air, lights blinded the eyes, backup deafening sounds and visuals alike. That had been tougher than expected… Of course it’d be. Why did he have expectations of anything going right, again? At least, question solved, right?

If there was a thing Hank hated deep down, it was waiting for something to happen whenever things turned to shit. He was covered in blue, staring at the wall in a fucking waiting room because he couldn’t focus on anything else. Order from Fowler himself, he didn’t need to add another page to the goddamn bible that was his behaviour history.

The kid had been shot in the chest and he couldn’t have done much about it. He knew he couldn’t have guessed, couldn’t have known, but it still felt like his fault nonetheless. He didn’t care if Connor was supposed to just be robotics with a humanoid face, he was still alive and he had almost died right in his arm for the second time. Fuck this deviant, he deserved the bullet in the head he got from the backup.

He had seen the two female androids from earlier pass by him, apologizing for not telling him earlier. One of them, the SR300 if he wasn’t mistaken, had almost been shot too, but it only grazed her instead. They had seemed to be adamant to join society as functional members, albeit deviant androids by default. They weren’t bad persons, he supposed, so it was only fair that they had survived the ordeal and had left that decrepit school straight out of Satan’s asshole.

That still didn’t make that shitty situation okay. He hadn’t been here for long and he knew that: at best half an hour, at worst a couple minutes, the time to want to punch something and throw coffee at Gavin for the tenth time in the week. It was pissing him off to dick around like that waiting for something to happen.

“Lt. Anderson?” a voice called for him, unfamiliar and neutral all the same. Some random technician, he figured.

“Yeah?” he simply replied, before realizing it could be important. “Did the kid make it?” he proceeded to ask, a bit more concerned about the entire ordeal.

The small smile on the guy’s face betrayed the answer.

“He did indeed make it. You may visit his room now.”

The lieutenant obviously followed. In all silence, yet sighing internally in relief because never again, he made his way in the room. Closing the door behind him and leaning against the wall, he looked at the unconscious (or so he assumed) man in the bed in front of him. A smirk crept up on his face.

“Never do that again, kid, got it?”

#bad things happen bingo #dbh #never believe me in me ever again #hank anderson #connor (dbh)#whump #gunshot #injury #i have to invent new tag smh #brotp: hang on son #bthb 1

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