[ID: Art of Susato Mikotoba and Haori Murasame/Rei Membami, done on a stylized background of swirling cherry blossom petals. Haori is falling backward, pulling Susato with her, so close that their noses are touching. Haori closes her eyes as she pulls off Susato’s cap, while Susato — still dressed as Ryutaro Naruhodo — looks down at her with eyes wide. The background is suffused with the faint colors of the lesbian flag. End ID]
another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
Small research/tests for a series of posts I want to do sometime in the future hehee
(I want to give/attribue a piece of classical music for each dorm+characters, and it's harder than I thought it would be, currently fighting w/ the savanaclaw guys... )
they officially revealed kr valen for gavv, and i love how he looks. also, have you seen the ABSOLUTELY WILD stuff about the gavv belt and the gochizos
I've been a little out of the loop on all the Gavv spoilers, but I did see the most important part! which is to say that we can expect many scenes of:
Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)
I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here
Is it pretentious to think of Jinx as a kind of Promethean character? Jinx is defined just as much by her ability to steal from Piltover as she is by her own inventiveness and creativity.
No matter if it's a hexstone or a child's toy Jinx steals it from Piltover and brings it back to Zaun. Everytime Jinx does bring Piltovan tech to Zaun her modifications inevitably suit Zaun's needs, but each time Jinx does this, she's punished in turn.
Not exactly chained to a rock to have your liver eaten every day by an eagle, but Jinx's life is it's own elaborate punishment.
it's hilarious to me that this campaign module has such a hard-on for this damn elevator trap that they forgot to give the brides ANY PURPOSE OR PERSONALITY
i like to make fun of murderbot for being all "i hate everyone, i don't care about anything or anyone, fuck off" while simultaneously caring very much about the people around it and the situations it finds itself in. i love how it "accidentally" ends up caring quite a lot about the friends it makes along the way.
but i think something that i tend to forget is that murderbot actively decides to care - at least at some point in its story.
idk, as a person that struggles with depression, this paragraph from artificial condition really resonates with me. prior to all systems red, murderbot had contracts. it had routine and it had protocols. it knew what it had to do to just get by, how to perform so no one would notice it had disabled its governor module. it was deeply depressed, yes, but it was functioning (for lack of a better word).
in artificial condition, murderbot's routine is gone. it cannot go on in that state of numbly going-from-contract-to-contract, putting in as little effort as possible, consuming media to cope. that option is gone because it escaped (and note that escaping the company was not an active choice, it kinda happened to it). murderbot has two options now: it can either gather all its energy; actively do something new and difficult and distressing; change something in its life and try. or it can let the numbness and the emptiness take over and stop trying. if murderbot wants to survive as a rogue secunit, it has to try. no matter how difficult that is.
the wording in that paragraph really hits home for me. the way the non-caring sees an opportunity to slip in and to take over. does murderbot even care? does anything really matter? is anything really worth the hassle? wouldn't it be so much easier to just let your mind slip away a little, to go numb, to be passive, to watch media and wait for things to happen to you? wouldn't it be nice to stop thinking and struggling and feeling complicated things? to stop making an effort? you've been dealing with a lot lately and maybe it's time to just shut down. maybe you'll just take a little break. just slip deeper into this chair and start the show. time flies when you're not paying attention. trying is exhausting. who cares if you don't do the things you wanted to do, you were supposed to do. it'll be fine. let's just ignore those things for now. just let the non-caring take over. just stop thinking. you can deal with the aftermath later. just watch your shows. who cares.
but murderbot cares. it decides to care. it decides to fight with all it has and i think that is so brave. and i think in the later books caring is less of an active decision for murderbot. once you start caring, it's easier to keep going than to stop; and murderbot, for all its "i'm a grumpy rogue secunit, leave me alone" behavior, knows just how important caring is. so it's not that it doesn't know what's happening; rather, it lets itself care.
tl;dr: caring is not the default for murderbot, it's just the more difficult of two options. and it decides not to take the soft option. it decides to struggle. it decides to care. and so it does.
🪞 Fallen angel... who do you see staring back from the Mirror? 🪞
(ID: Kirby series fanart of Galacta Knight and my personal interpretation of his Mirror World counterpart. GK hovers above facing slightly to our left, his feathery wings spread wide, shaded in lilac and tipped with gilded wing talons, a swallow-like tail visible. He holds his shield forward in his left hand (our right) and his lance to the side in his right (our left), a single magenta eye leering at the viewer through the visor of his mask. A halo of heart spears floats and shines angelically behind his horns. Below him, M!GK hovers in the same pose but flipped horizontally and without the halo. Visually, M!GK has mostly the same features as GK, with his color palette being darker and less saturated (dusty purple body, dark gray armor, gray mask, maroon lance, rose-gold horns and weapons accents). His eyes are not visible in the shadow of his mask, but there are signs of erosion running down the metal surface in rusty orange lines, almost like tear tracks. Instead of feathery wings, M!GK has wings composed of jagged shards of pink crystal, glittering and lit from within by a luminous glow. A few pale feathers can still be seen peeking out from his back. END ID.)
Hey, so... what if... I went a little insane for a minute? What if I just... concepted a character... for the sequel... to an AU... I've told no one about... and haven't even finished writing yet? What if I then... pulled the salt shaker labeled "ANGST" out of the pantry and just... unscrewed the cap all over this poor lad? Oh, and Galacta Knight's here, too, I guess.
Sketch started 02/21/24, render started 03/01/24, finished 03/06/24.
I love trans people whose transness means that their sexuality is complex. I love trans people who adopt contradictory labels. I love transmasculine people who still have ties to old lesbian spaces and transfeminine people who still have ties to gay spaces (even if they themselves aren't lesbian or gay). I love trans people whose dysphoria has put them at a place where they don't want to engage with any type of sexuality. I love trans people who are confused, unsure, or questioning. I love trans people who toe the lines of queerness. I love trans people who are unapologetically embracing their sexualities. I love trans people who are working through internalized shame about their sexualities.