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#I had no idea a lego cartoon had such a following
kiragecko · 3 months
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How I Enjoy Fanfic:
The authour knows more canon than me - Is THAT what happened? Oh, cool! I feel like I should be taking notes. Yeah, you're writing them perfectly. Oh, I've missed getting to read about that detail. Hey, have those two interacted in canon? They ... they must have! You're too good to have made them do something that dumb! I'M SO HAPPY TO KNOW THAT!
The authour knows as much canon as me - YES! Nobody ever writes about that obscure thing but it is my FAVOURITE. You have them interacting Correctlyᵀᴹ, 1000 points to you! All the tension is leaving me, I feel so safe and at home. I must follow you immediately.
The authour knows a differently continuity than me - you have very interesting OCs! Lots of worldbuilding happe - HEY! I've seen that character name! This is [videogame/TV Show/cartoon/Alternate Universe Continuity], ISN'T IT. OK. This is okay. Let me remember everything I've picked up about that. Yeah, I'm ready. Now I get bonus Mystery Content as I try to figure out what's fanfic, what's canon to this continuity, and what's going to match the version I know!
The authour knows a lot of fanon - Oh oh oh! You're doing the trope I love! Comfort food time! Yes, play with THAT old favourite, I think your version will be fun! Huh, messing with the timeline like it's made of lego blocks? As long as everyone doesn't decide this is canon, now, I think it's fun! Neat, I like that little twist. Yeah, you're really digging into the emotion of this, aren't you? I approve!
The authour is new to the fandom - What ... I see how you would have gotten that impression from the wiki!!! Oh, that is FASCINATING. You're right, if those things had happened together the results would be explosive! I would ... not have written them that way, but you are spawning SO MANY PLOT IDEAS for me. Your creativity is blowing me away. I'm falling back in love with this franchise!
The authour is just passing through - nope, don't read cookie-cutter fi ... FINE. This is the one OOC plotline that grabs me every time, and yeah, I'm a little ashamed, and yeah, it could be ANYONE in these roles, but I still like it. Just ... phew, no phonetic accents.¹ Good, you're ignoring, instead of butchering the other characters. Now, does the 'asshole' to 'heart of gold' ratio match my taste? Yes? Okay, lets have some trashy fun!
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¹ Only the X-Men are allowed phonetic accents. No one else is stupid enough about them.
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roselock22 · 9 months
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Percival claims that he can't dance, but eventually confesses that he knows One. And it's this extremely stiff waltz that the Empress demanded everyone learn for formal events. Sora unfortunately knows it too. Both she and Arin swear to teach Percy other dances
So I wrote a lil something for this... I didn't know how to put Sora into this so it's just bumblebee
"I thought you didn't know how to dance?"
Percival frowned. He held the game controller more tightly.
"It's not really dancing..., to me at least." Percival said, he lazily pushed the joy con to keep his character moving. "It's something the empress made us learn for formal events, everyone back in Imperium knows it."
Arin raised an eyebrow at him. He was leaning his head on Percival's shoulder. They had been playing video games, well, more like Percival had been the one playing while Arin guided him through a game he had suggested.
"It's probably something super fancy then." Arin tried to joke. Straighting his posture to face Percival.
He saw a smile tug at Percival's lips. "It's really not, it's a super stiff waltz, you have no idea how awkward it is."
"It can't be that bad." Arin smiled and tilted his head slightly. He put both of his hands on Percy's shoulder and leaned his chin on them.
Percival laughed. "Oh it is. You should've seen the people dancing at the claw ceremony."
"Could I get a demonstration then? To visualize it better" Arin teased, his tone half-joking.
Percival stared at him before grimacing. "No way I'm doing that dance again, stars, it was awful."
Arin chuckled at Percival's quick answer. It seemed he really disliked that dance, hated it even.
"Maybe I could teach you another dance." Arin offered. He leaned away from the boy, pushing himself off the couch and standing up. He really hoped the other boy said yes.
Percival stared at him, a bit shy. "Right now?"
Arin grabbed the console from Percival's hands and put it the table in front of them. "Yeah! Why not?"
"I was using that." Percival stated, though he had a smile on his face.
Arin scoffed playfully, he grabbed Percival's hands, intertwining his fingers with his. "You can continue playing later, it's not the end of the world."
Percival laughed as Arin pulled him up. Arin smiled, he enjoyed hearing the taller boy laugh.
"Alright, Alright, you win." Percival rolled his eyes playfully.
Arin, unlike his attitude would imply, had no idea what he was doing. He didn't really know any 'dances', he just improvised to be honest. Dancing and fighting were close enough to him that he didn't necessarily have to think about it much.
Arin hummed and pulled Percival closer. The taller boy yelped at the sudden movement. Percival's face flushed red when he saw the other boy raise his eyebrow with a grin on his face.
"You could warn me first." Percival looked to the side. Arin noticed the other boy was a bit embarrassed.
Arin chuckled. "Alright, Alright, I will."
"Do tell me if this makes you uncomfortable." Arin stated as he placed his hand on Percival's waist. Even though they had been dating for a few weeks, Percival had still been hesistant when it came to physical touch. Arin didn't want to overwhelm or make the boy uncomfortable.
Percival blinked. He then put his hand on Arin's shoulder, albeit hesistantly. "Yeah, that's fine."
Arin smiled. "Just follow my lead "
Percival nodded, his gaze fixated on the floor, avoiding eye contact. Arin took a step back and Percival took a step forward.
"Like that?" Percival asked, he bit his lower lip in worry.
Arin smiled. "Yeah, just keep following me."
Arin took more steps backwards and Percival followed his lead. He then began taking steps forward and Percival copied his movements but with backwards steps.
Arin could see how tense Percival was, deathly quiet and gaze fixated on the floor. He decided to switch things up.
Arin then grabbed Percival's free hand and raised it, spinning the taller boy. He laughed at Percival's dumbfounded expression.
"C'mon loosen up a little!" Arin smiled. He leaned away from the boy and grabbed both of his hands, intertwining his fingers with Percival's. He took a few steps back, pulling the boy with him.
Percival smiled nervously, staring at Arin's chin, not making eye contact.
Arin pulled away from the boy, before leaning in and intertwining their fingers again. He spun Percival again.
Arin's smile grew wider when he heard Percival laugh. An actual laugh.
Arin let out a small yelp when Percival raised his arm and spun him around. He then chuckled.
"See? You're getting the hang of this already." Arin pulled away before leaning in again.
Percival smiled. "I'm a quick learner."
Percival spun him for a second time and Arin could help but laugh. It seemed like he was having fun and it made Arin feel all bubbly inside.
Arin expression turned mischievous. He saw Percival raise an eyebrow at this but before he could react, Arin pulled him closer.
Arin put his hands on the taller boy's back and waist and dipped him. He saw Percival's eyes widen and his face go red.
"Oh- um, hi." Percival smiled nervously.
Arin smiled. "Hey."
Arin then leaned his head down and pressed a quick kiss to Percival's lips. Before he could raise his head, the other boy went in for another kiss.
Percival pulled the other boy closer to him, resting a hand on Arin's face. Arin leaned closer to him.
They then pulled away, looking at each other.
"Was that part of the dance?" Percival asked, flustered and his whole face blushing a deep red.
Arin giggled. "Honestly, I've just been improvising this whole time."
"What?!" (also on a03)
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glapplebloom · 7 months
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I saw SatAM trending because of this, so why not give it my thoughts.
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SatAM is one of the first animated series for Sonic the Hedgehog. Since this was the 90s and only two games were released at the time with no dedicated cutscenes, DiC took this concept and ran wild in two different directions. While Adventures of Sonic the Hedgehog was more cartoony, SatAM was a serious story. Serious in kids standards at least.
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Dr. Robotnik has taken over Mobotropolis and it is up to Sonic and the Freedom Fighters to stop him from taking over the world. It was so popular, it inspired Archie Sonic to continue making comics after 50 issues. Though by that point any similarities to SatAM were surface level. So the question remains: should Sega bring back the Freedom Fighters into the Main Sonic line proper? Let’s look at the Reasons I can see for and against it.
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SEGA should bring back the Freedom Fighters
Popularity: First premiering in 1993, fans of them are still talking about them to this day. The fact that SatAM was trending in 2024 definitely shows that there are still people willing to support these characters.
IDW: They would be super easy to establish into the Main Series thanks to IDW. Since those comics are considered canon, there could be an issue where the opposite side of the Restoration is having troubles and only Sonic can reach them in time. You can introduce them properly there.
Ian Flynn: Ian Flynn loves them and when he was working with Archie he did great things with them. He fixed the issues that they were having before the reboot and made them fit well with the more focused Game Canon in the Reboot. And he’s the current Head Writer of the Sega Games. 
Speed Battles: Look at how easy it is to add characters in this game. They had IDW Exclusive Characters, characters from Sonic Prime, the Sonic Movie versions, even the Lego Versions. They can easily insert the SatAM Cast in here.
Money Making: While I don’t know if they could print the stories that don't have Penders involvement, they could for Ian Flynn’s work. And that means if they can work on an agreement, we could have reprints of those Archie Comics again. And they can use those reprints to reintroduce new fans into these characters so when they do show up in IDW, they can get a leg up.
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SEGA shouldn’t bring them back
Archie: While plenty of people who are supporting them are fans of SatAM, I have a feeling a good majority of them are actually following the Archie Version of the Freedom Fighters. And considering how the reboot got looked upon, I can see those who grew up with the comics not liking any direction they would take that isn’t one to one.
Redesigns: Despite the Reboot doing a great job redesigning them to fit more Game Canon, they would have to redesign them again to ensure they don’t look similar to their Archie designs. So there could be a chance people may not be able to recognize them as the Freedom Fighters when they first look at them.
Why not New: Sadly, regardless if they try to keep them as true as possible or give them the Breezie treatment, you probably can get more mileage if you just make a brand new character. They could probably do the same ideas as the Freedom Fighters and possibly more.
Jealousy: By bringing in the SatAM crew, you may get similar people rallying for others from other Sonic cartoons and wondering why not them. I know there are plenty of Sonic X fans who would love to see Tails’ best shipmate.
The Games: Sonic has a large cast of characters. The most we’ve seen recently was Murder Mystery. Whisper and Tangle only showed up in Sonic Forces Speed Battle, a mobile game where adding characters is the sales pitch. The last time they made a game where each character just wasn’t just a different version of the Sonic gameplay was Sonic Unleashed, and they were both Sonic.
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My Stance?
Honestly, I’m not sure. I bet if Ian Flynn could bring them back to the Sonic Universe through IDW he would do a great job with them. Then again, I do like what he’s doing now. Belle’s tragic story. Surge and Kitsunami being the Sonic version of the Androids. The Diamond Cutters Interpersonal Relationships that Mimic is hoping to destroy. To add these characters now when we got two of these stories going on right now maybe is asking too much. Maybe when all of that is settled. And I’m still waiting for Sticks the Jungle Badger to return. So far it was just a name drop. And that was in 2022. 
But what about in a game? While I definitely can see ideas for a game using those characters, Sega just released Sonic Frontiers in 2022 and Sonic Superstars 2023. Those are good first steps for those types of gameplay. And they’re going to take a while since they’re working on Sonic X Shadow Generations now. If they would, I wouldn’t trust them until they iron out the Frontiers formula. 
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untouchable234 · 2 years
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Bonjour! My name is Radical Rocko. Welcome to my blog!
Random facts about me:
I am a devout Christian. I converted to the faith in November 2022 after I had a falling-out with The LDS Church.
I am very liberal. I believe that social equality and civil liberties are the keys to having a peaceful society.
I am an animation enthusiast. All of my life, I’ve been naturally attracted to anything bright and colorful (likely thanks, in part, to my happy-go-lucky nature), and most cartoons fit that bill perfectly. Some of my favorites are “My Little Pony: Friendship is Magic” (S1-2), “Bleach”, “SpongeBob SquarePants” (S1-3), “Soul Eater”, and “Pinky & the Brain”, among others.
I am a published author (see below for my story blog)!
Despite my liberal political affiliation, my feelings towards feminism are…mixed, to say the least. I used to be a hardcore libfem and I still agree with a lot of their ideals, but I’m not comfortable with a lot of the man-hating and toxicity that a lot of the movement’s other subsections seem to default to.
I am ethnically English, Czechoslovakian, French, Irish, and Hispanic.
I have no idea what my sexuality is. I know I’m attracted to girls, but I can’t figure out if I like guys the same way or not.
DNI if you or your blog fit any of the following categories:
Transphobia
Atheism
Homophobia
Racism
Pornographic content
Sexism
Radical feminism
Other blogs I run or help out on:
@jellostories — I use this as my official author blog, where I post content related to my short stories, poems, and novellas.
@shutterbricks — My LEGO photography blog
@thyfaithfailnot — I edit this blog dedicated to Christian “faith essays”
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Lego Owl House Project WIP 01: The Rough Draft
I’m a year and a half into this project, but since I only just made this blog, I have a backlog of old WIP post to write! Here’s the first one.
The Owl House is shaped really weird. I knew from the onset that getting the dimensions of the building exactly right would be a challenge, so before starting on the actual model, the first thing I had to do was construct a mock-up. This initial rough draft now serves as the blueprint for the actual model.
The first step for this was deciding on the footprint of the model. There are no direct overhead shots of the Owl House as of yet, and there definitely weren’t any when I started, so figuring out exactly how long all of the walls are in relation to each other was tricky. I had to use several screenshots showing the Owl House from different angles to piece the footprint together (pun intended).
With the outline determined, I had to figure out where all the rooms are. The Owl House crew clearly put a lot of work into keeping things consistent, because pretty much every room we see in the show does in fact have a specific location within the house—I’m almost certain they have full blueprints of the Owl House somewhere that just haven’t been made public. The first floor was pretty easy:
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Looks pretty good so far! I wanted the model to be as close to a real house as possible, which meant including everything—even the hallways no one thinks about. Unfortunately, this is where I began running into a recurring problem: The Owl House, as is standard for cartoon buildings, is much bigger on the inside than it is on the outside. For example, whenever we see the inside of the kitchen in the show, it looks to be nearly square—but when you fit it inside this true-to-the-show floor plan, it winds up looking wide and short.
Next, I had to figure out the Owl House’s vertical dimensions. To do this, I first built the front facade:
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Working off of the facade, I could then determine the heights of everything else. To make sure that every detail is in the exact right place, I used a ruler to measure the distances between various architectural details on my computer screen, and then converted my measurements from centimeters to brick lengths find the correct relative distances.
Here’s the completed mock-up from the front:
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On to the floor plan for the second floor!
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The problem of the Owl House being bigger on the inside returns here in full force. To make space for a 4-stud-wide hallway (the minimum width necessary for minifigures to comfortably fit through), all three 2nd-floor rooms wind up being pretty tiny, especially Luz’s room.
This is also where some of the show’s inconsistencies become apparent. For example, I know that the bathroom is located as shown above because of the following scene (screenshots not in chronological order; it’s just to show the process of elimination):
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However; we can clearly see in a shot from the same episode that, to the right of the bathroom door, the hallway either ends in a wall or turns a corner, rather than leading into a staircase as it does in my model. I have no idea where the staircase is actually supposed to be, but what I decided on is definitely incorrect—I just had no other options.
The hallways are also generally difficult to place. There’s a hallway right outside Eda’s room which has a window, implying that Eda and Luz’s rooms should be on different floors, but given that Eda’s room is shown to be level with the open air platform full of plants in S1E4: The Intruder, the existence of a third floor just doesn’t make sense. The hallways are also sometimes shown to turn corners, which the floor plan of the Owl House just plain doesn’t have the internal space for.
All this to say that, in determining the layout of the Lego model, some assumptions and compromises had to be made. Every room wound up with a small footprint and a high ceiling, meaning that the internal details will be squished; a problem exacerbated by the fact that Lego minfigures are wide and short compared to actual humans while TOH characters are thin and tall.
Regardless, I was able to complete a rough draft of the model that looks pretty accurate overall! Here’s the back:
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Despite the weirdness of hallway layouts and two floors vs three floors, the mock-up accounts for every room we see in the show save for the basement, which I count as a win! It’s highly accurate from the outside, and accurate enough from the inside.
The final model will have the exact same dimensions as the rough draft, but with the walls and roofs filled in, and of course with way, way more detail. :D
[Next WIP link placeholder]
Intro & Navigation
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snazzy-specter · 2 years
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Lauren Montgomery, the other Voltron showrunner, is set to direct a ITSV spin off about Spider-Gwen. When it comes to movies directors have more power than writers do, they can even make changes unlike with television where showrunners have the most control and directors don't
i didn't know about the spider-gwen thing. curious to see how that goes, but those are just talks for now.
as far as directors in movies go, you're not wrong, but that's also not entirely accurate. it really depends on the project. considering Lord was not a director on the first movie, i think he and Miller have more creative power than you think, considering how you can kinda feel their -isms in it and that are also in The Lego Movie and Cloudy With a Chance of Meatballs.
(for the sake of clarity, the first movie's directors were Bob Persichetti [his first directing credit], Peter Ramsey [previously directed Monster's vs Aliens and Rise of the Guardians], and Rodney Rothman [his first directing credit too]).
even with that in mind, i think Montgomery has enough good stuff under her belt that, if nothing else, the end product will be acceptable.
also, again, film and television are collaborative. everyone plays are roll in the final product. you can't pin the blame for the failures of any on a single person. the most you can do is notice patterns in the end products that an artist is involved in and infer where their weaknesses lie. my brother's favorite punching bag, J.J. Abrams, has a very noticeable habit of prioritizing spectacle in the projects he leads at the cost of character and logical story progression. once you see it, you can spot it in a lot of his work, but there are times where that weakness can be mitigated by others. i'd argue a chief problem with his Star Wars movies is he was given to much control without anyone to properly balance his -isms (setting up mysteries with no solution being key amongst them).
furthermore, animation is especially collaborative, as not only are writers and directors making story decisions, so are storyboard artists, animators, hell even songwriters for some of the musicals.
here's an example; Howard Ashman is, in many ways, the linchpin of the DIsney Renaissance. i know i just said that film is the result of everyone working together, and i stand by that, but it was his knowledge and experience in theatre that created The Little Mermaid, Beauty and the Beast, and to a lesser extent Aladdin. he also is not credited as a writer or director in any of them. he is only credited as producer in The LIttle Mermaid because he passed away before he could be more involved in the following two.
heck, for when it comes to John Musker and Ron Clements, you can notice their -isms in the movies they did later (Hercules, Princess and the Frog, Moana), and you'll notice the -isms of Gary Trousdale and Kirk Wise carry over to The Hunchback of Notre Dame (and possibly Atlantis: The Lost Empire, but i haven't seen that).
while i have no idea what went on behind the scenes, i have a very strong feeling that vld had some stuff go very, very wrong during production. a lot of it comes across as very rushed and first draft. my guess is that they wanted to tell a sweeping space opera epic about a small resistance gaining traction through forging careful alliances with the people disenfranchised by the galaxy-spanning empire with some additional science-fantasy elements for flavor (think Star Wars if it were on the scale of Legend of the Galactic Heroes). a show that would be too mature to get a green light from most TV execs because they wouldn't be able to fully market to kids, and not wanting to fall into the trap of "adult" animation on television. basically "what if we made a YA novel, but it was actually a cartoon?"
i think vld could have been a good show if it had been able to follow the old television model of being given a 65 episode order while following the more modern trend of linear narrative storytelling without the constraints of TV marketability. i also think Montgomery and Dos Santos, having come off of working on a show that had almost that exact model, were not prepared for whatever release deadlines were placed on them by their bosses, especially Netflix.
i don't want to write them off completely as "bad artists" or pretend that every project they so much as glance at will be terrible because of one stain on their career. i think the hatred to vld is kinda overblown and is the result of a lot of people not wanting to acknowledge that they really enjoyed it at first and felt hurt watching it become to crushingly mediocre.
hell, i've been that fan. i brought up Danny Phantom in my last post, so i'll just use it again, but when i first finished the show, i was one of those fans who would say the third season was just the worst, and it was all Butch Hartman's fault because he couldn't write. that the finale was the worst single episode of television (completely ignoring it wasn't even the worst episode of that season). i didn't want to except that, while i thought a show would get better, it only got worse. in Danny Phantom's case, it was absolutely because Hartman is not a terribly good writer and the guy in charge of the project that was at least better was no longer involved. with vld though, it's really hard to say, and short of a tell-all interview with Dos Santos and/or Montgomery, we'll probably never know what went wrong.
i'm willing to throw them both a bone, and with a project with a lot of very strong creative involved, i trust that their weaknesses will be more than covered.
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m15018liamarmstrong · 2 years
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Live-action + Animation: Analysis
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The Enchanted Drawing:
The earliest recorded live-action footage featuring animation was The Enchanted Drawing, in which the idea that that frames painted on the using a sped-up technique that we now know as a time-lapse created the illusion of movement, which was almost magical and enchanted, hence the name.
What this immediately forces me to think of is the disparity between showing the process of animating within the animation (the man drawing the frames) and only showing the animation itself, there's a certain degree of experimentation that can be had by pulling back the curtain. In the times when this was created, this was a new concept and the rules were not yet established enough to break, but nowadays a technique like this could be explore to convey a certain feel within a production. 
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Animator Vs Animation:
In the early days of video sharing, an animator by the name of Alan Becker pioneered a trend of animations that utilized compositing as a means to show a stick-figure character breaking the bonds of the animation software it was in and seemingly “coming to life” as a drawing, this series was known as Animator vs Animation and was a fond part of my childhood.
The process of which it took to make this involves taking the program that the drawings are made upon, and using it as a backdrop, while also cutting out and manipulating elements of it so it seems as though the character is interacting with the environment. I could take this into my own work by having a character of some kind break out of the animation software and into someplace else, and maybe break down the techniques Alan Becker used by attempting them for myself in animation tests.
Who Framed Rodger Rabbit:
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Another facet of combining drawn and real life footage into the same composite is the lighting, shown here by this frame from Who Framed Rodger Rabbit. The highlights and shadow cell shading is done with the lighting of the actual scene in mind, and that is what I believe creates a convincing atmosphere where the cartoon characters seem to be present. The two characters look like they’re part of the same world, despite being so different from one another. 
With this in mind the character that I will ensure any drawn characters/assets and live action footage is correctly merged, so that the lighting looks the same. I also think I may use this traditional cartoony method of cell shading as it very much lends itself to my own personal style. 
The Lego Movie:
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The majority of this movie is in stop motion, with a brief moment where the film plays around with the concept of having the main character break the fourth wall, but still stay within the confines of the diegesis in a very similar way that Animator vs Animation does, once the character breaks that fourth wall that narrative is then contained within another wall. It does this by including stop motion elements from the rest of the film and incorporating them into a live-action scene where the character is depicted interacting Will Farrell playing The Man Upstairs. In that aspect I suppose this film fuses ideas from both Who Framed Rodger Rabbit and Animator vs Animation, and is a prime example of how different film-makers can defy conventions to mess with the audience or create a certain feeling/effect. 
Summary:
I conclusion, I feel that a project that explores breaking the fourth-wall with drawn and live-action elements is what I’d like to pursue, following the brief this means I need to figure out the following:
- Invent a concept within the technical confines of brief - Pick a filming location  - Figure out how and where to add a tracked shot and at least one moving shot
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changeling-rin · 3 years
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Pilot Special, Garmadon: Why does he think that having four arms is an unbeatable advantage?
S1, Garmadon, Pythor, Great Devourer: Why does Garmadon still think that having four arms is an unbeatable advantage? Also, Pythor is a wimp hiding behind his stronger allies. The giant snake is a problem though, until Lore looks at it and says, "Isn't that just a really oversized Moldorm?"
S2, Garmadon: Why does he still think that having four arms is an unbeatable advantage? At least the so-called 'ultimate weapon' was kind of a challenge. The Master Sword is better.
S3, Overlord: Is... is he meant to be affecting something? What's 'technology' and why is he so obsessed with it? Can't be that good if it can still be stabbed with a sword.
S4, Chen: Why did he think snakes were the solution? It's not like Pythor was ever a threat, the odds of Chen being worse are pretty slim.
S5, Morro, Preeminent: Probably would have been more of a threat if Steam didn't hardcore shut down everything Morro tried. The Preeminent would have been tricky... if Water Rods weren't a thing.
S6, Nadakhan: This guy wants to have a words-and-wits battle with Lore, Vio, and Mask? Yeah, that'll end well for him.
S7, Krux and Acronix: They're messing with the time stream continuum. Mask and Ocarina are going to wreck their entire lives.
S8, Harumi: She had them fooled in the beginning, not gonna lie. Unfortunately for her, they've dealt with more manipulative people.
S9, Iron Baron, Garmadon: Why, uh... why exactly does this dude think he's hot stuff, exactly? Meanwhile, Garmadon finally gave himself an evilness upgrade. Why didn't he go for this rather than the four arms?
S10, the Oni: First of all, Oni takes offense with this. Second of all, they're ripping off Shadow's everything, and Shadow also takes offense with this. May they rest in pieces.
(And as that's as far as I've watched, I'm gonna bow out for the remaining seasons. I don't think I can comment on those without actual knowledge!)
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Well the specific phrasing was, “Lloyd is the one literally descended from the god… and it’s a running joke that he’s always the one getting kidnapped.”
Zelda is descended/reincarnated from Hylia, a god. And frequently in the games, she's the one getting kidnapped. With those two parallels, it seemed to me that the asker was saying that Lloyd is Zelda, and therefore my immediate thought was, 'well who's his Link?'
Sorry if that was confusing, my brain goes in interesting directions sometimes.
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I've not, but now I'm apprehensive. What did they do?
This concerns me
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jigglypurin · 3 years
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Pokemon Yellow Version: Special Pikachu Edition
This one's a little longer, and even more rambly. Buckle in.
      I made the very first friend I ever had in elementary school by turning to a random boy on the bus home and asking, "Hey, do you like Pokemon?"
      Naturally, he said yes. His name was Tom. He ended up moving away a year later, but before he did, we had the best time two kindergarten-thru-1st Graders could. And Pokemon was a big part of it.
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      I don't think it needs any sort of introduction, but for consistency's sake: Pokemon Yellow is a 1998 monster collecting RPG for the Gameboy. Unlike Lego Racers, I don't remember actually getting the cartridge for Pokemon Yellow. I imagine it must've been a present along with my Gameboy color (purple translucent color) since I don't remember playing any monochrome Pokemon at all. Prior to that, I had a black Gameboy Pocket which I played my Tetris, Mickey's Dangerous Chase and Quest for Camelot on.
Pokemon Yellow Version: Special Pikachu Edition has its biggest draw for a kid living through the height of Pokemania right on the tin: Pikachu followed you around. I watched the Pokemon cartoon (It was just "the Pokemon cartoon" at the time. I was 5. I didn't know what an anime was.) whenever I managed to catch it on TV. I actually remember somewhat the night my parents rented Pokemon: The First Movie. Spoiler for a 23 year old movie: I literally, no exaggeration SCREAM cried when Ash died at the end. Like my mom had to come in and pause the movie and calm me down. Obviously, he ends up being fine and I settled but. Goddamn. That shit hurts when you're 5 y'know? Anyways.
      As any fan of The Pokemon Cartoon would agree, Pikachu was the best. And so having a game where *you* start with an expressive, out-of-ball Pikachu just felt natural. I remember being stuck for a pretty long time at the true stumper of a puzzle that was "Old Man Lying Down in Viridian City". Again, I was 5. I had no clue. Eventually, I figured it out and I progressed into Viridian Forest. Having no idea whatsoever re: type relations, I remember catching a Pidgeotto in the forest, and grinding levels on it for *hours* upon *hours* until Gust was able to beat Brock, since Pikachu obviously couldn't affect ground-types (very disappointing to my Pokemon Cartoon watching self). That Pidgeotto would eventually evolve and become my very first ever level 100 Pokemon, but that's later.
      Mt Moon was scary, but it had Clefairy and Team Rocket, so. Not all bad. I picked the Omanyte fossil. I always tried my hardest to get around fighting other trainers. I'm not really sure why. I think the sudden music change and forced interaction scared me? Especially if it was an offscreen trainer that it forces you to walk into the sight of. Cerulean City was cool. Getting the nugget from the bridge, Bill, getting Charmander *and* eventually Bulbasaur (which clearly meant Yellow was the superior version) - The part I remember getting stuck on was the progression past the burglarized house. For some reason, the Gigantic Hole on the back wall never registered as something I could walk through. 
      The Gameboy was a cool little system. Just the fact that so long as I had light and a pair of AA batteries, I could interface with this whole other world of tiny characters I would cry real tears over from time to time. I definitely remember the struggle of being in the backseat of the car late at night, waiting to get enough streetlight glow to do anything. Cheap plastic Gameboy accessories filled one of my messy room's drawers. I remember spending a lot of time on my bed because my floor was sometimes so covered in toys, clothes, discarded schoolwork, etc, that I couldn't comfortably walk across it without some gymnastics. It was bad. My undiagnosed ADHD ass could not bring myself to keep it clean. 
Anyways.
      The nice lady who just hands you a Squirtle upon entering Vermilion city put a big smile on my face. I also remember walking around and speaking over and over to the man and his Machop who were in the process of constructing some building and hoping it would sprout someday. Diglett Cave leading back to Pewter blew my mind. At the point I was able to get there, I had spent so much time wandering and talking to NPCs, that I had agonized over not ever being able to return to Pewter since Cerulean has a one-way roadblock to Mt Moon. I could actually go home.
      Which I did sometimes. There was a certain comfort the tiny 3-building town of Pallet gave me: Its almost lullaby-esque song, my mom always being home for me, Prof Oak always open to talk, it just always felt like getting tucked into bed when I would return to Pallet.
      After finding Flash and making my way back to Cerulean to get to Rock Tunnel... I reached Lavender Town.
      I know it's a meme nowadays, but forreal, as a kid who was scared of everything, Lavender Town *scared* me. The creepy minor-key piano solo opening, the droning sound that reminded me of mourning trainers, and just the introduction of the concept that my Pokemon could die. I would turn the volume down whenever I'd enter the town. I didn't like it.
  Celadon was a different story, and it quickly became my favorite town. A massive store that sold evolution stones, a free Eevee (I think my first Eeveelution was Jolteon...), and the motherfuckin Rocket Game Corner baybeeeee. As a kid, slot machines were one of those forbidden wants. When I wasn't given a few bucks to go to the arcade, I would sit and watch my mom spin reels. But the flashing lights and occasional giddy parents made me want to play one so bad. So Pokemon gambling (and a Windows slots collection we had) was my only way to experience it. Thankfully, I have only gambled IRL maybe three times in my life. I have not yet won once. I don't plan on it.
      Tom once told me (untruthfully of course, but we were children) that upon bringing an underleveled Pidgey to an Elite Four battle, it outright *died* after being KO'd. I believed him.
      But the Rocket Corner though! The kickin' music and the Pokemon prizes (which was fucked up in hindsight bc trafficking, but I justified it to myself thinking I was freeing them) kept me coming back. I remember asking my gambling mom help me to win coins since she was obviously the bestest ever at slots.
      It would take me a good while, but I would eventually stumble past the first Rocket dungeon to get the Silph Scope and beat Pokemon Tower (legit the Marowak boss terrified me). Passing the Snorlax and getting Fly? Mindblowing. Revolutionary. Now my Pidgeot (still way overleveled, my Pikachu was pretty neglected) could take me ANYWHERE. Hell yes. 
      I spent a LOT of time in the safari zone. I don't think I even entered knowing there was a necessary key item in it. I just loved the episode of The Pokemon Cartoon where they show the Safari Zone and wanted to find all the cool rare Pokemon I would probably never use (except Kangaskhan, Kangaskhan kicked ass. And Dratini.). I'm pretty positive the Silph Tower must've taken me absolutely forever to beat the first time. That place is a goddamn labyrinth, even today. I got the Master Ball. I think I ended up using it on Zapdos, since I distinctly remember the struggle of *missing* throws against Moltres, and the epic final confrontation with Mewtwo. I never saw Articuno as a kid. I took Hitmonchan because punchy boxing glove guy was cooler to me than no-mouth kicky guy.
      Cinnabar Mansion was a common grind spot for me. My dad told me that Growlithe was his favorite Pokemon, which in hindsight is probably because Officer Jenny would often have one in The Pokemon Cartoon, and my father was/is A Cop. That said, I like Growlithe. I caught a lot of them for fun and made them Arcanines. I did the same for Jigglypuff, who my mom claimed was her favorite. Nowadays, she's my favorite too. 
      I don't remember much about my first encounter with Giovanni. Just the surprise that "Oh, the Viridian leader is back? OH IT'S THE ROCKET GUY?"
      I think I actually remember when I beat Yellow, given that it wasn't a dream (a common doubt I have). I was in the back of a nice black car, not one of my parent's, though I can't remember if it was maybe a rental and they were driving it, or we were being driven somewhere? I think we were out of state. Anyways. My frighteningly overleveled Pidgeot made short work of the Elite Four (except Lance. Three Dragonite? Overpowered asshole.) I had finished Pokemon Yellow. I would make my way over to Cerulean to battle Mewtwo and... that was it.
      I would spend months after just walking around the region, agonizing over the Pokemon not available to me in Yellow (Meowth, Ekans, Lickitung, Weedle, other Pikachus, others I can't remember right now), battling every single trainer in the region and exhausting everything.
      I remember doing my only ever link battle with Tom. My level 100 Pidgeot beat him pretty handily. I had also traded my follower Pikachu for one of his Pikachu. Which... ruined the ability for any Pikachu to follow you after that.
      After some time of the postgame ennui, after Tom had moved, after I had started to grow bored of opening Pokemon Yellow... I made a decision.  A very hard one. One that I cried over. But it was what I had to do.
      I had to start a new game.
      I had to say goodbye to Pidgeot. To the Pokemon Tom had given me. To all the hours spent gambling, wandering, Safari Zoning, grinding the Elite Four for money... so that I could experience the game I had fallen so in love with again.
      As someone with a lot of object empathy and who places a lot of stock in physical reminders, maybe I shouldn't have. I would love to still have the things Tom gave me. I would love to still have that Pidgeot. But at the same time, I'm glad that I did. I got to get through the game again with all the play experience and lessons learned from my first go around. I got to see my companion Pikachu again. I was a little braver when Lavender Town reared it's head. I lost memories, but I made new ones, built new teams, and had new experiences, even in the exact same game. I learned that letting go doesn't always mean letting go forever.
      I still have the cartridge, Sharpie'd initials and all. I don't have the Gameboy, but I do have my sister's, who got it at the same time I did mine, though I've replaced the shell.
      This cartridge has been with me through everything. I hope I never lose it. 
      Pokemon Yellow, much like Lego Racers, is a game absolutely synonymous with my childhood. It represents not only the first friend I ever made, and the first long game I ever beat, but the idea that every ending will find a new beginning, and that letting go of memories is not antithetical to holding on to them.
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evanoracronwell · 3 years
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You've got us.
Read on ao3
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Buck took a deep breath as soon as Athena had left with Bobby. He tried to suppress the avalanche of feelings that had been trying to escape him since the moment Maddie had told him about Daniel. Twenty-nine years living in a giant, cruel lie. Now, at least he knew why his parents had never been able to love him. At least now, he understood why he had never felt good enough. It's because he never had been.
A few steps away, he saw Eddie approaching him while he removed his helmet and gloves and threw them in the back of the ambulance right next to Buck.
"I know what you're going to say. I was reckless, stupid, and could have died. I know that I just..."
Any other word died on his lips because Eddie held his face with both hands with such care and affection that Buck felt his throat close; no one had ever looked at him that way, as if he were hanging the moon, as if Eddie was afraid that he was going to disappear before his eyes.
"Never again, did you hear me? Never again do you dare to pull something like that on me. Damn it, Buck, I almost died thinking something might have happened to you."
His voice was hoarse and choked as if he was trying very hard not to burst into tears right there, and Buck wanted to say something, claim that he was fine and that nothing had happened, but then Eddie came closer, standing between Buck's legs, his body so close to Buck's, that he could feel his heartbeat through his uniform.  As if that weren't enough, Eddie touched his forehead to Buck's, mixing their breath. There was nothing Buck could do but raise his hands to Eddie's waist, pulling him even closer.
"I'm truly sorry,” he murmured, watching as Eddie closed his eyes and took a deep breath. Buck followed in his footsteps, closing his eyes and concentrating only on Eddie's breathing, on the feeling of their bodies so close together, on how Eddie slid one of his hands up to the nape of his neck, pulling his hair so softly that Buck could barely feel it, but strong enough to give him the feeling of being terrified.
"Just promise me you will never do something like that again."
"Eddie, you know I can't..."
"No!” He looked away and opened his eyes, staring at Buck with determination. "I don't care that this is the job. You can't put yourself in danger like that, do you understand me? What the hell am I going to say to Christopher if something happens to you? That boy loves you, Buck; you're too important to him."
"I know, but Eddie I..."
"What about me? Damn Buck, what the fuck am I supposed to do if something happens to you? Have you ever stopped to think about that? I know you always put other people above yourself, that you always want to save everyone and you don't care to put your life on the line to do it, but... think of me, okay? If you want to put others above yourself so badly, then put me and Chris first. Every time you decide to risk yourself like this, think first about what it would do to us. "
"Eddie, I'm so sorry... you're right. I didn't think what it would do to you and Chris. Honestly, I didn't think it could affect you so much."
"How could you not know, Buck? How can you not know how important you are to us? Buck, I...” he took a deep breath again and then took Buck's face in his hands one more, making the blonde look at him directly in the eyes. "If anything happened to you, I would completely lose my mind; do you understand that? I would die, Buck, okay? You are everything and... you can't... never... okay? You can't leave me."
"I won't,” he says as firmly as he can, his blue eyes are already wet with tears and his voice breaking slightly. But he holds Eddie around the waist again and pulls him even closer than before, hugging him tightly as he sinks his face against his neck, breathing in the smell that is so unmistakably Eddie even under the smell of all the smoke.
"Please Buck, I know there's something going on inside your head. Please talk to me; it kills me to see you like this."
"I wasn’t enough, Eddie,” he grumbles against Eddie's neck, feeling like he just wants to hug him even tighter, and stroking the back of his neck. "They had me as a baby savior, but I couldn't save Daniel... I wasn't enough, and they hated me for it."
"Hey, no. Buck, you can't blame yourself for that, do you hear me? Your parents had no right to put that weight on you, much less the right to walk away from you after Daniel died. That's on them, Buck, not you. "
"Maybe. But they were also right, weren't they? I always do everything wrong, Eddie; I was a handful to Bobby when I walked into the fire department, always being irresponsible and reckless. I wasn't there when Maddie needed me, I... Eddie, I lost Christopher; you trusted me, and I... I lost him. "
"No, Buck!”Eddie moved away again, just enough to look into Buck's eyes, but close enough to still keep him in his arms. "You are an excellent firefighter, and Bobby couldn't have anyone better than you at 118. You took care of Maddie and protected her ever since she came to LA; you were there, Buck, every step of the way you stood beside her. And Chris... Jesus, Buck, you need to stop blaming yourself for this. You never lost him, Buck, a tsunami happened and you did everything to make sure he was safe, nothing that happened was your fault. "
"Yeah maybe, but I..."
"God, you have no idea how much I wish you could see yourself through my eyes. Maybe that way you would see the wonderful man you are. You care about everyone, you are loving and caring, you are always willing to help and reach out to anyone who needs it. "
Eddie smiled tenderly and ran his fingertips over Buck's face, wiping away the tears that were starting to trickle down the blonde's cheek.
"You are the man who spends his nights off playing video games with my son or watching cartoon movies; you help him with his homework and read about the subjects he’s interested in so you can talk to him about them later. You play lego with him on my living room floor, read bedtime stories to him, and make pancakes for breakfast because you know he loves them and that I can’t keep from burning them. You’re the man who assures me that I’m an excellent father every time I doubt myself, the guy who helped me build a skateboard so my son can feel like any other child. You are... something, Buck. You are unique. You are special. "
"Eddie..."
"And above it all, Buck, you are enough. You are more than enough for Christopher, and you are more than enough for me. Maybe your parents can't see it, but then, it's their fault, it's their loss. I just need you to know that you're not alone, Chris and I are here; you've got us, ‘cause we're not going anywhere, but I need you to stay too, okay? I need you to promise me you won't go anywhere either, Buck, because I wouldn't know how to survive if you did. "
"I promise."
"Do you mean that?"
"Yes, I promise, Eddie. I'm here and I'm not going anywhere."
"Good, because I love you, Buck; I'm completely in love with you and I can't lose you, do you understand?"
Buck was going to answer, he really was going to say something, because, honestly, he had a million things to say in that moment. He wanted to say that he was also completely in love with Eddie, he wanted to say that he couldn't lose him either and that just the thought of something like that happening had left Buck awake for several nights. He wanted to say that when he had seen Eddie buried under all that mud, not knowing if they were going to get him back alive, that at that moment Buck had almost died, that for a few minutes he’d had to imagine his whole life without Eddie and that he would rather die than face that future. He wanted to say that he loved Christopher so deeply that it scared him sometimes, that he would give his life for that boy. There were a million things he wanted to say; but how could he say anything when Eddie pressed his lips against Buck's so firmly and so smoothly at the same time? How could he speak any words when he was being kissed by the man he loved with all his heart and soul? There he was, living a moment that he had lived countless times in his dreams, but that he had never thought he would be able to experience in reality.
And it was beautiful, it was intense, it was passionate and it tasted like a bright future. It was not the scene he had dreamed of; it didn’t have the romantic atmosphere of a candlelight dinner and music playing in the background. What they had were sirens and voices echoing everywhere, and the smell of smoke and the fumes of whatever product came from that factory.
It was messy and sloppy and perfect, and Buck wouldn't change a thing.
"Come home with me," Eddie murmured against his lips. Home. That sounded good.
When they were finally released from their shift, Eddie drove through the streets of Los Angeles holding Buck's hand against his thigh, refusing to stop touching him even for a second, as if he needed a guarantee that Buck was there, alive, beside him. And Buck would never deny Eddie's touch.
Entering Eddie's house brought a warm feeling to his chest; here he felt welcome and at home... but then again, home always seemed to be wherever Eddie and Chris were.
"We need to clean up," Eddie whispered as he took Buck's hand and led him to the bathroom. There was nothing sexual about the way they slowly undressed each other, nor the way they got under the shower, washing away any traces of soot and dirt from their skins. Eddie hugged him under the jet of hot water, his hands running down Buck's back, stroking him tenderly. He kissed Buck's hair, his forehead, his birthmark, his cheek, his nose, his lips. The second kiss was even better than the first, and the third better than the second.
They kissed without the slightest hurry, only concerned with savoring the taste of one another exploring every inch of each other's mouths, memorizing every second; because now they can.
And later, when they were both lying on the bed in nothing but their underwear, Buck curled up in Eddie's arms, feeling calm and welcomed in the warmth of Eddie's skin and the feeling of his breath against his neck. The darkness in the room seemed perfect at that moment, and Buck was lost in the rhythmic beating of Eddie's heart against his back.
"Eddie?"
"Yes, cariño?"
"I love you, too."
He was finally home.
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platypanthewriter · 3 years
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The Devil Looks After His Own Ch2
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Part 1:  Little Steve Harrington is so lonely he tries summoning a demon with a ritual advertised on TV--but luckily, it doesn't work, and a buff, non-human nanny hired by his mom shows up minutes later.  Years later, they're best friends, and Steve still doesn't know the truth.  For @magniloquent-raven​!
The other thing that Billy did that no other grown-ups Steve knew had ever done was have sex in bathrooms.  He wasn’t sure for a while—because Billy always made sure Steve was fine, settled with his pancakes at IHOP, or in the play area at Fred Meyer—but Billy would leave for about twenty minutes, and come back sweaty and grinning, and kind of tired.  
Steve snuck after him, once, and saw someone holding Billy’s wrists against the wall of the bathroom and kissing him, sliding his hand down to unbutton Billy’s jeans and pull his penis out, and Steve had stared through his fingers just long enough to see Billy grinning into the kisses, and shifting his hips.  
Steve’d run back to his pancakes, his heart pounding.  
He realized, thinking about it as he drew designs in the syrup with his fork, that Billy was that thing he’d heard yelled when somebody kissed boys—a slut—and he wondered whether it mattered.  Billy did everything he was supposed to do, and he was nice, and stuck around with Steve in the shoe section while Steve tried on every single pair, and then when Steve didn’t want any of them, Billy took him to three more stores.  
It couldn’t be a bad thing, Steve thought, biting his lips, not if Billy was one.
When the guy who’d been kissing Billy walked out—he had gray speckled feathered wings, so Steve was pretty sure it was him, even from the back—Steve ducked his head down over his pancakes.  By the time Billy wandered back, still grinning, to slump in the booth, Steve’s jaw had firmed.  Billy had looked happy, and he was okay, Steve was pretty sure.  Probably.  Even if it was the kind of thing that made parents yell like they did when they were scared. 
“Are you okay?” he asked, his cheeks reddening again, keeping his eyes on his eggs.  Billy sat up and faced him, flattening his hands on the table.  
“What,” he asked, levelly.
“Are you okay,” Steve mumbled stubbornly, hunching his shoulders.  “Y-you looked—okay.  H-happy.”
“...you followed me,” Billy whispered, his fingers clenching into fists.  “Shit.  Uh, darn. ...it.”  
“I won’t tell,” Steve said, shrugging awkwardly, and wishing he hadn’t been worried enough to see where Billy was going, because now he was more worried.  “If—if you’re okay.”
“...I’m fine,” Billy said, which was what he’d said when Steve’s dad had threatened to fire him, and Steve wasn’t sure he believed it.  
He forced himself to look up at Billy, surveying his just-washed face, and how pale he’d gotten since Steve opened his dumb mouth.  “I’m not mad,” he said, which was weird to say to a grownup, but Billy looked like he might want to know.  
“Just disappointed?” Billy asked, laughing, and grimacing.
“No,” Steve said quickly.  “I-I’m not.”  He’d been thinking about Tommy’s elder sister, and how she’d gotten in big trouble when their parents found condoms in her room—and how he and Tommy had hidden at the top of the stairs, listening to Tommy’s parents yell.  “Um are you u-using condoms,” he asked as fast as he could, and Billy choked on the water he was sipping, coughing and thumping himself in the chest.  
“Kid,” he spluttered, and Steve made a face at him.
“Are you?” he hissed.  “You have to be safe.  I love you.”
Billy stared at him for a long second, until Steve started feeling embarrassed, even though it was just what he said every night, as Billy put him to bed.  “...love you too, brat,” he finally muttered back, leaning his face in his arms on the table with a deep sigh.  “I’m...fine.”
“I don’t believe you,” Steve said, his cheeks heating further, because he’d found Billy that very morning trying to fill a sandwich with chunky soup.  “We should—we should talk to—to my mom, or a teacher.  So—so you can be safe—”
“Oh my god,” Billy mumbled, folding his arms over his head.  His ears were very red.  “I can’t catch anything from a human, okay, I’m not gonna get syphilis.”
Steve had no idea what that was, but it didn’t make him any less worried.  He took a bite of egg as the server came over and asked how his breakfast was, and he nodded to her, smiling, even though he was so worried the egg tasted like nothing.  “Wh-what about saying no,” he whispered to Billy, as soon as she was gone.  “You, um, you can say no to—to uh, things, right?”
“I can and I do, kiddo,” Billy laughed, sliding his hand over to link their pinkies, his face still hidden in his other arm.  “I’m okay, Stevie, I swear.  You made sure I could say no, remember?”
“You’re still bad at it,” Steve said, because usually Billy scooped him up and put him in the bath, or in bed, even if Steve was laughing and yelling ‘Nope!  No!  You jerk, I’m still eating!’, but sometimes Steve would forget, and tell Billy to do something, and Billy would take a deep breath and hold very still until Steve remembered.
“Sure, with you,” Billy said, raising his head enough to grin lazily at Steve, and Steve couldn’t help smiling back.
“We should talk to—to somebody,” he said, stubbornly.  “A—a real grownup.”
“I’m real,” Billy huffed.
“Somebody older,” Steve hissed, and Billy made a face.  
“I’m older than your dad,” he muttered, crossing his arms.
“But you—you’re not human,” Steve reminded him.  “You—you’re like a teenager.  You said.”
“Nooo, come on, kiddo, lemme alone,” Billy groaned.  “I’m old enough.” 
Steve narrowed his eyes and grabbed Billy’s phone, and typed s-a-f-e into the search bar, and then braced himself, and tapped s-e-x.  He hunched his shoulders, his face burning, and hit search.  He found a lot of...things, and squeaked in a kind of dying way through his hand.
Billy snatched the phone back, looked at it, and said “Oh my god.  Stevie.  Stop.  I will research it myself, and I—I will be careful.  Okay?” 
Steve buried his hot face in his hands, nodding, and trying to suppress horrified giggles.  He kinda wanted to turtle into his jacket, or crawl away under the tables, but he just pulled his knees up on the seat, and tried not to whine like a tea kettle.  
Billy grimaced, scrolling through his phone, and Steve realized—while his ears probably smoked with the imagery he’d seen about things in butts—that Billy’s shoulders were up, and he had his arms crossed in front of himself too.
“Sorry,” Steve wheezed, through his fingers.  “Y-you aren’t—you aren’t gross!  Sorry!  I just—I just love you and—I have to keep you safe—”
“I have to keep you safe,” Billy told him, grinning, and shaking his head.  “I’m more grown up than you, fetus.”  His cheeks were pink, and Steve scowled at him, then kicked at his knees under the table.
“You’re bad at some things!” he hissed, as Billy yelped, swinging his legs away.  “I have to help, I have to help you—”
Billy shushed him, laughing, and then opened his mouth, and closed it, as Steve sipped at his hot chocolate.  Billy waved at it, and suddenly it was hot again like it had just come from the kitchen, and had rainbow sprinkles, and Steve sighed, wanting to—hug him, or something, and feeling the same annoying worry he always felt when he wasn’t doing enough.  He knew Billy’d stay, he told himself, as long as he could.  
As long as Steve could keep him wanting to.
“Finish your pancakes,” Billy told him, grinning.  “Gonna take you to the park.”
Steve liked the park okay, mostly because it was where they went when somebody was happy with him, but it was also worrying, because it was where they went when his parents wanted him to shut up and go play.  He was pretty sure this time was both, but when they got out to the parking lot, Billy grabbed him and spun him around so his legs swung around in the air, and hugged him the whole way to the car, and when they got there, he didn’t send Steve off to play while Billy talked on his phone, so it was Good Park Reasons.
“You’re not...mad,” Steve asked, cautiously, and Billy laughed, squeezing him tighter.
“Nah,” he said.  “You?”
“Naaaah,” Steve giggled back, drawing out the syllable.  
 There was a pattern to Billy being a slut, Steve noticed, because if it was Billy, it couldn’t be a bad word.  They’d be out, and somebody would see Billy, or Billy’d see them, and Steve would see them staring at each other.  “I’m going to go listen to storytime,” he’d announce, or “Look, there’s a play area here, I’m gonna go ride the bouncy horse.”
“Me too,” Billy said once, cheerfully, grinning at him, and Steve shook his head.  
“They don’t allow grownups on the bouncy horse,” he said slowly, wishing he didn’t have to tell Billy sad things when he was grinning, but Billy just laughed, hugged Steve’s head—messing up his hair—and walked off.
 When Steve had to start first grade, he clung to Billy the night before, and Billy carried him around for two hours, making him giggle as they made popcorn and watched cartoons on Netflix, and then pulled a big wrapped present out of nowhere.  It was a new LEGO set, one Steve had never even heard of, a dragon that could transform into a pirate ship.  
“Is it that weird?” Billy asked, grimacing at it, while Steve stared, and Steve threw his arms around Billy’s neck, shaking his head.  
“I don’t want to go to school.  I want to stay home with you,” Steve said into Billy’s shoulder, and sighed.  
“Maybe I should put it away, then,” Billy said, raising his eyebrows.  “I was saving it for when you had to go back to school, but if you don’t want it—”
“I want it!” Steve yelped, scrambling back out of Billy’s lap to huddle around it.  “I want it, I want it!”
“Okay,” Billy told him, ruffling his hair.  “We probably won’t finish it tonight, but once you make a ton of friends, I’ll need something super cool to get you to hang out with me, right?”
“No,” Steve told him, laughing.  “You’re my best friend.”
Billy laughed, but he didn’t look convinced, so when he got the fruit snacks out after dinner, Steve gave him all the blue ones—they tasted best—and the trucks, which were biggest.
“Ah,” said Billy, biting his lips together.  “They’re very...warm,” because they’d gotten a little sticky as Steve waited for him to finish the dishes, but he crouched and pulled Steve into a tight hug.  
 Steve fell asleep curled up against Billy’s shoulder, and woke up in his bed, with his mom shaking him awake.  
“I told Billy we don’t need him during the school year,” she said, frowning at her phone.  “During the day, anyway.  He’ll still come by and feed you, and put you to bed.”
She wandered off, and Steve wondered, clutching his blankets, whether anyone would make him breakfast.  He climbed out of his bed feeling kind of...bad, like he’d had a nightmare, and might cry.  He sniffled, and rubbed his face, and stayed in his pajamas until after breakfast, trying not to think about his usual mornings, with Billy pretending he was an out-of-control backhoe and scooping him out of bed, or Billy humming at the stove as he made Steve eggs and toast.  
Steve’s eyes leaked a little, and he stomped to the bathroom and blew his nose, feeling like a big baby for missing Billy so much.  He got himself cereal, and remembered shopping for it—Billy’d slowly taken over all the things Steve’s mom and dad used to do, like buying him new school clothes, and taking him to the doctor—and Billy had let him pick out things his mom never would have, weird fruits they didn’t know how to eat, and once, because Steve had liked it, a set of footie pajamas with rainbows and unicorns that was definitely for girls.  
He’d warned Steve, once they were back in the car, that sometimes people were mean to boys who wore unicorns, and Steve had held up his middle fingers, the way he was allowed to do when their downstairs neighbor called Billy mean names.
“You tell ‘em, tiger,” Billy had said, laughing.  
 The day school started, Steve hugged himself in the soft unicorn pajamas, and pulled the hood over his head.  He tried to stop crying so he could go finish breakfast, but he kept thinking of awful things, like what if Billy didn’t come on weekends anymore, and it was just Steve all alone in the house, and what if nobody bought food at all, and what if Billy was taking care of some new kid he liked better.  His mom found him bawling on the toilet, and groaned.
“You have to go to school even if you cry,” she said flatly, and Steve nodded, sniffling.  
“C-can I call Billy,” he whispered, his voice sounding kind of funny, like he was sick.
She rolled her eyes, sighing, but handed him her phone, and he fiddled with it until she yanked it back, clicked around, and handed it back, ringing.
“Yes ma’am?” came Billy’s voice, and Steve stood up.
“BILLY!” he yelled, and Billy laughed.
“Hey, kiddo,” he said, “—did you need something?  You know I’ll see you after school, right?”
“I miss you,” Steve told him, with another sniffle, and Billy started making all these shushing, calming noises, like the time Steve had fallen down the outside stairs of the apartment building, and Billy’d been more freaked out than Steve was.  
Steve giggled, wetly.  “Um,” he asked, clearing his throat, “—are—are you with a...different kid?”
“No!” Billy laughed.  “No way, short stuff, I’m just at the laundromat, okay?”
“If you get a different kid,” Steve said, stubbornly, around the hard lump in his throat, “—they have to let you say no.  They have to tell you you can say no, you have to—”
“I’m okay, Stevie,” Billy said, sounding a little teary himself.  “I’m gonna see you today, and we’re both okay, okay?  We’re gonna both be fine.  I’m sorry I didn’t tell you I wouldn’t be there this morning, I didn’t know either, okay?”
“...okay,” Steve mumbled, glaring up at his mom, who was inspecting the edges of her false nails.
“I’ll talk to you later, all right, my man?” Billy asked, and Steve nodded, swallowing.
“Later,” he managed.
“So dramatic,” his mom said, grabbing her phone back, and hanging up.  
 Steve waited for the school bus with four older kids who kept screaming and pretending to shove each other into traffic.  He rubbed his nails up and down his backpack straps, making a wsht wsht wsht noise, and worried about Billy.  It was hot already in the sun, and he squinted watching for the bus.
The teachers met them by the bus, and they did a roll call, different loud voices yelling out their names.  Right after Steve’s name was called was Billy Hargrove, by the same teacher, and that was Billy’s name, his whole name that Steve’s parents used.  Steve spun, huge-eyed, to see a kid run up, his age, but definitely Billy, and Steve threw both arms around him, trying not to cry.  
“Is this okay?” Billy asked, stiff and nervous, and Steve squeezed him tighter, feeling how small he was, Steve’s size or even littler, but still with his pretty hair, and his earring.  
“You two are friends, huh?  That’s nice,” the teacher told them, smiling, and Steve nodded at her.  
“He’s my Billy,” he said, unable to stop smiling, or let go of Billy.  Billy looked kind of startled, and proud of himself, the way he did when he cooked something right the first time, or found the boy’s shoe section.
“Are you gonna come all the time?!” Steve whispered, and Billy shrugged, raising his eyebrows.  
“Maaaaybe,” he whispered back, but he was smiling as huge and goofily as Steve, and Steve missed paying attention to half the first day of class, he was so excited.  Once he got Billy alone, at recess, around the side of the gym, he hugged him again, and Billy laughed.
“Are you a genie,” Steve asked, half serious, and Billy stilled again.
“...what d’you mean,” he asked, cautiously, and Steve laughed.  
“You keep giving me wishes,” he said.  “You gave me a best friend.  And I’m not lonesome at school.  And the LEGO dragon,” he told Billy, holding both his hands.  “That’s three wishes.”
Billy was watching him uncertainly, and Steve was happy, not mad, so he leaned in and kissed the end of Billy’s nose.  Billy squirmed away, laughing.
“That’s not all, though,” Steve told him, grabbing his hands again.  “You got me Honey Nut Cheerios yesterday.  I know we were out of them, Billy.  You got my mom the job she wanted...I think,” he said, because he’d had suspicions, but Billy grimaced guiltily, and then he was sure.  
“I got a best friend out of it too,” he muttered, glaring at Steve.  Steve grinned at him, and Billy sighed.  “Don’t worry, you’re not gonna run out of wishes, I’m not the guy from Aladdin.”
“You’re a genie?” Steve whispered, bouncing a little on his toes, and leaning in too close, probably, his weight squishing Billy’s shoulder blades against the cement wall of the gym, but then he remembered that Billy was bad at saying no.  He stepped back.  “Um, do you—do you need help?”
“I’m okay,” Billy said, laughing again.  As a kid, his cheeks were kind of pink and round, and Steve clenched his fists so he wouldn’t get grabby.  
“Could—could people make you do things?” Steve asked, biting his lip.
“You could,” Billy said, smiling, and turning even pinker.  “But you don’t.”
“I won’t,” Steve nodded.  “Is there—is there something people could—could someone steal you,” he asked, his voice cracking as the horrible thought occurred to him, and Billy shook his head, laughing.  
“It’s not exactly like that, there’s no lamp, or anything,” he said, glancing at Steve, and then frowning at the ground.  “I-I’m not exactly a genie.  I’m—I’m just yours, as long as you want me.”
“Oh,” Steve said, in a small voice, wondering how he’d gotten so lucky, and also feeling like this was an even bigger responsibility than a puppy.  “Um.”  
“Or you can send me away,” Billy said, smiling, a little.  “If you get bored.”
“I wouldn’t ever,” Steve said, pulling him into a hug again, and sighing into his smaller, softer shoulder.  “Um, unless—unless you want me to.”
Billy shook his head, hugging Steve back.  
 He knew even less about first grade than Steve did, which was kind of weird, but fun, because Steve got to show him how to sharpen pencils, and clean the whiteboard, and Billy listened to books like he had no idea what was gonna happen, even books Steve had heard over and over before.  
“Your new friend’s kinda dumb,” Tommy Hagen said, glaring at Billy, and Steve scowled.
“He’s smart!  And he’s pretty, and he’s nice,” Steve hissed, and stomped away, and Tommy knocked into him every chance he got after that, spilling Steve’s paint and his glitter and his cheerios, but the teacher was a fairy, and she waved everything tidy, hovering about three inches off the floor in annoyance.
“Read me the next one,” Billy whispered, when Steve went to find out what he was doing by the bookshelf.
“...you can read, though,” Steve said, and Billy nodded, sitting next to him, and leaning his head on Steve’s shoulder.  
“I was up early,” he mumbled, and Steve put an arm around him, and read him the story.  
 He turned back into himself—the Billy Steve was used to—after school, and Steve watched him, fascinated.  
“What do you really look like?” he asked, and Billy shot him a frown, clenching his hands around the steering wheel.
“Uh, what does that...mean,” he asked, and Steve watched him, wondering if Billy’s shoulders hunched up when he was nervous because that’s what humans did, and Billy was copying, or whether that was what genies did, too.  
“I just wondered,” Steve said, shrugging, and he looked away, trying to look uninterested.  “You don’t have to tell me.  Uh, recess is uh, fun, huh?  Um, I like the tire swing.  We should, uh, we should...make a snack.  At home.  Later.”
Billy laughed.  “You’re such a good kid,” he said, grinning over, and Steve’s whole face reddened.  
He nearly swallowed his tongue.  “I—I’m normal,” he said, and Billy reached over and ruffled his hair.  
“I dunno, kiddo, you seem pretty great to me.”  Steve groaned, hiding his bewildered grin in his arms, and Billy was quiet for a long second, before saying “...it’s not like here, where I’m from.  I can’t...be like I am there.”
“Oh,” said Steve, nodding a lot, because he had no idea what that meant.  
“This is how I look here,” Billy said, smiling over.  “There’s no big secret.”
“Ohhhh,” Steve said, nodding again, kind of disappointed, but considering the genie from Aladdin—the only genie he knew of.  “It’s probably easier, having feet,” he offered, and Billy snickered.  
“Yeah, yeah, it is.”
The real thing Steve wanted to ask seemed kind of...big, bigger than whether Billy was secretly blue.  “Um,” he said, frowning down at his hands.
“...what’s up, bud?” Billy asked, raising his eyebrows, and Steve made a face.
“Uh, where did you...go?  When my mom said you had to leave.  Do you…”
“I told you, I took everything to the laundromat,” Billy said quickly, and Steve shook his head.  
“No, I mean...where do you...live,” he whispered.  “I thought...I thought you lived at my house.  You never left before.” 
“I’m okay, I’m fine,” Billy said quickly, and Steve bit his lips together, kind of hating his mom.  “I just, y’know.  I don’t sleep, exactly, I found a cafe—”
“That won’t work,” Steve said, feeling the weight of Billy being his, and setting his jaw.  “I’ll...I’ll tell her I need you to make breakfast.  I’ll make a big mess of the kitchen—”
“Don’t worry about me, kiddo,” Billy said, laughing.  “It’s not like she made me go home.”
“It’d be nice if you did have a lamp,” Steve sighed.  “With little stuff in it, you know, like Polly Pocket.  You could go in there when you wanted to.”  Billy started laughing, cackling so hard he pulled over and folded his arms on the steering wheel, and when he looked over, finally, Steve stuck his tongue out.  “It’s not that funny,” he huffed.
Billy beamed at him, and ruffled his hair again, roughly, like he was trying to mess Steve’s hair up, and wiped his eyes.  “You know what I can do,” he said, softly, leaning close, and Steve leaned towards him.  The vinyl of his seat creaked.
“Why are we whispering?” he asked.
“I can change size,” Billy told him, grinning.  “You want to build me somewhere to live, Stevie?  With your LEGOs?”
“Ohhhh,” Steve gasped, staring at him.  “Let’s go home right now,” he whispered back.  “Do—do you want a castle?  Or a—a death star,” he whispered through his fingers, his voice squeaking.  “A ship?!”
“We can look at all the options,” Billy said seriously, and Steve stomped his feet on the floor of the car like drum beats, he was so excited.  
 He had homework when they got home, writing about his summer, and he groaned.  
“You can do that while I fix dinner,” Billy said, like it didn’t even matter that Billy could be the right size to open the doors in Steve’s LEGO haunted mansion.  It was hard to focus on his math worksheet for that and a lot of other reasons, like Steve got addition, it made sense, he didn’t need to think to remember what 2+3 was, and also Billy was cooking, and that was hard to ignore.  
He was making mashed potatoes, and Steve was girding himself to eat them, watching Billy frown around the kitchen and then shove the potatoes in the blender, click it to make it go, and listen to it struggle.  Billy turned it off again and glanced worriedly back at Steve, who pretended to be working very hard on his worksheet.
The fridge door opened, and Steve tried to watch surreptitiously—and sure enough, Billy had figured out that the blender needed liquid, and he was pouring Steve’s dad’s kombucha-cola into the blender with the potatoes.  
Steve tried not to grimace, but then Billy sniffed it, made a face, and pushed two pickles into the mess, and he couldn’t help asking “Um, what do you eat?”
“What,” Billy hissed, turning to hide the blender from Steve with his body.  “I eat—food.  You’ve seen me!”
“You, uh, I think maybe you didn’t used to,” said Steve, watching the greyish-greenish color the mashed potatoes were turning with fascination.  “So, um…”
“I’m not hurting anybody,” Billy said, hunching his shoulders like Steve might think maybe he did, and Steve scoffed, turning to a worksheet page on using ‘a’ or ‘an’ in sentences, which was even worse.
“I know you aren’t,” he told Billy, rolling his eyes, and Billy laughed, relaxing a little.  “What d’you eat, though?”
“...I don’t…” Billy trailed off, grimacing.  “I don’t eat like you do.”
“Oh,” Steve nodded, watching his face hopefully, and then frowning at the worksheet.  “Are you like a tree?”
“...sort...of,” Billy muttered, rubbing his face, and Steve realized Billy was turning red.  “When I...make people...happy, it’s like...sun.  For a...tree.  In a...way.”
“You make me happy all the time,” Steve told him, and Billy made a face, turning redder, and Steve let himself look away from the worksheet, trying to remember whether ‘y’ was a vowel.  He watched the wet, brownish-greeny-grey potatoes whirling soupily around in the blender.  “I mean, except for sometimes when you won’t look up recipes online.”
“They’re impossible to fuck up,” Billy moaned, grabbing his phone, and frantically typing.  “I can’t mess up mashed potatoes, Billy, nobody can mess up mashed potatoes—”
“Whoever said that didn’t know you’re not human,” Steve told him, “—because that’s, uh.”  
Billy switched the blender off, sighing heavily as he stared at the slow bubbles rising through the muck.  “...cereal?” he offered, defeatedly.
“Cereal is good,” Steve said, guessing that ‘an’ was correct and writing it in, and Billy groaned.
“How about I have Mr. Johnstone remember you when he’s taking his cookies out of the oven, and bring you some?” Billy asked, and Steve brightened.  
“How come you can’t make me want to do my homework,” he huffed, and Billy paused, frowning over at him.  
“Is that what you...want?” he asked.  
“....no,” Steve said, because Billy’s eyes were smoking, a little, for the first time in months, and also it did sound kind of weird.  “...have you...ever?”
“Ever what,” Billy said, staring at him, and starting to pour Steve’s milk on the counter, instead of into a bowl.
“Billy!  Bowl!” Steve yelped, pointing, and Billy grabbed a bowl, fumbled it, and then dropped it, so it smashed all over the kitchen floor.  
“Fuck,” he hissed, waving his hand, and the glass pieces all flew up to be a bowl again.  Billy leaned back against the counter, his shoulders slumped, rubbing his face.
“...wow,” Steve whispered, because Billy rarely did anything obvious, it was always ‘Oh, no, Steve, you didn’t leave your new baseball cap at the zoo, I have it right here,’ or ‘Of course your dad will come out for dinner with you, kiddo,’ and then the wi-fi failed, and he did.  “I just mean, um.”
“What,” Billy sighed.
“When I had the flu, did, uh, did you...make me sleep?” Steve asked, because he’d wondered about that one, waking up to his parent’s panicked faces in the hospital.  “Until I felt better?”
“You told me to,” Billy said, watching his face.  “You said.”
“...only if I asked,” Steve said, nodding slowly, and Billy nodded a couple times, faster.
“Only if you tell me to,” Billy nodded.  “Mr. Johnstone always means to bring you cookies anyway, I’m just reminding him, is all—”
“How come you don’t use it to do the laundry, and...things,” Steve asked, since Billy was answering, and Billy laughed.  
“I could,” he said, shrugging.  “You need to know how to do it too, though, right?  This way, we can do it together.”  
“...did my mom…” Steve began, remembering the long-ago commercial, and making a face as he imagined Billy ordered to pour something over his own head.  “...does my mom...have your...lamp?  Is that...is that why you have to listen to me?”  Billy opened his mouth, frowning, and Steve shook his head.  “I-I know you said it’s not a lamp, but—”
“...I don’t have to do what your mom says,” Billy told him, cocking his head.  
“...just me?” Steve asked, and Billy leaned back against the cupboards, crossing his arms.
“...yeeeah,” he said, warily, and Steve breathed a sigh of relief, nodding, and kicking his feet under his chair as he thought.
“Do…” he began, and trailed off, and Billy came over and sat down at the table, raising his eyebrows.  
“Spit it out, kiddo.”
“...my magical people encyclopedia,” Steve started, then paused, trying to figure out how to continue.  “...it, uh, it says to...it says not to..ask for things.”
“What did you want to ask for, Stevie?” Billy asked, with a long, contented sigh, folding his arms behind his head as he leaned back in his chair.  He sat his feet on the chair next to Steve, grinning.
“No, no, I don’t—I don’t...want anything,” Steve said, and Billy sat his boots on the ground again.  
“What’s wrong, buddy,” he asked, sitting up to reach across, and squeeze Steve’s hands.  Billy’s hands were twice as big as Steve’s, and Steve always felt safe, when Billy held him, but he shut his eyes.  “It—it says if you ask for things, there’s always a...price.  It says—not money, but—it—it can go wrong, I might—forget someone, or they might...forget me, uh,” Steve paused, swallowing, as Billy’s hands on his went still.  “Somebody wished for their dead son back, and he came back but he wasn’t alive, or...or she wished for treasure, but then she got arrested for stealing it…”
Billy smiled, a little, but not like anything was funny.  “...oh,” he said, finally.
“It—the book said not to just...wish for things, if you didn’t know how you were...paying,” Steve mumbled.
“I’m not a monkey’s paw,” Billy growled, “—or a like, a fae lord, I’m not tricking you out of things you want, I’m not going to steal your memories, or your name, or anything—”
“Tommy doesn’t wanna be my friend anymore,” Steve said, his voice wobbling a little, because he hadn’t had a lot of people who really liked him, until Billy.
“Tommy’s a little shithead,” Billy muttered, but Steve talked over him.
“...if I have to...pay something to be friends with you,” Steve said, thinking about how his parents barely knew he was there, and whether they ever had, or whether he only remembered them that way, “—is—is that—”
“Shit, no,” Billy breathed, shoving away from the table and stomping over to lean against the sink again.  “I didn’t—fuck, there’s nothing I can say, is there, I could have done anything, you can’t believe me—”
Steve blinked wide eyes at the words Billy was using, glancing up the hallway in case his mom or dad came around the corner.  “Ssssh,” he whispered.  “Sshh, I believe you!  Don’t say the f-word, you’ll get in trouble!”
“Who cares, right,” Billy hissed.  “I can just make them forget it, right?!”  He looked really upset, Steve registered, kind of relieved, even though he’d known Billy was his friend, really.  Billy looked like he might cry, and Steve got up from the table, and went over to hug him around the waist.  
Even if Billy had taken his friendship with Tommy in trade for wishes, or something worse, Steve thought, it’d probably be worth it.  “...I didn’t mean…” he sighed.  “I know you wouldn’t...on purpose.”
“What’s that mean, on purpose,” Billy asked, disentangling himself from Steve’s hug, but just to pick him up.  Steve hugged him again, around the neck, and messed Billy’s hair up the way Billy always did Steve’s.  Billy laughed softly.
“...you’d make sure I wanted to pay for the wish.  You wouldn’t do anything that made me sad on purpose,” Steve said, sighing.  “I know you wouldn’t.”
“...sad, no,” Billy told him, squeezing him harder.  “Mad, maybe.  You aren’t paying for wishes, kiddo.  If you want Honey Grahams because I’m a shitty cook and I ruined lunch, I’m not going to steal your memories.”
“You wouldn’t take away somebody liking me,” Steve whispered, and Billy rocked him a little, sighing.
“Nope.”
“Mom and Dad never liked me, it wasn’t you,” Steve mumbled, and Billy froze.  “You didn’t take that.”
“Oh, jesus, kidlet,” he said softly.  “Of course they...do,” he said unconvincingly.
“They don’t,” Steve sighed.  “But you do.”
“Yeah,” Billy told him, swaying Steve a little, and rubbing his back.  “You’re my favorite.”
“Favorite what?” Steve asked, giggling, and Billy hrrrm’d.
“Favorite everything,” he whispered, lifting Steve way high up so he could put his hands on the ceiling, and swinging him around while Steve laughed.
Next Chapter!
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ordinaryschmuck · 3 years
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What I Thought About The Mitchells vs. the Machines
The Falcon and the Winter Soldier is up there as one of the best installments of the MCU. Sure, the action and CGI sucks, and the season finale could use a bit more polish, but there is so much more of what it does right. It brings up an engaging discussion through Karli; the bromance between Bucky and Sam is incredible; Zemo's surprisingly a riot, and U.S. Agent is a character whose inner psychology is something I would like to study. Plus, the series really dives deep into the themes of race and the realistic hesitance that comes with making a black man Captain America. It's easily an 8/10 series that is worth an in-depth discussion.
But f**k that s**t, because I'm talking about The Mitchells vs. the Machines instead!
I know it might be questionable that reviewing a movie starring a predominantly white family of idiots saving the world instead of the TV series about the powerful journey of a black man taking the mantle of an American icon...but this movie is fun, alright? And yes, I'm going to spoil it to explain how. So if you still have a Netflix account, I highly suggest you check it out when you have time.
Because, random people on the internet who most likely won't read this, this Ordinary Schmuck who writes stories and reviews and draws comics and cartoons is going to explain why The Mitchells vs. the Machines might just be my favorite film of the year (steep contest, I know).
WHAT I LIKE
The Animation: Let's get this out of the way right here and right now: If a single person ever tells you that this movie has awful animation, or the worst animation they have ever seen, just go ahead and assume that person is an idiot. Because holy hot cheese sticks, does this movie look amazing!
Say what you want about most of Sony Pictures Animation's movies, but you have to admit that they nail making a CGI movie looking like it could be in 2D. And The Mitchells vs. The Machines is the peak of that style. Every character in nearly every frame looks like they could work well if the movie was hand-drawn, and I love it. I am addicted to seeing films that look 2D with a 3D makeover because there has to be ten times the amount of effort to get that look just right, what with modeling each character in unique ways to nail that style wherein a hand-drawn film, you could just, well, draw it. Not to mention that the cell-shading and certain hand-drawn elements also add to the aesthetic.
Plus, there is so much attention to details, such as most of Katie's character model being covered in sharpie, or how you can see a hint of Eric and Deborabot 3000's drawn on faces even though their black screens are showing something else. Seriously, you can listen to any criticism this movie gets, but don't you dare let someone get away with telling you that it looks awful. It doesn't. It's incredible, and I SO wish that I could have seen it all on the big screen.
The Comedy: On top of being incredibly well-animated, this movie is also incredibly funny. Like, really funny. I shouldn't be surprised since it's made by the same people responsible for Clone High and The Lego Movie, but yeah, I found myself laughing, chuckling, and snorting with nearly every joke in the film. Not every joke works, to be fair. But because of the fast-paced humor, the bad jokes are almost immediately followed up with better ones soon after. What's even better is that the writers know when to take a break with the humor and let some surprisingly compelling drama take over. And even then, when there are jokes during the dramatic moments, they add sincerity to the scene rather than take anything away. Looking at you, The Amazing World of Gumball...I mean, I love you, but sheesh, you need to learn to let a solemn moment play out.
Anyways, the comedy is hilarious. And while I won't spoil every joke, I will go over some bits that might have gotten to me the most.
Katie Mitchell: Let's just go ahead and add Katie Mitchell to the list of characters I highly relate to on a personal level (which is getting longer by the minute, hot damn). But jokes aside, I really like Katie. Her love and desire to make movies is something I identify with, and her goal to just go to a place where she feels like she belongs is easy to understand. Trust me, if I found out there was a group of weirdos who like the same things I do and enjoy the things I make, I’d be willing to pack everything I have and go to them as fast as possible too. Plus, I feel like a lot of us can relate to a character who lives in a household where people question if our career goal is something we can make a living with. I remember two years ago when I told my aunt that I wanted to make my own animated series, and her reaction is a little too similar to Rick's when Katie showed him her movie. They mean well, but sometimes it's for the best to have a cheerleader rather than a critic, especially if that person is family.
Now, Katie isn't perfect as her enthusiasm can get a little annoying at times, and her desire to leave can be conceived as a little too harsh as well. Still, she's pretty cool and serves her role as a protagonist pretty well...also, if the movie gets a sequel, let's hope she and Jude become cannon by then. GIVE KATIE A GIRLFRIEND, DAMN IT!
Aaron Mitchell: But as great as Katie is, it's this goober that earns the reward for my favorite character. At times it looks like Aaron is nothing more than a source of comedy, but he handles some dramatic moments really well. Partial credit goes to Michael Rianda for that one. Yeah, having a child actor would have made Aaron sound more like a kid, but no other voice could have fit him better than what Michael offers as he comes across as weird but never obnoxious.
Also, let's give the writer points for making a character who is clearly neurodivergent. Yet also refraining from having him be annoying or useless to the rest of the cast. No one ever really disrespects or belittles Aaron and instead chooses to work with him rather than against him. Especially Katie, who forms a solid sibling bond with Aaron as a fellow weirdo. It's genuinely sweet to see, and I loved every minute that the writers showed that just because someone acts on a different wavelength doesn't mean they shouldn't be treated any less because of it. You get that with Katie, a little bit, but I see it much more with Aaron, for some reason. And I love him every minute, so that’s a win.
(Plus, I may or may not have had a dinosaur phase when I was younger, so go ahead and add him to the list of relatable characters too.)
Rick Mitchell: This is probably a character you will either love or hate, and I can see both sides of that argument. Because on the one hand, I really like Rick Mitchell. His motivation is clear and understandable from the first set of home videos with him and Katie, both near the beginning and the end. Sure, he messes up a lot, but he is still a man who cares deeply about his daughter, as well as his entire family. He gets to the point where he would make great sacrifices for all of them, especially Katie. Plus, it's just pleasant seeing a cartoon dad who isn't a complete idiot or overprotective regarding his daughter's love life.
However, there are times when Rick comes across as an irresponsible d**k. When he does things like smash the family's phones without telling them or giving them screwdrivers for "presents," you're either gonna find that funny or you won't. Personally, I enjoy Rick and his antics, and I have no problem with irresponsible cartoon dads. As long as they don't cross the line toward Modern-Peter Griffin territory, I've got no problem with dads like Rick, who I believe has never even got that bad. Still, some people might think differently, and I can't blame them. Because after getting great cartoon dads like Greg Universe, I can understand if some people won't be interested in characters like Rick Mitchell.
Rick’s and Katie’s relationship: Alongside the top-notch animation and gut-busting comedy, Rick and Katie's relationship is what I consider the movie's most essential asset. These two are the main characters of the film, and as such, they develop through each other. And what's crazy is that they have very conflicting goals. Katie wants to escape and be with her people, where Rich just wants one last chance to have a good memory with Katie before she leaves. To do so, they first have to understand each other. Katie has to learn why Rick is so desperate to spend time with her, and Rick has to realize why Katie is, well, Katie. What I love most about it is that they try. These two don't spend the entire movie arguing and being at each other's throats until a sudden "Oh" moment in the end. No, there are actual moments when they genuinely try to understand one another and fix their relationship. It's nice to watch, and I especially love when it cuts to Linda and Aaron celebrating each time Katie and Rick get closer to each other. When recommending this movie, I'd say come for the animation and comedy, stay for the phenomenal relationship building.
Monchi: There are probably people already comparing Monchi to Mater or the Minions due to being a comic relief with nothing else to add...but gosh dangit, do I love this little gentleman. Maybe it's because I'm a dog person, but I find Monchie to be incredibly adorable, and I will fight anybody who disrespects this king of kings. Probably not physically, 'cause I'm a wuss, but I will verbally. So WATCH IT!
“HeLlO. i Am DoG.”: Have I mentioned that this movie is funny?
Rick’s videotapes of him and Katie: And right there. Rick's motivation for everything is set in stone through a solid case of visual storytelling.
PAL: The writers do almost everything they should have with this character. PAL might not have the most creative evil plan in the world, but to me, a villain can have a generic scheme as long as they're funny. Thankfully, PAL is funny. Not only is the idea of a smartphone ruling the planet hilarious in all the right ways, but Olivia Colman delivers such a great cynical energy that the character needs. The way PAL reacts to people explaining why humans are worth living is just the best, and her flopping around in a fit of rage successfully gets to me.
If I had to nitpick, I'd say that I wish PAL had more of a meaningful resolution to her character. The movie builds up that she makes a big deal about Mark dropping her, so it feels weird that neither of them really get any actual closure with each other. I'll get more into that in the dislikes, but I wish PAL had more of a fitting end than just dying after accidentally getting dropped in a glass of water. Other than that, she's a great comedic villain for a comedic movie.
PAL MAX Robots: These guys are the funniest characters in the movie. Half of it is the bits of visual humor, while the other half comes from the solid line delivery from Beck Bennett. Especially with Bennett's and Fred Armisen's Eric and Deborahbot 3000. These two are definitely the comedic highlights, as nearly every line they say is both hilarious and kind of adorable at times. And just like with Monchi, if you dare disrespect these characters, I will fight you. Because they are funny, and I will not hear otherwise.
PAL demonstrating what it’s like to be a phone: Have I mentioned that this movie is funny?
(Don't disrespect your phones, kids. Otherwise, they'll try to take over the world.)
PAL turning off the Wi-Fi: Again, have I mentioned this movie is funny?
“I love the dog. You love the dog. We all love the dog. But at some point, you’re gonna have to eat the dog.”: It's the sick jokes that get to me the most. Everyone booing Rick afterward is just the cherry on top.
Attack of the Furbies: Have I. Mentioned. That this movie. Is funny?
Seriously, if you haven't lost your s**t during every second of this scene, then you never had to deal with the demonic entity that is a Furby. In a way, I commend you. But you also don't get to appreciate the comedic genius of all of this. So I also weirdly feel bad for you.
The Mitchells deciding how to celebrate: You don't have a real family if you spend more time arguing about how to celebrate after saving the world than you do about how to save the world. I don't make the rules. I just abide by them.
The PAL MAX Primes: There's not much to say about them. The PAL MAX primes look and act pretty cool, are brilliantly animated, and raise the stakes while still being funny at times. I love 'em, but I don't have much to analyze with them either.
The origin of the moose: ...I'd make the "I didn't need my heart anyway" joke, but to be honest, it's still shattered after WandaVision.
(For real, though, this is a really effective scene that establishes why Rick makes a big deal with the moose and why he might feel hurt that Katie is willing to disregard it completely)
The Theme of Technology and Social Media: There's a theme about how family is important, and working hard on making things work is worth the effort. But that's a bit too generic for my tastes, so instead, I'm gonna talk about the equally important message this movie has about technology. Because as twisted as she is, PAL makes a great point. The technology we have today helps us in a variety of ways. It's especially useful with sites like YouTube, allowing content creators like Katie to reach out and share their voices. The only issue with technology is how people use it. Take note that the main reason why the Mitchells stand a chance against PAL is by using her own tech against her. Yes, over-relying on all the advancements around us can be dangerous, but if we're smart with how we use them, we can get by just fine. This movie isn't about purging all technology like most robot apocalypse stories are. Instead, it's about using it correctly and not being helpless sheep the second the Wi-Fi gets turned off. Which might just be the most unique thing this movie has going for it story-wise (more on that later).
The Climax: The Mitchells vs. The Machines has everything that I think I climax should have. First off, it utilizes callbacks and jokes that I wouldn't have thought twice on actually coming in handy for how the Mitchells win the day. But showing that Monchi causes the robots to malfunction turns a pretty "eh" joke into a solid case of foreshadowing.
Second, everyone does something. Some characters do more than others, sure, but the fact that every Mitchell, even Monchi, has a hand in beating PAL and her robots is a great sense of writing to me. It shows that you really can't cut anyone from the main cast, as they each add value to how they are essential to the plot. Even Aaron, who arguably does the least in the climax, still manages to be the catalyst to what is easily the best scene in the movie. Speaking of which...
Linda Kicks Ass: By the way, that's the actual name on the soundtrack. I'm not even kidding. Check it.
Anyways, for the most part, Linda seemed like a decent cartoon mom. She's insanely supportive but still has the common sense to keep her foot down, like agreeing with Rick to stay safe in the dino stop the second the apocalypse starts. A pretty fun character, for sure, but nothing too noteworthy...but the second she loses her s**t, Linda Mitchell frickin' SKYROCKETS to the best-cartoon-mom territory! Believe me when I tell you that seeing her slice and dice robots like a middle-aged female Samurai Jack is as awesome as it is hilarious. Does it make sense how she can suddenly do this? No, but at the same time, who gives a s**t about common sense?! Because this moment was epic, and I don't think I'll ever get tired of watching it over and over again.
Rick Learning How to Internet...Again: I consider this the funniest moment in the movie. Trust me, the Furby scene is a close, close, CLOSE, second...but I think this scene was funnier.
The final goodbye: This is what I'm talking about when I say humor adds to the dramatic moments. The Mitchells saying "I love you" in moose is pretty funny, but it's also a sweet moment given that this is absolutely how this family of weirdos would say goodbye to each other. And, yeah, I got a little misty-eyed during this scene. Especially when Rick saw Katie pocketing the moose. That s**t just cuts deep, man.
Alex Hirsch Voices a Character: ...That's it. I look up to Alex Hirsh as everything I want to be as a creator, and the fact that his name is on this movie fills me with joy. He's also a story consultant, so that can also explain why the movie turned out as great as it did...although there are some imperfections.
WHAT I DISLIKE
Katie-vision: What's Katie-vision? Well, throughout the movie, we get to see how Katie views the world as there are these hand-drawn elements that look like effects Katie would add if she was the one who made the movie. At times it can be subtle and cute, like when this little beating heart appears when Katie is talking with Jude and her other friends. It's when the movie is in your face with Katie-vision does it get annoying. Like showing how Katie is lying about being certain she can drive up a vertical ramp or signifying what is the Rick Mitchell Special. Even if you justify that this would be how Katie would edit the movie, it still doesn't change how obnoxious these moments can be. For instance, Monchi is justified to be essential for the plot, but that doesn't mean people won't hate him...I'll still fight them if they do, but that's beside the point.
I can totally accept this being a personal issue, as I'm sure some people enjoy it. As for me, I think Katie-vision works best when used subtly instead of crudely.
The Meme humor: It's something similar here. Because some people like meme humor...but I don't. To me, it just dates your story if you reference memes even once. Now, a show, movie, or book being partially dated is nothing new. We Bare Bears, a series that I love, reference memes, apps, and social media constantly. Yet, the show still has a timeless feel to it as it doesn't rely on those references too much. The Mitchells vs. the Machines doesn't rely on memes as much either. But even then, that doesn't make a difference about how annoying that gibbon monkey joke was. Seriously, what the f**k was that? And how is THAT the joke that gets used twice!?
Underutilizing Mark Bowman: It really bothers me how this guy barely does much. I mean, Mark Bowman is the main reason that anything happens in the movie. Because he mistreated PAL, Mark acts as the catalyst for events to come. So the fact that he could have been written out the second PAL takes control doesn't make sense to me. It's worse since I could see more potential with his character through his relationship with PAL. These two could be anti-Rick and Katie, as Mark and PAL show what happens when people disrespect their family. So separating them halfway through the story, and keeping them as such, is a huge mistake as it results in neither having a proper resolution to their arcs. Like I said, Rick and Katie develop through each other, and the same could have happened with Mark and PAL. It doesn't, making it something that I can't help but feel disappointed about.
The Poseys: These are characters I feel like work better with multiple appearances. Sure, they only have the one joke about being a perfect family, but at the same time, you can make a joke like that work. Look at Yvonne from Shaun of the Dead (Which might just be my favorite movie). That's a bit-character whose only purpose is showing how better she is than Shaun despite being in an eerily similar situation. But she works well as we constantly see how great she's doing in every instance we see her. The same could be done with the Poseys, as using a similar joke for one scene is underutilizing great potential to make an already good movie into a better one.
Plus, if you're gonna shoehorn in a romance between Aaron and Abby Posey, the least you could do is have more than one scene developing that...just saying.
Katie’s and Rick’s “Oh” Moments: I want to make it clear that I actually like these scenes. They're well written and effectively emotional. My problem is that they also happen two seconds apart. There's nothing wrong with having a character realize the error of their ways through a tear-jerking moment. It's a popular tactic for a reason. And given how both Rick and Katie are the protagonists, they both need their own "oh" moment. But you gotta space them out, as it makes things easier to see the emotional manipulation that you're clearly trying to pull on the audience. They work, but putting them back to back is an issue easily solved with at least two minutes of padding, not two seconds.
Katie’s Death Fakeout: This is one of the few instances that a joke doesn't work in the movie, made even more annoying with the fact that I could see the punchline a mile away and kept thinking, "Just get to it already." I'm pretty sure no one bought this, especially when Katie didn't look like she could have gotten killed in any way after throwing PAL. It's poorly handled and proof that even the funniest comedies have a stale joke every now and again.
Nothing New is really being done here: Keep in mind that in terms of style, this movie is incredibly innovative. And here's hoping future animated projects can take notes. But narratively speaking? Yeah, there's nothing really new that this movie is offering.
A story about how technology will be the death of us? Been there.
A story about a group of idiots miraculously saving the world? Done that.
A story about a father forcing their teenager on a road trip so they can spend quality time with each other, thus ruining the teen's chance of hanging out with their girlfriend? Believe it or not, I have seen A Goofy Movie...multiple times...both as a kid and as an adult.
Now, I have no issue with a movie's plot being a bit by-the-books, and in some cases, cliche. If done effectively, and if I still have a good time, I don't think there’s much to complain about. And there isn't with The Mitchells vs. The Machines. The problem lies with that I'll forget this movie along with the dozens of others like it in a couple years. Which might just be the biggest issue any film can have.
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Overall, I'd give The Mitchells vs. the Machines a well-earned A-. It has nitpicks, sure, but it's still a blast to watch. It might not be innovative or groundbreaking as movies like the last Sony Pictures Animation movie, Spider-Man: Into the Spiderverse. However, it is fun. And when the world is burning down around us, it's nice to have a fun movie that can distract us from all of it. So feel free to log in to Netflix the next time you're in the mood for a film that is great for the whole family. You won’t be disapointed
(And I will talk about The Falcon and the Winter Soldier pretty soon. I just needed to get this out of my system first.)
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kidney9-9 · 4 years
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I’m feeling fluffy, what about Bucky x young daughter!reader and avengers x Barnes!reader, where she plays with her Lego and Pokemon figures and leaves them around the compound all the time and just short compilations of when he and the rest of the team step on them and try not to swear around her as it hurts so much? Sorry if you don’t understand what I’m trying to get at!
hi anon! hope you enjoy! this is actually a short funny story- but i had no idea what Pokémon was till two years ago, still need to learn more about it though. Also, I only included a few of the people on the team! Thank you for sending this in :) (Bucky, Steve, Sam, Natasha and Tony)
I wrote this in a slightly different way, as I separated the character’s experiences!
Masterlist  
Avengers x Bucky’s daughter!Reader  (Age set maybe around 5/6) (Platonic)   Warnings: cursing Word Count: 1k
Bucky Barnes:
You were his daughter, and he loved you. But fuck, when you left your Legos and Pokémon stuff out, he felt cursed by them. He can’t even tell how many times he’s stepped on Legos, but each time they were such a pain, and he could barely stand it.
It became more of a joke around the Compound with your toys laid on the floor in very random places. They’d be in storage rooms, kitchens, bedrooms, everywhere you would think you were safe.
Today Bucky took you to the indoor pool. It was a lazy day, but he thought relaxing by the pool would be fun. He still needed to teach you some swimming tricks. As he set down your floats, you jumped into the pool, giggling and shouting from the coldness.
“Hey dad!” You yelled out, watching as he turned to you, stepping forward. Your eyes widened as you watched the scene in slow motion. Your dad stepped onto the Pokémon toy you brought today, wincing in pain as he pushed his hands out in front of him, as if to stop himself from hitting the floor in front.
Instead, he fell backwards, instantly shouting out words in languages you didn’t understand. You waddled to the edge of the pool, gazing at your dad worriedly as he scrunched his face together looking at the figurine. “Sorry,” You offered, trying not to giggle as he grumbled silly at the toy, tossing it to the side.
“Yeah, maybe we should take you to the store for other things to play with.” Bucky mumbled, shaking his head in embarrassment at himself.
Steve Rogers:
When he stepped onto one of your Pokémon figurines, he wanted to scream. The pain was worse than falling out of a plane, and it doubled when he stepped down on it again by accident. Steve groaned loudly instead, “How the fuck is this a toy?” Bucky gazed to him as he tilted his head, “Steve.” Bucky warned, as Steve shook the toy off.
“Yeah?” Steve answered, gazing down at the Pokémon angrily. “Did my daughter’s toy really just cause you to break out of your ‘Language’ bullshit?” Bucky responded, glancing down to the toy. Steve nodded, gazing back to you. You were sitting on the couch, wearing your headphones while watching cartoons.
“I can’t believe I’m about to say this but- watch your language around her.” Bucky spoke again, making Steve chuckle in response, “Yeah, sorry.”
Tony Stark:
He might’ve really enjoyed your Legos. It was like fidget toys for him, and he’d always steal a handful from your box. He didn’t even want Bucky or you to know, because he wouldn’t hear the end of it. He had taken some from the day before, and accidently knocked it off his desk in a rush to grab his coffee while working on a project.
When he went to pick them up, the power went out. He stepped forward, taking his phone out for light, but instead his foot collided with one of the Legos. It stung as it wedged itself against his foot, and Tony yelped loudly, barely catching himself.
The power came back on the next second, as you ran to the lab after hearing Tony. You raised your eyebrows at him, walking through the entrance. “Are you alright?” You questioned, quickly glancing to the ground, seeing your toys.
You looked back up to Tony, smiling as you figured out what happened. He groaned back at you, “Don’t tell anyone I tripped on that.” His words made you giggle as you shook your head back to him.
“Okay, just stop stealing my toys!” Tony muffled his immediate response of cursing by shoving a hand to his mouth. You giggled again, hearing him but shrugging it off as you gazed back to your toys excitedly.
Natasha Romanoff:
It happened when she wasn’t concentrating; and that wasn’t often. She was just walking to the next meeting as you skipped by her side, rambling about your favorite cartoons. She was half listening, as she was looking for the meeting room, not remembering the number.
When your Pokémon fell out of your hand, and in front of her, she didn’t see it. She was wearing shoes, yes, but stepping on such a figurine was unexpected, causing her to faulter in her walk, holding onto the wall for support. You started to giggle loudly at her as she let out a small “Shit,” under her breath, huffing out in surprise.
“Auntie Nat tripped!” You called out, as your dad and Steve walked out of the meeting room that was a few feet away. Bucky raised his eyebrows back at the two of you, nodding in understanding as he glanced to the ground.
Steve let out a small sigh seeing it as well, “We really need to get rid of those things.” Natasha agreed, but didn’t voice it as she saw your angry pout back at him and your dad.  
Sam Wilson:
Your toys were scattered everywhere today as Sam stood in the gym, confused. You gazed back at him as you shrugged, explaining, “Well they need to train as well! They’re assassins like Black Widow!” Sam let out a laugh, knowing you had no idea that Natasha was the Black Widow, but it was for the best now.
He responded in the next second, “We need to pick them up, I think they had enough training for now.” His words followed along with your story, as he started to pick a few of the Legos up. You groaned back at him but agreed.
“Did you know that dad said you trained like you were in my kindergarten class?” You mentioned, causing Sam to shoot right up, staring back at you with astonishment.
“He said that?” Sam scoffed, laughing slightly. He dropped the Legos he picked up as he shook his head, “Well your dad stinks after training, like-” He cut himself off as his foot stepped onto one of the Legos wrong, breaking the fabric of the sock.
Sam cringed at the feeling of pain followed right after, “Oh- motherf- flipper, shark fin!” Sam yelped out, sighing in relief as he avoided the words. You cleared your throat, staring at him in confusion.
“My dad usually says motherfucker, but I like mother-flipper more.”
 --
Marvel Tag: @lozzypoz321 @peepeeparkerr 
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elisaphoenix13 · 4 years
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Before The Dawn (Ch. 1)
Tony was quiet but Cassie understood why. He just lost his entire family and half of his friends, and only Diana had survived the snap the adults were talking about. When Tony saw Cassie, he asked about Scott and Steve had told him that he was missing and her mom and stepdad were either out of reception range or victims. So Tony had her pack her things and took her Diana with him after he recovered from his near month in space.
That was how she found herself in the backseat of his car and on their way to a new house he said he bought, with only the radio to fill the silence and Diana's periodic cooing. Cassie didn't feel it was the right time to strike up conversation and that it was best to leave Tony to his thoughts for now, and she kept herself entertained with either a book or playing with the baby. When Diana started fussing though, Cassie immediately reached into the diaper bag between them and grabbed what she needed to make her a bottle.
A water bottle, formula, and a baby bottle were all fished out and she carefully poured formula and water into the bottle before closing it tightly and shaking it. Just like Stephen showed her. Cassie loved helping him with the baby so she asked him to show her how to do things so she could help when he needed it. She was glad she did because Tony needed it now more than ever. He wouldn't need to make as many stops and maybe they would only need to make one before they got to the house they were going to.
Diana quiets immediately when Cassie offers her the bottle and the baby drinks hungrily as Cassie holds it. She was getting hungry herself and Tony seemed to read her mind because he briefly caught her eye in the rearview before he looked back at the road.
"We'll be there in about half an hour. Think you can hold out?" Tony asks.
"Is there food there already?" Cassie asks.
"No. It will be delivered tomorrow but there's somewhere close to the house we can drive through."
"I can wait." Cassie nods.
Tony answers with a nod and Cassie pulls the bottle away when Dia is finished with it and sticks it back in the diaper bag. She keeps her entertained with some toys and then eventually a teething ring and before Cassie knows it, Tony is pulling into a drive thru and asking her what she wants and then putting the bag of food in the passenger seat before he's driving away again. It was another ten minutes before he was pulling onto a gravel road and the sound of crunching under the tires drew Cassie's attention out the window and the scenery around them.
The first thing she saw was the enormous lake. It was too cold to go swimming but maybe when it warmed up, Tony might distract himself and take her out. She didn't keep her hopes up though. Tony was hurting and depressed and needed time to mourn, just like the rest of the world, and Cassie knew he had to have that time. She did too. Her dad was missing as well as her mom and stepdad...and it was possible they met the same fate as half of the world. For all she knew, she only had Tony and Diana.
Tony parks and turns off the car before he gets out to open the back door and unbuckle Diana to pull her out. "Don't worry about our bags just yet. Can you get the diaper bag and the food?"
"Yeah." Cassie nods and gets out of the car and grabs Diana's diaper bag before she closes her door, and the bag of food from the front seat before following Tony inside. "Where is Dia sleeping?"
"Her own room. Everything should be set up. I'll have one of the baby monitors in my room." Tony responds. "Go ahead and eat. I'll take her up and lay her down after I change her."
Cassie hands him the diaper bag when he reaches for it, and then sits at the table with their food as he disappears up the stairs. As she bit into her chicken nugget, Cassie looked around the cabin and almost frowned when she noticed that it was only furnished with the bare essentials. At the tower, it always felt like a home because it always had something personalized lying somewhere. But here? There wasn't a pile of books in the corner, there wasn't a completed lego structure sitting on an end table, no baby toys strewn about…
She decided she needed to help change that whether Tony liked it or not. Maybe she didn't have anything of Stephen's, Peter's, or Harley's, but she had her things and Diana's. She would help make this a home too even if it wouldn't be the same as the tower.
Tony returns downstairs and sits across from her and then pulls his hamburger out of the bag. "We'll get the other bags when we finish eating. You can go find a room you want." He frowns. "Uhh...you don't need help with taking a shower or anything do you?"
"No. I can do it myself." Cassie says and finishes her last chicken nugget.
Tony visibly sighs with relief. Cassie had a feeling he wasn't comfortable with the possibility of having to help her but she was old enough to take care of herself.
She waits until he finishes his dinner and then they go back outside to grab their bags from the trunk and she carries hers in and upstairs. All of the doors were open except for one and she figured that was Diana's room. So she looked into the nearest one, glad that it wasn't the master bedroom, and went in to put her bag on the bed. She takes her time unpacking and putting her things away, takes a quick shower, and then goes to bed. She didn't fall asleep straight away though. That was when she took the time to cry for her parents. For the family she found in the Avengers. Cassie was lucky Tony was willing to take care of her.
She cried herself to sleep.
When Cassie woke up the next morning, the first thing she heard was Diana crying but figured Tony would be tending to her soon enough and got up to get ready. By the time she had gotten dressed and brushed her hair, Diana was still crying and Cassie frowned as she left her room. She checked the master bedroom and found Tony asleep in bed and after some quiet investigation when she snuck in, she discovered that he had forgotten to turn his end on. Cassie decided he needed the sleep since even she knew he was notorious for staying up for hours or even days, and she snuck back out of the room and closed the door silently behind her.
Cassie then walks into Diana's room and finds the six month old baby sitting up in her crib with tears rolling down her cheeks. When the ten year old steps closer, Dia calms down a little and holds her arms up as Cassie lowers the railing to the crib and hiccups when she picks her up.
"Are you hungry Dia?" Cassie asks and takes her over to the bed in the room to change her.
The changing table was too high for her to use so the bed was her next option. Cassie grabs the plastic keys for Diana to play with while she changes her diaper and gets her dressed, and when she was done, she picks her back up and leaves the room.
"I think your Daddy has some baby food for you. Want to try some apples?" Cassie giggles when Diana babbles in response and takes her down to the kitchen to put her in the high chair.
Once she was certain the baby was secure, Cassie looked through the diaper bag that had been left in the living room and pulled out a little glass container of pureed apples and blueberries. She fed Diana about half of it and then cleaned her up and took her out of the highchair, and then carried her over to her swing in the living room. She didn't see it the night before but she didn't see the high chair either so Tony must have set them up for a brief moment of distraction. Once Diana is buckled into her swing, Cassie goes back over to the diaper bag to make her a bottle and gives it to the baby and turns on the tv to a preschool show to keep her occupied.
Cassie had taken to watching how Tony and Stephen (and even the boys at some points) took care of her and made note of every single thing. But now that the baby was taken care of for now, she had nothing to do but wait until food was delivered so she could have breakfast. Cassie put the jar of baby food in the fridge for later and as quickly as she could, she went up to the room to grab her coloring book and pencils, then ran back down to sit in the living room at the coffee table to color since she knew it wasn't a good idea to leave a baby unattended.
It was another hour when Tony finally woke up and came stumbling down the stairs. Both Cassie and Diana looked over at him and the man glanced between them before sighing in relief.
"How long have you been up?" He finally asks and Cassie shrugs.
"About an hour."
"Shit...and you fed her and everything? I woke up and realized that I never turned on the monitor--" he stops rambling and rubs his eyes. "Why didn't you wake me up?"
"You needed the sleep." Cassie says easily. "When will the food be delivered?"
"Uh...should be any minute now actually." Tony steps over to pat her head. "Thanks for taking care of her. Think you can watch her for a little while longer? I want to get Friday up and running."
"Uh-huh."
Tony sighs and crouches down to kiss Diana's forehead and he disappears into the garage where Cassie assumed he was going to set up his lab. True to his word, the food delivery came about fifteen minutes later and Cassie brought it all in and put it away, pulling out a large bowl to put on the counter and set the fruit in it. Once that was finished, she poured herself some cereal and took it back into the living room after putting the milk in the fridge and ate at the coffee table. Diana happily babbled at her cartoons as Cassie ate, and when the girl was finished she got up with her bowl and even took the baby's empty bottle from her to wash and put away.
As she was setting the bottle on the drying rack, Tony walked back in and Cassie pointed to the fridge. "I put the food away."
"You did?" Tony raises an eyebrow and opens the refrigerator to look inside and finds it stocked and organized. "Guess I know who the boss of the house is."
Cassie giggles and puts the step stool away and returns to the living room as Tony finds the coffee and sets about making himself coffee and breakfast. She knew he would probably only willingly make himself food today, but she would make sure he ate no matter what. She wanted to do her dad and Stephen proud and make sure Tony took care of himself.
"Cass? Did you eat?" Tony asks.
"I had cereal!" She calls back as she colors in a flower with her orange pencil.
"What did you give Dia?"
"Half a jar of baby food and some formula."
"How do you know to do that?" She hears him mumble to himself but doesn't answer him. "Uhh...I think I'm almost done with Friday." He says a little louder.
"I can watch her. It's okay." Cassie responds.
"It's just for a little longer. Promise." Tony says as he pours himself some cereal.
It became apparent to Cassie after that day that she would be just as responsible for Diana as Tony was.
If not more.
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iplierhybrids · 3 years
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Favoritism
A rough story / This one’s a little old
Part 1
Mark and Jack are Felix’s hybrids, but Felix has a tendancy to overlook Mark’s trauma in favor of Jack.
" . . . Felix? Can I . . . Can I have a cookie too?" Mark asked shyly as he watched his owner putting groceries away.  The hybrid stared at his fidgeting fingers as he waited on Felix's reply.
"Hmm? A cookie? Yeah sure, there's some in the cabinet over there," he pointed to the tall pantry next to the wall.
Beaming Mark quickly thanked him and scurried over to grab the treat. There were a couple different kinds, but Mark knew which one he wanted. Felix has just recently started buying a type of sugar cookie Mark had only seen in stores. They looked and smelled so good with their thick layer of colored frosting and perfectly shaped cookie. A box of the cookies with pink frosting and red sprinkles sat unopened in the cabinet. Mark grabbed the box and ran a claw through the sticker keeping it closed. He grabbed one and returned the box before making his way to the living room where Jack was.
A cartoon was on the tv, one Mark wasn't familiar with. He munched on his cookie, eyes brightening as it tasted just as good as it looked, and settled down next to Jack who was still eating his cookie. They watched in silence until Jack happened to glance at Mark and the treat he was eating.
"Oh! Felix let you have one of his cookies? What did you do to get him to let you have it?"
Mark startled and as he processed Jack's words, he tried to push down the anxiety that was building in his stomach, "I - I just asked if I could have a cookie. He didn't say anywhere was off limits." Mark didn't know Felix had a cookie preference even though he'd lived here longer than Jack.
"Hm, maybe he doesn't really care anymore," Jack thought aloud. He noticed the queasy look on Mark's face and was quick to comfort him, "It's just one cookie! I'm sure he won't mind. Forget I said anything, let's keep watching the show."
Still feeling unsettled, Mark quickly ate the rest of his treat, hardly tasting it in an effort to not be caught with something that could get him in trouble. After a few minutes of no one yelling his name, Mark relaxed and he and Jack snuggled into a blanket.
He'd nearly forgotten about the whole thing as the show ended and Jack suggested they play. Eager, Mark happily followed Jack upstairs to his room. Jack had more toys to play with and rarely let Mark come in. Something about respecting Jack's boundaries because his old home didn't. As usual Mark and Jack played with stuffed animals and built sets from Legos. They were having fun until Mark crawled under Jack's bed to grab a stray Lego and strayed too close to some of Jack's most important things, memories from his first family. Jack yelled at Mark to leave, suddenly feeling too exposed with someone else in his space. In his rush to get out from under the bed, Mark scratched his back against the metal bed frame. He didn't have time to inspect it as Jack chased him out of his room and slammed the door in his face.
Mark's eyes burned as he stared at the closed door for a moment before hurrying to his room. Felix had told him not to take it personally when Jack got too crowded, but Mark hated the familiar sting of rejection. It was a harsh reminder how hard he had to work, how much of himself he had to hide, for anyone to like him. One mistake could be the end of a relationship or even a home.
In his room, Mark finally allowed a small sob to escape him. He went to his bathroom, wiping his eyes on his sleeves as he went. He wanted to check the scratch that stung on his back and distract himself from how bad he felt. All of his insecurities were so neatly packaged in him until one small thing brought them all to the surface. It was so hard to hide it from Felix and Jack. He just knew if they found out about how much he cried over stupid things Felix would send him back to the shelter.
The mirror revealed a long scratch down his spine where in a few spots, blood beaded to the surface. The initial pain was gone, leaving an ache that Mark could ignore.
Mark sniffled and pulled his shirt back down, avoiding looking at his face in his reflection. He blew his nose and forced himself to stop crying though the occasional hiccup or sniffle would escape. What should he do now? He didn't want to face anyone after crying, embarrassed and upset still. A yawn cut off any other idea he would've had. A nap sounded good right about then. Mark crawled into his bed, burrowing under the covers and rubbing his legs together to get warm quickly. The sun still shone through his window, but under the blanket it was a cozy glow that made Mark smile tiredly. He fell asleep soon after despite the heavy feeling resting in the pit of his stomach.
"Mark. It's time to wake up buddy," a voice whispered in Mark's ear and something warm rested on his shoulder.
His ear twitched in response. Blinking slowly, Mark turned over on his back to see who was there. He was greeted by Felix smiling at him and the warmth on his shoulder moving to his hair to smooth down the out of place strands.
"Rise and shine. It's dinnertime. Come on downstairs before the food gets cold," Felix said softly as he gave Mark's ears a few more rubs.
"'M kay," Mark murmured tiredly, sitting up and noting how the formerly bright sunlight was now an orangey hue as the sun began to set. He stared out of the window before Felix suddenly grabbed him under his arms and pulled him out of bed. Felix snickered as Mark squawked in surprise. As Mark regained his balance though, he smiled too and straightened his legs to catch him on the floor. Felix let him go as he got his footing, moving a hand to his back to guide him to the door, thankfully missing the stinging scratch on his spine.
The smell of warm food wafted in Mark's nose and he felt his mouth water. The dinner table was already set with food on three plates. Jack was already sitting there, fiddling with the edge of a napkin. He brightened as he saw Mark and Felix come downstairs.
"Yay! We can eat now right?" Jack asked excitedly, tail swishing like he was an Inu.
Felix laughed again as he and Mark took their seats, "Yes Jack. Go ahead."
Mark listened to Jack and Felix talk all through dinner, yawning while he ate. He was so tempted to lay his head down and go back to sleep, but Felix had already made a rule about sleeping at the table. As in, they shouldn't. The heavy feeling in his stomach was gone now and with it so was the urge to cry. Feeling light had Mark smiling softly all through the meal.
"Alright you two, listen up," Felix said suddenly as they were all finishing, "Tomorrow I've got to go on a trip to a friend's house. He needs some help with filming for a video. I'll be gone for a couple of days so Jack I'll be taking you to Bob's house to stay and Mark, you'll be here with a house sitter."
Jack quirked his head confused, "Why are we being split up?"
"Bob couldn't take both of you and the house sitter didn't think she could handle two hybrids, so I had to do it this way. I'm sure you'll have fun at Bob's house though if that's what you're worried about Jack!" Felix laughed as he ruffled Jack's hair. Jack let out an indigent noise as he swatted Felix's hand with a snort.
"Do I know the house sitter?" Mark asked quietly.
"No, she's new. Mary and Wade were both too busy to stay here. I did make sure she was qualified to take care of hybrids though. I'm sure you won't even notice she's there."
Mark purred as Felix ran his fingers through his hair. Alright, if Felix was so confident, Mark was sure there was nothing to worry about. How bad could a new sitter be?
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calpalirwin · 4 years
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Heart Wins
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Summary: Single dad Michael hires a babysitter for his son.
A/N: Not the collab! Ha! Could you imagine?
Word Count: 2.4k
And away, and away we go!
__
“So, I would just need someone to watch him during the day so I can get some studio time in,” Michael told Maya. “I mean, he’s pretty lowkey. Likes to swim in the pool, watch cartoons, basic little kid stuff. I’ll try to keep my schedule as regular as possible, but there might be times I’ll ask you if you can stay later or even help me out on weekends if that’s okay.”
“Yeah, that’s not a problem,” Maya smiled. “And the studio is where?”
“Here, mostly. We try to do what we can at our own places before paying out the ass for ‘professional’ studio time. And since I have Tidus, we usually work here. I just can’t be focused on working with them and watching Tidus at the same time. I mean, it’s not glorious or anything on your end. But, like I said, the kid’s pretty lowkey. And you’ll have the run of the place, so feel free to do whatever. But yeah… any, uh, questions?”
“Um, no I don’t- oh! What happens when you go off on tour?”
“I double your pay?” Michael laughed. “Honestly, I’m not too sure. I’m not set to leave anywhere for about another four months, so if you haven’t run for the hills for something better we can discuss it more then?”
Maya nodded, looking around the house wondering why on Earth she would ever want to give up a sweet ass job like this. “Works for me.”
“Alright,” Michael said, clapping his hands against his thighs and standing up. “I guess I’ll just show you where Tidus is, and leave you guys to it.”
She followed him through the house, up the stairs to a bedroom that had been converted into a playroom. A little boy of no more than 3 or 4 sat in the middle of a comfortable looking couch, his attention held by the cartoon playing on the large television. “Ti,” Michael got the boy’s attention. “This is Maya. She’s gonna watch you for a bit. Can you say hi?”
“Hi,”
“Hey, bud. Whatcha watchin’?” she asked, moving around to sit beside him.
“Pokemon!”
“Oh, cool! I love Pokemon. Who’s your favorite?”
“Pikachu.”
Michael smiled. “Alright, Ti. Maya’s the boss.”
“‘Kay.”
“I’ll be in the basement if you need me for anything,” Michael directed the statement at Maya. “Other than that, make yourself at home.”
“Thank you, Michael.”
~~~
“Maya,” a small voice whispered. “Psst… Maya!”
“Mmm? Wha?” Maya asked, yawning and opening her eyes to find a pair of light green eyes peering back at her under a cloud of soft yellow hair. “AAAHHHH!” She retreated to where her bed met the wall. “Tidus, are you tryin’ to kill me?!”
The six year old laughed. “Sorry… Dad said I wasn’t supposed to wake you…”
“But why would you do a silly thing like listen to your dad?” she questioned with her own laugh.
“Exactly! He’s not the boss of me. You are!”
“Nice save, kid.” She threw back the covers and sat up. “You want pancakes don’t ya?”
“Yes, please!”
“Alright. Your dad in the studio with your uncles?”
“They were there all night!” Tidus told her dramatically as they walked downstairs to the kitchen.
She frowned as she tried to remember what time her phone had said when she finally heard Michael’s footsteps on the stairs and the close of his door. Close to 2 am she was sure. And he’d probably only slept for a few hours before heading back down. He probably hadn’t eaten since yesterday morning, too close to a break through with the newest album to focus on much else. “Do you think they’re hungry?” she asked the boy.
“We’re gonna have to make the whole box,” Tidus giggled.
“Then let’s make the whole box.”
“Can we make a bunch of different kinds?!”
“Of course we can!”
“Whoohoo!”
A half hour and at least six different types of pancakes later, Maya and Tidus made their way to the basement studio. Tidus carefully carried the stack of plates while Maya held the platter of assorted pancakes, a bottle of syrup tucked under her arm. “Knock knock!” they yelled loudly. “Special delivery!” Maya kept up with it as she let them into the room.
The four adult men turned their heads at the intrusion. “That’s a lot of pancakes,” Michael spoke first, stepping forward to help Tidus with the plates before he dropped them.
“Yeah, we went a little overboard,” Maya responded, setting down the platter on the little table in the room. “Figured you guys must be starving.”
“You figured right. Thanks.”
“Oh, I just made the food. Was Ti’s idea.”
“Ti…” Michael said sternly to his son. “I told you to let her sleep.”
“But you said Maya was the boss. You never said I had to listen to you, too.”
Ashton, Calum, Luke, and Maya snickered into their hands as Michael’s green eyes went wide for a second. “What are you? An elephant?”
Tidus put his arm against his nose like a trunk and made his best elephant noise.
“Well in the future, Elephant Boy, you should listen to me, too. I am your dad after all.”
“10-4, boss man!” the boy chirped.
“What in th-?” Michael chuckled, looking over at Maya.
“No idea, boss man,” Maya laughed back. “Well…” she gestured at all the food. “Dig in!”
~~~
“So,” Calum asked, wiping away the last traces of sticky syrup after Maya and Tidus made their way back upstairs. “How long has Maya been watching Ti?”
“Uh…” Michael thought quickly. “‘Bout two years.”
“Mhm… And how long has she lived here?”
“She moved in right after the first tour, so a little over a year.”
“And she’s good with Ti?”
“Oh, she’s great with him. I’d be lost without her.”
“So, you’ve known her for two years. She’s lived with you for one. And she’s great with your kid,” Calum recapped.
“Yeah… That’s what I just said.”
“What Cal’s trying to say,” Ashton cut in, “is have you slept with her yet? And if not, can he?”
“What the fuck?!” Michael screeched at the same time Calum shoved Ashton with a “That is not my question!”
“Is too! Maybe not the sleeping with her yourself part. But the first part’s true. We’re all wondering, mate,” Luke piped up.
“What the fuck?!” Michael repeated, looking at his friends, slack jawed. “What kinda question is that? No, I haven’t slept with her!”
“Why not?”
“She’s Ti’s babysitter!”
“So?”
“So I’m basically her boss, you nitwits! I’m not fuckin’ the babysitter,” he growled.
“Alright, alright,” the other three held up their hands in surrender.
“And neither are any of you lot!” Michael added.
~~~
“Hey, Maya?” Tidus asked as they watched cartoons.
“Yeah, bud?”
“My dad goes on dates, right? To find me a mom?”
She blinked. She had been expecting him to ask if they could go swimming,or play with Legos, not have the Mom conversation. “Uh… well… yeah, your dad goes on dates. But he’s not trying to replace your mom.”
“No, I know that. But like, he’s trying to find someone that would love us like a mom would. Right?”
“Right. He just wants someone who’s gonna love you as much as he does.”
“So, why doesn’t he take you out on a date?”
Maya choked. “Uh… it’s not that simple, bud.”
“Well, why not? I mean, you’re here. And you don’t get mad at me when I wake you up to make pancakes. And you take me swimming, and watch cartoons with me. And you help in my classroom like all the other moms. Is it cuz you don’t love me?”
“What?! Of course I love you, you goof!”
“So, why can’t you date Dad and be my mom?”
Maya sighed. “It’s not that simple, Ti. Your dad and I have a different relationship.”
“Oh… Will you still stay if I do get a mom?”
“Of course I’ll stay!” she told him, even though she really had no way of knowing. She supposed it would depend on what the new woman did for a living herself, and how comfortable she would be with Maya staying in the house.
“Cool. Cuz me and Dad really like you here.”
“Dad and I,” she corrected absentmindedly.
“Dad and I,” he repeated. “Do you like being with us?”
“No place I’d rather be,” she grinned at him.
~~~
Michael’s head swam with his conversation with his bandmates. Yes, him and Maya got along with each other. Yes, Michael had come to view the woman as not only an integral part of his life, but also as part of the family. Maya had been there for every moment him and Tidus had over the last two years. And she was pretty in a way that often left him breathless, whether she was in a tank top and pajama bottoms with her hair slightly ruffled from sleep, or totally dolled up in a way befitting of magazine covers. But this wasn’t some friendship that could handle a little awkwardness. There were so many ways things could go with too many options for how it could end, each one worse than the last. And to risk it all over a maybe crush? No. It was far better to keep his mouth shut.
Unbeknownst for Michael, Maya’s own head had been swimming with her own equally conflicted thoughts that matched his own. “Hey, Michael,” her soft voice greeted him in the dark hallway.
“Shit!” he whisper-screamed, hand flying to his chest. “Fuck… didn’t see you there.”
“Sorry. Didn’t mean to scare ya…”
“Nah, it’s…” he shook his head. “Did I wake you?”
“No,” it was her turn to shake her head. “Was just about to turn in.”
“Oh… well, night then.”
“Night,” she murmured, feeling his body brush past hers. “Hey, Michael?”
“Yeah?”
“Um… can we talk a moment? Ti said something earlier that you should probably be aware of.”
“Yeah, course. C’mon, we can talk in here.” He led them both into his bedroom, flicking on the light. “Is everything alright?” he asked as he sat on the edge of his bed, patting the space next to him.
“Oh, it’s not bad! Just… curious,” she told him as she sat beside him.
“Oh?”
“Yeah, he mentioned you dating.”
“Aw, shit… I guess I didn’t explain that to him as well as I thought I did…”
“No, no,” Maya shook her head. “He understands. Well, as much as any six year old can anyway. It’s, uh… well he brought up something that I just can’t seem to shake.”
“Oh?”
“Yeah… um… and I’m not asking to put you on the spot or anything. It’s just…”
“Curious?” he supplied.
“Yeah. Um… what happens when one of these women becomes your long-term girlfriend or wife? Like… what would that mean for me?”
Michael leaned back on his arms. “Shit… Tidus came up with that?”
“Well, he asked if I would stay. I sort of filled in the rest.”
Michael nodded. Then, “What would you do? If it weren’t for this, what would you be doing?”
She shrugged. “Probably teach. I don’t think I’d have it in me to get invested in another family like I am with you guys.”
He nodded again. “Well, I certainly wouldn’t want to see you go.”
“Yeah?”
“Yeah.” He smiled before laughing. “Aw shit. That explains a lot actually.” He kept laughing.
“I’m sorry?” she asked, not getting the joke.
“I’m the single dad with a live-in babysitter. No wonder all my dates end horribly.”
“Oh geez!” she laughed with him. “Sorry, I don’t mean to laugh. That’s just…”
“Utterly ridiculous?”
“That’s terrible. Like this is my job. Sorry it’s ruining your dates.”
“Nah, it’s not your fault. Guess some people are just immature. Like I couldn’t possibly resist the temptation of having a beautiful woman in my home.”
“Beautiful woman?” she blinked, turning her head to look at Michael with his flushed cheeks.
“I- I didn’t mean it like that,” he rushed. “I mean, you are. Beautiful. But I- no. I should stop talking now.”
“No. What were you gonna say?”
“Well… I mean I pay you to be here. It’s not like you’re here because you want to be. I mean, maybe you do now. I hope anyway. But, like you’re here because you’re doing a job. If I wasn’t paying you I doubt you’d stay.”
“Well I wouldn’t be here if you didn’t pay me because I already feel bad enough you let me live here rent free. Not because I don’t want to be here.”
“Well, I appreciate the sentiment. But, this is all hypothetical. I need to find a girl who won’t run away once she realizes what my life really entails first.”
Maya brought a finger to her lips in thought. “Hmm… yeah, good luck with that one.”
Michael laughed. “Yeah. So if you have any friends who are understanding like you, lemme know.”
She laughed with him. “Sorry. Just me, I’m afraid.”
“Bummer…”
“Ouch!” She swatted his arm playfully. “You’d be lucky to have me.”
“I am lucky to have you,” he corrected. “But… we…” he pointed back and forth between them. “It’d be stupid.”
“Terribly stupid,” she sighed in agreement. “Or at least that’s what I told Tidus when he asked. Well, I said it wasn’t simple. But same thing.”
Michael choked. “He asked you what?”
“He asked why you didn’t take me out. Since how you’re trying to find a woman that loves him as much as you do.”
“Shit… how’d that kid get so smart?”
“No idea,” she joked. “Must be his babysitter.”
“Can’t be me, that’s for damn sure. If I was smart, I’d know what to do right now.”
“What's your brain saying?”
“To shut up, go to bed, and to keep trying to make it work with other women the way it already works with you so I don’t fuck up a good thing.”
“And your heart?”
“To take the risk anyway because at least then maybe I’ll have a clear answer.”
“And which are you gonna listen to?”
“No idea.”
“That makes two of us.” Maya patted his leg as she stood up. “G’night, Michael.”
“Wait,” he said, his fingers wrapping around her wrist. “Two of us? You feel this way too?”
“Course I do. But that doesn’t matter. Does it?”
“Fuck it,” he muttered to himself, tugging on her wrist so she fell down on his lap. “Heart wins.” His fingers stroked gently up her cheeks as he cradled her face in his hands, his lips brushing against hers.
She sighed into the kiss, tangling her own fingers in his soft hair, changing positions so she was straddling his lap. “Heart wins,” she agreed against his lips, as she started to pull away. “We can figure out the rest later.”
“Agreed,” he nodded frantically, green eyes shining brightly. “Fuck, c’mere.”
__
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