#I have a lot of backstory because I love him

[egophiliac]

Serious question.

Do you think we’ll see the parents/family of each of the guys???

Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….

Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.

I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)

Anyhow, any idea/headcannon about this? Who do you want to see first?

I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)

but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!

characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.

[nellasbookplanet]

In the wake of FCG' fate I've been thinking about death in ttrpgs, and how it kind of exists on three levels:

There’s the gameplay level, where it only makes sense for a combat-heavy, pc-based game to have a tool for resurrection because the characters are going to die a lot and players get attached to them and their plotlines.

Then there’s the narrative level, where you sort of need permanent death on occasion so as not to lose all tension and realism. On this level, sometimes the player will let their character remain dead because they find it more interesting despite there being options of resurrection, or maybe the dice simply won’t allow the resurrection to succeed.

Then, of course, there’s the in-universe level, which is the one that really twists my mind. This is a world where actual resurrection of the actual dead is entirely obtainable, often without any ill effects (I mean, they'll be traumatized, but unless you ask a necromancer to do the resurrection they won’t come back as a zombie or vampire or otherwise wrong). It’s so normal that many adventurers will have gone through it multiple times. Like, imagine actually living in a world where all that keeps you from getting a missing loved one back is the funds to buy a diamond and hire a cleric. As viewers we felt that of course Pike should bring Laudna, a complete stranger, back when asked, but how often does she get this question? How many parents have come and begged her to return their child to them? How many lovers lost but still within reach? When and how does she decide who she saves and who she doesn’t?

From this perspective, I feel like every other adventurer should have the motive/backstory of 'I lost a loved one and am working to obtain the level of power/wealth to get them back'. But of course this is a game, and resurrection is just a game mechanic meant to be practically useful.

Anyway. A story-based actual play kind of has to find a way to balance these three levels. From a narrative perspective letting FCG remain dead makes sense, respects their sacrifice, and ends their arc on a highlight. From a gameplay level it is possible to bring them back but a lot more complicated than a simple revivify. But on an in-universe level, when do you decide if you should let someone remain dead or not? Is the party selfish if they don’t choose to pursue his resurrection the way they did for Laudna? Do they even know, as characters, that it’s technically possible to save someone who's been blown to smithereens? Back in campaign 2, the moment the m9 gained access to higher level resurrection they went to get Molly back (and only failed because his body had been taken back by Lucien). At the end of c1, half the party were in denial about Vax and still looking for ways to save him, because they had always been able to before (and had the game continued longer it wouldn’t have surprised me had they found a way). Deanna was brought back decades after her death (and was kind of fucked up because of it). Bringing someone back could be saving them, showing them just how loved and appreciated they are. Or it could be saving you, forcing someone back from rest and peace into a world that's kept moving without them because you can’t handle the guilt of knowing you let them stay gone when you didn’t have to. How do you know? How would you ever know?

[littlemissayu]

Wht Songs Would Play in Your Rom-Com? Pt2

A/N: Hey Loves!! I'm posting pt2, surprisingly I actually posted on the day I scheduled myself to post so that's great!! I hope you enjoy pt2 and it is as good as pt1. And PLEASE leave some feedback it is very helpful!!

pt1

Parings: Pomefiore, Idia Shorud, Diasomnia x reader(seperate/romantic)

Love Grows(Where My Rosemary Goes) by Edison Lighthouse

If you read the lyrics or have listened to the song this is obviously the song that plays as he slowly falls for you. This also most likely opposites attract kind of trope. Js imagine how cute it would be to see Vil fall hard for someone who is almost nothing like him and as much as some of the things you do he may prefer to stay far away from, still he’ll think it's cute because it’s you.

Sincerely Yours by Zenglen

If you have seen some of my prior content you might recognize this song as the inspiration for on of my post. Now part of this may be my haitian culture influencing my opinion but cmon, you can’t see Rook and his love dancing in the living room, yk like that first time moving in kinda of dance when you two are just super sickly in love.(that or Until I Found You by Stephen Sanchez)

Late Night Talking by Harry Styles

I might be reaching but just think about the possibility of you guys having your “thing” be just staying up late talking to each other despite how sleepy you are. And maybe you two work out your conflict by one of you coming over at night to talk out your problem together js like all the other times you guys have random conversations to the point its js a normal thin gyou teo do.

Video Game Lover by Narraws Music

Now this feels a bit{a lot} on the nose BUT your telling me you don’t wanna see Idia’s rom-com becoming good friends with you through a common game you two play but rarely talk to each other irl, not even knowing who the person is behind the screen. You guys just vent to each other through the chat an you guys are just binding til you say something ridiculously familiar and so he recognizes you from that and he’s too nervous to approach you irl, how the issue is solved is all up to you my loves. 

Can’t Help Falling In Love by Elivs Presely

This is obviously a human-fae love between you two. Are you kidding me, that title is “Cant help falling in love” hinting at the complexity of your relationship as a human lifespan is considerably shorter than a fae’s so he’ll have to live a large chunk of his life without you. Not to mention that Malleus is bound to be king of Briar Valley which the faeries of Briar Valley may not be too overjoyed at the fact their king is with a human.

But you two just cant help but fall for each other and this song plays as you two are out dancing together in the dark, relishing the relationship that you two might not be able to have for long.

Viva La Vida by Coldplay

Despite this not being a love song it is pretty similar to Lilia’s story and so just imagine this playing during like your first truly swoon worthy kiss. But not only during the kiss, the instrumental can lightly play in the background in either the learning of his backstory OR during that first moment you meet. Maybe even when he first falls in love with you.

Bam Bam by Camilla Cabello and Ed Sheeran

Fell first(you) and fell harder(Silver). You fell first obviously bc he’s constantly asleep so it’d make more sense for you to fall first. And when you fall for him you begin to do things to help him out, some are smaller things like adjusting his head so his neck doesn’t hurt or bigger things like putting a pillow beneath his head(wheter thats one of your body parts or an actually pillow is up to you). Those little things add up and he notices and slowly you creep into his thoughts and dreams and now one of the only things he sees in his sleep is you. Convinced that its one of those tropes where you say you love him while you think he’s asleep and you think he doesn’t hear and he doesnt like you back, but he just hasn’t been able to find a way to tell you as their are many plot thrown in issues that get in his way.

That’s How You Know by Amy Adams

I’m very well aware this is another Disney song BUT, think about Sebek with a stereotypical Disney Princess who just belts into song whenever, and she’s not really singing to him but giving other guys advice on how to treat their loves and he just ends up finding himself admiring the fact your giving these random guys advice all the while not realizing that the seeds of his love for you were being sewed.

A/N: Well I finally got pt2 out!! Lmk your thought and opinions not only on this post(+the last one) but some other things that are similar(other ideas for post). Ik i haven’t responded to anything in my inbox in a while but i promise I’ll do my best to get to them I js have many other things on my plate as well

Pomefiore Masterlist

Ignihyde Masterlist

Diasomnia Masterlist

TWST Masterlist

Grand Masterlist

[deacons-wig]

I'd prefer if we never got to see the origin of Vault Boy and Vault Tec's branding in the same way I'd rather not get a canon answer of who started the War or how. That's the point of War Never Changes.

Vault Boy is a sinister figure in his cheerful embrace of Armageddon. Giving the Vault Tec brand a face and a name and a backstory feels so unimportant to what is actually interesting about Fallout. What's important to me is the big picture pre war, and the details of what comes after.

What is interesting to me is exploring how propaganda is designed to convince people how close they are to annihilation--or homelessness, unemployment, obscurity, or being The Other and therefore destined to suffer--in hell, in oppressions, being ostracized. Honestly insert any sort of marginalization or suffering here. Crony capitalism uses propaganda to market products designed to manipulate people into buying distance between themselves and that annihilation. Putting themselves "behind the thumb" of Vault Boy, so to speak. Buying a lifestyle. Vault Boy does it with a wink and a smile, inviting those who can afford it to buy their way to safety while using capital and fear to perpetuate the cycle. I don't need the specifics to understand this.

Some ghoulnaysis below the cut:

I'll admit, my initial reaction to pre-war Ghoulgins being the inspiration for Vault Boy was funny! Mr. Cooper Howard, washed up actor experiencing an existential crisis being shoehorned into corporate propaganda that then haunts him for the next 200+ years? Selling manifest destiny, racism, the Rugged Individual, the revisionist history that cowboys were a) white and b) more than a brief footnote in the history of the colonization of North America's west. The commodification of entertainers/creatives/public figures. Selling identities to be packaged into a product that will outlive them? Only to have that person live alongside that role they regret (?) playing... kinda tasty, if we have to give Vault Boy a backstory, though I didn't get a clear sense of his actual feelings about being used as a propaganda guy which I think is a failure of the show to commit to the narrative they set up, which happens with a lot of the show's (lack of) engagement with Fallout's larger themes anyway.

But The Ghoul (stupid name!!! weird and boring choice!!!) is just such an uncompelling and repellent character to me. I love a good bad guy or even anti-hero, but honestly he lacks any interiority. He's an evil karma character (eats people, waterboards and mutilates people, sells people to organ harvesters...like? that literally makes you evil in the games...) but the narrative pushes him as an antihero or someone with gray morality because he what..."likes" dogs? And isn't as decayed or unsettling looking as other ghouls (implying handsome=good or interesting). People aren't afraid of him because he is a ghoul, they're afraid of him because he's evil and will hurt them! Sometimes for no reason! I see the callback to the director telling him to shoot his co-star and Cooper saying he's "the good guy," but is that why he becomes so fucking evil post war? Really?

I don't know why he does what he does other than...the world sucked before and sucks now so he might as well represent the basest of human behavior? That seems to be the thesis of the show--unless kindness and community is engendered (by the vaults, by Management, by a civic government, by corporations) people will descend into chaos.

So why have this poorly executed anti-hero be the origin of Vault Boy? What are the narrative choices being made here? Is it just Rule of Cool?

Personally I would like a pathetic, rotting wet cat of a ghoul, some sort of carved out husk of a washed up movie star either trying to relive his glory days, or avoid them--having given up hope of finding his family after 200 years--being dragged into Lucy's orbit and being constantly reminded of his Vault Boy fame, that she is a walking Vault Girl with her Okey Dokey's and Golden Rule. He'd be a joke, a footnote of the old world. He'd be mean and snarky, even unpredictable and uncooperative--have a public persona of friendly curiosity and a private, cynical one.

Pathetic Ghoulgins would remind audiences of the cost of capitalism and imperialism without resorting to the thesis that war never changes means that people are inherently cruel and will resort to violence, rather than existent corporate and political power structures intentionally create the conditions in which people accept perpetual cycles of exploitation and harm for the sake of their own safety and comfort, despite knowing the cost of maintaining the status quo, and not seeing or believing that distance between the status quo and total annihilation is measured by the smiling thumbs up of a cartoon mascot.

I'm sure there are other ways The Ghoul could have been a successful character as well but.... That's satire. That's interesting. That's Fallout.

[velvet-lounge]

Why the TF2 Defense Trio deserve more recognition

The people have spoken, I have decided to create an essay disguised as a post on this godforsaken website because it's a free country goddammit! (I would have done it either way lmaooo, I have a lot of shit to say about these maniacs) To start this formal essay glorified very serious shitpost, why should you as a tf2 fan care about these 3 men? They're so "boring" and there's not much going on with them. If ya took a second, let's pause with what was being said. YOU MUST BE OUT OF YOUR GODDAMN MIND to think such thoughts, we must shake you out of cuckoo land by giving you an in-depth look into these three so that you understand where I'm coming from. Let's start in order:

Demoman:

After being in the fandom since 2019, there's always one character I always thought wasn't given much anything in the fandom at all. Even taking ships out of the equation, there's barely any fics I've that focus on Tavish Finneagan Degroot specifically that I've seen that isn't a compilation fic (I read a lot of x readers, don't judge me). Believe me, I checked ao3. I went through Demoman's tags and I tried very hard to filter a lot of the crossover and relationship tags, yet there's less of Demoman himself, than there's him just existing as a side character of a story. Which is honestly sad, I honestly think Demo is one of the more kinder mercs compared to a lot of the team. This man made friends with the BLU soldier, despite knowing that they were supposed to be killing each other. Sure, it's unclear whether or not Demo did actually go through with it and it's just a ruse, because the voicelines in WAR! don't have a set timeline. But I do think that Demo would have tried to keep his friendship with BLU soldier. He's very chill. I've never actually seen him get violent against his friends and family, despite being a drunkard. I honestly think he's one of the sweetest people in TF2, he takes good care of his mom and haunted sword lmaoooo. Jokes aside, he seems like a genuinely good man and I barely see anything that suggests he's sadistic. He's a chaotic and loud, but not bad. Not bad at all. The fact he can still do his job well, even after drinking so much that his body created a whole distillery, is even more impressive. He is damn good at what he does and works very hard. He's had multiple jobs, even as wee little lad. Despite what people think of him, the fact he's getting paid 5 million dollars a year, is proof he knows what he's doing. He loves his job and couldn't bear the thought of not working. I feel like his backstory isn't talked about enough in the fandom either. When you think about it, it's kinda fucked up that he was put in an orphanage by his biological parents until he was in the right age to be blowing people up. Not only that, his eye socket was haunted by the Bombinomicon so that every halloween a giant eye would manifest, attacking him and his friends. Even Medic couldn't help him and instead resorting to scooping the part of Demo's brain where he remembered so he would stop asking. He most likely has a lot of stories for you, I see him as the type that has a lot to say. His past is the most fleshed out and complete out of all the mercs, which I really appreciate, you can do a lot more with him. Also another thing, during Unhappy Returns, he took the time to reassure Soldier that he wouldn't think he's a civilian. He didn't brush Soldier's worries aside and instead comforted him. I wish I had a lot more to say about Demo because I am baffled that he isn't being gushed about as a potential partner. He has the excitement and like zero baggage. A thing I also wanna point out is that he seems to be insecure of the fact he's a black scottish man with only one eye during Meet The Demoman. I may be reading into things a bit too much, but it makes me wanna be like "NOOOO don't talk about yourself like that, bro. You're so cute UGHHH" Also also he's handsome. Sure looks can be subjective, but I still think Demo has a face I would kiss hehe. He looks great with his beard and his cheeky ass smile. GOD I could gush about him all day, but I have to move on rip.

Heavy:

Honestly, I'm having a hard time just finding the words to describe this amazing man without giving him the respect he deserves. But I'll sure try. Heavy has had a difficult life and I've always admired how strong he was. Not just of his muscles, but he endured one of the toughest situations and still kept moving forward with his life even though it was traumatizing. You see why I'm even having a hard time talking about him? I can't really get down into the weeds, without getting serious for a min. I feel like the fandom doesn't give him much credit for being able to deal with so much. He's the rock for his family after his father disappeared (atp I think he's dead, which is the cherry on top this depressing sundae) and I wouldn't doubt that he would be the same for his team. He's a man of few words, but that makes him all the more intriguing. Just because this man has a lot of brawn does not mean he's dumb at all. Despite how he acts in the battlefield, Heavy is observant and clever. Although, it's implied that Spy being Scout's dad is an open secret between the mercs and Miss Pauling, the fact he figured it out without saying it directly must mean he has a lot more going on. He's also educated, getting a phD in Russian Literature. It's not a STEM program, but he actually got a doctorate and went to college, that's a lot more than half of what the mercs did lmaooo. Also he has a bit of a softie side, not just for his mom and sisters, but also other creatures as well. I respect him so much for avoiding violence against those dogs during the Showdown comic. Not only shows what an absolute sweetheart he is, but also how much he's able to think quickly on his feet. Heavy is very direct and blunt, I don't see him as the type to lie about his feelings. I appreciate that he doesn't feel the need to sugarcoat anything, he'll get the job done and he ain't playing. There's no fluff, he knows what he wants and that's to rev up Sasha and ram through sons of bitches without any worries.

I feel like I wanna point out, his story seems the most unexplored in the fandom, even though it has a lot of potential for ANGST factor. I already broke down how sad it is, but I just feel like it isn't said enough. Can I just say how cuddly he looks?! GAH, I feel like he would give the warmest hugs! The way he smiled in Unhappy Returns when he finds out his family doesn't need to live in fear anymore, just melts my heart! He's so protective over his family and friends! I wish I had a lot more to say about this guy because I just can't stop finding more things about him that go unappreciated. I had to literally edit this part so many times before moving on, he just has those little details you don't notice until you take a second and have that OH MY GOD moment

Engineer:

I was getting so hyped, when it was finally our resident southern nerd's time to shine. GOD I have so much to say about this man. It's been over 5 fucking years and I have never stopped simping for this man since 2019, I think I'm gonna go insane from how much I've been repressing, I go feral when he's around. Anyways enough stalling. I don't ever think a fictional character has ever made me swoon quite like Engineer, I really mean that. I have ask and pleaded to whatever god was listening to give me a man like Engie. To me, he is everything I ever wanted and more.

First, I wanna talk about what makes him attractive to me. His accent. His southern charm, UGH he's killing me with that smooth voice and chivalry! I swear this man could make me faint just from existing. The way he smiles is so warm, his insults are so corny I love them. That five o clock shadow GAHH! I'm getting butterflies all over again. I swear I love all three of the defense bois, but Dell Conagher has my heart wrapped around his gunslinger metal finger. All those personal reasons aside, I've always thought Dell Conagher was a very interesting character in the world of TF2. He might not have much screen time or goofy shenanigans like the other mercs, but that doesn't mean you can ignore him oh no no no. This man is important within the whole story of Mann Co and TF industries, his grandfather being the catalyst of the game's events and the comics going forward. The Conaghers are the SOLE REASON why Team Fortress 2's story exists. I find it strange that the fandom hasn't done much with this fact because you can do a lot with this idea. Engineer knows a lot of shit and would be the biggest threat to Helen, if not for the fact that his family has been helping her for years.

Like his backstory, he's not seen much in the battlefield, but he has a lot more going on behind the scenes. Imagine the possibilities. He is damn intelligent and he knows it. While Dell is very sweet and has a southern charm, this is a facade to hide his God complex and sadistic tendencies. If you think this man is just your boring gentle engineer, you've got a big storm coming. It's heavily implied that he sawed off his own arm so that he could use the gunslinger. This man works on projects with Medic and doesn't question the moral implications of putting a human brain in a pumpkin. Hell, he threatened his own employer, even if he was an old man (Granted, Blutarch dug up his grandpa's grave, so he probably should have gotten something a lot worse than just Dell telling him to fuck off). Engineer is more than the texan egghead sweetie pie, he is a mercenary for a reason and I would argue that he might be as insane, if not more than, the rest of the team. No sane man would willingly work with a bunch of war criminals if he wasn't also crazy. That's the thing I really like about him. I love playing as him in the game because it represents his character very well. He technically serves a supportive role to the team with his buildings, but he is a killer with a lot of tools in his disposal, With the right amount of training, he can absolutely dominate in the battlefield.

I feel like he's one of the people that underestimate and assume that he's an easy target, but he's a lot more than that. He has a lot of layers that makes me want to learn more about him and what he has to offer.

In Conclusion:

These guys are cool. Lmaooo okay I won't just end it there. I genuinely believe that they're not getting the recognition that they deserve, they've got a lot more going for them if you pay attention. Sure they might not always be the loudest or most prominant character in the story, but what they lack in quantity, they make up for in quality TEN FOLD. They don't have to be your favourite, but you should at least give them a chance. You never know, they may surprise you.

Okay so thats enough of that, I couldn't find a divider above this message, so you're getting this grainy ass gif. Honestly, I put way too much effort on this shitpost lmaooo, but I just wanted to get my thoughts out in a more concise manner. If you want to add more stuff about these three that I didn't mention, feel free to do so. Anyways thanks for reading

[prince-liest]

Hi, I just finished reading the new chapter of the 8th installment and I totally love it but I noticed a thing, that is when Alastor tells Vox that he is talking like a "beaten housewife". I found that pretty neat thing to write and when I thought about it , it just made sense, because of the backstory that you made for your Vox, he probably had to do that for his own husband when he was alive, calming him and being very careful with the word and the way that he formed his sentences I mean, and paired with the absolute adoration he has for Alastor, behaving with Alastor at that moment that way just came to him naturally. Idk I just wanted to share my thoughts, really loved the new chapter and this installment is probably my favourite so far.

I haven't strictly defined the particulars of Vox's backstory from when he was alive, aside from vague concepts, but I will actually say that between all of the things I was contemplating, an abusive or volatile husband was not one of them! That phrasing was meant to be (like Alastor's comments about the probability of someone like him being raped) a lot more indicative of Alastor's own world views. That said, I totally see where you got it from and I think it's a super valid interpretation given what's actually in the text.

Vox is, however, an obsessive and codependent personality type that is desperately unwilling to lose access to the guy he's been obsessed with for decades, and also in a relationship with a person who is willing and able to manipulate that on occasion, whom he also has to "handle" whenever Valentino gets too feisty and starts losing VoxTek money with his tantrums. A lot of his attitude in this respect comes from those two things!

To be more explicit about what I personally recently ended up settling on for Vox's time alive, however: I think he had a very boring, generic husband that he may or may not have been a beard for (and that was definitely a beard for him), and worked as a CEO's secretary. He was 100% fucking his boss and possibly also his boss's wife, and the brownie points that won him are also what allowed him to become a TV starlet via product commercials for the company. He helped pioneer the company's use (and abuse) of television technology and the 50s advertising boom, and also embezzled a massive amount of money. If he ever got caught, his boss probably didn't actually care very much because he was too busy thinking with his dick and despite everything had a hard time taking women seriously.

[splatoonpolls]

SPLATOON OC BATTLE ROUND 3 BATTLE 6

Sicily Dyerize by @ghosthoodie vs Jett by @calicocoffee101

BACKSTORY/PROPAGANDA

SICILY

There's a lot but basically she's born and grew up in an orphanage and joined the military as Agent 3 because the only thing she knew about her family was that it was military related. Her life goes on and after Octo Expansion she learns that all this time she's been Marie's half-sister and (unbeknownst to her) was given up at birth. After a few years she's happily together with her wifey Kaity and is dealing with the separation with them both being in totally different campaigns :)

JETT

Some very unorganized notes and ramblings about what I have for him so far under the cut

So basics first, Jett is a college dropout (unsuccessfully) trying to start a band, she's working grizzco on the side until that gets going, and rooms with her best friend. Some loose concepts and facts ;

Jett has some Mexican ancestry and is fairly fluent in Spanish

His design aesthetic uses alt/punk aesthetics and I plan in going into visual kei in the future

She did have a loose band music group in college but they lost contact when she dropped out and realised they weren't really serious about it

He's made a couple demos and isn't very confident in his skill yet, so nobody's actually heard them

Jett's also pretty bad at singing but he's working on it<3 until then he's looking out for a lead vocalist

He plays guitar and knows a little on the drums and trumpet

She tries really hard to look cool and match the music and style she's going for but can't stand acting detached

Jetts birthday is 19th of July, her favourite animals are crabs, and she loves cold food

He's very energetic and enjoys socializing, but also kind of flighty, I think he has abandonment issues

Jett grew up somewhere between country and city, she had a fairly normal happy childhood, but did feel uneasy about some of her friends; being obliviously brash, energetic, and loud, meant that often he was described as 'too much' and his friends didn't really humour her antics. As such he tempered down a bit from age 14 to adult, and is trying to unlearn the need to suppress himself.

[wrongcaitlyn]

Do you have any headcanons for the canon pjoverse???

oh my GOD DO I?? I HAVE SO MANY it's hard to even keep track of them all bc tbh i forget which ones are canon or not canon

in general i've put a *lot* of my hc's into my fics, specifically my because i'm a mirrorball series which is basically my version of will's backstory (even though a large amount of it was disproved by tsats... i'm just ignoring that bc it's already engrained in my head even though i did enjoy tsats)

i also think i share quite a few of the popular hc's of the fandom, just because i'm actually pretty new to it (read the pjo series in like september of 2022 i think? and then hoo and toa immediately after) and i consume fandom content to an unhealthy extent

HOWEVER here are some things i feel very strongly about

will is a swiftie. i think this is canon bc rick mentioned it during the tsats book tour i think?? or maybe cotg?? not sure but i DO think he said it at some point

and also his favorite album is fearless like he's that album's number one stan im sorry there's no other answer

nico can cook like rlly well

LEO NICO AND WILL FRIENDSHIP i know that leo lives at the waystation now. but. BUT. i'd like to think that he'd visit chb every once in a while and they'd be pretty good friends

adding on to that, aroace leo. caleo what? nope. leo is aroace and he was in denial and i actually wrote a whole fic about it because i just feel very VERY strongly about this

i just love the idea that even before toa, apollo was more present in his kids' lives than other gods. like, showing up in dreams and stuff. even if it came from a different purpose, like wanting to show off his poetry or music or whatever, he wasn't completely absent from their lives

i very much like the idea of will and nico sort of stepping up to be the "leaders"-ish of chb once percabeth leave for new rome. i mean, will already sort of is one with him being the head medic and also having seniority over a lot of the campers, and nico being a child of the big three like percy

percabeth returning to chb to create a sort of new rome type place for older demigods to live!! so they do not feel like they're going to die young immediately when arriving!!! bc they are children!! and deserve to live long lives!!!

i have a *lot* of thoughts about will and his trauma, but one of the main things i believe about him is that his fatal flaw is putting others before him and overworking himself. i think that being pushed into the head medic position from such a young age sort of emphasized this, though i also think (from my ideas of his childhood) that he was kind of always taught to put other people and other jobs at a higher priority than himself

nico dies first. i know i was just talking about them living long lives and i think that ends up being true, but also nico is a demigod child of hades and i think around his 30s would already be way longer than anyone would expect. anyway, i think that he dies first, simply because i cannot put that boy through any more, and i know i could say the same thing about will after having lost so much as well, but i think that the idea of nico being right at the entrance of the underworld by the river styx to welcome will once he dies (bc nico's the ghost king/prince of the underworld and isn't confined to elysium) is a very comforting thought

those are the main things i can think of right now just off the top of my head, but if there's any specific parts of canonverse that you'd like my thoughts about, feel free to ask! this didn't really cover a lot of like the general pjo/hoo timeline and it was mainly solangelo centric but likeee these are just things i thought of first! thank u for the ask!!

[twinkrundgren]

a weeks worth of work... for a show i love to hate, and hate to love.

over the course of getting stockholmed into enjoying the setting of hazbin hotel, i ended up liking angel dust the most. even if he's an annoying gay stereotype with the most cliche'd backstory possible, at its heart i still like him and see potential for a three dimensional character if he was just written better. i think he's a fan favorite for a reason, despite his cliches: he's charismatic, funny, and pathetic with probably the only backstory taken seriously by the story.

he's also the only one to go through real character development in a breezy 8 episodes, being probably the only upstanding member of the hazbin hotel by the end of season 1 but my critiques on pacing and writing are better left to my friend robin who's a lot better versed in analysing *why* hazbin's writing is so bad.

anyway, here's a portfolio-worthy turnaround of my angel dust redesign. a lot of it was just making him more spider like, for the most part aside from all the random spots on his body i think his design is pretty well done but it could be stockholm again. read more cause its an essay on all the design choices i made

one of the main things i did was flesh out his head shape: for a long time angel dust's head shape felt like the worst of drawing for 2d, his hair and tufts are so entirely cheated to the side no matter the angle that it was impossible to understand what he'd look like at every angle, so i simplified it to a half circle shape where his big hair tuft is just overlayed on top, cheated to the side no matter the angle unless he's looking up/down, where i drew what i think those angles would look like.

he also now has spider fangs at the sides of his mouth, with one gold to match valentino's gold tooth. since spiders don't have teeth, he doesn't either, but can be drawn with some if the expression needs it (though i noticed that stolas is never drawn with teeth no matter his expression, so maybe that's not needed.)

instead of a bowtie he has a choker with a cock ring on it. you know what its referencing.

the spider thorax is attached a bit higher up than a tail would be, not only because of actual spider anatomy but to give him enough room to get dirty as his career requires him to do. it can flip up as well, i imagine its very manipulable.

leg designs were mostly to specify the sort of rhythm and curving i want his legs to work at. it's not perfect, but i think if someone was drawing from this reference they'd have a good understanding of how i want his legs to be drawn. they're one of my favorite aspects of his design and i think specifying how they'd bend is very important.

fun fact: i thought i made his legs too long, but comparatively to the canonical design he's a LOT more leggy. i even think you could get away with giving him more leg and the design still feels proportional.

[lestappenheartweller]

Hey hey! Can you plz talk me thru the essential Lestappen lore? I love the ship but idk, is it more fanon than canon?

Like both Max and Charles have more rly shippy material with Daniel than with each other? But I’m hoping I’m just missing the good stuff!

they're both canon dan fanon! i personally love them because of their friendly-rivarly <3

“Of course I have a lot of respect for Max. He has done very well and I have a lot of respect for what he has achieved. When we drove in karts, we dreamed of Formula 1 together and here we are now! He has the title I won and I have a lot of respect for that.”

— Charles about Max

canon: charles and max have known each other since their karting days and having hatred to one another back in the earlier days. there was a funny moment where an incident happen during their karting days when charles tried to push max out of he race and max pushed him back. after the race, there was an interview where young max said that charles was unfair. charles was also asked by a reporter which he answered "nothing just an "inchident" on the track" (it became a very famous meme between both of them and the f1 fandom).

outside of racing they've also been spotted playing other sports together, mostly padelball. both of them also reside in monaco and the sweetest thing is that both of them have nicknames for each other!!! charles is called 'charlie' by max and 'maxie' is the nickname charles made for him. max also mentioned that he will workout great with charles if charles is his teammate.

fanon: they're currently very popular because of their backstory and the fact that their rivals is what makes match so much with the trope 'enemies to lovers.'

and maxplaining with leclercfying combo is just *cheff's kiss* 🤌🏻🤌🏻🤌🏻🤌🏻 LOOK AT THEM SO IN LOVE OH MY GOD

[funnycreatortimetravel]

So the Madoka Magica movie is coming out and there's a lot of speculation about how it's going to end (or rather, be the start of a new series of movies/a show? Idk, it was extremely vague.)

And while I love the idea of Homura and Madoka ending up together because they both deserve some happiness, I can't help but feel like the best ending for Homura at this point is letting Madoka go so she can become a healthy adult (which, let's be real, that's not possible in this world.)

And by "letting go," I don't mean cutting contact or abandoning her, I mean they can still be friends while Homura can become a person who sees herself worthy of living with or without Madoka. Because as much as I love my favorite tragic lesbians, Homura isn't her own person in the relationship with Madoka.

Like, Madoka has a loving family, loving friends, and people cheering her on. And even if she doesn't believe she's good enough to do anything, she still objectively has things going for her, a safety net if you will. And she still has a goal in mind that doesn't involve one specific person, but rather she wants to become someone that people can depend on/wants to help other people (regardless if this is at the cost of herself.) I'm not saying it's a good or even a healthy goal but with some tweaks, I could see the goal becoming something she could work toward as a means of personal growth and not just because she thinks she's useless.

Meanwhile, Homura doesn't have parents as far as we're concerned. The only ties she has that we're told about are the catholic school she attended and the hospital she pretty much lives in. No friends, no family, and no aspirations of her own. And because of her circumstances, she really wouldn't be able to. It's no fault of her own. I get why, then, she attaches herself to someone like Madoka. I'm sure ANYONE would attach themselves to Madoka if they were in the position Homura was in.

And then that starts the obsession. A long, tiring journey in which this poor girl sacrifices her mental health, her youth, countless years spent trying to save this doom girl and her doomed friends while she herself is also doomed. She's pretty much made herself Madoka's sole protector while also not allowing herself to even do or enjoy the one thing she wanted in the first place; being Madoka's friend.

It's all but confirmed that Homura hates everything about herself as seen in her backstory and rebellion when she was destroying her labyrinth. Her saving Madoka is the one good thing she thinks she's associated with, so much so that she's OK with dying either to protect Madoka or in a world without her.

Like, the concept of one person being the only reason you continue existing is so unhealthy (note that I'm not saying their relationship itself is, it's just her mindset.) I completely understand wanting to help your friend you know...not die a terrible death, but Homura doesn't think she has anything going for her outside of protecting someone else and that's such a sad thought to me. She thinks of all her past friends as enemies now, and she alienated herself from everyone. She thinks, now, that it's her versus Kyubey, the other magical girls, and Madoka herself. The girl is borderline, if not entirely, suicidal.

I'm hoping so badly that in the next movie, this is the start of healing for Homura (though it probably won't be because Mr. Uro loves his sad/bitter-sweet endings.) I hope this is the start where she's able to piece together who she is outside of wanting Madoka, who she could've been had Kyubey not manipulated her and the other girls into making contracts, had her parents not died, had her body not been as fragile as it was, had her confidence been strong, had she felt she was good enough to befriend and get close to other people without fearing her hurting them or them hurting her.

Sayaka was able to let the bitterness of not being with Kyosuke go, accepting that even though she wanted him, she couldn't be with him and even if she was, she never would've been happy. She was able to realize the flaws in her "ideal magical girl" concept and accept the fact that she's just one person and even though she's not perfect and didn't get the thing she wanted, she's still able to be a hero in her own right in the company of people who actually love and support her because she's Sayaka Miki, not because she's a heroic magical girl.

Mami was able to be honest with herself, similar to Sayaka, that she's not a perfect person, that the perfect magical girl illusion was never her. She's able to admit to herself that she was inherently selfish that all she wanted was friends and family, and that there's nothing wrong with that. She doesn't have to keep up the pressures of being perfect and mature and all-knowing because, at the end of the day, she is still that little girl who almost died in a car crash that claimed her parents' lives, and she has to live with the fact that she didn't and wasn't able to save them even when she had the chance to. And she's able to come to terms with the fact that though she was alone, she didn't have to be lonely. She's able to realize that it's not too late for her and she can make her own family that will stick around with her, flaws and all. And she can be a good role model for her little sister surrogate and also orphan Nagisa, but this time, she can be a realistic big sister rather than an idealistic one.

Kyoko can move past the pain of her family's demise, and unlike Mami, feels as though she is directly responsible for it. She was a naive kid who only wanted the best for her family and yet, by doing the "right thing" her father goes on a massive suicide-homicide rampage and she's left to think that her naivety, that her wanting to do the right thing, was what killed them. But no, it wasn't. It's ok to have hope and to have the desire to help others and do the right thing. While the actions of the wish were undesirable, it didn't change the fact that Kyoko's heart was in the right place and that she could continue to try to help others without fear of it coming back to haunt her. She can let the tense guard she's had up since her family's death and enjoy the little things in life she never got to when she was too poor; food, drink, comfort, and having others around that care about you. While she thought that it was her wish and her misunderstanding of what her father wanted that ultimately killed her family, it's the same desire and intentions that push her to save Sayaka and befriend her and the other girls later on.

Now Madoka is an interesting case because she, like Homura, is sort of trapped in being who they were before they gained powers. Now that Madoka is essentially back to where she started (unlike everyone else who at least has something/someone in their lives now in Rebellion compared to the OG series where they were missing those intimate connections) again, she's left to feel like she's missing a key part of herself (only in the OG series, she was missing the confidence she had the in OG timeline as a magical girl whereas, in Rebellion, she's literally the missing part of the Law of Cycles) and you're left to wonder if she'll be satisfied, or will she challenge this new world that seems too good to be true, a world that was made just for her and only her?

And Homura?

Poor Homura.

Being an orphan and having no one, not even doctors or nurses it looks like, be close to you? Being unable to live comfortably due to a physical condition you had no say in? Having to be behind because of said physical condition and then having an inferiority complex WHILE teachers belittle you for things out of your control? So then you consider yourself a burden and truly believe only death and loneliness await you? AND YOU’RE ONLY 14???

And then you think you've met this amazing person, this girl who thinks you're interesting and cool with no ulterior notices, a girl with amazing powers that are as wonderful as her only to have the rug pulled under you and realize that the cost of those powers and your protection is her's and others like her inevitable demise. So then you attempt to right that wrong because even further than your want to save your friends, you know the system that they're in is objectively terrible and needs to be torn down.

But then you try to warn said friends about the system and all they do is belittle you and admit they're comfortable in something that's designed to kill them before they turn twenty, and when (or even if) they're finally aware of the system and the terrible reality of it, they STILL blame you for not telling them sooner even though you tried your damn hardest? Or even worse, try to KILL you after they find out for themselves?

And then top that off with an oppressive alien race trying to control you and pretty much end your life prematurely or turn you into an immortal Lovecraftian Paper mache creature that looks like it was created by five-year-olds should you fall into despair at the hands of this default depressive system and you'll have to remain like that, killing and trapping people while you have no memories of your life as a human and have to live as an animal of pure instinct and evilnesses until some unknowing other magical girl puts you out of your misery, and the cycle will rise and repeat eternally.

Then not to mention other magical girls who try to "game the system" (which only leads to them dying/witching out even earlier, indirectly harming the girl you're trying to protect) or even worse, the girls see you as competition because they're insecure/power hungry instead of joining you in taking down the system set up so where death is an inevitable thing regardless, indirectly siding with the species that are literally killing them slowly but surely (and yet you're somehow still the problem in their eyes.) And then to add the shit sprinkles to this shit show of life, you have to battle this biblically accurate German clown of a witch that's a bunch of witched-out magical girls mashed together like a Cthulu-esque Ren and Stimpy-type creation (that's also pretty much invincible to everything that you and all of the nukes and missiles you store in a tiny, rinky-dink space-time shield you were pretty much cursed with while everyone else gets a built-in weapon.)

Not to mention the PTSD of having everyone and everything around you die and crumple to bits for 26 years over and over again, failing at every turn to complete the only goal you have for yourself (which isn't even for you, it's just saving another person because you believe you're extensible at that point) and at every twist and turn, you're beaten, bruised, belittled, scared, tired, pushed to the brink and all alone with no one to depend on because you're the ONLY one who can and will remember anything once you have to go back in time.

And then you learn the more you go back in time, the more fate and karma you're attaching to this girl which makes the aliens target her even more because of the level of potential she has. And even worse, you find out that the girl you've been fighting so hard to protect is now an entirely different person, lacking the confidence and outgoingness that made you fall in love in the first place, her desire to become a confident magical girl being unfulfilled because of you.

But you have to play the smaller evil. You have to deter her from making a wish, even if it means inadvertently scaring her away from the idea, even if it means being cold and calculated and harsh because she won't listen otherwise.

You have to crush that confidence because that desire will only lead to her death, but she can't know that because well, you still want her to trust you.

But because you've been trying so hard to scare her away from the idea of becoming a magical girl, she ends up becoming scared anyway and distancing herself from you, meaning you don't even have the comfort of knowing you two are friends anymore.

And even still, all of the other magical girls, including her, always end up dead or turning into witches no matter what you do, leaving you to fight the final boss witch alone and failing every single time because it's just too powerful.

But you can't stop. No matter what, you can't stop. Because stopping means death for you, the girl you love, and the entire world, whether it be because of Walpurgis or Madoka's witch which is only so powerful because of you and your time-traveling shenanigans.

So you do another timeline, and things go wrong like they have for the past 100 timelines so you're just numb to it now, and while you're fighting the boss witch, you get critically injured. And now armed with the knowledge that you'd just be putting an even bigger target on your friend's back, you resolve that your efforts were all in vain and useless and decide to just let yourself witch out because you have no other choice.

Only, you're interrupted by your friend, who's finally ready to put her fears aside and make a wish.

Your biggest fear is coming true and you're powerless to stop it.

So she makes her wish and becomes a magical girl Jesus pretty much and restores hope to every magical girl.

Every magical girl except for you.

She says your efforts are the reason why she was able to make such a powerful wish and thanks you for your service, as if you're an old veteran about to retire, and then she ejects you to a remade world, a world without her.

And you're doomed to fight in this world, the world she gave her life to protect, a world in which only you remember her. You don't let yourself become too close to the other magical girls for fear of losing that connection once the Law of Cycles takes them away.

So you're doomed, essentially. The one thing you've fought to protect is gone forever and there's no one but you left to grieve for her, and you start an endless fight against the new evil creatures in place of witches until you're about to disappear yourself.

But you don't even have the comfort of peaceful passing on because AHA!, that evil alien race wants to you use as a sadistic experiment to inflict suffering on you and the other magical girls while controlling the one saving grace you all had, to restart the terrible system you were trying to run away from in the original world.

So they place you in this fake simulation of happiness and fun and magical girl transformations all for the sake of controlling you and the girl you fought for and thought was safe.

So you take matters into your own hands and resign to destroy the labyrinth, even if it means your death, hoping the other magical girls put you out of your misery once and for all.

But if you die, then who would be left to protect that girl you love so much?

So you take matters into your own hands and override her power, creating an idealized world in which everyone can be happy at the cost of making all of your past friends your enemies later.

Even the girl you love and gave your life for time and time again.

All for the sake of keeping her safe once more from not only herself since you pulled a piece of her from the Law of Cycles, but also those terrible aliens who can only think about themselves and their sick curiosity.

I so badly want a happy ending for Homura, and I'm so hoping that that happy ending is one without magic or Karmaic fate or the weight of 26 years of repeated time travel or having to save her girlfriend from a terrible demise or dooming herself to magical Jesus type limbo for eternity all while she's the only one who can remember.

Outside of Madoka, what does Homura enjoy now in Rebellion? What were her dreams, if she had any? Her aspirations? What was her childhood like (even though we know it was lonely) was there anything in her life that even remotely made her feel that living was worth it?

If and when she becomes an adult, what will she be like? What career what she want to pursue? What interests her? What does she want the most for herself? Power? Fame? Company? Comfort?

And will it even be possible for her to enjoy anything outside of Madoka so long as she attaches her self worth to this one, ordinary girl?

Will she succeed in protecting her at the cost of herself? At the cost of anyone else excluding the kyubey?

Will she give up ultimate control over the world, or will she double down; ok with challenging her friends-turned-enemies all for the sake of her love?

And if so, will she succeed as Madoka's sole, eternal protector forevermore, or she be dethroned and killed, left to rot in a labyrinth of her self-hatred and mistakes? (God, I hope not.)

Or...will she finally be saved and released from the shackles of fate, time, and space so she can live her life as a normal girl, a life she wasn't granted even before she made her wish?

My excitement for this movie is beyond real.

[diazfox]

(A tentative guess about your BuckTommy vs Buddie post)

I guess a big part of it is because it's canon ? It's canon and it seems to work, and it seems to be make Buck calm and fluffy and happy in a healthy way, which is what a lot (all ?) of us want. So we can get behind that, for now.

Your "why not a similar support behind his exes / fetishizing MM relationship" question is valid and i think the difference is because it's the first time someone Buck dates seems to really fit with him without having something that we can pre-shot is going to be a problem, and the first time he goes into a relationship (getting myself ahead of things there) without it being to heal something in him ? And as I've read other people point out, Tommy's not silo-ed out, he has a backstory with the Begins episodes, he is friends with some of the 118, so it makes him less of a plot device than Buck's female exes.

And about the second part, the fetishizing part, i think sadly it's just a real thing that happens here, on tumblr and in fandom spaces : men are seen enjoying being together and fandom smooches them together together. One could even argue that it's the same for Buddie, wanting them to be together together when canon just factually says they are BFFs. I don't think anyone is erasing anything, but all that is canon about Buddie is that they are BFFs (a lot can be read as more that friends but ultimately it's with shipping goggles on, only - i'm not a very optimistic person, though).

I guess some of us think that if they didn't make Buddie happen for this long, then it may be because it is meant to stay on the fandom shipping side ? And we're given this incredible chance to have a canon lgbt character with an unusual story of self-discovery that doesn't happen a lot in tv shows so we're just enthusiastic to go with the flow ?

And if it turns out that the writers have the guts to get Eddie his own self-discovery journey, and if that later leads to Buddie happening somehow, then I think all BuckTommy shippers will be glad that it finally happened, and that it is canon, and is finally the Truth.

damn, thanks for your insight! i do see how things being canon and properly canon (like Tommy having a "backstory") can cause shifts in perspectives looking into the future.

i 100% understand why some might think buddie is a form of fetishization too. ngl i've seen strong arguments like "why can't 2 male characters share a strong emotional bond platonically? why does it have to lead to romance?" i guess my main reason for bringing up fetishization with respect to bucktommy is the fact that they are quite lacking in the "strong emotional bond" department. so it feels pretty much like "2 hot guys kissing and touching each other hell yeah" to me.

but i realise i'm overlooking the fact that this is bi buck's first relationship, though. i forgot to consider the fact that majority of this support for tommy comes from the fact that this is the first love interest of buck's to whom he can give all of himself and get twice as much with all the freedom in the world AS A BI MAN. thank u for putting me on to the fact that i've been misinterpreting this enthusiasm to some degree.

thats not to say that just bc something is canon or just a headcanon everything is set in stone. writers and actors themselves have made it very clear time and time again that audience reactions and engagement matters when it comes to plot development. in your own line of thought, right until 7x 03 they didn't make bi Buck happen for so long. so would u say it was meant to stay merely on the fandom shipping side? i just think the possibilities are endless, and maybe we as a fandom can try to have a bit more resilience to see through fan-originated storylines instead of a "i'll just go with whatever is canon bc it's easier" ethic.

[un-pearable]

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

[drpeppertummy]

sunny is so doggy-coded. loves physical affection. belly rubs. head scritches. behind the ears. under the chin. havin his face all mushed up. gets unbelievably stoked to see his friends. LOVES being called Good Boy

[feywhimsy]

drystan ▸ paladin of hoar • oath of vengeance • charlatan

fitting recompense will always accrue for one's actions. violence will be met with violence; good will come to those who do good. drystan has always set out to balance the scales, to make lives better and rid the world of monsters, by any means necessary. he never expected his faith to be challenged like this.

[gncrezan]

I love your unhealthy clingy famous MC you don't understand how feral I'm over him

THANK YOU I LOVE HIM SO DEARLY TOO!!!!! the backstory with absent parents and just. everything about seven... i think makes a lot of infamous ocs potentially lean into this?? or at least there are a ton of choices that just made me go "oh yeah. that's him" . idk there is an element to how infamous is written that really helps with characterising him, including how customisable it is, and i do love that about this IF!!!!! crying about him below the cut <3

aki kind of navigates the world worried his loved ones will leave him and is a little too clingy because of it. he also has been playing those worries off by being charming, flirty and funny. like he can somehow project this hyper-extrovered version of himself and try to make people love that !!! he drops that more around his bandmates/friends, but not in front of people he's just met (please guess who accidentally escalated the bed fight on the tour bus)

aki also hooks up with people a lot, just cause he likes sex but also because he enjoys the no-strings-attached. because of those attachment issues, when he gets something that feels black and white to him, something one-and-done and he leaves in the morning, he can just. take feelings out the equation. he knows its not meant to last so he can just walk out (leave! hit da bricks!!! walk out!!!!!)

committing to a romantic relationship . you can imagine. is a little complicated due to all this LMFAO he just overthinks and worries before even getting into it, regardless of if it's reciprocated or not. between the one time he's actually into someone (seven) and how that ended (...badly) + the fact that deliriously avoiding commiting to anything except hookups = very little (none at all) actual dating experience. aki has no idea to deal with it and will balk. yeah this is immature of him but i have plans to make this guy character develop so hard throughout the course of infamous that he may implode

i love the genre of character where they're just going "i know i have a few issues, who doesn't, but honestly i think i'm well adjusted!!" <- they are not well adjusted. in fact they're worse than they think

also no one asked for the orionmance essay i sent my friend but here it is <3