#I have never seen a single thing from the manga or series

[little-bullheaded-shit]

I am once again imagining an animatic far beyond my art capabilities

[radioactive-earthshine]

im having a great time with Pluto despite not having seen much astro boy (been aware of it obviously just never sought it out) what would you recommend for someone to watch/read after pluto from the astro boy franchise that is similar in tone and content?

Oh boy oh BOY!

If the Pluto anime is your introduction into the Astro Boy franchise then you've been thoroughly acclimated to the most fervent reoccurring themes found within Tezuka's writings and as such a lot of the tone and story telling will be very similar - even if Pluto was written by Naoki Urasawa and not Tezuka himself.

What I personally would suggest for those curious about learning more about Astro Boy and this particular story is to read the Pluto manga (8 volumes) as an accompaniment - the anime is a very good adaptation but some things had to be cut for time (it's inevitable) and the manga was simply better at revealing some things than the anime to give you a broader sense of place that this world takes place in.

From there you have many options before you depending on your accessibility to some of the series below.

NOTE: There is nothing quite like Pluto other than Pluto, but in all versions of Astro Boy you will find the same themes and content found within Pluto but with a different narrative voice.

For the sake of simplicity I am not getting into the bigger Tezuka Star System I'm just focusing on Atom in the most direct way - no this is not meant to be a full complete list of EVERYTHING.

The 1950s Manga

Written by Tezuka himself, where it all started.

Contains all of the original core stories of Tetsuwan Atom (Astro Boy) which were adapted in various media.

Is available in English to purchase and is online.... in places...

Can get shockingly dark and gruesome and I do not have the spoons to list all the Content Warnings possible. Adults will find enjoyment from this series.

Is generally episodic.

Classic golden age sci-fi with themes relevant today still.

The 1960s Anime

Written and worked on by Tezuka himself.

Contains many of the core stories presented in the manga adapted to fit a single episode.

Episodic.

The first two years (104 episode out of 193) are available in English to purchase on DVD (with extras!) - I do not know if the 'missing 89' are available online with subs or if the original Japanese is available with subs out there.

Yes, inevitably the dubs sanitized a lot of the stories and Americanized them - but even so they are worth a watch.

The 1980s Anime

Also written and worked on by Tezuka himself.

Is available in English to purchase, but like the 60s dub, it has been cropped, chopped, and censored - in some ways worse than the 60s series. The DVDs at least do have the Japanese track with subs available.

You can find the 80s Japanese unedited online with subs.

Is mostly episodic but does have a subplot featuring a new character Atlas and his sister Levian.

Contains some of the core stories from the manga but this series is much shorter so some of your favorites might have been dropped.

The 2003 Anime

Tezuka did not work on this series as he was deceased at time of production.

Modern Astro Boy with a more modern lens and modern story-telling expected of anime of the time.

Contains a plot and contains the episodic spirit of the original shows and manga, but the plot is still referenced in modern anime story telling. The main plots being 1.) robot rights being established in a world where they have none despite having "kokoro" (heart) which is basically free will and sentience and 2.) who is that boy anyway?

Many of the most beloved Astro Boy stories from the manga are not present in this series.

American voices dictated the direction of this series from the start even in the original Japanese which is a big negative.

The English dub is heavily censored and altered from the original version - but it contains some amazing performances from people like Dorian Harewood whom I still to this day don't know HOW he agreed to play Dr. Tenma but my god he did an amazing job.

The unedited subbed Japanese version can be found online.

Despite the amount of butchering and meddling during production it is still a relevant part of the Astro Boy collective world.

Naoki Urasawa's Pluto Manga and Anime

You already know of this adaptation but it's a retelling of The World's Greatest Robot, the classic story from the manga and is present in all of the above series. It is also direct commentary about the American invasion of Iraq with some names changed so as to not hurt feelings. I generally suggest to adults to read this and if it connects with them then try on the original manga and maybe see if any of the anime gets their eye too.

A note on Tezuka and his extended works.

An American equivalent to him would be Jack Kirby however he had more creative control with his work, was credited for his creations, and had just about the same amount of influence on Japanese comics as Jack Kirby did with American comics (maybe even to a greater extent). Tezuka was incredibly prolific and is dubbed "The God of Manga" for a reason. Many of his stories all circle around the same themes; war, grief, the futility of hatred and the doom of mankind while also taking on blatant political sides including environmentalism, equal rights, gender rights and even playing with gender and expression (note they are products of their time and some of which are offensive today but for the time were groundbreaking).

If you wanted specific stories from the manga that might be more what you are looking for to refine your search, let me know! I've been needing an excuse to drag them out.

[kickbutts-singsongs]

I know no one asked, but I have exactly zero (0) people to talk about bkdk with irl so here you guys go

My BKDK Journey

Yes, this sounds stupid, but my god it’s been almost three years of an absolute rollercoaster of feelings and denials and tears and revelations…

and if you don’t mind, I’m gonna rant about it.

(not spoiler free)

_____

May 2021

To start off, i wasn’t always a bkdk shipper.

I shipped izu*cha at first (not saying it’s a bad ship btw; it’s actually quite cute. im just afraid people’ll be mad if I accidentally invade their tag lol), primarily because I assumed that would be the ship that became canon.

But also, my veryyyyy leasttttt favorite character… was Bakugou Katsuki.

When I tell you that I would’ve loved nothing more than to somehow spawn into the bnha universe and punch that brat in the face— AGHHHHHHHHHH

Now this wasn’t all his fault: A) I watched the dub first lol, and B) he reminded me of someone that i was not in a place to stand up to at the time, and his constant anger, yelling, and harsh treatment of Izuku—who i began to relate to—made me hateeee him.

There was a time when I literally said “if he died, I wouldn’t miss him.” <- this was later proven false lol

So, I was watching the anime dub with an absolute animosity for our resident deuteragonist, but on top of that…

I was watching it with a friend with a crunchyroll account who lived in another state that I was visiting and staying with for two weeks, so by the time i had to go back home, we’d only gotten up to the part where All Might was getting Inko’s permission to let Izuku stay at the UA dorms.

Anddddddd in my drive to consume more bnha once I got home, i somehow stumbled across an Instagram account that posted bnha sub episodes divided into parts,

but they only had season four and onwards.

Sooooo I never saw the second half of season three… more importantly,

I NEVER SAW DEKU VS KACCHAN 2!!!!!

(I will say that I had seen a couple photos/edits/etc, but I never knew what had been said, or why they fought)

_____

June 2021

At this point in time, I’d been exposed to a lot of the fandom. My fyp on both IG and Pinterest were filled to the brim with all things bnha (because this is what happens when one has a hyperfixation), so I saw a lot of stuff.

Especially fanart.

This is where I started learning about the different ships.

I saw a lot of the side character ships and thought they were adorable (kamijirou, todomomo, even kiribaku), but then I saw some with Izuku.

Izu*cha was a given for me. I didn’t think there was a single person that didn’t ship it. But then I started seeing fanart of ships like tododeku, shindeku, and bakudeku.

And my first reaction to finding out that people shipped my beautiful baby sunshine boi with the person who bullied him for years?????

HELLLLLLLLLLL NO

So with my (unknowingly) limited knowledge of their relationship, i was very much an anti (i never spoke out or anything, i just reallyyyy didn’t like the ship lol)

(And then, you know, I started to see all the bkdk hate online and kinda went “okay not touching that”)

But that began to change…

_____

August 2021

…after I saw a manga leak for the first time.

I was scrolling thru my feed and all of a sudden. BOOM!

I was like 😧

IS THAT IZUKU?????

And i looked in the comments and yes it was.

I checked out the page and found that they had an entire account of manga leaks and was so happy.

I quickly began to read from the very bottom of that account, and it started from right about where Izuku first began his vigilante arc (i had no idea how much was in between then and where I left off on the anime, but I was willing to read it lol)

And so I waited diligently for the leaks every week (a practice I have continued to uphold lol), until one day, i came across an untranslated series of panels from the latest chapter. I looked at it and it was of Katsuki and Izuku, facing each other in the rain (you know the one). I knew the leaks would be coming a day later, but I wanted to look through them anyways, so I did.

I didn’t understand a word they said, but the pictures and imagery of them as kids then middle schoolers then where they were now seemed so touching…

And then I came across a pair of kanji that I recognized.

I was like “wait WHAT???”

I zoomed in and went “that— isn’t that—? That’s part of Midoriya’s name, right???”

And then I was like “wait a second… omg that’s Izuku, isn’t it. That’s the freaking kanji for Izuku.”

And it was!!!!!

So inside I’m having a mini freakout cuz—

Bakugou just called him IZUKU

Fast forward to the next day, and I looked at the translated version, and found out that not only did he call him Izuku,

He

Freaking

APOLOGIZED

And I was like “huhhhhhhh”

What happened between now and the most recent anime episodes for this to occur???? For Bakugou to do a complete 180 and apologize????????

Well, I finally got my answers…

_____

November 2021

…when I started reading the manga.

I started from the beginning, cuz I wanted to see Horikoshi’s art style and the extra drawings and all the other stuff…

And when I tell you that Katsuki became a whole new character to me—

First, I read everything about early-on Bakugou— without hearing him yell in his dub voice—and realized “oh wow he really is just a kid with issues and a worldview that he’s now having to change.”

Then, I finally read what happened in that space between moving into the dorms and the beginning of season four (most importantly, DvK2).

Cried.

Then, oh then, I got up to where season five ended and the rest of the manga began.

. . .

Funny thing: back when I read the leaks to ch322, I remember thinking to myself, “huh. what did Bakugou mean by Shigaraki making swiss cheese outta him?”

😦

THE WAY I GASPED

AND THEN CRIED

OH MY FREAKING GOD

That was the moment where i truly ceased to hate Katsuki cuz holy character development batman

Then, of course, we see them in recovery

And then the vigilante arc and apology scene *sobs*

And then I was caught up.

(Btw I finished the entire manga up ‘til ch334 in just over a week. I read for nine days straight. During the school year. My emotions were all over the place goodness gracious I could barely concentrate.)

So that’s how I went from being a Bakugou hater to going “you know what he’s a complex character and he’s slowly becoming a better person” and realizing that he was now one of my fav characters and therefore cursed to die but I’ll talk about that later

Was I now a bakudeku shipper?

Hah nope.

_____

December 2021

I began my dive into the true essence of any fandom: fanfiction.

Over the course of winter break, I had started off with fics that had no romantic pairing (I just wanted to see my boi Izuku), but then somehow stumbled across Mastermind: Strategist for Hire and then read the entirety of the For Want of a Nail series (shoutout to Clouds btw ❤️) cuz I was like “ok whew no bkdk fics” which was my mindset at the time.

But somehow (I can’t even remember how I found it) I came across a bkdk fic. It was called For Want of Izuku’s Toe Joint by Talavin (okay now that I think about it there’s probably a simple explanation lol).

I don’t quite know what compelled me to start reading it, but I did.

And I really liked it.

But not in the “I’ve been converted” kinda way.

It was like an “I shouldn’t be enjoying this why am I enjoying this?” kinda feeling. Like my head says no but my heart says yeah.

A really really really really guilty pleasure.

So, from that day on, whenever I came across any form of bkdk media, I would simultaneously feel discomfort and yet an odd sense of satisfaction.

A snippet of my daily life:

Me: *comes across bkdk fanart on pinterest*

Me: eww

Also me: *stares at it for like five minutes straight*

Me: who even likes this?

Also me: *saves pin to my mha board*

Me: not my ship

Also me: *scrolls down to more like this*

Bless my heart I was in such denial.

_____

July 2022

Bit of a timeskip, but nothing of note really happened in those last six months so here we go.

We’ve gotten to the point in the manga where the final arc is underway and Bakugou is about to KICK SOME BUTT

He’s revealed his Panser Strafe support item and I’m gushing about it to my friend (she kinda fell out of the fandom but still tolerated my rants bless her)

Oh, side note: it was then that I also expressed my concern for Bakugou’s “alive” status

Evidence:

For reference, some of my favorite characters are:

Beth March (Little Women)

John Reese (Person of Interest)

Joss Carter (Person of Interest)

Leonard Snart (Arrowverse)

Logan Echolls (Veronica Mars)

Fantine (Les Mis)

Eponine (Les Mis)

Jean Valjean (Les Mis)

Simon (Lord of the Flies)

Piggy (Lord of the Flies)

Grace Stone (Manifest)

Bubaigawara Jin — Twice (BNHA)

Wanna guess which of these guys died?

Trick question! It’s all of them (:

Yeah so anyways those following chapters really made me excited and nervous cuz YEAH KICK HIS ASS BAKUGOU but also IZUKUUUUU WE NEED YOU

hah hah.

_____

August 2022

Utterly gobsmacked. Cried. Disbelief. Horrified. Confusion. Anger. Went through the five stages of grief and then some.

Sometimes I hate being right 🥲

But the good thing that came from this was that my positive view of Katsuki only grew after seeing his utter faith in Izuku (and his thoughts being on him in his final moments???? 🥺🥺🥺)

And it was at this point in time where I could admit to myself “you know what? i see it. i see the appeal. i wouldn’t mind this actually becoming canon.”

Did I think that it would actually become canon?? No.

_____

September 2022

I don’t know how I thought Izuku was gonna react to seeing Katsuki’s body on the ground, but GOOD LORD IT WASNT THAT

Even sweet little blind me realized “oh wow he like really feels intense stuff for Katsuki huh”

(But some things I missed—cuz I was still a bit wired for izu*cha—were shigarakis implications “yeah u looooove the present I got u” and the freaking HEART that blackwhip caused??? when Izuku reeled himself back in???? like how did i miss that i read that chapter like fifteen times??)

So this is all to say that I’ve missed any and all actual bkdk hints up until this point. I finally lifted my head out of the izu*cha fog when…

_____

July 2023

…Ochako and Toga had their chat about romance.

The first actual hint was when Ochako had told Toga “I’ll give you my blood for the rest of my life.”

Little blind me became a bit less blind that day, cuz I was like “um. ochako? that— that sounded kinda like a proposal. like. a marriage proposal. ochako??”

And then those chapters just kept getting better!!

Bebe Ochako’s determination???

The Spirited Away moment?????

“I’m envious of your smile”????????

“YOU REALLY THINK IM CUTE?” “THE CUTEST IN THE WHOLE WORLD” LIKE 😭😭😭😭😭

For the first time, I was looking at the manga without the assumption that izu*cha would be endgame. And it only got better after I…

_____

August 2023

…got Tumblr!!!

Everything was downhill from here folks.

In the best possible way.

I came across some analyses of what was going on with togachako, and consequently led me to some bakudeku analyses. I read them and my goodness they made so much sense.

Like not even just personality-wise!! Those metas brought in actual things Horikoshi said about wanting to go outside the norms of shounen (and about not liking the Naruto ending 💀), and compared bkdk to tropes in different works of fiction, and even discussed how bkdk made sense narratively. They properly convinced me of the ship.

And then for good measure, I reread the manga in its entirety thru a bkdk filter, and lo and behold things took on new meanings and my eyes were opened.

I totally and irrevocably shipped them! And I actually thought they had a chance at being canon!!

(And then I binged so much bkdk fanfiction omg you wouldn’t BELIEVE like I read the ones with the highest kudos first and then just picked the biggest collections I could find and read down the line

It was like being on drugs like each fic gave me more dopamine than the last I was so happy oh my god)

_____

October 2023

And then finally, the day came.

The answer to “is bakugou alive yet?” became a yes.

We screamed. We cried. We jumped for joy. We told bakugou antis to suck it. But most of all, our bkdk hearts soared to see our boys make eye contact with each other for the first time in over a year 🥹

And from that moment on, I truly began to believe that bkdk would indeed become canon.

_____

And so, this concludes my 42672288 page rant about how I came to be a bkdk shipper.

Thank you for reading, and before I go, I want to ask:

How did you guys get into bkdk?

Did you convert over from izu*cha? Or perhaps tododeku? Or maybe kiribaku? Or are you one of the few who have shipped them since the beginning??

In any case, I’m happy you’re here. And while it may have taken me a couple years, I’m happy that I’m here too :)

(and thank you @animelover32456)

[guro-man]

Horror Manga Recommendations part 10: Sadako at the End of the World by Koma Natsumi

Happy Saturday everyone! I'm uploading today's recommendation a bit early cuz I'm gonna be busy this afternoon. This week we're looking at the oneshot post-apocalyptic comedy( kinda? ) ghost story of Sadako at the End of the World.

"In a world torn apart by an apocalypse, two lonely little girls chance upon a strange video. To their surprise and joy, a girl with long black hair named Sadako climbs out of the TV…But little do they know that Sadako is a vengeful ghost who will kill them in a week! In order to help their new friend, these two sweet, innocent girls begin a journey to the end of the world to look for more victims/friends. Can their bond with Sadako help her find peace and finally break the curse? Or will this tale have a tragic ending…?"

The story is really interesting because it explores themes of found family and perseverance, but it's also dread inducing because you know what's going to happen when the seven days are up. Especially as Sadako is introduced to more and more people...

What I especially like about this is that you can read it even if you've never seen/read The Ring. It doesn't assume that you already know how the rules of watching the VHS tape work so it is nice enough to explain things for anyone who wants to read it but is new to the series.

I will say that since this is a oneshot, the story could've benefited by being a bit longer so it would have more room for development, but it's still an interesting story nonetheless. Love The Ring? Try out this unique take on the story! Know absolutely nothing about The Ring? Try this out and see if it interests you!

This single volume series is available in english from Yen Press!

[leconcombrerit]

Phee is lying

I mentioned a theory of mine a few times (or is it hopeful thinking ?) and I decided I could share the big outline. I don't feel very legitimate making this post given that I'm one episode and a half behind, but then again I'm pretty sure I'd earn my clown costume either way.

Phee and Non's relationship : a carefully rushed framing

The cute montage at the beginning of episode 6 never sat well with me. DFF knows how to take its time ; how to develop characters, hint at dynamics without having to spell it out. And suddenly one of the most important relationships in the series is summed up in a five minutes montage ? Are you kidding me ? After that we get one scene (the bracelet one by the river) before their relationship starts to crumble upon the weight pressuring Non.

In other words, we get nothing. Most of my attachment for this couple stemmed from a) boundless joy at finally seeing someone, anyone on Non's side and b) Ta and Barcode eating ever single one of their scenes. Aside from this cute beginning, it's just Phee trying to help Non and Non not being mentally nor emotionally available for anything.

They could have done better. They could have shown us more. But they didn't. I know a common conception is that a montage with the occasional slo-mo fits the "first and naïve love" theme buuuuut I don't like it because I don't like it, sue me.

Let's see what they did show us first ; when you give so little, there's no room for triviality. And then I have just a few details I picked up on (or excavated and extrapolized like a mad scientist) that come feed my "Phee is a lying liar that lies" theory. But first, here goes a montage breakdown.

One : first in person meeting

There are several interesting points here. Phee is standing and bending to Non's level, Non is acting cute and waving his hand like a child would ; the groundwork of their relationship is laid down. Phee is the one taking care of Non. But what I found truly noteworthy is this :

"Do you wanna meet up ?"

Phee is taken aback by Non's suggestion. He clearly didn't expect him to do that. Except you don't have expectations for strangers or vague acquaintances. By that point, Phee and Non have been messaging for long enough for Phee to know Non quite well and for the both of them to smile like idiots upon meeting. How long exactly ? Nobody knows.

Two : perfect date and the start of a series of promises

Three or four shots of a traditional, happy date, what more could we ask for. Genuinely. Sad Non, abused Non, crying Non is brought back to a softer world. He earned this level of cliché and happiness. There's also the pinky finger promise ; that's what interests me the most, not as a singular instance but as the start of a pattern. Promises are a running theme in Phee and Non's relationship. As willing as Phee is to take oaths, he's quick to fail them -hell, just one episode prior he wasn't here for Non and it resulted in a suicide attempt. The situation with Keng isn't Phee's first failure.

Three : Non's home

Here Non is letting Phee in his home, his room -his life. And he does so with glee. We've seen beforehow Non tends to keepto himself. Jin has to try a lot and try hard to get him to open up a bit, so whatever happens here is meaningful.

Phee taking his manga from Non could be read as them not sharing common interests (unlike Jin, my imaginary public argues with a nod). I personally saw it as them being comfortable enough to do their own thing while sharing space, until Phee got bored. Or horny. Or both. No sex scenes are shown, which has to be intentional. Phee gets a graphic sex scene with Jin, Non gets a graphic sex scene with Keng -but none for Pheenon. There's enough suggestion that the audience will get the idea, and I haven't pinpointed what lies behind that choice, but it's definitely there. They go back and forth between tooth-rottingly cute and buying a house in the bone-zone.

Four : being each other's whole world

They're both giddy and running to find each other. Their families don't understand because they haven't told ; it's their own little world (and in Non's case probably his only happy place with no worries).

Five : the kiss scenes

The sensual aura that built up in all previous scenes reaches its peak here. Once again nothing is shown in terms of sex, yet you can feel the physical attraction just as well. I might be getting off the rails by saying that while they're honest, they also virtually keep things private. They show us the truth, but an amputated, rushed one.

Just like I suppose Phee gives Jin an amputated and rushed version of what happened.

Six : The river

Ah, yes, the river scene. I won't be talking about the longer one with the bracelet yet cause it's separate from the little glimpses we got so far (it has dialogue, for one). But this ? This is gold to my brain.

An apple. Not only are they both biting it, but Non's eyes are open and staring right at Phee, while Phee's are closed. Non is holding it too. Now I know the apple symbolism is a Chrisitian one and we're in Thailand, but that little detail struck me as odd when Phee and "Tan" were introduced :

We're entering full clown territory cause the cross was probably hung there like the curtains are probably just goddamn blue, but I added a badly drawn plan of how our brains read images, starting from top left corner (where the cross is) to skim over the middle in a downward axis to the bottom left (Fluke, Jin, the more innocent ones actually I just realized) and then to the bottom right. The cross is what we see first.

And then, wouldn't you know, our lovely apple comes back as New and Phee are discussing the boys -and where New is out to get them, Phee is already giving even Por the benefit of doubt. He's also keeping his left hand behind his back. I'll get back to Phee's left hand, but the apple comes first.

If the cross is any indication, and that we get two apples, then the first one that's set in the past, a flashback in a flashback, could be the Old Testament version, a fall from heaven ; and the second one that Phee is eating by himself, not blindly this time, could be the New Testament version as redemption from the original sin. Not to mention the greenery around them, almost like a garden.

"But then doesn't it mean that Phee, after falling for Non, starts to get redemption for failing him by saving the boys from New ?"

You know what, MAYHAPS. It could work, I guess. But same as the manga reading scene, it could go many ways. I personally think the redemption he longs for is redemption for having let Non down so badly. Besides, I don't think New is ready to kill people yet in that scene. He's just trying to gather evidence for now, and Phee knows it. So why defend those boys ? Jin I could understand, but Por ? And protect them from what, exactly ? Getting justice served and truth exposed for something they actually did ? If they're innocent, what's the rush in getting New to let go ?

Why wouldn't Phee be trying to keep New safe ?

Look it's not that far-fetched I swear. First I'm going with the fact that Phee knows Non is alive and got in contact with him somehow. One because I stand by my words, this is a face that calls for murder.

And two, the ring tattoo. I don't think it's a continuity error. And he just so happens to keep his arm hidden behind his back when trying to stir New into giving up on his search. As a sign he's actually carrying on Non's wish ? I'd love that.

Then someone in the group has to be in contact with the masked man, the ninth person, or else they wouldn't have known when to expect the group. Unless they literally live in those woods, which is also possible.

There's also a long post I'd started about how the show always plays by the rules, not even trying to be surprising in the decision it takes (A guy dying early on in a slasher, Phee being Non's boyfriend, Tan being New, both of them being part of the scheme) but pulling the rug off under our feet in the execution (no one else of importane having died after Por, quiet Tan being the one to murder people while decisive Phee is crying about, etc). Which gives me the feeling that it will be the same here and that Phee is much more of a mastermind than he's been whining on to Jin.

Speaking of Jin, it would also explain why Phee has been investigating him specifically. They might have been trying to determine if he'd done anything, had leaked the video or not. When push came to shove, Phee played the honesty card to get him to confess. And. He. Did.

Not to say Phee doesn't have genuine feelings for Jin, and that it doesn't make him feel torn and confused. But the fact that they banged right after Jin reminded him of Non more strongly also isn't something I'd ignore.

Anyway, I'm getting tired, short version :

Tl;dr :

I think Phee and Non's relationship was actually much stronger than we've been shown, that Phee knows Non is alive because he's the only person Non would have contacted and works with him. He was tasked with keeping New away from all this because Non doesn't want him to get hurt, but also doesn't trust him enough to tell him anything (remember that New was defined by his absence prior to Non's disappearance, only there to serve as a hurtful point of comparison, and that he wasn't close at all to Non to begin with, regardless of how much he regrets now ; I don't think Non factored New would go that far for him in his plan). The revenge plot is already underway for Non, and Phee is trying to keep things going the way they should.

Here it is. It was itching my brain and I slept very badly because of it, but I AM NOW FREE.

[thekingofwinterblog]

Soul Eater - The Manga's Unsatisfying Ending.

It is not a big secret that the Manga ending of Soul Eater is not a well recieved one.

There are a lot of very obvious criticisms of it, wheter it be the way the story has no real climax, the relationship between Crona and Maka is a no ending tale that pretends othervise, or the damn madness of boobs.

There are a lot of things to critique about it, just on a surface level. I have seen plenty of them through the years. What I have no seen though is someone delving into why, on a thematic level, the Manga Ending does not work.

Crona

The biggest problem by far, is Crona's choice in the end, because Manga Crona makes the wrong choice at the end. The cowards choice.

Rather than going out and facing the world, and risk the hurt that comes with opening oneself to other people, Crona instead makes the choice to stay to "Atone".

In other words, the lessons of abuse that Medusa hammered into Crona from childhood, of being completely undeserving of forgiveness is not overcome at all.

Crona admits to not being able to go back to the world after everything horrible that has happened, every sin, every crime, every wrong turn.

In the end, this is fueled by cowardice. By choosing to stay, and keep Asura in check, Crona falls back on every single bad lesson Medusa ever taught.

It's all your fault, you dont deserve forgiveness, you dont deserve a happy life, you cannot grow.

I dont think most readers really realised the full implications of all of this, when reading the manga ending the first time,

But the feeling that something is deeply, deeply wrong with this ending is there all throughouth this ending.

The thing is, that on paper this ending could have made sense, after all this kind of self sacrifice ending has been done a thousand times throughout anime and manga... But it does not work here.

It does not work, because in the end, it completely proves Medusa right. She managed to break her child, and in the end, Crona NEVER managed to recover from it.

One of the single biggest problems fans have with the Manga, is that Medusa's death, the final ending of the single best villain the series ever had, feels incredibly cheap.

This is completely true... but not because Crona murdered her in a pique of insane rage and bitterness, but because thats the final note Crona's story ends on.

Medusa's story feels cheap, because there is no real follow up and closure, and far, far more importantly, a thematic rebuttal to her actions.

Medusa getting herself killed by her own child on purpose is not a problem. The fact that she is not proven wrong in the end IS.

The Manga ending with Crona choosing to seal asura on the moon, rather than having to confront the world, and risk it all on a final battle that the crew might, or might not win, proves that Medusa's assessment of Crona as a coward who could never face their fears and always takes the easy way out, was right.

And that is a TERRIBLE note to end the story on.

However the problems with this ending goes much further than that. It also(unintentionally) rejects Soul Eater's themes.

What is the most defining image from the soul Eater Manga? The one image that sums it up it's themes in one go?

The answer is this one, from chapter 15.

An ending where Crona gives up everything for Maka could work as a tragic ending... But it can't work in Soul Eater, because Self Sacrifice for the greater good or even the people you love is not one of it's main themes.

Soul Eater's main theme is comeraderie in spite of every difference, of embracing one another no matter how much it might not make logical sense.

Or as Maka and Asura's final conversation in the anime puts it, that madness and bravery are two sides of one coin.

It is a form of madness to open yourself up to other people, to risk judgement, to risk having your heart broken or hurt by opening yourself up to other people... And yet that is exactly what the protagonists of Soul Eater does all the time.

And it is best summed up in that spread from chapter 15, where 7 different people with a whole ton of personal issues puts all of it to the side, to stand together as friends against the world.

Because they have the bravery to do so, the bravery to take a risk and open themselves up to other people, to take a leap of faith.

Bravery and madness together.

THAT is Soul Eater's main theme, and it is one that it ultimately rejects in the final two chapters of the manga, and not just with Crona, though that is certainly the worst part of it.

Maka and Spirit

But the ending does not just reject it's own themes on the big scale, it rejects it on the smaller one too.

One of the plot points of the last two chapters that left a BAD taste in a lot of peoples mouths, is the interactions between Maka and Spirit.

And make no mistake. It is BAD. Really, really bad, and just like with Crona's choice not to take the risk of going back into the world and having to deal with it all, it COMPLETELY rejects its own themes for the sake of a bad, bad joke, told at the worst time.

Upon the sealing of the moon, Spirit and Maka comes face to face with the seeming reality that Spirit(and several other people) are about to be sealed with Chrona on the moon.

This leads to a very sweet moment from Spirit, where, in what he assumes will be the final time Maka sees him, chooses to give her a smile to remember him by, so her last memory of her dad wont be him cowering in fear from his impending end.

Which is then completely undone in the next chapter.

When returning to earth, and confirming with her own eyes that yes, maba did save her dad with her magic, Maka's response is to revert right back to the spitefull girl she was at the start of the series.

She once more deliberately rejects her dad despite her very, very real feelings of love and relief upon seeing him alive.

It might not seem like much, but in the end, this one, single moment, in the final chapter of the series, proves that Manga Maka could never defeat Asura, because unlike anime Maka, Manga Maka was not, in the end, able to overcome her own personal fears about opening herself up to others.

Just like Crona in the previous chapter, Maka does not overcome her own personal fears of opening her own heart for the people she loves, despite the risks involved.

And that is an absolutely TERRIBLE note to end Maka's entire journey on, given every single bit of character development she has had before this is about doing that exact thing.

Soul Eater Evans

Now the problems with Soul Eater isnt nearly as bad as the problems with Maka and Crona, where their choices ultimately ended up undermining the mayor themes of the story, it simply tries to shove in the idea there was some greater journey for soul eater, where he had some massive lifechanging revelations, just the usual and generic "I have become way stronger thanks to you".

It's not a Bad note to end his character on, but it's telling that rather than just reciprocrate Soul's very obvious flirting, Maka in the final panels is far more conflicted, and in the end, uses his own words to reaffirm her devotion to Crona.

I like Souls a lot, but the fact is, that at no point in this story did he reach a point where he earned this ending, where he could genuienly say that he was done running away from all his problems. At no point did he seek out his broher to reconnect, he did not reconnect with his family, and while I am glad he was able to reembrace his love for the piano in a healthy way, there is a far cry from that, to being able to claim he's conquered all his demons.

Ultimately Soul's actual journey in this story, is the fact that he is not the main character. That is how he is introduced, as a guy who very clearly wants to be this story's focus, but the fact is, he isnt.

Maka is. it is her journey that we actually follow, is her growth and choices that defines this journey, and it is her relationship with Crona, not her relationship with Soul, that this story places all its hopes, dreams, themes, and climax on.

The fact that this climax ultimately failed as a story, does not change that fact.

This is not to throw shade at Soul and his development, as he IS a good character, with his own journey, but the brutal fact is, that he has not earned this ending at all.

He is Maka's partner, and that IS a HUGE part of this story... but it's not the part that the entire climax was built around, and put all its chips on.

The final pages trying to pretend othervise is another way this ending ultimately failed as a story... but its NOTHING compared to the way it failed Maka, Crona, and it's themes.

Conclusion

While im very, very negative towards the climax of the manga, this is not to say that the ending is completely devoid of good parts.

Kid making peace with the witches is a very fitting ending for his character, and fits right in with the Story's themes... Unfortunately, the conflct between Witches and Meisters/Death was not the aspect of this story that everything hinged on.

less said about the madness of boobs, the better though.

Overall, the ending is not the worst thing ever made... It is certainly not Attack on Titan, who's ending and denouncement of free will destroyed it down to it's foundations... Nor is it an ending that does not make any sort of sense within the context of the world and its mechanics... But it is a BAD ending, that completely fumbled its themes at the single most crucial point when it truly mattered at the finish line.

[kishimotomasashi]

Alright, Uchiha Clan oppression longpost

This is the unavoidable, and often central, topic people tend to surround their Naruto politics takes on, and is as a result a big, ugly discourse-generator. It's also a subject I'm definitely always thinking about when it comes to Naruto as a noted Sasuke stan, and my thoughts on it have changed gradually over the years. I'm making this post to share what my current interpretation on "how and why the Uchiha Clan were oppressed" is.

Before I do that though, notice on what this post is not:

I'm not writing a "discourse ender", a take meant to be spread around with the claim of being the only correct interpretation of events. This is a post I wrote to share the exact way I rotate an aspect of the manga in my mind, and to convince people that looking at it from this angle is interesting. Basically: it's not that serious, I think about this because it's fun.

This isn't a "character-bashing" post or whatever either, so like if you agree with what you read here, I suppose I can't stop you from using those infamous "anti-[X]" tags, it's just that making a post that warrants them has never been my intention.

Along with that, I do want to address the by now very well established fact that Naruto the series is Not Very Good, and has glaring inconsistencies in its writing. The Uchiha Clan drama is definitely not exempt from this, and in its case the failures in Kishimoto's writing usually show in inconsistent power-scaling, in which we're made to accept weird leaps in logic (how does a 13 year old get rid of what we're told is one of the most powerful and feared clans internationally?) That being said, those particular inconsistencies are kind of irrelevant to this particular post, and don't much change the fact that the Uchiha Clan Massacre did happen. I'll be taking it as a given that if you're reading this, you're accepting to suspend your disbelief of those events on a technical level, and are more interested in how I make sense of it all more on the diegetic social/political level.

With that settled, we can get to the important part now:

The most popular take (as far as I've personally seen) on the events that led to the Uchiha Clan's downfall is the one that takes Madara at his word: the Senju have been oppressing the Uchiha since Konoha's conception, and Tobirama becoming the 2nd Hokage gave him the opportunity to put the Uchiha in a more socially disadvantaged position (police force), gradually earning them the villagers' ire, which was the catalyst for their eventual genocide.

This interpretation works if the end goal of your analysis is to say "Tobirama really fucking sucks". I don't think this conclusion is an unreasonable one, since Tobirama's hostility towards the Uchiha is great enough that he can callously tell a 16 year old genocide survivor that if his clan "self-destructed for the sake of the village, so be it". However, to me, the circumstances surrounding the Uchiha Clan are much wider-encompassing and more fascinating than narrowing their fate to a single man in fan meta written to convince you to hate him, so it goes without saying that I don't think "this is all Tobirama's fault" is a very interesting lens to look at this from.

I also don't buy the argument that making the Uchiha cops was (originally) to their detriment. We'll get back to that in a bit. I suppose this depends on how you look at Tobirama's character, but I think that when he said he made the police force as a sign of trust and to give the clan something useful to do in Konoha, he was being genuine. Arguing the opposite requires you to either believe that a law enforcement order could ever be in an oppressed position by default, or that Tobirama created a fundamentally useless new institution because he just hated the Uchiha that much. I think the former is a weird thing to argue if you're trying to be Leftist about all this, and the latter is a very ungenerous interpretation of Tobirama's character in which his own "racism"/pettiness overshadows his more utilitarian instincts to ensure that the village his brother built was safe and functioning. Obviously you could interpret that, but that leads us back to the "everything is Tobirama's fault" take, that I already mentioned I find lame as hell.

So then, how do I think the Uchiha Clan was oppressed? Because I think they indisputably were, or I wouldn't be making this post. Well, I think it was less "The Senju/Tobirama have always wanted to lord over them and wanted them dead", and more: they became gradually more socially disadvantaged during the era of Hidden Villages, with the consecutive world wars creating a souring global opinion on kekkei genkai clans.

(I'm gonna base my arguments primarily on what we see happen in the manga, and I'll add in some information from the fanbooks/databooks that weren't contradicted by what we see happen in Kishimoto's canon)

Let's start with what we know, definitely, that canon tells us:

Kekkei genkai clans are discriminated against to a very high extent, leading to things such as their mass slaughter (eg, the Uchiha Clan obviously, but also kekkei genkai clans like Haku's clan in the Land of Mist), and a vulnerability which puts them in positions where they're likelier to be targeted and kidnapped (eg, Hinata, but also Orochimaru having a whole criminal entreprise built on kidnapping and experimenting on people possessing kekkei genkai).

The trend for their discrimination is in being scapegoated. When Haku talks about the genocides in the Land of Mist (I refuse to call it the Land of Water sorry it sounds so stupid), this is how he describes them:

(chapter 59)

basically, it's not shinobi as a whole who are badly seen even though all sorts of them were likely participating in those wars: it's kekkei genkai clans in particular. Compare this to the Uchiha Clan being blamed for the Nine Tails attack (I mean one of them certainly was responsible, but was entirely unaffiliated with the rest of the clan) and being roped off to the edge of the village as a result.

Kekkei genkai clans are also frequently described by characters as being a bit "wilder" and more violent than usual shinobi. Tobirama calling the Uchiha "cursed", Kushina describing the Uzumaki as being "a bit savage", and Kakashi introducing us to the concept of kekkei genkai initially with these fun visuals:

(chapter 25)

The thing that's interesting about all this is the context in which it exists: the shinobi villages aren't technically "nations", but I think it would be accurate to liken their possessiveness of their secrets and paranoia regarding outside intrusion + conception of themselves as unified cultural entities + incredibly harsh treatment of dissidents (becoming a rogue is essentially a death sentence) to nationalism. There's an intentse "in-group vs out-group" feeling here.

Not to mention that canonically that shinobi have always been tools of imperialism for greater powers. While Hashirama's initial dream was to put an end to that, it eventually became corrupted; there was already discontent regarding land and resource allocations during his tenure as Hokage, and while we have no idea why the 1st War started, we know that by the time we're on the 2nd one, Konoha had become a tool for the Land of Fire's imperialist expansion (and was apparently was expanding its influence as a military village, too).

(chapter 436)

Basically, the "in-group vs out-group" conception that had once solely been clan-centric widened, and became this new concept of shinobi villages.

This is important because nationalistic sentiment inevitably rises during war; as a result, there's be a sharper eye for who'd turn traitor, who wasn't supporting the military effort, who would endanger their nation/village, etc. With this, there would be greater suspicion directed towards kekkei genkai clans, because they're more "genetically predisposed" to being unpredictable, because they would appear more loyal to their own than to the whole of the village, because they were the likeliest to turn traitor, and so on.

This would be a gradual process going on since the 1st War, but I believe that the 2nd War was where this kickstarted into becoming so much worse, because that one saw the destruction of Uzushio. It was a village composed entirely of a single clan, didn't bend to any of the big 5, and the Uzumaki were "savage" and had abilities that were greatly feared. It would be interesting to consider the idea that their associations with Konoha would have done them more harm than good here, too, given that Konoha was the Big Bad in the 2nd War and an alliance with them would not have been viewed positively.

It's thinking about all this in context, where nationalism was at its peak, where there's an idea that genetic chakra abilities impair swathes of people from being regular functioning shinobi like everyone else, is how we can imagine the Uchiha were discriminated against. They had another disadvantage to them as well, given that one of the first deadly attacks committed on Konoha was done by one of them. If we want to go back to the police force argument, it would be interesting to consider the idea that while it had been a good position for them at first, the utility and influence of the institution gradually eroded over time, and by the time the era where the massacre happened came along it became nearly meaningless since most of its original functions had been assigned elsewhere; as the kekkei genkai clan discrimination rose, the Uchiha also fell victim to it and their influence within the village significantly reduced out of fear of them.

The surveillance and the sequestering of the Uchiha Clan came after two important events; the first being the 3rd Great Shinobi War, and the second being the Nine Tails' attack on Konoha which happened barely a year post-armistice. Konoha was barely recovering from global armed conflict when half of it was destroyed in that attack; tensions are high, the Hokage is dead, and so the village saw an incredibly convenient scapegoat in the Uchiha clan.

So... yeah, that's how I see it! I find this a more fun interpretation than just pointing fingers at individual characters, because it allows me to consider the wider worldbuilding of the Naruto world, and also doesn't assume the Uchiha's position was especially unique and the end-be-all of all the problems with Naruto's politics. It's certainly important, but it's part of a greater network of problems too!

[mae-i-scribble]

Since I am entirely too unwell about Ancient Magus Bride at all times of the day I have decided to break down the latest opening because I cannot do so for the friend I am watching season 2 with since she hasn't read the manga. Hands down this latest opening, Nemurasareta Lineage by Junna, is the best in the series to me. And I don't make that claim lightly, the first opening is iconic on so many levels from the visual to the lyrics, we ignore the 2nd opening bc it sucked (sorry to the fans out there I just do my best to pretend this one doesn't exist, no i have not moved on from my bitterness at its reused animation since 2016 next question), and season 2's first opening is also incredible.

However, what this latest opening brings to the table is some of the most spectacular visuals I've seen in a hot minute- and I don't mean from purely visual, I mean thematically, this opening is fucking spectacular. Every single moment has purpose and meaning behind it.

I will be putting the rest under a read more as to not clog anyone's dash bc this is gonna be l o n g

Starting off from the very first shot we already have so much thematic meaning crammed into this.

Firstly, the shot of Elias opening the book has many connotations, alluding to how he has read the Testament of Carnamagos while also alluding to the fact that him reading that book is ultimately what lead to this story happening at all. If Elias had never read it to try and transfer Chise's curse, Chise would not have done what she did and Elias wouldn't have learned how to let Chise be independent, and then Chise never would have gone to the college. In that respect it's a perfect opener for this "play," as it was the prelude to this act.

Then we have the next shot of Elias hanging like a puppet, showing us an empty vessel-like appearance before being pulled upwards. There are a lot of different ways to interpret this, personally it drew me back to how the Wil O' Wisp described a magus as "someone bound to their fate." Elias, a tried and true magus, is bound to his fate like a puppet on a string while Chise, someone who is not yet fully a magus is free to walk around the stage as herself. Elias' removal from the set, and subsequently the way he claps to bring forth the next "acts" in the show, I think speaks to the way he is largely removed from this arc. Of course he is there, watching over Chise and pushing her along as best he can, but he has very much taken more of a spectator role in this arc. He guides his pupil the best he can but lets her make her own choices.

Now, onto Chise's entrance.

With the college/the sorcerer's society as our stage, the protagonist enters. Chise walks in and looks around confused, just as she did when first entering the college and when she first learned of the dark politics lying underneath it. She is the only one not a part of the performance, the one factor that ultimately destroys the narrative the Sargent and the Rickenbacker families were trying to create.

At first, I thought these cardboard figures were a representation of the 7 powerful sorcerer families we are introduced to, but then I realized there were actually 8 figures so that theory is thrown out the window. This is something I'm not actually that confident in so if anyone else has interpretations I am so down to hear it. Obviously the woman in red holding the spider alludes to Lucy. The wolf next to her is most likely then the werewolf mother. The hooded man with the hammer I think can reasonably represent Isaac. While the knight beside him I honestly see as Rian (his sort of knight in shining armor attitude when it comes to Philomela, his very straight-laced straightforward view of things). The nun-like figure with the owl is mostly likely representing Philomela/Lizabeth Sargent. I can see the jester with the snake wrapped around him to be Zoey. For the last two figures though, I am absolutely stumped. The two women with the songbird remind me of Veronica, from the way she was raised up by her family to be a bird in a cage while simultaneously holding Philomela in an even smaller cage. For the family on the far right though I have absolutely nothing. However, I know there is some meaning behidn it, this opening is too packed with symbolism for it not to.

Speaking of symbolism, the sequence that follows is chalked full of it.

Elias ushers in the entrance of Philomela, trapped in her cage. The design of the cage and the flowers around it make it seem extravagant, exactly what Philomela's life might look like to someone not aware of what's really going on. But a cage is still a cage, and this one comes with a guardian owl, keeping watch over Philomela in place of actually showing Lizabeth. The toys lining the bottom are representative of one of the key moments that made Philomela realize just how tight the bars around her were- that she would never have her grandmother's love, no matter what she did.

Then we cut to moments of Philomela's childhood, again deceptively happy with what we know of Veronica and how she treated Philomela. The baby bird hatching from the egg, Philomela when she was still young and innocent and far too fragile. This association of the baby bird with Philomela also comes back later in a heartbreaking way so :')

Then Chise reaches out with the potpourri, and Philomela becomes alive. It's so fitting, in that Chise's kindness to Philomela, the understanding she has to exactly the pain Philomela is going through, is what touches Philomela so deeply, reminds her of the time where her life was not structured in this way. Chise gives her hope that it doesn't have to be, Chise pulls her out of it and gives her a perch to stand on, and it all began with one fateful meeting.

The shot we get of Chise smiling and swaying in the breeze is all too perfect, in showing that this desire for connection is mutual.

Fittingly, we then see Chise reach out to her friends one by one. Lucy and Zoe's each have a bit more meaning behind them, as we're still somewhat in the dark when it comes to Rian and Isaac's histories, but it still examplifies the ways in which Chise tries to help those around her as best she can. It also makes it abundantly clear why Philomela, and subsequently everyone else, are presented as children in this sequence: a direct reference to chapters 86-87 in which they all are mixed up due to Chise's influence and Chise goes around helping them regain themselves. It marks the turning point in which Philomela tries to take a stand against her grandmother and start believing in the people who have come to try and save her.

There is one gaping hole in this in that Zoey is in fact, not present at all in the whole mind melding thing, but I'm taking that as the animators/directors wanting to include him in this sequence as another main player. Plus the shot we get of him is very cheeking in showing a broken shell- in the way Chise figurative helped him break out of his shell and very literally revealed him to be a gorgon/human mix by accident.

In that interpretation it is also crucial to think about why Chise was kept as her teenage self and not also scaled down to baby form as in the original chapter. But overall keeping her as a teenager flows with the story of the opening itself better while still keeping those same allusions and thematics.

The next big shot to talk about is this one right here.

Many have already pointed out how it is an homage to the classical painting "The School in Athens." Which is very fitting for the college setting of this arc. More so than the reference itself, the way in which the characters are placed is so meaningful.

We have Chise in the center of it all as the catalyst of course. But we once more get that repetition of Elias as a bystander, observing the situation while remaining more in the background when it comes to Chise. Parallel to him is Lizabeth, who is similarly an outsider but with none of Elias' good nature, she is an outsider in that she wants to watch this scene burn to the ground (and probably why the choice was to then introduce a werewolf who leaps forwards on the attack, still under Lizabeth's control.)

Ruth and Alcyone are also parallel to one another, highlighted in a shot mirroring the two of them. This is interesting in that Alcyone is far more often paired with Elias when being given a point of comparison. While she is quite literally an artificial familiar, her presence is what sparks the idea that Elias might be something similar to her, and yet here she is paired with Ruth. They do have their similarities in the way they would do anything for the person they live for. A thought that struck me was in this mirroring there is also a contrast, Ruth shares his life with Chise, if he dies she is to die as well. However Alcyone's death was meant to be a way for Philomela to live- it was crucial in ensuring Philomela's freedom from her grandmother.

Also notably, Veronica is given a long, lingering shot. As a child, she is far more innocent looking, but the shot stays just a moment too long, as if trying to confirm the suspicions surrounding her (which manga readers will know are true). We also have Jasmine and Violet prominently featured, a very interesting choice considering how little a role they play in this arc, but I feel that current suspicions about how they will have a large role in the upcoming arc might be supported by their presence here. There actually isn't much to say about the shots with the werewolf and our first glimpse of how the show portrays the Testament as it gains a physical form.

While gorgeous there's just not much to say about them from an analytical standpoint. Besides for the way in which everyone is turned back into their play forms upon being killed, as if that was their original fate before Chise's interference with the story.

We then see Chise look devastated, the carnage of her dead friends behind her on the stage. It truly captures just how terrified she is of losing people she cares for. But then she looks at the thorn rune- plot relevant in the way her rune charms protected her friends from being killed. But it's also Elias' symbol, and yet another reminder of how he is still watching over and protecting her throughout all of this. It's only after she activates the magic that she looks up, determined to carry on and change this fate.

The start of our final action sequence for this opening is a bang, giving us this chaotic shot.

We see both bits of the classical painting and of our original stage figures being tossed around in the background referencing how the Testament literally rips its way through both the college itself and the students/teachers there. It also, notably, is not contained within the story, instead existing on the same plane as Chise. It's a being far too powerful to be contained in such a way, so it makes perfect sense for it not to be confined to the theatrical setting of this opening.

The next flash of shots is perhaps one of the most hearbreaking ones in this entire opening. First we're shown Philomela and her grandmother, then we cut to this:

Y'all the layers to this, the l a y e r s. We've already seen this bird represent Philomela in the opening itself as a hatchling. However the adult form of this bird is exactly the same as what Alcyone's base is, it is the only thing remaining once Alcyone dies. However we see all 3 stages of life here, lying dead on the ground. The Sargent family is a family of abusive cycles. Lizabeth passes down her abuse to her son, having been doomed to this path from the moment she was born. It's Adam who tries to break the cycle but ultimately fails, choosing to end his own life rather than return. This dooms his baby daughter to the same fate, nearly killing her as well. It's Alcyone, the last remaining gift Philomela has from her father and the one way he thought of to keep her safe even if he was gone. It's both about the cycles and about how they are broken and how Philomela will never truly escape the violence of the family she was born into, even after her grandmother is gone. This is then followed by the 1 picture of her parents that Philomela tries so hard to remember but cannot. Anyways I am going to be physically ill, next.

While the last sequence is just a build up to the final fight (cool as fuck but again, not much to say analytically), I do want to point out that when the Testament pulls in all the surrounding settings, it pulls in both the theatrical characters and the actual representations of Chise's friends with them. Which is such a cool little detail my jaw in on the fucking floor.

And after a brilliantly animated scene of Chise running to try and save Philomela from the jaws of this monster, everything abruptly comes to a close. Leaving us unsure of whether or not Philomela was truly saved, as the last set piece to fall away is that gilded cage, the angle making it unclear if Philomela is still inside before our title card appears. The quiet, peaceful shot of the classroom the title lingers over in favor of the chilling set pieces of the opening before it is an excellent place to end, leaving that sense of urgency and notions of the sinister lying in wait at the college.

All of this, and I haven't even touched on the lyrics- which I won't do so here. I am not a qualified translator and frankly this post is long enough as it is. It isn't as if this opening needs anything else to explain how fucking fantastic it is- the visuals themselves are stunning on a level few openings are these days. Not only does it tie into already existing thematics of the show, not only does it go through plot points we have seen and those yet to come in unique and engaging ways, the opening *itself* brings forth its own thematic reading of the college arc and Chise's place in it while telling its own story of events. Truly a masterclass piece of animation all around.

[alligator-with-a-top-hat]

Gonna meditate on Ridley’s importance to the Metroid series, edited from comments I made on a video about him. After some thought, it’s clear to me that every appearance of his after the first ties him strongly to the theme of each individual game. Analysis under the cut, in in-game chronological order.

Zero Mission's whole premise is being a new spin on a familiar story, showing us things we never thought about in the NES game. Zero Mission's cutscenes show him commanding the Pirate Mothership and deliberately tracking Samus down. His robotic double, Mecha Ridley, is the new final boss stopping her escape from Pirate patrols. It's an organized, calculating side to the Pirates never seen before in the 2D games. The game is about insight into the past, and we gain insight through Ridley.

Prime is about respecting our history and the dangers of wasteful exploitation. Ridley is the face of the Pirates on Tallon IV as they discover and abuse Phazon, and his opening salvo in his boss battle is to bomb the Artifact Temple. However, the Phazon hurts the Pirates as much as it hurts their enemies, and the boss battle ends with the statues of the ancient Chozo blowing Ridley away in violent, laser-y retribution. The game is about destructive exploitation, and Ridley shows what happens to those who go too far for power.

Corruption is about the corruption of the body and spirit by violence, as represented by toxic Phazon. At the beginning, Ridley is his crafty old self, hounding Samus on Norion and forcing her into a boss fight he knows she cannot escape on her own when he knocks her into the generator shaft. But at the end of the game, he reappears, corrupted by Phazon, as an animalistic guardian of the leviathan seed on the Pirate Homeworld, little better than a guard dog. It parallels Samus' own journey as she is corrupted by Phazon, put on a leash by the Federation, and forced to kill those like her. The game is about corruption, and Ridley shows the end of those taken by the corruption.

Samus Returns is like Zero Mission in that it is about shedding new light on an old story, but it goes deeper than that. Samus sparing the Metroid hatchling is the single most important decision in the series, so it's no surprise that the remake should have Ridley -- whose most famous moment in the manga was making the opposite decision in regards to Samus -- appear to try and tear them apart. His appearance also foreshadows his role in Super Metroid, and putting aside the change in tone from the original Metroid II, his appearance gives Samus and the baby Metroid a chance to develop their bond in a way that had mostly been told, not shown. The game is about Samus' moment of mercy, and Ridley is there to see if she can really do it.

Super Metroid is about Samus and the baby Metroid's bond. Samus throws her plans away to recapture the baby Metroid, and in the end it sacrifices its life to save her. Lo and behold, Ridley is the one who separates them, and when she kills him, she finds only the broken Metroid capsule, a tantalizing clue that brings her no closer to the baby Metroid. The game is about what matters to Samus, and Ridley is the one who takes it all from her.

Other M is a game about nothing. Samus does not impact the plot in any significant way because other people sideline her and handle the plot for her. Ironically, Ridley still fits this theme -- he appears as a cloned baby to annoy and distract Samus, has a boss battle that makes no sense in context, and finally is eaten by a poorly foreshadowed Queen Metroid and never comes up again. The game is stupid and Ridley is handled stupidly.

Fusion is about identity and the past. Everything is flipped upside down when Samus is infected by an X parasite, loses everything, and discovers that the monster trying to kill her is, essentially, her. The power of the Metroids, her eternal enemy, becomes the key to her success and survival. In an important scene, the Federation, which Samus has trusted since her Zero Mission, is revealed to have recreated the Metroids. Immediately after this upsetting revelation about an entity she has worked for for years, who does she encounter in the Federation's facility? That's right, Ridley, who has even been possessed by an X parasite as if to mock her situation.

It's not all bad, though. Fusion is the game where Samus finishes Ridley for good (seeing as he doesn’t return for Dread), and fittingly enough she finally comes to terms with part of her past when she reconnects with ADAM. It's a game about the past. Ridley is that past, and Samus finally puts him behind her.

Ridley is so special not just because of his cunning nature and terrifying brutality, but also because of how neatly he fits into the puzzle of Samus' life. He’s a relentless phantom that embodies the violence she cannot escape. He represents everything Samus must overcome to finally find that "true peace in space" from the NEStroid end screen.

Thanks guys 👋

[jayoonology]

𝐅𝐢𝐫𝐬𝐭 𝐃𝐚𝐭𝐞 𝐰/ 𝐓𝐮𝐛𝐚𝐭𝐮

𝗮/𝗻 - procrastinated and then gave birth to this. I low-key want to make the Beomgyu part a proper one shot but idk if I should.

𝘄𝗰 - sb (331), yj (324), bg (346), th (314), hk (290)

Choi Soobin | 최수빈

manga shopping date

It took him weeks and I mean weeks to ask you out. He sits behind you in class and Beomgyu swears Soobin spends more time looking at you than he does at the teacher. From all that creepy staring (as Beomgyu likes to call it) Soobin noticed your wallpaper. Is that jujutsu kaisen..? No way! If it was somehow possible Soobin likes you twice as more. After some (bad) hyping up from Beomgyu and an entire night of pondering he finally decides to ask you out.

Low-key he zoned out while he was talking to you because he couldn’t believe he was actually interacting with you. But somehow he didn’t mess up and asked you if you wanted to check out a manga shop with him. And you said yes?!?! Soobin was still zoned out so didn’t actually process it till later but Beomgyu (who was rudely eavesdropping was SHOCKED) 

On the day of the date, however; Soobin was NOT calm. Man was internally freaking out, he must have changed his outfit at least 3 times. When he did make it there he couldn’t help but overthink the entire thing. Are you actually coming? Do you know this is a date? Is he wearing his shirt backwards?

All his fears melted away when he saw you though. The conversations flowed easily and he sort of forgot it was even a date, everything seemed so easy with you. The both of you spent hours at the shop, browsing and recommending each other series. Most of the time both of you were just freaking out that they had every single jjk manga, even the super rare first edition ones. And by the end of the date the both of you had two heavy bags full of books. You two agreed you’ll never have a date again at the manga store as you’re both most definitely broke now.

“Next time we should go to watch the new jjk movie!”

“next time?” MAN WAS OVERJOYED!!!!! 

Choi Yeonjun | 최연준

chill evening at roof top bar

you and Yeonjun both work the same shift and for months now there’s been so much playful tension between the both of you. Enough to make your coworkers think there’s something going on. Now Yeonjun can’t lie, he does like you a little bit (a lot) and he admits you’re gorgeous (the most breathtaking person he’s ever seen) but he also knows that you’re his coworkers and things could become awkward (he’s too much of a pussy) This game of cat and dog had been going on for a while now and frankly, you’ve had enough of waiting for Yeonjun to make the first move. If he isn’t going to do it, you’ll do it yourself. So you super confident go up to him and don’t waste any time on pleasantries.

“Yeonjun there’s a new rooftop bar that opened down the street, do you want to go—”

“Yes.”

Literally the two of you bolt the second your shift was done. This is your first time seeing Yeonjun outside of work, and there was something different about it. The two of you seemed even more unhinged, even more flirty. You didn’t even need alcohol turns out you just needed to leave that grey office. When you were at the bar the two of you ordered almost every drink on the menu and refused to leave before closing getting absolutely wasted. It was fun sitting on a skyscraper looking at the tiny people below you.

As far as first dates go, it must have been the most brilliant one you’ve been on. You and Yeonjun didn’t leave a single topic uncovered discussing popcorn flavours to white sand beaches. And you have to admit, it was kinda cute how Yeonjun got wasted, he looked like a lovesick boy. And then there was when drunk Yeonjun went on a tangent about everything he likes about you. (you made sure to never let him hear the end of that)

Choi Beomgyu | 최범규

vinyl shopping

So Beomgyu ended up getting a vinyl player from Hyuka for his birthday, the only problem is, he doesn’t have any vinyl albums. So now he has two options:

Sell the vinyl player and make some cash.

Ask his pretty roommate to go vinyl shopping with him and blow his entire paycheck.

Logically, Beomgyu chose the latter. He isn’t exactly sure when he started developing a crush on you, he just knows that one day he woke up and no one seemed to matter except you. But there’s a little bit of a problem, how is he going to make the outing seem like a date? As roommates you practically do everything together, this needs to be special. He knows that you like music and him buying your favourite vinyls could be called romantic but with no previous warning, it’s just platonic.

He’s determined to make this seem special, but how? Naturally, he watched a romcom, sure he could have consulted his friends but they’re bitchless anyway: how could they have even helped. He landed on getting you flowers, that’s the most romantic thing a guy can give you right? So the next day as you get ready he quickly runs to the grocery store and back and gets you a bouquet of tulips, awkwardly handing them to you.

“uh what’s this?”

“flowers.”

“but why?”

“cause this is a date.”

“okay cool.”

OKAY COOL? WHAT DOES THAT EVEN MEAN? Does that mean you like him too? Does that mean you’re uncomfortable? You can see the gears turning in Beomgyu’s head and figure you should probably help the poor boy out. You grab his hand, dragging him out of the apartment. Beomgyu’s face was pinker than the tulips he got you.

You two spent the entirety of the afternoon picking out cool records you found at the shop (and emptying Beomgyu’s pockets) buying the most obscure music you could find. Despite the long day, it was rewarding cause the two of you just chilled the rest of the day, playing the music you bought and eating takeout.

Kang Taehyun | 강태현

escape room

You and Taehyun have been project partners for a while now and instead of completing your project, Taehyun has spent more time falling for you. He’d vowed to himself that 2023 was going to be the year he was going to focus on school but here you come knocking his walls down.

Now Taehyun knew for sure he was going to ask you out, it was clear to the both of you that you liked each other, you were just patiently waiting for Taehyun to make the first move. The dilemma is, Taehyun doesn’t know where to take you. Sure he could be a basic bitch and take you out to the movies or a restaurant but you were more important than that. He wanted you to enjoy and remember the first date. He thought of many things like bowling or going to a school game together but they’re so crowded and loud, how will he be able to focus on you?

It was like a eureka moment when it struck him while having a shower. He could take you to an escape room! It’s private and fun, plus teamwork. The two of you were good at that (despite not finishing your project that was set 2 months ago) When he proposes it to you, you were overjoyed. Not only have you been waiting for Taehyun to make a move, but he also made the perfect move.

You work together to decipher the clues and solve the puzzles, using your teamwork and problem-solving skills to make your way through the room. Taehyun's quick wit and intelligence are a valuable asset, and you can feel yourself growing more and more impressed by him with each passing moment (his plan is working !!) now not only did you and Taehyun enjoy working together and talking about your interests, but it was also the most memorable date you’ve been on.

Huening Kai | 정카이

create your own plushie workshop

You’ve been trying to go on a date with Kai for weeks but something or another always comes up. First, you two had a planned a picnic and it turns out it was going to rain, then he gets called to pull an emergency shift, and then your car breaks down. You’ve been wondering if it’s a sign from the universe, the universe is definitely against picnics and you know what it’s fine, who wants to sit on the grass surrounded by weird bugs anyway?

So you decide to come up with something new, something fresh and better. So scour the internet for new events happening in your hometown. Wait, what’s that? A plushie-making workshop? If that isn’t the universe giving you a sign you don’t know what is. Kai loves plushies and wait for it, it’s happening this Saturday when the both of you don’t have work. It’s perfect.

So you call up Kai, telling him to write it down in permanent marker cause there’s no way in hell that this date is going to get cancelled. Luckily the two of you make it there early and basically have the workshop all to yourself. With the help of the instructor, you work on making a plushie together.

Of course, it had all the essentials, plus a little note the two of you wrote, hiding it in the stuffing on the plushie. Your plushie was perfect in every way and the icing on top was that you got to make it with the guy you’ve been crushing on for ages.

[gabichanwrites]

I've seen an opinion about JJK that the story needs so much pointless death and unrealized potential because it is the point. That this is the world of JJK, cruel and killing off potential because of higher-ups indifference and carelessness with sorcerer's lives. That Gege did a brave thing by stepping out of the line of a typical shouen plot and made his characters suffer and die and pointed out the ridiculousness of adults making children fight for them.

And to all of that I say - I get it. But also I don't agree.

There is a significant difference between the potential in-universe and the potential of the characters. Sure, they overlap a lot, especially in series like JJK, but there is a difference. For example, both the characters and us have been thrilled with the unspoken potential of Megumi's "sacred treasure" and I'm pretty sure every single one of us went wild when he made his half-baked domain in S1. Also, he got Sukuna as his hypeman - it's hard to really top that in terms of potential. But when I say character potential, I don't mean only power scaling one - I mean what they could do in a story. And one of the best examples for me are The Twins. You know, the ones that try to bargain with Sukuna to kill off the Fake-Getou. And the quite pointless death of BOTH of them.

Their techniques personally interest me a lot but it's not even about that. Even if there is not that much space to explore with them cursed technique-wise, wouldn't it be so interesting if one of them got to live? Betrayed by every curse she turned for help to, alone in a raging Shibuya - forced to work with the School Gang? With their very differing opinions, with her wildly different perspective... Man, I'm not that good of a writer to figure it out on a fly. But there was potential there, a very interesting one, and wasting it isn't the nail on the coffin for Gege's story - but it does disappoint me, considering how hyped the story was for me beforehand. How much trust I put into Gege's writing.

And with the way things are going with Nanami, Nobara and, from what I've gathered from my partner's ashamed face when I mentioned my suspicions, Todou, this is no longer about power potential the characters had (although with Nobara it kinda still is). It's about how those deaths are hidden behind the smoke screen of theme and well, that's the cruelty of the world that tries to hide the balant shock-value of these deaths. Because back in season 1 Gojo already said it - that he knows killing higher-ups won't really solve anything. That it's about a new generation doing better, forcing a change others reject.

So why isn't this story about that? Why does it kill off THREE (?) characters for the sake of kicking Yuuji into dirt? Why does Mahito even require so many named deaths to establish... What exactly? That he's fucked up and immoral and direct opposite of Yuuji? That he can bring out the worst in him? I THINK I GOT THE POINT AFTER JUNPEI AND NANAMI, REALLY.

So, with the spoilers I have from the manga, I just feel like it's not quite right to call those deaths deserved because of the setting. Not when the story in S1 promised a change, a hopeful future set by the new generation.

And if that were never the main focus of the series, then I don't want to hear a single world about those deaths contributing to it because they are not.

Man, there is no one who wants to love JJK more than me and there is no one more heartbroken that I can't bring myself to do so anymore.

[lostcauses-noregrets]

SnK Final Episode thoughts

A few thoughts about the final episode of SnK now the dust has started to settle.  Although it was the anime that first got me into the series, I’m really a manga first kinda fan, I enjoy the anime, but it’s always been a nice addition for me.  Also, while I was very ambivalent about the ending of the manga and had a LOT of things to say about it at the time, I’ve more or less made my peace with it.  All of which is to say that I went into the final episode without any particular expectations. I was excited to see the series draw to a close, hoped they wouldn’t mess up Levi’s ending, and was curious to see the much touted changes. 

I have to say, I really enjoyed it. The action sequences around the Attack Titan were breathtaking and the rumbling was genuinely horrifying. The pacing was good and it felt a lot shorter than the 90 minute running time. The voice acting was fabulous; Yuki Kaji, Yui Ishikawa, Marina Inoue and Hiroshi Kamiya really knocked it out of the park. 

Jean and Connie were really touching.  I loved the way that they kept harking back to what it meant to be a Scout.  Reiner was fabulous too. I had a lot more sympathy for him by the end of the episode than I’ve had throughout the series.  The expression on his face when Jean said they were all Scouts was really moving. Pieck is my best girl, as always, but I’m afraid I still haven’t warmed to Annie, I guess I never will.  Gabi seemed to be a lot less prominent than I remembered from the manga, but her scenes with Falco and Levi were great.  It’s no secret that I’ve never been fond of Armin, however I thought he came across really well in the episode.  His conversation with Zeke in paths made a lot more sense and was actually really touching,  Kudos to Marina Inoue for her amazing voice acting. 

Levi was perfect in every single frame.  You really got the impression that he was fighting with every last fibre of his being, despite his catastrophic injuries, and of course he never forgot his vow to Erwin.  The moment when he finally killed Zeke was *chef’s kiss*.

Levi’s final salute was absolutely devastating. I completely choked up watching the subbed episode on CR, even though I’d already seen the raw and had been capping the scene all day.  The final image of Erwin and the Wings of Freedom fading into the mist had me in pieces.  The choice of theDOGS as the soundtrack for this scene just added to the pathos as Erwin’s character song, Hope of Mankind, is an arrangement of this track.  

The change to Levi’s ending was very unexpected, but I really liked it.  I’d always wondered how that city at the end of the manga survived unscathed.  It seemed more realistic to see Levi, Onyankopon, Gabi and Falco in the refugee encampment.  It’s also fully in keeping with Levi’s compassionate character for him to be contributing to the reconstruction efforts, and of course it all ties in with what we’ve seen of Bad Boy. (It’s also pretty much exactly how I imagined Levi’s post war life in The Permanence of the Young Men.)  Seeing Levi handing out sweets to children who bear such a close resemblance to Ramzi and Halil was really touching.  I’ve seen some people complaining that the lollipop scene was a jarring note of humour that seemed out of place, but I didn’t see it like that.  I interpreted it as Levi remembering children like Ramzi, and perhaps even recalling the trauma of his own childhood.  I’ve seen some interesting discussion on twitter linking Levi’s reaction to the clown in Marley to the few sketchy panels of Bad Boy and suggesting that rather than being pissed at being mistaken for a child, Levi was triggered by something traumatic that happened in his own childhood. Isayama rarely draws anything unintentionally, so we’ll have to wait and see. 

Having said all that...much as I enjoyed the episode, it didn’t change my opinion of the ending (which you can read here if you’re a real glutton for punishment).  I really appreciated the change to Armin’s dialogue when he confronted Eren in Paths.  The scene in the manga where he thanks Eren for becoming a mass murderer for their sakes still leaves a bad taste, so that change was greatly appreciated. I also liked the fact that Armin said they wouldn’t be the heroes Eren wanted them to be, though in actual fact this is the role they take on. The fact that Armin and the others were so quick to forgive Eren still really sticks in my craw, if anything, it was even more jarring in the anime after seeing how hard they had fought to stop him.  The same goes for Armin telling Mikasa to find a good place for Eren to rest quietly.  I’m sorry, but I’m not sure Eren deserves to rest in peace. 

Eren himself was pathetic in every sense of the word, just as he is in the manga, but I think he explains his fucked up rationale a bit more clearly in the anime.  I have seen some criticism that Eren is a poor villain because he lacks any coherent ideology, other than some vague nonsensical notion of “freedom”, but that’s the whole point. Eren isn’t a tragic villain or an evil genius with a masterplan, he really is just a kid who had too much power and didn’t know what to do with it.  

There’s nothing I can really say about Mikasa, she was as dignified and tragic as she is in the manga.  However I thought the connection between the Founder Ymir and Mikasa was, if anything, even more obscure in the anime.  I can’t help wondering what anime only fans make of it. I’m also not sure I liked the way the anime handled the extra scenes at the end. It was quite clever to include them as the credits rolled, but it did rather lessen their impact. I think I’d have preferred to see them full screen. 

I know there’s been a lot of criticism with the way MAPPA animated the characters, particularly in comparison to JJK, but tbh I have little patience with that.  With the notable exception of Levi, SnK has never been a pretty boy anime so the comparison to JJK seems misplaced.  Although I will always prefer WIT’s style, I think MAPPA did a good job of incorporating some of Isayama’s art style in the animation, particularly the exaggerated facial expressions he sometimes draws. 

And finally on to that scene with Erwin.  The level of outrage at the way Erwin was drawn in the scene where Levi recalls his vow was quite something.  I have several Anons in my inbox claiming that MAPPA have a deliberate anti-Erwin bias, which is nonsense.  Admittedly MAPPA’s Erwin does suffer in comparison with WIT’s season 3 Erwin who was magnificent, however even WIT didn’t manage to draw Erwin consistently.  I think some fans have been quick to forget just how wonky Erwin sometimes looked in earlier seasons of the anime.  Also as I said in this post, it’s important to remember that Levi is in the depths of despair when he remembers Erwin at this point, as he has convinced himself that he has failed him.  Erwin always looks beautiful and serene when Levi remembers him; this is the one exception. The bleak expression on Erwin’s face is a reflection of Levi’s state of mind, not some hidden agenda on MAPPA’s part.  If we’d had soft shoujo Erwin in this scene, it wouldn’t really have conveyed Levi’s despair. The fact that we did get a close-up of the most beautiful soft shoujo Erwin at the end is hopefully enough to appease the critics. 

So thems my thoughts. If you’ve had the patience to read to the end of this ramble, thank you.  However you look at it, it's been a wild ride and I'm very grateful to have been along for the trip. One last word for people who are concerned the fandom will die now the season has ended. Don't worry, it won't. It will change, but change is inevitable in fandoms. However the characters and story that Isayama has created are easily compelling enough to capture fans for years to come.

[wellhalesbells]

Best of 2024 - Q1(ish)

✨✨ I forgot I told myself I was going to start doing this this year. A few people I follow do kind of a 'best of' thing and since I forget everything that happens almost immediately I thought: hey, that's a good idea for you, you should do that. So here I am with it sorta on time-ish \o/ ✨✨

Books

The Warm Hands of Ghosts, Katherine Arden. I tend to go into books with very little to no idea of what they're about (on purpose) so absolutely everything here was a surprise in the very best way. If I could've directed it, I would've directed it in exactly this way!

Voyage of the Damned, Frances White. This was such a lovely surprise?? I'm really enjoying these cross-genre books and this has to be the one that absolutely nailed both the best. It's a fantasy murder mystery and both are very involved - the world-building is excellent and the murder mystery is fun and terrifying in the best way!

Remarkably Bright Creatures, Shelby Van Pelt. I love books that like people, that prize connection, and that want to build community. Basically books that remind me that people are generally good and willing to try and that's this! Plus: octopus!

Empire of the Damned, Jay Kristoff. Empire of the Vampire was one of my favorite reads in 2022 (when I read it) and the sequel definitely lived up to its predecessor. The story is so compelling and the characters are so impossible not to fall in love with. Happily, this did not suffer from middle book syndrome: so much happened and so much moved forward.

Dinner on Monster Island, Tania de Rozario. I took this out at the library on a whim - it was available and it had a cool cover so I was in. I learned so much. I knew next to nothing about Singapore so everything to do with that blew my mind and Tania de Rozario's voice is wonderful, not to mention she connects so much of her life and surroundings to horror movies and that is a touchstone that I have in spades.

I should also special mention Howl's Moving Castle by Diana Wynne Jones, which I adored.... though it did completely ruin the movie for me (which I had also never seen and watched a few days later), haha. Sophie is the catalyst for absolutely every single thing that happens in the book and Howl is useless and dramatic without her and to see her be so very ineffectual in the film (and have things that happened because of her be taken away from her) while Howl was so powerful was like.... wha??? It was beautiful animation but... yeah. And Stardust by Neil Gaiman, which was so enjoyable! It has that irreverent, this-might-as-well happen humor that I love in fantasies.

Comics/Mangas/Manhwas/Etc.

On of Off, Vols. 1-3, by A1. Um. Can I just say that I love when one of the characters in a queer couple is a big huge dude? I don't know, a few years ago a switch got flipped in my head and size difference is now VERY MUCH A THING for me. I don't really want a small dude, I just want a big huge dude and a normal-sized man. (Or a big huge woman and a normal-sized woman - see Cosmoknights, which.... I'm realizing now probably had something to do with the switch and its aforementioned flippiness) Voila! I also like when the big huge dude is like: I'm not really that into it and then falls hardcore in love and has a dramatic: "What in the actual fuck just happened?" moment. This and The Dangerous Convenience Store have that exact dynamic and I cannot stress enough I could read it 100,000 more times and not get tired of it.

Saga, Volume 11, by Brian K. Vaughan. Just bring back Marko. Like, just do it. Every time it teases me with it, I want it more. Bring him back, gimme, I want. I remain in love with this series but, crap, does it just want to rip my heart out every chance it gets.

The Other World's Books Depend on the Bean Counter, Volume 4, Kazuki Irodori. This is my shit. It's a fantasy world that a completely ordinary corporate worker is sucked into and he ends up entirely reorganizing the structure of their accounting department so it a) actually functions and b) is accountable (ha). However, he has no resistance to "magicules" and the best way to acclimate him to all the magic that constantly surrounds him is for him to have sex with a very attractive soldier. Like, that's just brilliant writing is what that is, no notes. I love it, it wins all the things. (It's based on a novel that they only just began releasing in English and the comic is the superior version for me at this moment in time.)

Cherry Magic!, Vols. 9-10, by Yuu Toyota. I cannot believe I'm still so invested despite the fact that the original hook for this manga has disappeared and it's essentially just a very domestic, slice of life story now but it's just so nice to see them both happy and married and together?? So the original plot of this was there's essentially some old wives' tale that if you're a virgin at thirty you get magic powers. Cue Adachi turning thirty and he can suddenly read people's minds when he touches them and finds out through this power that his coworker, Kurosawa, is in love with him. It's a really cute, fun series and I am happy for it to go on forever. (Also, they made an anime out of it this year and it's stupid cute. There is also a live action series that I haven't watched yet.)

Therapy Game Restart, Vols. 1-3, by Meguru Hinohara. So, Minato is pile of endless insecurities in a trenchcoat and Shizuma is his confused but calm partner and it turns out I am really into that? Consistently surprised by how much I am into that but I am, in fact, into that.

Special mention to The Third Ending by Chobom - I really hope this is getting an official printing at some point because I am in love with it and I will buy the fuck out it (the fact that it's behind a digital paywall right now is the only reason this isn't number one). It is so exactly, specifically to my tastes it's ridiculous. So the idea here is Joon confesses his feelings to Yoonseul in high school, when he doesn't know him too well but likes what he sees, and Yoonseul turns him down a little harshly (he was mad at someone else and was a little less careful with his words than he would've been otherwise). Yoonseul starts having bad days on nights when he dreams of that memory and the two meet again and start hanging out so Yoonseul can assuage his conscience. They become really close friends and they end up drunkenly kissing, Yoonseul knows it's a mistake and Joon overhears him talking about it to a friend and how much he regrets it. Joon confesses his feelings again and Yoonseul, again, turns him down because he can't imagine anything physical happening between them. That should be the end of it. Except, very slowly, Yoonseul realizes he is completely in love with Joon and he's fucked this thing up to high heaven. Cue my absolute FAVORITEST dynamic - the chasee becoming the chaser.

TV

Fisk (s1-2), Netflix. This is an Australian comedy about probate lawyers and if you're on the fence about it watch the episode with the Popovitches (season 1, episode 3). I very nearly peed my pants.

Only Murders in the Building (s3), Hulu. Okay, I'm a big fan of musicals and it's not a love I indulge very often so when I do watch them, I tend to get way too into them. (Yes, I bought this album immediately.) I adored this season and I adored Howard - making him a series regular was ingenious.

The Righteous Gemstones (s3), Max. This season was so good. This show in general is so freaking good but I really loved this season. This family is so genuinely fucked up but to get to the last episode and have them rise to the occasion and figure out their brand of love was so satisfying. And I do adore that they tried to copy other functional families they saw before realizing that was just never going to work for them.

Mr. Villain's Day Off (s1), Crunchyroll. Okay, I love this manga and the show is so exactly this manga. Like, I've reblogged a ton of shot for shot comparisons so when I say 'same,' I mean 'same.' The entire idea is this monstrous alien bent on destroying the world enshrines his days off with reverence and diligence - he's just a normal guy, obsessed with pandas, who's only evil at work, thank you very much. It's just so silly and weirdly heart-warming?

Girls5Eva (s3), Netflix. There's something about Renee Elise Goldsberry for me that is magnetic. I love everything about her, I love getting to watch her do comedy, I love hearing her sing, I love her character. Also, the singing? I've mentioned how I am weak for the singing, yes?? (Yes, I have these albums too.)

Minx (Starz) was also really, really good but I wish it hadn't been canceled prematurely! It definitely wasn't finished, y'know, and it was so unfortunate to end it with Doug on the wrong side of things - I want to see the resolution, dammit!

Movies

The Unbearable Weight of Massive Talent (2022). I haven't laughed at a movie like this in a long time. I've watched it twice so far this year; I went home two weeks ago and made my dad watch it with me and tears were streaming down our faces by the end. Pedro Pascal should never not be doing comedy because he was made for it.

Bottoms (2023). This is so exactly my sense of humor? The ridiculousness of this was just *chef's kiss* Also more Ayo Edibiri in everything.

Talk to Me (2022). I had been waiting for this movie to get onto some streaming platform so I could watch it and I think the best compliment I could give it is that I wanted to watch it again the next day. Great horror, great resolution!

John Wick 4. I expected this to feel so long and bloated and yet it didn't at all. I was invested the whole time and I think it helps that I watch action films, like, once every three years so these feel like fun little treats more than anything.

Nate Bargatze: The Tennessee Kid. There's a joke in here that I relate to so hard it's almost embarrassing. Talking about ordering coffee, he goes: "If you could just do whatever you think it is and if it's wrong, I won't even tell you, how about that, I will walk out of here as if that's exactly what I ordered. I will go outside, I will throw it away, and go try again at a different Starbucks." That is exactly how I would handle that and this entire special is filled with that. I giggled so hard.

Also, special mention to Taylor Tomlinson's specials Look at You and Have It All. I love how honest she is on stage and how open she is with her audience. It's rare to have that and I think it feels so special because it is.

See you all again in Q2 (ish, probably, lbr) *salutes*

[animehouse-moe]

Media I Experienced In 2023 That I'm Thankful For

It feels crazy to process that another year's effectively gone by already. A lot of people will always say "this year was worse than the last" in the context of a lot of things, and I'm usually one to disagree with that sentiment. This year though, it's been tough for entertainment in general. But that's not what I'm here to talk about, I wanted to share some of my favorite experiences from this year, and look back on the wonderful and impactful media that I've been able to read or watch!

Witch And The Beast - Kousuke Satake

Yes, this is the third volume's cover, I know. I just really love the color choices and style for it.

Anyways, this was one of those series that I'd always see and never pick up. It took some severe pestering from a friend for me to finally pick it up, and it was totally worth it.

I would say it's definitely far from bad right from the start, but I'd also say that once you reach around volume 3, Satake really catches their stride and provides some beautiful work in the volumes leading up to their hiatus. If you want a world all about magic that prioritizes form over function, it's impossible to not recommend The Witch and The Beast and its wonderful appeal.

A Home Far Away - Teki Yatsuda

Yes, this is a one-shot manga, but the grip that it had on me after I read it was so intense. You know how you can tell when a one-shot wants to go past that single volume but can't? This is like the exact opposite. The pacing, themes, characters, all of it is so well structured for a single volume run that you end up with aimless frustration that it can't continue.

The themes of various types of trauma and the idea of searching for a savior in someone else are just so strong alongside the systemic failure in caring for and helping minors. It's just so so strong and painful in how it represents a slow slip into helplessness as they claw at each other to try and unearth their freedom.

Also, definitely read their serialized manga The Yakuza's Bias! Totally different vibe that is just full of absurdity and humor.

Pandora - Hagiwara Rei

Pandora was a very healing manga to read. Beautiful watercolor artwork is donned by each page in the various short stories appearing in this work. Though each is a different person in a different situation, the themes of survivor's guilt, loss, and the hope to be found at the bottom of despair are very strong to feel. If people are looking for a heavy but positive and emotional read, this is certainly a great choice.

Okinawa - Susumu Higa

I don't think it's a secret to say that anti-imperialist Japan manga is seen as "few and far between" in English. We have a lot of impactful and important works that haven't been translated or are currently out of print, so Okinawa came along at a really great time to help drive the point home alongside other experiences like Godzilla Minus One (which is on this list, of course).

Anyways, stepping away from the general act of the war, or the (typical) experiences of it post-war, Okinawa is an incredible read for displaying the interaction and relationships between the Okinawan people and the two separate armies that occupied their space. It does a wonderful job of not painting anyone as inherently evil, but showing the sinister nature of war and the aftereffects that it leaves on a people. Very very worthwhile read that I can't recommend enough.

Until I Love Myself - Poppy Pesuyama

It's only two volumes, it's a manga essay, and it deals with LGBTQ+ content among other things. This is something that was essentially destined to be criminally underread and underappreciated.

What Pesuyama does in exposing their difficult experiences and personal trauma is beyond valuable to people that find themselves in similar positions. The idea of sexism distilled into every aspect of society through the patriarchy, and how that's reflected on someone that doesn't feel comfortable in their own body is almost impossibly poignant. The frustration, the distance, the fear, it takes an incredibly personal experience and without losing even an ounce of that value is able to translate it into something that almost any reader can grasp. An incredibly powerful piece from an equally brave author, it's also an invaluable resource and experience for many out there.

Skip and Loafer - Misaki Takamatsu

I'm a big P.A. Works fan. I've got a lot of their art books, I watch a lot of their series, I just think they do a lot of good work. I also had my reservations about them doing the Skip and Loafer anime, but it was wonderful.

Simply put, it's a modern classic in the slice of life/high school era genre. The characters feel perfectly childish and immature, the direction of the story and its themes are perfectly on the nose. It just has the perfect balance of everything you could hope for. There's not really much to add past that, really. If you like slice of life or high school stuff, you'll love Skip and Loafer. Incredibly refreshing experience.

Heavenly Delusion

I'm a massive fan of the manga, and I was coping insanely hard when I saw that first trailer. I was praying I was in for greatness and wasn't going to get scammed, and Production I.G brought out arguably their best work in the last decade for it.

Mori Hirotaka and the rest of the staff did an absolutely phenomenal work in transforming Heavenly Delusion into an anime. Massive restructures and thematic changes that feel like sheer art within the context of the series. Ishiguro couldn't have done it better himself, and he made that point known on Twitter. Right up there next to Frieren (and even above it depending on the significance of various criteria) for the greatest anime of 2023, and puts itself in contention for one of the best in the 2020s. Absolutely a must watch.

Undead Girl Murder Farce

Mysteries and series that really encourage you to analyze and break them apart are some of my favorites to experience. Include historical context, a penchant for intense showmanship rooted in Japanese culture, and animation and direction that will knock your socks off, and you've got the Dark Horse of the summer season.

Undead Girl Murder Farce had me absolutely hooked from the very first episode, bringing almost SHAFT-like direction and execution that brings out the absolute most in something so fluid. Lapin Track struck gold with this work. Even though they were struggling a little towards the end, they provided and endlessly satisfying and creative experience that had me on the edge of my seat breaking apart every single little frame for meaning and value. An absolute treat for a mystery fan.

Blue Giant

Like many, I discovered Nut (the studio) through Tanya The Evil. Crazy visual effects and ridiculously competent visuals for such a new studio, I was immediately enthralled with their quality.

Not that Blue Giant as a story isn't incredibly good, but that in this context, Nut brought out every last drop of greatness that could have existed in this movie. I'm really struggling to come up with more to say, but it's just so visually stunning that the experience as a whole just feels like a performance on an incredible level. Simply great, I guess I'm forced to say.

The Boy and The Heron

It's Ghibli, it's Miyazaki, need I say more really?

I don't, but I will. I went and saw it twice in theaters so that I could experience both dub and sub for it. Something that people should be 100% experiencing in theaters, and absolutely should be watching multiple times. Miyazaki doesn't tell just one or two stories with this movie, it's so many experiences in his life rolled into one. A love letter to the man behind one of anime's most beloved studios, but also one that leaves lingering feelings of sorrow for some of what Miyazaki instills in it. So yeah, watch it to your heart's content.

Godzilla Minus One

Last, but certainly not least, Godzilla Minus One. I loved it, I knew I'd love it from the moment I laid eyes on the trailer. The idea of Godzilla being presented in North American theaters, to North American viewers, as a direct and destructive of the atomic bomb and its effects on the Japanese population just set something off in me.

North America's view of Godzilla as some sort of anti-hero over the years has weakened the original sentiment that barely existed here in the first place. Minus One sets the record straight in devastating fashion, and adds to the theme in spades. I'd love to explain but I want as many people as possible to experience this without any spoilers, so I'll leave it at being one of the best Godzilla movies bar none.

And that's the list for this year. I think overall it was a "weaker" year, but I'd be more comfortable with calling it a radicalized year. The bad stuff got worse, but the good stuff got better. The best experience of the year were incredibly good because of that, but it overall felt like slimmer pickings than the prior year.

Not that this list couldn't have added any number of entries like Scott Pilgrim, Frieren, Kamonohashi Ron, Bleach TYBW, Gwitch, and so on and so forth. More so that I wanted to keep this list a little more contained. The idea of importance or appreciation begins to lose its value when everything is important or overly appreciated.

Anyways, that's all the past, this post is in the present, and I've got my eyes set on the future with things like the Hokkyoku Department Store movie, Dandadan from Science Saru, Delicious In Dungeon, and plenty, plenty more in 2024!

So with all that said: happy holidays and I hope people have been enjoying having time off and getting to spend some with their families and friends!

[beanghostprincess]

Why is shanks/buggy so underrated in this side of fandom? It’s much more loved in Japanese one, one of the most popular for shanks. I feel like this one prefers other mlm options for him and I don’t get it. It got better after OPLA I think but still. Sorry for my English!

Oh! This is actually such an interesting question. I was talking about this the other day and I came to a conclusion with my friend about this. Basically, there are a lot of things to take into consideration here. The screentime, the age of the characters, the chemistry, how they're perceived by the fandom and canonically, etc etc etc.

The first thing I thought about was the screentime, honestly. Shanks and Buggy grew up together and they have a deep bond, however, we've only seen that through flashbacks (one in quite literally episode 8 of the anime, another one in Wano that isn't even about them and they're just side characters in this flashback, and in chapter 1082 of the manga. But it's not even a proper flashback because we already saw that when Shanks talks to Whitebeard about Buggy, it's just Buggy's interpretation of it) and we only have like one scene of them together that isn't even two minutes long. So, quite obviously you'd think "well, the ship isn't as popular as other ships because they barely have any screentime" and I think it's correct but also not quite. And also, this would also have to apply to the Japanese fandom at the end of the day. Fandoms don't give a single fuck about screen time if the chemistry is right, really, but there's always this factor, y'know. Lawlu has less screentime than Zolu and yet it's more popular somehow because people absolutely love their dynamic. Then, if you stop to think about it, both Satosugu (Jjk) and Soukoku (Bsd) have the same dynamic and concept as Shuggy, but they're by far the most popular ships in their fandoms. They're basically the same ships but Jjk and Bsd give them proper development and story because they're shorter series. One Piece is a long show and we still have many things to see, even if we know it's gonna end soon, so I guess that we'll still have to wait to see more of Shuggy. Once we do, I'm sure it'll become more popular. Also, Shanks' personality is very diverse because he's all mysterious and all, so I kind of understand why people don't want to make content because they still don't have him figured out.

But then again, screen time isn't really the problem. It's just one of the factors. If they had more screen time, they'd be more popular for sure, yes, but it's not exactly what makes them less popular in this side of the fandom. Otherwise, it'd be equally as popular on the other sides too. The Japanese side of fandoms is different from this one and tbh they often don't take into consideration things like cancel culture and proship discourse or the standard beauty regarding age because they just post whatever they want and scroll past what they don't like (god I fucking wish we were like that because I am so done with these things). Besides, isn't Buggy like a very beloved character over there, aside from Oda's favorite? At least from what I've seen, they take his character way more seriously than this side of the fandom does, honestly. And it bothers me because he's such a complex and great character, and people never see it because they use him either for memes or to keep saying "omggg turns out the clown is hot!! Can you believe I want to fuck a clow-" yes, Samantha, we know you want to fuck the clown. It's not weird. It's not new. Do you even like the character, at least, or you're just using him to say how kinky and quirky you are? (And I don't even care about the sexualization of characters because, again, fictional characters are fictional characters and you don't have to take everything so seriously. I have tons of characters I don't like that much but only stan because I find them hot and that's alright. But damn, it bothers me sometimes).

Anyway, with this, I wanna say that there are other things to have in mind when talking about this.

Recently (I know it's not exactly new but in fandom years? Recently) there has been a huge thing surrounding the term "old men yaoi". People are so down bad for middle-aged men and they see two of them together and they instantly go "omg they're soo married" but that's- That's it? That's just it. They don't even ship them, they just find the concept of older men hot because "omg he's such a dilf" and they want to fuck both of them. But they never end up doing anything with it. They try to be so groundbreaking like "ohh I am SO woke by shipping these two old men! See? Breaking stereotypes!" because both irl and online, age has always been a very stigmatized thing. Apparently you can't be in a fandom if you're older than 25 because then you're weird, and if there's an actress older than 50 she's instantly useless for the industry.

What I want to say with this is that most people in the fandom are young. They're young and they like attractive, young, hot people and they don't want old, unconventionally attractive men. They don't want them unless it's to give a "hot take" and to be super progressive and woke. Do you know what they like? They like Dilfs. They like Shanks because he's conventionally attractive and good with kids and he's the standard for a Dilf. Because he's hot and mysterious but also silly and quirky and "he's almost forty that is so hot something something daddy kink". And they don't want to see him fucking someone his age because God forbid this man has a personality outside being a Dilf. Younger people in the fandom constantly read y/n fics regarding Shanks because they want him to fuck them and not Buggy. And they can't project in these old men, so they publicly say "oh, Shanks and Buggy are so married" because it's just a fact the fandom made clear, but they don't really like the content. Because liking Buggy sexually, apparently, is just so weird. Or as a character. Nobody wants to say their favorite character is the failguy clown. It's a hot take when you say that Buggy is hot because people keep being all weird about it when... Uh... He's- He's just a clown. Guys. It's not weird. Or bad. Who raised you to think that? God, I find Monet extremely hot and she's half-bird. Could we please normalize these things? They're fictional characters. And also, stop reducing Buggy to his jokes or the fact that he's a clown because his character is GREAT and complex and it just bothers me so much.

This makes me think about this whole "background couple" thing. Which are basically couples that are canon or that are so popular and obvious that people, instead of making content for them (because why would you make content for a canon couple?) just place them in the background instead. There are so many fanfics in which Shuggy is a background couple. Or studies in which, instead of analyzing them, they're used only for parallelisms. This happens with, idk, Saboala? Frobin? Yamace? People don't like couples that everybody agrees on. They don't like m/f ships because they can't be woke!!!!! And queer!!!! (when they easily could but whatever). They don't like ships that everybody likes because!!!!!! They're canon already and why would you write about them???? And so, Shuggy stays a bit more as a side couple instead. For being old and unconventionally unattractive and not having much screentime, but being extremely popular. Not in a "content" way, but in a "knowledge" way. Even the general audience thinks their bond is crucial to the story, c'mon.

One of the differences that this side of the fandom has with the Japanese one, as I mentioned before, is the cancel culture and proship discourse thing. They just don't have that concept. And that's perfect, honestly, I wish we could just scroll past what we don't like too and live peacefully because the discourse is getting tiring. And also you have to admit that, because of the anti propaganda going around, now fandoms have turned into the most puritan thing in the world. Beware! Sex! Age difference between fictional characters that have a consensual and healthy and mature relationship! Oh! God forbid teenagers have sex with people their age! Ohmygodjustshutup. And so, Shuggy isn't a problematic ship. Not even close. But inside the OP world, people do say they are brothers. They keep talking about each other like that, too. And I don't even think it's the typical "we say they're like brothers so you don't think they're gay because they're both guys and guys can't kiss" (I am having flashbacks from the IT fandom). They do have the same parents. Like- We all agree Shanks and Buggy were both raised by Roger and Rayleigh and they consider them, if not their dads, parental figures at least. Right? And you're aware that doesn't make it incest, right? Both things can coexist. Foster families are a thing. Lots of people who grew up together and consider the same people their parental figures end up dating because they don't see each other as siblings. Well, most people don't see it this way and hear the word "brother" and run from it like it's a fucking virus. The Japanese side of the fandom doesn't give a fuck because they're fictional and because they're y'know, not brothers? And even if they were, cancel culture and proship discourse is so fucking stupid to them because they follow the "don't like don't look" thing. But on this side of the fandom, a lot of people see them as brothers and the other half sees them as a divorced couple and apparently nobody knows how to fucking read this manga and have a proper fandom experience without jumping to each other's throats at the minimum disagreement.

So, to summarize: People on this side of the fandom don't like Shuggy THAT much and it isn't such a popular ship in comparison to the Japanese side, because young people don't like older men together, they don't focus on unconventionally attractive characters, are afraid of any little possibility of cancelation, and also, well, Shuggy doesn't have much screentime anyway so there's not much we can do with that.

[skye-huntress]

I’m in Love with the Villainess Reaction

Episode 9

Before we get started, I wanted to say something first. I’ve been curious for a while what the reaction to Lene’s secret would be and I’ve made an interesting observation. Most of the comments condemning her and her relationship sounded way too similar to the comments I’d seen condemning homosexuality. As for me, upon some self-reflection, I decided that if I had someone like Lene in my life, it’d be far worse thinking they couldn’t come to me for help because they felt I would judge them.

Can’t forget that even with only a High attribute, Claire has her own OP attack spell.

Yes, Rae has absolute faith in Claire’s capabilities.

Noo, Prince Thane’s hair! You monster! What’s that? He’s bleeding? Poison? Eh, I’m sure he’ll walk it off.

That’s still pretty impressive to use knowledge from a game to counteract a real poison.

Nur Empire crumbs. It’ll probably be a few years more before the manga gets there.

The Commoner Movement might have lost its steam with the reveal of the conspiracy, but that doesn’t mean any of the underlying issues are resolved. What happened with Dede’s sentence is still an excellent example of certain nobles’ sense of privilege and superiority over commoners.

So, here’s the thing a lot of people didn’t understand about the potential motivations and consequences of Lambert and Lene’s actions. They were committing an act of treason against the crown, who generally take extreme measures to punish such things. Right or wrong, the entire family will be judged and punished for their crimes, regardless of their awareness or involvement. That’s why simply threatening a single family member isn’t a strong enough motivation on its own to betray the crown. Family is important, but who would doom the entire family for a single member?

I love it when they’re on their same wavelength, plotting together. We don’t get too much of that this early in the series.

We heard you loud and clear, Claire, you find Rae very attractive in formal wear.

Fun fact, Rae prefers wearing pants over skirts and dresses. Even Claire has a hard time trying to get Rae into a dress.

Look at those knights in full armour. And now I’m thinking about a certain fight scene later in the books. Those who’ve read them know what I’m talking about.

All hail, King Vegeta!

You gotta admit, even though it was obvious what they were going to ask, at least for the audience, it’s still a ballsy move. Like I said, treason is punished so harshly, even those whose only “crime” is being related to the actual criminals are executed.

Ah, Salas, the Prime Minister. Another character who I should avoid talking about.

Wow, look at Thane, the least favoured for the throne, sounding very much like a king right now.

Oh, these two are couple goals.

You know, we never learned what happened to the rest of the Aurousseau’s, just what Lene and Lambert got up to on their own.

Don’t think I didn’t notice what you slipped in in that flashback montage.

Quite the optimistic and hopeful parting. It’s not like Lene can visit, unless something extreme happened in the Bauer Kingdom, like a revolution or some- oh wait…

She’s almost here. And wow, they just revealed it in the promo that she was Claire’s first love (the charming “prince” little Claire mentioned in that flashback). Sure, she thought she was a boy, but Thane also had some pretty feminine features, enough to pull off a maid outfit. And who can forgot how Claire was convinced to go along with that cafe idea. Just saying, there’s a pattern here and it’s saying quite clearly that there ain’t no way this girl is straight.