#I have no reason for them to be a villain so they'll probably be a vigilante if I do that.

[vampthropologist]

What if I make a self insert for Btas?

[maximumzombiecreator]

I've seen a lot of posts recently where people say they can't find players to play non-5e TTRPGs with. As someone who moves countries every few years, I've had to rebuild my roster of local TTRPG players from scratch a number of times. Here's how I do it.

Caveats first: while I've done this in small cities, I have always done it in cities. If you're in, like, a rural environment, you might just not have enough interested people around. You can always do it online in that case. I'm not really going to cover finding players online, except to say you should probably look for communities for the specific system you want to play. Most of them are enthusiastically looking for new participants. Especially game masters.

Okay, first things first, you gotta find people. I generally find I get better results if the search is location first. That is, rather than using city-wide or regional Looking For Group type internet groups, I look for physical locations that host gaming groups. Local game stores, public libraries, gaming cafes/bars, etc.

Being location first helps avoid some common bad behaviours. Online LFG groups often have a few shitty people hanging around who can't find long term groups because they're shitty. They'll jump at the opportunity to join new groups where people don't know them, because everyone else knows better than to game with them. But location-based groups are better at filtering this. Someone who harasses people at an LGS can be banned from the store, but decentralized online groups struggle to handle these situations in my personal experience.

Being location first also solves the next problem, which is giving you a location to play. Eventually, when I have a long term group, I'll host games in my home. But there needs to be a level of trust before that feels safe, and we're looking for randoms, so for now we need a public gaming venue. If, for whatever reason, there aren't dedicated gaming spaces where you can do this, I've had the most success gaming in cafes or restaurants during off peak hours. I've run a bunch of games in restaurants from, like, 2pm-5pm on a Saturday, and as long as you're buying drinks and some snacks or something, and being polite and non-disruptive, it's typically not too hard to get permission.

Now, if that local group has enough interest in a non-5e system that I'm interested in running, I'll happily do that, and it's pretty free from there. Most people who are willing to play one other system will gladly try others if they find they like playing with you. But even in big cities, I feel it's pretty often the case that postings for local games of other systems don't wind up actually finding successful groups.

So, here is the bit where, unfortunately, finding people to play non-5e games with involves playing some 5e. Community groups are always looking for more GMs to run games, so I will set out to run a number of short 5e adventures, each with different groups. These are typically oneshots that I have the option of extending for another 1 or 2 sessions.

I always run adventures that I've written myself for these, because I want my particular GMing style to really come through. Looking for players is a two way street. I'm looking for people I like GMing for, but I'm also looking to make sure they know what they're getting. Especially if I'm going to ask them to play a system they've never tried, they should know that there's going to be something they enjoy. So, these short adventures are full of the types of silly but sincere NPCs I tend to run, the open-ended scenarios I prefer, the tropes I favour, etc. If someone isn't going to enjoy playing with me, I want them to know it from this adventure.

I structure the adventures to give me a lot of flexibility in terms of how long they run. They're nearly always mysteries, but with some active component to the mystery, so that if things drag or dawdle I can have the villain show up and force a final confrontation. They're also structured to have a natural "next thing." You find and defeat the villain, but there's an implied next villain you'll be going after. That way, if the group is working well and I want to continue, it's easy to present the option to the group. But if I'm not interested in continuing with the group, the next thing can just serve as an "and the adventures continue" implied epilogue, and the game still feels complete.

I don't like players just bringing their own character sheet to the table. Someone who brings a disruptive character can ruin a session without me getting much useful information out of it, other than that I don't want to play with that person. And if it ruins the experience for the other players, I'm often out the opportunity to game with those people, through neither of our faults. I've experimented with both asking players to submit their characters in advance or making them choose between a collection of premade characters. The former is a good check for whether people will put in a basic amount of effort and follow instructions, but it can dissuade people who are just looking to dip their toes into playing for the first time. The latter can turn off players who are into crunchy games and are excited about character building. As a result, I'll usually choose the approach based on what non-5e system I'm currently most excited about running. Do I want to get together a group for a rules-light game? Premade characters it is. Looking to run some PF2e? Please submit your character sheet in advance. Some locations also do more drop-in based games, in which case it's premades all day.

As I'm running the game, I'm observing the players. There's a simple vibe check, obviously. Do I like playing with this person? But I'm also looking at how they play. What are they here for, what's exciting them? Are they struggling with finding optimal turns in combat, or do they like mastering a system? Are they curious about the world, or do they glaze over when the spotlight isn't on them? Do they light up in dialogue scenes? Do they want to try crazy things outside of their on-sheet abilities? Remember, later, I'm going to try to persuade this person to try to play a game they've never played before. I need to know what specifically is going to excite them.

I have (always with permission) recorded sessions before to go over in making these choices, but honestly even just a few small reminder notes will help me unravel things later. If a session goes well, I'll ask at the end for people to give me their contact information if they'd be interested in playing again. Non-committal, at their comfort, and it doesn't single out people that I don't want to play with. I can always just not call them. Usually I find I'm interested in playing again with a little more than half of the players I meet this way. In my experience, it's fairly rare for a player to say they're not interested in playing again, TTRPGs rule and there's a DM shortage.

What I usually do is keep running these until I have enough people in mind to run something else, even if it isn't the system I'm most excited about. Probably it would be better to spend more time in this starter phase building up more connections, but after running like 4-5 5e adventures, I'm usually more than ready to run anything else, and if I have to shelve my Lancer ideas because I've mostly found crunch-averse players, I'm usually fine with that.

So, next comes the invites. Now, most players I meet this way will eventually be open to playing most games, but listen: you can put people well out of their comfort zone for their third TTRPG, but you gotta be real careful with their second. Most of the time, the game I'm inviting people to will be their first real exposure to a non-5e TTRPG. If they don't like it, they will run back to the safety of 5e and you will never get them out of it again. So I am very careful in picking the right system for the players I am inviting.

Whatever the new system I want to run is, I will set up a pilot session for it. I am very clear to players that I will teach them the system at the session, they do not need to know it in advance. Eventually, when I have a reliable group of TTRPG people to play with, I'll expect them to be able to pick up systems without a ton of help, but for players that are only used to the complexity of 5e, the idea of learning a new system is daunting. I rehearse the teaching of the game session. It's the only thing for TTRPGs I ever rehearse, but I want to know down pat how I'm going to quickly teach a new system and make it feel approachable and non-threatening. I'm also very clear that this will be a single session, with the possibility of turning into a campaign if we like it. All of this is structured to feel very safe. No initial learning required, no long term commitment, with a GM you already know you like.

But even as safe as that is, you still have to pitch the system. Why should the player be excited about playing this new game? Don't go all TTRPG nerd on them and explain all the details of the system, or use a bunch of jargon. Give them one or two things to be excited about with short, detailed anecdotes to back them up.

"We're going to be playing Blades in the Dark. It's a game where you play a gang of criminals in a haunted, steampunk dystopia. Every session you'll do heists, but instead of meticulously planning them, you start right in the action, and when you need to have planned for something, you can do a flashback scene to explain your preparation. One group I ran this for got busted by guards during an early heist, but used a flashback to create a scene where they had gotten a buddy of theirs a job as one of the guards, and he helped them out of the situation. And for some reason they fell in love with this bumbling goof I improvised to be the buddy, and then on a bunch of future jobs they kept using flashbacks to get him jobs wherever they were robbing. So this one idiot was just a de-facto crew member who worked a dozen different inside jobs despite being about as sharp as an eraser. And eventually they fucked up and got him killed, but they brought him back as a ghost, because you can do that in Blades in the Dark."

I find using a specific example of play really helps get peoples' imaginations going, which is what is going to help them say yes. And that example is tailored to what I know that player vibes with, what it is I think that makes them a good fit for this game.

The last detail about the invites is that I'm telling them, not asking them. It is not, "Hey, are you interested in playing this new game?" It's "I'm going to be running this new game. If you're interested in playing, please let me know what times work for you." If you're asking, you're going to get some "well but can it be 5e?" If you're telling, then they can choose to learn a new game in order to keep playing TTRPGs with a GM they know they like, or they can choose not to play at all.

Once you get enough yesses for a game, you run it, and then from there you're on your own. I think those are basically just friends you have at that point, and I'm not gonna tell you how to have friends.

Hopefully at least one person finds all that useful!

[pendarling]

Bracelet Exchanges

"What's this supposed to mean?" Hero raised the bracelet to eye level and took in the smooth braided leather attached to a small bell.

Sidekick smiled sweetly, "Aww, who gave it to you?~" Their thumb ran along it. "It's a tradition during the festival that when someone likes you they'll give you a bracelet." They played with the bell. "And listen to that sound!"

They didn't get it, probably because this was Hero's first time attending the festival. They've never heard of a tradition like this, but whatever Sidekick said was likely true. In that case, Hero felt flattered to have been approached by a stranger and given the beautifully decorated piece.

The duo walked around for some time until Sidekick paused in their step. "Augh… maybe I shouldn't have drank so much at the cafe…"

Hero looked around and spotted a bathroom, "I'll wait for you out here. Why don't you use the restroom?"

"Ugh… my bladder is about to burst. Make sure not to get lost without me." They called back as they walked toward the door of the small building.

Hero watched them as they left, their eyes concentrating on the door until they could see Sidekick again. Hopefully, they didn't take too long. Sidekick had a habit of staring into the mirror for longer than needed.

A heavy weight landed on Hero's shoulder, and they snapped out of their thoughts, "You look lost." A familiar smile appeared, and Hero took a step back.

"Villain?"

"The one and only." They pointed at themselves confidently.

"Wh-what're you doing here?"

As if offended, Villain scoffed at them and dismissed their question, that cunning smile making its reappearance again, "Y'know, I had a feeling you'd be here, some stupid arrangement like this could easily lure the good little citizen in you right out."

Hero frowned at their comment; they made it seem like they were a lot more susceptible than expected. "I'm not easy to lure…" They grumbled, annoyed.

Villain aimlessly let their eyes explore their surroundings. "Really? Because right now there's hardly anyone around to notice you're dissaaperance."

Hero clicked their tongue, "This place is full of people."

"It's a lot more psychological, Hero. I'm more likely to get away with a crime solely based on the assumption that no one will step in to help you."

Hero looked at them, puzzled.

"The bystander effect. Search it up."

Their adversary had a bizarre way of making jokes; they sarcastically laughed and turned away. Just how long was Sidekick going to fix their hair? The door poured out dozens of other guests; children buzzed around with balloons and colourful hula hoops too big for most of them to utilize.

It was a summer afternoon and, by the looks of it, midday. Hero wiped the sweat from their forehead. They couldn't blame Sidekick for taking that many drinks, they supposed; it was sweltering out here.

The bracelet on their wrist chimed at the motions of their hand. Villain, who had been quietly observing them, took note of the small leather band. Their hand instinctively grabbed Hero's arm. "And what do we have here?" Hero turned their attention back at Villain. Their interest was piqued all over again, "Looks like our hero has an admirer now, hm?" They sneered.

Even though Villain's remarks were usually playful, this moment felt a bit… guarded. Hero was slightly put off before recovering their voice, "What? It's just a dumb thing." They pulled their hand away.

It didn't look like Villain took too kindly to being disregarded; their demeanour changed, and they crossed their arms. "Fine. Keep that shitty toy if it makes you happy."

Hero only shrugged but didn't notice Villain had already walked away until it was too late.

Sidekick had returned by then and looked the same as when they left. For whatever reason, keeping Sidekick busy for ten minutes had done Hero a favour.

"You're back."

Sidekick seemed much refreshed as they adjusted their clothes, "Yeah, there was a lineup in there. I'm just lucky there was still toilet paper."

The sun still beat down on them; Hero squinted in the distance, partially looking for shade and partly searching for Villain. They didn't like their abrupt departure; it wasn't like their usual self to leave without saying goodbye.

"Wanna get lunch?" Hero began walking toward the scent of food.

"Yesss, please." Sidekick patted their stomach, "I'm starving." They came up along the fence of the festival, a row of food stalls of all kinds stretched down the walkway.

The formation that they were sorted into allowed guests to be served from both sides of each food stall. Luckily, the city thought ahead and duplicated certain popular foods like the deep-fried corndogs, fries, and ice cream stalls several times around the area.

"Oooh… I'm thinking pizza." Sidekick said they waited for Hero's response.

The pizzas sold here were always larger than average, and Hero didn't have as big of an appetite as Sidekick. They glanced around for a second option. "I think I'll just get a poutine."

Sidekick pulled out their wallet and gave them ten. "They sell the good orange juice there, Hero pleeease get me one." They pushed the cash into their hand. "Keep the change."

"Ah, no, I'm not taking your money." They handed it back to them.

Sidekick shoved it in their direction again, "Just take it, just take it."

"No, I can't-- I can pay for your drink."

"I don't need it, it's extra change; pocket money."

Hero shook their head rapidly, but Sidekick eventually won and spun on their heel into the crowd as soon as they ensured Hero's grip on the note was firm.

"Sidekick!" their voice was chased away by the noise of the crowd. They might as well go along with what they were asked.

When Hero eventually made it to the stall, they spotted Villain again, as if they were in no way a threat to the other citizens. Their eyes met, and Hero had discreetly pushed their bracelet up their arm and out of view.

Villain beckoned them over. They were unsure if they should bravely face them, but now that Villain knew for sure Hero had seen them, it wasn't like they could leave.

"Waiting to eat too?"

"Just felt a little hungry." Hero mumbled.

They chuckled, "We have the same eating schedule, huh?" They grabbed their arm and pulled Hero into line with them.

"Villain, I can't step in front of other people." They hesitantly tried leaving, but Villain kept them close.

"Don't worry about it, these people will get their turn eventually. What's a few extra minutes gonna do?"

They didn't want to say they were surprised at all when Villain paid for their lunch and even for Sidekick's drink, but they were undoubtedly flattered to have it happen. They set it down on a nearby table and packed in the bottled orange juice and bill into their bag.

Hero shyly thanked them, although they knew Villain's eyes still stared harshly at the little leather bracelet. They honestly had forgotten about its significance, but Villain had made their point pretty clear earlier, so it should've been a sign.

"No need to thank me, consider it a gift." They reached out, and Hero flinched, "I'm not going to kill you, Hero." They laughed and took their other hand, slipping on a small chain bracelet.

They stood awkwardly, too intimidated to leave but unwilling to stay. "What's this?"

"You don't know anything about this tradition?" Villain grinned widely; a sort of satisfied realization must've hit them. They weren't sure what the deal was with every other person expecting Hero to know so much from what little information they'd been given.

"Why are you asking me like I'm supposed to be taking an exam afterwards?" They closed their bag and swung it back over their shoulders. Villain couldn't believe it. Hero wasn't even aware of the implications behind the bracelet. They didn't mind a little obliviousness from their rival as long it kept them entertained.

They licked their lips excitedly, "Enjoy your lunch, and don't take that off until the end of the day." Hero curiously stared at them for further insight, but Villain had only left them to their own devices as they made their way out of view.

As Hero returned to the pizza parlour, they found Sidekick sitting at a table under the shade of a tree. "Oh, thank God," Sidekick took the bottle from them and immediately rested their cheek against the calm exterior. "You're my saving grace, Hero." They reached an arm out to them, "I wanna tell you a secret." They leaned in as Hero pulled out their poutine and a wooden fork. "I honestly only came to this festival for the food and drinks."

Hero laughed, "You're so predictable." They took a bite and recalled the cash still in their bag, "Sidekick," They pulled it out and handed it to them.

"What? You're paying me back?'

They shook their head and swallowed whatever was left, "No, I--" they stopped themselves, "uh-- a kind stranger, paid for our stuff." If Sidekick knew they ran into Villain, they would worry. They couldn't have that while they were enjoying time together; it would ruin their day. Besides, Hero was always away at work; they might as well not make their break day about it.

Sidekick didn't mind much attention to what they said aside from slowly nodding as they drank from the bottle. They set it down and watched Hero for a few extra seconds, "You got a new bracelet."

They pointed at their wrist. Hero redirected their eyes to the silver chain. "Oh, yeah."

"Wow~ even as a citizen you're still popular with the public."

Hero smiled softly; if, in this scenario, Villain had counted as a regular person, then it would be true. "I wonder why it's different though." They played with it.

Sidekick pulled out their phone, "Give me a second. I wanna know too."

"Not even the all-knowing Sidekick has an answer?" Hero nudged them slightly with their foot, and Sidekick pushed them back in response.

"Shut up. I know that the leather one means they like you. Or loyalty, or something."

Sidekick looked up from the screen. "Okay sooo…" They scrolled, "There's a wooden bracelet that means desire to marry, a black one with a red stone is lust."

Hero scooted closer to Sidekick and tried to decipher what they could from the screen. "Where's the chain?"

Sidekick sat up, "Hold on. I can't see with your hair in the way." They watched Sidekick's eyes dart left and right as they read the page, "Okay, so the chain one basically means all three."

"All three?"

"Who the hell gave you that?" They took Hero's wrist, disbelief written on their face as they studied it. "Geez, they must have it bad for you. There's only like a hundred of these in the city."

Their eyes widened. "They aren't sold?"

Sidekick shook their head, "Tradition says you gotta give it away to another person. When you do find someone you like you gotta hand it to somebody new so they can give it to their love interest next, never sell."

Hero blushed deeply. They didn't consider that Villain might've liked them like that. Maybe they were naturally born stupid at blatant advances. "Oh…" they played with their hair, their other hand working at the fries around the gravy, too swept up in their thoughts to properly eat. Maybe they'd see Villain again, and next year, they'd give them a chain bracelet, too. It was only fair that they expressed their gratitude in some form.

~~~ MASTERLIST

[wishful-thinking64]

One Hell of an Unpopular Opinion #03

Characters like Barbie Wire, Chaz, Crimson, Octavia, and Stella only exist as plot devices to garner sympathy for other characters. _______ I knew fully well that Chaz and Crimson were going to merely be plot devices for Moxxie the more I watched Exes & Oohs. And sure enough, Chaz was killed at the end of that very episode and Crimson is yet another wacky cartoon villain that the narrative expects for you to take seriously. Both of these characters existed so that the audience could gain sympathy (or at least pity) for Moxxie being raised in a Mafia family and having been abused as a child along with being betrayed by his ex-boyfriend (who also happened to be Millie's ex-boyfriend for some reason.) Other than Moxxie's Mafia family upbringing making zero sense the more you think about it, Viv has basically done this exact backstory before in the form of Angel Dust (with the whole mobster backstory who was also abused by his father.) However, the Exes & Oohs episode and title actually stems from one of the HH mockup episodes that was originally about Charlie and Vaggie coming across Charlie's ex, Seviathan (yes, that's what Viv named him), and his sister, Helsa, while they were at a dinner party.

Now, do I think Chaz and Crimson could've had the potential to be good characters? In all honesty, no. Especially not Chaz. The guy is a harmful stereotype of pansexual people and how, "They'll sleep with anyone," which no, they won't. I'm not pansexual myself but that thought process is as gross as it is fucking stupid. The only person who I've seen even re-writing Chaz has been Loves Art23 (I mainly know her for YouTube videos being critical on Hazbin Hotel + Helluva Boss along with other shows like the disaster known as High Guardian Spice) and I think she's done a fairly good job so kudos to her for making him work. Personally, though I'm scrapping him as that gives me one less character to worry about when re-writing HB. Crimson would have to be heavily and I mean HEAVILY reworked/re-written in order for him to make any actual sense. That and I'm tired of every character having some variation of the same daddy issues in the Hellaverse. Which means he's also gonna get axed from me. Moving onto the ladies I mentioned, let's start off with Barbie Wire.

Having been foreshadowed since the pilot of I.M.P. (as seen when Tilla was still Barb's and Blitzo's older sister rather than their mother) Barbie Wire was an anticipated character by fans for years! And then her actual appearance finally happened in Unhappy Campers, an episode hated by practically everyone who saw it, and no one really cared about her showing up, other than the fact that the writers thought that having her seduce a BARELY legal adult would make for a good joke, when in reality, it only made everybody uncomfortable and several people dislike Barbie because of it. Sure, near the end of the episode she had that "emotional" scene with Blitzo that wants the viewers to feel bad for him and Barbie before she left but in the long run it didn't matter as fans barely even talk about it because of how uneventful it truly was. So, with that out of the way, would I keep Barbie Wire around for a rewrite of HB? To that I say, yes! There are several paths Barbie Wire's overall character could go in. If you're mainly sticking to canon, then what you have to work with is a former circus performer who lost her mother in a fire caused by her twin brother that left his own best friend to rot and be disabled for the rest of his life. It's very likely that this very fire, caused her to be out of a job and probably even homeless for a bit which could explain why she ended up becoming both a drug attic and a drug dealer. Homelessness is one of the few things that nobody wants to experience. It causes people to be filled with a sense of overwhelming loneliness and desperation as many of them either believe that there's nothing they can do or they do anything and everything that they can to get out of it even if that means resorting to crime. If you wanted to have her be loosely based on canon instead, you could make it to where she never learned about who started the fire and actually stuck with Blitzo well into adulthood. Have her become one of the members of I.M.P. and later down the line have her learn through someone like Fizz or maybe Cash (her and Blitzo's father) what actually went down that day. Have her be rightfully pissed off at Blitzo for screwing over multiple people along with being the one responsible for killing their mom. Anyway, let's proceed onto Stella and her daughter Octavia.

As much as the narrative wants me to hate Stella with a burning passion cause she hurts Stolas, I can't do it for multiple reasons but I'll list my top three. #01.) Stella's just as (if not even more so) stuck in this arranged loveless marriage as Stolas is. #02.) If the man I had no choice in marrying not only cheated on me with a man from one of the lowest classes in all of Hell but IN OUR OWN HOME & SHARED BEDROOM NO LESS? OH, FUCK NO!

#03.) This woman had to spend 9 months having to nourish and care for a baby inside her stomach that she had with a man that didn't even want to sleep with her. On top of that, she had to have become pregnant with Octavia when she was a young adult since current day Stolas and Stella are only in their mid 30s. I need you to let that information sink in.

In short, I can't hate Stella for loathing Viv's pathetic self insert bird twink with every fiber of her being.

Having said that, would I have Stella in my HB rewrite? Well, considering that I plan on keeping the war that happened in the bible that caused Lucifer and several angels to fall from grace, one of which being Stolas. Kind of. Allow me to elaborate, I would keep Stella as Octavia's mother but I wouldn't have her marry Stolas. I'd have her be a surrogate mother that way Stolas still gets an heir and Octavia could still exist. Speaking of Octavia...

We all know that she exists to make Stolas look like a better person as several stans of this show love to say how much of a good dad Stolas is when he isn't. He neglects Octavia frequently in favor of Blitzo and only pays attention to her when she's gone although EVEN THAT doesn't last long as shown in Seeing Stars where HE KNEW Octavia was missing on Earth but rather than ACTIVELY look for his daughter, what does he do? HE SITS THROUGH A STUPID LIVE COMEDY SHOW CAUSE BLITZO IS PERFORMING! HE COMPLETELY SIDELINES HIS OWN DAUGHTER IN FAVOR OF A LIVE COMEDY SHOW!

God, Octavia deserves so much better than to have a dad like him. I'm keeping Octavia for my HB rewrite so that this poor girl not only realizes how much of a bastard her dad is but eventually gets the found family she deserves. I don't plan for it to be through I.M.P. though. In closing, the characters of this show deserve to be better developed but especially the women in them.

_______

That was a long one to get through cause it's been on my mind for a while. Thank you all for reading through it and bye for now everybody!

[batneko]

last night as I was trying to fall asleep my brain gave me a story about Bowser as an imprisoned dragongod who is worshiped but enslaved, kept in a cave where he can't do anything but watch the outside world. He can tell the worshipers what to do (within reason) because his powers are so useful to them that they know if he ever gets angry or miserable enough to off himself they'll all be screwed. They have a LOT of enemies, who all assume that the god is their willing ally, and would be more than happy to crush them the moment they have the chance.

the closest thing to affection Bowser ever had was the woman who decided to bear his child. He genuinely believed she wanted to be the bride of a god, but the moment she was sure she was pregnant she left without even looking back.

years later, when he's told himself he doesn't care anymore (he obviously very much still cares), he sees a beautiful sweet princess and decides he wants her. He orders his "minions" to capture her and present her to him as a... permanent guest. He doesn't think she'll like being a prisoner, of course. HE sure doesn't. But he's stuck down here with no hope of escape, ever, and he can at least make her stay very comfortable. She's a princess, she must be used to being in a gilded cage.

though he knows that the princess has protectors, and they've made things difficult for his followers over the last couple years, he never gives them much thought. Bowser never imagines that they'd be so determined to protect the princess from him that one of them would disguise himself as the princess and willingly get "sacrificed" to the inescapable dragon cave.

(this was briefly brought up as a potential plan by the brothers, but discarded immediately because they don't want anybody to have to be stuck with a dragon forever, especially not each other. But then they got separated and Luigi was the only one left to protect Peach and they were captured and there was no time to spare and... it was the only thing he could think of.)

Bowser is furious, of course, but what he really wanted was companionship. If this random guy is who he's got, it's who he's got. And the random guy is weirdly optimistic about this whole thing, although he's scared of Bowser he never once stops believing that his brother will be coming to save him. No matter how much Bowser explains that not even a god can get out of this hole, Luigi insists that it's only a matter of time. His brother will come for him.

(he does, of course, freeing both of them.)

And that was as far as I got! I probably won't ever write it because it's too dramatic and also absolves Bowser of most responsibility for the evil done in his name. I like Bowser as a villain who really isn't justified in what he does. That's where the spice is! 🌶

But it's fun to think about Luigi being his usual nice guy self around someone who isn't used to being treated like a person, on multiple levels.

[superectojazzmage]

I really dig Qimir's characterization. He's a Sith and a lot of the brutality of Sith culture is on full display, but he doesn't really come off as necessarily evil or even especially malicious, at the very least no the in the typical way Sith villains are portrayed.

Mae's hunting of the Brendok Jedi seems to have been more of a personal thing for her that he reluctantly went along with as part of her training, and Qimir himself is evidently more concerned with keeping his culture alive than perpetuating old grudges. He hates Jedi because of all the bad blood between them and Sith and the ideological differences and has no issue with killing them, but also mostly just wants to be left alone to practice his faith, use his powers, and rear his own students/children as he sees fit rather than being forced to follow the laws of the nation that destroyed his own.

He bears no delusions about the Sith's current predicament as a tiny husk of it's former self hiding in the cracks of a society dominated by ancestral enemies, like many of the Baneite Sith do. He isn't interested in fantasies of revenge and conquest. As he says to Sol, the only reason he kills the hunting party is because Mae has caused them all to discover the Sith, and if the Jedi Council and Republic learn about Sith still existing they'll default to slaughtering or depowering them all for being "tainted by darkness", the exact same way they've done after every prior conflict with the Sith.

And while he disagrees with the Jedi Code, he also despises when Jedi fail to follow their own stated principles and gladly points out when they're being hypocrites (like how he mocks Sol for being upset over Jecki's death because she's "a child", as if he didn't personally lead said child into lethal combat after rearing her as a warrior and as if the Jedi in general don't use their padawans as child soldiers as a rule). His obvious disdain Sol and the Brendok Jedi specifically over even the other Jedi seems less motivated by the Jedi-Sith feud and more by him knowing about the very bad thing they almost assuredly did on Brendok and being livid about them continuing to act like they have the moral high ground despite it.

In a lot of ways, he's in the same position as the Brendok Coven, someone who wants to be free to live their own way and not be bashed into line by the Jedi and Republic, which would certainly explain why he and Mae gravitated to working together. They see each other as kindred spirits, both people left alone and in hiding by the imperialism of the Republic and the Jedi's refusal to let anyone who challenges their view of the Force exist in the long term, if at all. And that also adds to his anger with Mae when she turns on him; she was trying to throw him under the bus so she can ingratiate herself with the people who killed both her and his people. Even in a culture that values cunning and deceit, that sort of betrayal would probably be seen as unimaginable, the kind of dishonor that can never be atoned for.

All in all, the show is such a nice throwback to the more morally nuanced and even-handed works you used to see more of during the Legends EU days, showing the flaws and issues with all the involved groups while not coming down too hard and deeming any one pure evil, as well as treating the individual characters within those groups as varied in nature but usually sympathetic or at least understandable. The Jedi as an institution and a part of the governmental system are deeply flawed at even the best of times, but most of the Jedi come off as decent folk who are genuinely just trying to do the right thing. The Brendok Witches had their issues, but also justified reasons for everything they did and at the end of the day they just wanted to be allowed to live their lives without fear of outsiders storming in to take their children away and forbid them from passing their ways on. And now, with Qimir, yeah, the Sith culture is shown to be very harsh, ruthless, or even downright savage by the standards of the Jedi (and our own real world values), but they're still people at the end of the day.

[defectivehero]

home where

"Are those single-use plastic bags?" The villain huffs, leaning forward from the hero's open windowsill. The hero's heart leaps out of their chest and they stumble backwards, very nearly falling over in bewilderment.

They place a hand over their chest as they regain their breath. "What the hell are you doing here?" The hero demands, staring at the villain casually sitting in their window.

"You really shouldn't leave your window open unless you want visitors," the villain sighs in lieu of an answer. "Practically asking me to break in." They tap their fingers along the frame of the window.

"Wow, okay, blaming the victim," the hero huffs, their mind spinning. They are somewhat convinced that they're dreaming—and that they'll wake up in a few hours, sweat-soaked and gasping for breath underneath their linen sheets. "And what was that about the bags?" They ask.

"Look at that bag of bags," the villain points at the clever contraption hanging on one of the drawers of their kitchen, turning their nose up at it. "Disgusting. And everyone thinks I'm the villain." The hero tries to process that statement for a moment.

"You are," the hero responds, staring at them in disbelief. "You kill people. All the time." Hence their appearance on several old-fashioned "wanted" posters and more modern newscasts.

"At least I'm not killing the entire earth," the villain gestures flippantly. "Get some reusable bags, you monster."

The hero promptly ignores the latter half of their statement, instead focusing on their accusation. "That's a huge exaggeration," the hero sighs.

"Okay." The villain shrugs. "Don't say I didn't warn you. Complacency is very dangerous when it comes to protecting the environment."

"You're such a fucking hypocrite," the hero responds, crossing their arms over their chest. "Your invention last week probably created enough nuclear waste to sink this entire city."

"Okay, rude," the villain scoffs. "I use sustainable energy sources, of course. Nuclear power is a no-no."

The hero blinks at them once, twice. "This is so weird." They remark aloud, bringing a hand to their arm and pinching at it hard. Surprisingly, nothing happens. Either this is a very vivid lucid dream... or it's reality. The hero isn't sure which would be worse.

"Your dreaming mind isn't nearly quick enough to predict me, dear," the villain says, swinging out of the window and landing on the floor noiselessly. "Besides, knowing you... your dreams are probably plagued with memories of the people you couldn't save."

A ragged breath is torn out of the hero's lips at the unexpected remark. The reminder is entirely unwelcome. They don't want to think of all the victims they failed—all the families they ruined. The hero desperately tries to suppress their quickly spiraling thoughts. "Why are you here?" Their voice is slightly more breathless; the villain is quick to notice.

"Do I need a reason to visit my enemy?" The villain grins, leaning closer. The hero doesn't bother hiding their discomfort, stepping to the side to enforce the distance between them.

"When you visit my home, yes," the hero remembers to answer in a few seconds. The villain's grin morphs into a dangerous smirk, and the hero is suddenly assaulted with the inexplicable conviction that they've made a grave mistake.

"Oh, you don't have to pretend this is the first time I've visited," the villain remarks casually, rhythmically tapping their fingers against the counter. "I've always known where you lived. You should know that by now."

Everything—the dull hum of their kitchen appliances, the traffic outside—descends to a tense silence. The hero's stomach churns as they think back to the inexplicable occurrences that have taken place throughout the past months: their water bill going up without reason; groceries going missing; takeout food appearing when they don't remember buying it. They had dismissed them as slips in their memory—they've been busy at the agency. But now that they really think about it...

"That was you," the hero chokes. Their heart is suddenly racing in their chest. They have never truly had privacy, have they? They suddenly feel very vulnerable. "Why do you keep sneaking in here?!"

"Well," the villain drawls, as if the answer is obvious. "It's easy, for one. You don't even have locks on these windows." The villain laughs as their eyes find the several windows in the room. "It's closer, sometimes. You have a lot more first aid materials than I do... You get the idea." They shrug nonchalantly.

The hero stares at them in shocked silence. "You've practically been living here," they breathe, a note of frustration leaking into their voice. Their head is spinning. Pain is starting to stretch through their temple and down their jaw from from how hard they've been gritting their teeth.

"Okay, now you're the one exaggerating," the villain says. "I'd hardly associate a few house visits with living here." They pick at their nails, as if entirely unbothered by this turn in conversation. It's clear they're entirely unapologetic about invading the hero's space.

The hero still feels the visceral need to convince the villain of the gravity of their invasive actions. "You used my shower," the hero accuses, with equal sentiments of embarrassment and irritation.

"I was bloody," the villain shrugs. "And your shampoo is nicer than mine."

The hero frowns. The farther they look back, the more they realize just how long the villain has been visiting. The villain's visits explain everything: things left in slightly different places than the hero remembers; doors unlocked when they should be locked; and... "Oh my gods, that's why my fucking washer hasn't been working! You broke it, you asshole!" They exclaim.

"I didn't break it!" The villain immediately argues, having the audacity to look offended. A guilty expression rises on their face as they avert their eyes. "I just... didn't know how to use it." They trail off, a sheepish grimace on their face.

The hero focuses on taking a deep breath in, exhaling slowly. When they speak again, their voice is deceptively calm. "Get out." They point to the window from which the villain entered.

The villain doesn't look surprised by the sudden dismissal, and somehow, they are agreeable enough to head over to the window to leave. "I'll be back," the villain says when they reach the windowsill, glancing over their shoulder and sending the hero an unreadable look.

"I know." The hero says defeatedly, letting out a long-suffering sigh. A hint of fondness escapes their voice and they hope their enemy doesn't notice. They know there's no convincing their enemy: it would be a futile effort. They have never been able to persuade the villain to do anything—and the hero doubts that will change now.

"Oh," the villain responds, staring at them in mild surprise, as if they hadn't expected them to admit it. "Okay then. Bye." They send an awkward wave over their shoulder and disappear. The hero stares at the empty window for longer than they should, before closing it and locking it. They're not sure why they're bothering to lock it—a simple lock won't keep the villain away.

Sure enough, three days later, the hero wakes up and walks out to their kitchen to find a pile of reusable bags on their counter. "You really need to get your priorities in order." The hero says. There is no one in sight—yet, somehow, they know the villain is listening.

©2024, @defectivehero | @defectivevillain, All Rights Reserved. Reblogs are greatly appreciated—just don't steal or share outside of Tumblr, please.

_______

me, unloading the groceries this morning: damn it, i forgot to buy reusable bags. i've been meaning to buy those. me, an hour later, sitting in front of my computer: what the fuck did I just write. and why did I write it.

did I overdo it with the banter? probably. do I care? ......only a little.

is the title from the sir chloe song? ....i plead the fifth.

thanks for reading!

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[comicaurora]

Hey red, what's your opinion on some modern writing that's very lamp shady? And do you have any advice on how to avoid "Well that just happened" dialogue?

It's an interesting question!

The thing is, lampshading exists for a reason, but it's not the reason it gets used a lot of the time. Writers might lampshade a narrative choice they're insecure about, while characters lampshade because the things they go through in a typical story are kind of bonkers, and we might expect them to notice. If a character signs on for a simple mercenary expedition and ends up discovering they're the long-lost prince of a kingdom they've never heard of, that's weird and they probably feel weird about it. If an ally is determined to 1v1 their super overpowered nemesis with no help from their friends, those friends might have opinions about how dumb that is.

This is a form of lampshading that doesn't break immersion because it's entirely in-character and doesn't lean on the fourth wall. There's a difference between a character noticing how weird their life is and a character pointing out how cliched a recent experience was. In the latter case, the character is treating their life like a story, and while it IS a story, they shouldn't know that.

There's a spectrum here, with "complete sincerity and taking every turn of the plot at face value" defining the 0-point and "complete self-aware uninvestment" at the far end, but healthy levels of lampshading live somewhere in the middle. Characters at the 0-point accepting everything that happens without question can feel just as weird as characters that won't stop pointing out the TVTropes entry they're currently living. It's about what it makes sense for the character to find disruptive or noteworthy. A hardened badass probably won't see the need to point out how bonkers a recent fight scene was, but a newcomer to the Cool Bombastic Adventure scene might be really excited when they pull off a cool special move and want to point it out.

I think this is why the recent D&D movie worked for a lot of people, because while the main characters all lampshade their lives to varying degrees, the way they do so makes sense for all of them. Edgin is a bard and storyteller so he has a slightly meta perspective on a lot of things, purposefully avoids playing along with certain narrative conventions and sometimes responds to other people's dialogue by critiquing their dialogue instead of just responding normally; Holga doesn't really care to understand how the world works and so keeps pointing out that they should just use magic to solve their problems, which is probably the most popular lampshade in the whole genre; Doric and Simon don't get a ton of time to shine character-wise, but they'll both occasionally poke holes in the pretense of the story they're in. The thing that makes this all work is Xenk, who plays absolutely every moment completely 100% straight and is entirely immersed in the objectively ridiculous setting of D&D. Same goes for most of the villains, except for Forge, who's probably the wackiest and most self-aware character in the entire movie, but in a way that makes him feel callous and disregarding of the people around him, like he's uninvested in the world not because he knows he's a fictional character but because he has too much money and power to care about anything. The ways each character does or does not lampshade their surroundings make sense for who they are as people and reinforce their characterization and place in the world instead of undermining it.

I recently watched a couple episodes of Stargate Atlantis and noticed something similar - the main character and, to a lesser extent, the rest of his associates from Earth have a tendency to make wry observations about his objectively bizarre life and the eccentricities of the people around him, which helps contrast against the extremely serious and businesslike Cool Space Warriors they keep accumulating, which helps make them feel (a) distinct from each other and (b) relatable considering all the weird stuff that happens. And the protagonist switches off the quips as soon as things start looking perilous for his team, so you never get the impression that they aren't invested in the story they're living, and as a result the various quips and lampshades come across more as a habit or a coping mechanism than a disruption to the narrative itself.

So basically I think you can get away with a lot of lampshades as long as the character doesn't feel like they know they're in a story.

[codenamesazanka]

About Deku telling Tenko's story - two things:

1) People might actually already know about Tenko's story, given this panel:

+ All Might finding out Tenko's name, which implies Deku told All Might all the stuff that went down, and I can't think of any reason why Deku wouldn't have told Tsukauchi either, hence the "ongoing investigation".

It's just that people do not care that Shigaraki was a manipulated puppet. Literally the interviewees in the documentary say they don't care, they refuse to care. Shigaraki Tomura is still just a piece of shit monster to them. Hell, I bet they will just blame Shigaraki for not being strong enough to resist the grooming. They blame every other victim for not enduring enough and lashing out, so why not Shigaraki as well?

And like, what purpose would it serve beyond trying to rehabilitate Shigaraki/Tenko's image a bit? That is something that should be done, but the guy's dead. He can be pitied, and the blame shifted into AFO, the remembrance a little softer, but I doubt they'll be naming a park after Tenko like they do for the littlest cancer patients.

(tbh Deku's telling of the story will also just have Shigaraki/Tenko go down in history as the saddest victim ever, an eternal crying five year old who really never had a chance, whose life was probably over before it started, and definitely over when he was given Decay; and frankly idk if that's any better for his legacy. At least Spinner's version will probably remember Shigaraki as someone who cared about his friends and liked games like any other 20-year-old nerd.)

There's no 'lesson', either, because AFO was a unique evil, so him getting defeated is the end of his puppeteering. There is just a very low chance of another Villain popping up who has the time and resources to kidnap a child to raise them into endless rage and hatred in order for them to become a vessel and also destroy society? There are doubtless kids being raised into criminals and Villains by criminals and Villains and gangs or whatnot, but not to the extent Shigaraki went through.

At best what telling Tenko's story can get us is a focus on identifying and rehabilitating groomed and 'faultless' Villains, but we can see from Twice's past being known to Hawks, Dabi's story being known to the public, and Toga's story semi-known to Ochako enough that she has decided to tackle quirk counseling - all stories of Villains being formed out of societal distortions instead of innate evil - that this isn't done for them either. There's just no interest in rehabilitating Villains, and frankly, Deku doesn't seem to have an interest in it either.

2) Telling the story is probably a bad look publicly for Deku, and Heroes, and All Might.

Deku reveals Shigaraki as an entirely coerced victim, a life-long manipulated puppet who never had agency and never made a choice of his own... and he failed to save the guy. In fact, he killed the guy. Essentially Shigaraki was a hostage held by AFO, and Deku took out the the perp along with the hostage. That at least should guarantee some criticism. (art imitating irl fandom wank)

Other questions: how could Heroes not have known this earlier? Why didn't Heroes put a plan in place to save Shigaraki? Couldn't they have dealt with him non-lethally? All Might was involved in his tragedy - why didn't he do something earlier? Why did he never check up on the Shimuras?

Deku can't really tell Tenko's story without drawing blame on himself and the Heroes, and that might be too risky for a post-war society.

[quasi-normalcy]

I know I say that modern Star Trek hasn't really introduced very many original villains, but that's not quite fair., So...

Comprehensive list of new villains offered by modern Star Trek (post 2017)

BA'UL

Why They're villains: They oppressed the Kelpiens on Kaminar for thousands of years and lied about their origins. Pros: Notably creepy design, and notably creepy technology Cons: They can't really be used as recurring villains because the Kelpiens overthrew them at the end of the episode; 900 years later, they'd become allies.

CONTROL(technically borrowed from the novels, but whatever):

Why They're Villains: Did that standard basic bitch evil computer move where they tried to wipe out all organic life in the galaxy. Pros: Um...at least the writers got it out of the way so that they couldn't make that particular aspect of the novelverse canon.

Cons:

CONTROL sucks.

Seriously, at their best, they're just like...Diet Borg. Fuck CONTROL.

Can't come back because Emperor Georgiou murdered it up but good, yum yum. Not that you would want it to.

HIGHER SYNTHETICS:

Why They're Villains: "Just ring us up and we'll come kill all organic life in your galaxy", lol.

Pros:

Tentacular

Introduces some cosmic horror to the Star Trek universe.

Cons:

Kind of a generic doomsday villain.

Too powerful to really use them again.

GELRAKIANS:

Why They're Villains: Turn hostile if you show them wood.

Pros: Umm...

Cons:

Completely obsessed with crystals

Not really prime "recurring villain" material

DROOKMANI:

Why They're Villains: Extremely territorial about their salvage.

Pros: So far, they're the first villains on this list who have actually been recurring

Cons: They don't really seem like a threat to any ship more powerful than California class.

BADGEY:

Pros: "I will burn! Your heart! In a fiiiiiiiire!"

Why He's a Villain: Daddy issues.

Cons:

Kind of a one-note joke.

Ascended to a higher plane of existence so he can't be come back.

AGIMUS & PEANUT HAMPER:

Why They're Villains: He's a tyrannical supercomputer! She's just kind of a bitchy robot! Together they're...legitimately just making each other into better people?

Pros: They're kind of adorable?

Cons:

They're not really villains anymore

Peanut Hamper shouldn't even be on this list since Exocomps were from TNG.

SPECIES 10-C:

Why They're Villains: Gravitationally dredging the Milky Way for dark matter.

Pros:

Kind of a cool concept

Not a type of alien that Star Trek has really done before.

Cons:

Not really villains.

Extremely unlikely to recur.

TRANSWARP CONDUIT ALIENS:

Cons:

Why They're Villains: They, uh, opened up a big-ass transwarp conduit in the middle of Federation space for some reason.

Pros: Umm. They gave Agnes something to do in the finale.

Blatantly just created at the last minute to justify the presence of the Borg at the beginning of the season.

By the writers' own admission, they never had any actual intent to follow up on them, even though they really ought to.

They're a complete blank slate; even more so than the Higher Synthetics. Who are they? Dunno. What do they want? Dunno.

Honestly I don't even care about them, I just want to see more Jurati-Borg

VAU N'AKAT

Why They're Villains: They blame the Federation for destroying their planet in the future.

Pros:

It's nice to actually have an original alien species as arc villains for a change

I like the aesthetics of their technology

John Noble and Jameela Jamil both have really pleasant voices; like, I could listen to them all day

Space Goths

Drednok

Cons:

There's only, like, a hundred of them who came back from the future so it's not clear how much of a threat they can be without their living construct jiggerypokery.

I'm sure that this will get fleshed out in season 2, but they seem kind of underdeveloped as a culture at this point.

I assume that they'll probably make friends by the end of the series, so they probably can't be recurring antagonists elsewhere.

SHEPHERDS:

Why They're Villains: Ancient fundamentalists amorally protecting a holy comet on its path.

Pros: It was a good episode.

Cons: Unless you run into that one specific comet, they'll probably just leave you alone.

MAJALANS:

Why They're Villains: You know The Ones Who Walk Away from Omelas? That.

Pros: It was a good short story.

Cons: Aside from ritualistically torturing a child to death every few years, they're kind of upstanding citizens of a the galactic community. Not really villain material.

HYSPERIANS:

Why They're Villains: Their evil queen keeps trying to trick her asexual son into losing his virginity.

Pros:

Their ship is really pretty.

The concept of Ren Faire larpers getting together to make a real kingdom is kind of hilarious.

Cons:

They're just another type of human

They seem to mind their own business when they're not trying to interfere in the sex life of one specific Starfleet engineer.

KROMSAPIODS:

Why They're Villains: They have a undeniable biological need to hunt

Pros: Kind of terrifying design

Cons: Catch-and-release hunters aren't really threatening.

MOOPSY:

Why It's a Villain: The Moopsy DRINKS YOUR BONES!!!

Pros: Moopsy!

Cons: Moopsy!

[bonefall]

Thoughts on Wasp? I like the idea of cats joining that turn out that the Clans aren’t great… but also it feels… weird? Like it seems like another “lazy cat bad” on some levels. I don’t mind him not joining the Clans but these “outsider learns they’re not fit for the Clans” things always give me a pause from the Erins. Also interested in how you would handle him!

Moonkitti's video on him is really well worded, if you haven't seen it yet. I do think he's different from the way that other books tend to portray outsiders in that they are saying that he was driven away by the xenophobia of the Clans... but.

They still make him extremely disinterested in Clan life while he's in ThunderClan. I think that was a massive blunder to write, if the thing they're trying to say is "XENOPHOBIA PREVENTS OTHERWISE ENTHUSIASTIC MIGRATION"

It would have hit harder if it was Wafflepaw who tried to run to RiverClan, got assaulted, and then didn't want to be a Clan cat anymore.

Wafflepaw WANTS to be a warrior. Wasp did not. It reads more like Wasp getting hate crime'd was a "last straw" more than THE reason why he won't stay.

That's where you're getting that vibe they're saying "lazy cat bad," imo. It's a bit different from usual, but it still seems like the narrative is saying that Wasp really didn't belong here anyway.

(no, Nightheart's moment where he looks at the camera and says "he could have been fine!" doesn't change that they showed, in their text, with the actions they wrote, that Wasp was not enjoying being part of the Clans anyway. If that was their intended thesis, their writing was sloppy.)

It feels especially weird that Bee didn't go with Frostpaw. Bee was the character with a lot more setup and that strange dream. A lot of people were confusing Bee and Wasp when the book first came out and I don't blame them.

Most importantly, you can't talk about Wasp without also mentioning one of THE worst lines I think has ever been written into a Warrior Cats book. The part where tigerHeartstar says, "Those cats who just committed a hate crime were perfectly good people before the evil dictator took over. If we kill the evil dictator, I'm sure they'll CHANGE BACK"

I'm still REELING. Fuck you MEAAAN "CHANGE BACK????" CHANGE BACK? LIKE BEING A BIGOT IS UNCOMFORTABLE SHOES???

CHANGE BACK... me bringing my evil dollars up to the villain store and exchanging it for racism coins... change back...

So when I get around to it, I'm going to evaluate if Wasp is even actually necessary in the form he's in. BB is already about xenophobia and bigotry and the harm it does. Frostpaw has no shortage of examples to witness what Thistle Law is, and what it does to those excluded from Clan Culture.

When I first made my Family Tree for RiverClan, I actually ended up making Splashstar's MOM, Havenpelt, an ex-rogue. I think seeing him order a hate crime against his own mother would be a LOT more impactful here, actually.

What Frostpaw DOES need is allies and friends. I'm already starting by expanding her little "DND Party," a word I'm using to affectionately refer to some cats who will be following her home from her pilgrimage to the Park. 99% chance that Nightheart is going to become a permanent member of this party, joining RiverClan at the end of ASC. Waffle will be another. She'll probably also pick up a Tribe cat.

Wasp will be on this party, but I won't decide what happens to them until I see what that last book has in store. Who knows, he might come back (though I hope not, run as far away from these ghouls as possible Wasp!!)

[tumbleweed-run]

Could Gale ever be Poly?

Situationally. Yes

Am I the person who wrote an entire post about Gale being a jealous (rightfully so) man? Yes.

But hear me out, in the aftermath of BG3, as long as we took everyone's "good" route. I could see him eventually agreeing to a 3rd. Not just any but very specifically Astarion. And while this is partially bloodweave brainrot I assure you I have considered it.

It wouldn't be easy for either of them, and realistically Tav. But Gale would start out as the main, Astarion and Tav are just BFFs. Astarion learning that love can be without strings.

They invite him to Waterdeep, away from the city and it's memories but also towards a potential Vampirism Cure/Day walking spell that doesn't involve becoming Cazador. Because Gale would be the most qualified to find that cure. And I bet his tower is easily traversed in the daylight hours without risk to Astarion.

It could just stop there, the three of them happy.

But we're discussing a triad.

I think the first crossroads towards romance would actually be Gale/Astarion. Astarion would still be himself and while his innuendo and flirting is generally accepted as just Who He Is and no one pays it mind. Maybe Gale off handedly agrees to whatever entendre that is proposed, as a challenge or just truly "yes I would agree to doing this dirty thing you've joked about." Astarion would be

at first. Mostly from shock but then he'd dwell on it. Tav and Gale aren't shy with touch, with each other or him. He's regularly hugged and cuddled, sometime's he's even the initiator. It's not uncommon for Gale to emerge from his study after hours to find them curled up on the same couch each immersed in their own thing.

Gale's probably the first one to be surprised by his own lack of jealousy when he happens upon the scene for the first time. But it just becomes the norm. And when Tav is off working on their own thing it eventually becomes common to find Gale and Astarion knee to knee in the study, each with excessively large tomes, leaning over one another because they're both working from BOTH books.

So that first time Gale is blatantly like "yeah lets do that" Astarion is struck by the fact that... he actually might want to. But he's reluctant because Tav's (and admittedly Gale's) friendship is unexpectedly more important that anything as fleeting as 'romance' or 'lust'.

But Tav is 200% on board when the conversation get brought up by Astarion (in the 'ahaha you wouldn't believe...' way). They love both these idiots, albeit in different ways, and wouldn't mind. Even if it was just Gale&Astarion.

But it would never be JUST those two because of how deeply both men care for Tav. Whatever they build to becomes normal. Maybe all three sleep in the same bed, Astarion position on the outside so he can sneak off when he's done resting. Maybe they just constantly find each other making overlapping decisions about future adventures or where to look for a rumored cure.

Part of the reason why this works is Gale and Astarion are not dissimilar. They face their trauma with different takes but it's deeply embedded in who they are and how they'll approach life forever more. While Gale is 100% willing to try and give Astarion more autonomy than he's ever dreamed of, believing that 'if you love something set it free' line. Astarion would spend a lot of time trying to get Gale to see and accept that while he made mistakes he was far from the villain in his story. Tav would spend most of that time trying to run around thwarting miscommunication and reigning in Astarion's god-killer urge despite also wanting very much to punch Mystra.

So while I think both men deserve to be 100% the center of someone's affections, I also believe they could eventually find a healthy trio dynamic.

(and also do whatever the faerun equivalent of an eiffel tower is to tav regularly)

[itsnothingofinterest]

Oh wow so my hero is ending in five chapters, any idea what those five chapters will be? We know we have that new stranger and the todoroki household to deal with so what else could they cover?

Well there’s obviously a lot to go over, but I expect some things (todofam) to get a lot more focus and page space than others (Gentle and Nagant) so to focus my answers on, well, what I expect to be the focus:

One chapter (426) will be, as I think we all can tell, the Todoroki resolution. Talked about my expectations/ worries for that here.

Next (427) will probably feature Uraraka & whatever happened to Toga in some way. Although since Hori dosn't always treat her the best (I mean I do think her villain fight was the best, but I don’t believe that was on purpose), I wouldn't be surprised if her chapter shares page time with other student plot lines, whatever happened to Spinner and/or the heteromorph plotline, and other miscellaneous stuff like Gentle getting released from prison.

Mystery person I'll bet will probably actually be two chapters (428 & 429): a) because it's Midoriya's resolution and b) because it'd naturally need more time for that; introducing a new character and all, bit of backstory to explain why they were tied up in some house and had to cut themselves loose with with sissors. Especially if it goes the way I except; mystery guy's a poor jaded victim-villain on their way to becoming the next Tomura, but Deku will save them and it'll be presented as though that means society is now improved such that it won't fail any more future Tenko Shimuras. ...Even though a) that's a hard sell after murdering Tenko Shimura in the arc that was specifically representing how thing will go from now on and b) that idea entirely misses the point of Tenko Shimura's story. But even giving this two dedicated chapters, that's the best Deku can really do so...guess you've still just got to hope a hero's around to save you. If not; sucks to suck, good luck with villainy and/or dying.

And uh, last chapter (430 if all our math is right) will probably just be your standard fare “5 or so years later" chapter about everyone as pro heroes. Everything is great and fine and so much better for no real reason and they'll all live happily ever after for anyone still alive; The End.

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Although if I may be spiteful; one thing I hope doesn’t get touched on is the quirk singularity doomsday plot line. Because as is, it still looks like the best case is for humanity to become an endangered species as soon as around the time of Class 1A’s eventual retirement (presumably their last decade or two spent dealing with panic over that). All because hero society refused to look where things are bad or inconvenient; and just when a solution, a treatment & cure to this condition was available to them anyway…Deku smashed it into dust because that’s the only way the little All Might clone could conceive of to beat the big bad villain.

And again, I know this is spiteful, but I rather like the idea of Deku murdering Tomura having such a serious consequence.

[quotidianish]

TF2 x ATLA AU :3

Lore, close ups, and doodles underneath !

Scout, Pauling, and Ludwig are the main three- scout, who’s an (admittedly shitty) airbender but not the avatar, who ran away after his father left. Once spotted by fire nation soldiers, he is presumed to be the avatar- and scout basks in the glory of his false identity. Pauling- a studious, too serious for her own good, non-bender, who’s Medic’s student. She’s of the southern water tribe, treating medic like her paternal figure after the disappearance of her aunt. Medic is (unbeknownst to pauling and scout) a blood bender who was exiled for his practices. He doesn’t seem to care for anyone or anything, also being very jovial and cheery.

All Pauling and Scout know is that Ludwig was exiled from the northern water tribe then fled to the south for an undisclosed reason. Pauling never bothered to pry and the Scout was too intimidated to. Here the avatar cycle has indeed been broken. It’s up to a group of nine ragtag men and one mousy girl to defeat Gray Mann.

And the main three villains are soldier, demo, and sniper who're all fire nation folk. Sort of the team rocket; never truly competent enough to cause real damage, that or their hearts truly aren’t in it.

Soldier's a fire bender who specializes in jet propulsion and was kicked out of the army. He thinks if he steals back the avatar, they'll let him back in. A weapon since childhood, once a bully, always a bully, or so he’s heard.Character arc being the realization the fire nation army isn't worth fighting for. Surprisingly, he is very good with spirits, opposite to his best friend, Tavish, who despises them.

Demo’s just trying to impress his mum and be a good friend to the Soldier. People pleasing tendencies, that's his character arc. He's supposedly a non bender who's mighty good with swords; but underneath his inconspicuous-ish eye patch holds a combustion bending tattoo. Only Jane knows this. Well-versed in calligraphy.

Sniper is a 26 year old yuyan archer who was discharged for failing a mission while he was young. He joined the other two with the same goal as the Soldier. His yuyan archer tattoo still remains. He's a non bender with excellent aim, who grew up on the rural outskirts of the fire nation. His character arc is something about not adhering to expectations and learning who he's fighting for; a combination of the demoman and the soldier’s lessons.

Spy's a crusty airbender constantly sporting a mask to hide his tattoos, and knife. Nobody has a clue where he's from and he takes orders from whoever pays him best. His airbending tricks are so subtle, the public believes him to be a crafty nonbender. Usually said tricks are only invisibility and voice alteration. While not assassinating political figures he traverses the spirit world looking for his wife, a fellow air nomad, avoiding physical aging in brief sprints of time. He returns on a well paid mission to kill the “avatar,” which was presumably the scout. Little does he know, that weird whiteboy is just some lame airbender. Who’s also his son. His bad.

Engineers the metalbender; an art perfected by his ancestors and passed down in whispers to him. I haven't developed him much. He teaches the Scout what he knows while obscuring information on how he got that metal arm. Him and the Pyro have a shared love of blacksmithing. From an explosion, he thinks..

Pyro's a spirit probably. Nobody knows what he is. Where he’s from? Pyro. What’s his gender? Pyro. Guy who sets things on fire. Presumably human judging by his questionable use of what looks to be fire bending. And also the Spy's companion! They met in the spirit world. He and the Soldier form a close bond quite quickly thanks to their good graces with spirits (to Tavish’s immense dismay).

Heavy's an earth bender who continues to win in underground fights. Residing in ba sing se with his three sisters and elderly mother, scout pauling and medic meet him in an earth bender championship. Despite what his appearance suggests, his patience is unmatched, which is his greatest strength. He has near -perfect seismic sense. He and the Medic get on quite well, and after the fire lord has been struck down, form a duo in the ring, earning even more won championships.

[coupleoffanfics]

How would Batsis! y/n become a villain?

I found this while trying to clean up my writing drafts. Not sure when I wrote this, but I decided to post it because why not.

Jerome Route

If she had no friends, that connection with Barbara, or relationship with Jeremiah then Jerome would have a considerably easier time charming y/n. The emotional neglect from the family makes her desperate for any sort of contention leading her right into the hands of Jerome.

The family would believe that y/n can be saved, but she sees them trying to save face. Trying to stop her from telling Jerome all the big bad Batman's secrets by saying they're sorry and that they care. She doesn't end up telling him about their identities because someone has to keep Gotham safe. She's with Jerome, but she doesn't agree with everything he does.

y/n might purposefully sabotage Jerome's schemes. It's not because she cares for the family, no. It's for Batman and his Robins to keep innocent people safe. She keeps the family and their personas separate. At least she'll try to see them as separate.

Her logic is backwards and hypocritical, but frankly she doesn't care enough anymore. All that matters is Jerome's love. Who needs friends or family when you can have Jerome?

y/n and Jerome probably argued over wedding ideas.. Jerome wants a circus theme with a replica of his mom as a pinata. While y/n wants a traditional, elegant wedding. They compromise by letting y/n have that traditional vibe with the ceremony and Jerome can go batshit with the reception.

Jerome never put so much thought into something before and he never wants to do that again.

The Batfamily was not invited of course. The family most likely hears about it or even sends wedding photos. y/n probably has Joker or some other villain walk her down the aisle. Bruce sulks about it for months.

Post-Spray Jeremiah Route

If y/n had no one else besides Jeremiah and her moral compass was cracked. Then of course she's almost going to believe everything he tells her.

There's no denying that Gotham is a modern day Babylon. Yeah, the world would be better without it. Maybe it would be a good thing if we do get rid of it. Yeah, we could rebuild it!

But she'll run into the same problem of not fully following Jeremiah's ideology. At least how he goes about obtaining the goal of cleaning up Gotham. The cult stuff freaks her out a lot. When his followers bow down to her and praise her, she'll tell them to stop but he orders them to do that.

After expressing her discomfort over the cult and the followers' behavior, Jeremiah will distance her from it. Having her become sheltered in the bunker or a manor hidden away in the woods. Meaning the only relationship she can have with anyone who isn't Jeremiah is Ecco. Even then Ecco is  just another follower that was trained to be a guard dog.

This version of y/n wouldn't be too involved compared to the Jerome route. But if Jeremiah was caught and sent to Arkham, y/n is sneaking in to break him out. It could be by disguising herself as a guard or forcefully entering it with full confidence.

The family would try to reason with her if only they could actually talk to her. Again since she's not hands on it's a rarity for them to see her.

The few times they've met face to face was when their hero personas. Jeremiah and Ecco were busy fighting off the others, giving them time to talk. If they try to convince her to leave him, she'll either ignore it or tell them about how he's all she ever had. The only family member that could possibly break through to y/n would probably be Jason or maybe even Barbara.

Jeremiah and y/n get offended when they're compared to Joker and Harley. They'll clearly be different because they have a healthy and loving relationship. People probably come up with the comparison because of his physical appearance and he hates it. They're not wrong when they say their relationship is loving, but it being healthy is debatable.

y/n is more than willing to kill or torture someone if they were to do anything to Jeremiah. Though once again her hands are off, but doesn't mind getting her hands dirty.

y/n is the type to write like love letters and put them into Jeremiah's pocket before he leaves. He's in the middle of fighting Batman and suddenly a pink paper with a red heart border falls out of his pocket. Seeing it makes him scramble to grab it and shove it back into his pocket. He'll read it later.

This y/n might live a more semi-normal life, but probably struggles with loneliness and depression. Since Jeremiah is often working and Ecco is Ecco.

Sprayed Route

The moment y/n realizes what is happening she goes to Jeremiah and contacts Barbara who informs the family. They'd probably find a cure, but for the sake of story and angst let's say they can't.

Everyone is just forced to watch y/n become what essentially a Joker lookalike. Or she could look completely the same, doesn't really matter because they'll all be horrified by the drastic change.

She'd use the knowledge of their identities against them. Dangling it above their heads, but it isn't long before they realize that she isn't going to say anything. Oh, but she's definitely telling Jeremiah all about this. Of course he swears to never tell anyone and he might start working with the family to lock y/n up.

Not only was she endangering herself, but others as well. The best thing for everyone is to lock her up.

If she learns about Jeremiah working against her. She'd be so heartbroken. Violently throwing and smashing everything in the room she was in before coming up with an idea. 'He'd never be against me, they probably forced him to work for them. It's all their fault. They always ruin everything, but I won't let them take him.'

Out of all of the other possible routes this y/n would be the most vindictive. She'll guilt trip the family with her sob stories of their neglect, their personas won't won't react. But she knows they'll be thinking about what she said hours later. She'll spit out insults and won't hold back fighting.

Her once passive and defensive fighting style has completely flipped to almost recklessly aggressive. The only way she'll stop fighting back is if they restrain or knock her out.

Arkham isn't hard for her to adjust to. She'll explain to her few visitors (Jeremiah, Barbara, and Alfred) that it reminds her of Wayne manor. But less lonely.

Barbara and Alfred are the only family members she'll allow to visit her. As she still has a bit of a soft spot for them. Will not admit it, but she's always pleasantly surprised when Babs visits her or Alfred sends her some of his cooking. It almost makes her tear up and feel immense sadness. Just almost.

Probably besties with Riddler or something. Most Arkham inmates know of the name Jeremiah Valeska by how much y/n will mindlessly ramble about him. They also know not to mess with him because they'll be put on top of her shit list.

Masterlist Here

[etinceelle]

Okay so, just so you know: DIllon Goo is friends with one of THE biggest RWDEs on the internet, the one who came up with the "Monty's Vision" creed so many people spout.

If he got his hands on the show, there'd be no Bumbleby, no Nuts and Dolts, nothing like that. It would be COMPLETELY unrecognizeable.

If he doesn't just reboot the show, everyone would hate Team RWBY for "betraying" Ironwood, Robyn Hill and the Happy Huntresses would be treated as irredeemable villains, and Team RWBY's arcs would be based around having to "accept that they were wrong to defy Ironwood" and then "learning to obey authority".

It would not be RWBY anymore.

I appreciate people for telling me because I wasn't aware of this story. I should also say that a lot of people in the fandom should understand that not everyone know about every detail and event that happened in the RWBY history, especially for people like me who discovered the series way later. Just thought I might say it just in case because I saw some people talk about it as if we're supposed to know when that's not the case.

If I can tell my honest opinion it's that at the moment it's too early to confirm anything. This might not happen, this might happen, we don't know, and I don't want to jump to any conclusions or fast opinions with only a few infos I got yesterday and today about that. From what I know this behavior came from Shane, but even if he's friend with Dillon this guy cannot call the shots alone. I think the best thing would be for current CRWBY to be able to finish the story like THEY wanted, like they first imagined it with Monty, and how they imagined it so far. I honestly don't know what good option could be because at the moment it's probably the only interested buyer and the one that fits the best for the show's style. If CRWBY express discomfort and refuse to go for that way for the reasons people told me about, then let respect that because they'll be the one to decide in the end.

I like Dillon Goo and their animations, that's why I supported the idea, but in the end it's for CRWBY to decide and no one else. If they think there might be a problem and they might ruin everything, that's for them to decide.

I should also mention that people's behaviors using events for their arguments is their responsability. On this aspect I'm not aware of everything so I only speak with what I know. But there will always be people who will also distort stuff to be able to use it their favor.

As for the ships, Bumbleby is canon already, undoing that would be really stupid and would sign the end of the story. And Nuts and Dolts isn't canon, it's the fantasy of a lot of people included mine but we don't even think if this was planned to be canon or not at some point, from what I know that's not the case. I understand what you mean because this is not just about ships here, but I'm not gonna jump to conclusions with how little infos I got at the moment

With all of that said, I just hope for a good conclusion for everyone.