#I just wrote so much in response

[athenasparrow]

Do you prefer writing one-shots or multi-chaptered fics?

15. How do you write smut scenes? Do you get very visual or detailed? How important is it to be realistic?

16. How many fic ideas are you nurturing right now? Share one of them?

Get To Know Your Fic Writer (or send me a random ask!)

1. Do you prefer writing one-shots or multi-chaptered fics?

Starting with the tricky things! The eternal debate of one-shots vs multi-chaptered fics! One-shots, with their concise nature, often offer a refreshing dive into a little world. I rarely find myself growing weary – I usually write my one-shots in one sitting and then come back and edit later. Instant gratification, you know?

Multi-chapters are an entirely different beast. The satisfaction derived from creating an extensive narrative – I was euphoric upon finishing DWOHT – surpasses any joy I've experienced with a one-shot. But there's also so much frustration that comes hand in hand with these longer works. DWOHT flowed effortlessly from me – it was flirty and mirthful and open (I was in my element) – and was a blissful journey (bar the midnight edits). I could have kept going for another 20k if I'd given myself the time. That was my first "proper" multi-chap and I hadn't experienced any frustration. Then came Miles From Nowhere (my current WIP baby), which is hopefully destined to break 60k. In its infancy, writing it was a familiar bliss (probably because I indulged in crafting my favourite moments first) and then it got tricky. I felt uninspired for a month, kept only adding sentences at a time instead of paragraphs. I got really tired of it and put it aside for a bit. I'm hoping being away from Uni will help me relax into it and get back into the zone. I have a feeling that since it carries a slightly more sombre tone than DWOHT that's why I'm struggling with it. Keep your fingers crossed for me!

My point? Who knows... love them both for very different reasons : D

15. How do you write smut scenes? Do you get very visual or detailed? How important is it to be realistic?

Ohhh this is a good one!!!! The imagery of Lily and James' smutty encounters is always vivid in my mind, but I don't always delve into every explicit detail when transcribing my thoughts to paper. The decision hinges on whether I desire a graphic exposé of carnal delight or a more poetic depiction with a graceful time skip.

For realism... I'm going to approach this from two angles:

(1) I strive to portray Lily's orgasm as a realistic experience, emphasizing James' adeptness in eliciting such pleasure through touch. Most women need clitoral stimulation to orgasm and I like to incorporate that at every opportunity. James is a gem because he's naturally so generous - he makes it easy!

(2) My skill in smut-blocking is not impeccable lol. At times, I gleefully indulge my characters in acts that *might* be improbable, but hey, who's to say I can't sprinkle a touch of fantasy into the mix? I definitely lean towards indulgence – focus on the euphoria and flirtation – and sidestep the mundane aspects of the act itself.

16. How many fic ideas are you nurturing right now? Share one of them?

Oh boy! A grand total of 19 WIPs with a myriad of short scenes to boot! It's my first day of respite from the hallowed halls of University (lol) and I've set my sights on unveiling Miles From Nowhere before I return to class : )

[aslyran]

Visions

[barbieaiden]

when you're the main character's little brother and doomed by the narrative because the author decided that the cult trauma wasn't enough. rip aaron

[bewareofthenewphannie]

the fact that they could just casually introduce the new places of the phouse or even film the videos there without really mentioning it, but noo, they decided to make A Thing out of it.

it makes me think of the role their living spaces have played in this parasocial (and sarapocial) relationship we have. because they've always been A Thing, that's nothing new.

their beds became part of their brand, they let the internet into every inch of their first london apartment during a time where they really gave their everything for youtube. then they took a step back, and set boundaries for themselves with the sets in the second (fake) london apartment.

it's understandable that they want to keep their (p)house for themselves and not let the whole world into this thing that's so intimately theirs. but, as they've mentioned before, at the same time they do want to show off what they've built and designed (pretty sure they talked about this on a stereo show or something). and they obviously know the curiosity is there on our part.

so when they share they do it deliberately and with purpose. and by making it such A Thing they're taking control in a way. because it's not us pointing out these things, they already make the jokes themselves, basically making fun of us but in the process still show us new corners of their house and let us in a little bit more.

it's like with 'they're touching', by pointing these things out themselves they take away some of the power we have over their experience but not any of the fun on our part. they acknowledge it and spin it in a way that works for them. at the same time it works for us because it's very transparent and they're not not doing that thing where they lie to us again (to quote them).

it's pretty neat this way I think.

[kaelidascope]

Midnight Menagerie Chapter 19 is LIVE

**SHAKES UH OH DOGGY BAG OF TREATS**

This aint an April Fool's joke folks. This chapter is DARK and I wish I was kidding but I'm not LOL

The second biggest chapter I have ever written for MM is LIVE!

Please please please mind the content warning on this one guys. From here on out, we're getting into the darkest segments of the story. Every negative tag will be relevant. For the sake of spoilers, I'll only label the extremely graphic scenes. ALL ABOARD THE ANGST TRAIN! CHOO CHOO

[rudnitskaia]

yay a week until my 29th bday ✨🔥😎🔥✨

[buckingham-ashtray]

The Invisible Clubber........................ SMILING. CAN'T STOP SMILING. LIFE SO HAPPY. LOVE. LOVE LIFE. BEAT GETTING FASTER. CAN'T STOP SMILING. NOW JUST HARMONY. NO BEAT. MELODY. STOP MOVING. SMILE TO THE SKY. ALL STANDING STILL. BEAUTIFUL. NEVER BEEN SUCH HARMONY IN ALL HISTORY. WANT TO KISS EVERYONE. THEY WANT TO KISS ME. BREATHE IN. BREATHE OUT.................

Sebastian's Story.......... Sometimes I wonder what it'll be like to die. I'll find myself drifting off, staring at something, anything and I'll stop blinking. I feel my whole body slowing down... My heartbeat... And I wonder how long it'll be broken

*Sorry that I couldn't find the source where I got this from and have no idea when this was released. If anyone has the link I will be very glad to insert it!

[evilkitten3]

one of the most frustrating things about reading naruto meta is that every now and then you'll run into a post that's absolutely brilliantly thought out, has stupendous points, and pulls out all the stops on almost every level....

and you just have to stop and wonder how someone can simultaneously be so good at media analysis and so fucking bad at accepting that sometimes authors just cannot and/or will not write female characters on any level

[moe-broey]

Got any body type/anatomy thoughts? FEH has very little in the way of body type variation and I personally like reading that as an open invitation to get silly with it.

OKAOKAYOKAY!!!!!!!! I MIGHT. Have gathered everything.... but I have SOOOOOOO MANY THOUGHTS ON THIS bc you're absolutely right!!!!! It's like a canvas to me...

I have a few directions I take with it! My main one, is to extrapolate features that may be present in the canon design. Taking them Further. I'm so sorry to do this but he is the epitome of this for me, GUSTAV JUMPSCARE 😨😨😨😨😰😰😰

But this is what I mean! I see canon Gustav has a full beard, is big and muscular. Okay. In my mind's eye, that translates to Big Hefty Heavyset type of muscular builds that are more realistic than the 6 pack bulging muscles (that require a lot of prep/dehydration to Look Like That). Also, hairy. Which is why, to fully demonstrate this, he's.... I don't know what he's doing here. This was psychologically taxing on me, but then I reminded myself I Am An Artist and I Hate America. 🫡🧍

Sometimes, if a character fits a certain archetype, I might put a few personal touches into them... mom/mom-like characters who REALLY embody the Doting Caretaker archetype often get the same body type as my own mother. A little honorary thing... though I do wanna be careful as to not restrict a specific body type (esp fat bodies) to specifically stereotypes (aka "mom bod"). Also, a comparison to Sharena! They do share similarities! Henriette's face looks familiar though... and not quite in the way Sharena's does.

Another focal reason I started off w Gustav though, is the second biggest thing I'm Always Thinking About when it comes to character's body types. Which is, Telling A Story.

I've had.... SO many oddly specific hcs about Alfonse...... for So Long..... one of them that's always in the back of my mind is him being at different weights during specific periods of his life. That, for the majority of it/esp his youth, he was almost waifish. He only starts looking healthier when he's out from under his parents' (COUGH gustavCOUGH) thumb (but let's be real, Henriette can be EXTREMELY stressful too... opposite end of the spectrum about it).

Another example of Telling A Story though. Sometimes I trans characters just for funsies and it has no real bearing on anything. OTHER times... my trans headcanons are integral to specific lore beats in my elaborate inner world. ENTER. BRUNO

These are actually from a bit ago I was gonna hold off on posting til I felt I had everything together, BUT. BUT. It's extremely relevant!

In the beginning, I often asked myself, "Why doesn't ANY of the Askr trio recognize Bruno as Zacharias?" MY ANSWER. Is that he looked quite different!!!! In tandem with my silly hcs for him, I feel that Bruno is someone who must care a lot about his appearance. About Looking masculine. I think he's been out as a man by the time he joins the Order, but is early on in his transition (by whatever means that manifests in w ✨ Magic ✨ and shit!!). I think he passes, but definitely Looked Different. Give him More Muscle and a haircut and an even more noticeable voice drop and top surgery he dramatically shows off at every opportunity and a mask that conceals his big beautiful brown eyes with fluttery soft eyelashes and like. Who Is That Mysterious Man...... in that Damnable Mask.........

Okay. Let's back up a minute. What do you mean Lif got mysteriously taller. What does that even mean. I can grant him gaining more weight/muscle, but, Taller???? At his grown up age....?? Well.

Hel's memory of the mortals she claims isn't so good, apparently.... (Eir obviously can't tell anything by the nearly all rotted away bones, but the scraggly long hair is giving her pause...) (also is it the King Hel is thinking of in the first place....? Eir isn't going to ask.)

At this point, I definitely could feel myself getting distracted and decided to just art dump a handful of charas I have strong visions for.

Here, you also see The Secret Third Option of body type design philosophy -- which is. If the design itself isn't giving me a lot to work with. I just do my own thang LMFAOOO 😅 I think Anna def fell into that category for me... where a lot of the story/lore I added for her was purely hc territory, and I went from there. She's broad, tall, muscular, top heavy, but still kinda thin and knobby. Aerodynamic, perhaps....

Sometimes, characters are a combination of these things though... like Mirabilis definitely being a combo of qualities, having personal touches, storytelling elements to her, and doing my own thing for funsies! More about the fairies overall -- I think they all ended up having their basic needs met and were even granted dreams/desires for themselves after becoming Alfar (like becoming exactly as you see yourself, or how you wish to be... which unfortunately only goes so far, can't fully undo the damage done to Mira, but. It's free transition for Triandra, is what I'm getting at LMFAOOO). Which is why each of them did fill out more to varying degrees (again, Mira suffering the most long-term effects from her mortal life, and Triandra, already having an idea/concept of herself at the age she drank the nectar, being able to transition). I have specific human design concepts for them too, that look A Bit different than their fairy designs.... but. I'm still working on that 🧍

Eir is def a storytelling one. When it comes to Alfonse's scrawniness, he was just stressed out so bad it took a physical toll. I don't think there was ever any food restriction (or, if there was, it was a rare occasion/used as a punishment). For Eir, I think something like that would make sense for her though.... lack of access, and frequent meticulously purposeful elaborate abuse from Hel. Eir still looks like you could break her in half, but she does look a lot healthier since her stay in Askr. Another note, though I ran out of space... maybe Ymir looks more like Eir than Hel does. I wonder why that could be....

AND. BACK TO THE START. Extrapolating on canon design elements! If you're going to present me a female chara with big honking bazongas, I'm going to make her fat. Or at very least, Carry Some Weight, like Plumeria does (in that full figured curvy way!). And ESP. ESPPPPPP FOR SEIDR AND GULLVEIG. Where Gullveig has Various Lines about "Oh... I don't know how well these old clothes fit me anymore..." (paraphrasing/off memory I feel like she says something like this Multiple Times). Like. Okay. Well I took that personally. I also just like the idea of her changing over time... always having a chubbier build, but it just keeps going as she keeps growing and changing.

In putting this into words, I'm finding a common thread seems to be weight gain as a sign that someone is being taken care of... for Gullveig, I think it's just a purely neutral change over the course of her life. In Lif's case....... some sort of mix up occurred. I can see Alfonse taking more after Gustav naturally, too, as he gets older though!

One final thought is just, is there a fun little detail I can include? Like giving Seidr and the Seidrs a snake-like face? Doubling as something so cutes and something Intimidating? IT WILL BE DONE. Also Need to get to coloring an illust of Gullveig one day..... the golden stretch marks are soooo cool in my mind's eye...... also just. One Million Piercings. Also as characterization/storytelling. A lack thereof is storytelling, as well.... to me..... ALSO!!!!! SHAPE LANGUAGE!!!!!! I'M SUCH A SHAPE LANGUAGE BITCH!!!!!!!!!

I HOPE. THIS ANSWER FINDS YOU WELL 🫡

[lesbianfakir]

I could write a three hour video essay on tutu and gender but I really love how a show in a genre that’s primarily targeted towards girls explores how expectations of masculinity can traumatize young boys.

This is shown with Fakir especially. While the text never explicitly attributes his behavior to his gender, his arc over the course of the show is quintessentially informed by toxic gender roles. This got long and I have a lot of thoughts so I'm gonna put it under a readmore:

Fakir has one unchanging goal for the duration of the show: he wants to keep the people he loves safe. But outside elements twist this motivation into an identity. He is suffocating under the weight of a person he has never been and can never be no matter how hard he tries to mold himself.

Much of his personality is likely a direct result of circumstance. We are shown multiple times that when he feels in his element he’s inclined to a gentle disposition (ie how he acts with Duck as a duck or with Raetsel). As a young child especially he appears earnest and naive, his already innate desire to protect blinding him to the cruelty of the world. However, this sweeter side is near overwritten by the cold, domineering personality that characterizes his early appearances in the show.

We can infer that without the trauma inflicted on him by the story Fakir would have retained much more of this gentler personality as he grew up. Instead, his desire to protect others is twisted and warped by fear, becoming a desire to control.

Even before having his life upended, Fakir wanted to to take the weight of protecting the entire town all upon himself. He sees a true hero as someone who stands on his own without help.

So how does this tie into gender? Fakir deliberately crushes his "weaker" side--the earnest, sensitive young boy in the favor of a tough persona. He particularly views emotions as a weakness. It's notable that in one of the most iconic scenes in the show, Fakir has a breakdown over someone seeing him crying. This simple display of human emotion is enough to completely shatter the image he has constructed for himself. Fakir's harsh, impossible standards for himself are rooted in toxic masculinity, in the idea that men--real men--are never visibly sad or scared.

Immediately after losing everything as a child, Fakir was given a new source of hope and pride: the role of the Knight. He, of course, built his whole identity around this role. The Knight, like the Prince is expected to protect others without fear. This can be read as analogous to how men struggle under the expectation to be the protectors and the breadwinners, expected to take pain and hardship upon themselves so those under their care may live a comfortable life. However, the story's knight is doomed from the start: a failed protector. Fakir is growing up under literal impossible standards. He's meant to give everything and crumble under that weight without achieving anything.

It's worth noting that the Princesses' roles are meant to revolve seeking affection from men while the men's roles are colored by violence. Contrast the Knight and Princess Tutu who are both destined to accomplish nothing and be forgotten: while Tutu gracefully dissolves into a speck of light, the Knight is gruesomely torn apart. Here, masculinity becomes inextricably linked to violence in Drosselmeyer's world.

For as long as Fakir tries to be a knight worthy of the story he is confined by a toxic gender role. A protector relies on the idea of a weaker subset of person--the protected. Even without malicious intent, this strips agency. Fakir ignores Mytho's wishes all for the sake of "keeping him safe." Likewise Duck doesn't' want Fakir's protection. In several episodes she begs him to give up on fighting and search for peaceable solutions.

Even though neither Duck nor Mytho ask for Fakir to fight for them he feels personally responsible for their safety to the point his entire self esteem rests on his ability to protect them. Despite his guarded exterior, two of the three times he breaks down crying are because Duck got hurt --due to his own incompetence in his eyes.

Fakir can only grow as a person when he stops placing everything on his own shoulders. For all he clings to the sword his real strengths are found outside of battle. He only saves Duck by opening up to her in his first display of willing vulnerability.

By the end of the series he has entered a genuine partnership with Duck. Rather than a one-sided relationship where he sees himself as her protector, he writes her story and trusts her to guide herself through it. This is in direct opposition to the masculine ideals he clung so hard to. The knight and the prince --his role models--are both meant to be self-sufficient in the original fairytale. Instead, Fakir is able to be a vulnerable boy who gets scared and hurt--and doesn't need to hide it--but has friends he can rely on when times are tough.

Fakir's arc doesn't involve him becoming more feminine, necessarily, but it does show him breaking free of the standards placed on his shoulders by toxic masculinity. He was never meant to be a fighter; that was an unfair role he was forced into. At the end of the show Fakir was achieved his freedom. He isn't a knight. He isn't a protector. He isn't personally responsible for the lives of those he loves. He's just Fakir.

[mizukiko-kun]

"How did you know you'd be bulletproof?" "I didn't. I just knew that you weren't." SCREAMING CRYING AND EATING MY PILLOW

[sammygender]

im new here- is dean abusive?

imo yeah. smarter people than me have written dissections of the way he treats sam & others (he’s also Awful to his psuedo-son jack, but i haven’t gotten to that season yet), i’ve probably reblogged a bunch of them.

he certainly doesn’t mean to be & i don’t say it to condemn him as a person or as a character & i’m still very attached to him & he loves sam very much (not that that makes a difference in whether u abuse someone or not) - but the way he treats sam a lot/some of the time is emotionally abusive and sam is clearly badly impacted. s4 and s8 come to mind as his worst moments also ofc moc era - after that there’s less interpersonal conflict (up to where i am at least) but that’s because sam mostly stops disagreeing with dean not because dean actually gets much better <3 spn is cycles of abuse show after all. family is hell. dean’s learnt pretty much everything about how to behave from his abusive father and as a result. well. cycle continues

[bredforloyalty]

the last few years have been a nice detour* but i think it's time to get back to being cringe

*: not that i wasn't cringe recently just that i need to crank it up and lose followers also

[malaierba]

Thinking about Karamatsu/Nozomi whole looking through some web weavings, and if I ever write something for them (currently in the phase of trying to come up with key events and organise them chronologically so it makes sense, thematically) I think I'd like this to be one of the take aways

In the event of a bad ending (dunno if I'm strong enough for that though 🫠 SHE CAN CHANGE HIM WITHOUT DYING im better than that), I hope that Karamatsu still finds it in himself to stop being so passive about his life. Like,

To stop waiting for the perfect moment or the perfect answer to dawn on him, and instead take life by reins and... Just start being an active participant in his own life. To embrace self-determination and the risk of committing to something that may not pan out but still forces you to take conscious and mindful action every day.

[coquelicoq]

after spending the last week very stressed out and losing sleep over how much i regretted giving my number to a stranger, and after talking to several friends who all gave me the same very wise advice ("decide first what YOU want out of this and make decisions based on that" sounds obvious now but honestly blew my mind), i saw food truck man again today and he asked me if i have a boyfriend, told me he's all alone, hugged me twice, and tried to kiss me. i texted him after to be like just to be clear, i don't want a boyfriend, but i hope you find somebody! and he texted me back: i don't need a girlfriend. i'm married.

[chilapis]

Last post before I crash and no-one hears from me until I return from my first final the morrow’s eve (a changed man no doubt) but there’ll never be anything funnier to me than consistently being viewed as a composed and calm saviour by peers while I’m, actively and uncontrollably losing it.