#I swear to god i want to die right now. I write for the opinion section of my school newspaper | Explore Tumblr Posts and Blogs

maddys-nerd-blog · 7 months

Text

Maddy’s Favorite TMNT Films Ranked!

It’s my birthday!!! I’m officially 25, which makes me shudder cuz I’m in my quarter life crisis now. REGARDLESS! Since it’s the day of my birth I thought it right to do something special!!

And that’s rank ALL the TMNT movies from my least favorite to my all-time faves!

I’m honored you all enjoyed my silly episode ranking, it was tons of fun to do and I loved writing it!! Chatting about these turtles has been nothing but fun and brings me tons of comfort, so I’m happy to do one of these again! I just pray my opinions aren’t too controversial 🤣🤣

Ten movies, all about four teenage mutant ninja turtles. One nerd to review these. This’ll be fun!!

Let’s kick some shell! 💜💜💜

Some criteria!

These are just my thoughts on the films! I’m not the end all, be all of what movie is THE BEST or THE WORST. If you like a movie that may have ranked lower, that’s awesome!! Let’s all share our opinions on them and have a fun time!

Straight to DVD films are included in this lineup!

The live concerts and We Wish You a Turtles Christmas are not allowed cuz those are fever dreams 🤣

I’ll be doing a classic ranking system from the bottom all the way to the top!

SPOILERS BEWARE! … AGAIN 🤣🤣 and some slight swearing, I may have gotten excited while writing this 🤣🤣🤣

Let’s begin!

10: Teenage Mutant Ninja Turtles 3 ( 1993 )

My Score: 2 out of 10.

This movie is a fever dream and I can’t be convinced otherwise 🤣

I mean, can you blame me? This was made in a last ditch effort to get Turtlemania back in the mainstream just as it began to die down… and this was a BAD way to win fans back.

From the terrible comedy to the worst TMNT villain in the franchise to grace the silver screen in the form of Walker. Don’t even get me started on the god awful turtle costumes this time around because… dear lord, they’re nightmare fuel. If I saw these guys in an alley I’d run for the hills! They’re downright grotesque to look at! All the characters are either whiny, boring, or unlikable. I have nothing but respect to the voice actors of Leonardo and Michelangelo for sticking it through all three of the classic movies, despite the terrible script they had to work with in this installment. I also feel awful for Elias Koteas, who got the short end of the hockey stick— see what I did there? I’ll see myself out 😂— after ALL the grief Karen’s made him deal with after the first movie, getting booted from the sequel as a result of their nagging, only to be brought back to this mess. And what was with the ancestor-but-maybe-not-but-wait-he-might-be guy that Koteas was also playing??? His character made ZERO sense!

And that Splinter puppet???? THAT THING IS UGLY.

I would never watch this one again unless it was for memes. “What did you expect, maybe the Addams family?!”

No, but I expected a better script than this BS.

9: Teenage Mutant Ninja Turtles: Out Of The Shadows ( 2016 )

My Score: 3.4 out of 10

This may be a tighter script and a slightly more coherent plot, but DAMN, I can’t bare to watch this one for more than ten minutes on a good day.

First of all, Leonardo in this one is downright terrible and a bad leader. I’m STUNNED he never gets reprimanded by his Sensei for his nasty treatment of his brothers— telling Donnie to LIE TO HIS FAMILY ABOUT THE OOZE????? That’s out of character! Belittling Raph with that whole ‘There’s only one vote that counts’ line???? And putting the blame on him and Mikey for the police station fiasco?! He comes off as a bully!!

The plot is somewhat stronger than the first but it’s just taking elements from the Marvel movies, such as the hole in the sky like The Avengers. Shoving needless fan service in our faces as if to say ‘SEE??? WE LEARNED FROM THE FIRST ONE, WE HEARD YOU, THIS IS WHAT YOU WANTED RIGHT?! LOOK! THERE’S A FROZEN NEUTRINO ON KRANG’S SHIP!’ Sorry, but this ain’t the Sonic movie, it isn’t going to work unless you actually respect the material you’re adapting! Like with the Sonic movie! They fixed Sonic’s look because of fan demand, and they actually respected their advise! Here though? It’s like they’re just throwing it in our faces just to spite us. It’s not coming from a place of love. Casey Jones in this film is a joke— what a waste to this iconic character to turn him from a badass vigilante into a whining baby vying for April’s affection. Bebop and Rocksteady are annoying as hell. Stockman sucks. Karai is a nothing sandwich. Shredder barely does ANYTHING. And Krang??? EW. Just… ew.

But for all my ranting this far, I do have some positives from this one— April actually gets to have a playful personality which is fun! Once again the turtles are the highlight. Their designs this time around are great!! Less accessories but it allows for more room to show the guys’ fighting abilities and the accessories they do have is there as an added bonus, not to clutter their look! I feel like this was Donnie and Raph’s movie more than anything! The amount of attention they get in this film alone shows that there were writers who loved these guys and treated them with respect! That scene where Donnie single-handedly TOOK CONTROL OF A CRASHING AIRPLANE USING HIS BO AS THE STEERING?! THAT WAS SICK!!! And Raph once again is an absolute BEAST in battle! The motion capture artists are phenomenal as the titular man characters, they all had great chemistry together! I just feel awful that they had to be treated so badly behind the scenes…

It’s not a great movie, and even with the few redeeming factors it still makes me irritated.

8: Turtles Forever ( 2009 )

My Score: 3.5 out of 10

PLEASE DON’T HATE ME 🤣

Remember what I said about us not getting a proper crossover until Ciro Nieli adapted the 1987 turtles into the show?

Yeeeeeah. This one was NOT it. And this was supposed to be the 25th anniversary movie???

For some reason, ALL the ‘03 turtles are so bitter and mean to the 87 counterparts. They’re putting them down at every instance where combat or character bonding is involved, which is ridiculous. ‘03 Donnie WOULD NEVER be so nonchalant about meeting another version of himself— and why does he constantly put down ‘87 Donatello for his inventions??? They should be hyping each other up and talking techno babble! Why is Splinter the only likable person in the whole movie?! Why did they change April and Casey’s designs to look like random anime characters?! ( NOTE: I know they changed them to match the 2007 film at the time, I’m just being funny )

I already can’t stand the ‘03 version of Shredder but DAMN, they’re making him out to be the most amazing version of him out there. It’s like the writers behind this movie are ragging ‘87 Shredder— WHY DID THEY MAKE HIM A HAPLESS IDIOT?! They gave ‘87 Shredder so much disrespect! In the original cartoon, while he could be used for laughs, he was also taken seriously and seen as a very real threat. He was no slouch whatsoever either, he easily took the turtles out in one episode in season two! The only ones who actually stayed ‘in character’ were Bebop and Rocksteady! It’s like this movie is tearing down what made the OG series fun and iconic to build the ‘03 turtles up to be THE greatest team. I just wanted these two teams to be working together and learning from one another in their own ways! Like, imagine a scene where ‘87 Raphael teaches ‘03 Raph to rip the fourth wall! Or ‘03 Mike and ‘87 Mikey showing each other their own nunchuck tricks! You know? ACTUAL BONDING????

And yes, the OG voice actors were swapped cuz of union disputes by 4Kids. The only one that sounds kind of like his original voice was the guy playing ‘87 Raph. Otherwise? They all sound pretty bad. It actually made me cringe the first time I got around to hearing them, I did NOT get used to them.

I understand there’s an extended cut out there that addresses some of the issues that were cut for time, but unfortunately we don’t have that version to go off of, so I’m left with this.

All I have to say is, THANK YOU CIRO NIELI!!!

7: TMNT ( 2007 )

My Score: 6 out of 10

No this was not intentional 🤣🤣🤣

We’re nearing the halfway point and we’ve reached the TMNT movie I saw as a kid! Fun fact, this movie came out after my birthday and I BEGGED my dad to take me to see it. So as a birthday treat he took me and my brother to see it opening day! Not only was this my introduction to the turtles, but it made eight year old me curious about the series!

Is it as good as I remember?

Well… no, but it’s not bad!

I��ll admit, the plot is kinda slapdash and nonsensical. Like… I know, I know, this is a franchise about teenage turtles who learn ninjutsu and fight a man dressed like a cheese grater. But even for me this story is out there. Why do the Stone Generals have no personality or defining traits other than the weapons they use? Why is Winters so generic? The concept of an immortal general searching for thousands of years for the lost monsters to atone for his terrible mistakes is cool, just not for this franchise if that makes sense. Also this movie doesn’t seem to wanna give Donnie or Mikey any agency; they’re mainly in the background doing comedic stuff or off on the wayside with nothing to do whilst Leo and Raph are pushed into the spotlight. For a story centered around bringing a fractured family back together we don’t get to see how Mikey or Donnie have been handling Leo’s absence during his time spent in Costa Rica.

Yet through this muddy plot we have some of the most iconic/ memorable moments in this franchise! Raph being the Nightwatcher— which is coming back in the comics soon!, Donnie’s tech support meme, THE LEO VS RAPH FIGHT ON THE ROOFTOPS WHICH STILL LOOKS FREAKIN AMAZING TO THIS DAY???? Seriously, Imagi Studios had such an incredible future ahead of them, it’s a shame they went bankrupt! Some of my favorite actions moments in this movie are towards the end where the family is in Winters’ compound and we’re treated to a one-take camera pan of them brawling through a slew of Foot ninja!

And the voice cast here is great!!! Nolan North as Raph??? James Arnold Taylor as Leo?! CHRIS EVANS AS CASEY?! AND MOTHER FING MAKO, AKA UNCLE IROH HIMSELF AS SPLINTER?! It’s a great ensemble!!! Everyone here clearly gave it their all, they should all be praised for this!!

You can tell there was a ton of attention to detail put into this one, and that the people behind it had tons of fun animating it. We could have had a really cool film series on our hands had the studio not fallen under. Otherwise, I still enjoy watching this purely for nostalgia purposes!

6: Teenage Mutant Ninja Turtles 2: Secret of the Ooze ( 1991 )

My Score: 6.9 out of 10

For a movie made right after the first to cash in on the Turtlemania high, I gotta say, this one’s really fun!

It’s not without flaws though; Karen’s gotta ruin the fun once again and the tone was dragged WAAAAAAY down to take away the darker themes from the previous film cuz they thought children couldn’t handle any action that was too violent. Karen’s also took Mikey’s nunchucks away and got rid of Casey. The story is goofier and doesn’t allow for any space for these characters to breathe or emote past being lighthearted and funny. April isn’t as down to earth since Judith Hoag was replaced, Casey Jones is sorely missed in this story, Tokka and Razar are just dumb, bumbling monsters made to replace Bebop and Rocksteady. Professor Perry is obviously supposed to be Stockman, and the Shredder doesn’t truly engage with the turtles until the end of the movie. The Super Shredder was just a missed opportunity! The turtles don’t get to use their weapons at all except for Donnie cuz he uses a giant stick.

The positives outweigh all of that though! As always the turtles are fun and lovable, the new voice for Donnie is awesome, we get some great comedy spliced throughout the film, the Go Ninja dance sequence is so memorable that to this day people are still bringing it up! And I’d be remiss if I didn’t bring up the introduction to Keno, played by Ernie Ryes Jr., the stunt double of Donatello in the first film!! Keno is a GREAT addition to this cast! I adored his quips and the action stunts he pulls off are thrilling! I honestly think he’d be an awesome character to keep bringing back in new projects! COUGH MUTANT MATHEM SHOW COUGH. I wish he was in more stuff cuz he really is a fun addition to the roster! I even had the opportunity to meet Ernie Ryes Jr. this last summer with a friend of mine, and he was SO nice and SO chill! He was so excited to meet fans who were talking about TMNT, and when I told him how much the franchise meant to me, he gave me a hug and took a pic with me!!! He was such a great guy!!!

I can always go back to this one and smile throughout the movie! Also, GO NINJA GO NINJA GO—

ONTO THE TOP FIVE!! From here on out these are the movies I can rewatch over and over and never grow tired of viewing them!! So let’s get this party started!!

5: Teenage Mutant Ninja Turtles ( 2014 ) ⭐️

My Score: 7.8 out of 10

Say what you will, but I love the first movie more than the sequel 🤣

I love this movie, it’s a ton of fun and the action is truly a spectacle! I feel like I had more fun with this first movie than it’s sequel because, firstly, the plot is quick and engaging. Sure, there are some issues, but I can forgive it because…

This movie IS JUST FUN.

I know this is gonna be a controversial opinion but I really like the first movie over the sequel! I really liked April! I’m of the opinion that Megan Fox can be a decent actress if she’s given the right script, and in this movie, despite the fact she might not have the most compelling arc, she’s still a good interpretation of the spunky reporter we all love! Will Arnet is also pretty funny as Vern! I still think Sacks should have been Stockman instead of Shredder. Making that swap has no integral change to the plot and it would have made more sense. Like… why not keep the mad scientist character as the already established mad scientist? The origin change inspired by the IDW comics may be jarring but I didn’t mind it! It’s just a different iteration of their upbringing but it still remains true to the turtles themselves!

The motion capture technology for the turtles is jaw dropping. I mean it. It feels like Megan Fox is making direct eye contact with these giant mutants, they’re interacting with the scene and characters, when they engage people in combat you FEEL those blows and believe they’re actually beating the snot out of these thugs.

But by far, the turtles are the biggest highlight of this movie. They’re tons of fun to watch and their banter and chemistry is great!

Do they have tons of needless accessories? Yeah

Do they look cluttered? Yeah

But does that take from their personality? NO

Donnie IS A CINNAROLL AND MUST BE CHERISHED. I feel his own techy gadgets and gear adds to his introverted personality! He’s such a lovable dork and I really liked him in this one! Jeremy Howard is a perfect fit to voice/ act for him, nobody can convince me otherwise. PLUS THAT ONE MOMENT WHERE HE SMASHES HIS BO INTO A FOOT GOON’S KNEECAP????

Raph IS A FREAKIN BEAST! GOD-DAYUM, this turtle is easily the strongest incarnation of the hothead to date! Tossing shipping containers like it’s nothing, casually breaking through steel fans to create a blockade against the Foot! I might be in the minority but Alan Richardson is THE first voice I think of when I’m told to say which Raph I prefer!

Mikey is still a bit iffy for me cuz of the weird innuendo jokes, but I can see why people like him! I still think him flying around on a hoverboard skateboard is dope as hell though. And Leo is likable in this one!! He’s actually a responsible older brother who’s devoted to his family and not a selfish jerk keeping secrets from his brothers 🤣🤣😂

Plus, the emotional parts of this one hit harder than the sequel for me, especially on my first viewing. The Splinter Vs Shredder fight is intense and really REALLY well choreographed, very inventive and exciting with all the stunts Splinter pulls off. The moment where Leo and Mikey both scream for their father, the blink and you miss it line of Leo calling Splinter ‘dad’— which was improvised by Leo’s motion capture actor— and the gut-wrenching aftermath of the battle where they’re led away in chains believing their father is dead… that may have gotten me misty eyed.

The snow chase? Badass.

The climax? Pretty damn good.

That elevator scene that was entirely off script and improvised by the motion capture actors? BEST SCENE IN THE ENTIRE FILM.

Is this the best? No, but it didn’t have to be! I love this one! And I can happily say it’s the most fun I’ve had with the Bayverse turtles 🤣

4: Teenage Mutant Ninja Turtles ( 1990 ) ⭐️

My Score: 8.9 out of 10

This is, without question, one of the most stunning displays of practical effects and costume work in any film made at this time. Henson’s Creature Workshop truly outdid themselves in this feature with their work on the turtles.

The turtles look like living, breathing creatures. They actually look as though they’re real! There a small flaws, yes, but I can look past it because the amount of detail and effort that went into these things is incredible!! The stunt actors brought the action to a whole new level in those suits! You can tell every ounce of passion was put into this, and everyone had so much faith in seeing that these turtles lifelike! Brian Tochi, Josh Pais, Corey Feldman and Robbie Rist were perfectly cast as the four mutant turtles!!!

Judith Hoag plays a phenomenal April! Fun, spunky, witty and clever! I met her last summer too and she was truly wonderful!! Such a kind woman who listened to my story and connected with me!

Whoever hired Elias Koteas as Casey needs an eternal raise. He looks like he popped out of the comic and came to life. He was perfect!!

Splinter in this movie IS A GREAT FATHER AND AN AWESOME PARENT.

Shredder gives me chills he’s so intimidating.

When this movie came out everyone went bonkers with Turtlemania fever. The critics slept on this one because this was Eastman and Laird’s comics brought to reality. Steve Barron of Take on Me fame delivered on presenting the dark and gritty nature of the turtle’s lives and how brutal the Foot truly is.

I gotta highlight that score for this film because John DuPrez??? You’re a GENIUS.

My only issue is Danny. He was just obnoxious and selfish the whole way through until the climax. Like… hope you have a couple thousand dollars left to give April instead of the 20 you stole, kid, YOU GOT HER HOUSE BURNED DOWN.

THAT FIGHT SCENE ON THE ROOFTOP IS DOPE AND FUCKING AMAZING. AND CASEY CASUALLY TURNING SHREDDER INTO CRUSHED TUNA???? WE LOVE A BASED CASEY.

I don’t know what else to say other than this is the epitome of a true 90’s classic.

3: Rise of the Teenage Mutant Ninja Turtles: The Movie ( 2022 ) 🥉

My Score: 9 out of 10

Holy. Shit.

This movie LOOKS FUCKING GORGEOUS. DISNEY WHO????? DREAMWORKS WHO???

Before I got into the fandom I found this movie through the trailer and Black Nerd Comedy’s discussion about it. On a day I was bored I turned this on.

AND THIS MADE MY JAW DROP.

I had ZERO clue this movie looked as visually pleasing as it did. I adore this film and the animation behind it. It’s so clean, so slick, the pacing is just right, the action alone made the hair on my arms stand up! I love watching the animatics and storyboards behind the action scenes of this film just to study it and marvel at how freakin talented these artists and animators are!!!!

The voice cast knocked it out of the ballpark! Ben Schwartz in particular deserves massive praise for his performance as Leo, such a dynamic range of emotion to balance out the ‘comedy guy’ to ground him in this serious situation. Plus, Sora from Kingdom Hearts is in this as Casey Jr! 🤣🤣 his character arc having to change from the carefree prankster to the leader who had to step up and save his family is a thrilling plot point we see unfold!

I loved the characters!! I loved the score!!! I loved how this film wasn’t afraid to be genuinely SCARY with the Krang.

The angst???? The whump???? THE CLIMACTIC SHOWDOWN???? CHEFS KISS!!

WHY DID I NOT DISCOVER RISE SOONER?!

I can’t help but gush over this movie of because this is top notch quality!!! I have nothing to say, this one is OP!

2: Batman Vs The Teenage Mutant Ninja Turtles ( 2019 ) 🥈

My Score: 9.8 out of 10

FUCKING.

LOVE.

THIS CROSSOVER.

Literally one of the best crossover films of all time. I adore this Hellboy art style for the film, I adore the opening intro where it’s all German-deco-Impressionism/ noir influenced and it’s all dark and covered in shadow minus the blips of color to symbolize the characters.

I adore the handling of the martial arts versus the brutal, grounded combat style of Batman! I love how the animators literally used the backgrounds to their advantage and made them pieces for the characters to use as weapons!

I adore how the turtles have such natural banter and chemistry with one another! I love how Batgirl and Donnie bond!!! I adore how everyone plays off of each other! The dialogue is fun and full of charm! I loved watching Batman and Shredder going completely off the rails on each other!

I love Donnie!!

I love Mikey!!

I love Batgirl!!

I love the subtle reference to Pink Floyd!!!

I LOVE ALL THE REFERENCES TO ALL THE DIFFERENT ITERATIONS OF TMNT HISTORY BECAUSE YOU KNOW THESE WRITERS/ STORYBOARDERS/ DIRECTORS CARED ABOUT THIS.

My only complaint? The Batman villains are underutilized, their mutant designs are bland as hell and Joker and Harley suck. But I’ve always hated those two so that’s not an issue with the film itself.

That pizza party at the end MAKES this for me. I got the comics this was adapted from, those are SOOOOO GOOD!

Nothing but high praise here. All my heart goes to this one. And this used to be my champion, until this movie blew it out of the water…

1: Teenage Mutant Ninja Turtles: Mutant Mayhem ( 2023 ) 👑

My Score: 12 out of 10

This. THIS is the quintessential TMNT film experience.

Call me biased. Call me boring. Call me basic, but THIS MOVIE SAVED ME THIS PAST SUMMER.

The teaser came out the week of my birthday last year. I couldn’t stop smiling when we got that first taste of what the animation was going to be like. It was like a feast for the eyes!

I trained myself not to watch ANYTHING past that first trailer. I had to ignore leaks and spoilers for MONTHS, I even ignored the posters of the characters themselves because I wanted to be genuinely surprised by who was in the movie. It was like I was prepping for Endgame all over again. I got the figures to prepare for the movie, I bought early fan screening tickets in advance, I took my best friend with me to share the moment cuz there was no way I was NOT gonna have my bestie there too. I even custom tie dyed a shirt with Leo and Donnie’s colors and decked myself out in TMNT gear the day of the premier. I went into that movie bouncing in my seat.

And I left that movie smiling with joy and laughing and crying. And then I proceeded to see it THREE MORE TIMES IN THEATERS. That’s an honor only reserved for the movies that have moved me enough to cry.

The plot is simple but the twists and turns they take leaves you surprised and on the edge! The soundtracks are STELLAR, both the score and the music they used. There are plenty of Easter eggs to find on a rewatch. The jokes ALWAYS LAND! I love these weird cringy turtles and their memes 🤣🤣

The turtles are precious babies that must be protected! Leo is awkward but lovable. Donnie is a Cinnaroll. Raph is hilarious and probably needs a stress toy to calm his anger. Mikey is a joy to watch and he’s relatable! April is fun as hell, MUTANT MAYHEM SPLINTER IS A GREAT DAD AND IN MY TOP THREE BEST RAT DADS LIST. Superfly is HELLA scary, the iconic mutants they included are fun, MONDO GECKO MY BABY BOY LOOK AT HIM GO!

This voice cast is going to become iconic. Everyone from Ice Cube to Jackie Chan to Paul Rudd to the very first actual teen cast of the titular characters!!! Nicolas Cantu, Micah Abbey, Brady Noon and Shamon Brown Jr delivered excellent performances and brought these guys to life!

THIS ANIMATION IS SO UNIQUE AND COOL!!! It looks like EVERY medium was explored and used— everything from 3D to sketchy hand drawn, erratic wild outlining to claymation?! DUDE THIS IS LITERALLY SPIDERVERSE BUT FOR TMNT!!!

The MOTHER FUCKING NO DIGGITY MONTAGE ARE YOU KIDDING ME—

It was all I wanted. It was everything I wanted it to be and then some. After the shit I had to go through in 2023, it felt like a giant breath of fresh air to enjoy something I was so excited for, if only just for an hour and a half. I went straight home and showed my older sister, who was recovering at home at the time during one of her treatments, all the merch I got from the fan event and rattling off about the movie. She laughed and said ‘I’m glad you had a great time!’

Not gonna lie, I was apprehensive when I heard Seth Rogan was the one helming this project cuz his track record of movies hasn’t been the most… friendly to sit through. But, with this? I tip my hat to him! He delivered for the fans, big time.

I loved this film. It’s my favorite TMNT movie of all time. I’m totally stoked for the new series coming out this summer. All I have left to say?

COWABUNGA! 💜❤️🧡💙

TADA~! And that’s it! This took me a week to finish but I’m proud of it!! 😁 I had so much fun making this list!!!

What would you rank these movies? I’d love to know and hear your thoughts on them!! 😁

Thanks for reading!! Have a great day! 💜💜💜💜

@queen-with-the-quill @tending-the-hearth @mermmarie @lameboobah @tmnt-tychou @indieyuugure @wasted-and-ready @figuringitoutasigoalong @angelicdavinci @zandiiangelspit @jadethest0ne @turtle-babe83

31 notes · View notes

fireemblems24 · 9 months

Text

Azure Gleam Ch 12

It shouldn't come as a surprise to anyone that this is, by far, my favorite route. Spoilers below.

MAIN STORY

I forgot we had Claude on our "side" here.

Oh, here comes Byleth. This is AG's chapter for Byleth, right? And ugh, this time I need to actually recruit Byleth or else someone I love will die bc someone from Faerghus will die.

Oh, there's Randolph. Ready to die again. I swear to God this man is allergic to life.

He's hiring Jeralt, so yeah, this is the recruit Byleth chapter.

Adrestian nobles are real peaches. They're burning villages and looting, or a good handful of them are. I swear they have the worst nobility. Only Faerghus Western lords rival them.

If Randolph dies, than Jeralt's contract is terminated. So that means I have to trade Randolph for Jeralt and Byleth? Deal.

Man, that mint hair is a CHOICE. Whyyyyy. The darker blue hair is much better.

I like Byleth more after Hopes. I liked Byleth before, but Hopes has helped me see the characterization easier. It also makes the whole "one man army"/Ashen Demon seem more real.

And yep here's the sword again from the other routes.

I'm just so happy they gave Felix the high ponytail look.

Time to make Adrestia sweat.

Jeralt scars the Blue Lions way more than Randolph.

Leave it to Sylvain to strategize. Haha, Rodrigue says Sylvain reminds him of his dad, Sylvain isn't sure if that's a compliment.

I love how much you can tell all these people have known each other for so long.

OMG, there's so many side battles.

ANNETTE & FELIX B

Weird to only give them on support and it's only B given how popular their ship is.

Another support about Annette's songs lol. They really increased that in this game, but it's adorable so I'm good.

Dorothea and the church are performing operas for Faerghus.

Annette's "opera" song is about taking a hot bath when she's already hot. Felix is impressed with her mental fortitude. Lol.

Annette's flustered because it's supposed to be serious, not about bathing lol.

They basically set up a date to go see an opera together.

YURI & SHEZ C

I saw this in another route already (but forgot), so I unlocked it here too! But not going to write about it twice.

YURI & SYLVAIN B

These two rooted out spies together. Well, mostly Yuri lol.

Yuri's impressed with Sylvain's layers.

Neither of them are going to let Dimitri know what they're up to until after it's done lol.

Yuri's earned Sylvain's trust, but still threatens Yuri if he switches sides.

Yuri calls Sylvain out for being super loyal, which, yes, he is and that's often so overlooked part of his character.

Wait . . . Sylvain hit on Yuri with a bad pickup line? Lamo.

Sylvain mistook Yuri for a girl. Yuri is going to blackmail Sylvain with his back pickup lines for life lamo.

Yuri's open to a date with Sylvain though. Sylvain is into Yuri's flirting.

That would be a nightmare couple.

MERCEDES & SHEZ A

Mercedes looks at the little things and it reminds her of what it was like before the war - like tea parties with Shez and kids determined to get stronger.

Mercedes hates the war and wishes she could go back to those days. Getting really sentimental.

Mercedes used to just accept whatever happened and didn't realize how much she valued the past until peace got destroyed.

I had Shez be nice and tell Mercie that it's ok to get sentimental.

Mercie was happy with that.

Shez says she's always there to listen to Mercedes if she needs it.

So Mercie's like, let's tea party now! She bought new ingredients.

DEDUE & FELIX B

Their only support

Ohhh, Dimitri's in it too. They're talking strategy. Dimitri wants a head-on approach, Felix wants a sneaky one, Dedue withholds his opinion.

Dimitri tells Felix to stop pestering Dedue lamo.

Dimitri wants to head the mission, but Felix is like no, let me. Strategy resolved and Felix confronts Dedue.

Dedue values Felix's input and recognizes his unique role with Dimitri.

Dedue just stays amused the whole time and doesn't let Felix get to him.

Felix will not spit it out that he's so worried about Dimitri.

Dimitri returns and is about to tell Dimitri what went on but Felix cuts him off, which I'm sure just amuses Dedue.

I love how it's pretty much cannon that the vast majority of the cast never take Felix seriously when he's spouting his tsundere.

INGRID & MARIANNE C

MY HORSE GIRLS GET A SUPPORT CHAIN!!!!

OMG I'm so happy with this.

Ingrid's worried because her horse didn't eat all the feed. Marianne recommends hay and explains why.

Ingrid is happy and compliments Marianne, who of course downplays it and tries to get out of Ingrid asking more questions (likely about horses).

Of course, later Marianne tells Ingrid her horse (or pegasus?) is probably scared after acting up after being on the battlefield the first time. Marianne goes full horse whisperer and fixes the problem.

Then leaks that she's talking to the horse lamo. Ingrid catches it. Ingrid thinks it's awesome though.

Ingrid tries to give Marianne confidence; it doesn't work.

As a fellow horse-girl, I love this.

DIMITRI & BERNADETTA A

Dimitri catches Bernadetta out again, and ofc she gets scared, but Dimitri just wants food bc he's working too hard and missed dinner.

Haha, Dimitri hates being shut in all the time.

Bernedetta thinks Dimitri's work is spying on her, but Dimitri assures her that's not it bc he has too much work to spy lamo.

Bernadetta is amazed at what Dimitri puts on his plate because it'll taste awful, but like he can tell :(

So they cook together. And she tries to cook something he likes, which is kind of sweet actually.

She got too flustered and messed up the dish. I know where this is going lol . . . Dimitri and his iron stomach.

Yep, she's shocked that Dimitri just . . . eats it.

Oh, God, she's going try it, but of course she hates it.

Bernedetta thinks he'll have her executed now, and Dimitri's like "do you seriously think I do that?"

So I guess this is his Hopes "Dimitri can't taste anything" support.

I love how he seems immune to Bernedetta's antics though. He just calmly explains that her fears aren't true and moves on.

SYLVAIN & IGNATZ B

Ignatz figured out a general time period that Sylvain's painting came from.

Oh, geeze, it's a color made from crushed gemstones? That must've been $$$$. Geeze.

Sylain was reading up on saints to get more info on the picture and might've figured out who it was. An archbishop (was it one of Rhea's fake personas?)

Ah, they think she looks like Rhea. So I'm right. Hahaha.

They're confused about that. Never in a million years . . . .

So this does confirm that Rhea just keeps faking her death.

I'm pleasantly surprised by this support. I love Sylvain, but Ignatz is . . . not interesting, but I like how it expanded on Sylvain's studious side, and he's an art fan! Now I like him even more.

ASHE & FLAYN C

Ashe is fishing to feed the army. Ashe, sweetie, one fish is . . . not going to make a difference.

Naturally, though, Flayn is very interested. Because fish.

Does Ashe place well in the fishing tournament in 3H? Would be interesting to see if the lore stayed the same about Ashe's skills.

Poor Flayn isn't allowed to fish bc Seteth gets too nervous with her around water, but Ashe lets her fish like she used to.

Honestly, Flayn looks too young for most of the guys, but she fits Ashe's look (and personality) really well.

Flayn almost catches a large fish but fails to catch it. B support will be about her catching it, I'm betting.

DEDUE & CATHERINE B

Catherine comments that Faerghus now trusts Dedue and Dimitri more. Dedue gives all credit to Dimitri, lamo.

Apparently people gave Dimitri crap for choosing Dedue over everyone else.

Catherine isn't religious either. But I thought Rhea was a tyrant who only allowed religious people near her??? /s

Neither Dimitri nor Rhea get too wrapped up in their own titles.

Both spend their free time helping people out.

Catherine is like, maybe Dimitri is rested by helping people out like that. Something Rhea, Dimitri, and Byleth have in common.

Catherine and Dedue think they could be friends, as long as Rhea and Dimitri stay on the same side.

DIMITRI & RODRIGUE A

Not ready for this, guys.

Dimitri wants to know how Rodrigue felt when Lambert died. :(

Rodrigue didn't believe it at first, but accepted reality eventually and remembered the promise he made.

Dimitri then asks what if he'd died in Duscur too?

Dimitri also thinks Rodrigue intended to die with Lambert, but Rodrigue confirms that he never wanted to die, but wouldn't mind dying to protect Dimitri/keep him in line.

(hahahah, no)

Dimitri says losing Rodrigue would be like losing another father :( confirmation that Rodrigue is like a father.

Rodrigue calls Dimitri out for not valuing his own life enough :( (or that he doesn't even value it at all :( ) saying that he's only following his king's example then.

And Dimitri's response is like, yeah, guess you're right, I have no excuse - probably . . . not what Rodrigue was looking for :(

He's like, yeah, that was probably too harsh, but thinks Dimitri sounded a lot like Lambert :(

Rodrigue always wanted to tell Lambert that.

Dimitri's emotional about sounding like his father :(

Sounds like Faerghus people are always telling each other not to throw their lives away.

Haha, Dimitri's like, I'm jealous of your bond with your friends, and Rodrigue implies that Felix wouldn't like hearing Dimitri imply he's not close with his, lamo. Rodrigue is such a dad to Felix, like that teasing king, which is just perfect for Felix being so prickly lamo.

MAP & SIDE BATTLES

Sylvain would rather turn enemies into allies than attack them. He's talking about Jeralt's mercenaries, but it's just more proof that he disliked resolving conflict with violence.

The common folk find Dimitri more approachable now. He's working on being more relaxed lol.

Dedue and Ashe talked about how Dimitri broke a pen during a war council. Shez suggests they name the pens so Dimitri's more attached to them and is less likely to break them. I cannot with these people. (also, can you imagine how put out Dimitri would be breaking a pen he named?) They also talk about how some people are scared of Dimitri because of his freakish strength :(

Seteth is impressed with Dimitri, who asks him about tactics a lot (which, side note, I'm so happy to see this game heap more praise on Dimitri, I get that AM's plot structure didn't really allow it as much, but it's nice to hear. Also, that it's Seteth is so cool, because he's by far one of the most wise characters).

Back to Seteth though, he explains he knows so much because he's studied this military genius Saint Cichol and really recommends his book. No bias at all there, guys.

And the saga of Balthus being obsessed with fighting Dimitri continues, lamo. (nobody blames you, Balthus, because, same, how can you not be a little obsessed with Dimitri's body after seeing it).

Mercedes and Constance were friends! That's cool. Also, not two braincells between them. (and I say that with affection)

I love how the game is going out of it's way now to show that Dimitri is asking for advice from experts, then making a decision based on what he's learned. His FEH support was about that, and I always liked that, so I like seeing him do it here.

Also, it seems I can't use Rodrigue again :( Actually, here's here for the side battles, so maybe I can?

MAIN BATTLE

OK, guys, time to get Byleth. Please let this be easy.

Someone very kindly wrote up a guide for me in a message. I never posted it so I could reference it, so let's hope I get it right the first time.

We're in the weird dimension with Arval, who's on high alert bc Byleth. But this time we recruit Byleth.

"Defeat Randolph" - Don't mind if I do!

Ok, so step 1 is selecting "Locate Ambushers." But I don't see that?

Kidding. I picked it.

I can't use Dimitri??? Oh, shit. He's BY FAR, my strongest unit. This is a shitty battle to lose him for. And Rodrigue. So I'm down 2 of my actually trained units. This sucks.

No Felix either?? This is really bullshit at this point. I basically only have Shez, Sylvain, Ingrid, Dedue, and Mercedes and Mercedes can't do shit, Dedue is also pretty awful, and Ingrid always dies. Ugh. This is going to be impossible. So basically just Shez and Sylvain.

Honestly, if this is too hard, I'm just going to let Byleth die because, to be honest, I'm really sick of playing this game. This route IS the only one I actually care about finishing though.

Ugh, I knew I'd hate this chapter, but taking away 3 units with no warning is just total bullshit.

Dimitri following me around is kinda cute though. And I forget how good Shez is. It's just, Dimitri's so strong I'm used to one-shotting at this point, lamo.

I also love how when Dimitri's a green unit, he's still fighting and not getting protected like the other 2. He's also . . . not someone I have to worry about dying. He's, uh, level 57 and suggested level is 44 so um.

Ok, so far so good. I got Fleche to show up, which is the next step. Now I just have to kill her quick.

Defeated Fleche. Now I need to see a command to defeat a dude, and a side command I ignore (guessing either defeat Byleth or Jeralt, the side one that I ignore).

So pretty sure I messed up and I need to "kill" all the mercenaries attacking the base BEFORE Fleche.

Ok, got Alois before he invaded. Just got Fleche. Pretty sure what's left is to not engage Byleth and rush kill Randolph.

Took Randolph out because I saved up all my warrior gauges.

OMG, I finished Randolph before the side mission was even announced lol.

I DID IT!!!! I got Byleth and Jeralt 😭

And I did it without Felix OR Dimitri 😭

So Jeralt surrendered after defeating everyone bc they decided to use logic and know they couldn't win. Plus, they want new clients.

Jeralt doesn't care about the conviction with the Empire, only coin. But he wants to avoid Rhea because of their past, but Dimitri sets conditions to make sure that Jeralt and co avoid her.

Guys, I can't believe I'm seeing the recruitment and not character death (I know it's Rodrigue, I couldn't let him die, no matter what)

I just saw the Byleth is playable card 😭

Guys, I saved Rodrigue.

Most of the Blue Lions are like, this is weird, but good. And they want to bond by sparing bc that's what the Blue Lions do lamo.

Shez ran off though. She's talking to Shez and figured that's best done not with people around.

Arval is way more chill about it than I thought.

Shez still has a goal though, to win the war and bring peace with Dimitri and co.

Getting ready to attack the monastery. Still kinda wish Claude was our enemy like the other 2 routes.

Everyone is standing by Dimitri.

Oh . . . Mercedes thinking about Death Knight? Betting she'll run into him soon. Can you recruit him in AG?

xxx

#azure gleam #fire emblem #fire emblem three hopes #three hopes #three hopes spoilers #azure gleam spoilers

21 notes · View notes

grippingbeskar · 2 years

Note

hi bestie! Idk if I've asked this before tbh but as the author of one of if not the best frank series out there, do you have other frank fic recs?? I'd love more series but anything will do! I 100% trust your opinion on fics just based on your writing tbh

(PS can't wait for the next salt ice and fire update 🥰 )

okay i know this has been in my box for so long so i apologise but i wanted to actually take the time and curate a little list for you since you were so SWEET. thankyou so so much for your kind words like i actually treasure things like this so much, and i’m so glad you asked for recs BECAUSEEEE i have read so many frank fics it’s actually embarrassing.

now there is a stark LACK of read frank series in this rec list and that is only my fault i’m so sorry— i’m sure there’s a million out there however i don’t tend to read series as much (lmao that i’m writing one) but i will do a lil rec list of series once i’ve found some.

the fight and fuck series by @chrisevansredbelt - it’s literally so HOT and angsty and perfect holy shit. one of my favourite frank fics of all time, i’ve read the first part like 6 times i swear.

you gonna let me be good to you? by @chvoswxtch - even the TITLE like that is so frank. SO FRANK. this fic fucks me up in the best way possible.

sit around and miss you by @ohcaptains - this entire frank masterlist is fucking perfection. seriously some of the best writing i’ve read on this site, but this one in particular just hnggggggggg fucking yummy.

don’t ever leave my side, baby i’ll die by @balenciagabucky - sleepy sex w marine frank. do i have to say any more. it’s so good.

morning kiss by @itwasthereaminuteago - they have a lot of frank fics which r all PERFECTION but this one is my personal fave. you have to read to find out why heheheheh

reflection by @marvelswh0re - maybe i’m biased that this is my fave bUT again, anything by this writer RIGHT HERE is fucking genius so enjoy this whole account too

home isn’t a place by @saintmurd0ck - this was so hard to pick just one. but this author writes so beautifully like i can’t explain it. even the names of their fics are so gorgeous i die.

this poly frank x matt masterlist also by @saintmurd0ck - can’t tell u how many times i have devoured this omfg.

outdoor sex by @lovelybucky1 - HOWLING. that is all. i can’t

harlequin by @pedrito-friskito - guys this is so fucking good oh my god. also the reader in this is reading a book and as a fellow bookworm i am melting.

attagirl by @buckyhoney - you know i’m a slut for a good attagirl so like this fic right here had me ALL kinds of fucked up.

the four times frank almost asks you to marry him, and the one time he does by @amhrosina - i love this fic so much it warms my cold dead heart. frank is such an oldschool guy and the idea of him proposing is just so sweet to me like didocodkc i love this.

of fathers and daughters by @lemon-world1 - this captures franks character so well and WOWOWOW obsessed.

OKAY. that’s all i can think of at the top of my head. all these writers are fantastic and have so many other frank fics to devour i just picked my favourites from their incredible lists.

#frank castle #frank castle x reader #the punisher #frank castle x y/n #frank castle x you #marvel tv #the punisher x reader #the punisher x you #marvel #the punisher x y/n

132 notes · View notes

greenerteacups · 1 year

Note

Hello! I wanted to let you know how amazing your fic is, it seems my life now revolves around Friday mornings. I think it may be one of my favorite series ever, not just fics, your stuff is better than most published works I have read. I really could go on and on. Suffice to say, thank you x1 million for just putting this out there for us.

I had a couple curiosities! Is it ever hard to restrain yourself and just post 1 time per week? Or is that necessary for your creative process?

Also, your fic is rapidly growing in popularity, do you ever get worried about how that might change your audience?

Thank you again for the amazing thing you've written, I feel super lucky to be reading it in real time because I know this is going to be one of those legendary classics.

Thank you so much! You're wonderfully kind, I really appreciate it, and I hope I can live up to your expectations!

Weekly posting: Posting once a week is actually something I started for my own sanity — posting it regularly/serially is better for audience response, so there's a natural incentive to do it, but it also gives me more time to write ahead. And having all of a book prewritten in advance is really important for me creatively, not only so as to avoid the possibility of cliffhangers, but also to feel immune from the pressure to change the story based on what audiences want.

Growing audiences: Oof, it's been wild. I've been sort of boggled by the response to my little fic; it was entirely unexpected and the most I can do is work hard to deserve it. For the most part, an increasing audience has been a wonderful, wonderful thing, and I've been so grateful for everyone who's been offering support and praise. I'm seriously insanely lucky. My only point of frustration is that, in general, as a fic grows, readers seem to perceive increasing distance between themselves and the author. For instance, people in my comments have increasingly started to address each other instead of me, or have left comments seemingly without the expectation that I'll read them. But when someone comments on the fic, they're still sending that message directly to the author, and I think that some people might... well, they either don't know that, or they don't care. Like, the audience/author distance might be greater than it is for a fic with only 300 hits, but it's not like I'm a showrunner, or some other media production bigwig who'll probably never see 99% of the feedback generated by fans; it's still my pet project that I read basically every scrap of feedback for.

And sometimes (rarely — most of my comments are just so wonderful, and I don't want to sound ungrateful, but) people do say weird or unnecessary things. One comment for the last chapter read, "if krum dies im gonna drop this fic ngl," and that just irritated the hell out of me. Like, if that's your opinion, cool. Your reading habits are none of my business, and I sincerely encourage everyone who needs to take a break from Lionheart — or, hell, even loses interest — to go find something that sparks joy instead. Reading fic should bring you pleasure. No hard feelings, swear to God.

But my frustration with that comment, in particular, was: you do realize that you've sent that message directly to my inbox, right? You realize that was the first thing I read when I opened my comments section after a long afternoon of writing? Someone directly informing me, the author, that a narrative decision (which, either way, I already made about 4-5 months ago) will lose me a reader? And how does this person expect me to react? "Oh, no! I have to go back and rewrite 90,000 words of the story — God forbid I lose you, Single AO3 User Who Left No Other Comments! How can I live with myself if you're not here??"

It's just a bit frustrating. And, to the point — I say this politely, with respect — but if you seriously can't handle seeing characters die, then maybe don't read the fanfiction that's rewriting a series where very many characters die. Just a thought.

#someone left a similar comment after I posted Chapter 30 #which just made me roll my eyes #these clowns act like they're the author's personal muse #'unfortunately i am no longer enjoying your fic and i must stop reading' ok? have you mistaken me for your book club president?#anyway. thank you for a kind ask sorry it got salty at the end

23 notes · View notes

gcldfanged · 1 year

Note

🔥🔥🔥

Send me a “ 🔥 “ for an unpopular opinion [I'm tagging as 'vent cw' and 'salty opinion cw' for those who want to blacklist]

I am getting real tired of all the virtue signaling and moral superiority in regards to content. I hate to be That Guy™ but back when I was writing on forums and on LiveJournal, we asked each other if our partners were okay with certain content we weren't sure of. We have a tagging system now, we have carrds and rule pages to explain what we don't want to roleplay and/or read. Tag and Blacklist, it takes five seconds (maybe less). Throwing a hissy fit and vagueing about people is stupid and does nothing to help the issue. I'm not even talking about kinks, specifically. I have received and my friends has gotten hate for roleplaying villains. Villains who may be bigots, fantasy racist, almost or did succeed in genocide- Writing about bad shit doesn't equal endorsement or excusing crimes or fetishizing/romanticizing abuse. What really blew my mind was some white roleplayer trying to explain to me what colonization and imperialism are (aside from the fact that I'M KOREAN, I do pay attention to and examine world history). I wasn't even saying 'wow i sure do love fascism and stuff!', I was writing an in-character drabble from the PERSPECTIVE of someone who believes in the oppressive political system ruling his fantasy country. The nation the character is from isn't even REAL, I don't know what else to really say. I swear people care more about oppression but ONLY when it applies to fictional characters- from what I've seen.

I'm gray-ace, I get being asexual in the RPC (or just plain not interested in writing smut) can be challenging sometimes when people expect smut to be included with the shipping package, but oh my GOD- you guys can act like such children about smut that's not even directed at you. See above: Tag it. Blacklist it. BOOM.

If you take it upon yourself to say your portrayal of a canon is the only 'correct' one and try to educate others about 'how to play the character the right way', please get a life. Did the content creators die and hand you the rights?

#vent cw #salty opinion cw #◈ ooc

7 notes · View notes

duckdazed · 2 years

Text

ANGST PROMPTS inspired by.

ⓘ here's a few things I wrote & thought would make good angst writing prompts. However, they can be interpreted any way you like! I took inspiration from a lot of places for this tbh. Please give credit if you use.

"but you keep your distance no matter what I do, maybe I should just let us be and move on."

"Did you even care that you were breaking my heart? did you even care that my trust has been broken? does it even bother you in the slightest that you've ruined me?"

"I hate you so much but I need you even more than that."

"I did everything right, so why don't you love me?"

"I really fucked it up this time, didn't I?"

"I can't bare to leave you when you look at me like that."

"If I had given you less of me, would you want me more?"

"Of course I am not okay!! You don't love me anymore, how the fuck am I supposed to be okay?"

"I can't believe I chose you."

"no we can't get through this. You've ruined my life with one mistake. I can never be okay again, I will never be free from this. cheating is the act of someone that hates you and you've just made your opinion of me perfectly clear."

"I just... I... I wish it was just.. okay? I just wish everything was okay. I don't need perfect but I'd really like if everything was just okay.. anything that is not this mess."

"This has to stop. you keep wishing them the best while they're wishing you'd drop dead, it's time to let go. you deserve so much more."

"It's not like I want to stop caring about you. it's just that you have hurt me so much that I've been shutting down. I can't force my heart to bleed for you when I'm covered in the wounds you gave me."

"I'll protect you, I swear it. I don't care about what happens to me but I swear I'll protect you."

"you have to. you have to be okay. I can face whatever happens if I just know that you'll be okay."

"I stood on the platform for an hour. I think I missed four trains. I was just stuck in that moment, thinking back to years ago. I thought I was over the worst of the grief but now I'm doubting that. I think it has grown into who I am. there's nothing like grieving the living."

"I can't believe I was alone with all eyes on me. I could've used someone to handle the technical aspects because I swear to God, I'll never be able to get over the guilt that comes with being the one that caused (character's most beloved's name) to die. we could've saved them. we could've tried one more time."

"the hardest part is pretending."

"I swear I'd rather carve my heart out with a butter knife right now. anything but this. what shell have I become?"

"it hurts. it just fucking hurts so much."

#📝 : the world awaits #angst #writing prompts

16 notes · View notes

nanawaffles · 4 months

Note

What is the worst thing you have done to a character? What is the worst thing you have seen someone else do to a character? Who was the one who did it?

Hmm.... worst thing... my definition is probably not the same as most buuuut I'd say was the time I stuck with a ship i had pre- planned instead of the one that suited the character better. Like that haunts me to this day to such a point that I recently came across the same issue in my new project and had to rewrite cause i didn't wanna get haunted again.

In the proper definition of "worst" however... I'd say the current thing I'm doing to a character. Her name is Mercedes and she's a seamstress, and I'm basically gonna toss her into an otherworldly arena where they put humans against various monsters for sport and if you live you get to fight another day. Literally fight, basically you're stuck killing monsters until either you die or you figure out how to escape. Oh and as a side effect of this you get what's called Orkruz or "sight" so that you see the other dimension in the main dimension as well. Aka you now see all the monsters everywhere. She's gonna nearly go insane before she adjusts. 😇

Moving on. Okay so this also comes in multiple tiers. Worst thing i believe is a writer either completely butchering a creative chance of potential because their character is just "so cool" they come across as being the absolute worst. I saw a girl write a "strong princess" this way, but it just ended up that she kept breaking hearts and decided to pursue her best friends lover in the end. Like... butcher a highly potential character why don't you.

Another special tier in my mind for those who write a good character but then for some reason decide to halfway through decide you don't want them as a main character or love interest, because person B over here is hotter, and so you do character annihilation and absolutely wreck what made them good to prop up person B. Am i speaking of a specific character? Yes. I'm still fucking salty.

Okay third bracket which is what i think you mean. I have two friends who are literally trauma twins, i s2g. What do they do? One of them had her character watch his parents get butchered at a young age, went completely wild like boyo had gone so off the deep end as a result that he killed and ate raw rabbits and his personality schismed into his regular tame self and this blood covered little boy he'd talk to in times of stress. He was a darling normally which made the crazy part of him so damn eerie and surreal, like he would get in fights and unless someone intervened, that blood thirsty part of him would come to the surface and he'd just destroy his enemy in the bloodiest of ways while talking in a child voice. I s2g, I've never recovered and it's been 10 years. Second friend has an immortal, and oh my God i swear she's got stories for this guy-- to be fair, he's a canon character who did some messed up shit, but still-- like he's an elf, right, who for example has to kill his own nephew who is impaled as a mercy killing. She's got another one that was imprisoned and tortured so long by a dark lord, that he's just very very very broken but at the same time he's also (if my memory serves me right) got amnesia and doesn't recall who he is fully. Like he got tortured into brain damage that's what you're telling me.

Who was the one who did it? .... weeeeeellllllllllllll daaamn asking me to out people. I think i pretty much outed them anyway with the exception of that one character I'm salty about. *clears throat* it was Sarah J. Maas your honor. The character is Tamlin, who I really really like-- and AM STILL PISSED CAUSE SHE MADE MY LOVE FOR HIM FEEL CHEAP AND WORTHLESS-- but who in my opinion was the victim of a lazy writer who could've gone back when she realised Rhysand was gonna be the ML (though God only knows why, that bastard BROKE FEYRES ARM Y'ALL WTF) aaand just *made him the ML* but noooooo she chose the low road of forcing Tamlin into character disfigurement turning him into first a puppet then a dick. Like...*hisses* I'll stop. I'll stop. It makes me so mad.

#I'VE GOT MAIL #like WHOA #thanks! this was fun #come again some time #anon ask

1 note · View note

howaboutcastiel-personal · 2 years

Text

I’ve only been home since Wednesday and now I remember why I’m so fucking miserable at my parents house. Nothing that I do will ever be good enough for them and I’ll never be able to do more as long as they’re making me feel this way. All I want to do is sleep. All the time. I could sleep for 16 or 17 hours a day and be content, not that I would feel well rested.

Mom is getting worse. She’s not eating and she’s spacing out all the time and she’s sleeping all the time. Yet somehow she still has no sympathy for me. I had been feeling sorry for her but now I don’t really feel that anymore. She won’t go to the doctor. I know that she has a lot on her plate with my dad being the useless sack of shit that he is and my grandparents needing care and being ungrateful for the care. She still doesn’t need to take that out on me though.

On the other hand I feel like I’m useless just as much as they think that I am. This always fucking happens. When I’m at school I have a purpose and a schedule and a job and I’m good at taking care of myself. I can’t do any of that at home. I can’t eat right or sleep right and I can’t seem to get anything done. I’m too tired and I’m paralyzed by stress and dread and fear of failure. The things that I’m proud of myself for accomplishing are just things I’m expected to do. Dishes, laundry, cooking dinner. Those are basic things. Doing them means nothing, not doing them means resentment. Even driving. Fuck. I even gave my dad the fucking driving plan that Dr. Randall made for me but fucking useless it’s useless and every time I think about getting in a car I just want to blow my fucking brains out.

I just feel like I’m never going to get better. It really seems like there’s no progress to be made. I can’t do it here. All I’m doing is wasting away here. I don’t want to fucking be here.

I can’t even control what I eat. I feel guilty asking for groceries. I can’t ask for dinner to be things that I like because the men are little bitch babies that only eat deep fried shit and god forbid I just want to eat something healthy or something that doesn’t make my chronic illness that much fucking worse.

I want to fuckinf waste away or die or whatever and I don’t want to go on the Wellbutrin but I have to or else I’ll just be even more of a disappointment.

And I have to just be okay with everything. I have to relearn how to make the sexism and racism and homophobia and transphobia and fatphobia and ableism and everything just roll off of me. All of them think that I’m too fat, the ones that know think that I’m too gay. They think I’m not ladylike enough and I’m too opinionated and a stupid fucking liberal and I have to mask and they still think I’m pathetic and fucking stupid and sensitive. I will never be enough I swear to god and there’s no way my clean streak is lasting the break. I don’t think it’s going to last a week unless the fucking Wellbutrin works miracles but if my mom is any indicator it will just turn me into a fucking psychopath or make me so anxious that I pull my hair out.

How the fuck am I supposed to do this how do other people do this what is the point of doing all this. I don’t have any friends here I don’t have any close friends anywhere and all I want to do is curl into a ball and bury myself somewhere dark and quiet where no one will ever touch me or talk to me or see me again and I don’t want to exist anymore. And I can’t do my hobbies. I can’t read or write or watch TV or do puzzles and I can’t play music because my parents are fucking hoarders. I can’t do anything and I just want someone who doesn’t fuckinf hate me and who isn’t a horrible person and that is apparently way too much to ask for

#diary

0 notes

mothra-mcyt · 4 years

Text

☾ MCYT's reaction to a gen z reader ☽

!Warnings: mentions of self deprecating jokes!

》 Dream 《

That guy loves your chaotic energy and always pranks other people with you

Would definitely laugh along with your depressing jokes but after a while would get concerned and ask if you're okay

Immediately puts you into the Dream SMP thinking you're gonna be a good character always on his side

Then you end up just end up annoying him (especially when he's in prison) so he threatens you

You can't keep yourself together and just end up having a laugh flash

You once definitely called him a chad for watching football and a boomer which lead to him getting very defensive

》 George 《

Would honestly just end up annoying and pranking Dream with you

You would definitely call him a bottom on multiple occasions. At one point he just accepts it

Gets very concerned at your jokes

You guys definitely make weird tiktoks together

Will just go along with it when you start ranting about how capitalism is the source of all evil

He will also be a victim of your pranks and he can't do anything about it

》 Sapnap 《

Would definitely make jokes about committing arson with you (sometimes he doesn't know if you're joking or being serious about committing arson)

You two are dnf biggest shippers and no i don't take any criticism

When he finds out how touch starved you are he will definitely ask if you two ca platonically cuddle together

You would also be his biggest enemy though always saying how you're going to fight him when you meet him

Will ask you if you have eaten and how much to make sure you eat enough

Definitely anime marathons on discord together when you both can't sleep

》 Badboyhalo 《

This man would be so concerned

Even if you don't swear he still wants to say language at all the self deprecating things you say

You tell him that you don't care that he has a gun and knows how to throw knifes to which he asks why because people should definitely be afraid of that in his opinion

When you tell him that you don't care if you die he gets so much more concerned

Would be the parent who always stops you from doing stupid and dangerous shit 24/7

You definitely called him a boomer once when he said "Language"

》 Awesamdude 《

That man is taking care of you and making sure you’re okay 24/7

After you told him that you haven’t slept in 2 days with you’re reasoning being “Why not” he always makes sure that you get at least 8 hours of sleep per day

Honestly just dad energy

We know that literally half of gen z have daddy issues and when he finds out you didn’t have a good father figure growing up he’s like “I’m your dad now.”

“Have you drank water today?” “Does energy drink/iced coffee count as-” “No they don’t count as water. Go get a glass of water right now.”

At first he wanted to stop you from saying self deprecating jokes but after a while he just gave up.

》 Tommyinnit 《 (platonic)

Chaotic energy²

When the two of you have a plan no one will be able to stop you even harder if Tubbo is with you guys

Honestly just laughs about your self deprecating jokes and says “same”

The two of you have never respected authorities in your entire life and you two will not start

As soon as someone talks shit about the other person hell breaks loose and their ego will get completely destroyed

When role playing on the Dream SMP you guys will definitely just laugh at Dream trying to be threatening

》 Tubbo 《 (platonic)

Depressing jokes. 24/7.You know it’s true. (The people around you will be so concerned for the two of you oh god)

We know very well that Tubbo is not innocent and flirts (makes sex jokes) as a joke with other people his age so he would definitely do that with you if you’re comfortable

The two of you will definitely stay up til the middle of the night playing games (chess, csgo, minecraft etc.)

Whenever someone (probably an authority) is trying to get you guys to do something both of you are just like: No <3

》 Fundy 《

Honestly he completely relates to you

The being touch starved, the loneliness

Difference is he is not used to people joking about those topics to cope

So he's very concerned

"Y/N this is really relatable but are you okay?"

Streams with you two sometimes just end as therapy sessions and both of you desperately need it

He always drags you along to prank people and when the person gets mad he blames it on you and just leaves

》 Wilbur 《

Big brother energy

You are now his little sibling and you cannot stop him

Will definitely cause much chaos with you (poor Philza trying to keep you two under control)

When you two do dangerous stuff he's the one making sure you don't hurt yourself

Whenever someone is mean to you he will definitely destroy them

Will make sure you get enough sleep and will keep you company when you can't sleep

He absolutely loves that you don't give a shit if someone is an authority or not

》 Schlatt 《

He absolutely hates how you not give a shit about what he says to you and how you just roast him

His humor is already broken so he's probably laugh at your jokes and while trying to stop himself from laughing he'll ask if you're okay

Honestly he's just confused on how you're still alive with not taking care of yourself and always getting yourself into dangerous situations

You definitely called him a boomer once

You guys would probably make political jokes constantly

》 Technoblade 《

Anarchy. Lots of it.

Both of you have just random conversation where you start talking about the things you're obsessed with

Both of you are probably gonna have a short attention spam leading to a lot of funny situations

Absolutely loves how you don't give a shit about authorities

Being awkward together in social situations but standing up for eachother

I can just imagine you with the "He asked for no pickles" meme while he doesn't know what to say

》 Philza 《

He is your dad now and he doesn't care if you want him to be.

(He honestly already kinda expected your father figure to be shitty because he knows his audience)

Oh lord when he finds out how you're not able to take care of yourself

When meeting you irl will actually sit down with you and have a talk about you not taking care of yourself

You: "Sometimes i'll just sleep for 14 hours and then i won't sleep for 3 days."

Phil: "...I will punt you into the sun when i meet you irl you idiot."

I could honestly write so much more about Philza basically adopting a young reader

》 Ranboo 《 (platonic)

Constant sassyness

Gen Z x 2

You two would understand eachother so well

Constant zoomer slang and no one except Tubbo and Tommy will be able to understand it

Both of your humor is just so broken and it's so concerning to everyone

Someone is being like "You will do as i say" and you two are just like "No i don't think i will"

Tiktok references. Constantly.

Sending eachother tiktok's about the other's character

》 Eret 《

You two would be good friends honestly

Eret would probably bring out the wholesome part of your personality

Also sending eachother tiktok's and making tiktok references

Arson. Lots of arson. Fire pog.

You will bring out their chaotic side

She loves how you just not give a shit about authorities

Will also make sure that you drink enough water and take care of yourself

》 Quackity 《

He's more random chaos and you're more dangerous and destructive chaos and somehow that works together really well

Definitely invites you to Jack Box streams because you just bring such funny energy into it and chat absolutely loves you

Is very concerned tho when you make self deprecating jokes and when he hears you say one he just looks completely shocked

Completely freaks out whenever you roast someone who's being a bitch (you can just hear the "Where are the askers" playing in the background)

Very dramatic energy from the both of you

Masterlist

9K notes · View notes

helliontherapscallion · 4 years

Text

(Y/n) and the Terrible, Horrible, No Good, Very Bad Week: Monday

Tuesday Wednesday Thursday (Part 1) Thursday (Part 2) Friday Saturday Sunday

Spotify Playlist (collaborative)

Pairing: SBI x sister!reader (she/her pronouns)

Warnings: swearing, toxic friends, panic spirals/attacks, injury, taking pills for pain

Summary: you have a very bad week, how will you manage? (Characters are fully human, but based on their DSMP characters. High school AU)

Word count: 4,818

(A/N): I’ve never played volleyball or watched Haikyuu before, so I’m not 100% certain how games work. Also, I probs should’ve split this into two parts, but eh.

“(Y/n) love, you look homeless in that sweater, it’s literally so fucking ugly.”

“Haha, yeah it is. I guess I just wasn’t really trying today.”

Adrian snorted, scanning your body with his cold eyes. “Today? You don’t try at all. You always look like trash.”

“More than trash, you always look like you just rolled in dog shit.” Sammy threw her head back and cackled at her own joke.

Your friends around you erupted in laughter as you four walked down the hallways of the hell that was your public high school. You awkwardly chuckled alongside them, you didn’t really find it funny, but you didn’t want to draw more attention towards yourself.

“Seriously, (y/n), I really don’t know why we still hang out around you anymore. You really let yourself go.”

“Yeah, now that I think about it, you did gain like five pounds in the past week.”

“Really not a good look on you, love. Then again, nothing you do can make you look good anymore.”

You tried to not let their comments get to you, you really did, but sometimes their comments just rooted themselves deep into your subconscious. You didn’t try looking good anymore, you couldn’t wear anything without them criticising it. You could never win.

“Awe,” Adrien poked your cheeks, “stop looking so sad. We’re just trying to give you advice. You really need it.”

“Yeah, (y/n). You’re so sensitive, get a grip.”

“Guys look, I think she’s gonna cry!”

You wiped at your welling eyes with the sleeves of your sweater. “I’m not. I just got allergies.”

Annie rolled her eyes. “Uh-huh. Anyways, what are our plans for Halloween? We should totally dress up like sexy angels! I think that’d be so cool. Like, Clint’s party won’t be ready for us.”

“Oh, about that Annie…”

“God, what now (y/n)?”

“I was actually planning on spending Halloween night taking Tommy and Tubbo trick-or-treating with my brothers and dad. I won’t be able to go with you guys, I’m sorry.”

The group groaned loudly. “C’mon (y/n), you never hang out with us anymore.”

“Oh my god (y/n) you still go trick-or-treating? We’re juniors.”

“I’m sorry, I’ve just been busy with my AP classes and studying for the SAT. My team captain’s really been pushing the team hard with volleyball practice. State finals are soon and we want first this year.”

“No matter how much studying you do, you’re gonna fail. You’re stupid, so why try? Just give up and hang out with uuussss.”

“Yeah (y/n),” Adrien looked at you suspiciously, “you’ve been ignoring us lately. I thought we were friends. Do you even wanna be friends anymore?”

You felt a flare of panic flare up in your gut. “I do! I-I just have so much going on right now. It’s starting to get hard to juggle everything.”

“We’re starting to think that you don’t like us anymore, we want our (y/n) back!” Sammy whined. The others agreed with her, making you feel guilty. You were ignoring them, it was selfish in your opinion. You supposed that you could skip out on taking Tommy and Tubbo trick-or-treating, there’ll be other years you could take them.

“I guess I can take Tommy and Tubbo another year. They’d just have to go without me this year.”

They cheered, giving you praise. You beamed at that, they seemed down lately and you loved it when they’d give you compliments. They didn’t do that much, so that made their praise more special to you. You strived to get compliments.

You four went off to your separate first classes for the day. Yours was statistics, a class you’ve been struggling in lately. You didn’t know anybody in there except for your oldest brother Techno, so you tried to stick with him. Unfortunately, the teacher’s seating chart placed you both on opposite ends of the room, probably because of your last names indicating that you’re siblings. You placed your stuff down on the table and plopped down into your seat, already drained. You had a long day ahead of you; you had a major AP world history test in your next class, you had to give a presentation in your AP english class that was worth a quarter of your final grade, and you had a semifinals volleyball match that would last until late in the night. If your team won, you would be going to state finals, so it was a lot of pressure on your shoulders. You were the main setter, so you had to really focus tonight if you were going to score your team points.

“Alright class, pull out your homework!”

Fuck, you had homework? You looked in your folder, only to see the unfinished sheet full of equations you didn’t understand staring back at you tauntingly. Mr. Mullins walked over to your desk, took one look at your blank homework, and just walked right past you. Another big fat zero in the gradebook for you, just what you needed. At least he wasn’t in the mood to berate you today. You didn’t need any more stress piled onto your shoulders.

The lesson felt like it dragged on forever with you frantically trying to copy down the notes on the board and trying to understand the content at the same time. Overtime, he would call students up to the board. Hopefully, he would skip over you today. “Ms. Minecraft.” Goddamn it, you spoke too soon.

Your head perked up and you looked at him. “Yes sir?”

“Come up to the board and solve this.”

Gulping, you felt panic rise up in you and stood up with shaky knees. On the board was part of the newer content he was just teaching. Something that you understood only a little bit better than the rest, and that’s not saying much. You still didn’t understand the content completely. Your writing was shaky as you wrote what you thought was right on the board. Finding the answer, you circled it and looked at Mr. Mullins. He looked disappointed.

“That’s wrong, Ms. Minecraft. Please sit down.”

You felt like your face was on fire as you saw the entire class burning holes into you with their eyes. Though they looked dead inside, as per usual with any morning class full of tired teenagers, their effects still took hold on you. You wanted to crawl into a dark hole and die. You sat back down and stared at your note packet, you couldn’t focus on the lecture anymore. Your attention was fully on your surroundings, you were hyper aware of every little whisper and bouncing leg in your peripheral vision. You could feel yourself spiraling, usually that wouldn’t happen until after your third class. Today was going to be rough.

The loud chime of the bell startled you out of your thoughts. You shakily put your papers back into your binder and put the binder back into your backpack. Right as you were about to walk through the door, you heard Techno catch up to you. “Hey, you good?”

“Yeah Tech, I’m just peachy.”

“Are you su-”

“Technoblade. I’m fine. Now if you excuse me, I have to get to my next class. I have an important presentation I’ve gotta prepare for.”

Without giving him any room to argue, you rushed off to your english class. You had Adrian and Annie in your class. For your presentation, you were paired up with people that you hardly knew. At least they did their part in the project, you were certain you were going to die if you got paired up with Adrian and Annie again. You loved them, but they never did any part of their portion of work. They left it to you to finish at midnight the day the project was due. To be fair, they both told you they had family emergencies, so you covered for them just that once.

You pulled out your flashcards only to have them knocked out of your hand when someone bumped into you. You quickly crouched to pick them up so you could have them in order by time class started. “Oops, sorry love.”

It was Annie. She and Adrian towered over your crouched form smirking at you. Looking back down to rearrange your cards, you murmured “it’s ok.”

“Are you ready for this presentation, I know I am.”

You smiled a little. “Actually, I think I’m going to ace this. English is my best subject.”

“Yeah (y/n), I wasn’t asking you. I was talking to Annie. Besides, you’re probably going to fail this.” Adrian scoffed.

“Thank you for asking, Adrian,” Annie shot a pointed look at you, “at least someone cares.”

The bell rang, signifying the start of your second block. You felt like you had a lump in your throat blocking your breathing. If Adrian, one of the smartest kids in your english class, said that you were going to fail, then you probably were going to fail. That would take a huge hit on your grade, this project was worth a quarter of your final grade after all. You were zoned out for the entirety of your classmate’s presentations putting yourself into a spiral. You jumped when Mr. Todd, your teacher, called your group up to present.

You stood stiffly in the middle of your two groupmates and clutched your flashcards with clammy hands. Luckily, your part of the presentation was not first. When it came to your part, you were stuttering and tumbling over your words. You even dropped your flashcards in front of everybody, causing half the class to snicker. Your face burned as you hurried to pick them up and your other groupmate took this as a signal to continue the presentation. You still had an important point to make that was integral for the set up to your other groupmate’s part of her presentation. You stared at your flashcards for the rest of the presentation.

When the bell rang, you made a mad dash out of the classroom. You didn’t want to talk to anybody, especially not Adrian or Annie. It was a relief that you had your lunch period at the moment. You could hide yourself in the bathroom nobody used and let your panic attack ride itself out.

You ducked inside a stall and sat on the toilet, bringing your knees up to bury your face in them. The tears and panic you were holding in all day let itself out with explosive effects. You started to hyperventilate as you muffled your sobs with your knee. Your chest painfully clenched so you couldn’t breathe. Your limbs felt like they weighed two tons each and they were shaking intensely. You didn’t hear the end of the lunch bell ring. By the time you calmed down slightly, you were five minutes late to AP world history.

You packed your stuff up in a hurry, power walking through the halls. You probably looked like shit, but you didn’t care, you had a class to get to and a test that you probably wouldn’t be able to finish now. You lost ten minutes of your test time. When you tried to open the closed door, you found that it was locked. You had to knock if you wanted to get in. You raised a shaking hand to knock, but the door was opened by a less-than-impressed Ms. Osborne. She ushered you to your desk and gave you your unit test.

You couldn’t focus. The multiple choice section was usually a breeze to you, but you couldn’t comprehend any of the questions. When you could comprehend them, you couldn’t concentrate on choosing an answer. You did your best to find the correct answers, but you were almost positive that at least half of them were wrong. Your handwriting was nearly incomprehensible and your essay topic was something you didn’t study for. When you were done with half of the body paragraphs, the bell rang and you had to turn in your unfinished test.

You had your independent online psychology course next in the library. You usually worked alone secluded in a corner deep inside the library where nobody went. You would get some solace in being alone. Maybe you’d calm down enough so that you could ride home with your brothers and not go for a long walk so you could avoid them.

You settled down in the comfortable chair and pulled out your laptop to get started. Psychology was your favorite class. It was easy for you to understand, it didn’t have much of a workload attached to it, and it was fun to learn about. It always calmed you down reading about the intricate workings of the brain.

By time the day was over, you got most of your psychology work done and you were on your way to the car you shared with Technoblade and Wilbur. You took out your spare keys and slumped against the window in the backseat. You were absolutely drained after your terrible day and you still felt panic swirling deep within you, waiting for the right moment to strike.

You stretched out your legs across the seat and leaned your back against the door. For the first time that day, you felt peaceful. You still had at least fifteen minutes to yourself until your brothers would start to make your way to the car. You felt the panic subside slightly and you fully relaxed. You closed your eyes and let yourself drift off into a light sleep. You needed your energy for tonight’s match.

The door you were leaning on swung open and you tumbled backwards smacking the back of your head against the metal frame of the car and reverse scorpioning onto the pavement. Your entire upper back and the back of your head exploded in pain and your lower back hurt slightly from having your back bent uncomfortably. You heard laughter above you as you felt tears of pain start to slip out of your eyes. Your legs swung out from their place above your face and landed on the ground with a painful thump.

You saw three blurry figures above you laughing at your pain. You reached up with a shaky hand to wipe at your tears and saw Adrian, Sammy, and Annie. They were cackling as you shakily stood up and sat on the comfortable seats of the car. You waited patiently for them to calm down.

Eventually, Sammy calmed down enough to explain what happened to you through chuckles. “I’m sorry (y/n), it was just too good to resist. You should’ve seen your face.”

She and the others broke back into uncontrolled laughter as they remembered your embarrassing fall. You were used to their antics, and quite frankly it felt good to make your friends laugh, even if it were at your own expense. Just as they were calming down once again, you saw Wilbur and Techno walk out the front doors of the school laughing at something the other said. Annie and Sammy heard their laughter and quickly turned around to watch them. They had massive crushes on both of your brothers, many in the school did.

Your brothers made their way to your shared car and stopped to look at you in slight confusion. “(Y/n), were you crying? What happened?” Wilbur asked worriedly.

“Yea-”

“Oh Wilbur, it was terrible, (y/n) fell out of the car. I don’t think she closed the door before she leaned on it.” Annie interrupted you with a faked concerned tone, a complete contradiction to her reaction before your brothers came.

Techno hastily made his way to the driver’s side door. “Well, if she’s hurt we better get going, right Wilbur?”

“Yes! We better get going, please excuse us.” He sat in the passenger seat and closed the door without hearing Sammy and Annie’s desperate attempts to stop them so they could talk to them. Your brothers thought Sammy and Annie were annoying. They absolutely hated being around them.

Waving apologetically at your friends, you pulled yourself into the car and closed the door. Annie and Sammy looked offended that you had let Wilbur and Techno get away from them. Avoiding their eyes, you looked down at your tightly clasped hands. They were shaking slightly.

After pulling out of the parking lot, Techno glanced at you from the rearview mirror. “You ok (y/n)?”

“Yeah, my back just hurts and I have a headache.”

“Well, do you wanna go and get some ice cream? We still have some time left before we have to pick up Tommy and Tubbo. Dad doesn’t have to know,” Wilbur asked you.

You sighed, you wanted nothing other than to take a nap before your match. “Sorry, but I need to watch what I eat today. We have semifinals tonight and I can’t have anything sugary. I just wanna go home and take a nap.”

Your brothers were quiet for the rest of the car ride until you reached your driveway. Techno twisted his body around in his seat to look at you after he put the car in park. “Did you actually fall out of the car?”

Shit, should you tell him the truth? If you did, they would almost certainly get mad at your friends. Sammy and Annie would never forgive you if you turned your brothers against them. You decided that you would take one for the team again. “Yeah, I wasn’t paying attention.”

Techno snorted. “Well, that was stupid,” he jokingly said. “Next time you’re gonna get run over by a parked car.”

You knew that he meant that as a joke, but it still stung. Stamping your emotions down, you laughed with him and Wilbur. It was stupid of you to do, you shouldn’t have let your guard down if you weren’t at home.

You winced as you slung your bag on your back and walked the best you could back into your house. Your upper back was killing you. You made a beeline to the bathroom and rummaged through the medicine cabinet looking for some pain relief pills. You took some and shambled off to your room to take your well earned nap. You set your alarm’s setting to its loudest volume and passed out.

You jolted up and gasped when you felt a wave of pain hit your upper back. You blearily looked at the time. You had a little under two hours before you had to get back to the school for your match. You groaned when you pulled yourself up, your head pounding with every turn. You pulled yourself out of bed and once again took some pain pills. You went downstairs to grab an apple or something to eat. Your dad was at the stove stirring something around in a pot.

He turned to look at you with an excited smile. “You ready for your match tonight? You’re gonna kill it!”

You only nodded halfheartedly and plopped yourself down at the table with your apple. Philza frowned at your lack of enthusiasm, but he figured that it was just because you just woke up from a nap. You’d bounce back eventually.

“Wilbur told me that you fell out of the car? How’d you do that?”

You shrugged, wincing slightly as it moved your back slightly. “Dunno, must’ve not closed the door.”

Philza was at your side in a hurry, his hands hovering over your shoulders. “Did you get hurt? Show me where it hurts.”

“My back and the back of my head.”

“Can I move your shirt so I could look?”

“Sure, go ahead.”

You felt him gently pull the neck of your t-shirt away from your body to peek at your back. You heard his breath hitch as he looked. Was it that bad? “Good god (y/n),” he breathed out.

“What, is it bad?”

“Don’t you feel how bad it is? Your entire back is bruised. I think there’s some blood too.”

“Damn.”

“First, language. Second, that’s all you have to say? Aren’t you in pain?”

“Yeah, but the pain pills are gonna kick in soon. I’ll be fine.”

“Would you be able to play tonight? I really think you should sit this one out.”

“No, I’m playing tonight Dad.”

“(Y/n),” oh no, he was using his stern dad voice. “It’s not a good idea to play tonight. You’re hurt, I’m sure they’ll understand if you sit this one out.”

You felt frustration rise up in you. “We’re in the semifinals. They need me, I’m the main setter. They’d lose without me playing.”

“(Y/n), I’m serious. You’re not playing today.”

“Dad, I am playing today. Look, I’ll talk to Coach Williams to see if I could be rotated out more often. I know she’d let me.”

He stared at you for a while before sighing. He knew there was no convincing you. “...Fine. But you better talk to Coach Williams about sitting out for a bit if your back hurts too much or I swear I’ll drag you off the court myself.”

You smiled a little at the small victory. “Thank you! I promise I’ll sit out if needed.”

He quirked an eyebrow at you. “If needed?”

You sighed, “when needed.”

He walked over to the pot, stirring the contents slightly. “That’s better. Dinner’s almost ready, I made some pasta.”

“It smells good, but I think I’m skipping out on it for today. I already ate this apple and if I eat any more I’ll probably hurl on the court.”

He made a displeased noise in the back of his throat, “fine, but you’re eating something when we get home tonight.”

He walked off to go get your brothers and Tubbo for dinner. You could hear their booming steps racing down the stairs towards the kitchen. They raced into the kitchen and almost crashed into the back of your chair. You stood up and looked at the two excitable fifth graders. “Careful boys, don’t want you getting hurt.”

“You’re no fun (y/n),” Tommy whined.

“Sure, sorry bout that,” Tubbo beamed at you.

You chuckled, making your way upstairs to get ready for your match. You took off your clothes with great difficulty and slipped on your jersey and your spandex shorts. They were way too short for your tastes, but you couldn’t wear longer ones, they’d just get in the way. You fondly remembered how your dad flipped out when he first saw you in them, he hated them with a burning passion. He still hates how short they are.

When you were struggling with pulling your hair back into a tight, sleek ponytail, the back of your head throbbed continuously with pain. You most likely bruised your scalp.

You slipped on your shoes that were made specifically for playing volleyball and headed downstairs. You were met with Tommy and Tubbo jumping in excitement seeing you in your uniform. They loved going to your matches, even if they would always pass out in the car after them because matches usually ended late at night. You grabbed your dad’s keys and headed to his car. Before you could lead the boys out the door, Philza’s voice stopped you.

“(Y/n), coat.”

You huffed, grabbing your coat and putting it on before tossing him his keys. You four got into the car and set out for the high school. The short drive was filled with Tommy and Tubbo asking you questions about volleyball and encouraging you. “(Y/n), you’re gonna kick their butts!”

“Yeah!” Tubbo cheered

Despite their voices causing a spike of pain to shoot throughout your head, you laughed at their enthusiasm. It was always nice to hear your little brother and pseudo brother in the stands cheering you on, they were your and your team’s personal cheerleaders.

Not long after you got to the school, you were stretching with your team on the gym’s floor. Your posse found their way into the stands, sitting in the front row. The away team watched your team like a hawk, analysing every single player for any weakness. It was because of them that you tried to not show any pain when you moved your back. You talked to Coach Williams before the team stretch and she was obviously sympathetic with your situation. She agreed to switching you out with the standby setter every few rotations.

The echo of the whistles caused pain to ring in your head every time someone scored or a foul was called. Your team captain, Haley, was constantly, yet discreetly checking on you throughout the game since she was always next to you. She was the team’s main spiker after all.

The game droned on and on before you realized that the opposing team was targeting you when they were offensive. They probably realized that you were injured a round ago. You tried your best to block every ball that was sent your way, but a few managed to slip past you when you couldn’t move fast enough. This team was good, but your team was better.

The score during the final round was tied and the clock was on it’s last ten seconds as the ball soared your way. You dove to hit it, landing on your shoulder on the hard floor and hitting it up high enough for Haley to spike the ball down. The crowd went wild as the ball bounced off from the opposite end of the court almost simultaneously with the screeching of the referee’s whistle, signifying the end of the game and your team’s victory.

You laid on the floor in pain, you thought you must’ve pulled your tender muscles in your back and shoulder. It hurt to move it. You felt one of your teammates grab your hand to yank you up into a giant full team group hug. You yelped slightly in pain as you felt arms press against your back and hands firmly patting your bruised shoulders. You were whisked away into the locker room to change into the pajamas you brought with you.

“(Y/n), are you alright? That was a pretty hard fall.” Haley’s soft voice asked you. You felt your heart sing in your chest.

“Yeah Hales, I’m fine. I just pulled a few muscles.”

Her perfectly shaped eyebrows furrowed together, “are you sure? As your team captain and your friend, I’m worried about you.”

You couldn’t help the smile that spread across your face. You felt warm knowing that she cared about you. “I’m sure, worrywart.”

She rolled her eyes playfully and breathed out a soft laugh. “Sorry for asking, grump.” Her laugh sounded like music to your ears.

Your phone vibrated in your pajama pocket, alerting you of your family waiting for you in the car and for you to hurry up. You sighed, “sorry Hales, I gotta go. Dad’s getting impatient.”

She gave you a small smile. “Oh, well, tell your family I said hi! Good work on the court today, I wouldn’t ask for a different setter.”

You felt your cheeks warm up and you watched with wide eyes as she left the locker room. Your phone vibrated again, your dad was really starting to get impatient.

You walked out of the school as fast as you could to find your dad’s car waiting for you up front. Jumping in and softly closing the passenger side door, you slumped against the window. “(Y/n),” Tommy’s tired voice slurred. “That. Was. Pog…”

You glanced back to see him and Tubbo snoring away in their seats. Your match was more exciting than usual, so that must’ve really tired them out. You chuckled, turning back around to lean against the window. You took care not to put any weight on your shoulder or back.

“(Y/n), you were amazing out there, but why did you dive for that ball? That fall looked like it hurt.”

You hummed tiredly, “thanks Dad. I just did what I thought would win us the game. We’re going to finals!” You quietly sang.

“Did you hurt your shoulder?”

“I actually don’t know, but I think I might’ve pulled a few muscles. Nothing too bad.”

“...I scheduled a doctor’s appointment for you tomorrow morning during your first and second blocks. I want you to get your back, shoulder, and head looked at. You looked miserable the entire match.”

You sighed, too tired to argue, “mmk.”

He chuckled before the car fell into a comfortable silence. The gentle bouncing of the car and the subtle hum of the engine was lulling you to sleep. Your eyelids were drooping by the time you pulled into your driveway.

You drug yourself out of the car and into the house, leaving Philza with the sleeping boys. You walked straight to your room and plopped down on your bed, passing out instantly for the second time that day.

Series taglist (comment if you want to be added):

2K notes · View notes

strangercleric · 3 years

Note

i don’t think the duffer brothers would make byler happen i think because the show is just so popular i just don’t think they’d do it

i would be SO impressed if they’d actually do it though

do you think they’ll stick with what most fans want (mileven :( ) or do you think they wouldn’t care and would just do what they want?? and if so, do you think they’d rather want mike and eleven to happen or mike and will?

Think about it, the Duffers multiple times have subverted so many tropes and the show is still popular so I don't think it has to do with that at all.

I'll put byler and m*leven aside for a moment.

I would prefer that the Duffers keep their initial plan, I mean that they are faithful to their story/plot without the opinions or tastes of others interfering. I see this from the point of view of a writer. I like to be true to the stories I write, regardless of what others say or want. The Duffers are a huge inspiration to me, and if they do something like ✨change the plot to what the fans want✨ it would be very stupid, and I would be very disappointed.

I swear to god it would be funny If they don't make canon byler nor m*leven. I feel that it would be a kind of "revenge" towards some fans for concentrating too much on a ship and not valuing the plot. I wouldn't mind so much if this were to happen, since I prioritize the mental health of all characters before they have a romantic partner. I'd like them to get it over with the Upside Down/Monsters and start solving all the shit they've been through in the previous years, psychologically and emotionally speaking.

I'm giving you an overview and you specifically asked me about byler and m*ileven sorry. Likewise is a similar thought.

I love the platonic relationship between Mike and El, they're cute. But if the Duffers decide to bring them back together as a couple I think they should first let Eleven learn a little more about the world in general, let her have own thoughts and that she is not influenced by anyone or for nothing when it comes to make decisions for herself, I want her to be nourished by new information and become smarter than she already is. Same for Mike, I mean, they're 14, they should put off dating for later and be the best friends they never really were. That's just my opinion.

Now byler (truly these two have the power to destroy me). It is undeniable that they have so much potential, and if they become canon, I have never seen a relationship like this represented on TV or movies. I mean the Two boys best friends who fall in love as they grow up and end up together in the end.

In most cases, LGBT+ representation in movies or shows it doesn't end well or is very stereotyped, which I hate because there is such a wide range of personalities and diversity to explore in this community. Just to think that the Duffers can end with that trope and ALSO explore this range with byler is... magnificent.

Idk why but I think one of the clichés that could correspond to them is that of "Right person, wrong time". I have this idea from s5 where, in the middle of the chaos and knowing that they could die, Mike and Will admit their feelings for each other. When everything ends and they defeat the "evil" they talk again about what they admitted, but since they are too scared by the time they live in, they decide not to go ahead and just be friends. Not without first promising that in the future when they are independent young adults (and when society does not want to kill them for the simple fact of loving each other) they would finally meet again and, this time, they would be together <3

I don't know for sure what the Duffers will decide in the end, but I just hope they get it right and realistically enough.

Sorry this got too long, I got carried away. I hope I have answered your question!!!

#byler #anti mileven #elmike #stranger things #stranger things 4 #st4 #stranger things 5 #will byers #mike wheeler #eleven #stranger things theory #lgbtqplus

81 notes · View notes

hamliet · 3 years

Text

Ahhh well, I have written much on Romeo and Juliet before, because it's one of my favorite works of Shakespeare and of literature itself. It is criminally underrated and scorned because of sexist anti-romance sentiment. So uh, yeah, I'm more of your opinion.

To start with, I wrote this here, and highly recommend this old post by someone else as well. It's quite comprehensive.

But, because I love Romeo and Juliet and the more I learn about it, the more impressed I am with the absolute art of the story Shakespeare told, I have more to say. Essentially:

Juliet is one of the most astounding female characters in all of literature, and most of her brilliance has been lost with the loss of Shakespearean context. You see, Juliet was a deliberate deconstruction of the idealized, virginal, holy creature of Woman. Yes, that's how the medieval poets like Petrarch (the inventor of the sonnet, which Shakespeare adapted and wrote his own versions of in Romeo and Juliet and hundreds more on their own) and even Dante Alighieri (yes, that Dante, the Inferno guy) wrote their women. For Petrarch, Laura (whom he like, never talked to) was the object of all his love poetry. For Dante, Beatrice was written as his spiritual guide into Paradise in Paradiso.

Not to simplify their love for these women, but Shakespeare was essentially like "RIP but I'm different." He wrote Juliet as a human character with flaws (hardly a spiritual guide) who was not this virginal, holy creature. She starts off the play extremely obedient to her family and polite, almost like that ideal, but as the play goes on she begins to let her fire grow.

Romeo's poems for Rosaline are deliberately trite and parody Petrarch's sonnets, as well as other sonnets from the day (for example, Rosaline is literally sworn to chastity forever, which wasn’t even the case for Laura or Beatrice). While the fact that Romeo can switch loves from Rosaline to Juliet so quickly does indeed emphasize his flaw (impulsivity and deep passion), it also thereby emphasizes his humanity, because the unique imagery Romeo uses with Juliet show that he is really in love with her as she is--not as an idea like with Rosaline, but as a human being. As with many of Shakespeare's other renowned plays' characters, Romeo's flaws are also his strengths. He's complex--human.

So what am I going on about? Why did Shakespeare write Romeo and Juliet this way?

To emphasize their humanity. Which is interesting, because Romeo and Juliet's first meeting, the one where they both create a sonnet together, is all about idolatry:

Romeo If I profane with my unworthiest hand This holy shrine, the gentle sin is this. My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Juliet Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. Romeo Have not saints lips, and holy palmers too? Juliet Ay, pilgrim, lips that they must use in prayer. Romeo O, then, dear saint, let lips do what hands do; They pray, grant thou lest faith turn to despair. Juliet Saints do not move, though grant for prayers' sake. Romeo Then move not, while my prayer's effect I take. [He kisses her]

He describes her as a holy shrine and a saint, but the more their romance goes on, the more human she becomes. He kisses her right away. When they meet in the balcony scene, Juliet herself tells Romeo that the only thing she wants him to swear by--no gods or moons--is himself. In other words, Romeo and Juliet can be seen as a deeply humanistic play.

Also, the more their romance continues, the more human they become and yet the deeper their love becomes. As one of the posts I linked above states, Romeo loves Juliet more after they’ve had sex, not less. Juliet loves Romeo more despite the fact that she knows he killed her cousin--and she is not happy with him for that, either. The more they learn of each other, the more they love each other.

Oh, and about the extra gross modern take that "it's actually a story about a 13 year old and a much older man"--that is complete bogus, as the above post says. Romeo is almost certainly 15 or 16. While people can be squicked out by it (as it was designed to do with some Italian stereotypes), to say it shows anything creepy is basically literary blasphemy and betrays an utter lack of reading comprehension.

Juliet sets the parameters in their relationship: she tells him if he really loves her, he has to marry her before she will sleep with him, and Romeo does. She muses herself how much she wants to sleep with him in a way that clearly expresses Juliet’s very human desires. Juliet is going to assert who she is and go after what she wants.

So to go back to your question, it’s not just about their families, but about society as well, as Prince Escalus says in the final scene:

Capulet! Montague! See what a scourge is laid upon your hate, That heaven finds means to kill your joys with love. And I for winking at your discords too Have lost a brace of kinsmen. All are punish’d.

Everyone is punished for participating in the feud, which, keep in mind, we were introduced to via an intro fight scene between the servants of the respective families joking about raping the women in the opposing family. Yes, really. It’s almost like toxic masculinity was being called out before its time.

Society is extremely sexist, as we see when Juliet’s father essentially sells her to Paris for the sake of having political clout to win the feud (literally, as Paris is the Prince’s kinsman) and threatens to send her on the streets to prostitute herself if she wants to survive for asking him not to make her marry Paris. But the cat’s out of that bag: Juliet is not going back to being the docile, obedient idol. She’s decisive. She wants to write her own story, and if that makes her a sinner, well then, she’ll go to hell. In the end, when the Friar suggests that Juliet come with him so that he can hide her away in some convent (after Romeo’s death), Juliet refuses and kills herself. She is not going back to being a figure shrouded in some kind of ethereal, unknown glow. She is a person, and people die. But she shouldn’t have had to die for people to see her as a person.

There’s also another layer here: the imagery Romeo uses for Juliet (the sun) and that Juliet uses for Romeo (the moon) is the inverse of how imagery was typically presented in those days. The moon was feminine; the sun, masculine. Even if we look at Romeo and Juliet’s respective character traits, Romeo is the flighty, impulsive, love-struck one who cries all the time, while Juliet is the decisive, bold, and loyal one. That’s the first thing Juliet declares to Romeo in the balcony scene: that she will always be loyal, and she shows this in every choice she makes in the story.

In other words, Shakespeare was deliberately playing with gender and its stereotypes in the play, which gains an even more interesting layer to it when you consider that Shakespeare was himself almost certainly bisexual (his sonnets are preeeetty explicit). It’s not a patriarchal narrative; it can well be seen as a queer narrative in a patriarchal society. And it shouldn’t take two kids having to kill themselves to get society to realize how effed up it is. It isn’t an out-of-touch play, but instead one extremely relevant to our society 500+ years later.

But, Romeo and Juliet’s story is also one of hope. Because instead of no one listening, finally, Montague and Capulet realize how wrong they’ve been. They grieve together, and Capulet vows to let Romeo remain in his family’s tomb, by Juliet’s side (also different, you know, that the husband stays in the wife’s tomb). Montague vows to build a statue for Juliet:

For I will raise her statue in pure gold, That whiles Verona by that name is known, There shall no figure at such rate be set As that of true and faithful Juliet.

Gold is associated with the masculine as well; silver with the feminine. She is remembered as someone “true and faithful,” aka for her loyalty and bravery.

But no statue can bring Juliet back. She was not an idol, and it’s tremendously unfair that that is all she can become now. Same for Romeo. Even so, the fact that their deaths have finally brought peace to the city means that there is life growing from their deaths. They will never be able to birth a family of their own, but the city will grow and live, because of them.

#ask hamliet #shakespeare #romeo and juliet #juliet capulet #romeo montague #romeo & juliet #sorry i accientally posted this before i was finished so had to delete it #and thus the ask is a screenshot

218 notes · View notes

countessren · 3 years

Text

The Bad Batch || Writing Prompts

1. If we get caught, you’re deaf and I don’t speak English.

2. How is it that when something happens it’s always you guys?

3. I...I didn’t think we would get this far.

4. Please put that down, that’s not for playing.

5. If I had a credit for every time we get in trouble I would be the richest person in existence.

6. Don’t tell me...you broke the hyperdrive.

7. You can’t say that! At least not in front of the child!

8. What does this do?/If you want to find out, you’ll have to close that door.

9. You know I didn’t mean that/Well it sure sounded like you did.

10. If I wanted to waste my time, I would have asked for your opinion.

11. Don’t put me on the spot, I wasn’t listening.

12. Don’t look at me, he did it.

13. I can’t help it, you’re too important to me.

14. If you’re aiming to piss me off, we’re well past that point right now.

15. If one more person damages this ship, I’m taking Lula.

16. I’m sorry...but I can’t do this anymore.

17. Don’t accuse me of being the jerk, I’m not the one who needs to develop a personality.

18. Give me one good reason as to why I shouldn’t punch you in your perfect face.

19. So, what’s the plan?/ You’re telling me that you didn’t come up with one?!

20. Awwww, you’re so adorable when you blush.

21. Get away from me, you’ve annoyed me now.

22. When this is all over, I’m going to take you somewhere far away from all this mess/ I’d like that.

23. If you touch my stuff without asking one more time, I swear.../ You’ll what? Pummel me to death?/ If that’s what it takes, then yes. I will.

24. I don’t think I can do that. I just...I don’t know.

25. Did you...did you just compliment me?

26. The systems are fried because someone didn’t fix the wiring issue!

27. Stop blaming me for your mistakes!

28. I’m tired of trying to fight so hard for someone who doesn’t even want me.

29. Prove it hotshot.

30. You should be more careful, you don’t want anything drastic to happen now do you?

31. You’ve got to be kidding me, I’m not wearing that thing.

32. You know you can tell me anything, right?

33. I’m a little busy right now, but sure, what can I do for you?

34. I’m fine, honestly it’s just a scratch/ That is not a scratch, what are you talking about?

35. Stay awake for me, please!

36. I can’t lose you, please just...just come back to me.

37. Could you stay? Just for a little while, please?

38. You really think I’m a valuable part of this team? Even after that?

39. Please don’t ask me to do that, I can’t.

40. You have to be more careful, one day you’ll come back to me in pieces.

41. I’m sorry, forget I said anything.

42. If I may/ No!/ ...Apologies.

43. Can I interest anyone in a vacation?

44. You can’t keep going around and destroying things/ Oh yeah, watch me!

45. This is never going to work/ You look beautiful darling, stop worrying.

46. Can’t we just relax for the day? I’m tired after yesterday.

47. The stars...can’t do it...not today.

48. I’d laugh but I would prefer to keep my life.

49. Don’t test me.

50. Oh please, I would rather die than be partnered up with him for this mission.

51. Wait, remind me again why we are doing this.

52. I love you so much, I want you to know that in case-/ In case nothing. Nothing will happen. Don’t ever say that again.

53. You’re heavy, get off me.

54. For the love of god, please just be nice to each other.

55. I care too much, so sue me.

56. How dare you, you will treat me with respect.

57. Can I...can I give you a hug?

58. I uh...I don’t know how we managed to get out of that alive/ Well, now that we have, you owe me.

59. Just keep your eyes on me, don’t turn around.

60. Is this...reg...bothering you?

61. I wouldn’t shoot the messenger if I were you/ But it sends a message/ Yeah, the wrong type of message!

62. I don’t know how many times I’ve had to fix this ship, but I’m so over having to stop every five minutes.

63. Honestly, you’re the only person that keeps me calm.

64. Well maybe if you listened to me instead of that damn holopad we wouldn’t be in this situation.

65. I’m really sorry/ Go away, I’m not talking to you.

66. It hurst...it hurst so much/ Just stay with me, don’t you dare close your eyes.

67. If we could stay here all day, you know I would hold on to you and never let go right?

68. Cuddles?/ ...Fine.

69. I’m innocent I swear/ I know you, you are far from innocent.

70. Uh oh/ What? / Nothing...nothing at all.

71. Tech said I was bleeding internally, that’s where all the blood is supposed to be!/ Wrecker...no.

72. I can help, just let me-/ No, you’ve done enough.

73. I...I’m cold/ Well that’s unfortunate, I can’t do anything about the weather.

74. You inconsiderate, lying, two-faced prick!

75. If you don’t remove your hand from my shoulder, you won’t have hands at all.

76. Kill me, but don’t hurt them. Please...

77. Is anyone else having trouble figuring out how we are all still alive?

78. I could seriously just-/ Just what sweetheart?

79. I want you know that I’m sorry if things weren’t easy for you, but it wasn’t easy for me too. I had to be strong for everyone else when you fell apart...and it broke me too.

80. You’re not the only one who’s having second thoughts.

81. Please just...just leave me alone. I don’t want to talk about it.

82. I could honestly just sleep forever right now/ Come here...

83. I love you, but it’s okay if you don’t feel the same.

84. This isn’t you, you have to fight it.

85. Give me a chance, I’ll prove to you that I care/ You have one more chance, otherwise I’m gone.

86. Shoot me once, shame on you. Shoot me twice...yeah that’s my mistake.

87. Ow!/ You deserved that/ What did you do that for!?/ You know exactly what for!

88. It’s so cold in here/ Here, have my blanket.

89. I don’t think I’ve ever seen something so mesmerising in all my life/ I have.

SOULMATE AU PROMPTS

90. The first words you say to your soulmate are tattooed on your arm.

91. You don’t see colour until you meet your soulmate.

92. You can hear your soulmates thoughts.

93. When you touch your soulmate, you see glimpses of what your future will be like together.

94. You can feel your soulmates pain.

95. You can feel intense pain whenever your soulmate is in danger.

96. You have random visions of what your soulmate sees, but neither of you know it until you meet.

97. You have a clock that counts down to when you will meet your soulmate.

98. You have the same tattoo/scars as your soulmate.

99. One of your eyes is the same colour of your soulmates.

100. The name of your soulmate is tattooed somewhere on your person.

PLEASE GIVE CREDIT IF YOU USE ANY! WHETHER IT BE A LIKE, REBLOG OR @MENTION! Requests will be open as of 8th of June, so feel free to flood my inbox until then! You can also comment below should you wish to request anything.

#the bad batch x reader #the bad batch #the bad batch imagines #hunter x reader #Hunter #hunter imagine #tech x reader #tech #tech imagine #wrecker x reader #wrecker #wrecker imagine #crosshair x reader #crosshair #crosshair imagine #echo x reader #echo #echo imagine #star wars the bad batch

153 notes · View notes

thanksjro · 3 years

Text

Bayverse: Treating These Movies with More Dignity than They Deserve or Contain, Because I’m a Goddamned Professional - Part One

TRANSFORMERS (2007) - UNCOMFORTABLE SEXUAL TENSION BETWEEN TEENAGERS THAT I DIDN’T NEED TO SEE

So.

This is a little different than what I usually do.

Clearly.

God, how did we even get here?

Oh, I remember.

The date was September 17th, 2020, and I was in a stream with nine or ten other people watching the first Bayverse Transformers movie. Why we were watching it doesn’t particularly matter- sometimes you just gotta watch garbage so you can refresh your palate for the good stuff, I suppose. Also, a couple of folks wanted to make goo-goo eyes at Blackout’s rotors.

...It’s not my thing, but I’m glad they’ve got something to make the journey worth taking.

I made some sort of comment about only using my brain for this blog’s content, and someone (you know who you are :)) suggested that I take a proper look at the film. Being who I am, I immediately latched onto this idea, despite it being technically outside of what I write about.

And then I quintuple-downed, because winners don’t quit.

Good to know that my BA in Film Production wasn’t a complete waste of time.

Fun fact, I broke my television trying to watch Transformers for this. I think the universe was trying to stop me, by making me perform surgery on electronics, and also aggravating my carpal tunnel.

This movie came out when I was 13, and it was the first Transformers thing I saw after Cybertron. Yes, the anime one. No, not the one that’s objectively terrible.

Anyway.

How did I feel about Transformers when I saw it the first time? Well… it was okay. I liked the robots. I thought Mikaela was pretty, not that I knew what that meant back then. I watched it a few times, if only because my oldest younger brother kept renting it at Blockbuster. It was fun.

Now I’m older, and wiser, and know feminist theory, so my opinion is less “this exists” and more “blind, murderous rage”.

Our film opens up with some claptrap about the Cube™, a MacGuffin of ultimate power that allows the Transformers to create worlds in their image and populate them. Which means this is how they reproduce.

It always comes back to baby-making, doesn’t it?

The narration goes on about how the Cube™ is very powerful, and some folks wanted it for good, and others for evil. The criteria for being “good” and “evil” isn’t established, and I’m not exactly sure how one would define such a thing, when all the Cube™ does is create life, but, well, we’ve only just begun. Maybe we’ll get some answers later on.

Haha, I doubt it.

So, the Cube™ is the catalyst for our 4 million year war this continuity, and that sucker was lost in the shuffle a while back. This is a problem, because, again, the Cube™ is how the Transformers reproduce. Now everyone’s in a mad scramble to find the thing so their species doesn’t die out.

Three guesses as to where it ended up, and the first two don’t count.

Smashcut to the shit nobody cares about- the humans. We see an Osprey fly over the Qatar desert, carrying a buttload of American soldiers. We get a taste of some good old-fashioned xenophobia, as several soldiers mock a guy for not speaking English and loving his mother’s cooking, going full “funny haha gibberish language” on him. We’re two and a half minutes into the film, and I already want to stab something.

Ed Sheeran breaks into the conversation, I guess because he was feeling left out, revealing that he is the New Yorker stereotype of the film, for some reason. The fellas ask their captain, Lennox, what he’s looking forward to most about getting home from their tour, and he reveals himself to be a family man. While he’s been away, his wife had a baby, who he hasn’t so much as held yet. His men respond by mocking him.

For loving his child.

We’re three minutes into the film, and the toxic masculinity might actually make me have an aneurysm.

The Ospreys land, the lads disembark, and we get a snapshot of what downtime during deployment looks like to Bay. There are a lot of kiddie swimming pools involved. Two men play basketball. We watch multiple men take outdoor showers. A young Qatari boy brings Lennox a camelback water pack with a smile on his face. This lets me know that he’s a prop and not a character in this film. I can’t wait to see how many horrors he’ll be put through to simulate pathos.

We get a shot of a helicopter flying over the desert, one that the US military doesn’t recognize as their own. They send a couple of planes to check it out, and said planes get their shop wrecked. The helicopter is revealed to be the same ‘copter that was shot down several months prior. That’s… not good. Ghost helicopter?

No. Not at all, actually.

Lennox gets on a video chat with his wife and daughter, who is wearing one of the most ridiculous baby outfits I’ve seen in a hot minute. And I used to work in childcare, so I’ve seen a good amount of those. The writing implies that normal bodily functions are unladylike and therefore undesirable… in an infant… and that’s when all hell breaks loose, thankfully saving me from more of Bay trying to make me give a shit about these characters.

The helicopter lands, we get a shot of the mustachioed pilot, who glitches (gasp), and the line “have your crew step out or we will kill you” is uttered. Not even trying to hide the nationalism, are you?

This film hit theaters in 2007, when the xenophobia from 9/11 was still heavy in the air of the general populace, so things like this were more tolerated, and in fact approved of. Of course, it’s not like America has really improved on that subject, or ever really had a point where we weren’t terrible about it, since we live in a world where the military-entertainment complex exists.

See, the Department of Defense and a good chunk of American entertainment industries have a little deal going, and have for the last few decades, and it goes like this: The DoD will allow the use of their vehicles, personnel, and bases, or the likenesses of such, for free, in exchange for their operations being shown in a positive/morally justified light. This is why you never see the armed forces portrayed in a way that makes them out as anything less than heroes- nobody would be able to afford the sets/likenesses without the DoD’s aid. This is also why you see straight-up advertisements for the military branches on televison, in cinemas, and online, and why both the Army and Navy have flirted with having Twitch channels.

It’s all a ploy to get you to join the military, kids. It’s propaganda.

But enough about that, it’s time for our first transformation sequence!

We get a lot of moving parts with this, since it’s realistic CGI in a live-action movie, and it still holds up. It’s hard to tell what’s actually happening, but it, if nothing else, feels alien, surreal, and horrific to behold. They even included the original sound effect in the cacophony, which is nice.

Our ghost helicopter reveals itself to be a Transformer, not that we get that terminology at any point in this film. This specifically is Blackout, a Decepticon. The soldiers start firing on him the moment he starts transforming, then are surprised when the thing they started shooting with several guns retaliates. This is the point where everything ever in this military base explodes, brilliantly and repeatedly, because it wouldn’t be a Bay film without it. There’s a lot of shouting and bright lights, and I’m positively certain that a great deal of people died during this fight.

It’s just a shame that I don’t care.

Blackout rips the top off of a building like it’s a tin of anchovies, and then snags all the hard drives he can, downloading everything. This is a problem, but it seems like nobody was prepared for a giant alien robot hack-attack, because in order to shut down the power to the servers, you need to be able to unlock the breaker box, and no one seems to have the key. They solve the problem with a fire ax.

Lennox is leading the Qatari boy through the base towards safety. I should mention that it’s night now, and several hours seem to have passed since the Ospreys landed, so I don’t know why this kid is still here. He’s got, like, a house and family to go home to.

We get some more tank-throwing action, Sergeant Epps almost gets flattened under Blackout’s foot, then the movie decides it’s going to try to make things more interesting by having each shot cut flash, for whatever reason.

Someone shoots Blackout with a rocket launcher, I think, and this is the point where he throws his tiny little man off his back to go do his job. Yes, Blackout’s got a baby, and that baby is Scorponok, his symbiotic pal who likes to dig into the ground and be a sneaky little bastard.

Blackout blows up a ton more military equipment and personnel, and then it’s time for another smashcut.

Now we’re in high school, just like all those dreams I’ve had where I’ve forgotten my homework. This is where we meet Sam Witwicky, our main character, and also the stand-in for our target demographic. He’s insufferable, and I don’t like him. Mikaela Banes, our love interest, is also present in this scene, but we don’t get to know about her character for, like, another 20 minutes, because who gives a shit about women, right? They’re just props, right?

Right???

RIGHT??????????

RIGH-

Sam is presenting on his great-great-grandfather, Archibald Witwicky, for his family genealogy report, in front of a class containing maybe three actors who are age appropriate.

I know child labor laws are a good thing, and that hiring adults to play teenagers is just the lay of the land, but I swear some of these students look like they’re old enough to be on their second mortgage and third kid.

Anyway.

Archibald Witwicky was an explorer, one of the first to traverse the Arctic circle, and apparently his crew was made up of folks from 2007, because I swear the clothing for a few of these dudes isn’t period-appropriate. We get a seamen joke, because of course we do, and a sextant joke, because of course we do. Sam is also hawking all this crap he’s brought in for the presentation, because he is a little bastard who has no idea what his peers would want to buy, or really how to relate to them at all. He’s selling these “priceless” artifacts so he can get a car. Mikaela finds this charming, for some fucking reason. Also, her boyfriend is weirdly stroking her shoulder blade with his knuckles the whole time this is happening, and I hate it.

Archibald Witwicky went mad after his expedition, talking about an “ice man” so often that his family ended up locking him in a mental asylum, likely to be forgotten about. Which is sad. But we won’t be getting into the medical mistreatment of the mentally ill in Bayverse, now will we? That’s just Too Deep™.

Sam’s teacher didn’t very much appreciate having his class be turned into an episode of Antiques Roadshow, but still gives Sam an “A” on the project, despite it being a very poor report that lasted all of two minutes. I suspect the teacher has tenure, and therefore no longer gives a shit about academic integrity. This “A” means that Sam’s father will buy him a car.

Which is nice, I suppose, if I gave a damn.

Sam’s father, Ron, picks up his son in a car he probably bought at the crux of his midlife crisis, in a green that reminds me of a school gymnasium floor, then plays a prank on his child by pretending to pull into the Porsche dealership. Sam isn’t getting a Porsche, which is good, because he doesn’t deserve one. As Sam gripes to his father, a yellow Camaro drives by oh so conspicuously. Wonder what’s up with that.

Instead of the Porshe dealership, they head over to the used car lot, which is being run by Bobby Bolivia, who spends his time yelling at his employees and wanting to murder his mother. Sam is incredibly ungrateful about the fact that his dad is helping him get a car, even though it’s his FIRST car, and nobody gets a nice one the first go around. Or, at least, they shouldn’t, given the statistics about accidents with young drivers.

“No sacrifice, no victory” is uttered by Ron, which is the family motto, or so he claims. Archibald Witwicky said the same thing when he had multiple people dying trying to get to the Arctic Circle, so there’s precedence for the phrase, but we’ll see how it holds up throughout the film.

Bobby Bolivia shows Sam and Ron the cars he has for sale, and Sam is immediately drawn to the yellow Camaro in the lot, though there’s a small problem- it’s too expensive for what he and his father agreed to. Also, nobody knows where the hell it came from, so paperwork might be an issue. When Bobby tries to show Sam the yellow Beetle they have right down the line, everything explodes, because this is a Bay film, and fuck the original material this movie was based on. Bobby lets them have the Camaro for a lower price, suddenly fearful of whatever strange powers have just visited his place of business. “The car picks the driver” is suddenly more than a bullshit line to spout off in order to sell cars, and I’m certain that’s shaken the poor man.

Over in Washington, D.C., the Secretary of Defense prepares to address just what the hell happened in Qatar, lamenting on how young the audience he’s going to be speaking to is. In particular, he’s referring to the two dweebs and the hot chick sitting in one of the rows. All the women in this movie who aren’t someone’s mom are made up to be very pretty. And not even in a realistic way. But we’ll get to that in a bit.

So, the military network was hacked. That’s bad. Nobody knows who did it. That’s also bad. The only lead the US has is a soundbite, which is the signal that hacked the network.

Everyone here at the briefing is going to be helping to figure this mess out. This is great, if you like looking at Rachael Taylor for a few seconds at a time, and can compartmentalize hard enough to make that worth the effort of watching this godforsaken film.

Back at the Witwicky household, we meet Mojo, a chihuahua with a cast that doesn’t seem like it’s actually doing anything. I wish he was the main character instead of Sam.

Sam arrives home from the dealership, and says “alright, Mojo, I’ve got the car. Now I need the girl.”

As if ownership of a person is something to aspire to.

As if women are property to be owned.

As if women aren’t people, but rather commodities.

We’re 17.5 minutes into this film.

We’re introduced to Judy, Sam’s mother. She’s shrill, and annoying. This is by design, because none of the women in this film are actually people, but rather archetypes to bounce off of the male characters.

Sam and his father have a moment of what some might consider banter, then Sam gets huffy with his mom over gender roles for the dog. I, for one, think Mojo looks positively dashing in his bedazzled collar, and to hell with whatever Sam says to the contrary.

Sam drives off to go be a misogynist, with the promise to be back by 11PM.

Over in Qatar, the soldiers and that little boy are running from the attack on their base, as Lennox’s wife watches a public announcement on the matter back at home. The Secretary of Defense lets us know that we’re at DEFCON Delta at this point. Lennox Jr. cries, and all I can think about is how they probably pinched that baby to make that happen. They pinched a baby for Transformers (2007).

The soldiers in Qatar talk about shit they have no idea about, Sergeant Epps going on about somehow having been able to see a forcefield around Blackout through his super special binoculars. I don’t know how, or why, he knows this. I don’t know anything anymore.

Ed Sheeran has his doubts about this whole thing, and Lennox is also present in the scene, because I guess he’s important. Through a bit of dramatic irony, Fig- the guy everyone was making fun of for being bilingual at the start of the film- says that this probably isn’t over, as the shape of Scorponok shifts through the sand just beyond them.

Epps is having a minor crisis over the fact that Blackout saw him, but we don’t have time for that, because we’ve got to get to cover. The lads decide to head to the little Qatari boy’s house. Again, I wonder why he was at the base at all, considering that it seems like they’ve been traveling for a good portion of the day.

Back with Sam, he’s picked up his friend Miles, and together they’re going to a lake party. Are they invited to this party? Yes, but also no. It’s public property though, so it should be fine. As they park, Sam notices that Mikaela is here, which is great for him.

Mikaela’s boyfriend, Trent- whose name I had to look up- is a massive tool, and starts pestering the two boys for daring to exist in his airspace. Miles climbs a tree. I’m glad he’s having fun, at least. Sam makes a joke at the expense of people with brain injuries, and this for some reason? Warrants a shot of Mikaela making the blank “pretty girl” face? In response?

Mikaela saves Sam from becoming a wet stain on the grass, which is very kind of her, and more than Sam really deserves. Trent, his boys, and Mikaela start to head off for another party, to get away from Sam and his tree-loving friend. Mikaela offers to drive, and Trent says that she can’t handle his truck, because she’s a ~girl~. This causes Mikaela to ditch him, and start walking home.

The script knows enough about misogyny to know that this would be a nice “take that”. Michael Bay, however, likely fails to see why everything he did with said script involving this character is a goddamned problem.

Because Mikaela, bless her heart, has a lot of problems.

Let’s start with the outfit: a croptop, a jean skirt that BARELY covers her ass, and a pair of wedge heels that are at least four inches tall. On a character that is, at oldest, freshly 18.

Look, I’m all about self-expression and the freedom to choose how you dress for yourself and yourself alone, but this clearly isn’t that. This is a character, not a person, whose wardrobe was designed for the straight male gaze. She’s wearing fucking STRAP HEELS to the lake. This is about oogling. This is about reducing a whole-ass person to the same status as a piece of meat. In fact, who was on wardrobe for this? I’d like to have a few words with-

A woman? Okay, well, what else has she worked on?

You can’t be fucking serious.

ANYWAY.

Miles just called Mikaela an “evil jock concubine.” I don’t like Miles anymore.

As Mikaela walks down the road, strutting hard enough that I’ve got sympathy pains in my hips, the radio in the Camaro turns on, playing “Drive” by the Cars, and giving Sam a hell of an idea; he’s gonna drive Mikaela home, so she doesn’t have to walk the 10 miles to her house. Why he knows how far she lives from the lake isn’t addressed.

Sam kicks Miles out of the car and goes to give Mikaela a ride, which she accepts after a bit of self-deliberation, and also him making an ass of himself. The shot here is framed with Sam like he’s a normal-ass person, and Mikaela from her breasts to the top of her waist. Because of COURSE it is.

She hops in the car and then goes off about her taste in hot guys. Which is weird, and out of left field. Sam is about as confused as I am, then continues to make a fool of himself. This is his nature as a person. Mikaela has no idea who Sam is, even though they’ve gone to the same school for the last 10 years and have multiple classes together. And the fact that she was staring him down all through his genealogy presentation. And at the lake.

This movie isn’t very well thought out, I feel.

It’s at this point the the Camaro turns the key on itself and starts to sputter out and die, as “Sexual Healing” by Marvin Gaye pops on the radio.

I don’t like how this car is trying to get Sam laid.

I don’t like how this car is trying to get Sam laid with a girl who didn’t even know his name five minutes ago.

I don’t like how this car knows what sex is.

The Camaro breaks down on a cliff, and Mikaela hops out to work on the engine, and also to get the hell away from Sam’s sputtering.

As Mikaela admires the sweet engine in this Camaro, showing off her knowledge of cars, we get several shots of her from her breasts to her thighs, while Sam is treated like an actual person. Don’t bother trying to play it off as an artistic choice, Bay, this is blatant horndogging. This adds to NOTHING, other than my ire.

Sam says more stupid shit, and Mikaela, who must be the nicest fucking person in the world, just tells him to fire up the engine so she can try to sort out the problem. Then he asks why she goes for jackasses like Trent, and she decides that she’s hit her limit for today, opting to walk the rest of the way home. Good on you, Mikaela. Don’t take Sam’s bullshit.

Sam, realizing that he’s put his foot in his mouth for the 80th time today, pleads with his Camaro to do him a solid and work, and this actually works out for him. Great. Sam, victorious, once again offers Mikaela a ride, which she, once again, takes.

He drops her off without further incident, and she thanks him for listening. Even though they didn’t really talk that much. I dunno, maybe they had a super deep conversation offscreen. Mikaela asks Sam if he thinks she’s shallow, because clearly all women need approval from the men around them, and Sam says that there’s more to her than meets the eye.

Which made me groan aloud.

Anyway, she gets inside without a problem, and Sam professes his love for his new Camaro for allowing him to talk to a girl. Or at least talk at her.

Back in Washington, D.C., at the Pentagon National Military Command Center, we’re making weirdly racist calls on who hacked the military.

Up with Air Force One, a conspicuous boombox transforms into a robot, and then runs off to hack shit. The President of the United States requests some snack cakes. A flight attendant goes down to storage to retrieve said snack cakes, and finds that boombox in the elevator with her. Considering this is Air Force One, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse, and we don’t think here.

The flight attendant brings the boombox down with her and places it on the counter as she goes to get the presidential snack cakes. The boombox immediately disappears. Now, you’d perhaps expect her to immediately be suspicious of such a thing, but this is Bayverse-

The flight attendant opens up the snack cake package, for some reason, and drops the cake on the floor. She then proceeds to eat it, and then act shocked when it tastes like floor. There’s a robot in her fucking line of sight, and you’d perhaps expect her to immediately be suspicious of such a thing-

She leaves to go feed the President floor cakes, and our little robot friend gets to work stealing government secrets. He, if nothing else, looks pretty cool doing it. He’s a very pointy lad.

Back at the Pentagon, Maddie- Rachael Taylor’s character- can hear the hacking. This sends everyone into a panic, because, well, that shouldn’t be happening. The hacking noise is a direct match to the one from Qatar, so that’s obviously a problem.

Back on Air Force One, our little robot friend is looking for “Project Iceman”, which he very quickly finds, and downloads everything they’ve got on it, and also plants a virus. The process seems to be… doing things to him. It’s weird. This movie is weird.

The Pentagon cuts all the system hardlines, stopping the process, but it’s too late- he got what he wanted, just about. Two security personnel come into the room, and the robot kills them both with some spinning blade disc nonsense. Air Force One is forced to land for the safety of everyone on-board. More security detail comes in to deal with the little bastard, but he transforms into a boombox and sits on a shelf to avoid suspicion. Now, you’d perhaps expect-

With the plane grounded, our robot is able to walk his little ass over to a cop car. And when I say walk, I do mean walk; this fucker is in multiple folks’ line of sight and nobody notices a thing. When he enters the car, he’s greeted by the mustachioed driver- the same driver who was operating the helicopter at the beginning of the film. This mustache man is a holographic avatar, one that’s being used by all the Decepticons.

We get our first real taste of Cybertronian language, as our robot- it’s Frenzy, his name is Frenzy- lets everyone know that he’s found a clue to the location of the AllSpark, and, through the power of the internet, knows where to find the guy who’s gonna give them what they need.

Three guesses to who it is, and the first two don’t count.

Back at the Witwicky household, Sam’s car does a runner in the middle of the night. Sam, horrified that his property is being stolen, pursues on a bike, screaming at his dad to call the cops. Sam also calls the cops, as he tears through the neighborhood.

The Camaro breaks into an abandoned building, Sam follows, and we finally get a shot of our audience appeal character. Sam watches in disbelief as a giant yellow space robot shines a beacon into the sky, then makes a video on his flip phone recording the experience. He apologizes to his parents for owning pornographic magazines, and goes to face his probable demise.

However, death does not come from above, instead manifesting itself as two of the strongest junkyard dogs in the known universe, who break their brick-inlaid chains to get at this little dip of a man. Sam is chased through the yard, climbing on top of a couple precarious oil drums, even though there’s a ladder, like, right there. The Camaro rolls in, scaring off the dogs, and Sam bolts, throwing the keys to his ride at his ride. When he gets outside, the cops have arrived, and immediately arrest him.

Back with the US government, the Secretary of State is having a conversation about all the bullshit that just went down with Air Force One. He and his fellow cishet old white men discuss their options, until Maddie comes in to set them straight on some of the facts. They act all indignant about it, because women can’t be smart, right?

Right???

RIGHT??????????

RIGH-

Anyway, we get a weird little deflection of Maddie’s role in everything, because a woman is nothing without the men around her, then she brings up the point that the bullshit that happened on Air Force One went down in just a few seconds, which isn’t something that anyone can actually do. She brings up quantum mechanics, which everyone blows off as nonsense- not that I wouldn’t as well- and theorizes on a DNA-based computer, which is technically a thing, if not trapped in the realm of speculation. It’s at this point that the Secretary of Defense tells her to come back when she can back these wild claims up, and isn’t just clearly spitballing.

And then he snaps his fingers at her, and any point he might have had leaves my brain so I have more room for being enraged.

Back with Sam, we’re at the police station talking to the cops. His dad is here, and Sam is trying to explain that his car is a dude. Even though he took at a video (one that was likely crap, given how quickly he spun his phone around to show off what he was seeing) the cops, understandably, don’t believe him. Then one of them, not so understandably, starts… threatening Sam? With his sidearm? And daring him to try something? This isn’t any sort of statement on the corruption of American law enforcement, it’s just bizarre.

Back in Qatar, our soldier buddies have found a telephone line, and are going to try to use it to get in contact with the rest of the world. It’s just too bad that Scorponok’s decided to make an entrance, and knock said telephone line the hell down. Ed Sheeran has next to no reaction to this, despite it happening maybe ten feet behind him. Fig speaks Spanish, and Ed Sheeran makes a point to be an asshole about it.

Scorponok is about to stab Lennox with his very pointy tail, when Epps notices- finally, someone with peripheral vision- and starts shooting. Then everyone starts shooting, kicking up enough sand to blind themselves, as Scorponok scuttles away, buries himself, then reappears behind Ed Sheeran.

Ed Sheeran does not survive this experience.

The others bolt, not wanting the same to happen to them, and for the fourth time I wonder just why the hell this young boy was at the base in the first place.

Off in the distance, the community of a nearby town wonders just what the shit is going on out in the desert. Our soldiers run into the town, and everyone gets their guns and start firing on Scorponok, who retaliates, because why the hell wouldn’t he?

Lennox demands that the young boy take him to his father, and proceeds to borrow his phone. As shit goes down outside, we have a sort-of gag where Lennox is trying to contact the Pentagon, while a telemarketer tries to get him to buy a phone package. In order for this call to go through, he’s going to need a credit card. This is where the well-known “pocket” scene comes from, as Lennox searches Epps’ pants for his wallet as he fires on Scorponok. It’s probably the best-written thing in this whole film.

With the credit card acquired, Lennox finally gets through to the Pentagon, and tosses Epps the phone so he can talk. Maybe he’s got anxiety about speaking on the phone, I dunno.

Scorponok shows off his disregard for historical architecture, blowing up several buildings, and the US government just watches this all go down. One of the actors in this scene looks like my dad, and it trips me up every time he’s on screen. Anyway, now the Pentagon knows about the giant space robots running around in Qatar. They send over some air support about it. All this manages to do is piss Scorponok off.

So they try it again.

This time it works, sort of.

At the very least, he’s left now.

Tail fell off, though.

Also, Fig’s been grievously wounded. The others, for once, don’t make fun of his native language while they help him hold his blood inside his body.

Back at the Pentagon, Maddie’s looking to prove that the bullshit that’s been going on is of the sci-fi variety, and in order to do that, she’s going to need a little outside help. She takes the information from the Pentagon, slaps it into an SD card, hides that shit in her blush compact, and then runs out the door to Glenn Whitmann’s house. Or, rather, his grandma’s house.

Glenn is a hacker, and shouldn’t be seeing anything that Maddie’s brought him, but everyone knows that confidentiality is for nerds, so whatever.

Back at the Pentagon, Maddie’s immediately been caught. It’s almost like slapping the military network onto an SD card maybe wasn’t such a hot idea. But what do I know?

Glenn takes a look at the soundbite and figures out that there’s a code embedded in the thing in about two seconds. Good to know our tax dollars are being well-spent on the US military, that some dude in his jammies can figure this shit out faster than a whole team of analysts. They figure out that “Project Iceman” is involved with this somehow, and also the existence of Sector Seven. It’s at this point that the FBI busts in. Good. I kind of want Maddie to go to jail for this, because she was about as stupid as she could be handling the situation.

Glenn’s cousin goes through a closed glass door- don’t worry, it’s tempered- and there’s a weird cut before that exact same shot continues, and he’s tackled into the pool. There was no reason for that to have happened, but here we are.

Back with Sam, we’re treated to him in his boxers, shooting basketballs in his room. He goes into the kitchen, where Mojo is standing on a stool. It’s a very tall stool, the sort you sit on, and he’s just… there. I don’t know how he got there. There’s no one else in the room besides Sam, and I know he didn’t put him there.

Clearly this must mean Mojo is God, and being on that stool is his divine will. I will be approaching the rest of the franchise with this in mind, because it’s clearly the only answer.

Our merciful Lord Mojo jumps up on the kitchen counter and begins growling at something through the window. Sam looks out… the opposite window… to find that his Camaro has returned to him, and is less than thrilled about it, to put it lightly. He drops a jug of milk- luckily it was mostly empty, given the sound it makes when it hits the floor- and gives his buddy Miles a call. You remember Miles, don’t you? If you don’t, it’s fine, because he reestablishes his quirkiness with a single shot, as he sits in a swimsuit and bathes his huge-ass dog in a kiddie pool, and answers the phone with a headset he just happened to be wearing. He must get a lot of calls during Dog Washing Hours. 

After giving us one of the most intense voice cracks I’ve ever heard, Sam books it out of his house, hopping on a bike to escape his murderous Camaro. He’s not seen the thing commit any murders, mind you, but he seems pretty convinced that it would do the job, given half a chance. Also, this isn’t the bike he rode the night before; that one is likely being chewed on by those strong-ass junkyard dogs. No, for some reason, the Witwickys have a pastel pink girl’s bike, with the fun little handle tassels and the basket and everything. As far as I can tell, Sam is an only child, and if you think Bay’s going to allow for a teenage boy to have the vulnerability to own a pink bike, you’ve not been paying attention for the last 48.5 minutes.

The Camaro gives chase, rolling after Sam on his bike at a brisk 7 MPH down the friggin’ sidewalk, one of the only scenes in this travesty of a film to actually get me to crack a smile. Sam races through town until city planning puts a stop to him, through the magic of using chunks of cement to decorate the mulch around their trees. He crashes his bike, faceplants into the concrete in front of Mikaela, and promptly dies, thus ending the film.

No, he doesn’t die. I just told a fib. I’m sorry.

Instead, he does a flip and lands on his back, likely receiving a concussion, in front of Mikaela and her friends. Her friends laugh, because everyone hates Sam, as they should, and Mikaela says that what he just did was “really awesome.” Don’t try to be nice, Mikaela, this is Sam we’re talking about; you could stick the dude in the freezer overnight and he still wouldn’t be even remotely cool.

Sam gets back to the whole “running away from a car” deal, and Mikaela decides that this is the sort of thing she’d like to do with her day, so she ditches her friends in the middle of their scheduled Burger King™ time to go see what the hell Sam’s on about.

As Sam is chased by the Camaro who is being chased by Mikaela on her motorized scooter, a cop becomes involved, tearing through the streets to join this ridiculous game of tag. Now, we’ve seen two different flavor of cop so far- the mustachioed avatar cop car that picked up Frenzy from the airport, and the dude who threatened a teenage boy with a gun after accusing him of being under the influence of drugs. Either way, I don’t think this is going to turn out well for Sam.

Sam’s cornered himself under one of those really wide bridges where people can park their cars, which wasn’t terribly smart, but it’s Sam, so this is about par for the course. The Camaro manages to miss him, but the cop car does not. Sam is actually pretty cool with the cops being here, as if they could do anything about “Satan’s Camaro.” I guess he didn’t see the decal on the side of this car that says “to punish and enslave…”

Sam attempts to approach the car for help, and gets clotheslined by a car door for his troubles. He hits his head on the pavement, certainly exasperating the brain injury he received not ten minutes ago. Still, he continues to try to talk to the holographic avatar through the windshield, revealing that the bike he’s been riding is his mother’s. Mystery solved, I suppose.

The cop car doesn’t much appreciate being slapped on the hood, and begins to rev violently at Sam, threatening to run him over several times. Then it explodes into being a robot. Sam, who’s seen a lot of really weird shit in the last 24 hours, nopes out of the situation. It’s at this point that I realize he’s wearing a shirt for the band the Strokes. I don’t know why that stuck out to me, but it did. Guess my brain needed something to latch onto during all this.

Sam is running as fast as his little legs allow, as our newest robot friend takes up a leisurely jog to keep pace. Then he kicks Sam. He kicks Sam’s body like the football. This, of course, instantly turns Sam into a bag of jelly and kills him, thus ending the film.

No, he doesn’t die. I just told another fib. I’m sorry.

Sam somehow survives being punted by a giant metal leg and lands in the windshield of a car that doesn’t turn into a robot. Then he gets yelled at by the cop car. This is Barricade, a member of the Decepticons, and Sam’s got something he wants. Or, should I say “LadiesMan217” has something he wants.

LadiesMan217 is Sam’s Ebay username. This is both stupid because no teenage boy existing beyond the year 1985 would have ever called himself that, and also because it’s just stupid.

Barricade wants the glasses Sam presented for his genealogy report, and he wants them NOW. Seeing as the thing he wants is for sale, and nobody had been bidding on it, one would wonder why Barricade and his associates didn’t just try to purchase them like upstanding citizens. Perhaps Decepticons don’t understand the concept of money, or perhaps they don’t have a stable address to have the glasses shipped to. Or perhaps nobody considered that angle when the script was being put together. Who can say?

Sam gets back to running away from Barricade, we see where Mikaela got to, and the two of them collide. Sam rips Mikaela off of her scooter, and they both fall to the ground. Mikaela, who did not buckle the clasp on her helmet, asks Sam what his fucking problem is. Then his problem shows up, and they take a very long time to get up so they can run. So long, in fact, that the Camaro has to swing in to save them. After much pleading from Sam, Mikaela gets inside Satan’s Camaro, and the two of them are whisked away to safety. Barricade pursues, and then the butt rock starts.

There’s a lot of screaming and yelling, the Camaro busts through a window and several shelves in an abandoned building, there’s some drifting, and then suddenly it’s nighttime. Barricade somehow got in front of the Camaro, and is circling like a shark. The Camaro locks the two teenagers inside itself, though I suppose they could climb out through the still-open windows if they really wanted to. The Camaro cuts the engine off, then cuts it back on and bolts for the exit, and this somehow tricks Barricade long enough for them to get past.

The Camaro dumps Mikaela and Sam out one of the doors and then transforms into that yellow space robot we saw a bit ago. It’s Bumblebee! Nearly an hour in, and we finally get a proper look at the little bastard. I guess that’s what happens when you spend the first 20-something minutes on being xenophobic and appealing to the focus groups that think it’s fine sexualize high schoolers.

Bumblebee- no, he’s not introduced himself yet, but I just can’t keep calling him “the Camaro” anymore- comes out of his transformation ready to square the fuck up. Barricade throws himself at Bumblebee, they roll around on the ground for a bit, then things start sparking and exploding, because this is a Michael Bay film. Frenzy jumps out and starts chasing down Mikaela and Sam, while Bumblebee and Barricade murder death punch each other. Frenzy manages to grab Sam by the ankles, drag him to the ground, and rip his pants off. Not sure how that happened, considering he’s still got his shoes on.

While Sam’s busy being chased by a sentient pile of safety pins, Mikaela’s taken it upon herself to be proactive about her survival, and is raiding a nearby building for power tools. She sprints out holding an electric jig saw and saves Sam by decapitating Frenzy. If you know anything about Transformers, then you know this doesn’t actually kill Frenzy, but good on her for being a badass. Why couldn’t Mikaela be our main character again? Oh, right, because she’s a ~girl~.

Sam punts Frenzy’s head, like, 50 yards, which seems like something he shouldn’t be able to do, given that he’s a massive weenie, but there you are. With that out of the way, Sam takes Mikaela’s hand and they run off to go watch the giant robot fight. The bottom of Frenzy’s head turns into a spider and he crawls his way over to Mikaela’s purse. He’s gonna steal her gum, the fiend!

Mikaela and Sam have, unfortunately, missed the giant robot fight, which means that we, as the audience, have also missed the giant robot fight. Which is unbelievably stupid, seeing as everyone who has ever watched this movie came for the GIANT GODDAMN ROBOTS.

Mikaela asks just who the hell the yellow robot is, I guess because she’s finally had a second to process what the hell’s going on. Sam claims that he’s a super-advanced robot, “probably from Japan.” Whether or not this is a reference to the Japanese origins of the original toy line isn’t clear, though somehow I think it’s more xenophobia. Sam also makes the claim that if Bumblebee had intended to hurt them, he would have done it by now. This is quite the jump from a few hours ago, when he was calling the poor guy “Satan’s Camaro.”

Sam finally, finally asks Bumblebee what his deal is, and we get our first taste of the Bayverse Bumblebee Gimmick. The Gimmick here is that, due to an injury to his vocal processing, Bumblebee cannot communicate through traditional means, i.e. speech. Because of this, he instead strings together sentences by flicking through the radio frequencies and choosing key words. This can lead to some interesting audio design, like describing his fellow Autobots to “rain down like visitors form heaven, Hallelujah!” because a radio sermon fit what he was trying to say best.

This gimmick is one that has been used in other pieces of Transformers media, at least in part. Bumblebee is unable to speak traditionally in Transformers: Prime, and instead communicates in beeps and clicks that his teammates can understand, but not so much the humans, save for Raf. In Bumblebee (2018), the idea was used whole-cloth, with the injury resulting in his inability to speak happening on-camera within the first 10 minutes of the movie, and the idea of “expressing oneself through music” being introduced by his human companion Charlie Watson.

All in all, I rather like the idea going on here; it’s an interesting part of his character that opens up for a lot of interesting and creative moments.

It’s just too bad it was introduced in fucking Bayverse.

But yeah, anyway, the other Autobots are coming to Earth. Shit’s gonna be lit.

Bumblebee turns back into a Camaro, and Sam uses the power of FOMO to get Mikaela to go in the car with him. We get a shot of Barricade fucking dying on the side of the road. Frenzy murders Mikaela’s phone, and then steals its identity, including the little bejeweled heart stickers. Good thing Mikaela remembered to go get her purse, otherwise he probably would have felt very silly doing that.

Mikaela refuses to sit in the driver’s seat, seeing as she now knows Sam’s car is sentient, and sort of feels weird about this whole thing. Sam suggests that she sit in his lap instead, as the camera angles to give us a peek at the cup of Mikaela’s bra. When asked why the hell she should do such a thing, Sam says it’s a concern about her safety, given that the middle console of the car does not have a seatbelt. Sam either fails to recognize that seatbelts going over two layered bodies won’t save either of them in the event of a crash, or he’s just trying to make an excuse to have a pretty girl in his lap.

Given what movie this is, I’m going to guess it’s the latter.

Mikaela has a similar line of thought, but scoots over anyway, saying that the seatbelt line was a “smooth move”. It wasn’t, but if I picked apart every single bad line Sam had in this film, I’d be here all day.

Mikaela questions Bumblebee’s taste in alt-mode, which offends him to the point of dumping both her and Sam out in the street and driving away. He returns, moments later, as a sleek new Camaro, that I’m sure some car aficionados would call “sexy.”

Bumblebee’s alt-mode is a 2009 Chevrolet Camaro, of which there were none during the time of filming. It was put together for this movie in roughly five weeks. Sam is blown away by the fact that he now owns a car that does not currently exist in his universe. Mikaela is impressed, or at least she would be, if women were allowed to show that emotion in a non-horny way in a Bay film.

Judy doesn’t count.

As Bumblebee breaks into yet another restricted area, we get a shot of the Earth from orbit, as several objects rocket towards the planet. Sam and Mikaela watch the Autobots burn up in the atmosphere, and Mikaela tries to hold Sam’s hand as they do, and it’s at this point that I have to address how much I hate these two’s dynamic.

I don’t give a single solitary shit about this romance, because A) it’s poorly written, B) Mikaela could do infinitely better than Sam, C) I dislike Sam so very much, D) Mikaela, who is a way more interesting character, got placed on friggin’ love interest duty because ~girl~, and E) it’s useless padding to try and make me care about what’s happening here, and I just DON’T. I do NOT care about whether these two get together or not.

We see the Autobots crash-land, three out of four of them causing massive amounts of property damage and possibly killing at least one person. Their stasis pods crack open, and they each climb out, completely naked and in desperate need of clothing to hide their shame. With a quick scan of nearby vehicles, they’re once again decent to be seen in public.

Bumblebee drives the kids out to what I can only assume is the warehouse district he sent that beacon out in, as our collection of good guys finally come together at long last. A massive Peterbilt semi-truck stops directly in front of Mikaela and Sam.

We’re over an hour into this film, and we’re just now getting to the quintessential Transformer, Optimus Prime himself.

In the original cartoon, Optimus’s alt-mode was what’s known as a cabover truck, one where the cab- where the driver sits- is seated directly over the engine. These were popular during the days when maximum truck-lengths were much shorter than they are currently. This is why when you look at height charts for Optimus over various continuities, his G1 cartoon counterpart much shorter than his other iterations.

Modern trucks are longer, and don’t need the cab to sit on top of the engine to save on space. The designers chose to use a Peterbilt to make sure that Optimus would have an imposing stature when compared to his fellow Autobots.

Because heaven forbid we not have heightism come into play in this film.

Our Autobots transform, and say what you will about these bastards being visually incomprehensible, the transformations themselves are cool as hell. My personal favorite is Jazz’s, where he does a cool windmill into his root mode.

Optimus crouches like he’s looking at a cool bug on the sidewalk and addresses Sam by name. He doesn’t even acknowledge Mikaela, which I find to be a bit rude, but whatever. He then introduces himself as the leader of the Autobots.

Peter Cullen is back as the voice for Optimus Prime, sounding wonderful as always. He almost wasn’t brought on for this project, because Michael Bay didn’t want him. If the fans hadn’t thrown a hissyfit, who knows who we would have gotten to be our space dad for the next hour and a half?

This is actually an issue that’s recurred several times in the last few years, and not just with Cullen; Frank Welker, the voice of Megatron, as well as many other Transformers, has been refused roles within Transformers properties. In general, this is because both Cullen and Welker are union actors, and Hasbro would prefer to hire sound-alikes than pay more money for the originals. This isn’t to shame the non-union actors, goodness no, just to merely point out less-than-fantastic business practices.

I realize there have been a lot of tangents, but you have to understand that I am suffering as I do this.

Optimus then introduces his team- there’s Jazz, whose first line is “What’s crackin’ little bitches?”, Ironhide, who incorrectly quotes Dirty Harry, and Ratchet, who calls out just how obnoxiously horny Sam’s character is. We also finally get Bumblebee’s name.

Mikaela asks the very good question of why the fuck the Autobots are here on Earth. Optimus explains that the AllSpark is here, and they’ve got to get to it before Megatron does. He then goes on to explain who Megatron is, stating that he “betrayed” the Cybertronian empire.

No, how exactly he did that isn’t addressed. We’ll just have to take Optimus’s word, I suppose.

If you’ve sussed out by this point the the AllSpark and the Cube™ are the same thing, congrats! You win. Megatron followed the AllSpark to Earth, where he promptly was neutralized by the cold of the Arctic circle. This was 110 years prior to the events of this film, and where Archibald Witwicky came in to the story.

When the expedition was happening, Archibald fell through the ice during a collapse, and ended up finding Megatron’s frozen body in an ice cave. He went poking around on this strange metal giant, and ended up activating Megatron’s navigation systems, which imprinted the coordinates of the AllSpark onto Archibald’s glasses.

Don’t ask how that works, it just does.

So, the Autobots need the glasses, so they can find the AllSpark before the Decepticons do, so those guys don’t use it to build an army out of Earth’s machines, which will destroy humanity.

Sounds simple enough, let’s go get that vision correction device!

Back with the military dudes, everyone’s taking a gander at the tail that Scorponok left behind. They theorize that the metal that makes up these giant murder-robots reacts to extreme heat, but elaboration on that point will have to wait, because the tail has begun to flail. They quickly strap it down, then call the military to let them know to strap anti-tank guns onto anything that’s going to be approaching any giant robots.

Meanwhile, in an interrogation room, Maddie and Glen have been left to sweat a bit. Glen takes to stress-eating, while framing it as a psychological tactic to subconsciously prove his innocence to the FBI.

This is a fat joke, with the added nasty layer of Glen being a black man about to be interrogated by one of the most intimidating white cops I’ve seen in a hot minute.

Glen immediately folds, pinning all the blame on Maddie, and claiming that he’s been a perfect angel his whole life. We get some weird purity culture out of him, before Maddie lets the FBI know that she needs to talk to the Secretary of Defense, NOW.

Over at the Witwicky household, Sam’s parents are watching the news, trying to find out what all those loud crashes were about. Optimus Prime drives down their residential street, the rest of the gang in tow, then they all park to wait for Sam to go get the glasses.

For about 20 seconds.

Sam has to physically hold the door shut to prevent his father from coming out and seeing several very tall robots from outer space tip-toeing around his freshly-landscaped yard, I guess because they got antsy. Optimus plods around on the grass and breaks a fountain, and our benevolent god Mojo comes out of the house, assuredly to smite the leader of the Autobots.

Mikaela runs onto the scene, and Sam chastises her for not controlling the robots who didn’t even acknowledge her existence, outside of pointing out Sam was sexually attracted to her.

Mojo pees on Ironhide’s foot, which prompts Ironhide to threaten to shoot the creature. This is why Ironhide isn’t getting into heaven. Sam, one of Mojo’s chosen few, claims that the mortal shell of his god is seen as a beloved pet by many humans. Sam runs into the house, before Mojo can incur his divine wrath on the Autobots.

While Sam goes to get the glasses, the Autobots decide to do a little peeping on the house, watching his parents watch TV. Sam tears his room apart trying to find the glasses, and Optimus thinks that it would be helpful if he brought Mikaela up to help look. It’s at this point that I realize that Sam has an utterly bizarre fish tank.

I mean, legitimately, what the fuck is this? No filter, no plants, might not even have any rocks on the bottom. Is this a comically oversized bong Sam threw a couple fish into? What the fuck.

Mikaela starts looking for the glasses, running into what is likely a box of porn mags, then they both look out the window to find that the Autobots have decided to hide in plain sight by transforming... in the middle of Sam’s backyard. Amazing work, gentlemen.

Sam finally convinces the Autobots to go sit in the alley and wait, only for Ratchet to run into a power line and trip into a greenhouse. The resulting impact is interpreted as an earthquake. Judy does not have the reaction one might expect from someone who’s lived in California for at least ten years.

Ratchet’s fine, by the way.

The power cuts out, and Ron goes up to check on his son, because he’s at least a halfway-decent father. Ratchet’s shining a light to aid in the search for the glasses. Sam’s parents notice this bright light, and bang on Sam’s door to see what’s up.

Sam quickly hides Mikaela and then attempts to salvage the situation, answering the door and trying to control the narrative. Unfortunately, Ron is far too inquisitive for Sam to do this, and then Judy asks if Sam was masturbating.

Judy, is privacy just not a thing to you? Because if not, it really ought to be.

She keeps going with it too, trying to come up with code words, until another one of the Autobots trips and causes Ron to panic again, climbing into Sam’s ancient claw-foot bathtub to protect himself. He looks out the window to check on his beloved yard, lamenting that the earthquake tore it up.

Ironhide is strongly considering killing Sam’s parents. Optimus tells him that they don’t harm humans, and also begins to wonder if he made a mistake bringing this guy along.

Back in Sam’s room, it’s becoming increasingly obvious that Sam is an absolutely terrible liar, and Mikaela reveals herself, if only to prevent Judy from trying to talk about self-pleasure again. Of course, now she gets to be subjected to both of Sam’s parents objectifying her, so this might be a lose-lose situation.

Sam is reminded that his backpack is in the kitchen, just in time for the government to show up at his house. Mikaela makes a comment about Judy being nice. I suppose on a surface level, yes, being told that you’re gorgeous by someone’s mom is nice. I do have to question the context that compliment took place in, however.

Sam’s about to hand the glasses over to the Autobots, when someone rings the doorbell. It’s Sector Seven, and they’re here to talk to Sam about his stolen car being part of an issue involving national security. Ron and Judy are more concerned about their yard being torn up, Judy yelling that they “need to get their hands off [her] bush.”

We still have another hour of this movie.

The agent leading this mission asks Sam to come with him for questioning, which his parents are very much against. Mojo also voices his displeasure, but it would seem that Agent Simmons is not a follower of the Tenets of Mojo. Sam gets geigered, and his readings are high enough for Sector Seven to take him and everyone in this house into custody.

As Sam and Mikaela are riding in the back of the car, Simmons brings up Sam’s Ebay account, and also the phone video he took of Bumblebee earlier in the week. Mikaela is rather unimpressed with Sam at the moment, probably because he’s gotten her arrested. She still tries to help him out though, because she really is just the nicest fucking person on the planet.

Alas, the combined efforts of these two teenagers isn’t enough to fool the long arm of the law, especially when it’s a branch of said law that deals with extraterrestrial activity. Simmons threatens to lock up these literal children for life if they don’t start talking. Mikaela isn’t taking the bait, so he goes after her father’s parole hearing instead.

Yep! As it turns out, Mikaela and her father stole cars to get by, and she’s got the record to back that claim up. Simmons calls her a criminal, then says that criminals are hot. Mikaela looks like she’s about to cry, and I don’t blame her in the slightest.

Optimus, I suppose because his dad senses were tingling, takes the opportunity to place his leg in the road for the car to run into, then grabs said car like an unruly cat and lifts it until the roof rips off due to stress. The agents in the other cars pile out and point their guns at the giant space robot. The rest of the Autobots quickly relieve them of their weapons.

Optimus notes that Simmons doesn’t seem surprised that a bunch of giant robots just took all his guys’ guns, and demands that he exit the vehicle, posthaste. Simmons obliges, after a bit more prodding. Mikaela undoes Sam’s handcuffs, and he gets fucking pissy about it, as if this girl he’s had a grand total of three (awkward) conversations with should have told him something as personal as “hey, so my dad’s in jail and I’ve been to juvenile detention.”

Luckily, she doesn’t let him get away with it, calling him out as the spoiled, self-centered, privileged little shithead that he is.

Of course, we don’t get any sort of real acknowledgement from Sam, having to move on with the plot. Perhaps, if we hadn’t spent the last hour and 20 minutes faffing about on drivel, we could have had Sam get an actual moment of self-reflection, and potentially even character growth. However, this is Bayverse, and everyone knows that personal accountability is for fucking sissies.

Mikaela and Sam ask several questions, but get no answers from Agent Simmons. And then Bumblebee pees on him.

I hate that I had to write that. I hate it very much.

Anyway, I don’t know why that had to happen, but it did, and I’m nothing if not thorough.

Optimus tells Bumblebee to cut it out, and with that the Sector Seven agents are cuffs and left on the side of the road. Mikaela orders Simmons to strip, as punishment for threatening her father, then cuffs him to a street lamp.

...Yes, that does sound like a bizarre sexual fantasy, doesn’t it?

Unfortunately for our teen heroes, they forgot to confiscate everyone’s phones, and Sector Seven knows what’s up, thanks to the power of speakerphone. More cars and a couple of helicopters show up basically immediately, and the Autobots decide it’s time to dip.

But not before Ironhide fires off a pulsewave into the ground that causes a five-car pileup.

Optimus, I suppose because he knows he chose a ridiculously flashy alt-mode that is in no way practical, just picks the kids up in and places them on his shoulder like a couple of parakeets, then takes up a leisurely jog to get away from the eyes in the sky. He runs through the city, racking up what is likely millions in property damage, as the helicopters pursue. He passes by a “Legalize LA” billboard, which feels odd to see, given what movie this is.

The ‘copters somehow manage to lose Optimus, despite him being relatively slow, and having a notable radiation level that they’ve been using to track him. He hides inside the scaffolding of a bridge, only for Mikaela and Sam to slip off of his polished body to their deaths, thus ending the film.

No, they don’t die. I just told another fib. I’m sorry.

Bumblebee snatches them up just before they hit the ground, the impact of his metal body catching them at 75 mph, killing them instantly and ending the film.

Nope, that doesn’t happen either.

Mikaela and Sam are fine, some-fucking-how, but Sam’s dropped the MacGuffin glasses. The helicopters swing back around, having noticed the sound of a car crashing into the ground and the screams of two whole adolescents. They break out a fucking harpoon gun and fire on our kid appeal character.

Repeatedly.

They wrap up Bumblebee in a series of cables, as he screams like a moose. Mikaela and Sam are held at gunpoint by what is honestly far too many dudes, and are then arrested for the second time in ten minutes. Bumblebee is smoked... because he’s a bee? Sam, not liking this one bit, finds the strength in his weenie body to push a cop off of himself, run at one of the dudes with the smoke guns, throw him to the ground, and then start smoking him. He’s immediately tackled, but points for trying.

Sam and Mikaela are placed back into custody, and the rest of the Autobots regroup with Optimus to see what the plan is. Optimus says that they can’t save Bumblebee without hurting humans, so I guess Bumblebee is just a POW now. Well, at least they got the glasses. That’s cool.

Back at the Pentagon, things are getting dicey, as the other world powers are starting to suspect that something’s up. The Secretary of Defense is approached by a man with a mustache and a briefcase. He’s from Sector Seven, but the Secretary gives not a fuck about mysterious organizations. All the computers in the room suddenly go down, the virus from earlier working its magic- only this time, the blackout is global.

Mr. Mustache opens his briefcase, while explaining that Sector Seven is something known as a “special access” sector of the government, which is why nobody’s ever heard of it; it’s beyond top secret. Commissioned by President Herbert Hoover 80 years prior, it deals with alien life.

When the Beagle 2 spacecraft was lost on the way to Mars in 2003, the mission was declared a failure. This was a lie. The Beagle 2 recorded several seconds of Mars before being crushed to death by a Transformer. This tidbit is pretty funny, given that the Beagle 2 was rediscovered on Mars in 2014, seven years after this film released. Not a terribly mysterious death anymore, is it?

Comparing the footage from Mars to the footage from Qatar has Sector Seven thinking that these are the same species. Which they are. God, it’d be so fucked up if there were two species of giant robots in this film.

Mr. Mustache theorizes that because the Transformers now know that they can be harmed by human weaponry, they’re being proactive about their safety and shutting down all forms of communication technology with that virus that keeps popping up. It’s only a matter of time before the shit hits the fan for humanity.

Mr. Secretary tells his guys to try going analog with comms, breaking out the short-wave radios, to tell their ships to return home.

Over at an Air Force base, Lennox and the gang have landed, only to be scooped up by a bunch of dudes in suits.

Back with Maddie and Glen, the two of them have fallen asleep in the interrogation room, Maddie still wearing her friggin’ four inch pumps as her legs are propped up on the table, crossed in a way that seems rather uncomfortable. Glen gets to sleep like a normal human being, with his head resting on his forearms. Why this place doesn’t have a holding cell for these situations is beyond me.

Mr. Secretary comes in to bring Maddie on as his advisor. Glen can come too, I guess, considering he’s the one who actually figured out the sound file virus.

We get a little military glorification, and then it’s revealed that Mikaela and Sam, as well as Maddie and Glen, are aboard this helicopter. Their paths cross at last. Our heroes are transported to the Hoover Dam, where Bumblebee is also. They are still smoking him.

Meanwhile, the Autobots are figuring out where to go, with the power of Archibald’s glasses. Ratchet, who I guess is omnipotent, senses that the Decepticons have also figured out the location, and that this is going to be a race against the clock. And I mean, he’s right, but the phrasing is a bit odd.

Jazz wants to know when they’re going to save Bumblebee. Optimus says that they aren’t, and that Bumblebee’s sacrifice is noble, and that he would want the Autobots to leave him and complete the mission. As this is said, we get another shot of Bumblebee getting smoked and trapped in a lab. Yep, this is totally what he would want. He absolutely signed up for this, giving himself up to the government and not at all fighting like mad to not be captured.

I don’t think Bayverse Optimus actually knows what martyrdom is, which is bizarre, given that it’s a major trait in a lot of other iterations of the character.

Ironhide isn’t even sure why they’re bothering to save humanity, given that humans are violent and awful, his point being hammered home as Bumblebee is tortured for scientific reasons. Ironhide seems to have forgotten that Cybertron has been at war for literally millions of years. Optimus has faith in humanity, however, stating that we’re “young”.

And then he says that he’s going to end his own race, by destroying the Cube™, which is how they reproduce, because that’s the only way to end the war.

Which is arguably one of the most hardcore fictional applications of eugenics ever conceived.

Being advocated for by Optimus Goddamn Prime.

We still have another 50 minutes of this movie.

Optimus then proves that he does, in fact, know what self-sacrifice is, stating that, if all else fails, he’ll shove the AllSpark into his spark, which will destroy them both. He’s pretty chill about it, too.

Up on top of the Hoover Dam, Frenzy has fallen out of Mikaela’s bag.

Mr. Secretary is also at the Hoover Dam now, as is Lennox’s team. Oh, and Agent Simmons, who is thankfully wearing pants. He offers to buy Sam a coffee, as repartitions for threatening his family, arresting him, and being a complete creep to a teenage girl. Sam gives not a fuck about caramel macchiatos with extra foam and chocolate drizzle, however. He only cares about his car.

Mr. Mustache, who is also here, needs Sam to spill the beans on all these friggin’ giant robots that are running around. This is where Sam realizes he has the upper hand for once, and he starts making demands. One such demand is having Mikaela’s record scrubbed clean, which is an actually very nice thing for him to have done for her. We’ll see if his intent comes to fruition. For now, it’s time to talk about Bumblebee.

We get a shot of all these folks heading into the secret base hidden inside the Hoover Dam, and it’s at this point that I notice that Maddie’s shirt is basically see-through.

Inside the Dam, we see that Sector Seven′s been keeping Megatron this entire time, keeping him neutralized with cryo-stasis since 1935. Cryopreservation was invented in the 50′s. This isn’t a nitpick, I just thought it was a neat little fact.

Megatron being on Earth has resulted in most modern technology. This sort of plot point always bothers me, because it takes away agency from the entire human race. We didn’t use our own ingenuity and work ethic to advance society, we plagiarized from a more advanced species. I dunno, it just rubs me the wrong way.

We get the part of the movie where info is hashed out, so that everyone is on the same page, Sam spouting off Autobot propaganda. We can forgive him for this,considering he’s 16, and no one is immune to propaganda, especially when they have zero way of doing their own research to form their own opinion with.

Sector Seven also has the AllSpark, kept in the room next to Megatron’s, like the chumps they will soon find themselves to be. It’s about ten stories tall and the reason the Hoover Dam exists. With so much concrete suppressing its alien energies, surely no one will ever find it!

Except for Frenzy, who came in through a mouse hole. Whoopsie-doodle!

The AllSpark zaps the nasty little man, restoring his body with its weird MacGuffin powers. Frenzy tells all his coworkers that he found what they were looking for, and everyone starts heading over.

Maddie asks Mr. Mustache what exactly he means by “energies”, perhaps worried that this whole thing has been some elaborate ploy to get her to invest in magic healing stones. Mr. Mustache brings everyone into a testing chamber, since the best way to explain how the AllSpark works is through a demonstration.

There’s a big fish tank in the middle of this testing chamber, in which Agent Simmons places a donated device from the crowd- Glen’s Nokia phone, specifically. Simmons makes a geologically-confused comment. When this is pointed out by Maddie, Mr. Secretary hushes her, simply saying that Simmons is a strange man. The tank is locked down, and then the show starts.

Cube™ energies are shot into the tank, and the phone explodes into life, transforming into a gorilla-shaped gremlin creature. Happy birthday, little dude!

Little dude starts shooting at the tank walls, cracking the glass until Simmons pulls the trigger and ends it. Happy deathday, little dude!

The Decepticons are making tracks towards the Hoover Dam, but Starscream- yeah, he’s in this now, don’t worry about it- arrives first, because he is a very fast jet. He transforms, showing off his ridiculous Dorito body, and fires on the base’s generators. The resulting explosions can be heard all the way down in the testing chamber, and Mr. Mustache calls upstairs to see what’s up. Looks like Megatron may be getting warmed up, seeing as his ice bath has been cut off. Lennox asks if there’s an arms room in Sector Seven, which sort of feels like asking a bakery if they have any flour.

Frenzy has entered the room that houses the controls for the cryo-stasis and set that whole system to “no, thank you”.

Mr. Mustache runs through the base, screaming for everyone to get to the Megatron chamber. Off in the distance, the Autobots approach. Could probably used some fliers on your team, huh Optimus?

Back with Frenzy, he’s decided to just straight-up raise Megatron’s core temperature directly. Hope he doesn’t do it too fast; rewarming hypothermia victims recklessly can do some serious damage.

Outside of the base, Lennox and the boys are loading up with weaponry, along with what’s the entirety of Sector Seven′s cannon-fodder department. Oh, and all the main cast. Yep, just got a couple of teenagers chillin’ in the munitions room.

Sam wants Simmons to take him to his car- he hasn’t used Bumblebee’s name in a hot minute, not sure what’s up with that- even though Simmons is currently busy loading a very large gun. Simmons doesn’t want to do that, because he’s got no idea if what Sam mentioned earlier is even true, and he doesn’t want to pin the fate of humanity on a single Camaro. Lennox takes this opportunity to tackle Simmons, despite likely not knowing that Bumblebee is one of the “good guys”. A Sector Seven guy very much doesn’t like that, and points a gun at Lennox, which prompts all of his guys to also start threatening folks with guns.

Mr. Mustache walks in on the scene, but doesn’t do anything, since he isn’t armed and knows better than to tangle with someone who’s packing. Simmons tries to intimidate Lennox, because he must have missed the day of boot camp where they tell you that guns kill people. Lennox is fully committed to shooting this dude in the lungs before Mr. Secretary suggests he give the people what they want, before things get ugly.

Simmons takes everyone to the robot torture department of Sector Seven, where they are still smoking Bumblebee. Geez, you’d think they’d have something in place for if they ever came across another giant robot after Megatron, but I guess not. The gang gets everyone to stop smoking Bumblebee, which allows him to stop moose-screaming and strongly consider murdering everyone involved with his forced captivity. Unfortunately, revenge with have to wait, as we’ve still got to deal with the AllSpark, and the fact that the Decepticons are here.

They take Bumblebee to the AllSpark, where he makes direct contact the thing, causing the AllSpark to transform, compacting itself down into a far more reasonable size that Bumblebee can carry in one hand. It doesn’t seem to weigh more than a grown adult, if his body language is saying anything. I’d make a joke about the conservation of mass being ignored, but since this is Transformers, I can’t really say much. Conservation of mass doesn’t exist for this franchise.

Bumblebee would really like to get this show on the road, and Lennox agrees, quickly formulating a plan to get away from Megatron and taking the AllSpark to Mission City, which is relatively close to their current location, so that they can hide it there.

Lennox, I know this plan is a first draft, and we don’t have a ton of time for revisions, but the whole point of building a whole-ass dam around the Cube™ was because it was very difficult to hide, given its magical MacGuffin powers. Regardless of this flaw, Mr. Secretary agrees. Lennox also asks that the Air Force be involved in this, I guess because the U.S. military wanted more screentime.

Of course, that whole “global blackout” thing is still going on, so we’re going to have to get creative with how we’re going to contact the Air Force. Mr. Secretary and Simmons make a break for the WWII-era radio Sector Seven has, while Lennox and the boys head out to shoot things, and Mikaela and Sam hop into Bumblebee with the Cube™.

This is about the point that Megatron wakes up. The first thing he does is introduce himself, which I thought was very polite of him. Then he breaks out his flail and starts bashing shit around. Not so polite, that.

Over with Bumblebee, we’re shown that the AllSpark, all-powerful object that can create life and is the whole reason this conflict is even happening, is just chillin’ in the back seat by itself. It’s not even buckled up.

Megatron escapes the base, and it’s actually super easy. He just transforms, goes through the tunnel, and he’s free. I feel like we could have at least attempted some security measures for in case the cryo-stasis failed, given that we’ve had this dude in containment for the last 70-something years, but okay.

Starscream comes over to say hi to his boss, not that Megatron gives a shit. He just wants to know where that fucking Cube™ is. When Starscream tells him that the humans have it, Megatron makes a comment about how Starscream has failed him yet again. This is their first interaction in this movie, and Starscream’s been in the story for a grand total of five minutes at this point. I know that this is a reference to their dynamic in just about every installment of the franchise up to this point, but it doesn’t feel earned in the slightest. Even if it’s going to be expanded upon in future sequels, this is a shit-tier way to set their (awful) relationship up.

Not that anyone should ever bank on getting a sequel anyway, but that’s a discussion for another time.

Megatron tells Starscream to retrieve the AllSpark, and then we cut over to the radio plotline. The radio, which is so cobweb-covered I feel like Sector Seven needs to have a serious discussion with their custodial staff, has its nobs and buttons fiddled with by Simmons until it crackles to life. But where are the microphones? Everyone starts looking for the mics, as Simmons pushes Glen into the seat, I guess because hacking modern computers and using Depression-era radio tech are similar enough.

Maddie asks Glen if he can hotwire a 90′s-era computer to transmit a tone through the radio, so that they can send a Morse code message to the Air Force. Which sounds ridiculous to me, but I don’t know enough about radios or computers to know if that sort of thing would be possible. Maybe it’s fine. Or maybe it’s Hollywood bullshit. Who knows?

Back over with Bumblebee, we get a bunch of car commercial shots, of both him and the other Autobots. Aww, the gang’s back together again! Nobody tell Bumblebee that Optimus was completely cool with leaving him to his fate.

Optimus and the gang whip around to join the convoy, and everyone makes their way towards Mission City.

Back at the radio subplot, someone’s bangin’ on the door, trying to get in. The others try to block the intruder, while Glen does his hacking stuff. Mr. Secretary breaks a case and pulls out a gun that’s about as old as he is.

Glen gets the computer working, and Mr. Secretary gives him the Super Secret Military Codewords™ to use to talk to the Air Force. While he does that, Simmons finds a flamethrower and starts burning Frenzy as he attempts to enter the room. The Air Force receives the message for an air strike. Oh, goody.

Over with the convoy, it appears that the Autobots and Lennox’s boys are being pursued by the Decepticons. It’s difficult to tell, seeing as the cameras have gone full Bay-mode, but I’m guessing that’s what’s up. One of the Decepticons flips over a minivan, likely killing a family of five. another causes a multi-car pileup.

Bonecrusher transforms, then Optimus transforms. Bonecrusher iceskates across the highway, slamming into a bus so hard it just straight-up explodes. He is on fire. He tackles Optimus, and they proceed to fall off the side of the raised highway they’re on. Then they beat the shit out of each other, until Optimus decapitates Bonecrusher with his arm-sword.

Yeah, space dad is a little intense in the Bayverse.

Back at Sector Seven, Frenzy’s decided to leave the door alone, and instead is crawling through the ventilation shaft. Mr. Secretary and Simmons fire off shots into the duct above them, as if bullets would do anything against this nasty little pile of needles.

Frenzy bursts through the bottom of the duct and crash-lands into a glass case, taking cover behind a pillar and fires on the humans on the other side of the room. While this shootout is happening, Glen receives a response from the Air Force, just in time for Frenzy to accidentally decapitate himself with one of his own spinning blades of death. This time, he does not survive losing his head.

The Air Force will be sending fighter planes to Mission City, and to establish this, we get several shots of what some might call “military porn.”

Over in the city, the convoy has arrived. Lennox hands several short-wave radios over to Epps, telling him to use them to direct the Air Force when they arrive, so they can take the AllSpark... somewhere, I guess. Above, an F-22 zooms across the sky. It is not one of the Air Force’s F-22s.

Ironhide recognizes Starscream, and gets ready to throw down. Bumblebee grabs a nearby Furby truck and hoists it up to use as a shield. This marginally works, as the missile that hits the truck doesn’t immediately kill him, though it probably did all those Furbies inside.

The resulting explosion throws all the humans around, Mikaela getting weird heaven lighting as she lies unconscious on the pavement. Sam gets it too, though, so I suppose I can’t complain too much about this particular shot. They touch hands. I really wish that I could take this moment of vulnerability as being anything other than an attempt to set up a romance between these two teens who have known each other for maybe half a week. This movie has so starved me of genuine human interaction I'm jumping at the smallest of scraps.

Bumblebee actually didn’t get out of that missile-strike unscathed, his legs having been blown off. All those Furbies died for nothing. Tragic. Sam asks Bumblebee if he’s alright, and immediately tells him to get up. Sam then remembers that Bumblebee’s legs are off, so he yells for Ratchet.

Over with Lennox and Epps, they’ve realized that the plane they saw wasn’t one of theirs. Which, you know, has already been established, but points for getting caught up, fellas. Sam is crying and still telling Bumblebee to get up. Bumblebee is dragging himself across the pavement and whimpering. It’s awful. Where the fuck is Ratchet? This is basically the only reason he’s in this film, and he’s nowhere to be found.

The actual Air Force calls on the radio, asking for their location. Brawl, who is a tank, starts firing on Lennox’s gang. Jazz and Ratchet race through the city streets. How they were separated from the rest of the team is anyone’s guess.

Sam takes a little sit on the pavement to be with Bumblebee, while Mikaela decides to problem-solve and heads for a nearby tow truck. Bumblebee hands Sam the Cube™ because, as the designated protagonist, it’s his job to handle it in the climax of the film.

Ironhide is shot at several times by Brawl, narrowly avoiding being hit each time. This, of course, means that the people he drives by in this shot are almost assuredly dead, since they’re right next to the explosions. He transforms and does a flip, as the film goes slow-mo on a shot of a woman in a low-cut dress watching him flip. She screams. Ironhide screams. I scream, though probably for a different reason.

Jazz jumps on Brawl, managing to kick off a couple pieces of kibble before Brawl grabs him and throws him into the side of a building. Ironhide, Optimus, and Ratchet descend on Brawl, and so does Lennox’s team, Brawl losing a hand and getting thrown into his own building as a result.

Mikaela breaks into the tow truck and starts to hotwire that shit. Wow, a relevant back story that culminates in her being able to save the day, thus completing her arc and staying on-theme for her character. Why isn’t Mikaela the protagonist again?

Oh, right, because ~girl~.

Megatron lands in a nearby alleyway, and Ratchet, knowing this dude is bad news, tells everyone to head for the hills. Jazz isn’t fast enough, however, and gets shot for his troubles.

Mikaela drives the truck over to Sam, who is still sitting there with the Cube™, and tells him to get his ass in gear.

Jazz gets taken to the top of a nearby building and is ripped in two by Megatron, who acts like a bird of prey the whole sequence. Down on the ground, Brawl is starting to get back up from his smackdown. Blackout appears on a nearby skyscraper. Things are looking grim for humanity.

Mikaela and Sam hook Bumblebee up to the tow line as Lennox approaches them. Sam has left the AllSpark out of his line of sight, like a fool. Despite seeing this, Lennox still gives him the flare to let the military know where to pick up the AllSpark. Doesn’t even acknowledge Mikaela. He tells Sam to head for the white building with statues on top of it and set the flare on top of the roof. Lennox can’t leave his men, because he’s the head of his operation. Why he can’t send literally anyone else who isn’t a 16 year-old boy isn’t made clear.

Sam really doesn’t want to do this, probably because he’s a child, but Lennox has recruited him to the military against his will, so he must. Lennox then attempts to make Mikaela leave for her own good, but she tells him to fuck off, because she’s gonna save Bumblebee. Clearly, this is a win for feminism.

Epps radios the choppers coming from the Air Force to let them know they’ll be picking up a package from a teenager, thus locking Sam into the job. Ironhide and Ratchet vow to protect Sam from the Decepticons on his way to the pickup point. Not one single person has pointed out how fucked up this is.

Sam starts to run off, when Mikaela stops him to let him know that she’s glad she got in the car with him roughly an hour ago. They don’t kiss goodbye, which, honestly? Good. This fucking movie hasn’t earned that. Sam for sure hasn’t earned that, even if he did clear her juvie record. No word on that having actually been done, by the way. Sam never got confirmation, and I feel like he’s not really the type to follow up on things.

Brawl fires off some shots and makes things explode. Ratchet and Ironhide provide cover fire as Sam sprints down the road. Yep, they’re making this idiot WALK to the pickup point. Sure hope the elevators are working today, otherwise this is going to take forever.

Sam carries the AllSpark like a football, and in a better movie, this would have been foreshadowed by Sam having actually been a football player prior to the events of the film, perhaps removed from the team for some character flaw he’s since grown from/accepted. However, this is Bayverse, and well, men don’t have to justify their existence in the story with things like themes and having even an ounce of thought put into their character.

Back with Mikaela, Lennox has refused to learn her name, calling her “girl” as he screams at her to get Bumblebee hooked up to the tow truck. Which she was already doing when he got here. Lennox, dude, you’ve got a daughter now, you’re super extra not allowed to treat women like this.

Optimus Prime pulls through an alleyway and crashes into a pile of garbage. I can forgive him being late, seeing as he is a big rig, and probably had to take the long way into town so he didn’t get stuck in too-low tunnels. Don’t worry about how we briefly saw him during the Brawl take-down. This is his for real entrance into the climax.

He whips around and transforms, ready to throw the fuck down. Megatron spots him from his perch and descends.

Y’know.

Like a vast, predatory bird.

Megatron shoots at Optimus in his alt-mode, and Optimus catches him like a frisbee. Unfortunately for Optimus, it would appear that the horsepower on a Cybertronian flightcraft is hella intense, and he’s carried away. The two of them crash through an office building, then roll around in the streets punching each other in the face, debating the worth of humanity as they do so. Wish I actually gave a shit about either of these people, but alas! The film spent most of its runtime objectifying women and insulting minorities. I know nothing about Optimus, and even less about Megatron.

Megatron transforms his arms into a laser gun, and Optimus does the same. They shoot at each other. Optimus gets thrown into a building, then lands on the sidewalk below, definitely crushing a dude underneath him, but I guess we didn’t check that the shot was clear for where the CGI was gonna go, so he’s fine.

Sam’s still running through the streets, while Blackout murders, like, so many people behind him. Starscream lands in front of Sam, running into roughly 30 cars as he skids to a halt. Ratchet and Ironhide fire on him, as Sam takes a breather behind a car. Starscream transforms and blasts off. He was here for about 15 seconds. Sam begins running again.

Megatron is now following Sam, because he wants that Cube™. Sam is hit by a car- not an evil one, just a regular car- and trips. The impact makes the AllSpark activate, which grants several machines in the vicinity the gift of life, including the car full of bitchy women that just hit Sam, who are upset that hitting a human being might have scratched the paint.

I get it, you hate women, can we PLEASE stop beating this dead horse?

Sam finally gets to the pickup building, which turns out to be abandoned and fenced off. Good thing the gate was open, otherwise things could get really complicated. He heads inside, Megatron crashing through a floor-to-ceiling window shortly behind him. Megatron makes the claim that he can smell where Sam is. I’m going to choose to believe that he isn’t lying here, since Ratchet did something similar earlier.

Sam finds the stairs, and Megatron calls him a slur.

He doesn’t, really, but the voice modulation certainly makes it sound that way.

While this is happening, Mikaela is driving the tow truck down an alley, dragging Bumblebee behind her with the tow cable. She stops for a moment to have a short breakdown, seeing as she is a teenager in what is currently a warzone.

Sam is still running up the stairs. Outside, the military shoots at one of the Decepticons. It is, of course, doing absolutely nothing to the giant metal space robot. Mikaela concludes her moment, looking back at Bumblebee, who gives her the okay to keep going with dragging his ass across the pavement. She whips the truck around and tells Bumblebee “I’ll drive, you shoot.”

Mikaela then proceeds to speed down a main road of this sizable city backwards, running into cars and more or less shoving Bumblebee along to his destination.

The military has finally realized that their efforts have been pointless, but it’s okay because Bumblebee is here with his superior firepower. Bumblebee proceeds to shoot Brawl in the chest, which kills him. After this, he tries to act cute, lifting up his battle mask in a very “did I do that?” way, as if he’s not the same guy who ripped Barricade apart earlier.

Sam, meanwhile, has finally reached the top of this dilapidated building. Helicopters are approaching his location, but will they make it to him before Megatron does? Honestly, I’d be more worried about Starscream on the building just due East.

Sam is just about to hand the AllSpark over, when Starscream fires at the ‘copter, causing it to crash and nearly chop Sam to pieces. Optimus Prime runs towards the scene, on a roof that I refuse to believe could actually support him. Megatron punches thought the roof from the bottom and asks Sam some philosophical questions. Sam can’t answer, given that he’s hiding on the edge of this building, his flimsy grip on one of the angel statues being the only thing keeping him from falling.

Megatron tells him to give him the AllSpark, and in exchange he might not kill him immediately. Sam tells him to fuck off, and Megatron flails the chunk of building he was hanging on to, causing Sam to fall to his death, thus ending the film.

I’m lying to you. Michael Bay is making me into a liar.

No, Sam is, instead, caught by Optimus, very likely breaking several ribs on impact. This is the point where I realize that they’ve given Optimus fingernails. Sam clings to him like a baby koala, as Optimus parkours down the sides of two buildings, Megatron in pursuit. Megatron actually lands on Optimus 2/3rds of the way down, causing the both of them to fall onto the pavement below. How Sam survives this is a mystery.

Megatron recovers from the fall first, flicking a human away from him for having the audacity to exist in his space. The flicked person hits a car, and is almost assuredly dead. At least, I sure hope so, given that this is the director cameo by the Bayman himself.

Feminist icon Megatron?

Feminist icon Megatron.

Optimus comments on the fact that Sam almost fucking died to get the AllSpark out of dodge, and we get the return of “No Sacrifice, No Victory”. Which, I mean, I guess he’s allowed to say that, since he’s actually had to do something that warranted it. His dad doesn’t get to, though.

Optimus then tells this teenage boy, who has already had a hell of a day, to kill him by shoving the AllSpark into his robot-soul-heart, should he be unable to defeat Megatron.

I dunno, I just feel like it’s a bit of an ask.

Sam climbs off of Optimus so the Prime and Megatron can rumble. He runs through the ruined infrastructure of the city, so he’s less likely to be crushed. Optimus tells Megatron to square the fuck up, stating that “one shall stand, one shall fall.”

Then he gets ragdolled around a bunch, so maybe he should have saved the talk for later in the game.

The military is running around some more, stopping in an alley to see Blackout transform to root mode. Yes, the goo-goo eyes were indeed made by several members of the watch party that started this whole thing. People went wild for Rotor-Cape Johnson.

The fighter jets from the US military are arriving in a minute. Epps warns them to aim for the robots that aren’t evil. Lennox and the gang spread out, reminding each other to aim for the underboob, since Transformers’ armor is weak there. Epps marks Blackout with a little green light, which Blackout almost immediately notices. Blackout fires on the military.

Lennox has stolen a motorcycle and is driving through the streets to circle back around and jump off of the bike, sliding on his back to shoot Blackout directly in his underboob. Wonder what his uniform is rated for for road rash.

Sam is watching as Optimus gets his ass handed to him. Up in the sky, Starscream commits identity theft, and then attacks the Air Force. The Air Force can multitask however, and light Megatron the fuck up. Sam has, for some reason, come out of hiding, and Megatron uses this to his advantage, trying to take the AllSpark from him.

Optimus tells Sam to put the AllSpark in his chest, but Sam has a better idea. He shoves it into Megatron’s chest, which has been basically shot open at this point. Megatron makes a Space Invader noise, convulses a bit, then falls over dead.

Congrats on your first murder, Sam.

Optimus tells Megatron’s corpse that he got what was coming to him, then implies that they’re brothers. What flavor of brother isn’t established, but neither was basically anything between the two main faces of the franchise in this film, so it’s fine.

Ironhide walks up holding the two halves of Jazz. Optimus informs Sam that he now has a life-debt to this child. Whether or not Sam is absorbing any information at this point is up in the air. Mikaela shows up, with Bumblebee in tow.

In tow.

In tow-

Sam stares at her blankly. Mikaela stares back, making the pretty girl face. Man, what a great dynamic these two have.

Jazz is dead. That sucks. Optimus is handed his corpse to hold, while he thanks his new friends for helping out.

Then Bumblebee talks and he’s fucKING BRITISH.

Sam is obviously shocked by the fact that Bumblebee is British able to talk now, since not talking has been his whole thing up to this point. Optimus doesn’t let it phase him. Neither does Ratchet, despite having been working on Bumblebee’s throat injury for centuries at this point.

Bumblebee wants to stay on Earth with Sam. Optimus is just like whatever. Sam agrees to have a sweet Camaro from outer space.

Optimus pulls what is left of the AllSpark out of Megatron’s chest. I’m sure that’s not a setup for potential conflicts, not in the slightest.

Over in Washington, D.C., the US President has ordered Sector Seven be terminated, and all the Transformer corpses be disposed of. And by “disposed of” they mean “thrown into the ocean.” Dang, sure hope Earth signed some sort of agreement with the Transformers so that they never come to Earth again. You know, just be proactive about our galactic safety.

The Linkin Park kicks on, as Optimus gives us our bookend narration, telling us what the Autobots plan to do now that their race is at a genological dead end. As he does, we see Lennox reunite with his wife and child, who I had genuinely forgotten were in this movie.

Optimus is pretty chill with Cybertron dying out, because now they know about Earth. We get a shot of Sam and Mikaela making out, a shot that becomes more and more horrifying the further they zoom out, because they’re making out on top of Bumblebee. Who they KNOW is a sentient creature at this point.

And then it gets even worse, because the shot changes, and oh hey! Turns out that the rest of the Autobots were just chillin’ off to the side while this went down. Optimus continues his monologue, just walking around in his root mode as he tells all of Makeout Point how they’re “robots in disguise” now.

The monologue is actually a transmission he’s sending out into space, inviting any of his leftover pals to come kick it on Earth with them, because Earth is pretty cool.

And that’s where they leave us.

IT TOOK THREE PEOPLE TO WRITE THIS SCHLOCK.

So. Bayverse 1. A film showcasing xenophobia, misogyny, and toxic nationalism. It’s rough. Is it the worst film I’ve ever seen? Not even close, but it’s bad, and it was a huge deal at the time of release. Everyone was seeing it, everyone knew the actors and robots, everyone had a scene that they liked. Everyone was exposed to Bayverse, and as a result, a lot of people entered the Transformers franchise thinking that it was all like this.

And really, how far off would they have been in 2007?

When a franchise refuses to introduce female characters until years after being established, when all those female characters have the exact same body type, when a franchise hires misogynists to write stories, when it allows shit like “Prime’s Rib!” to be published- no wonder Michael Bay was approached to direct.

What a mess.

--------------------------

COMING SOON:

TRANSFORMERS: REVENGE OF THE FALLEN (2009) - MEGAN FOX I AM SO FUCKING SORRY

TRANSFORMERS: DARK OF THE MOON (2011) - WILL YOU JUST STAY DEAD

TRANSFORMERS: AGE OF EXTINCTION (2014) - SHUT UP ABOUT THE LAW SHUT UP ABOUT THE LAW

TRANSFORMERS: THE LAST KNIGHT (2017) - ACTUALLY, FUCK CONTINUITY

#transformers #bayverse #part one #maccadam #Hannzreads #Hannzwatches #text post #long post #film analysis #off topic

205 notes · View notes