#part of me wants to change my avatar to one of these pieces but i cannot bring myself to take away the 2019 rumple i have had for two years
My Top Posts in 2022:
#5
Today is the day! The Il Sistina production of CATS opens tonight (07 December 2022) in Rome!
Below are some more specific character photos, outside of larger group photos.
Jacopo Pelliccia as Gatto Giò (Bustopher Jones, a separate character in this production).
Photos taken by Gianluca Sarago.
Gaia Soprano as Cassandra.
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133 notes - Posted December 7, 2022
#4
Everyone generally knows what the Rumpus Cat looks like in traditional productions, right? A bit silly, with funky hair and red eyes.
Meanwhile in Japan, the modern Rumpus Cat looks like this:
The hero we never knew we needed.
(Fukuoka 2021, January 2022; Kenshin Mori as Rumpus Cat, Miki Okudaira as Jellylorum, Eiko Kataoka as Rumpleteazer, Yuki Takahashi as Old Deuteronomy, Taijun Kanemoto as Munkustrap, and Yurie Sato as Bombalurina. Almost fully hidden is Haruaki Tamai as Mungojerrie.)
141 notes - Posted February 21, 2022
#3
Rehearsals have started for the production of CATS at Teatro Sistina in Italy, starting 07 December 2022, an officially licensed non-replica from RUG.
The designs are interesting in that they have reference sheets for both the makeup and costume.
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149 notes - Posted November 9, 2022
#2
The promotional pictures for the UK/International Tour 2022 have been posted!
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181 notes - Posted May 31, 2022
My #1 post of 2022
I never uploaded these pictures last year, so I figured now would be a fun time to celebrate Pride Month again. Who better than with my favourite cast of Cats in Vienna?
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.
Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”
pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
okay, i think any time anyone asks what superpower we’d like to have most everyone on this website would say shapeshifting but what kind of shapeshifting would you like
type 1- wild shape, you can turn into any animal, real or fictional
type 2- mystique, you can turn into any real person
type 3- cosplay, you can turn into any humanoid fictional character
type 4- jake the dog, you’re super stretchy
type 5- character creator, you can alter your own appearance- like changing voice hair length texture color, changing height and weight, transing gender, etc, but you can’t add anything non-human (ie horns, wings, claws, etc)
type 6- additional features, you can add things like snake eyes, horns, cat ears, tail, claws, wings, mermaid tail, but you remain humanoid overall and can’t change things like height or gender presentation or hair color. you can still change your voice tho
type 7- were-wolf, we all know what a werewolf is, lads. can be any kind of animal. can be straight up wolf or more monstrous wolf form that’s up to you.
type 8- furry, you just become your fursona. or any kind of fursona really you can change between them
important to gimli characterization. to me. is that while he's generous & steadfast & caring where it matters he is also just a little bit vain. not in a delusional way or a way that causes problems but like. he is aware that he's good looking & good at what he does and is pleased with himself for it. he's aware of his own good qualities & proud of them in a way that makes his friends roll their eyes a little. but he's charming & realistic about it and also Right so you can't be too annoyed. guy who takes way too long styling his hair & beard because he knows he has very nice hair. guy who will brag a little about his axework because he knows he's just that good. do you see what I'm getting at
Ryuji having the worst bi crisis of his fucking life bc his mom just had to fucking ask “oh, whats this young ladys name?” when he showed her a picture of Akira petting Morgana. Like okay yeah Akira is like objectively pretty, hes like the Classic Delicate Pretty Boy just like Yusuke which is like whatever; straight dudes have eyes, and they know what women like to see. But now hes like. Seeing things he likes in girls IN Akira now and he cant make it Stop like its genuinely keeping him up at night 😭
Pretty boy used to be A Face that would come up in his mind when he thought of the term. There was no specifics in mind, just like. Pretty Boy. Pretty boy! You say that and theres like a Face Template that shows up in ur minds eye and hed just attribute that to any dude who was like Vaguely Pretty. But now its Akira 😭 and he finds himself cataloging things that Akira does that he KNOWS he finds cute when girls do it. The hairtuck behind the ears. The headtilt when he mishears a question. The Actually Pretty Doe Eyes. The breathy, nearly inaudible chuckle he does in place of a Real laugh (thats made better by the fact that its so hard to get him to laugh in the first place). He likes cute snacks. He blushes easily. Ryuji is sitting here like ‘theres no fucking way man. Like theres just no way. That shit makes NO sense (a lie)’ lying in bed in the middle of the night looking like this vvvv w his phone in his hands (looking at pictures of akira)
It drives him insane bc like he did Not see any of these things as like inherently girly or whatever. Like thats just akira thats just his bro! And he does OTHER weird shit that cancels all that shit out. Hes like a messy engineer/tinkerer, he rolls out of bed and whatever situation his hair is is everyones problem. He wears that AWFUL gym uniform and doesnt tweak it AT ALL?? He likes baseball?? hes got a whole binder of trading cards that he will show off if u show any moment of weakness. Like hes just Some Dude but also manages to be Some Girl at the same time and Ryuji is like thats not fair. Life sucked ass but at least it made sense before Akira stumbled into it 😭
Sometimes, I'm sad about the hobbies I have abandoned or have been too intimidated to pick up. But... what good is it, to just beat myself up over that? My bass is sitting in the corner, patiently waiting, and so is everything else. My life isn't over, and I've got nothing to answer to. I'm wading through a sea of time, and I'll pick up the seashells that interest me, and it's okay to put one back in the sand. The current's waves will bring it back to me if that is to be destiny. I can not hate myself into productivity, so I must swim on.
I think the same can apply to anybody. It's okay if you have dropped something, such as a hobby or passion. Human beings are like that sometimes, it isn't reasonable for you to beat yourself into submission. You, too, can not hate yourself into being a well-rounded person. You must cultivate it like you would a garden - with patience, time, and care.