#I think I like this creator's work more than I don't but some of their choices for comics characters lean very heavily into...

[imthepunchlord]

What's a show you liked that was really good, but the network it was on screwed it over and got it canceled? For me, it's Thundercats 2011 and The Secret Saturdays.

Oh man there's a good few.

Rise of the Teenage Mutant Turtles comes to mind. Thus far, it was my favorite adaptation of the concept. Animation was good, the brothers felt like actual brothers, and they made changes I genuinely liked. It was planned for 3 seasons, but unfortunately, we got a season and a half, as Nick canceled it mid s2 development, and they had to hurry to try and wrap up Rise with half a season.

You actually get to hear of some of the plans that we didn't get to see like Mikey taking care of his brothers turned into tots, Mikey and Raph crashing Ice Bear's wedding, and getting to discover who Big Mama's assistance was, who was potentially a lost sister; and we probably would've gotten expanded Draxum and Cassandra redemption, maybe an ep to show the backstory of how April met the turtles, probably more April-Cassandra eps as those two are usually paired together; and to see their take of the Rat King, who was set up to be worse than the Krangs and man, I don't know how they would've topped the Krangs. I am both scared and intrigued what they had in mind. But chances are good I'll never get to see.

Owl House is another. It was also planned for 3 seasons, but Disney said no, let's do 3 specials for season 3. And of course, after they realized how popular Owl House was but too late. I will say, for what they had to work with, they did do a really good job.

Amphibia sorta feels like another, I'm not sure if it actually was, but the last season feels like two seasons combined into one.

Inside Job. It's one of the very few adult animated shows I did like, I usually don't click with them as they're focused on drugs and sex and a lot jokes don't click with me; but that one I did actually enjoy... It may be that it had some wholesomeness to it, as a lot adult animated shows, from what I've seen, are really mean spirited. But IJ did have some really wholesome, solid friendship moments, that made it very refreshing. So RIP IJ. You got screwed.

Oh! Infinity Train is an easy stand out. That is one of the most intriguing, most mature, most complex, and most human cartoons I've ever seen. And it went super dark in it's concepts. And there were so many interesting ideas that the creator had, and at this time, those are ideas we won't see. It's a big shame that it got the most attention after it got removed from Max. This is probably next to Rise in seeing more seasons of, if we get the chance to get more.

Um... maaaaybe AtLA? That show was an easy stand out to have 4 seasons, especially as the whole thing is tied to 4 elements and 4 nations. I don't know if Nick was like, you need to stop at s3, or if Bryke was the one who was like stop at s3. And I will say, for the latter half of s3, some of the writing and characterization just feels off, though I did hear there was a lot of conflict between Bryke and the head writers, and that Bryke got involved more often so maybe that was it?

I know one of the head writers wanted s4 and had plans for it. And I will say, there are things I do think about that I wish I got to see in the show, but it never came up. These potentially could have if we had gotten 4 seasons.

Zuko and Toph having their own adventure.

Zuko and Soka having the same teacher of the blade and having a match to test their capability.

Just, in general, more of Zuko working off the Gaang.

Katara working off Suki, her potential future sister-in-law.

A resolution on Toph with her parents or at least her mom.

Covering the origins of the Avatar (especially as I disliked Korra's answer of it, and I lean not counting it as LoK has a different idea of spirits vs AtLA; so I wonder what AtLA would've said about it).

I also would've loved to see more spirits in general, s3 was lacking of them.

There's Ursa and her whereabouts, what I hear comic wise I don't like; so I wonder what AtLA's take and plan was.

Zuko reuniting with his crew from s1 (did they even survive Zhao's invasion?).

Zuko ever coming across the 41st Division, which I think is another big emotional missed opportunity, as him standing up for them is what "costed" him his honor, but just imagine them bowing to him in thanks, validating his stance as honorable, that he was right; that could've been huge for Zuko emotionally. Which, this is something I'll give to the NAtLA, having Zuko's crew be the 41st I thought was a really good choice.

I know the head writer had an idea for an Azula redemption, which I would've been open and intrigued to see, especially as he revealed it was going to be darker and harder than Zuko's, and Zuko would've taken what he learned from Iroh to help her, and supposedly end up an Azula who apologies often and over shares her feelings (which could end up being very funny).

I'm also bummed we never got to see Kuzon or Lu Ten (outside a drawing).

Oh! And seeing Aang and Ty Lee work off each other, especially as there's a possibility that Ty Lee is an AN descendant, given that she has gray eyes, moves quickly, and has an airy personality.

Which, if she is, that is a missed opportunity for Aang's emotional healing, the realization that he's not as alone as he thought. That there's another who shares his heritage. That could've been huge, could've been a tear jerker.

This is about it. There's probably more, but these are the stand outs to me that I feel got screwed over (or potentially screwed over).

[cadaveerie]

ignore this post if you're tired of reading anything abt transphobes complaining about trans ppl (and top surgery scars) in dragon age, but:

David Gaider, the creator of the Dragon Age setting and veteran writer at BioWare (no longer working there, he didn't write for DATV), has given some reasoning as to why top surgery scars can be justified in the world of Thedas. Here are his posts:

"You want this to be about the top scars? OK, let's go. 1) There's no evidence that shapeshifting can selectively, and permanently, alter body parts. Even if it could, shapeshifters can only alter themselves. Morrigan cannot turn other people into spiders." "2) Even if other magic could alter body parts permanently, and there's no evidence this is the case, not everyone has access to it. One cannot walk into a Circle of Magi and go "remove boobs plz"." "3) If your issue is "why not heal?", healing magic also does not do everything. Scars exist. Why does Cassandra have a scar on her chin? If anyone could go "heal scar plz", it'd be her. Recognize there's a difference between the way it works in gameplay and lore, with healing as many other things." "4) If your issue is "how surgery exist?", you're probably looking at our own medieval world. Thedas is, at best, quasi-medieval. There are SO MANY instances of things that, in our world, didn't exist until the Renaissance or even later. It's not our medieval world and never tried to be." "But it's not about the top scars, is it? You've been presented with new information and you just don't like it. You don't want it. Like anyone who balked at the qunari change in DA2. So you try to make it about inconsistency because you feel that's stronger than this just being about YOUR biases."

source: [1], [2], [3], [4], [5]

I know that if you're pro-trans (or just normal) you understand all of this, but still. This is literally coming from the person who created Dragon Age. He defends the existence of both top surgery and its scars with a watsonian reasoning. At least this in-world explanation might be valuable for some people. That such a significant person behind Dragon Age justifies to you directly why this decision can make sense in such a world. And even from a POV that's pro-trans, it's cool to hear the in-world reasoning from someone that knows the setting better than anyone.

Overall I'm glad he's openly defending it because even if it's logical it's also nice that he speaks about it when he doesn't have to, especially since he's not involved in this project anymore. Idk if all of them, but it's nice to see that the devs are overall so trans-friendly. And nicer to see that there are trans devs to start with involved in the game.

And this whole thing is bigger than it should be, but the reality that not only people are still transphobic, but most big games simply don't have top surgery scars at all. Some have trans options, but they're still incredibly binary and restrictive, like BG3 and Cyberpunk 2077 (I like both of those games a lot, but being able to give a very stereotypically masculine character a vulva and vice-versa, or even worse, having that situation but the character's voice be directly related to pronouns, is not good enough. It shows a lack of care and understanding of trans people. And in BG3's case at least you can independently change voice and also go by they/them, but even then. Overall, it's good that those games went in that direction and that you could in that way be trans at all, but it was still not good at all. It was like saying "you are allowed to be trans, but only in this very passing, gender-conforming way and binary way." I feel like in this case, DATV's approach is one of the best I can think of so far, so in that sense I'm grateful (and apparently you can also say in the game that you're trans, which if that's true, that's great.) And this doesn't mean that the CC couldn't be better and more inclusive in a lot of other ways, but this is decent at least for trans characters.

So anyway, it's nice to have top surgery scars in CC. I hope at some point trans people will stop being targeted in this way and that it can be just something that's in the overwhelming majority of games, and done respectfully, and that people just leave us alone. Also wishing the same for POC, women, and people with any condition they decide is woke like... having vitiligo I guess.

[soaked-ghost]

something about apples and mothers

[essektheylyss]

I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.

I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.

[bombshellsandbluebells]

now that I’m dragging my mental health back to a semi-decent place and feel like I might have the energy to like....write literally anything again, at some point I’m going to write about the importance of critiquing within the context of a written story

as in, critiquing narrative points completely without any consideration of how they are contextualized in the story is a bit unfair.

as in, I continue to see things about the Ted Lasso finale that annoy me. not because people had a different read of the finale or disliked different things than I did - or that they’re critiquing it at all; there’s plenty I will critique or would have done differently - but like, saying things like “Ted going back home to Kansas is bad because he’s clearly miserable about it” is an unfair reading when, within the CONTEXT of the story, it’s not framed that way. regardless of whether it was a choice you liked or how you would have wanted things to end, it’s not framed in the story as a) a bad thing, b) a miserable sacrifice, or c) a thing that Ted is upset about. so there’s a difference between saying “I don’t like Ted going back home to Kansas at the end because to me that doesn’t read as a happy ending’ and “the finale objectively frames Ted going back as a bad thing because it makes him unhappy” 

and this isn’t JUST a critique on criticism in regards to Ted Lasso. it’s the nature of fandom criticism in general. “I didn’t like this thing” becoming “this thing is objectively bad in the story” or even “this thing is portrayed as objectively bad bc of this, this, and this” despite that contradicting how the story actually frames it.

[therosiestofrubys]

Contemplating a couple of the more... eccentric characters available to me again

[lesbovalentine]

i have to be honest guys i can't be humble anymore i am good at what i do know and i know this. i'm not saying every drawing i make turns out incredible or even that i have a single drawing i wouldn't change SOMETHING in but i'm, like, good at it. i'm pretty good at analyzing media too tbh. pretty good at making amvs. i've got a good singing voice even if i'm not a technically good singer i like my voice itself and i like the act of singing. i like drawing and i am good at it. okay thats all

[tenok]

.

[pearwaldorf]

People in fandoms* associated with Neil Gaiman are not showing each other the grace they should be in a stressful time, and I would like to remind people of some things:

Not everybody knows about the allegations because it is not being reported widely in mainstream media. Gaiman has engaged a PR/crisis management firm that has done work with Marilyn Manson, Russell Brand, and Danny Masterson to actively squash coverage.

The story broke on a site unfamiliar to a lot of non-UK people. There was confusion as well as outright misinformation about whether the site was a TERF outlet (it is not). While Rachel Johnson, the lead reporter on the story, is a TERF who has publicly clashed with Gaiman about trans rights, she has behaved responsibly and ethically as a journalist regarding this. I wrote more in depth about these things here.

Everybody deals differently with finding out creators are problematic. The method you prefer is not the only correct way of coping. Some people are able to divorce art from the creator and some people are not. This is an attitude that can change over time. And if you feel like you need to express frustration that somebody else's method isn't the same as yours? I would recommend shutting your fucking trap.

If people know about the allegations, it's shitty to assume they're ignoring them or think they're false until somebody explicitly says so. There are many things people don't say online, and you are not owed disclaimers or explanations.

Fandom is more than the work itself. Some people find strength in the community that has formed around it, and rely on each other to help cope with and grieve this loss. The love you have for the work and your fellow fans is not something that belongs to the creator. It never has and that can't be taken away.

Your personal relationship with a creator's work will change over time. That's inevitable regardless of whether they turn out to be problematic or not. And when those works are deeply significant and formative, like many of Gaiman's works are to me** and countless others? That's fucking tough. Be kind to yourself and others when working through this. I love you all.

--

* I have seen this in Good Omens most prominently, although I am sure there are other places where it is happening as well.

** I have been a fan of Gaiman's work longer than some of you have been alive. It has not been a great month or so.

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[centrally-unplanned]

We (somewhat rightly) mock the 2000's era fansub translation notes for their otaku fixations and privileging of trivia over the media, but they should be understood as serving their purpose for a bit of a different era in the anime fandom. Take this classic:

Like, its so obvious, right? Just say "pervert", you don't need the note! Which is true, for like a 'normie' audience member who just wants to watch A TV Show - but no one watching, uh *quick google* "Kamikaze Kaitou Jeanne" in 1999 is that person. The audience is weebs, and for them the fact that show is Japanese is a huge selling point. They want it to feel as 'anime' as possible; and in the west language was one of the core signifiers of anime-ness. 2004 con-goers calling their friends "-kun" and throwing in "nani?" into conversations was the way this was done, and alongside that a lexicon of western anime fandom terminology was born. Seeing "ecchi" on the screen is, to this person, a better viewing experience - it enhances their connection to otaku identity the show is providing, and reinforces their shared cultural lexicon (Ecchi is now a term one 'expects' anime fans to know - a truth that translator notes like this simultaneously created and reflected).

But of course your audiences have different levels of otaku-dom, and so you can't just say 'ecchi' and call it a day - so for those who are only Level 2 on their anime journey, you give them a translation note. Most of the translation notes of the era are like this - terms the fansubber thought the audience might know well enough that they would understand it and want that pure Japanese cultural experience, but that not all of them would know, so you have to hedge. The Lucky Star one I posted is a great example of that:

Its Lucky Star, the otaku-crown of anime! You desperately want the core text to preserve as much anime vocab as possible, to give off that feeling, but you can't assume everyone knows what a GALGE is - doing both is the only way to solve that dilemma.

This is often a good guideline when looking at old memetically bad fansubs by the way:

This isn't real, no fansub had this - it was a meme that was posted on a wiki forum in 2007. Which makes sense, right? "Plan" isn't a Japanese cultural or otaku term, so there is no reason not to translate it, it doesn't deepen the ~otaku connection~.

Which, I know, I'm explaining the joke right now, but over time I think many have grown to believe that this (and others like it) is a real fansub, and that these sort of arbitrary untranslations just peppered fansub works of the time? It happened, sure, but they would be equally mocked back then as missteps - or were jokes themselves. Some groups even had a reputation for inserting jokes into their works, imo Commie Subs was most notable for this; part of the competitive & casual environment of the time. But they weren't serious, they are not examples of "bad fansubs" in the same way.

This all faded for a bunch of reasons - primarily that the market for anime expanded dramatically. First, that lead to professionally released translations by centralized agencies that had universal standards for their subs and accountability to the original creators of the show. Second, the far larger audience is far less invested in anime-as-identity; they like it, but its not special the way its special when you are a bullied internet recluse in 2004. They just want to watch the show, and would find "caring" about translation nuances to be cringe. And since these centralized agencies release their product infinitely faster and more accessibly than fansubs ever did, their copies now dominate the space (including being the versions ripped to all illegal streaming sites), so fansubs died.

Though not totally - a lot of those fansub groups are still around! Commie Subs is still kicking for example. They either do the weird nuance stuff, or fansub unreleased-in-the-west old or niche anime, or even have pivoted to non-anime Japanese content that never gets international release. But they used to be the taste-makers of the community; now they are the fringe devotees in a culture that has moved beyond them. So fansubs remain something of a joke of the 90's and 2000's in the eyes of the anime culture of today, in a way that maybe they don't deserve.

[fastandcarlos]

The Chosen One : ̗̀➛ Charles LeClerc

summary: as part of the f1 media team you get to meet a lot of the drivers, however there’s one driver who seems to take an extra special liking to you

˚*•̩̩͙✩•̩̩͙*˚＊

liked by lancestroll, carlossainz55 and 79,302 others

ynusername: another fun week at the paddock, look out for some AM content coming your way on race day 🏎️💚

13,382 comments

username1: we love new yn content!! 🫶🏻

lancestroll: thank you for being the perfect partner to have with us this weekend!

ynusername: @/lancestroll it was awesome to spend some time with you 💚

carlossainz55: excuse me come and film some ferrari content asap

username2: cannot wait, i've been dying to see you in the aston martin garage 🤩

username3: now this i just know is going to be hilarious

lewishamilton: you're such a traitor...last week you were all over mercedes 🙄

username4: i always thought that green was your colour yn hahah

danielricciardo: it's been too long, come back and film with me kiddo 😭

ynusername: @/danielricciardo gimme a time and a date and i'm there

username5: the queen is back 👑

charles_leclerc: still waiting for you to hurry up and come and visit ferrari

ynusername: @/charles_leclerc blame my bosses not me

username6: everyone spam f1 until they let yn and go and film with c2 pls

˚*•̩̩͙✩•̩̩͙*˚＊

liked by leclercgirl101, ferrarifan7 and 1,482 others

f1content: rumours continue to swirl as charles and yn are spotted enjoying their downtime together in the miami heat ☀️

796 comments

username7: if this is true i swear i'll throw a party and everyone is invited 🙏🏻

username8: surely i can't be the only one thinking they look so well suited together

username9: is this why yn's been avoiding the ferrari garage??? 🤔

username10: two people do not colour coordinate for no reason fyi

username11: peep how comfortable they look to be together 🥺

username12: i refuse to accept that these two gorgeous humans are not dating

username13: yn is the only person i will give charles up for ngl 😂

username14: it's about time yn found happiness...praying charles is the man

username15: yn isn't even working this weekend and she's there, charles must be hella important to do that 🥺

username16: if this isn't true prepare for the sound of my heart breaking

˚*•̩̩͙✩•̩̩͙*˚＊

liked by pierregasly, estebanocon and 89,301 others

ynusername: another week = another garage. thanks to alpine for a great couple of days 🥺

13,694 comments

username17: my favourite creator and my favourite team, thank you f1 gods 🙏🏻

landonorris: fuming!! remember when you told me mclaren was your favourite team

estebanocon: don't think i've laughed like that for a long time, you're the best!! 😂

ynusername: @/estebanocon all thanks to the talented driver who joined me

georgerussell63: i swear these days you're more popular online then the actual drivers

username18: another week of impatiently waiting for yn to film with ferrari 🙄

charles_leclerc: EXCUSE ME WHAT ABOUT ME!?!? 🤯

username19: poor charles is gonna have a breakdown if yn doesn't appear soon

pierregasly: can't believe you refused to take the alpine shirt that i gave you 🙂‍↔️

ynusername: @/pierregasly do you know how many drivers would never speak to me again if i accepted???

username20: i wish the drivers adored me as much as they adore yn ngl

lancestroll: heartbroken that you've already left aston martin for the opposition

username21: how can one person be wanted by so many teams??

carlossainz55: i'll give you a million dollars to come and save my teammate 😂

username22: not charles being publicly thirsty for yn omg

˚*•̩̩͙✩•̩̩͙*˚＊

liked by charles_leclerc, olliebearman and 89,492 others

ynusername: apparently this is the only garage im allowed in these days 🤷🏻‍♀️

21,706 comments

username23: according to who yn wtf??? please tell me this is charles' doing 🙏🏻

carlossainz55: i always thought that red was your colour anyway

oscarpiastri: btw papaya definitely looks better than that!! 🧡

lancestroll: no way, green is definitely more your style yn! 💚

maxverstappen1: excuse me no one can compete with yn in navy blue thank you 💙

username24: not all the boys fighting over yn like she belongs to any of them

username25: clearly no one has ever seen yn in baby pink *chefs kiss* 🩷

charles_leclerc: it's about time you finally listened to me...

ynusername: @/charles_leclerc i'm yet to be fully convinced...

username26: the mic in hand...does that mean...content?? 🎤

username27: yn in red and charles in red seem like the perfect pair ngl

danielricciardo: just ignore them all and come and interview me instead, we'll have the best time 🥺

ynusername: @/danielricciardo omw now 🏃🏻‍♀️🏃🏻‍♀️

˚*•̩̩͙✩•̩̩͙*˚＊

liked by carlossainz55, landonorris and 101,486 others

ynusername: the interview you’ve all been waiting for, see what I got up to with the men in red during race weeekend 🏎️❤️

27,492 comments

carlossainz55: the best time with you, we love you yn!! 🫶🏻🫶🏻

username28: about time i can't believe it

landonorris: as much as i hate to admit it, you three are a pretty funny trio 😂

ynusername: @/landonorris i'll take that as a compliment coming from you!

username29: now THIS is the content that we've all been waiting for

username30: my heart just stopped for a moment to make sure that this is true 🥺

danielricciardo: i still confidently argue that we'd have a better time

username31: not me watching this on repeat for the whole weekend

charles_leclerc: my belly still hurts from laughing so hard...i hope you're proud of yourself 😂😂

ynusername: @/charles_leclerc ngl feelin' pretty smug rn

username32: screw the race, this is the content we came to see

arthur_leclerc: don't tell charles but he's not stopped talking about how great you are since this interview 🤭

charles_leclerc: @/arthur_leclerc you know this is a public comments section, right??

username33: do you know how long i've been waiting to see a post like this??

username34: all my christmasses just came at once

˚*•̩̩͙✩•̩̩͙*˚＊

liked by pierregasly, ynusername and 2,593,706 others

charles_leclerc: KING OF MONACO 👑🏎️

103,584 comments

username35: we're so proud of you charles congratulations! ❤️❤️

ynusername: such an awesome drive, couldn't be happier for you 🏎️🏁

charles_leclerc: @/ynusername thank you for coming to cheer me on!!

username36: about time...bow down to the king 👑

maxverstappen1: congrats brother, i'll catch you next time

landonorris: i can see how hard you you're trying not to cry here hahah

username37: you deserve this more than anyone else in the world 💕💕

oscarpiastri: no one deserved to win more than you today, thrilled for you bro

username38: enjoy the celebrations, they're so well deserved king 💞💞

carlossainz55: the only time i'll ever say that i'm happy to lose to my teammate hahah

charles_leclerc: @/carlossainz55 just call me the smooth operator lol

username39: someone please stop the tears from falling now 😭

georgerussell63: damn that was a pretty good drive charle

username40: i've never been so on the edge of my seat in my life

lewishamilton: enjoy the monaco celebrations tonight!! 🍾

username41: i'm not even driving yet i feel like all my dreams have come true

pierregasly: we're all so proud of you, all the hard work was worth it my friend

˚*•̩̩͙✩•̩̩͙*˚＊

liked by charles4life, ferrarifanforever and 1,707 others

f1wags: is this the proof that we needed? during the summer break charles and yn have been seen lapping up the french sun on a local private yacht 🤔🏎️

username42: nobody speak to me i am officially deceased 😭

username43: surely no one can argue with this now

username44: thank you f1 gods for listening to my prayers 🙏🏻

username45: look at those smiles, they're perfect for each other

username46: obsessed obsessed obsessed 🤩🤩🤩🤩

username47: it doesn't feel right to be so happy for two people who don't know who i am

username48: i hope they know just how happy all us fans are for them

username49: my heart is so happy rn ❤️❤️❤️

username50: just hope that all the fans can get behind them and help them see how adorable they are

username51: it's my birthday today, and now my wish has come true!!

382 comments

˚*•̩̩͙✩•̩̩͙*˚＊

liked by ynusername, lewishamilton and 3,592,103 others

charles_leclerc: shout-out to my biggest fan, thank you for always cheering me on 🫶🏻💕

193,605 comments

username52: not charles coming at us with the hard launch like this ❤️❤️

landonorris: at least now i'm not the only one who has to listen to you gush about yn

username53: i was not prepared for such an adorable set of photos 🥺

pierregasly: oh you have a girlfriend?? you should've mentioned it hahah 🙄

username54: how did these two ever think we wouldn't find out about their relationship

georgerussell63: excuse me, double date is when? 🤔

carmenmmundt: i second what george just said 🫡

ynusername: @/carmenmmundt i'm all yours whenever you want me

ynusername: couldn't be prouder of you...you never fail to blow me away 🩷🩷

charles_leclerc: @/ynusername i try my best just for you my love

username55: did i mention how obsessed with these two i am yet?

username56: my heart is racing a thousand miles an hour seeing these

carlossainz55: can't believe you tried to pretend that you two weren't dating to the whole team, as if it's not horrifically obvious?? 🙄🙄

username57: i'm so happy to see charles with someone whose rooting for him like yn does

username58: btw if there was a competition for cutest couple these two would definitely win 💯

˚*•̩̩͙✩•̩̩͙*˚＊

liked by charles_leclerc, oscarpiastri and 104,684 others

ynusername: I could get used to all this romance stuff with you 🥺💞

21,597 comments

˚*•̩̩͙✩•̩̩͙*˚＊

˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗

[mortalityplays]

You need more free art.

I quit my job yesterday. Well, actually I quit my job eight weeks ago, but they finally released me yesterday for good behaviour. Don't get me wrong, I love what I do - but I do it for the wrong reasons. Working for major charities, you learn very fast that 'I want to make the world a better place' is a phrase you use to ask people for money, not to give them things. I was an ass-backwards fit for that world.

You need more free art. I need more free art. Everyone has felt the shift in our media landscape over the last ten years, away from access and towards nickel-and-diming the human experience. That lack of access is making life and culture worse for all of us, across the board. Paywalled news sites leave us less informed, attacks on the Internet Archive leave us less capable of research. Algorithmic social feeds and streaming walled gardens trap us inside smaller and smaller demographic bubbles, where we are increasingly only likely to encounter ideas that have been curated for us by marketing departments. Hasty efforts to resist AI commodification have only led to more artists locking their work away and calling for even more onerous systems of copyright law. This is not good for us.

We all need more free art.

So what am I going to do about it?

This is a question I have been asking myself for years. It's easy to sit here feeilng frustrated and thinking 'boy I hope SOMEONE does SOMETHING'. It's harder to take action in a world where I still have rent to pay. But hard doesn't mean impossible. Sometimes hard just means time-consuming, frustrating and slow. And sometimes it's worth doing something time-consuming, frustrating and slow because...I want to make the world a better place.

I'm going to do this:

1. From April 1st, I am relaunching as a freelance writer and editor.

This is the one that will (hopefully) help to pay the bills. I am a very good and experienced editor. I've worked on hollywood movies, I'm a member of the Chartered Institute of Editors and Proofreaders, I have clients who have been coming to me exclusively for more than 10 years.

Alongside bigger contract jobs, I am going to refocus on offering my services to small-press creators at a reduced rate. That means you, graphic novelists. That means you, itch and amazon writers. I want to help you develop your work, the same way I help large organisations. You can learn more about what an editor even does and what kind of pricing you can expect here.

2. I'm also going to start giving shit away. Like, constantly.

Next week I'm going to launch a new free shop. If you're unfamiliar, a free shop, giveaway shop, swap shop, etc. is an anarchist tradition of setting up a storefront where anyone can take what they like for no cost. Offline, this often means second-hand clothes, tools, furniture, food etc. Online, I am going to be giving away digital art. Copyright-free, no strings attached. It will (eventually) feature everything from print-res posters to zines, poems, tattoo flash, t-shirt designs and anything else we come up with.

Yes, I said 'we' - while this is a curated collection, it will feature work from a variety of credited and anonymous artists and activists, all of whom have agreed to give their work away to the public domain. Some of it will be practical, some of it will be political, but a lot of it will be decorative or personal. This is, in part, a response to recent difficulty I had finding somewhere that would print a one-off joke poster for a friend that featured the word 'faggot'. Enough. No middlemen - no explaining ourselves. Just print our shit and enjoy it.

I'm very, very excited about this project. I'll have more to say about it closer to the launch, but you can expect it to go live on March 27th.

2.2 I forgot to mention the ACTUAL LAUNCH GIVEAWAY

To celebrate my launch, I am going to be giving away a ton of physical prints. When I went looking for my old stock to see if it was worth setting a new (paid) storefront up, I realised I had way more old work in storage than I thought. This will be announced in its own right on Monday, but this is why I've been hinting you should go follow my Patreon.

On April 1st, I will pick 8 random patrons (from across all tiers including non-paying followers!) and mail them a bundle of assorted prints and postcards. The prize pool includes A3 and A4 posters, packs of A6 postcards, and printed minicomics that I've previously sold for up to £12 each.

You don't have to be a paying subscriber to enter - this is strictly no-purchase necessary. It is purely and entirely a celebration of the concept of GIVING ART AWAY FOR FREE.

3. PORN, YOU PERVERTS

Because I still have to pay to stay alive, I am going to be subsidising all this free art with the introduction of Fuck You Fridays. Starting from March 29th, I will drop a new 18+ short story on the last Friday of every month, over on itch.io (yes I know my page is desolate right now, don't worry I'll get there).

The first edition, Go Fuck Yourself, is about, well - telling your boss where to stick it. Julia has had it with her millionaire man-child manager, and is just about ready to let him know what she really thinks. It's a short and steamy 5k words, with a gorgeous cover illustration by @taylor-titmouse, and you can pick it up for $3 starting from March 29th.

4. ANOTHER BIG SURPRISE

I'm keeping this one under wraps for now, but April 1st will also play host to one more (FREE) launch. If you've been following me for a long time, you might remember the other significance of this date (no not April Fool's day, though that is certainly thematically relevant to this entire effort). That's all I'll say right now. Watch this space.

tl;dr: I'm sick of paywalls and career ladders. I'm literally putting my money where my mouth is. More free art for everyone and I'm not kidding around!!!

[gffa]

With the confirmation of The Acolyte not getting a second season, I can't say I'm surprised, the numbers for that show were really bad given what its budgets was, like I kept an eye on The Acolyte's numbers and they were really, really down across the board (Ahsoka's numbers aren't super great either but that's getting its second season because it's Filoni's pet show, I suspect), like set aside all the other complicated stuff, whether it was good or bad, how much of the fandom's reaction was pretty heinous and racist, it just was not getting the numbers it needed and it's making me wonder about how all of these shows are not doing well. Mando is doing all right, OWK did all right, Andor's doing okay, but none of these shows are setting anything on fire anymore (ratings-wise, that is), what would it take to create something that takes off again?

I strongly suspect that The Mandalorian only took off because of Favreau, who really does know how to make something really good and fun in the beginning. Filoni gets a lot of credit for that show, but I'd be willing to put ten dollars on the table that Favreau was driving the vast majority of the success of that series. And that makes me wonder about the future of these shows, because I don't think Filoni is strong enough to really carry a show on his own, most of his best work is when he has a strong partner actively working with him or when he was working under Lucas.

And the creators they bring in to create these shows aren't setting anything on fire, either. Yeah, the sequels made a billion dollars for each movie, but I think it's pretty telling that we're not getting comics or books or games about those characters anymore, the way we did for the prequels characters for more than a decade after they came out. Yeah, Tony Gilroy and Deborah Chow had shows that did solidly well, but they're not anything that Star Wars can build future content off of, they're already backstories for other movies themselves. And I don't think Skeleton Crew is going to light anything on fire, either.

Lucasfilm just doesn't seem to know what to do with Star Wars TV and movies. They had some really good early success with their projects, but almost everything ultimately fizzled out after a few years or ended really badly, and it feels like the only thing that's really hitting with audiences are more Clone Wars-era content and The High Republic novels and maybe still The Mandalorian.

Honestly, if I were Lucasfilm, I'd cut out the live action shows and go back to animation and think long and hard about setting up a new movie series. I think, with the right creative team (and not just who they think is a big name to write/direct), they could have a great trilogy with The Old Republic era stuff, because they have got to expand beyond the PT/OT and the Skywalkers, especially since the sequels put a bad taste in a lot of people's mouths about how Luke, Leia, and Han's stories ended.

(I mean, in my ideal world, we'd get an animated series set in between TPM and AOTC or set like 30 years pre-TPM and getting to see the backstories for characters like Mace and Plo and Shaak and Luminara and Yarael, but I'm not holding my breath on that one.)

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣… but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU