sorry, didn't see the answer until today. thank you for that but I mean proving AFO wrong that Tenko is filled with hatred and destroying and no one can accept him. we know thats a lie now but Tenko still dies?
Hey again, anon. So, I went back and tried to fit this follow-up context into your original ask—answered here for anyone who wants to look over it again. My initial answer was based on you meaning that AFO should have been “proven wrong” in his assertions about human frailty and how, once someone has been rejected by society and become a Villain, there’s no way for them to come back. Reconsidering your issue (that Deku killing Shigaraki doesn’t prove AFO wrong) with the knowledge that what you meant was him saying Shigaraki is only capable of hating and destroying things…
I guess in the end I don’t think the story believes AFO is wrong about that either? I mean, obviously he was, back when he first told those words to at-the-time-still-Tenko. But now? Not so much, at least in the author's eyes.
Below, if you want to subject yourself to my reasoning again, you can follow along as I talk myself through getting to that quite jaded conclusion. My apologies if I misunderstand or misrepresent you again anywhere along the way! Admittedly, based on my experience with the fandom and what names we choose to use in talking about the characters, I suspect we’re coming at them from radically different positions, but my position is the one I’ve got to offer you. Please know that, to whatever extent we might disagree on how much "Shigaraki Tomura" was ever a legitimate persona, we are united in our opinion that Deku should have done more for him if the story was serious about him being the Greatest Hero.
......
So, okay, the biggest issue with asserting that Shigaraki has any kind of moral core or personality independent of his AFO-instilled hatred/destructiveness is that the best arguments for it all revolve around the League and how Shigaraki wants to be their “Hero,” how that’s contiguous with his personality even from when he was “Tenko” because both fit a pattern of reaching out to the outcasts that everyone else around them ignores or mistreats.
I believed that too! I still do, in fact! I want to be clear that I think Shigaraki still has legitimate grievances and that his desire to make a world in which Villains will be happier is still, in its own way, noble and true!
But.
But that glorious spread where Tomura says that even if every bit of his hatred is smashed, he’ll still keep going because he has to be a Hero for the Villains that need him? That spread comes before the montage showing AFO’s involvement in the Shimuras’ lives from before Tenko was even born. And part of that montage is the absolutely buffoonish reveal that AFO even influenced Tenko’s sense of heroism by leaning on Tomo and Mikkun (the aforementioned outcasts) to encourage him to be a Hero. I tend to assume that the two of them were from one of Ujiko’s orphanages—I can’t imagine how else AFO would be in a position to give two random children direct orders!—but whatever the case, it means that even Tenko’s draw towards standing up for outcasts is something influenced by All For One.
If you take that away, what else is left? I could pick a few little traits here and there, but ultimately, what Shigaraki comes back to in the end, in that very last conversation with Deku in the shared mindspace, is destruction. He pursued it to the end, his last expressed regret is that he couldn’t carry it out, and his final messages to ally and enemy alike revolve around the destruction he sought—telling Spinner he died fighting for it and telling Deku that it’s up to him and his whether any of what he destroyed actually stays destroyed.
To me, that suggests that the manga does believe that Shigaraki Tomura was, ultimately, an existence that could only destroy, and the fact that some of what he targeted deserved to be destroyed doesn’t negate the fact that he was still ultimately defined by the destructiveness that AFO meticulously crafted him to embody. Even Deku seems to think that, in the end!
Like, really working through the timeline here? Deku did want to believe that the Crying Child indicated that Shigaraki had some drive other than destructiveness at his core. One of the (vanishingly rare) times he actually spoke to Shigaraki during their fight was his refutation of Shigaraki’s claims that he’d successfully devoured The Crying Child and thus transcended his humanity.
Running on the desperate certainty that Shigaraki was wrong/lying, Deku smashes his way into Shigaraki’s core and metaphorically uproots his hatred and psychically holds his hands, and Shigaraki still says that even so, the Villains still need him… And if it ended there, maybe we could say that AFO was “wrong” in the sense you describe—that while the method Shigaraki uses to Be A Hero For Villains is warped by AFO’s influence, his desire to be that Hero is genuinely his own. But then we get That Reveal, and even the parts of Tenko that seemed to predate AFO are revealed to be just another aspect of AFO’s machinations—Tenko’s heroism, his sense of injustice, even his very existence, all are indelibly stamped with AFO’s mark.
After that reveal, Deku never again pushes back against claims that Shigaraki can only destroy. He never pushes back on AFO’s claims of authorship of Shigaraki’s life; he never tries to encourage Shigaraki by insisting that his bonds to the League are real regardless of how AFO raised him. Heck, he never even suggests Shigaraki still has the chance to figure out who Tenko could be as long as he can break AFO's hold and reject his teaching. No, Deku just…accepts AFO's premise, apparently.
And so I come back to the same conclusion I did before: Deku is angry at All For One, but he does not disagree with All For One.
I genuinely think that, as far as the narrative is concerned, the tragedy of Shigaraki’s ending is thus:
Anyone Shimura Tenko was or could have been was overwritten by All For One’s grooming long ago. Maybe this could have been prevented if things had gone differently—if Nana had beaten AFO, if someone like Deku had been there to intervene the day of the tragedy, if someone on the street had reached out to him before AFO—but as it stands, Shigaraki Tomura is too far gone to save.[See Note] Deku can end the monster that was behind it all and try to honor the victims that Shigaraki’s actions brought to light by changing the world that created them for the better, but he cannot save Shimura Tenko because Shimura Tenko was lost long before he and Midoriya Izuku ever met.
(Note: One of those "Maybe If..."s the story dangles is Spinner taking some ill-defined step to help his friend, but my opinions are that disingenuous suggestion are just a long string of profanity. Suffice to say, if Shigaraki could still have been "saved" all the way up to the start of the second war, then the Heroes bear way more responsibility for failing to do so than Spinner ever could, and Deku is even more of a fuckwit for not arguing with AFO's assertions that Tomura is nothing but what AFO made of him.)
Of course we wanted more than that. Of course we wanted Deku to do more than that! We spent all that time watching Shigaraki grow and bond with the League—why, if the only reason for that growth and those bonds was to prepare him as a vessel for AFO? We watched Deku resolve to try to save and/or understand Shigaraki’s heart no matter what—why, if everything in that heart was written in someone else’s hand?
The story told us that the best heroes always manage to both win and save, and that we were reading the story of how Deku becomes the best hero—why, if the story was only going to conclude that Shigaraki’s death at Deku’s hand was inevitable because the harm All For One did was impossible for either of them to overcome?
And to me, at least, that’s why Shigaraki’s death and Deku’s role in it feel so wrong: not for the in-universe reason that Deku and Shigaraki don’t disprove/disavow AFO’s claims, but for the meta reason that My Hero Academia lied to us and wasted our goddamn time. It spent over two hundred chapters building up Shigaraki Tomura—as a villain, yes, but also as a victim, a friend, an enemy, an ally, someone who existed in the world he was rebelling against—only to then turn around and spend its remaining two hundred chapters tearing him back down to nothing and then telling us that’s all he ever was anyway.
All For One killed that crying child a long time ago, and all Deku can do is wipe away his tears and then wave him goodbye.
By punching him to death.
It’s hard to imagine a bleaker outcome for the “Tenko” that started Horikoshi’s whole career as a mangaka, but I guess that’s what happens when your chosen career brutalizes you so badly that you come to define a Hero as someone who helps people endure their suffering instead of saving them from it.
...…
...Uh. So, this got pretty bleak itself in the end. Sorry, anon, everyone. I write that way to get my point across, and I’m no little bit bitter about the whole thing myself, but ultimately, I just want to remind everyone that the story is over. I’m not going to try to turn this whole thing into a positivity post all the way at the end, but just embrace that much: your obligation to care about the things Horikoshi wrote—to the extent that that obligation ever existed—is fulfilled. If you hate the ending, well, so do I. But now and forever, we and everyone else can go and do what-the-hell-ever we want to do with the characters and world that Horikoshi left us.
I hope we do. I’ll be rooting for us!
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I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.
Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!
I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.
Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:
“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”
And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.
When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):
“Oh, no, honey, don’t do that! No job is worth having to date women!”
But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):
“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”
And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:
“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”
All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!
I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:
“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”
Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:
“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”
“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”
“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”
“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”
“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”
Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.
1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.
2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.
Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:
"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."
So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).
3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.
Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).
The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.
Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.
Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.
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