#I think who a character is close to shows some of their personality

[pomefioredove]

Imagine the overbloat gang as fathers or like proud/panicking that their s/o is having a child and they don't know what to do

Imagine the gang trying to give their kids a goid life and getting baby fever like who wouldn't because the kid is literally a mixed of him and you and they gush about how much they love their s/o and children like ???????

Overbload gang as fathers and i will start violently sob

I do have a weakness for familial headcanons :) future au time??

*ੈ✩‧₊˚ as fathers

type of post: headcanons characters: riddle, leona, azul, jamil, vil, idia, malleus additional info: romantic, reader is gender neutral (no mentions of the child's origins), reader is not specified to be yuu, obviously takes place in the future

I think Riddle is one of the most reluctant to have children

for years he was strictly against them. his excuses were always that children are messy, unruly, his career, his relationship with you... but he was mostly just afraid of turning into his mother

as he gets older and forms his own identity, though, he realizes that it takes a lot of intentional effort to fuck up a child like his mom did, and he changes his mind

I can see him with... maybe two kids

he would never want an only child. after all, the bonds he made with his peers are what kept him going

he is a pretty good parent overall. maybe a little to focused on bedtimes and table manners, but the kids don't seem to mind

Trey and Che'nya babysit often (and it's always disastrous)

*ੈ✩‧₊˚

talking Leona into the idea of fatherhood is like diffusing a bomb with a blindfold on. the guy won't even JOKE about it

if you do end up with a kid, it's unplanned, whether that be pregnancy or baby left on the doorstep

but he makes a surprisingly(?) good father. defo a girl dad, he would spoil a daughter rotten. lets her beat the daylights out of Neji because that's his little princess :)

parenting is really not as scary as he thought it was going to be

he has "I'm just resting my eyes" *falls asleep for 8 hours on the reclining chair in the living room* dad energy

the hardest part?

pretending to like vegetables in front of the kid to set a good example

*ੈ✩‧₊˚

Azul would actually be an awesome dad idc. IDC!

he has a good relationship with his mom and stepdad (who definitely babysit all the time; they insist on it), so he has good role models

he's not even worried about how it'll affect his career! Azul has a "do it all" personality: businessman, entrepreneur, father, aspiring millionaire...

and he is so overprotective

he'd cover that kid in bubble wrap if you'd let him

but he's really more concerned about their feelings. sending them to school is much harder than closing a business deal

he's a little sensitive, but he knows he'll have to trust them eventually

P.S. the tweels are NOT allowed to babysit. bad influences

*ੈ✩‧₊˚

Jamil. ohhh Jamil :(

kids were never on the table for him, even after he met you and fell in love, he just... couldn't imagine it

regardless of whether or not he and his family are in a better place. (for the sake of this story, let's pretend they are. I want him to be happy) he just has so much generational trauma that he knows the child will end up with some, anyway

when, if, he's ready, it will still be a tough process. but worth it

he's such a supportive dad. bragging about his child at any chance, definitely the kind of dad to show everyone the baby pictures without being asked

it gets embarrassing for them as they grow, but he doesn't care

he thinks they're the greatest thing ever, and people should know that!

he is so proud

*ੈ✩‧₊˚

Vil had always wanted to play a father on screen, but once he hits that age, he starts thinking about real life, too

he's gotten where he wants to be, after all: he's still young, he's in love, and his career, as successful as it is, is starting to wind down. so, why not?

he is the most supportive partner you could ask for. despite his schedule, he's involved in everything (yes, even the messy stuff)

he's got a customized baby bjorn and everything

I can see him with... one. just one is enough for him. he also has girl dad energy. he's already looking forward to playing princesses and letting her do his makeup (terribly, of course)

he knows his child will grow to have their own wants and thoughts and personality, and he's supportive. besides, if he has another Epel on his hands, he'll know how to handle them

just... gentler, this time

*ੈ✩‧₊˚

for you, anon, I will enterain the idea that Idia may someday reproduce. but there's still a 50% chance that kid is a robot

joking (kind of)

I don't think he'd even really want kids. considering his own unhappy childhood and the whole curse of his bloodline thing. but, like the others, he can be convinced!

I think he'd make a pretty good father, tbh. neurotic, sure, but he's not too clingy, nor too distant

whatever kids he has will be smart, and he trusts them. he likes teaching them nerdy stuff, too (finally, someone he can infodump to!!!)

he probably ends up with more than he'd think. 2 or 3

as long as you never bring up how cringe he was in college, he's rather mature and prepared for anything

*ੈ✩‧₊˚

out of the whole lineup, Malleus is the the only one to have thought your future children while at NRC. daydreamed, really

I know, not surprising. look at the guy. he's practically kicking his legs back and forth while coming up with baby names in game

it was just a fantasy at first, then you became closer, graduated, got older, and...

Lilia began teasing him about getting grandkids, and Malleus took him quite seriously

he knows he's still young (though, at his age, Lilia was already general), but he doesn't want to wait forever. you both have many long talks on the matter

and end up with... as many children as you can handle, basically

Malleus is somewhat of an awkward father (having been raised by Lilia will do that to you)

but he cares. and he tries! very hard. plus, there's always Lilia, Silver, and Sebek around to lend a hand

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[lukolabrainrot]

Calm theory anon!!! So glad we got a break yesterday with a calm day. I did see a couple things I want to talk about though. One of those things is this thought that the reason why Luke and Nicola aren't currently dating is due to Luke. And the other thing I want to discuss is the shipping Nic with every single man she is standing next too. Nic and Luke are both flawed human beings. They are not perfect. They make mistakes and sometimes they even hurt people (by accident). I say this I see so much hate speech directed at Luke as if he the one that said Nicola wasn't good enough. Let's look at what we know. We know they spent 5 years getting close and playing a couple that's in love. Five years is a long time to be in a character world. Then in their season they had to do something they were terrified of which is those love scenes. In order for those scenes to look real their bond had to get even stronger. Nic has said that Luke was protective and went out of his way to make her comfortable even though he himself was almost nude. So it's understandable after so many years they wouldn't understand if what they were feeling was their actual feelings or their characters. It was smart of them to take a break from each other. They are friends at the end of the day. They would never put their friendship on the line for confused feelings. Now Luke being blamed let's be honest. They both have experiences in love correct. And those experiences shape our thinking. We know Luke was in a serious long term relationship and I'm sure he has some scars from that relationship. Just as a I'm sure Nic has some scars as well. Hell she even said herself she was a cynic about love that the show has help her a bit. Both of them have work to do but my point is while the fans blame Luke how do we know they didn't make a decision to hold off until they knew what they felt was real feelings? They are putting their friendship on the line , and they work together. This a serious commitment that if they had a fall out comes with so many consequences. I personally think they are soul mates. And I think they know that. they either have more growing to do or they are trying offline. I truly believe everyone that comes into your life is either meant to be or a lesson. Nic has given us a lot of hints lately and people love it. The issue is she can't stand next to a man without shipping her with them. And that's why she trolled us with her post to her friend Dylan. She telling us to calm down. She will come out with who she dating it's inevitable. She wont be able to hide forever not with her fame. We myself included need to remember these are actual people. That are flawed and not perfect. They will figure it out or maybe they already have. We will know when they are stronger to deal with the masses.

I've talked about this a lot on my page, no notes!

[mephistopheleswasrobbed]

Right so, I currently feel a very strong urge to cut open my stomach like Chef Hong, but let's put that aside for now and focus on all the new evidence that Peaceful Property is very much gay, actually:

(somehow in light of the end of this episode all of this feels so shallow but well, I got this far, I'm not giving up now)

1

Peach is wearing THE shirt. The infamous "more than friends less than lovers" shirt.

And as is usually the case when this shirt appears, it perfectly describes the current state of Peach and Home's relationship.

2

I'm not really attentive enough to analyse colours in these shows, but even I noticed that Home's shirt is pretty blue at the beginning of this episode

Looks like both of them are (not so) subtly expressing their feelings through their clothes this week

3

We didn't really get confirmation either way about Peach's relationship with Best. Though judging by this little interaction between them, if there was something between them, it was probably initiated by Best. He's full-body reaching more than half-way across the frame, trying to get Peach to fistbump him while Peach only half-heartedly raises his fist towards Best's a little. (I admit I might be somewhat biased against him because of Pangpang, but I almost get the vibe that he kinda tried to get close to Peach to siphon off some of Chef Hong's attention. So he was using him from the beginning, first for his cooking skills then for his exorcism skills. But tbf it might have also just been innocent excitement.)

Anyway look at Chef Hong frowning at their interaction. She knows this is not the right man for her son favourite student.

4

Home, deepely and sincerely, wants to help Peach.

As soon as he finds out about Peach's trauma his first priority becomes helping him, not selling the property and not exorcising the ghost.

He even goes all alone to meet the ghost of Chef Hong and asks her to help Peach.

This is kind of a parallel to the second episode where Home went to confront Rak alone (with Suradech and Kan) after Peach refused to help him anymore. Except this time he actually goes alone and instead of asking the ghost to leave so he can make some more money, he sincerely asks her to help Peach. Character growth. But also. Doing it for the guy he likes. And this is why he gets the mother in law approval and not Best.

But helping someone is not always easy, so:

This is the face of a man who's desperate to help the person he loves even if that person doesn't think he can be helped. And he's willing to play the bad guy to get him that help.

It so clearly hurts him to talk to Peach that way but he doesn't know what else to do.

And Peach is also hurt because he thought that he and Home had gotten close enough that Home would care about his wellbeing more than making money. And he's right, too because Home IS actually doing this FOR his wellbeing and NOT for money. Peach just doesn't know that, yet.

(Quick aside about Peach: Shouting at someone while clutching their shirt. That's 'I love you so please understand me' level of fighting)

Classic tragic romance shit (in preparation for later things to come?). Especially with their next conversation happening through a glass pane. (Star Trek anyone? and many more that I can't think of right now)

And Home gives him hope. Hope that maybe his mentor didn't kill herself, hat maybe he's not responsible for her death. And with that he gives him the strength to face his fear. Good (not yet) boyfriend.

5

It's love, your honor!

He litterally takes over the job of taking care of Peach from Peach's mother figure

and then holds him while he breaks down. And not only does he hold him, he PULLS HIM IN so Peach can cry into his shoulder.

And Peach lets himself fall apart in Home's embrace, to let out all of the grief and guilt he had been carrying mixed with the relief of realising it wasn't his fault she died, and she never blamed him for any of it.

(I know I've said it before but man, Tay and New are really blowing this out of the water. They're just so good. Everything about this show is just sooooooo good.)

6

Is that jealousy I smell, Peach?

Don't worry. Home has already admitted that he's flirting with Kan as a bit not with any real intention. The real is reserved for you.

7

He fully plans to give it to Peach, doesn't he? Simp.

8

Between all the real talk, raw emotions and vulnerability, they're right back to bickering and teasing each other.

9

Now there's a classic BL trope. (And also again a callback to Chef Hong taking care of Peach, making it even more meaningful.)

10

Its LOVE, your honor!!!

But seriously:

Peach has fully fallen in love with Home at this point. And how could he not, after Home fully proved his kindness and selflessness and care for Peach this week. Peach had already started to really trust and be comfortable around Home last episode, but with this he's fully brought down Peach's walls. (too bad it's going to end up hurting them both soon)

And Home knows it, too. Speaking it out while also giving the plausible deniability of a joke. And note how Peach denies on behalf of Kan but not of himself.

They're inching their way towards each other, neither of them willing to say it without beating around the bush but both of them fully aware of what's happening between them. (too bad there's a big storm coming for them that's going to wreck this puppy love bliss)

11

And this, ladies and gentlemen and everyone in between and beyond,

is the face of realisation that you did irreconcilable harm to the man you love and you didn't even know it. That the man you love just said a most sincere and heartfelt "Thank you" to his killer. To you. That all your newfound happieness is about to come crashing down around you and it's all your fault.

Seeing them be happy and flirty in the credit scene hurt. Because how long will they still have this? And either way, any blissful moment from now on is going to feel hollow for Home. And Kan knows, too. Will Pangpang find out before Peach? Will Home get to tell Peach himself or will Peach have to find out from someone else?

Major angst is incoming and honestly? That's pretty gay. Silver lining and all that, I guess.

Anyway I don't want to leave us off at a complete downer so have a quick

Lesbian Corner

The focus was very much on Peach this episode and Kan was mostly off doing her own thing so there's not much but there is this:

Pangpang felt quite betrayed when Kan didn't take her side against Home. She's clearly aware that they should hook team up seeing as the boys are busy with each other.

Don't worry girl, you'll get there eventually.

[a-student-out-of-time]

Why don't you think Ace is the killer? If the most paranoid of the group commits murder, it will show how much paranoia can lead that person to a decision where murder seems like the right option. It will also prove that Teruko is wrong.

//This is the last time I'm going to answer this, so I'm going to make these as clear as possible why I don't believe it rn:

Everyone keeps assuming that Ace's paranoia would drive him to do this, and that's one thing. But why wouldn't he resort to a simple, easier-to-accomplish murder? Why would he go out of his way to set up the drop hanging? I just don't buy that he's smart, cautious or malicious enough to put something that elaborate together.

You might say his reason is to frame Nico. Except Ace had no opportunity to see what was going on with Nico's entire set-up, never mind understand how it worked. He was hanging and then it broke. Ace is a volatile paranoid mess, not an analytical genius. He was also unconscious for most of that situation and woke up after Nico tried to strangle him by hand.

Too many of the arguments I've seen rely on this very detached, Monday Morning Quarterback approach, where people try to reverse engineer the situation and ascribe greater motives to Ace. They somehow miss that he woke up bleeding from the neck and immediately went after Nico. I imagine the only thing on his mind was "Nico just tried to kill me, I should go beat their ass."

The tape that everyone is so insistent about was beside Ace's boot when he was unconscious, and he immediately shot up when he regained consciousness. Teruko and Eden were both right there the whole time, and his hands were pretty firmly clasped around his bloody neck. I don't see any realistic opportunity where he could've reached down and grabbed the tape without either of them noticing, especially since he was only there a couple seconds before he went after Nico. For all we know, he just kicked it into the hall.

How does this explain the note? He said he'd never spoken Arei once, and unless this was the mother of all coincidences, there was no chance he'd know that Eden and Arei were close enough that he could believably frame her. He also had absolutely no reason to go after Arei, especially considering we saw him this entire chapter arguing with Nico, who also had no connection to her.

Yes, Ace is paranoid. So paranoid that I don't believe he'd ever attempt murder, knowing he'd either die in he process or be executed if he were caught. We've seen him freak out over the tiniest things; if it were him, I doubt he'd be holding it together.

I have some additional reasons to not believe it, but those aren't as concrete or rely on other characters, so we'll see how much changes from here.

//There you go, those are my reasons why. We'll know whether I'm right or not within a day.

[sass-ruby]

Gosh- THIS EPISODE

For me, it felt like there needed to be something more.. I dunno, it just felt empty? And by empty, I mean what nexus said. Like his insults and actions.. it's kinda weird to me. You're telling me this is the SAME person who hijacked moon's head and tortured him, making him relieve his worst memories? He sounds so pathetic, and cringe at the moment, ESPECIALLY with his "I AM GOD!" complex.

Though, the "I'm sorry" from sun was HEARTBREAKING. In my opinion, it isn't sun's fault. He went through so much, and had no time to grieve because the new moon already showed up. Just imagine being in sun's place, a close family member you've known more than 10+ years dies and you get no time to grieve? It'd be fricking difficult. Also, I believe nexus is still a moon. He may claim that he's different but, he's almost the same stubborn, hateful moon. (Not talking about sun's moon, most moons in general). That's why sun said, "you're not worse than moon- hell you're not even better!"

Another thing I noticed, he seemed way more vulnerable with sun. Yelled at him for dealing with him wrongly (him being a replacement) and such. He is definitely hurt. To me, he seemed like a hurt, angry teenager yelling at his parents for doing him wrong and making him hateful, vengeful, a monster. It genuinely felt like a cry for help of some sorts

It's interesting to me that moon was scared of Nexus, and of death. Before his death, he didn't care. But now, he's scared which his reason was that he didn't want to put his family through the same thing. I think it's because of the qna episode.. Sun confirmed that when moon died, he just cried. It probably made him feel guilt of some sorts.

Oh, a thing to mention, I LOVE HOW RUIN TRIED TO KEEP SUN SAFE. In my eyes, ruin being scared is all an act. He has been through SO much worse, as well as destroying 5000+ dimensions so why would this scare him? I think he's trying to help sun and moon, because if he acts scared, no one would suspect him, right? He did leave a hint, which helped sun and moon find sun's² dimension. And he even told them "I'm not scared for me, I'm scared for you."

Ruin is a clever character, who has many tricks up his sleeve. He's great at tricking people, he is the world's greatest actor after all! (Get the reference?)

He surely has some sort of plan, or at least an outline of it.

EEEEEE I LOVE HIM SM, I CAN'T WAIT FOR WHAT HAPPENS IN THE FUTURE

5 more days until october

[hwnglx]

from ur reading it seems like all females idols like karina so is there no one who dislikes her? i rmbr on eunchae's show she said that she's aware ppl think aespa are haughty/mean girls and/or tht they seem unapproachable. has tht image for her disappeared?

i can't exactly speak for the entire group's image among idols yet, since i only looked into two members' reputations closely.

i do think, with someone like karina, there's ought to be people intimidated by her energy. the spread started out very strong with cards like the eight of wands, which is the card of speed, action, communication, energy.. and the queen of wands, that represents someone with fiery feminine energy who's confident, passionate, self-assured and energetic.

karina has her sun and venus in aries; she will undeniably have very strong energy, and won't be afraid to assert not only herself, but also courageously defend and stand up for her people when she needs to.

the six of pentacles, the sun and the empress followed right after. all pointing to a person who's generous, warm, pleasant to be around, nurturing. so despite her first impression being very strong on people, and this making it likely for some people to not feel entirely comfortable approaching her; her softer, more loving and caring sides tend to come out the more you get to know her. this also seemed to have been the perception a good amount of female idols share.

there was an obvious hesitation to approach karina on the male idols' side, though i will be honest; i've seen it time and time again, they rarely don't get intimidated by a strong and independent woman. karina is quite dominant in her energy, and that can burden many insecure men, lol.

that “haughty mean girl” image you mentioned was present for winter's reading, across both parties (male + female). she's a reserved and private person who's in her head a lot and prefers her own little bubble and intimate circle. she detaches herself a lot and is very career-focused, so naturally there's gonna be people judging her based on superficial things, like their subjective outside impression or gossip. many idols seem to perceive her as hard to get close to, and closed off. there were a few people who actually found her to be sweeter than expected, because her cold image doesn't exactly fit her actual character.

i did get a request to read on miss yizhuo's reputation too, so i will definitely get around to that and look into it further. i'll probably do giselle too just to complete the group <3

[matrixbearer2024]

Just something I'd like to say about the Stan twins among other things I've seen here on tumblr and everywhere else. Also because I'm genuinely confused why this is even a thing. I don't really see the point in why people have to look at characters and say: good/bad, nuances exist and morality is mostly grey haha.

One of the reasons why I chose to write for Ford isn't really because I don't think he's a bad person, au contraire I know he's done really shitty things but I don't think he's bad. That would be an oversimplification.

If I had to be completely open about it, his situation is actually pretty similar to mine aside from the fact his sibling is a twin. My brother is two years younger than me.

But still, shit happens. Cornered by everyone and everything, one is labeled as gifted and special while the other is seen as stupid and useless, then the split between family and aspiration.

Granted, I've never made a deal with a demonic piece of geometry and I've gone through a different set of circumstances in a completely different time frame– but still. I get where his arrogance comes from and I get how being outcasted can make you prone to doing a lot of shitty things to chase validation.

God forbid someone comes to you and strokes your ego to death, that's the easiest way to manipulate someone with the picture of self-confidence and it's made of glass.

I can't say that what happened to me was a fortunate occurrence, but I was severely humbled at a young age and it's probably why I turned out differently. Ford never really did, he clung onto the idea of being special and being a coveted rarity.

Point is, I can kind of see where he's coming from and a lot of his fights with Stan I also kind of understand. I'm not condoning his actions, especially because I've had legendary fights with my brother before and remembering them all makes me feel like shit because there are things I've done I can never bring myself to forgive– but it's why I can understand why shit unfolded the way it did.

I'm not even going to go into grudges because I've held a grudge over someone for 12 years so I can also get why Ford would end up doing that for fucking 30– but yeah. I don't think either twin is really right or wrong. Stan got dealt a bad hand like my brother, and Ford got shoved into the limelight like me. I can understand the both of them well.

Also to those who wonder why Stan would even forgive Ford, I don't know what else to say other than it might be a sibling thing. I used to fight with my brother simply because he'd excel better in some of the things I do. I'd purposefully work harder to overshadow him and he knew. He would let me succeed and even rub it in his face because he saw that it made me happy.

Even after all this time he doesn't hold it against me so that's something I'm eternally grateful for. But yeah, he cared that much when all I did was be selfish. I still think it depends on some siblings but yeah, for these two they hit close to home just for doing what they do.

Not to mention, my brother's also had his moments where it looks like he's destroyed my things/projects on the sole reason that he thinks it's taking me away from him. That it's taking his best friend away from him.

One of those times was when I was creating a painting for a competition years ago, he got mad I spent so much time on it and accidentally knocked over the water container and it spilled all over my work. The painting was effectively ruined and I blew up at him for it.

Sound familiar?

Where Stan played off his destruction, my brother kept apologizing and owning up to his fuck-up. Where Ford refused to listen, I eventually just compromised with my brother and told him to help me create the new painting.

That painting didn't win any prizes but still ended up being exhibited, I'd show a picture of it with my brother and I next to it if I didn't like keeping my irl family private online.

Ford also being kind of unable to move on/deal with himself is something I do to detriment. It takes a lot to deal with that, much more overcome it.

Things change, time passes, circumstances shift. But yeah, this is just my two cents on it and kind of a window to why I also write Ford and Stan the way I do.

[femsolid]

Can I ask how does separatism show in your life? Do you have male relatives you have to interact with a lot? I assume you don't have male friends, have you ever had them in the past and at some point you decided "nah, this ain't it"? Are you in a job where you have to interact with men a lot? Do you reduce dealing with men when it comes to other things like avoiding places with men? Sorry I'm just curious about it from someone who lives a separatist life!

It's been very easy. I have no interest in men any more. I don't like their personalities and the misogyny of our daily interactions always jumps out to me (weaponized incompetence, interrupting women, disgusting jokes, main character syndrome, viciousness etc) and I just have no tolerance for it. I'm not a lesbian so I'd say there's 0.1% of men who aren't ugly but they immediately become repulsive to me when the casual sexism comes out, which it inevitably does. I don't understand the "radical" feminists who, after seeing men for what they are, don't feel such repulsion and even claim that we need men to be fulfilled. So I don't date men, don't flirt with men, don't take an interest in their lives, don't play the psychologist for them, don't put extra work for them, don't offer my help etc. I just don't care about men. There's no male relative I still see except for my nephew who is a child. I've cut ties with my father years ago specifically for his misogyny and homophobia. I stand by my moral principals no matter what. I don't have male friends and I never have because I never trusted males nor related to them. And I could never be myself around them. I have male co-workers though, I talk about work with them when I need it. I only have real conversations with my female coworkers. And I only joke with women. As a result, I've noticed, only women sit around me and talk to me at work. The guys have given up. However, my manager is a man which is quite annoying. I keep it minimal with him just like with every other males I'm forced to interact with. I keep it professional and cordial, not friendly and sweet.

I make zero effort to please men physically. No make-up, no tight clothes, no long hair, no shaving, no shutting up, no dainty mannerisms. I'm eating what I want, when I want to, and show no remorse unlike a lot of my female peers. And when I'm angry, I don't hide it. And if I need to say something, I say it. A lot of people assume I'm a lesbian based on the fact that I make no effort to attract men. And it's true that I make no such effort. But I also think that if, to attract men, you have to pretend to be a helpless little thing, you can't call straight or bisexual women "lesbians" just for refusing this humiliation. It's called dignity, not lesbianism.

I like women, I try to help them, prioritize them, support them, reassure them, defend them and push them forward. When a woman speaks negatively about herself, I always jump in to correct her. And when a man attacks a woman I intervene. I distribute compliments and encouragements to women. And I point out the misogyny they confront when they don't see it for what it is. I only debate women because I only value women's mind.

If I have to see a doctor, I'll look for a woman every time. Only and only if I can't find a female doctor close to me will I pick a male doctor. My general practitioner is a woman, my podiatrist is a woman, my psychologist is a woman, my radiologist is a woman, my gastroenterologist is a woman etc. Same with a hear dresser, a masseuse, a fitness coach: only women. I only read books from female authors. I try to watch movies with a woman or girl as the main character. Same with video games or music. Though obviously I'm only human and might enjoy a movie or song made by a male sometimes. I try to support female artists and creators by promoting them, buying from them, giving them nice reviews. I avoid places that are filled with men like a gym or café or profession or online space, and I gravitate towards places filled with women.

That's it, that's my daily life. It's taking care of myself and valuing women. It's easy because I enjoy it and it feels natural. I'm following what my guts have always told me. Feminism simply helped me verbalize it.

[pascaloverx]

NO LIGHT

SUMMARY: Your life is simple. You are a pastry chef who has just opened a bakery near your home. A new life, being a new person. But when James Barnes shows up at your bakery injured, asking you to offer him shelter, your life takes a sudden turn.

AUTHOR'S NOTE: The characters in this fanfiction are not my creation and all belong to the Marvel universe. This story will feature scenes of violence, brief intense intimate moments, and inappropriate language. To the readers, I wish you a good read and ask that you engage with the fanfiction if you like it. Do not interact with this fanfiction if you are underage. Enjoy reading.

FOUR

FIVE

You put on a dress your mother gave you some time ago, one she called the "husband-catcher," telling you to wear it when you wanted someone special’s attention. Well, for tonight’s dinner, you want Steve Rogers' attention on you. You leave your hair down, choose the least uncomfortable pair of heels you could find at the last minute, apply light makeup, and a slightly bold red lipstick. You add a necklace that complements your neckline. Honestly, you feel like a seductive spy heading on a mission. Butterflies flutter in your stomach, but as you look at yourself in the mirror, you try to convince yourself that you can fool the handsome Rogers.

Grabbing your bag, you lock the door to your apartment, wave to the camera Barnes installed at the entrance, and head out for your meeting with Steve. It doesn’t take long to reach the restaurant on foot, as it's just across from your bakery. One of the perks of living close to work. From a distance, you spot Steve Rogers, sitting at one of the outside tables. He’s dressed in an elegant navy blue suit, his hair neatly in place with not a strand out of order, and his beard freshly trimmed. This man knows how to dress for a date — though this will be more of an interrogation.

"You take my breath away, Y/N. If your plan was to distract me with your charm, it’s already working," Steve says the moment he sees you approaching. You try to exude as much sex appeal as possible, making sure the slit in your dress is on full display while offering him a gentle smile.

"I believe you think I value your opinion on many matters. But thank you for the compliment, I do try to perfect my charm when I'm about to be interrogated by a stranger regarding someone he assumes I know." You respond boldly, watching as Steve pulls out the chair for you to sit. After settling into your seat and adjusting your bag, you realize you're actually sitting in a restaurant with a very handsome man. Your cheeks grow warm, which feels odd given how cool the evening is.

"You know Bucky, it’s only a matter of time before you admit it. I’d even bet you saw him before this meeting. That’s why you closed your bakery early, and don’t tell me it was just to get ready for our date. You look stunning, but I’m not an idiot. What did he tell you to do? Lie outright, I’m sure of it." Steve seems to know Barnes all too well, sounding completely convinced that he’s uncovered everything you’ve been hiding. You take a sip of water, trying to calm yourself.

"It's astounding how you think admitting to being a stalker is somehow better than understanding that I have no idea who the hell your friend is. Yes, he may have been a customer of mine. If you haven’t noticed, I serve a lot of people—including you. And as much as you don't deserve it, I closed my bakery early because I needed to prepare myself, not just by putting on a nice dress and makeup, but mentally. This is the first date I've had since I lost my trust in men. If you want to know why, it's because my fiancé cheated on me with my best friend. The week of our wedding. If you want more details, I smashed a vase over his head, he had to get over five stitches, and it was the first time I got arrested. He dropped the charges afterward because he felt guilty. Since then, I've been focusing on my bakery. So, tell me, smart guy—are you satisfied?" You speak with a certain flair, feigning near tears as you recount the story. You're lying, of course, about several details, but the performance is convincing enough.

Steve extends his hand across the table, gently holding yours and caressing it. You look at him with teary eyes while he gazes back at you like you're a lost puppy. "Where did Barnes find you? Until now, I thought you were just a regular bakery owner, but you're something else. If you tell me you know how to use a weapon, I’ll personally see to it that you become an agent." He laughs right after, clearly amused by your act.

You sigh in frustration, pulling your hand away from his, but he grabs it again, moving his chair closer to yours. He then pulls your neck towards him to whisper into your ear, "I'm starting to enjoy your lies. You can keep feeding them to me, but I’d prefer if you cut the nonsense and told me something real."

"I haven’t been fucked in almost a year. Am I lying or telling the truth?" You give up trying to fool Steve and decide to shift the conversation. You're still holding his gaze when the waiter clears his throat to get both of your attention. Your eyes dart away from Steve's as you straighten up in your chair, adjusting yourself. Rogers, too, composes himself, though he’s still chuckling at the situation.

“Gentlemen, I apologize for the interruption, but I would like to know if you are ready to place your order. For today, the merlot paired with the chef's special pizza is highly recommended,” the waiter says politely, clearly embarrassed.

"We'll go with your recommendation," Steve replies with a broad smile, as if he’s having the time of his life. What a complete idiot. The waiter notes down the order and quickly heads off to fetch the wine, leaving you and Rogers alone again.

"You saw he was coming over and didn't warn me on purpose, right?" you ask, a bit furious, looking at him as if you could kill him.

"Let’s say I didn’t see him coming, just like you don’t know Bucky. But let’s get back to the main topic; you haven’t had a sexual partner for quite some time. Tell me, why did you share that with me?" Steve speaks seductively, looking at you as if you are something he treasures.

"Because that’s the reason for all of this, right? Not to find your friend, but to try to seduce me so I’d let you sleep with me. Of course, all in the name of you thinking you’ll find your friend. You want to find him so badly that you came here on a date with me instead of going to look for him. Admit it, you don’t want to be wrong about me knowing Barnes, because if I don’t know him, you’ve got nothing. You’ve wasted your time trying to get into my pants. Also, you don’t need to be formal when discussing my lack of sex. I haven’t fuck with anyone for a while. In fact, I might be manipulating you to seduce you and then discard you. Have you thought about that?" You try to be more straightforward among the lies and deceitful words. You just want to see if you can hit a nerve with Steve Rogers to convince him of something. Even if it’s that you’re a woman desperate for his cock.

“Dance with me?” Steve suddenly asks, catching you off guard. You look at him, trying to understand what he means. There's no music playing, and the waiter is about to serve the wine. But something tells you this is a test, so when he extends his hand toward you, you take it firmly. He places his phone on the table, and an instrumental melody begins to play. He then presses his body against yours, one hand holding yours and the other resting on your waist.

He leads you with confidence, your bodies swaying to the music. At one point, it feels less like dancing and more like a silent battle to see who will give in first. Steve’s hands grip the contours of your dress, almost reaching your backside. Your hand wraps around his neck, your head resting close to his chest, allowing you to catch a whiff of his cologne—a woody scent that feels almost comforting, like a warm embrace.

"You’re right, I know your friend. Lying is just pure foolishness, and I can't take it anymore. In fact, I know him quite well. He was a secret crush of mine, not just a mere customer. The days he came into the bakery were the brightest. He’d order an espresso and the fresh bread I was testing the recipe for. I would come in early just to be ready when he arrived. I waited for months to find out his name, even though I knew he preferred savory over sweet, that he probably has a fluffy white cat, that he enjoys reading The Hobbit, and that he never paid me any mind. That’s why I denied knowing him; I feel pathetic saying all this. Like a silly teenage girl hoping to be noticed by the guy she finds attractive. And that’s all I have to say about him. He doesn’t know who I am, but I know who he is. I’d recognize him even in a crowd. " Your voice trembles, a mix of embarrassment and pretense, almost as if you feel utterly humiliated. It’s not a complete lie; it probably won’t work, but you have to try. Steve won’t give up easily if he doesn’t have part of the truth. And that’s what he’ll get from you—a fragment of the truth.

The waiter brings the pizza, interrupting the small world you and Steve had created during the dance. Both of you feel a bit embarrassed for being caught, but without saying much, you sit back at the table, allowing the waiter to serve you. The pizza is flavorful, but Steve seems distracted, still processing your ridiculous confession of love for Barnes. His usual confident demeanor falters for a moment as he picks at the food, clearly thinking over what you just said. The tension lingers, not from suspicion anymore but from the awkward truth you've offered.

"Since you've finally decided to tell me the truth, now tell me: when was the last time you saw James Barnes?" The crucial question is asked, almost as if it were another test. Between bites of pizza and sips of wine, you feel the need to reveal something to him. But if you tell the truth, Barnes could be at risk. He would be furious.

"The last time I saw him was…" You were just about to reveal the truth to Steve, realizing the mistake you were making when the sudden sound of a gunshot drew your attention. The bullet shattered your wine glass, leaving you horrified. The second shot was even closer to Steve, hitting his arm. Without much thought, you immediately drop to the floor, rushing over to Steve, who is pressing on his wound. You can hear people screaming in panic from inside the restaurant.

"What is so important that it's taking you this long to find?" you ask impatiently, panic rising inside you. You're more scared for Steve than he seems to be. Finally, he pulls out his car keys along with his wallet from his pocket. He places the money for the bill and tip on the table, then presses the car key into your hand. His grip is firm, and you're horrified when you see his blood smearing onto your skin from his hand.

"Y/N, I'm putting my life in your hands. Please, save me," Steve says as his eyes begin to close, his strength visibly fading. You quickly place his good arm over your shoulders and ask him to guide you to his car. He leads you as best as he can, and once there, you carefully put him in the passenger seat, fastening his seatbelt. You try calling out to him a few times, hoping to keep him conscious, but he slips into unconsciousness. Without wasting another second, you rush to drive him to the hospital, heart pounding as you speed through the streets.

It didn’t take long before you arrived at the emergency room of the hospital. After shouting for help, a doctor and several nurses rushed to assist you in getting Steve out of the car. You were questioned for a while about Steve—whether he had any allergies, what his condition was. You decided to say you were his wife, explaining that due to his military service, you hadn’t seen him for a while. Once they finished removing the fragments of the bullet from Steve’s arm, you could finally take a breath, though your heart still raced.

“Miss, your husband asked to see you,” one of the nurses informed you as you sat in the waiting room for hours. You quickly stood up to meet Steve, who was in a hospital bed looking much better.

"My beloved wife, have you waited all this time for me?" Steve Rogers says, sounding somewhat dazed, likely from the pain medication they gave him. You give him a slight smile as you see him beckoning you closer with his hand.

"How is my dear husband?" you ask, fully embracing the character as you approach him, gently holding his hand. He leans forward and pouts, as if asking for a kiss. You give him a quick peck on the lips.

"I want to go home. Can we leave?" Steve asks, laughing as if he's finding something amusing.

"We could go but your doctor said you need to stay under observation and the hospital said you need to give your insurance number or a nice amount of money." You smile and casually respond to Steve's question, but unfortunately, he falls asleep before he can answer you. You inform the hospital reception that you will provide Steve's financial information once he is better. They are understanding, thinking of you as a concerned wife. They even let you leave, promising to call if he improves. Feeling exhausted, you decide to go home. You drive Steve's car back to your place, borrowing it for the night.

As you’re about to enter your apartment, you hear a noise coming from inside. Great, this is when things go south. Thankfully, you have pepper spray in your bag, and you grab it, preparing to defend yourself against whoever is inside. When you open the door, you come face to face with a man. As soon as he turns to look at you, you spray him in the face.

"Ah, Y/N, are you trying to blind me?" Barnes exclaims, crying out in pain from the pepper spray in his eyes. You rush to help him, dropping your bag on a nearby surface. Gently, your fingers brush against his eyes as you attempt to wipe away the remnants of the spray. You blow softly into his eyes, trying to ease the burning sensation, while he watches you in stunned silence.

"Sorry, I didn't mean to," you say softly, your concern evident. "I thought you were an intruder." As you continue to tend to him, the tension in the room shifts from fear to a more intimate moment, the chaos of the evening fading into the background.

"It wasn't supposed to be you who got hurt," Barnes says, grasping your hand, which still bears the blood from Steve. For a moment, you're touched by his genuine concern for you. However, the realization of what he said sinks in, making you acutely aware that he has some connection to what happened.

"What do you mean by that?" you ask, your heart racing as you search his eyes for answers. "Did you know this was going to happen?" The tension hangs heavy in the air as you await his response, feeling both unsettled and intrigued by the depths of his involvement.

His eyes seem heavy as he searches for the right words, finally admitting, "It was Natasha's plan. She thought a small attack would distract Steve enough for him to stop looking for me. She figured you wouldn't be able to keep secrets. We planted bugs in the restaurant, and when we sensed you were about to spill, we had to act. I know you're going to be angry, but it was for your own good." James Barnes's words feel like a whirlwind, leaving you bewildered.

"You’re crazy. How could you let her hurt your friend? Or did you do it yourself? Do you have any idea what you’ve done to us? You put me at risk and left your best friend injured. He’s in a damn hospital bed, you son of a bitch." You step away from James Barnes, unable to recognize the man in front of you. How sadistic could he be to hurt Steve?

"Steve will survive. It was a strategically placed shot; we wouldn’t have harmed him if we didn’t know he would pull through. Please, Y/N; trust me. What Natasha and I did was for the best," James Barnes says, holding your hands again as if he desperately wants you to understand and accept that it was all part of his plan.

"Don't you dare ask me to trust you; you didn't trust me. You preferred to shoot Rogers rather than give me a vote of confidence. But I can promise you that if you don't step aside right now, I will make you regret not shooting me. I will tell Steve and the police everything I know about you, and I won't regret it. So get out of my apartment and don't come back," you say angrily, feeling something burn inside you. You are tremendously regretful for having trusted him, for ever thinking he could be yours.

Barnes's gaze conveys a sense of pain, as if he is truly remorseful. He heads toward the door as if to leave, but pauses just before opening it, turning back and practically rushing towards you. His lips meet yours in a kiss filled with emotion. James leads the kiss, as if he wants to consume you. The intensity of your tongues dancing within each other’s mouths, exploring, is sensational. There’s a strong urge to push Barnes away, to hit him, to cry for him. But in that fleeting moment, you savor the kiss.

"I'll come back when you’re calmer. Until then, don’t do anything reckless. I know I don’t deserve your forgiveness, but just know that I’m truly sorry," James says as he breaks the kiss, his eyes still closed, relishing the sensation of your lips against his. When you open your eyes, he’s no longer there. For a moment, you wish he had never been in your life at all.

[darcytaylor]

I understand your pain as a fellow non-shipper in this fandom. I don't know where to go anymore myself. I fully understand why you needed to step away. I often wonder if anyone is having any fun here anymore. There are entrenched narratives that are easily debunkable yet people will chop your head off if you dare to even suggest they aren't true. You can either join the entrenched echo chambers or get out, which I find absurd. I for one have been very over it for a while and I hope they don't put you off again because a more balanced space is desperately needed. There are more of us here than you'd think, we've just been beaten back from engaging because you can't reason with some corners of this site. The brainrot is alarming.

Thank you for sharing this with me, and letting me know that there are people who may be more like myself out there! I completely understand where you’re coming from - it really does feel like navigating a minefield at times in fandom spaces, especially when things become so polarized.

I love diving into the complexities of the characters in Bridgerton, but I also enjoy following the actors’ careers and seeing the variety of roles they take on or the work and things they do outside the show.

I still believe that speculating is fun and a natural part of engaging with any fandom. It can help keep the excitement alive between seasons or during gaps in content.

It’s also human nature to be curious about what’s going on behind the scenes with the actors or within their social circles. There’s nothing wrong with wondering what Nicola, Luke, or any of the Bridgerton cast are up to in their personal lives. It becomes tricky, though, when speculation turns into certainty or when people lock themselves into one interpretation of events.

I try to approach it by coming up with multiple possibilities instead of latching onto one theory and running with it. I believe that way, it stays playful and open-ended without diving into a rabbit hole of "this must be true." I also think it can be a healthier way of engaging because you’re acknowledging the unknowns while still allowing space for curiosity.

Nicola could be dating Jake, Luke (N or T), Eamon or the bartender that works down the street from her house. The options are endless! When you come to a conclusion with the little facts that we actually know, it can hinder the balance between curiosity and respect for the actors and their close circles.

I think it’s fun to explore all the possibilities without getting stuck on just one explanation. That way, I can stay open to new information and avoid getting swept up in the frenzy of needing certainty.

I think it should be about enjoying the journey rather than rushing to a definitive answer. Staying open to possibilities keeps the fandom fun while ensuring we respect the boundaries of the actors and their personal lives.

Bring on the possibilities!

[honeycreammilkshake]

If that leak is real Gege may really want a sequel that has Sukuna but NOT yuji lmao, sorry Gege, I LOVE Sukuna but Sukuna without Yuji doesn't sound good, he is a good character but the rest of the cast is.....I still don't get why it was so hard to understand the huge appeal Sukuna/Yuji duo had.

Same with Yuji without Sukuna, standard safe ending with a trio safe ending, sorry I don't like those anymore

100% with you, anon. even if you don't ship sukuita, you can't deny sukuna and yuuji had one of the most fascinating relationships between a protagonist and an antagonist.

they both hate each other so deeply, but everything between them has always been much more personal than when they're fighting others. and sukuna definitely gives yuuji special treatment. he uses kozou almost exclusively for yuuji (and the one time i believe he doesn't, he's still referring to megumi as the "other" brat) to the point where it's almost like a pet name.

and what is so interesting about this is that sukuna so dismissively calls megumi "brat," in a way that i feel is trying to disassociate yuuji from the word.

there's a reason why i think of this as the sukuita divorce era and that is mostly because of how sukuna keeps claiming to not need yuuji any more, always trying to sideline yuuji in favor of others, but he also can't seem to stop obsessing over yuuji and making everything about the guy he supposedly finds boring and worthless. sukuna goes out of his way to praise/compliment others during their fights, so that everyone but yuuji (who he only ever admires in his private thoughts) seems to get some kind of in-depth commentary on their abilities, while sukuna merely insults yuuji (rather weakly, too). it's even funnier when sukuna unironically can't stop making everything about the brat even when yuuji isn't there, because when sukuna's fighting maki he still manages to frame his admiration of her skill in a way that insults yuuji, despite the fact the boy isn't even there so why does it have any relevance at all??

not only that, but sukuna loves to torment yuuji, dragging his cruel taunting out in a way he doesn't do with others. he deliberately changes back to let yuuji see the devastation of shibuya, because sukuna understands how much the needless death of strangers and innocents impacts yuuji.

and he also makes a big deal of how little he thinks of yuuji, how unthreatening and boring the brat supposedly is to him shortly after possessing megumi's body.

what's really interesting here is how, despite a chance to kill yuuji, sukuna still doesn't. in fact, he's had multiple chances to get rid of yuuji but still he keeps the brat around. maybe he finds yuuji a more worthwhile opponent after all. maybe he even wants yuuji to remain alive till the end of it all, if only to see the brat suffer through the breaking of all his ideals.

there's also the matter of how sukuna can't keep his hands off of yuuji, almost as if he misses the closeness he had when yuuji was his vessel. it's far more intimate and physical than it needs to be.

this panel in particular really showcases sukuna's overall feelings toward yuuji. he's cradling the back of yuuji's neck, almost tenderly, as he pounds his fists relentlessly on the side of yuuji's head.

yuuji drives sukuna to such violent reactions because sukuna's on the defensive with him. they both get under each other's skin and ignite a hate far more consuming than others bring out in them.

and the way yuuji also fights sukuna is so unnecessarily up-close and physical as well.

the raw emotion of yuuji beating into sukuna, his crazy side really showing in how rough and unmerciful he is right now.

sukuna draws out the worst in yuuji just as much as sukuna arguably drew out the best in him, too. if it wasn't for swallowing that cursed finger and becoming the vessel of the king of curses, yuuji wouldn't have started down this path of working so hard to save other people's lives. as he himself said, he'd never before considered putting his own strength and talents to use helping others, and never before had he considered he might be the only person capable of doing so, but seeing how sukuna caused so much devastation and death drove yuuji into becoming a fighting force for good.

and just like sukuna brings out so many overwhelmingly strong feelings in yuuji, the boy does the same to him as well. sukuna is at turns extremely aggravated and enraged because of yuuji, and surprisingly pleased because of him as well.

sukuna can keep talking big about how uninteresting and inferior yuuji is yet the moment yuuji comes into view, sukuna is all psyched up for their fight....

he even looks excited and pleased to fight with yuuji again even though he claims to have no interest in the brat .... not fooling anyone sukuna ( -. -)

sukuna also can't seem to stand yuuji looking down on him with "pity" which sparks a much more violent reaction than he had with other people when they suggested sukuna was lonely and unfulfilled with his life, or even tried to "force" sukuna into thinking like them.

i think my biggest disappointment with this series overall is how gege chose to focus so much less on these two and their dynamic. i hated it when yuuji kept getting relegated to the sides over and over, and i also didn't like it when sukuna kept having rather pointless fights with everyone but yuuji.

the fact that yuuji suddenly wanted to offer sukuna mercy and even connect with him despite hating and despising his very being before was also such an unexpected twist that i would have loved gege to expand on and give a little more context and feeling behind.

i think, with a relationship as fascinating and complex as theirs, focusing more on it would have only made jjk even greater. but sadly, gege chose not to do that. and i feel like that why a lot of the recent chapters have been rather disappointing.

thank you so much for your ask, anon! sorry for the rant i came back with.

[redr0sewrites]

My Marauders Hcs

🥀A/n: most of these aren't intended to be x reader, but some of them are !

🥀Character(s): James, Sirius, Remus, Peter

🥀Cw: none, mostly fluff

James:

James is the type to have a planner and obsess over it the first week of owning it, and then forget about it immediately afterwards. every school year he tells himself that this is the year he's organized, and then by the third week the planner is rotting under his bed and he's going by memory

constantly running a hand through his hair. it started off as a nervous tic, but soon became soothing for him. whenever he's upset or frustrated, he always finds himself ruffling and messing with his hair. a lot of people think its on purpose, but its not, and he gets really defensive when people point it out.

simultaneously smart but dumb. James is an intelligent individual, but he just doesn't apply himself and would probably be top of his class if he tried- he just doesn't care too. not that his grades are bad per se, but they aren't as good as they could be

James is one of those people who's actually quieter once you get close to them. he overcompensates and acts more extroverted than he is in most social interactions, but once you get close to him he mellows out and becomes quieter. you can tell when James is really comfortable with someone because he's very relaxed and calm around them, he doesn't feel the need to be anything more than he is

sooo loyal. we already know this, but seriously, if he's dating you, he's the most loyal person there is. you would never ever even suspect he's cheating, he gets grossed out if other people even flirt with him. if he's dating you, he's whipped!!

on top of this, James is not afraid to show you off. he never understands how someone could be embarrassed of their partner, or pretend they aren't a couple because of others' opinions. he understands being private about a relationship, but if someone directly asks who he's dating, he's going to say that its you- and he's proud too!

tiny shirt + big pants combo>>>

let marlene do his makeup once at a party and, while he thought it was cool, didn't really think it was for him. he'll wear makeup if you want him too, and occasionally he'll put on mascara or tinted chapstick just for kicks, but i don't think he would spend a lot of time on makeup of skincare or stuff like that. he just doesn't have the patience for it

in my head he's half arabian and 1/4 african, with his father being mixed and his mother being fully arabian. his hair is sooo curly, and it took him a while to learn how to take care of it and keep his curls from getting frizzy or dry

James let Sirius attempt to pierce his ears sometime during fifth year, and wanted to try it the "muggle way" which, predictably, went badly wrong- but he's fond of them anyway! so, now he has slightly crooked ear piercings that he just puts plain black studs or a small diamond in. he also forgets to take his earrings out for Quidditch a LOT, so Peter was always reminding him about it

we all know about the headcanons about him wearing red converse, but i also vividly see him wearing the dirtiest high top vans you've ever seen- something like this but heavily used and loved

if a sweater or hoodie is too long, he has to push the sleeves up to his elbows. James cannot stand the feeling of sleeves brushing against his hand or wrist, its so specific but it would piss him off so much

tries to learn French so he could understand Sirius' and Regulus' conversations (especially when they were talking about him in front of him), and has an insane duolingo streak. like he's failing half his classes just because he's lazy, but his duolingo streak is like 400+

curses in Arabic a lot, and also calls his friends nicknames or petnames in Arabic as well

James has a really loud, boisterous laugh that practically fills up a room and makes everyone turn to look at him- like genuinely he can NOT be quiet when laughing

Sirius:

he made "potions" in the shower as a kid

Sirius cuts his hair on his own, and gets really nervous about asking other people to cut it. its a big sign of trust for him if he lets you cut his hair, as Walburga used to cut it short as a punishment. he genuinely prefers to just do it himself, but that means that more often than not his hair is pretty long because it's tough to reach the back

has at least 4 rubber bands on his wrist at all times- one for himself, one for Marlene, one for Lily, and then one extra. he oftentimes has even more, and he forgets that he has them on and will wake up in the morning with literal creases in his wrist because he kept them on for sooo long 😭

in his first/second year, Sirius had a french accent that he desperately tried to get rid of. he eventually succeeded, but it still slips out occasionally

he started painting his nails to piss off his parents, but soon became pretty good at it. now, Sirius and the girls of the friendgroup all hang out and he does their nails for them! in my mind, he has medium-short nails. they aren't completely flat, and he keeps them very smooth and rounded and pushes back his cuticles as well

has a comfort leather jacket that he wears almost constantly. the texture and weight is so familiar to him that even taking it off feels uncomfortable sometimes. when he's anxious or upset, he'll wear the jacket to help calm himself down and a lot of times, he has woken up with it on after a stressful night

Sirius has a complicated relationship with cleaning. his parents were far too strict about neatness, and he's associated cleaning with lots of negative memories, including being yelled at and stuff like that. this being said, he struggles a lot with cleaning up his own space and gets very easily offended if you even imply that himself or his space is dirty. Sirius also struggles with self care and bodily upkeep for similar reasons, even if its just basic things like combing his hair or brushing his teeth. he gets those tasks done, but he doesn't enjoy them and it's very draining for him

wears a lot of jewelry because he likes to fidget with it, and is a dedicated believer in wearing only gold. he's always afraid that he'll accidentally burn Remus if he's wearing silver jewelry, so he makes a point to only wear gold or copper or something similar

pierced his own ears, and also got his nipples pierced at a muggle piercing studio just to piss his parents off- even though they never found out

exclusively wears mismatched socks for no reason

is very gender nonconforming and is also probably genderfluid, he doesn't really care how he's perceived if that makes sense but feels more feminine and more masculine at different days or times

complains about little things but keeps bigger issues to himself. like Sirius will complain for an hour straight about how sore his back is from quidditch until everyone is begging him to shut up, and then turn around and neglect to tell anyone that his mom cooked him in a stew and fed him to a goblin or something (until he eventually breaks down about it)

gets angry really quickly and hates himself for it

wore a fake nose ring for years before actually getting it pierced

lowkey thinks bullying someone is a flirting tactic and when he's into someone he's a little mean and teasing towards them

Remus:

cant eat strong flavors in the morning such as fruits or sugary cereals bc it makes him uncomfortable or nauseous. only sticks to bland breakfast foods like eggs or toast when he first wakes up, but will eat more flavorful food later on

a tiny bit scared of the dark but won't admit it. he always keeps a nightlight nearby though

Remus gets bad migraines around the full moon and wears noise canceling headphones to help keep the loud sounds to a minimum

had a lisp and a crossbite at a young age but after a few years of dental work + speech practice its barely noticeable unless he's really upset (but he still has to be consciously aware of his lip movements nooo im not projecting...)

hates constricting clothes, has to be wearing baggy clothes or he feels like he's going insane

surprisingly good listener. he never plays the devils advocate, always gives good advice, and is overall a great person to vent to

can NOT sleep with his closet or bedroom door open it creeps him out sooo bad

this is going to sound a little insane but. in my head he sort of like. kisses with his nose. LET ME EXPLAIN i imagine him w like a slightly crooked nose and so whenever he kisses someone he always sort of? boops noses w them? bc his nose is like relatively big,,? and he just sort of does that??? idk it's just really adorable in my head

also adding onto that- he's a very gentle kisser. cups your face, rubs your back typa guy. definitely doesn't rush in

allergic to shellfish

one of those people who puts their entire soul in their notes app. he has lists, reminders, quotes, random pictures, information, and everything in between in his notes app. Remus is also the only one who can navigate through his notes as there are SO many and any normal person would go insane just from looking at all of it 💀

picks at his lips and nails until they bleed or peel

HATES when food touches on his plate- can't stand when food mixes and will often seperate food into little piles but then EATS MULTIPLE TYPES OF FOOD IN THE SAME BITE in an attempt to concoct like the perfect bite. like if he's eating idk chicken cutlets mashed potatoes and peas he can't have any of those touch on his plate or else it's disgusting but then he'll eat a piece of cutlet with mashed potatoes and peas on top in one bite??? idk maybe im projecting but this just seems like sum he'd do

very big on studying. he's smart, but if he doesn't study he absolutely blanks on tests and assignments so he always needs to have stuff memorized- he also takes extra notes for his friends so that they can copy it whenever they need

once he ties his laces on shoes, Remus never unties them and prefers to just shimmy in and out and fight for his life to put them on and take them off

Remus' ears get cold really easily so he wears earmuffs and a scarf often! his cheeks and nose also turn pink when he's cold and it's always very obvious and adorable

while he isn't a big fan of quidditch or sports in general, he truly enjoys supporting his friends and making sure they know that he's there! even if he has no real interest in it, he attends every single one of James' and Sirius' quidditch games

i love the headcanon that he befriends Regulus before any of the other marauders, and that he's in a study group with Reg, Lily, Mary, and Dorcas

Peter:

enjoys muggle comics, and has a HUGE comic book collection! Peter can also name nearly every superhero, and has soooo many comics memorized. like you ask him "what was the original comic in which *insert superhero* appeared" and he'll reply with the full comic title and author

you can't convince me that Peter wasn't a huge flannel person LIKE HE WAS THE TYPE OF KID TO HAVE A DIFFERENT COLORED FLANNEL SHIRT FOR EACH OUTFIT

huge gossip but in a good way. him and the girls all have a little gossip circle, and i looove the headcanon that out of all of the marauders, Peter is the most aware of all of his friends romantic endeavors. whether you ship wolfstar, jegulus, jily, dorlene, or anything else- Peter KNEW before even the people involved knew they liked eachother. always pretends to be surprised when people inform him of stuff like that as though he hadn't already known for two years or sum

i like to think Peter also played quidditch, but did it moreso to have fun with his friends rather than being super into the game. he liked it, but he only did it because his friends did

ridiculously good at chess, and holds that over Sirius' head allllll the time. probably also in his own little chess club or something similar

Peter is smart, but only when he applies himself. most of the time he's fine with being average, so he has decent grades, but certainly nothing outstanding. however, when he tries? he's very intelligent and can excel academically- he just doesn't feel like it

learned to braid Marlenes hair when they were younger, and then taught Sirius how to do it too! he'll also sometimes braid Sirius' hair for him if he's bored and needs something to do with his hands

unlike his friends, Peter isn't very confrontational and prefers to handle conflict with a softer approach. this often makes him take on the role of the peacekeeper in the sense that he communicates between both parties when his friends are fighting. that doesn't mean he can't stand up for himself, he just only does so as a last resort

Peter doesn't laugh, he GIGGLES. genuinely teehees when he's excited about something !!!

he was the one who suggested the name The Marauders, and originally did so as a joke, but then it stuck

very rarely curses, but between being friends with the marauders and such, he probably knows more curse words than the rest of his friends combined and sometimes when he's irritated he starts cursing up a STORM

chronic sweatpants wearer. orefers the material of his clothing over anything else, and if something is uncomfortable he simply won't wear it

i like the headcanon that Peter's queer awakening was actually both Frank Longbottom and Remus, but he didn't know it until years later. for Remus, it wasn't actually a crush, but moreso an "oh he's attractive. yea i'll think about that ltr" kind of moment yk? however, i do think he had a crush on Frank and that was also part of the reason he originally joined the quidditch team

Peter's favorite color would be yellow, and his favorite flowers are sunflowers!!! idk why, he just seems like a yellow kind of guy!!! i also feel like he'd like orange too- overall, he prefers warm colors to cool colors

Peter would listen to Nirvana, you can't tell me otherwise bc he WOULD !!!

he's kind to people regardless of their house. doesn't care if your a hufflepuff or a slytherin, a gryffindor or a ravenclaw, if you're nice, he's nice!! he's also always super sweet to first years who are new to the castle, and helps with giving directions (and telling those who purposely give wrong directions to piss off) for at least the first month of school every year

made friends with a lot of the portraits on the walls, and ended up gaining their favor and getting help with some pranks. i also think that he'd get along with most of the ghosts, and Moaning Myrtle had a crush on him in his third year and it was really awkward because he tried to be nice but she ended up taking it romantically and so she thought they were dating for like two whole weeks (James teased him mercilessly over this)

while Remus always keeps chocolate on him for others, Peter always keeps gummy bears on his person or nearby in case he sees someone upset

YIPPEEE I ACTUALLY WROTE SOMETHING!!!! i will def be doing a pt 2 with the valkyries (marlene mary n lily) and the slytherin skittles (barty evan dorcas regulus n pandora) so!! stay tuned !!!! hope u enjoyed and PLEPSOEELSLPSKSOSKD

PLEASE SEND IN MARAUDERS REQUESTS PLSPSLSPS

[ordinaryschmuck]

Why I Love The Owl House: Part 5-The Themes

Prev Part

Salutations, random people on the internet who are already skimming past this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

And we’re just two parts away from me never talking about The Owl House again! In previous parts, we’ve talked about the characters, their relationships, and the narrative threads that are closely tied to them. For this part, we’re now discussing the show’s themes and messages. And I’ll level with you all: I’m admittedly...faulty at this part of media analysis. Anything regarding the discussion of a theme or message that a story tries to tell is something I struggle to do right. I regrettably either come across a theme through luck or piggybacking off of what others have said and throwing my two cents in. When it comes to putting it in my own words, I just…have issues in describing what the theme is. Hell, this whole part was the hardest to write because I often drew a blank of what to discuss or how to dig into it further. A part of me, deep down, KNOWS what a story is trying to say but I, a lot of the time, struggle finding the right words to best convey it.

Yeah, isn’t that rich? An English Major with a limited vocabulary and an ineptitude towards analysis. My life sucks sometimes…

With that said, there are some things that I’ve noticed about The Owl House and what it’s trying to tell to kids and maybe a few adults. A lot of its messages are definitely simple to older audiences, but with the things it has to say to kids it makes The Owl House something important to watch if they’re to shape the future. And no, I’m not talking about those lessons told at the end of each episode, but overall themes that occur through the course of the series. As far as I can tell, The Owl House has about…thirteen things to say about life, love, the trials of growing up, and how to deal with people. Plus, much like the narratives, it’s all tied closely to the characters and their personal journeys. Does the show say everything it needs to say well? Or is this another case of “If the show had more time it’d be better” and all that yada-yada? Well, let’s find out together as we count off the things that The Owl House has to say. Starting with a point the series makes exponentially clear:

(Also, prepare thyself. This one is twenty-five pages)

Honesty is the best policy 

I don’t know if you noticed, but these characters tend to lie. A LOT. And we’ve already gone into great detail with how often Luz lies in previous parts. Whether it's to her mom, her girlfriend, or friend group, Luz tends to keep some dark truths from the people she cares about. It’s partially selfish, but it comes from not wanting them to worry about her when they’re the ones currently going through it. It’s part of Luz’s bigger flaw of caring more for others than she does for herself (Which we’ll get to later), but the point remains constant that if she told the truth sooner, she’d have saved a lot of pain and heartache for herself and others. Same goes for other characters who lie for similar reasons but with greater consequences.

Going from least hurtful to most, let’s start with Eda, the one who lies in two different ways. The most obvious lies come with her pain, primarily the curse. She initially chose to keep her mouth shut about it, hoping that it’ll never turn into a big deal or a problem. If you’ve been paying attention to her character’s journey, you can tell how wrong that assumption was. When keeping it a secret from the rest of her family, the Owl Beast came out at the worst possible time, making Dell disabled and Gwen desperate to get the beast out of her precious daughter. By underplaying how bad it is to Raine, it makes Raine think their relationship isn’t serious enough so they break it off. She didn’t even tell Luz and King until they met the Owl Beast themselves and tried to survive it. Eda had King in her home for eight years and this was the first time he’s ever known ANYTHING about the Owl Beast. And even then, she still hides that it’s getting worse by the day, giving King and Luz an IDEA of what Eda’s going through but withholding the part that could upset them. Just telling them about the curse is arguably Eda at her most honest about what’s wrong with her, and she still doesn’t want to reveal everything. It’s part of this underlying problem where Eda’s unwilling to reveal the pain inside herself because, well, she’s the big bad Owl Lady. The most powerful witch on the Boiling Isles. And with a title like that, she doesn’t want anyone to know that she’s fragile. She tried being fragile once in the beginning of “Keeping Up A-Fear-Ances,” detailing what the curse does to her, and it made her mother go a little overboard in wanting to help her precious daughter. Needless to say, she’s not willing to go through that again, especially since Luz and Raine proves her point by putting themselves in danger when knowing how much Eda hurts. When Luz learns about how bad the curse got, she practically threw herself into the arms of the Emperor to find this specific thing that could help. And with Raine, while Eda opened up more about the curse and how it affected her magic, she still remains tight lipped about another thing: Her kids. She never brought them up, hiding her turmoil about them leaving her for good and was lucky enough that Raine found out soon enough so that SHE won’t abandon Luz and King when they still need her. It’s fortunate that Raine found out by accident, but UNFORTUNATE that it led to them getting captured to save Eda so she could talk things out with her kids. In Eda’s eyes, vulnerability means that you need to be helped or protected, with the ones you love paying the price more. She hates that feeling and despises it even more when people she loves get in danger because of it. Eda eventually finds her way out of this mindset thanks to the love King and Luz share with her and how Hooty and Dell prove that facing pain head on is the only way to heal from it. It was a slow process, but one that eventually led to her opening up more, even allowing herself to cry when she would usually hide her pain with a smile or push it down for the sake of a brave face. She becomes honest with her own pain, with her curse, and how much she truly cares about her loved ones. However, that’s more of a general lie with Eda. There’s one specific lie that she told that went on for way too long.

Lying to King about being a King of Demons seemed harmless at first. Eda was just messing around with what she thought was a pet. Only for that pet to prove he’s more intelligent than she thought and, as a result, more delusional. King took being the King of Demons as part of his whole identity, with every action he made trying to live out that fantasy. By the time Eda revealed the truth, it’s like telling a child that there’s no such thing as Santa Claus, the Easter Bunny, AND the Tooth Fairy all at once. Only the effects would be ten times worse because it would destroy all of King’s sense of self AND give him questions that Eda wouldn’t have any answers to. Eda knew this inevitability would come any day now, so she put it off as long as she could, initially hoping that King would outgrow this fantasy himself so she won’t have to rip off this particular bandaid. Only to be backed into a corner because King and the others almost got killed in trying to prove that King’s really, well, a king. This time, telling a lie actually put someone in danger, so Eda tried the truth for a change and, well…it crushed him. More accurately, it shattered King’s core identity and sense of what's real and what isn't. Eda saw this, immediately felt guilty for holding it in for too long, but never comes to regret this decision. It’s something she KNEW needed to be done from the start and accepts the “consequences” of what comes from this lie. I put “consequences” in quotes because aside from a lot of tears being shed, this was the first step to King growing up and he would come to appreciate the honesty (even though he had a long, emotionally draining road ahead). Eda telling the truth WAS for the better, even if she should have told it long ago. But, all things considered, the lie wasn’t THAT bad of one. It was done to keep King happy and let him have some childhood innocence for a while…As for the lie AMITY told?

All Amity had to tell Willow was that her parents are forcing them apart because Willow’s family isn’t rich enough. That’s all. It wouldn’t have been great, but it would at least be the truth and Willow could have understood…Maybe. Well, there’s a slight possibility that Willow would have tried talking things out with Amity’s parents or continue to be friends despite them, not caring what they’ll do to her. Amity, not wanting to take that chance, decided it’d be best to make herself look like the bad guy. So, she lied that she doesn’t want to be friends with Willow because her magic is weak, thus distancing herself from her first real friend. Was it an extreme decision that crushed Willow’s heart and left her unsure if she’s capable of doing anything right? Yes. But to be fair…Amity said that lie when she was probably seven years old. I’d like to see what morally correct decision you made at seven.

But the first lie isn’t the worst part about Amity’s decision. In actuality, it’s how she decided to keep the lie going for years until Luz showed up and intervened. In Amity’s “defense,” which is really a frail excuse, she didn’t have any choice but to keep up the act. She already said it, it did its job, and now she has to commit to her lie or risk putting Willow in the warpath of her parents. Amity says it herself that she’s not brave enough to fight them for Willow, so she instead puts on a mask that makes her appear to be a mean girl and further separates herself from her now ex-friend. This led to Amity disrespecting Willow and belittling her because it’s better to have Willow hate Amity instead of let Odalia follow through on her threats. It wasn’t until Luz showed up and started improving Amity’s life that she realized that being nice FEELS nice. Is that an oversimplification? You better believe it is, but I talked about these three characters and this aspect of Amity and Willow’s relationship three parts in a row so LET ME SIMPLIFY! Anywho, it is good that Amity told the truth and it’s even better that she apologized, but it doesn’t change how the initial lie made things worse. In an attempt to protect Willow from Amity’s parents, she left Willow to face bullies and judgmental peers without anyone to comfort her or be in her corner. At least, not until she met Gus and then later Luz. It was almost a well-intentioned lie like Eda’s with King, but while Eda put off the truth to protect King’s innocence, Amity destroyed WILLOW’S with a single lie. By the time the truth came out, it finally STARTED the healing process. It didn’t fully heal Willow, but it STARTED to, with her admitting that making things right with Amity is what jump started her having more confidence. Confidence that she’d have since the beginning if Amity wasn’t the one to crush it by saying Willow being weak is the reason they can’t be friends anymore. Amity had her reasons, and I went over them thoroughly enough in previous parts (Go read THOSE), but it doesn’t change that Amity caused a lot of damage to Willow by lying about why they can’t be friends. On the bright side, while she did keep it going for too long, she at least made things right in about a couple years down the line. It’s not like she kept this one lie going for a dozen years until adulthood and letting things get so worse that it was almost too late to fix things. That would be AWFUL…Anyways, let’s talk about Lilith.

Lilith proves that a lie of omission still counts as a lie. For YEARS she kept in the secret of cursing Eda and for YEARS let Eda’s life get worse because of it. I’ll get to how thoroughly screwed up things got with Eda in a minute, but to keep things brief: Things would not have been as bad if Lilith fessed up sooner. There might have been a lot of yelling, a bruised nose, and Eda proclaiming she has no sister sooner, but time tends to heal all wounds. And they would have had more time to heal if Lilith spit the truth out at fourteen. She would have more time to fix things and prove that she can help Eda, just like how Amity started fixing things with Willow once revealing who was the REAL weak one in the relationship. Now, these are two VASTLY different scenarios and Eda would most certainly have been out for blood immediately, but I’m certain that if the rage settled they could have worked things out and Lilith might have helped Eda with the curse sooner. And, heck, if you go back FURTHER, there’s a chance that honesty could have stopped the curse altogether. If Lilith was honest about her own inadequacy and confessed to Eda about how she’s POSITIVE that her sister would win, Eda would have just shrugged and given the Emperor’s Coven position to Lilith no problem. Granted, joining that coven would have been its own can of worms, but it would have certainly saved Eda a lot of emotional and physical pain. Unfortunately, problems with showing weakness apparently run in the family and Lilith didn’t want to admit that she wasn’t stronger than her sister. She needed to PROVE it…by cheating and completely derailing Eda’s life in the most outrageous fashion. And Lilith would learn years later that the truth really does set one free. But again, I’ll get to that in a minute…

We all have our reasons for being dishonest. They’re selfish reasons in hindsight, but we still have them. Sometimes it’s to stop others from worrying about us, other times it's to hide something we’re ashamed of, and most of the time we just want to stall a bad reaction that we KNOW is inevitable. What we need to learn is that the truth ALWAYS comes out eventually, whether it's through us or through others. We can try to deny the truth, bury it, and hope that it never gets out, but it always does. And what The Owl House tells us is that it’s a GOOD THING for the truth to be out there, especially for loved ones. There might be secrets we HAVE to keep to ourselves, but if you can’t be honest with the people you love, then they can’t effectively help you nor can you help them. It’s always important to be as honest as you can be, because the more you put off the truth the worse the consequences will be. Because you never know how bad one action can snowball into something worse. Which brings me to another theme in the series…

Your actions can have unintended consequences

There are two characters this applies to: Luz and Lilith. You can…probably see where this is headed.

Luz and Lilith tend to make mistakes in the series, Luz more so than Lilith. Granted, Luz’s mistakes mostly stem from her character flaw of not thinking things through, mixed with some impatience and being afraid of confrontation. In other words: She’s a teenager. Dumb teens are going to do some dumb things, and while Luz is smarter than people will give her credit for, she’s still the kid who angered a Slitherbeast by stealing Amity’s wand when Eda’s lessons seemed like they were going nowhere. And that’s just a MINOR thing in Luz’s adventures. We already went over the domino effect last time and how Luz texting ONE LIE to Camila ended up putting her in a more stressful position than how telling the truth outright would have. There are also the many times Luz almost got herself killed, sometimes due to overconfidence or being too emotionally driven to take down someone threatening the people she loves. Most notable examples of that second one definitely comes from being hyper focused on fighting Lilith and Belos in “Young Blood, Old Souls,” which led to the destruction of the portal door and Luz struggling to get back home. Or how Luz thought she could take Belos head on again in "King's Tide," nearly getting petrified in the process if not for smooth talk and tricking him with an invisible branding glove. As for her near death experiences caused by overconfidence, well, let’s see: You have her going on that fake quest for Adeghast, pretending to be an abomination, fighting Grom, challenging Boscha to a grudgby match (That might as well count), and trying to steal the healing hat. And that’s just the stuff that happens in Season One, with some of it carrying over to MORE consequences aside from just almost dying. The wacky adventures in Hexside made Odalia think she has a case to get Luz, Willow, and Gus expelled. And when getting caught by stealing the hat and Lilith consequently using her as bait, it leads to Eda’s curse getting irrevocably worse and Luz being forced to destroy the portal during her attempt to save Eda from Belos. A part of growing up is learning that if you don’t think far enough ahead, you could cause disastrous consequences. Thankfully, for each mistake Luz makes, she is often quick to correct it when the problem arises at any time. Plus, after so many near-death experiences, it eventually molded Luz into becoming the kind of person who doesn't wants lasting consequences over something stupid she did, trying to be more careful in her approach to something. Because Lilith proves just how disastrous it can be to yourself and others if you don't think about the consequences.

The thing is, Lilith PARTIALLY knew the repercussions that came from cursing Eda. Simply put, Eda would have lost the duel and not join the Emperor’s coven. It was a selfish plan made by selfish desires, but Lilith believed she had things all figured out and that things SURELY wouldn’t snowball from there. Turns out, she didn’t think ahead enough (Yeah, big shock). Because everything that went wrong with Eda’s life is all Lilith’s fault. The Owl Beast attacking their dad? Eda running away from their mom? The distance Eda has with her whole family? Eda breaking up with Raine? It all circles back to the curse that Lilith put on her. Now, Eda owns partial blame as some of these were caused by HER actions that no one forced her to make. Yet the curse didn’t help much, especially as it got worse the older Eda got with her magic fading away with the curse’s effects. Lilith excuses this by saying she didn’t expect the curse to last more than a day, as if that actually means anything. Look, I get that she was young and very stupid, with her hyperfixation on joining the Emperor’s Coven blinding Lilith from what was right and wrong. But she still kept that secret for YEARS, not wanting to reveal it until she got a cure for Eda, only to make things worse not just because the curse got stronger and the distance with Eda and Lilith became greater. It’s because., by the time Lilith DOES spit out the truth, Eda’s already at her lowest point with the curse and is furious at Lilith for kidnapping Luz. Just like how Camila would have been LESS upset if Luz told the truth sooner, Eda would be significantly less blood thirsty if Lilith came out and admitted her guilt from the start. I said it with the honest theme: Time heals all wounds, and Luz and Camila prove that forgiveness CAN come if someone proves they’re sorry enough and had more time to reflect on their actions. Lilith was just afraid of that inevitable confrontation that she kept her mouth shut for YEARS to avoid it. She was too scared of facing her own consequences, and it’s why it’s a smart decision to let Lilith decide to SHARE the curse. It finally allows Lilith to understand what she put Eda through and express her apologies far better. It finally hammers into her mind what she did was wrong and how she can take the steps to improve things…We barely see any of this, but at least she’s NOW experiencing consequences for herself instead of letting someone else’s life get worse.

The Owl House does a great job of showing that anything we do, no matter how big or small, can always cause big problems for ourselves and others. There’s no changing that, and what matters most is how we react. If we wait too long, things can only get worse and it’s for the best to fix things as quickly as possible instead of pushing aside the inevitable. And be careful of what you do because you never know when one stupid idea could lead to something even worse for your future. However, while The Owl House does show how our actions have negative consequences, it is smart enough to say that the opposite is true. You see…

Your existence changes lives in unexpected ways

Whenever we do something bad, the domino effect it causes could lead to disastrous outcomes that we could never prepare for, but that doesn’t mean our existence is nothing but accidentally causing harm to ourselves and others. Existence is actually about changing the lives of people around us, a lot of the time for the better. And there’s no character that perfectly proves this more than Luz Noceda, who is the very reason that most people in the Isles is living their best lives.

“She also caused Belos to—”

SHE IS THE VERY REASON THAT THEY’RE LIVING THEIR BEST LIVES! Nearly every person she's come into contact with is better than they were before meeting Luz because she has this tendency to make life better through mere existence. Sometimes it’s unintentional, with Vee being the first person Luz helped. When Vee saw Luz in the Demon Realm, she saw that there was a chance to escape Belos and took it with no regrets…That is, until Luz showed up again, but it all worked out for the best. Vee got a home she felt safe in, friends to spend her life with, and a family that treats her as one of their own because Luz unintentionally gave her an out. And when Luz officially met Vee, she did everything to secure her future sister a safe space to live in. As for other characters Luz more DIRECTLY changed for the better, Eda and King are the first in that regard. They were looking for someone to steal something for them, only for Luz to bring them together as a family. She became the daughter that Eda never had but likely wished she did as Luz is just as chaotic as Eda was but with more of a good heart. Luz gave Eda someone to care for, someone to FIGHT for, as she proves that having someone in your life is a lot better than living alone as a criminal with her son being misconstrued as a pet. With Luz around, Eda allowed herself to love again, letting other people back in because she needs to when taking care of this fun, energetic girl that practically crashed into her life. And with King, Luz gave him someone that is almost ALWAYS on his side, being protective and caring towards this cute little guy who never had a friend before. Luz was the first person he’s consistently interacted with that’s anywhere CLOSE to King’s age, and she was there to offer warmth and snuggles, endless support in finding the truth about his people, and inspiration on how to handle someone like The Collector. With Luz’s help, King went from a greedy demon hungry for power that will never be his, to a sweet boy who learned that all he ever needed was the found family around him. Luz met two misfits who often fought but cared for each other, and brought them to become even closer as a family. A family that would be nothing without her, with the same going for Luz’s friends.

Luz formed her very own squad of pals, all of them coming together because she was there to make them close. Willow and Gus were already buddies when they met Luz, but she was still there to make things better between Willow and Amity and, through inadvertently meddling in Hunter’s life, made him and Gus the best of bros. The most unlikely of friendships, one rekindled while the other forged through adventure, all happened because Luz showed up and improved all their lives. I already THOROUGHLY went over how she was able to change Amity’s life for the better, so…go read that. As for Willow, Luz acted as a cheerleader that often pushed her first best friend to do something that was stupid and reckless but ultimately for the best. Whether it’s pretending to be an abomination or playing grudgby against a team’s captain, Luz nudging Willow towards adventures allowed her to find her true magical strength, face her bullies, and become a confident witch that Amity would relearn to respect and for Hunter to love. With Gus, while neither are as close to each other as they are with Willow, Luz still helped him get something he always wanted: More friends. Before Luz or Willow, Gus was looking for someone to like and respect him instead of using him as a way to get something they want. Then here comes Luz to not just be another friend but unintentionally give Gus the chance to make more of his own. She gave him glyphs to help impress Glandis kids, only to grow closer to Matt when someone like Bria started showing her true colors. And, again, meddling in Hunter’s life led to him and Gus going on an adventure that brought them together as bros. Now, how did meddling lead to that? Well, aside from giving Hunter his first social interaction with someone close to his age, accidentally giving him an emotional support bird, and being the first crack in the wall around his heart, Luz also took Hunter into the Emperor’s mind and completely shattered his worldview. By the time Gus found Hunter, the poor boy was shattered and desperate for comfort, even if he didn’t want to admit it. Gus was just the one there to pick up the pieces with Hunter paying him back when it was Gus’ turn to need help. Luz created this friend group where the kids all care and help one another and gives them the opportunities to grow and better themselves for the company they want to keep. These four wouldn’t be as close as they are without Luz. Willow, Gus, and Amity might not even have the CHANCE to meet Hunter or know who he is if not for Luz intervening and helping him out of Belos’ hold.

“But she still help free The Collector–”

Oh, you mean the child who was falsely imprisoned and needed to learn how to play nicely and safely with others? The same child who wouldn’t have been better if not for Luz teaching him the value of a mortal life? THAT Collector? Because you’re right. It is good that Luz helped free them, even if accidentally.

“But she still helped Belos–”

OKAY! Okay. I get it. You have this weird obsession with Luz accidentally helping Belos and believing that everything wrong with the Isles is because of her, regardless if it was an accident or not. Good for you and go f**k yourself. But let’s not forget that Luz is the reason why Belos’ regime toppled. Heck, she was doing that before she knew Belos was a problem. In Hexside, they limit students to stick to learning one magic track before graduating and picking one coven. It’s a blatant display of preparing them for the inevitable, only for Luz to come in and allow Principal Bump to realize maybe it’s worth letting kids sign up for multiple magic tracks before making a final decision. The results make the adults remember how much they miss their covenless days and a character like Jerbo being inspired to change the system when he grows up. Luz already started the gears turning to tear down the systems Belos built ALL IN her first day at Hexside no less. By the time she does meet Belos and see how clearly evil he is, Luz still goes about trying to ruin every part of his plan. Luz slows down his plans to flee the Isles after committing genocide by blowing up the portal door, she saves the palismen Belos would have used to extend his worthless life, and goes so far to help Lilith and Hunter, his most loyal soldiers, turn their backs on him. Luz was cleaning up the “mess” she made for helping Belos long before she knew she was “responsible,” which she wasn’t. Belos knew this, and it’s exactly why he revealed that Luz helped him with his plans, even though he could have tricked anybody. He used this ploy to trip Luz up, only for it to make her more determined to stop him…until the guilt became too much to bare at one point, but that’s where her friends, the support group that SHE cultivated because of HER actions, came in to encourage Luz and tell her nothing is her fault. And when Luz came back…she died. But the Titan, the GOD of this universe, took note of Luz’s actions and all that she did to give King a good life as a shining light of kindness and would then give Luz the powers she needed to come back, rip Belos out of the Titan’s heart, and let him melt away in the boiling rain. You can claim all you want that Belos’ rule is all because of Luz, but Luz still ruined all of his plans and stopped him for good, doing it intentionally and unintentionally. Meaning that everything she “caused” was being fixed by her own existence.

…Okay, might have went on a bit of a rant there, But I can’t help it! You see, I made a post THREE YEARS ago, listing the ways Luz improved lives and how that wouldn’t have happened if she never came to the Isles. And one person, on THREE SEPARATE OCCASIONS, replied to that post and mentioned how those problems wouldn’t have existed if Luz never came at all. And it just feels like it devalues Luz’s accomplishments, the good that she did, and takes away some of the blame from Belos. Luz didn’t force him to use coven sigils or steal palisman or even commit genocide. That was all him and if it wasn’t Luz it would’ve been someone else he tricked to get what he wanted. We don’t blame Hitler’s dictatorship on the guy who stopped him from stepping into traffic before having the chance to DO all those bad things, and we definitely don’t blame the fourteen year old who couldn’t tell that the spineless, shaggy human would become the most dangerous person on the Isles. Because if you want to go so far back as to blame Luz, then you can blame Eda too. After all, she’s the one who told Luz about the time pools, she’s the one who allowed Luz to stay, and she’s even the one who’s responsible for Luz coming to the Isles in the first place! Yet you don’t see people blaming HER for all the world’s problems, do you? No, you f**king DON'T…Though, now that I think about it, if we could transition to this finger pointing and unnecessary blaming, there are some positive things Eda’s existence brought out into the world.

Real quick: I’m not saying that everything good that happened to the Isles and Luz’s friends is because of Eda. Only a lunatic would go that far. What Eda DOES get credit for is how she gave her kids a better life. Luz was from a world where most kids never got her or her weird interests and actions. She was a social outcast looking to be understood and Eda gave her that chance of understanding. She brought Luz into a magical world, protecting her from its darker edges, giving her a chance to explore, and letting her find her people. Eda found a kid who was alone in her own world and brought her to one that would eventually greet her with open arms. Things weren’t perfect at first, as Luz almost died three times within her first week, but with Eda’s guidance and care, she gave Luz a place she could call a second home and two people she could call an extension to her family. Speaking of family, Eda is the reason why King has one. She saw a little creature that lived in the cave of a dangerous monster, took him home with her, and that creature grew up to be her pseudo son. She treated him as a pet at first, thinking nothing of it, but as she grew to realize his intelligence and childlike behavior, she started treating him more like a son. Plus it’s a good thing that she got King out of that spire. He would have grown up alone as the last of his species with no one but the mute Jean-Luc as company. By taking him with her, Eda gave King a warm home, good food, and, eventually, Luz. All that is before King legally made himself a Clawthorne, making his family larger and causing Eda to cry tears of joy because she grew to love the little. She grew to love BOTH her kids as she wouldn’t be the same without them just like how they wouldn’t be the same without her. Eda didn’t think much when taking these two in, she was only being charitable. Still, regardless of intention, Eda managed to improve the lives of two innocent kids that needed more love in their life.

Life is a chaotic thing, giving us consequences to our negative actions but also rewards ourselves and others through the mere act of existing. Sometimes we’re rewarded and other times the people we love are. In either case, we can never truly know how much a simple action can affect someone’s life, whether or not we intend to do so. If Luz is any indication, as well as Eda to a lesser extent, then the show is trying to tell us that your life might seem small and your choices smaller, but you’d be surprised by how big of an impact you can leave on the world just by being yourself. It’s a beautiful sentiment that the show stands by, being one of several ways it tries to tell people that they matter. Especially with this next theme.

There’s nothing wrong with who you are

In case you’re wondering, no, this isn’t about how the show normalizes sexualities, genders, different races, and overall equality. Though, real quick, that IS a valid and important aspect of the series that not enough people took into account, meaning that we SHOULD spread that message more so that it can stick. However, for this theme, it’s more than just about representation and letting many different kinds of people feel seen as individuals. It’s more about the image issues that a few different characters have.

Starting with the most obvious, we have Willow, The Owl House’s shy girl. The poor girl starts off so unsure of herself because she’s not as good as others in one specific kind of magic even though it’s obvious to everyone in the room what Willow’s real talent is. It doesn’t help that most of her classmates judge and make fun of Willow for her “weakness,” with the time she had on the show being spent proving to herself and others that she isn’t weak. It’s why when Willow DOES mess up or feels unable to help that it causes her to break down and think that maybe she is just “Half-A-Witch Willow” like all of her bullies say. Thankfully, she has her support system to be there for her, Luz and Gus constantly acting as cheerleaders to raise Willow’s spirits and Hunter sharing how much he admires her strength and kindness. Interestingly enough, he also has the same confidence issues as Willow, having no natural magic and always pushing himself twice as hard to be seen as an equal among his peers, who are some of the best witches in the Isles. They’re also GROWN witches who had more time to mature their magical capabilities, but nonetheless, it made Hunter constantly feel like he wasn’t good enough either. It’s what makes him and Willow having each other in their corner kind of beautiful. Most of the people they see everyday look down on them, with Willow and Hunter not doing themselves any favors. But together, they can remind each other that they ARE worth more than anyone bargained for. Though, they don’t JUST have each other. Again, Willow has her cheerleaders and Hunter eventually has Flapjack pulling him in the right direction. To be honest, I’ve said all that I’ve needed to say with these two, how they grew, and how they affected each other. Or rather how Willow affected Hunter, as it’s still mostly one-sided. If you want to find out why, just go back and read parts one and two, it clears things up better. For now, I’ll say that these two definitely had their fair share of confidence issues, with Willow’s being obvious from the start while Hunter’s became more apparent the more his heart opened up. When you’re surrounded by people you think are “better” than you, it’s easy to feel like you matter less despite your own talents. But in some cases, a lot like Hunter, people are better at hiding it.

Take a look at Eda. With the amount of confidence that she has and the ego she flaunts, you wouldn’t guess she has image issues. But then you look at the curse and it all becomes clear. Eda’s regrets, nightmares, and worries proves that she does care about how others see her and react to her bad side. It’s not as prevalent or as evident as Willow or Hunter’s issues but it’s still there, with things getting worse when the curse took away Eda’s magic. She’s no longer the most powerful witch on the Isles, losing all the fear and respect she’s garnished and is now forced to relearn to be powerful in different ways. She bounces back but not without a lot of frustration, more towards herself if anything else. Eda hates the fact that she’s “weak” now and was desperate to get herself back to the top as quickly as possible. It’s not until she learned that her curse can become a strength instead of a weakness did Eda really begin to feel better about herself. I mean, I’d probably feel better about myself too if I could suddenly transform into a hot harpy. She certainly isn’t complaining, and good for her. She proves that you can always get over your issues, no matter how long it takes. For Eda, it might’ve taken her late thirties or…early forties? Regardless of how old Eda is, it definitely took a long time to get better and, even then, she still has The Collector's manufactured nightmare about people seeing her as a monster, which clearly got to her. The unfortunate truth is that it takes time to heal and you won’t be completely cured. There are times you will have good days or bad days, with Eda representing that through her false, and sometimes honest, bravado that tends to hide how messed up her issues really are. It’s good to show kids how slow that progress can be, even if it’s handled in a way that’s not as noticeable. However, while one’s issues can take time to fix, others’ tend to get worse with more time and, of course, more trauma.

Luz definitely had her issues, even before the whole Belos thing. She hoped being a “chosen one” would help her fit in, was worried about being seen as fragile, and became concerned about tanking her reputation on the first day of going to Hexside. Luz may be a proud nerd at heart, but she’s also one who cares about how others see her, whether it’d be her classmates or the people close to her. It comes with spending years of others signaling Luz out as “the weird girl,” with the Boiling Isles giving her a fresh start. Luz can be whatever she wants, even the hero of her own story…only to feel worse about herself once growing some attachments. Every time she accidentally caused troubles for other people, it caused Luz to sometimes believe she was a burden and needed to fix any problem she indirectly caused. Just look at how Luz reacted to accidentally making Amity lose her job. After getting it back for her, Luz was ready to accept that Amity would never want to see her again, despite Amity sharing the blame for it. Because Luz, at her core, is a good person, and it hurts her deep down when she sometimes hurts the people she loves in this world that she feels more at home in. It’s why Belos telling Luz that she helped him with his genocide affects her so much. It’s not true, everyone in the show knows it’s not true, and even members of the fandom who aren’t idiots know that Belos is full of crap. His actions are still his own and what Luz did is nothing wrong compared to his horrible deeds. Yet it still gets to Luz because it takes all of her issues of feeling like a burden turned up to the highest degree because she blames herself for the Day of Unity happening and all the craziness that comes from it. It hurts her so much that she forgets one important detail: She’s just a kid. Her mistakes are common, but nothing to beat herself up over. She’s still growing and learning to be better, not having the mental or emotional maturity to know better than to trust a shaggy man that claims to be on her side. As long as Luz makes it clear that she regrets what she did wrong and learned from it, which she always does, there’s no one with a rational mind that will blame her. It’s why it hurts that Luz doesn’t think she deserves it. Even though everybody constantly reminds Luz that life is better because she’s in it, it’s still something hard for her to accept. The times she accidentally caused trouble back home likely attributed this behavior, having only Camila in Luz’s corner as everyone else was busy calling her a freak or a problem child. Sometimes when you’re told your whole life that you’re a problem, it’s hard to stop seeing yourself as one. That’s Luz to a T, and it’s not until she found people that understood her and how she’s neither a problem nor a screw up did Luz slowly start to believe it, even though part of her can’t help but go back to the guilt she felt about things she didn’t mean to do.

We all have our reasons for self-doubt and sometimes self-hatred. It can stem from how others see us, how we see ourselves, or sometimes how we BELIEVE others see ourselves. And it can be an issue that could unfortunately last decades, where we get better but not completely healed of what hurts us. The only way to help ease that pain is remembering, simply put, there’s nothing wrong with who we are. Are there times when people SHOULD improve themselves? Absolutely. But if you’re anything like Willow, Hunter, Eda, and Luz, you should know that there’s not much you need to improve aside from your attitude. You’ll make mistakes, you’ll go back to how you feel, and you will find it hard to get over this problem you’re dealing with. But with the people you love cheering you on and reminding you that you ARE loved in this world, then that’s already the first step you need. And if you think you’re not someone worth the effort as there are more people suffering harder than you, just remember…

Your pain matters too

Sometimes, the nicest kinds of people tend to think that the problems of others outweigh anything that they’re going through. Especially those who lived most of their lives being told that they matter less than anyone else. And…you can already tell which two characters this theme applies to.

Luz and Willow are both victims of caring too much. You wouldn’t think that’s an issue, but it very much becomes one when helping others stop you from helping yourself. Luz is a more popular example of this as she will frequently throw herself into danger just to help the people she loves. She’ll even treat helping someone as a distraction to her problems like helping Eda reunite with Raine and getting Kikimora out of the Emperor’s Coven to forget Luz’s promise to her mom. Or using Amity’s desire to join the Bonesborough Brawl as a way not to think about her dad. Luz constantly decides helping people is more important than anything she could be going through, with Willow being in a similar yet less intense boat. “For the Future” proves this, with Willow hyper focusing on making Hunter happy and suppressing her own stress and anxieties of her fathers as she did so. It’s exactly what Luz does throughout the series, just as a one-time occurrence that Willow learns from quickly. Her caring for others more than herself fits her good-natured attitude, but after her talk with Hunter and Gus it’s likely Willow won’t return to this behavior again…Which in turn presents a problem with Luz and this theme.

That moment between Gus, Hunter, and Willow in “For the Future” is great, but it feels like LUZ needed a moment like that with the people she loves. She KIND OF gets it with Amity in “Reaching Out,” but not to the same extent Willow got with her boys. Amity just boxed Luz into a corner and forced her to spit out what’s bothering her, with the truth and how Amity reacted to it making Luz think she can be a little honest with her feelings. Only for her to go right back to distracting herself so she doesn’t confront her emotions in the very next episode, with Eda helping out by telling Luz the story of how she first met Raine. Meanwhile, Gus and Hunter told Willow that they appreciate her and everything she’s done for them, but tell her it’s okay to feel sad and to let it all out. And…Well, since there was only one episode left after that moment and all of it was dedicated to fighting the bad guys and giving our characters happy endings, all we can do is assume that Willow DID learn from her adventure in “For the Future” and grew from it. Even though Luz sort of gets that same lesson, there’s never this explicit case that she’s growing from it. If you dig deep enough in how she slowly admits what’s wrong or how she’s willing to vocalize her journal entry about what’s bothering her, then you can see that Luz learns a little. But when she’s the character that constantly puts others' needs above her own, especially for mistakes she didn’t intend, then it feels weird that she doesn’t get the same thing Willow got. If anything, it makes what Willow went through feels more like a lesson of the week than an application of this underlying theme within the series. It’s still a valid lesson to teach, but if this was something both Luz AND Willow needed to learn then Willow needed more moments in the spotlight of putting others' needs in front of her own and Luz needed more of a scene like Willow’s to better herself. It’s still fine as is, it just could have been better.

Still, it’s an overall good theme to teach kids. The Owl House is clearly telling them to be kind to others, primarily through its main character being the purest one of the bunch. But as good and important it is to spread the message of kindness, it’s equally essential to let them know it’s okay to focus on themselves sometimes too. You’re not going to properly help anyone if YOU’RE not feeling good yourself. Whether you just need to cry it out or talk it out with someone you love, it’s important to think of yourself from time to time. It’s not selfish to care about your own well-being and you won’t be a bad person for taking a day to just…decompress. You can do much worse than make yourself happy. As for those who HAVE done worse, well, there’s a theme meant for them.

People can always improve

The Owl House is one of those shows that spreads the message of turning enemies into friends instead of leaving them as, er, enemies. And if it’s enough to piss off Lily Orchard (Don’t bother with her), then you KNOW the show is doing something right. But in fairness, the show makes it clear that this decision is best reserved for those who are explicitly complex. Just look at Amity, Lilith, Hunter, and The Collector, characters we would have never expected to be reformed by their first appearances. Amity started out as generic prissy mean girl #115, Lilith was a snooty witch with a stick up her bum, Hunter was a charismatic fighter who threatened the lives of “criminals,” and The Collector was a god-like being who seemed to take joy in wiping out an entire race of people. Not great setups for characters you eventually want us to find redemption. Thankfully, The Owl House is a smartly written show and knows that you got to show layers to a person and why they’re like a certain way.

Amity and Hunter are by far the best examples of this. Every episode they’re in shows a new layer to them and the lives they live. To keep things brief (because I’ve talked enough about them already), they’re both kids who grew up with parental figures that made them believe that you have to always do what you’re told to justify your existence. Odalia and Belos both proved that there will be major punishments for when Amity and Hunter fail, motivating them to do their best for the wrong reasons. And doing their best often meant putting others down or doing something without knowing better because…what else could you do? Run away? Fight back? Stand up for yourself? Yeah, easier said than done. Hunter is proof that it’s not that simple, with Belos physically mistreating Hunter whenever he spoke up or how Belos WILL send his guards out to hunt Hunter down. Not everyone can be like Amity who has a parent that EVENTUALLY cares enough to kick the more abusive parent out. Sometimes, when you’re on your own with no real support group, it causes you to do as you're told without learning until later that it was the wrong choice. Amity and Hunter both show that, and it isn’t until meeting their friends that things start to change for the better for them. And they sure did change, with Amity and Hunter always getting a little bit better, even if their living conditions made it a bit difficult to do so. Plus, they’re kids. Kids are allowed to grow and change, especially if they’re always learning from their mistakes before doing something TRULY unforgivable. Unlike…other characters that I’m not a fan of in a different show I tried so hard to love. And when it comes to fictional storytelling, especially ones aimed for kids, I usually try not to avoid the “They’re just kids” argument because…yeah, obviously they’re just kids. That doesn’t change how well the writers handle their redemption, because if I’m left questioning if this character is MEANT to be redeemed, something screwy is going on here. With The Owl House, the writers consistently remind you that these characters are young and naive, with that knowledge playing into Amity and Hunter’s redemptions as it makes it an easier pill to swallow. And it doesn’t work JUST for these two.

The Collector being a kid is the central point to their redemption. He literally doesn't know better and–I’ve also gone over this a lot too, I know. But the point keeps being valid every time you look at The Collector’s actions. Even with the way they put Luz, Eda, and King into playing his weird games, The Collector still sits down and mopes because they all kept winning. It’s very much the same as a sad, lonely child who doesn’t like losing or people having more fun than them. All The Collector wanted was to play and have fun, but was punished for it because his siblings abused The Collector’s naïveté and made it look THEY were responsible for the other Titans…going extinct. And being falsely imprisoned for thousands of years tends to leave one a little agitated, as well as overly excited to be free and let loose. He didn’t do better because they never KNEW better, with Luz understanding that after just ONE real conversation with the kid. She was as freaked out as anyone else when first meeting The Collector, but, just like with Hunter and Amity, the more Luz got to know him the better she understood why The Collector acts the way they do. Everyone has reasons for their actions, some of them more justified than others. And even for the unjustifiable, it’s not too late to turn things around.

Lilith’s redemption still has some issues. Again, I VERY MUCH went over that enough. Yet it again comes with the best intentions of proving that you’re never too old to change. Lilith cursing Eda was wrong. VERY wrong. But she at least admitted to it and put the work into making up with her sister, already off to a great start by sharing the curse with Eda. Sure, Lilith still felt aggravation towards Eda and would occasionally act a LITTLE stuck upish, but the more Lilith stuck around the more it’s revealed how desperate she is for approval. Even a quick bit of Lilith making a little ice sculpture of Luz as a teacher giving Lilith a gold star speaks VOLUMES of her need for authority figures to give Lilith approval. Even if said authority figure is a fourteen year old who just knows more about glyph magic than Lilith. It also helped that Lilith had Hooty there, bringing out her best and bringing some levity in her life. It makes her from thinking that she’s at the lowest point of her life to realizing that life just got started for her and that she CAN make improvements, have better connections with the people, and can be a kinder person instead of a cold, stick in the mud. And with each episode we see her in Season Two, Lilith DID get better as a character and as a person, finding her true self and proving that you don’t NEED to be dragged through the coals forever to better yourself…Even if a sick part of me kind of wishes she was. I just feel like everyone forgave Lilith a little too fast, and while improving herself is fine, forgiveness is a completely different thing. But I also went over THAT enough, so I’ll just stick with the fact that while Lilith’s redemption is the most flawed here, it still does the job to prove that people are never just one thing forever.

People can change, and a lot of the time it’s for the better. They might have done things they’re not proud of or learn to regret, but everyone has a reason for it. Whether it’s how they’re raised to act, how their goals blind their morals, and quite literally didn’t know better. For these people, it’s always best to give them a second and maybe even third chance, especially if they have a clear desire to change. Some certain cynical sycophants will sometimes say that a character shouldn’t be redeemed because they don’t deserve it, but that’s not really how redemption works. It’s not about DESERVING redemption but proving you’re capable of it. When a show paints how a character is always bad and needs to change yet consistently goes back and forth on them being better or worse without much apparent growth, then that’s where it becomes a problem within the story. But if the show reveals layers to a character, proving that they’re flawed but good deep down and allowing that character to better themselves throughout the story, then it’s writing the message correctly. There are cases where there’s a good person deep down a LOT of hot garbage, with a lot of morally dark actions burying them deeper, but that doesn’t mean we shouldn’t forget that bright light of a human being that still wants to do good and trying desperately to claw their way out of their own pile. It’s…a complicated metaphor, but people are just the same as that: Complicated. We can grow and be better, it just takes time and love to do so. Although, to teach a message like that to kids, it is important to make one thing clear…

Some people don’t deserve redemption/forgiveness

This is the most ESSENTIAL distinction to make when writing a show about bringing the best out of others and getting them to change and redeem themselves. Yes, there are people capable of being good but there are still people out there who are too far gone to change or refuse to see how they’re a problem on all accounts. You can reason all you want with them or try your hardest to bring them out into the light, but no matter what you do, they’ll still refuse to accept that they’re the problem.

Kikimora is a perfect starting example of this. “Follies At the Coven Day Parade” was our first and…honestly, It’s our ONLY insight into there being more to Kikimora than a psycho who’s very okay with child murder. Luz catches Kiki getting stressed over not being able to see her family due to her duties being more important. The Owl House has done more with less when it comes to trying to hook viewers into sympathizing with characters worthy of redemption. I mean, just look at what they eventually try with Boscha. Besides, you don’t need a BIG reason to help someone into the light. As long as it seems like there’s a GLIMMER of a hope, then that can be enough to make it justified to help them. It’s only dependent on how quickly that glimmer gets stomped out that you realize mistakes were made in helping someone. To Kikimora’s credit, it seemed at first she was grateful for Luz and the others to help her be free of the Emperor’s Coven, even if a little annoyed by their flawed plan and ridiculous antics. It’s not until Terra (We’ll get to you in a sec) mentioned a promotion did Kikimora’s true colors show. When it seems like she’s at her lowest, Kikimora is willing to find an out so she doesn’t get disposed of like your average Golden Guard (Which she might have always known about?). But when it seems like she has a chance to be on top? Well, then Kiki will say her family could rot for all she cares if it means she’ll be seen as the best of the best. It’s that desire to inflate her already big ego, mixed with the insane drive to do so, that proves how Kikimora isn’t one to change because she has no desire to. Her only desire is to look out for herself and do what’s best for her, but to a selfish degree that often leads to others getting hurt. To Kikimora, the only problems that she needs to take care of are those who try to prevent her goals of reaching to the top. And she’s not the only one.

It still amazes me how Amity desperately tried to convince Odalia not to assist a genocide. I said it before, and I’ll say it one more time: This was Amity’s last attempt at proving that her mother isn’t evil. And we all know how well that turned out. The reason that it amazes me that Amity even TRIED because…there hasn’t been an ounce of kindness that Odalia showed to anyone. With Alador, there’s at least SOMETHING, whereas the nicest thing Odalia did was compliment on Alador’s work. Still, even then, it isn’t much given that she didn’t really know how much Alador would appreciate the compliment. So if Odalia never acted good, why bother reaching out? Well, as I’ve said several times before, it’s hard for a child to accept that their parent has ZERO good inside them. Amity wanted to see for herself, once and for all, if there’s really NOTHING good in Odalia and the answer…was exactly what she needed to hear. Even if it’s baffling that Amity tried to reach out, it’s still good that she did. It’s always important to at least TRY instead of giving up on someone outright. Amity more than anyone knows that not everyone is completely bad, so it’s great that she and kids watching understand that sometimes what you see really is what you get. A better example of this is Terra.

No one really tried with Terra. Specifically, no one in the CAST tried with her. The most people did was try to reign Terra in and tell her NOT to kill children and that didn’t really change anything. The fact that Terra RELUCTANTLY agreed just proves how deranged she is and how no sane person would want to change her. The writers knew this as even they didn’t try giving Terra that many layers outside of a crazy person who liked torturing the youths. And given that this is a series that loves showing how most of its characters are layered with a few of them deserving redemption, it’s perfectly fine to show one that’s one-dimensional and bloodthirsty. It helps sell the fact that not EVERYONE is redeemable, like having Season One Boscha act as a one-dimensional bully to make Amity’s redemption more digestible. You got to show a bigger bully to prove how the other isn’t so bad, and that’s what makes Terra so important. She’s the bigger bully, and her actions prove that while SOME people are capable of change, others like Terra are more than fine with who they are. And I’ll give Terra this, at least she’s sociopathic enough to understand she’s the bad guy and LOVES that about herself. Unlike others who genuinely believe what they’re doing is for the greater good.

Belos is the best example of how some people will just NEVER change. It’s never too late for one to redeem themselves in some way, but Belos has been living among witches and demons for CENTURIES. He had hundreds of years to see that there’s nothing wrong with who they are and take note that they’re kind people just living life and not really hurting anybody. Instead, he focused on the bad parts. The witches who made him dance for his book. Lilith, who punched him in the nose. And, of course, the witch who stole his brother away. These all circle around in his brain for as long as he lived, ignoring the TRUTH behind these responses. The Fang brothers and Lilith only treated Belos that way because he killed the Fangs’ brother and put Luz and Lilith in danger for his own reward. As for Evelyn, she didn’t STEAL Caleb away, he willingly followed her to a new world. Yet Belos refused to see anyone else’s point of view and that witches were ALWAYS the problem. Never him, and not anyone else. So he dedicated his entire life to fulfilling his plan, mutilating himself and becoming less human by the day, all so he could wipe out witches and demons from existence. He justified it because of his idea of the greater good, believing he was some tragic hero pushing himself to do what’s best for humanity. In reality, he was just a sad old man who never took the time to ask “What if I’m wrong?” And if he DID ask that, well, he likely suppressed that thought deep, deep, DEEP down inside himself so he wouldn’t have to think it again. Belos was a monster that would never change because he didn’t think he needed to despite having all the time, all the chances, to see that he could be wrong only to deny and refuse any other possible answer. Not even Luz, who forgave most of her enemies, wasn’t even willing to give Belos a chance, appealing only to his ego instead of his humanity as she knew full well he wouldn’t listen. The only person who really tried with Belos was The Collector, a child who learned the concept of kindness and forgiveness for the first time in their life and didn’t know better. If that doesn’t say a lot about Belos, I don’t know what does.

It’s always important to preach the message of helping people better themselves. There are good people in this world and it’s admirable to help those who want to be good but need to learn or relearn how. However, not EVERYONE is going to be like that. One way or another, they don’t see themselves as someone who needs to change. They either think there’s nothing wrong with them or believe that the rest of the world should change itself first. You can TRY to reach out to them and maybe you’ll succeed in some way with a few of these people. Just don’t feel too disappointed when it turns out that some people are too broken to fix. In that regard, there’s not much you could do to help them and you’ll often find yourself fighting against them. And you might want to make sure none of those people get too big of a dangerous job, because you’re not going to like what they’re capable of. You’ll see why in this next theme.

The ones who make the rules are sometimes the most dangerous

Not ALL the time, mind you. There are SOME nice people running things…probably. But not EVERY person should be in charge. There are those who abuse the system for the chance of lifting themselves up higher or hurting those whose only crime is existence. They have their “reasoning,” but it always boils down to excuses in some ways. It’s always based on “How they’re raised” or “It’s based on what their religion says.” While that explains their actions, never does it justify anything they’ve done as it’s a weak shield against the arguments about their moral character. Your upbringing and religion doesn’t stop you from coming across as a turd nugget, and if you’re wondering who I’m calling out with this, it’s the kind of people that Belos represents.

The absolute tragedy is that there are people in real life who are a lot like Belos. It’s just that he’s exaggerated for a storytelling effect and to keep things simple for the kiddos. Regardless of that, he still acts like those you’d see and hate. He’s a maniacal, manipulative leader who made the ranks through lies, smooth talk, and telling people what they want to hear. Because when you act like you know better than others, and do so with enough confidence, you’d be surprised with how easily people will be convinced to follow someone who speaks nothing but nonsense. And nonsense really is the name of Belos’ game, as he manipulated a group of people’s sacred beliefs and formed a religious oligarchy just so he could kill those he was manipulating in the first place. As far as my admittedly limited political knowledge goes, there hasn’t been a person that’s gone THAT far, as most of them actually believe the crap they’re saying. It’s just Belos who manipulates beliefs to get his way. The Witches consider the Titan their god? Then he’ll use that god to make them think he’s unhappy with how witches use magic. It’s similar to how people use the “It’s not what God would want” when making their stance on other people’s rights, except it’s not THEIR god that Belos believes in. He’s a puritan who thinks that all these sins he’s committing to the people of the Isles is worth it because it’s what HIS god wants. And for the record, I don’t think that there’s anything wrong with believing in God or any god for that matter. But if you really believe that God would want you to kill others to appease him when his teachings boil down to love and forgiveness, then I don’t think you’re worshiping God the right way. That’s something Belos doesn’t realize, as he would twist his own soul into a pretzel for the sake of his “holy mission.” Yet that mission was nothing more than a shield to hide behind his discrimination. Much like other “leaders” in the world.

Am I projecting how I see certain scumbags on social media onto Belos? Most definitely, but I feel like Dana Terrace is most certainly doing the same thing. Look at any conservative online and tell me that they don’t have similar mindsets to Belos. Because to me, they definitely do, and it’s the way Belos transformed the Isles that makes me worry about those real life dingles. Especially with how REAL the Isles feel in that regard. Oh, things seem fine. In fact, things are relatively normal with people living their lives without any real negatives. That is, as long as you join a coven, otherwise you’ll be marked for death if you break the one important rule. Everything seems to be alright for everyone who stays in line and follows the rules, much like real life society. We can live normally and be at peace as long as we ignore the problems that exist, do as we’re told, and never CONSIDER straying from the path. And that acceptance of how things are is exactly what the bad guys in charge use to get what they want. They spread their message to those who WANT to listen and are fine with what’s being preached, all while painting those who say otherwise as the purest of evil. When, nine times out of ten, it’s usually the person preaching that crap who turns out to be the real scumbag. They don’t want you to think differently or question why things are the way they are, either because they don’t want their own place in the world to be challenged or, like Belos, they actually believe that people who are “other” are actually evil. It’s why he gave these people, who were initially content with their lives, a system that seemed to encourage in-fighting, proving that you’re the best at a specific skill, and letting others climb to be the most powerful in the world for the sake of their god. Belos devised a way for witches to basically fight each OTHER, temporarily playing the long game so he can stall until finding a way to kill them all at once when his time was starting to run out.

I wouldn’t say that the show is ENTIRELY anti-government. If it was, the ending wouldn’t have implied that Raine and Darius have basically started their own. To me, the show is more likely saying that you need to be careful in who you put your faith in to lead you. Not EVERY politician is evil, but none of them are saints either. A lot of them have ulterior motives for letting them lead, with a person like Belos showing just why we should be wary of who to trust. Belos may be an exaggerated worst case scenario, but one that’s very much possible if we don’t prepare well enough to stop those just like him. As for who’s who, well, that’s up to your own beliefs and research to find out. Just remember that even though someone is in charge, that doesn’t mean they have your best intentions in mind. Though, keep in mind, this is mostly about the people in politics. There are authority figures you should be wary of, but most of the ones who know you personally are trying to keep you safe. It’s the ones that have known you for years. Ones who want to make sure you’re having the best life. And while they’re not always right, there are some out there who want to do right by you. And what authority figures are those? Why, your parents of course!

…Look, I wrote myself into a corner and I needed a good transition into the next theme. I know parents are nowhere NEAR the same government officials or those who uphold the law, but they at least uphold the law in YOUR house. Though, some of them aren’t perfect at it.

Parenting isn’t easy

There are a LOT of parents that do their best in this show. The only real exception is Odalia because…she’s Odalia. It’s the rest that shows they’re doing all they can to give their children a better life. Willow’s dads are willing to give up their jobs to continue Willow’s education when she’s expelled, Perry wants to support Gus’ talents, and, hell, even one of Boscha’s moms seems desperate to be a part of her daughter’s life by asking to join in on the Moonlight Conjuring. There are some decent parents in this show, but not a lot of them tend to get credit for their efforts. Mainly because, in some cases, their efforts aren’t good enough to those who’ve had…similar experiences that turned out for the worst. Those types of people tend to not feel good when a show says, “Give your parents the benefit of the doubt.” You can…already tell where this is going, and I want those fans to know that their emotions are valid and, if I were in their shoes, I would feel the same way. However, I think there’s some value in how The Owl House tries pointing out a parent’s love is the most essential part done right, even if some parents tend to fumble at first.

Starting with the most forgiving, we have…Camila.

“LE GASP!”

DO NOT get me wrong: Camila is still the best parent in the show and one of the best cartoon moms of all time…That doesn’t mean she hasn’t made any mistakes. In fact, Camila acknowledging her mistakes is part of what makes her one of the best parents. She was a single mother trying her best to raise Luz right, but got lost along the way due to how OTHERS perceived Luz, not so much how CAMILA saw her. She loved Luz’s wackiness and oddities, it’s what made Luz…Luz. Camila was just worried because not everyone would feel the same way, and that would mean Luz would not fit in with…anyone. And with everybody judging Luz and even judging CAMILA, it left her feeling pressured to make a change to fix the situation. Her fault was that Camila decided on sending Luz away to a camp in an effort to help her daughter, only for that to make Luz feel like SHE’S the problem. It’s not what Camila intended, but it’s how her actions came across, and it immediately left some bad tastes in some fans’ mouths. Some of it was very unwarranted as too many jumped on the hate wagon by calling Camila a bad mom who doesn’t love her daughter despite a fair amount of evidence pointing to the contrary. Still, when she does things like send Luz away or unintentionally guilt Luz into thinking she can never return to the Isles, some fans can’t help but see their own dismissive or possessive parents, even if Camila isn’t meant to be like that. She’s a mother trying her best and made a few mistakes along the way. She at least learned from her mistakes, managed to be better, and was given more depth for why she acted this way. And her character was certainly more well-received than other problematic parents doing their best.

If you couldn’t guess already, Gwen and Alador are the other two. I’ve said ALL that I’ve needed to say about them, there’s no need to stretch it out further, and so I’ll just speed by them. Firstly, they’re both characters where you understand the intention the writers were going for. They’re meant to be parents who genuinely love their kids but went about supporting or helping them the wrong way. Gwen was a mother who wanted to cure her daughter’s curse at all costs due to the pain it caused Eda and the rest of the family. She just ignored Eda’s feelings about the matter, not being satisfied unless the curse is gone FOREVER. And all that ignoring led to Eda distancing herself from Gwen because of all the intense and ineffective treatments, with an extra side-effect of Gwen ignoring Lilith because her problems weren’t as “important” as the one she caused. Though, that last bit might have been a thing long before the curse. At least, that’s what’s implied. Her actions were less than ideal, and to some fans, it would take more than a single “I’m sorry” to make things right. Unfortunately for Gwen, she never really got a chance to prove she’s forever changed like Camila did. Outside of redeeming herself at the end of her introductory episode. The next time we see her, she drops the news to Eda that Dell is about to visit, giving Eda no time to mentally or emotionally prepare herself for her father’s arrival. It was done with the best of intentions and Eda would have refused until the day she died anyways, but it’s still the same as Gwen showing up unannounced with a new and “totally legitimate” cure. Camila at least put in an effort to be okay with the Isles, even if some aspects freak her outyears after her first visit. But that’s the benefit of being a character who was allowed to grow and change because the writers found a way to include her in the main story. Gwen didn’t have that luxury, with the show barely having enough time to fit her in at all. I feel like the reason for that was because the writers didn’t have plans for Gwen outside of her introduction, so they just hoped that what she did in that episode would be enough. And…it is for a mostly one-off character, but it causes SOME reservations with fans due to the years of damage and neglect Gwen partook in. I would still personally say that what she does is enough, but I’m a person who didn’t have a mother problem like Gwen, and the fans who did are likely going to respectfully disagree with me. Though, I feel like I can confidently say that Gwen’s mistakes are an easier pill to swallow than Alador’s.

Alador is very much not an improvement as he constantly stayed out of Odalia’s way and did what she said to make her happy so she wouldn’t do anything WORSE to the kids. Even though what she already did wasn’t all that great to begin with, Alador kept telling himself that Odalia will somehow be even worse if she doesn’t get her way. He tried to SUBTLY steer Odalia off course, but still did next to nothing to really stop anything she’s done. He does when she finally goes too far, but to some fans’ eyes it’s too late. Now the question is: Is Alador stopping Odalia from assisting a genocide and promising to do better ENOUGH to accept? And to some fans…the answer is no. It’s a good start, but it’s hard for some people to accept an apology that seems to come too late. It’s even harder to accept because the show’s about over and there’s next to no time for Alador to improve himself as a good parent. I get that he WANTS to, but wanting to be a better parent and actually being one are two different things. Trust me. The epilogue hints that he did well enough for Amity to still be happy to see him, it’s just that we don’t get to see that change for ourselves, thus making it a harder pill to swallow that he’s really a good parent.

It is a good thing for kids shows to say that parents are doing their very best. I’m willing to say that there’s a VAST majority of parents who actually love their kids, even if they sometimes make decisions that could unintentionally upset the child at first. It’s nice to tell kids that their parents still love them, and it gives the parents watching The Owl House a chance to see some of their mistakes be painted negatively and it’s not too late to change. However, there are still teens and young adults who DIDN’T have the best parents growing up, and they’re going to be slightly willing to resent some attempts to make imperfect parents better. It at least works with Camila, with only those who disagree being fans who hyper-focused on her worst attributes and ignored her most nurturing moments for the sake of just…hating her, I guess. Ever since “Thanks to Them,” the hate train for Camila has LONG since left the station with barely any passengers on it anymore, and it’s all because of Season Three having her confront her mistakes and improve on herself. We don’t get that with Alador and Gwen, so saying that they’re parents doing their best doesn’t really cut it because we never got the chance to see what their “best” ever was. Both have their moments that make me appreciate the effort, but they’re a case of the intention being better than the execution, making this a lesson that needed better planning for its other parents. Though, in fairness, the lack of proper preparation for making imperfect yet loving BIOLOGICAL parents MIGHT have something to do with The Owl House LOVING the Found Family trope…

Family is more than blood

Ah, the found family trope. Something that’s genuinely wholesome every time it’s used. Whether it’s outcasts and weirdos finding acceptance through each other or poor sad sacs finally experiencing love for the first time with someone who isn’t a blood relative. The Owl House loves this trope, especially with its main trio. I’ve said…pretty much all I need to say about these three and how important their love for each other is. Their bond is at the core of what makes the show so compelling, and seeing them be happy together is what makes watching The Owl House great. On top of that, it also does a job of showing that you don’t need to be a child’s birth parent to be a GOOD parent.

Eda’s a surrogate mother to Luz and an adopted mother to King. Neither of them are her flesh and blood, but she will ALWAYS treat them as such. At least, she eventually does. Initially, Eda kept pushing the label of Luz being her APPRENTICE before sticking with calling Luz her “kid” and would treat King more as a pet before seeing him as a son. It’s partly Eda not wanting to accept that she likes having people in her life, and partly because the writers were not a hundred percent sure about character dynamics until almost halfway through the second season. Regardless, by the time everything is all figured out and accepted, Eda basically starts to become mom of the year. She prioritizes Luz and King’s safety above anything else, takes time out of her day to get those kids the things they need on the day-to-day, and will get extra murdery when someone so much as THINKS about hurting her babies. It gets to the point where if the pressure of her kids being in danger becomes too much, it’ll cause Eda to break, making her one of the few cartoon parents who absolutely refuses to let her children get mixed up in the danger. The parental figures of shows like these tend to accept that it’s something the kid HAS to do or begrudgingly goes along with it because…it makes the plot easier. Even the parental figures who tell their kids to be cautious when approaching danger tend to still bring their kids into said danger. With Eda, she’s the rare case where I’ve seen a mother actually cry from stress over worrying about her children, which proves how strong her love is for Luz and King. You don’t need to be a biological mother to love your kids, and Eda proves it. As well as a certain someone else.

I do want to gush about how Camila is the mother Vee never had, taking the poor little snake in when she had nowhere else to go. The problem is that there’s not really a greater focus on it, but, at the same time, there doesn’t need to be. We understand everything from something as simple as Camila running to hug Vee when she reveals her new form. At first, Camila may have been put off by the SURPRISE of Vee, mainly because the reveal of a snake demon pretending to be her daughter was a bit too much for her. But after calming down and seeing Vee for what she is (Which is a scared teenager with boatloads of trauma), Camila agrees to let Vee stay with her because the girl has nowhere else to go. That very act shows off Camila’s kindness, sure, but the little bits we get in “Thanks to Them” shows that this is more than a woman offering a teen a place to stay out of the goodness of her heart. There’s that first hug I’ve mentioned, sure, but we also have Vee learning Spanish fluently and a picture of Camila proudly teaching Vee how to make empanadas. It makes it seem like there’s a genuine effort to make Vee a permanent member of the family, with Camila not seeming to be against it. And her final hug to Vee at the end of the special cements that she’s more than happy to have Vee in her life, which is further confirmed in the pictures we see in “Watching and Dreaming.” Vee became a permanent part of the Noceda family, joining in on family outings and graduating with Vee in pure glee. She hasn’t been with them long, but Camila and Luz love Vee like a mother and sister would, being something that’s so genuinely heartwarming to think about despite how little we see in the show…It also feels more earned when compared to Hunter and Darius.

I still appreciate what was MEANT to be done with Hunter and Darius, don’t get me wrong. It’s sweet to give Hunter a father figure and someone to consider family outside of Belos because…it’s Belos. Hunter deserves SOMEONE to love and guide him outside of Flapjack, and Darius is revealed to be someone that was strict but understanding about Hunter being a teenager. Plus, with the information that he was close with Hunter's predecessor, and the knowledge of what happened to previous Golden Guards, you can take this as Darius wanting to keep his friend’s memory alive through Hunter. The potential of what they could be is there and what we see is still good. I really do enjoy that Darius seems ready to take Hunter in after Hunter was ready to accept that he has no one, even taking interest in Hunter’s love of wolves the second he talks about them. It’s certainly charming…but we also barely see any of it. More than that, we’ve hardly seen it built up. I know the same applies to Vee and Camila, but here’s what they have that Darius and Hunter don’t: Time and close proximity. Even when they’re off screen together, they’re still together and you can imagine the bonding they MUST be going through, even if they’re off-screen. You can’t live in the same house with somebody and NOT form some kind of connection with them. For Hunter and Darius, while they MIGHT live in the same castle, but they’re often both busy with duties and responsibilities to even TALK to each other. At least, that’s what we can assume from these two. Camila and Vee seem significantly less busy with one another, so it’s easy to imagine that they have all the time in the world to chat and bond. Hunter is rarely in the same room as Darius unless in uniform. I get that Darius cares for the boy, what with how overprotective he got and ready to rain hell once learning that Hunter’s in Belos’ mind too. But that’s the only real big showcase of their bond between “Any Sport in a Storm” and “Watching and Dreaming” that so much as hints to their relationship. It’s a decent attempt, but it’s another one of those things where I wonder if it’d turn out better if we had more time.

Regardless, it’s still an effective theme. Only a third of the found families here were allowed to have a lot of attention on them, but Camila and Darius were still allowed a chance to prove their loving parents despite not having a lot of time to show it. Familial love isn’t JUST defined by the blood one shares. It’s something experienced the exact same way through adoption or considering someone to be close enough where they might as well be family. Blood’s not all that binds us, and it’s sweet for the show to say that, not only for the kids looking for a new home but also for ones looking for an out from a hostile environment. They WILL get a better life with people who will love them regardless of being related or not. And it’s not just a familial bond you’ll get from people out in the world. Because while you might currently feel alone without anyone there to understand or love you, just know this:

You’ll find your people

This one…really applies to a lot of the characters in the series. One way or another, they each experience a state of loneliness at some point, having no one in their life for a period of time to then having the closest companions and romantic partners that make things…better. These are characters that likely thought they’d never find anyone, but they’ve either now have one person or a group of people that make them feel seen and heard as an individual. And I could go on entire essays about these characters…but this whole sticking thing has gone on long enough, so we’ll lightning round these examples.

Luz was your average nerd that no one understood, with her antics being too weird for anyone to even want to associate themselves with her. That is, until she found herself in a land that’s weirder than her, yet ironically remaining a social outcast due to her being the only human. Yet she still manage to befriend almost every person she met, with all of them showing up to celebrate her birthday. It made Luz go from the loneliest girl in her grade to basically the leader of her own squad of losers and town sweetheart to the lives she saved.

After losing a friendship with Amity, Willow spent a lot of her time all alone and struggling to catch up with others, bullies in particular calling her half-a-witch. But we already established where this led her. She got two personal cheerleaders and a boyfriend that all express how amazing and talented Willow is, having blossomed into the badass she is now. She even repaired things with Amity, making a friendship that’s stronger than it was before.

Older kids used Gus for his intelligence and didn’t respect him for his age. Now he’s the personal cheerleader of a whole group of friends who have his back and value both his input and needs.

Amity may have had “friends” like Boscha and the whole mean girl clique, but it never felt real to her. She was surrounded by people, but never felt more alone until meeting Luz and understanding what real love and friendship felt like. It made Amity want to be better as a person, giving her a chance to rekindle a friendship with Willow and making things better than they’ve ever been.

Hunter had NO friends his age, only having a bird as a companion that he had to keep secret from his controlling, bloodthirsty uncle. It wasn’t until the bird kept pulling Hunter in the right direction did he manage to become friends with a girl who acted like an annoying sister, a new best bro, and a crush turned girlfriend, all inspiring him to stand up Belos and be his own person. And also Amity was there.

Vee had next to NO ONE in her life, and she was a monster in the Boiling Isles that was hunted down by Belos. By coming to the Human Realm, not only did she find peace, but she also found a family, made easy friends, and became part of a group that likely makes her feel a sense of belonging she never experienced before. And you know what? Good for her.

Throughout Hexside, all Eda had was Lilith, which implied that not a lot of students were a fan of her chaos. That is, until she met Raine and finally had someone who both understood her as well as wanting to join the fun.

Speaking of Raine, they were a top student for sure but one that was looked down upon/underestimated due to being a bard witch. Eda was the one who saw their potential and talents, being an easy first friend and eventual girlfriend who brought more excitement to Raine’s life.

It is HEAVILY implied that Camila was a closeted nerd who never had anyone that understood her until meeting Manny. Those two geeks assuredly bonded over their shared interest in Cosmic Frontier, making Camila feel loved and understood by a man that I REALLY wish we got to see in canon. Just one flashback or SOMETHING!

Lilith likely didn’t have any friends in Hexside, though it’s possibly by choice. She focussed more on studying and being better than her sister, with that mindset carrying over to the Emperor’s Coven as she won’t give up unless EVERYONE recognized her for her talents. Friendship took second place to those needs, and, for all we know, means that Hooty is her very first real friend. And that’s sad because…it’s Hooty, but at the same time it makes their friendship all the more beautiful with how much Hooty makes Lilith happy in a time when she felt like there was no one who’d face her let alone like her company.

And finally we have The Collector, who was alone for EONS, wanting to just play games and make friends. The only snag was that he was too powerful and needed a guide, with King stepping up as the role of The Collector’s (forced) best friend. And while the job wasn’t the BEST position, King grew fond of The Collector, making them feel fuller as a person.

Like I said, a LOT of characters felt alone for so long. The good news is that they eventually found those who made life better just through their company alone. And that’s good to teach–GREAT, even. Because it doesn’t matter how long it takes for those who feel so alone. Whether you’re a teenager or even an adult, you’ll find people in your life who will effortlessly make you happy. You just gotta let them in when they find you and allow them to make life better. For some of you, it might be hard to let friends into your life because you feel too damaged beyond repair. And for that, there’s another thing to remember…

Love heals all wounds 

On top of being lonely, a lot of characters tend to be…emotionally broken. At the very least, a lot of them needed a hug more than anything ele. At most, they need a whole new life with people that actually understand the importance of love and kindness. And I…pretty much just speedran my way through most of those characters, as well as thoroughly going over the two biggest examples in this show throughout every part of this dang review series. Amity and Hunter are their best selves now because of the new friends that they made and the families they formed. Most of their baggage, bad behaviors, and worst memories are darn near forgotten due to those in their lives making things better. I’d just be repeating myself to an excessive degree if I went further with these two. They’re the best examples for sure, explicitly showing how much a person can become better off with someone showing them what love feels like. The same goes with, like I said, a LOT of characters on the show. Luz was in a depressive state, one that made her question whether or not people would be better off without her, and was only healed through reassurance and reconfirmation that people loved her and are happy BECAUSE she was in their lives. Eda was a person that pushed away everyone in her life, from families to romantic partners, until she had two kids in her life that gave it meaning and encouraged her to reconnect with those she left behind. And do I even need to explain Vee? The connections we make with people is only important because of the love we share with one another, in a variety of ways. Romantic, platonic, even familial, a person saying “I care” can do wonders to a person’s psyche in ways you don’t even know.I should know. I speak from experience as a person who often felt like no one cares about him or his existence. It means WONDERS whenever I hear someone say they value having me around. Reassurance that you’ll find your people is one thing, but being reminded that the love you get from them is as essential just feels…so right. Because, yeah, of course relationships and love go hand in hand. It’s part of why The Owl House is such a delight to see and why this next and final theme hits so hard. And while I say final theme…it’s really one of the first things the show ever had to say.

“Us weirdos gotta stick together”

On top of being lonely and desiring love, The Owl House is a show of outcasts. As Luz puts it best, they don’t fit in anywhere so they just fit in together. Our main trio, of course, are the primary examples of this. King’s the last of his species with delusions of grandeur that makes him difficult to socialize, Eda’s a criminal wanted by the Emperor for not joining a coven, and Luz was the weird girl in school that became too much to handle. The three of them never really fit in anywhere so they found unity through each other. They’re the only ones who really knew and understood each other better than most people and would go through so much if it meant making one another happy. They were weird, but that’s what kept them united as people who can be their true selves while being…mostly unjudged. There is some teasing and some questionable looks, but it often comes from a place of love as these three would do a lot to make each other feel loved. And it’s not just with their group. 

Luz took Eda’s words to heart, setting out to form a weird little group of her own. She went out to make friends who were social outcasts as well. You have Willow, the powerful girl who couldn’t get good enough with one type of magic, getting ridiculed by both peers and faculty. And Gus, a magical prodigy who is OBSESSED with humans. Both of them get along great with Luz, appreciating her siliness and joining in because it was fun for them. What’s even better is that they’re not the only weird bunch in school. The Detention Track kids also came together, due to a shared “oddity” of wanting to learn more magic by combining different kinds of spells. They went about things the wrong way and were definitely a little too chaotic, but that’s just what kept them all so close together. And “Any Sport in the Storm” showed them making new friends outside of their group, more so with Viney as the episode mostly hints that the same applies to Jerbo and Barcus. Speaking of Viney, though, she managed to become close with Gus, Willow, and surprisingly Skara, all of them sharing an understanding of being underestimated in one way or another. Weirdness tends to attract more weirdness, with The Owl House saying it’s a good thing. It furthers the theme about how you will find your people, with these little groups proving that you’re never too weird for EVERYONE. And, even further, your weirdness can inspire others to let out their inner weirdos. Amity was allowed to be a more of an open nerd, sharing her love of Azura with Luz, and Hunter was allowed to take interests and show off how he enjoys something without worrying about how others judged him. In fact, NONE of these characters worried about how they were judged as people because of the company they keep. Most of them may have been a little odd, but they all felt seen, heard, and appreciated for who they were. But that remains a final question: Who WERE they?

What does the show mean with the word “Weirdo?” What are “weirdos” meant to represent? There’s the obvious answer in saying that it’s meant to be more literal, saying that the show is speaking to anybody that’s more or less odd or goes against the grain, in a way. Although, even then, what does that mean? What counts as weird? Is it weird to be a fan of something you love? Is it weird to be unpopular or to not shine as brighter as others? Is it weird to…love someone…who happens to be the same gender…?

Maybe I’m overreaching, but this is where my mind goes when the show says “weirdos.” It’s a very vague term that can apply to a lot of people who don’t feel like they fit in for a variety of reasons. Stuff like loving a certain thing or loving a certain someone COULD fit into that and it makes the message of sticking together all the more important. Because it’s true, weirdos should stick together. Whether you like it or not, we’re all in the same boat. People will look down at us as if we commit the worst crimes, when all we did was act as our unique selves. We didn’t hurt anybody, we never PLANNED to hurt anybody. We just want to be allowed to exist, and it’s perfectly fine to find unity through that desire of existence. No matter how you’re seen as weird, from who or what you love, to the way that you act, and the way that you talk, you’re allowed to be who you are. We don’t like being judged, so we shouldn’t judge others who just want the same things we do. So unite, because us weirdos have got to stick together.

And that…is that. That’s all the things I figured that The Owl House tried to say to the kids. I may not have gotten EVERYTHING, but these are what stood out to me and they’re the lessons that I love most to have come from the show. If there’s any theme you want discussed, then by all means share. Tell everyone how there’s more to this series that makes it stand out from all the other kids shows with a point. And, more importantly, how it does it well. Because at the end of the day, while the messages can be a little muddled, I wouldn’t say that The Owl House has anything bad to say. At all. Its heart is always in the right place, and that’s what I personally admire most about this series.

Speaking of admiration, I’m running out of things to talk about why I love this show. So, tune in next time for the FINAL PART as I discuss more of what does and doesn’t work with this series as I finally conclude why I love it so much. It’s…likely going to be emotional, so see you then.

[bumblingbabooshka]

One of Tuvok's charm points is that in any other series he'd be a one-off Vulcan antagonist that our main cast shows what's what through the power of friendship or the human spirit or what have you. I love him dearly for that.

That didn't happen!

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.