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commentaryvorg · 5 years

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Danganronpa V3 Commentary: Part 6.11

Be aware that this is not a blind playthrough! This will contain spoilers for the entire game, regardless of the part of the game I’m commenting on. A major focus of this commentary is to talk about all of the hints and foreshadowing of events that are going to happen and facts that are going to be revealed in the future of the story. It is emphatically not intended for someone experiencing the game for their first time.

Last time in trial 6, Shuichi’s pain over losing his friends reached breaking point as Maki was manipulated into sacrificing herself, causing him to finally realise how real they still are (and by extension how real Kaede and Kaito and the others were, even if he didn’t mention it directly), he figured out that these very efforts to overcome suffering are what the audience (supposedly) wants from them and stood up against it, the vast majority of the audience clearly didn’t actually want such a meaningful storyline as they stopped caring about Shuichi in favour of Keebo’s hope nonsense, a far-too-unreasonably-tiny fraction of audience members maybe started to see that Shuichi had a point, and Keebo finally realised that his inner voice is the bad guy and started ignoring it, giving us Shuichi back as our real protagonist again.

Shuichi has decided to abstain from voting (for reasons that he really shouldn’t be so sure will actually end Danganronpa), so now he just needs to convince his friends to do so too.

“Makoto”: “H-Hold on, everyone. If we keep thinking, we can find a better ending and—”

Shuichi: “Himiko, Maki, will you abstain from voting with me?”

Hah, I love Shuichi completely ignoring her bullshit and getting to the actual point. Now that he’s found his strength again and knows exactly what’s up, he is not sitting through any more of her pointless nonsense.

Shuichi: “Himiko, we can put an end to this insane killing game. We’re going to use our lives to end this madness!”

Himiko: “Use our lives…?”

Shuichi: “But Himiko… you have to choose, okay?”

It’s lovely how Shuichi makes it clear that this is still her choice. He’s asking his friends to choose to kill themselves to end the killing game – of course that’s a huge thing for them to do, so he doesn’t want to be forcing them to do it if they’re not genuinely okay with giving up their lives for this.

(It’s a lot like how Kaito was. He never forced people to agree with his philosophies and advice. He’d say his bit in the hope that it’d inspire and persuade them, but in the end he always gave people room to choose to buy into his words on their own.)

Shuichi: “Only those who have found the truth can choose their destiny!”

This is something Kaede said to him, during their elevator ride to the first trial! (Admittedly this is a different wording than Kaede used, probably thanks to lack of localiser communication, meaning I never picked up on this until literally right now doing the commentary. But still!) He’s using the strength his fallen friends gave him to do this!

And then Himiko gets to be the protagonist for a little bit! I love that the narrative does this. This here is the actual Danganronpa-ending moment of the real protagonist inspiring his friends to make a choice, the thing that Keebo’s Mass Panic Debate was a cheap inferior imitation of. But instead of just making it about Shuichi shooting some kind of bullet at them, which would almost kind of seem like he’s forcing them to change their minds, we get to play this as Himiko and Maki, as they make up their own minds and decide on their terms to agree with Shuichi!

It’s also just lovely that they briefly get to be protagonists, because they are, even though Shuichi has been the protagonist we’ve been following. “Each of you are the heroes of your own stories! So act more like it!” Kaito was so right to say that and so good to see everyone around him that way! Everyone’s story is important!

Himiko: (If we don’t stop this killing game, these tragedies will keep happening… Tenko and Angie… wouldn’t want that!)

And it’s nice to see in Himiko’s thoughts here that she’s still thinking about Tenko and Angie and what they would have wanted.

“Gundham”: To choose death is to blaspheme against life itself!”

…

“Sakura”: “That would be a meaningless death.”

(Tsumugi is still terrible, but I like that she chose to use these two characters here who had philosophies and stories that are relevant to this idea.)

Himiko: “Even if I am a fictional character, my life is real… That’s why killing games are fun, right? It’s fun to see two lives clash, right?”

This is presumably meant to be justification as to why the in-universe audience is okay with watching this happen to actual real people and couldn’t settle for just literal fiction. But this particular reason doesn’t really make it any easier for me to buy this. In actual fiction, it’s fun when lives are on the line because it gives things high stakes and keeps the story tense. But that doesn’t need real lives to be on the line to do that – simply using the suspension of disbelief and thinking about how it’s real within the completely fictional universe is enough for that. Using actual real people who really die should just make the whole thing extremely sick and tasteless and no longer fun at all to watch.

And clearly this audience mitigates that for themselves quite a bit by telling themselves “oh it’s fine because they’re not really real people right” – but in that case, it’s essentially equivalent to them watching fiction anyway, so the supposed fun of watching “real lives” clash would also be lost, no?

There’s a much more appropriate potential reason for why this audience prefers this kind of “real fiction” over actual genuine fiction. Using real people means things aren’t entirely scripted by a writing team, which means that more unexpected and exciting events can happen than if everything was truly fictional. And in that vein, it could still be possible for them to be telling themselves that the characters are only “real” in the sense that they act outside of their creators’ expectations, kind of like an AI simulation can do unexpected things that a human wouldn’t have imagined, but they’re still not real people with real lives so it’s fine, right? (Man, Keebo’s robot issues could have been made so relevant to what everyone else is now going through.)

It is still a stretch no matter how you try and spin it, I admit. But ultimately, the fact that people happily watch real death games is fundamental to the basic premise of V3’s outside world, so we’ve just got to accept it. Kind of like how Junko having managed to spread her despair to apocalyptic levels was pretty difficult to buy but necessary to accept anyway because that was the whole point of that outside world.

Himiko: “So Tenko, Angie, and all the past victims can rest in peace…”

Aww, Himiko. I wonder if she might be thinking about this fairly literally, too. She was willing to do the seance to speak to Angie, so she may well believe that they have some kind of spirit that’s not going to be able to rest unless nobody ever has to go through what they did again. And by “past victims”, she’s not just talking about the other victims of this particular game, because it isn’t only about them. This is about everyone who’s suffered in every single real killing game in the past, who fought so hard to end it only for their efforts to ultimately be meaningless, until now.

“Himiko, don’t die!!!”

Huh, even Himiko has some fans! And this one actually seems like a reasonable person, not wanting the character they like to die.

“Himiko hats are nearly sold out!”

…Man, that’s so completely realistic and understandable but also so fucked up. Himiko’s identity is just being sold as a costume that anyone can wear and use to pretend to be like her even though she’s a real goddamn person who never consented to this. Her outfit was originally designed by Tsumugi, sure, but she didn’t know that and has always felt like it’s hers and a part of her identity. I bet this has happened a lot for everyone who’s died, too. When the three of them escape, they’re probably going to sometimes bump into people casually cosplaying their dead friends like that’s not incredibly gross and messed up. Maybe Tsumugi is onto something when she says that it’s wrong to cosplay a real person – not because it’s disrespectful to the act of cosplaying, though, but rather because it’s disrespectful to the person and their loved ones.

“Himiko’s eyes are open.”

It’s not certain, but… this person might get it? They might be acknowledging that Himiko is making the right choice and this is what needs to happen.

“Is it our fault?”

Yes! Yes, this is your fault, and you deserve to be feeling bad about it, and you should be trying to do something to fix it!

“I’ll end the killing game.”

Maybe this person means what they’re saying, too. Maybe some people are starting to come around. But even if they are, they are still only a tiny, tiny minority. I’m pointing them out because they’re worth noting, but the majority of commenters are still very not on board with this.

“i wanna protect Shuichi <3”

No, you don’t. If you really want to do that then you’ll stay the fuck away from him.

“Imposter Byakuya”: “Perhaps that thought is just another work of fiction, following along my outline.”

Tsumugi: “It could be a part of my script, just like Maki falling for Kaito, y’know?”

Tsumugi seems to have given up on persuading Himiko out of this and is now targeting Maki. It’s not just about the Kaito thing – the entire idea that her thoughts and actions have just been decided for her by someone else and she never really had any of her own agency is something which is deeply relevant to Maki’s issues, and that’s been tormenting her a lot in this trial already. Tsumugi does appear to understand that this idea is likely to shake Maki the most – maybe I should be giving her a little more credit than I was earlier. Or maybe she’s only realised this because of the way Maki reacted earlier.

Tsumugi: “Cuz if none of you vote and I do, then I’ll be the only one who survives! Doesn’t that sound exactly like something the big bad mastermind would come up with?”

That’d honestly be more of an actual “despair” ending than the everyone-lives-boringly-in-the-academy ending she’s actually pushing as the “despair” option for the vote.

Not that that should make it an entertaining ending that the audience would want either. What’s most fun about despair is the moment when characters lose hope and fall into it, and then sometimes if that despair then causes them to do awful things because they don’t care any more, like when Maki was willing to get everyone else killed in trial 5. But usually, the part after falling into despair is simply boring, such as earlier in chapter 5 when everyone had seen the outside world and lost all motivation to do anything. And a despair ending where everyone but the mastermind dies is definitely the boring kind.

Maki: “…”

Maki’s wincing. Tsumugi’s argument makes enough sense to her that she’s starting to doubt herself. She still hasn’t quite shaken off the feeling that their goal should be to “defeat despair” by killing the mastermind, even though that’s the thought that was manipulated and written into her.

Shuichi: “It’s okay, Maki. Believe in me. And believe in yourself, just like you believed in Kaito.”

Maki: “Believe… in myself?”

This is what Maki’s entire character arc comes down to in the end: she’s been gradually learning to believe that she has worth as a person. Not only that she deserves to have friends, but that her feelings and desires and choices are important and worthwhile and hers. Kaito believed that about her from the very beginning and never doubted it for a second even after learning her secret. Maki can believe that easily enough about everyone around her, especially Kaito and Shuichi after all they’ve done for her. But the hardest thing for her is still believing it about herself.

Shuichi: “That’s why you have to fight, even if you’re scared. Because you have that strength.”

Maki is definitely still scared to believe in herself, even though she has the strength to do it by now thanks to Kaito and Shuichi’s support. It’s a little surprising that Shuichi is saying this, though, because he never used to properly see Maki as “weak” like he was, not when her type of weakness was so very different to his. So I wonder if Shuichi is partly thinking about and saying this to himself here.

Shuichi: “Come on, it’d be a lousy story if the hero gave up so easily!”

And this is something Kaito said to him! A lot more word-for-word this time (except Shuichi swapped the “crappy” for “lousy”). Kaito was saying that about himself at the time, but that doesn’t mean it can’t also work as a sentiment for everyone to hold onto. Everyone’s the hero of their own story, after all!

It’s a shame that Maki doesn’t actually know these are Kaito’s words because this was from the hangar conversation where Shuichi and Kaito were alone. But I’m sure she can figure it out anyway – Kaito was always the one to talk about heroes, after all.

(Also, here’s yet more emphasis of the fact that Shuichi and his friends are making a really good story here, and why in the hell is this not what the audience wants to see?)

Maki: (My desire to end this killing game may be fictional…)

Makiii, why would you doubt that. Anyone who has an ounce of sense would want to end the killing game; people not being horribly killed any more is objectively a good thing!

Maki: (All of that might be implanted as well… Just like my feelings for Kaito…)

Bullshit, Maki Roll. Don’t listen to her manipulation. You made it very clear yourself that your feelings for Kaito came from the kind of person he was and everything he did for you, and all of that was real! You’re the only one who knows exactly how you came to feel that way about Kaito, so you should know better than anyone else that that was all you!

(And even if her feelings were implanted (which they still definitely weren’t) that wouldn’t make them any less real now that she’s feeling them.)

Maki: (Everything is fiction. A story written by someone…)

Only some of it was written, not everything! Listen to what Shuichi’s been saying about how real you all still are!

Tsumugi: “Even your thoughts are works of fiction.”

…That is not how thoughts work, Tsumugi. Maki has a real brain that is really thinking those thoughts. Flashback Lights can influence them to some extent, but you cannot possibly have written every single thing that is going through her head.

Shuichi: “It’s because of everyone’s sacrifices that we’ve come this far. Their deaths have to be more than just fiction…”

Of course they are, because they really died! Even the ones who were always scripted to die, like Kaede and Kaito – that doesn’t make the fact that they died any less real!

Maki: (I’ll end this killing game… I’ll believe in my feelings!)

Yes, Maki! You are a person and your feelings and desires are yours and they matter! Screw anyone who tries to tell you otherwise!

Maki: “I will believe in myself!”

This is Maki’s voiced line when she shoots the bullet of agreement at Shuichi, and it’s lovely. For her, this isn’t just about ending the killing game; it’s about finally pushing herself to believe for sure that her feelings are important and finally, finally reaching the culmination of her character arc, here right at the end of chapter 6.

Maki: “If I can’t believe in my feelings, then my existence will have no meaning.”

And you’d just be a puppet doing whatever awful things other people want from you and never having your own life. You don’t want that any more, right, Maki Roll?

Kaito would be so, so proud to see her here. He’d be just as proud of Shuichi too, but in that case, it was more like Kaito already saw Shuichi as the hero he’s being now, even if Shuichi didn’t see it himself. With Maki, though, Kaito always believed she had the potential to reach this point, but I think he also knew she hadn’t quite reached it yet while he was still alive. So he never got to see that in the end, and that’s such a shame. It would have made him so happy to be here for this.

Maki: “If we can change reality, then we won’t be just fiction… Our lives will have significance.”

The camera pans to Kaito’s death portrait here, suggesting that Maki is thinking of him and that this’ll mean his life has significance too. If Maki gave up and decided that everything she’s gained from Kaito was just meaningless fiction, then it really would be like he never had any significance. The idea that he’d just die for nothing without having had any impact at all was exactly what Kaito was so terrified of when he realised he was dying. But Maki’s not going to let Kaito’s fears come true. He’s going to live on through his sidekicks and be remembered as the life-changing hero that he was, just like he deserves to be.

(oops i’m doing myself a very big emotion again)

Maki: “And hopefully… my feelings will have significance, too.”

They already do if you decide they do, Maki! Nobody else needs to decide that for you but you! The only thing that matters is what you want to believe!

{Later addendum edit: Turns out that while doing this commentary, I missed a set of audience comments that were only on-screen for literally two text boxes at around this point. Since I spotted these and copied them down way later than I wrote this commentary post, I wasn’t really in the commentary-flow mood of picking out individual ones to rag on, so instead, in this addendum edit, you get literally every one I could see.

LOL are we the baddies?

Why does Keebo exist anyway?

Maki, too…

I’m gonna cry ;_;

For Shuichi’s sake <3

Let’s stop.

If Maki dies, I’m out a million bucks.

Where’s the hope vs. despair?

lol jk… I was wrong

I’m starting to feel guilty.

I’m starting to get into this.

im triggered by suicide mentions

The characters’ lives…

i’m 12 please visit my channel

I wanted to keep watching

super lame if they committed suicide

They remind me of my daughters

if it’s not fun, it’s not Ronpa!

I bolded the ones that indicate a few of the audience members at least vaguely acknowledging that they’re in the wrong… and you can see how much of a minority they’re still in, even at such a late point in this trial. Geeeez.}

“Hiro”: “Man, why do you guys wanna die so badly!?”

Shuichi: “It’s not that I want to die! We fought so hard to survive… Of course we don’t want to die. But it’s not just about us.”

The thought that they’re all going to sacrifice their lives after everything they’ve been through is heartbreaking when you think back to the fact that Kaede and Kaito and the rest of their friends all desperately wanted them to survive and get out of here. It almost feels like Shuichi’s betraying their wishes right now. But the thing is, this has become so much bigger than just them and just this one killing game. This is about everyone who’s ever suffered and died in one of these awful games, and everyone who ever will if they don’t stop this right here. If the only way to get it to stop is to sacrifice themselves, then that is worth it. And I think their fallen friends would be able to accept that too, if they were still here to see this.

Shuichi: “Everyone who died in the killing games felt the same way. They were all desperate to live. They wanted to survive. For themselves… and for someone else. That desire… isn’t fictional to us! That pain isn’t fictional to us!”

I appreciate having a little more focus on how Shuichi has realised that none of them were ever really fictional in any meaningful sense of the word, including his friends he’s lost, and that everyone really meant everything they did and really felt all of that pain.

And the way he says “killing games”, plural, indicates that he’s thinking of every past killing game as well. Neither we nor Shuichi have seen any of those games, but we can use this one and these characters we knew as an example to imagine that everyone from those previous games must have felt that same kind of pain and suffering and desperation to live. This is for them, too.

Tsumugi: “As long as the world wants killing games, Danganronpa will not end!”

Shuichi: “Then we have to change it!”

Tsumugi: “There’s no way you can change it! Fiction could never change the real—”

Keebo: “You don’t believe in the power of fiction?”

It’s a little odd to me that it’s Keebo who cuts her off by saying this. The person in this room who clearly believes most strongly in the power of fiction is Shuichi, with everything he’s been saying here, and appropriately backed up by the fact that he likes novels. Meanwhile, nothing has ever indicated that Keebo is a particularly avid reader or has any investment in the topic of fiction himself.

This would work if Keebo went on to cite some of the things he’s still been hearing from his inner voice that show how much Danganronpa has affected and changed people’s lives, but he doesn’t do anything like that. Not helped, of course, by the fact that this audience is not even remotely coming across as the kind of audience that has actually had its life changed by this fiction. Keebo is just so much missed potential.

Keebo: “If fiction has the power to touch people’s hearts, then that power can change the world! That is what I believe!”

Instead he’s just waxing lyrical about fiction in general with no indication of what brought him to feel this way and believe this so strongly. This is a good sentiment, but Keebo’s use of it here just feels forced.

(You know who else other than Shuichi would very believably be a strong advocate of the power of fiction? Himiko! She’s presenting a fiction to the world all the time, all for the sake of giving people smiles! If her magic makes people smile even though it’s really fictional, then that means that it’s her fiction that’s doing all the real magic! The fact that things that we know full well are completely made-up can nonetheless draw us in and make us want to pretend it’s real and feel genuine emotion really is just freaking magical, and that goes for stories just as much as magic tricks.)

(…Not that Himiko would actually admit her magic is fiction, but I can see her getting this idea across by saying something like, “My magic is definitely real, but fiction can be almost as powerful as magic, you know!”)

Tsumugi: “Are you serious?”

Maki: “Are you getting flustered? Your costume changes are less frequent now.”

Hah, I like Maki calling her out on that. That’s the kind of thing it’s supposed to be my job to point out, but honestly I might not have even noticed the significance of that here without Maki’s insight.

“Nagito”: “But what about hope?”

“Junko”: “What about despair?”

Keebo: “Do whatever you want with hope and despair.”

I love that they all just do not give a fuck any more. Even Keebo! Honestly, him having finally realised that all this hope and despair stuff is bullshit is the biggest character growth we’ve seen from him this whole game.

Monokuma: “…Voting Time? No! Not yet! This killing game will continue!”

And now we get the sequence where Monokuma and Tsumugi keep trying to force Shuichi to “play” the game even though they’ve obviously already lost. You’re meant to run out this Nonstop Debate’s uniquely short timer, but another way to end it is to turn the “Continue the Game” bullet into “End the Game” by “lying” and fire that at any statement. It’s neat that they thought of that option.

It’s cute bit of fourth-wall-leaning that they then force you through multiple trial minigames that you have to stubbornly ignore… but this doesn’t actually make any sense. In-universe, this is a live reality TV show and not a videogame, and Shuichi doesn’t actually get given these minigames to play.

Oh look, it’s a Psyche Taxi segment that I don’t have to complain about! Because I don’t have to play it! Welp, I’m officially declaring this to be the best Psyche Taxi in the game, right here.

…For some reason, the car still moves ever so slightly even if you don’t press the accelerate button. And the fact that I have skills equipped to make this minigame go faster means I got closer to completing the question than other players would.

What must you never give up?

- Hope

This wouldn’t even be an interesting story if they played along, though. This would just be Shuichi spouting meaningless platitudes about hope, like Keebo was a while ago.

Shuichi: “We’re trying to survive! You’re the ones who want us to be entertaining!”

Remember the bit back in chapter 5 where Kokichi called Kaito “not boring” as he was supposedly about to die from the poison, and Kaito’s only response was a bewildered “What?”? That made me think of this line here. Nobody here has ever given a crap about whether or not what they’re doing is entertaining… except for Kokichi, because he was very like the mastermind of this game in a lot of ways.

“This was totally miscast.”

…Do some of them seriously think these are still actors? It’s sort of vaguely plausible that people might have been led to believe that until now, but these developments should definitely have blown the lid off of that deception even if that were the case.

“I don’t care as long as Himiko lives.”

Himiko still has a fan or two! But if they were really her fans, they’d want what she wants at this point, even if it means she has to die.

“I paid to see the punishments!”

“Make everyone die.”

There’s still plenty of people here who aren’t even believable viewers of fiction in any way. If all they’re here for is seeing people die, then clearly they don’t actually care about the characters, in which case what the hell was even the point of watching in the first place? Plus, a downer ending in which everyone dies presumably wouldn’t bother these people!

“This is why I wanted Kaede to live.”

Why? Kaede would be advocating for the exact same thing that Shuichi is right now, you know!

(This line does imply that the out-universe writers expected some of their actual audience to have wished Kaede had lived instead of Shuichi. But this doesn’t make nearly as much sense for the in-universe audience to think, because Kaede was never presented to them as the apparent protagonist.)

“Shuichi is mine! <3”

No, he isn’t, leave him the fuck alone.

The general gist of the audience’s comments, however, is them complaining about how they’re not enjoying this.

Shuichi: “If you’re going to complain… perhaps you should just stop watching.”

(More proof that Shuichi and the others can actually see all of these comments.)

This is still so awkwardly disconnected from reality. Everything that’s been happening since Shuichi realised what was up and started fighting back has been a way more compelling story than any of the nonsense that was going on while Keebo was being the protagonist. An actual reasonable audience wouldn’t be complaining about this at all – the only part of it they should have any potential issue with is the thought of no more killing games after this, but this killing game is getting a far better ending than it was looking like it was going to have a little while ago.

The conundrum that the out-universe writers have here is that they’re simultaneously trying to present an ending that’s supposedly boring enough to the in-universe audience that it ends the franchise, while not actually making the story boring to the real audience because they still want us to enjoy their game. They’re doing a decent enough job of keeping things compelling for us, at least in terms of how Shuichi and his friends have been acting here… but apparently the only way they could then try and sell the idea that the in-universe audience isn’t enjoying this like the out-universe audience should is by presenting the in-universe audience as mindless assholes who are not remotely relatable and nothing like a real audience of fiction would be. Which extremely compromises the point they’re trying to make about why this has gone on for so long in-universe.

But really, it would have been better, and easier, for the out-universe writers to have simply not given themselves this conundrum in the first place. Shuichi doesn’t actually need to try and give the audience a boring ending to end Danganronpa. If he did achieve it that way, it still wouldn’t fix the underlying problem this world has: that people think real-life killing games are a cool idea in principle, even if Danganronpa has apparently stagnated as a series enough to have ended. What Shuichi should actually be trying to do, already, is persuade the audience that they shouldn’t want this or anything like this any more, because real people dying is not worth anyone’s entertainment. That’s the only reasonable way things can end, and he should already be able to see that.

This wouldn’t be so hard to do if the audience had actually been presented as a vaguely reasonable audience of fiction who had been mostly wilfully ignoring the fact that everyone’s real until now. Because now, the fact that the audience has been watching real people die is part of the story, in a way that it’s never been before for however many of the 53 seasons have been real. It’s no longer something the audience can possibly ignore, no matter how much they may want to. And the audience should be reacting to this like any reasonable audience would – by rooting for the characters to get what they want, even if, in this case, it means the audience no longer gets what it wants. If this fiction was going to be powerful enough to change the world, all of that power and influence to be able to do so should have already happened through all five previous chapters of getting everyone more and more attached to these characters and invested in their goals. The majority of the audience should already be on Shuichi’s side here.

Obviously this would still be hard for a lot of people to accept – that they’re the villains, that in order for their heroes to win and get a happy ending they’ll need to stop getting their favourite show, that actually they should feel awful about having ever enjoyed the show in the first place. There’d still be plenty of resistance – but it should be meaningful resistance full of people having conflicted, human reactions to realising that they’ve always been in the wrong, not any of this one-dimensional “hurr durr this is boring everyone should just be yelling about hope and/or dying”.

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douxreviews · 5 years

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Jessica Jones - ‘A.K.A. Camera Ready’ Review

"The operative word here is 'friendly'"

Jessica Jones avoids the traditional Netflix mid-season lag: A.K.A. Do not read this review until you've watched the episode.

Well, I feel like kind of an asshole now.

Jessica Jones and Gregory Sallinger spend some quality time trying to piss one another off as much as possible. Both succeed. Of course, this isn't a game you want to play with a serial killer, as Jessica discovers.

There's actually a solid thread running through this episode as regards actions having consequences. In hindsight, I should have realized that we were being gently prepared for a big, unforeseen consequence heading our way at high speed. Jessica acknowledges that it was her compulsion to rub Sallinger's nose in the fact that she'd discovered his first murder victim which led to his decision to kill that day. That was causing her enough guilt when it was going to be a stranger, God alone knows how she's going to handle...

No, I'm not there yet. Let's keep circling that one.

Trish's actions are also bringing consequences, however unlike Jessica Trish isn't recognizing or owning them. Her need to get photographed last episode directly resulted in the local police no longer being able to bring in the body of Sallinger's first victim so that they could examine it for possible vital evidence proving him to be a killer. That's a huge problem which threatened to undo all of the forward momentum that Jesssica's gazebo demolition had achieved. Unfortunately, Trish doesn't appear to be learning and growing from the mistake, which means she hasn't reached a newfound level of superhero maturity. Which is too bad, because she really needed to be a little more centered when...

Nope. Still not yet. Soon.

Jessica also has grown enough that when it came down to alerting and possibly saving an unknown woman, she didn't hesitate to eat crow and call in Dorothy for a little PR help. Dorothy was absolutely right earlier in the episode when she pointed out that Trish and Jessica were in dire need of a publicist. They're currently engaged in an active public relations battle with Jeri's law firm and are currently getting their asses handed to them. It's telling that Jessica was perfectly willing to endure it forever when it was just hurting her, but didn't hesitate to take the available help when it was a case of helping a stranger. In fact, Dorothy was solid throughout this whole episode. OK, she was solid through almost the whole episode. She was even kind at one stage, pointing out to Jessica that her tantrum on air would actually make the potential victim more likely to see the video. That's solid publicist reasoning. You know, I feel like there's something we should be discussing about Dorothy. Now what was it.

OK, one last thing and I'll get there. There's a huge 'I look like a jerk' acknowledgement involved, and I'm deeply opposed to situations where I look bad.

This episode was largely a struggle of wills between Jessica and Sallinger, and as such it worked well. The back and forth of 'who will irritate the other more' was riveting to watch unfold. However, it came at the cost of several enormous suspensions of disbelief that really took me out of the story a few times. For example, Jessica might not know what Instayap is, or that it only gives you two plays of the video. I'll even buy that Trish didn't know that, although that's more of a stretch. But app traffic between phones is hugely trackable by the authorities, and the mere fact of Sallinger having provably sent video to Jessica, a woman he's accusing of stalking him, would be a big deal. Likewise, he either currently has or is getting a restraining order against her and is handed video proof of her in his apartment destroying things. His current goal is to humiliate her, why would he not let the cops and/or media know about this immediately? I suppose it would get in the way of his day's murder plans, but it still felt like an odd moment.

On a lesser point, Trish was taping promos for her show, she wasn't on air. There's no way that a floor director wouldn't have stopped cameras the second Jessica started making noise. They certainly wouldn't have acted like Dorothy was trapped doing the spot once Trish brought her in.

OK, let's do this.

We need to talk about Dorothy.

In my review for 'Sorry Face' I stated that I hated Dorothy and I hoped she would be Sallinger's next victim. I swear, I had no idea what was coming, I was just being bitchy. And while I realize that she's a fictional character and no actual people were harmed, it's astounding how guilty I felt about having written that when the penny dropped and we all realized just what Sallinger had been doing with his day. Of course it was Dorothy he killed. It should have been obvious from the beginning, and yet I didn't clock it until just before the lipstick on the glass shot. Excellent use of established prop to convey unspoken information, by the way.

This really comes down to the final disbelief that I haven't been able to dispel for the last few episodes. Specifically, there's just no way that the entire city wouldn't be looking at the mysterious new blond vigilante hanging out with Jessica Jones and not thinking, 'Oh, hey. There's Trish.' Their connection is just too easy to know about and Trish is around Jessica way too much for that to not be the most solvable mystery the city has ever seen. The fact that Sallinger seems to have figured it out is, I think, supposed to be a sign of how smart he is, but mostly read as, 'thank God somebody noticed that really obvious thing.'

So, I'm sorry Dorothy. I didn't mean to wish you dead immediately before you were violently killed in exactly the way I said I hoped you would be. My bad. All I can say is that in your eleventh hour you proved to me that you were, if nothing else, actually a really good publicist./

Bits and Pieces:

- Zaya covered up the fact that Malcolm knows who the 'mysterious' vigilante that hacked their system is. I think that proves that she isn't evil, right? Her points about the need for legal defense even for the guilty were all solid as well. Our whole legal system is kind of based on that.

- It was a really good decision to not show us one way or another whether Sallinger was dead at the end. My gut tells me that Trish killed him and now she's going to be the moral problem for the remainder of the series, but I don't yet know.

- Did we already know that Costa was gay? I don't recall. In any case, he and his husband Russell were adorable together, and I really hope they don't go the 'Curtis on Arrow' route with Costa's relationship.

- Whatever Jeri's motives for breaking up Kith's marriage were, in terms of plot function it led to Peter's suicide video accusing Jeri of helping supers get away with lawbreaking which directly led to Jeri having to take a harder stand against Jessica at this stage than she otherwise would have just to prove that she isn't. That's nice long term structure.

- I loved the waiter knowing all about Patsy and being totally unimpressed with Trish's attempts to con him.

- No Erik again this episode. I miss Erik. I hope we see him again. I could live with losing Berry, however.

- The above was not meant to read as a wish that Berry would be murdered.

Quotes:

Dorothy: "Oh no. Her costume is a disaster." Jessica: "Once again you’ve hit the nail on the head."

Jessica: "Well, it turns out that vandalism is both fun and effective."

Trish: "He's changing his MO to a proxy for you." Gillian: "Glad I haven’t Single White Femaled you yet."

Dorothy: "Just a little zhuzh. You have to sell yourself, and this is part of it."

Costa: "I’ll be here processing all the women you’ve terrified."

Jessica: "I hate giving a shit." Trish: "I’m beginning to see why."

Once you accept a few plot contrivances that don't entirely work, this is a solid and suspenseful episode with a killer ending. I'm sorry, I couldn't resist that. I'm weak.

Seven out of ten broken wrestling trophies.

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Mikey Heinrich is, among other things, a freelance writer, volunteer firefighter, and roughly 78% water.

#Jessica Jones #Trish Walker #Jeri Hogarth #Malcolm Ducasse #Marvel #MCU #Jessica Jones Reviews #Doux Reviews #TV Reviews

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